{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=18\u0026view=compact","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=17\u0026view=compact","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=19\u0026view=compact","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=3680\u0026view=compact"},"meta":{"pages":{"current_page":18,"next_page":19,"prev_page":17,"total_pages":3680,"limit_value":10,"offset_value":170,"total_count":36796,"first_page?":false,"last_page?":false}},"data":[{"id":"wvmturhc_repositories_2_resources_6197_c01_c06_c02_c05","type":"Item","attributes":{"title":"1937 October 30 -- Charleston, Works Progress Administration, Federal Writer's Project, assistant State Editor Margaret C. Williamson to Edith Lett, Lewisburg, regarding information needed for the Lewisburg City chapter of the guide book for West Virginia. Map drawn on reverse.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6197_c01_c06_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6197_c01_c06_c02_c05","ref_ssm":["wvmturhc_repositories_2_resources_6197_c01_c06_c02_c05"],"id":"wvmturhc_repositories_2_resources_6197_c01_c06_c02_c05","ead_ssi":"wvmturhc_repositories_2_resources_6197","_root_":"wvmturhc_repositories_2_resources_6197","_nest_parent_":"wvmturhc_repositories_2_resources_6197_c01_c06_c02","parent_ssi":"wvmturhc_repositories_2_resources_6197_c01_c06_c02","parent_ssim":["wvmturhc_repositories_2_resources_6197","wvmturhc_repositories_2_resources_6197_c01","wvmturhc_repositories_2_resources_6197_c01_c06","wvmturhc_repositories_2_resources_6197_c01_c06_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6197","wvmturhc_repositories_2_resources_6197_c01","wvmturhc_repositories_2_resources_6197_c01_c06","wvmturhc_repositories_2_resources_6197_c01_c06_c02"],"parent_unittitles_ssm":["Roy Bird Cook (1886-1961), Collector, Papers","Series 1. Zimmerman Collection -- Correspondence","Series 1. Zimmerman Collection -- Correspondence -- Miscellaneous","Miscellaneous letters, including: a letter to Rev. L.B. Bobbitt from Eugene R. Smith, about Smith's service to the Methodist Episcopal Church and the Methodist Episcopal Church South for many years, including his service in Lewisburg; a letter from Margaret C. Williamson, Assistant State Editor for the Federal Writers' Project, to Edith Lett, explaining what she needs to include in her Lewisburg City guide chapter; and a list of all Presbyterian Churches and their memberships in Greenbrier County. 7 items."],"parent_unittitles_tesim":["Roy Bird Cook (1886-1961), Collector, Papers","Series 1. Zimmerman Collection -- Correspondence","Series 1. Zimmerman Collection -- Correspondence -- Miscellaneous","Miscellaneous letters, including: a letter to Rev. L.B. Bobbitt from Eugene R. Smith, about Smith's service to the Methodist Episcopal Church and the Methodist Episcopal Church South for many years, including his service in Lewisburg; a letter from Margaret C. Williamson, Assistant State Editor for the Federal Writers' Project, to Edith Lett, explaining what she needs to include in her Lewisburg City guide chapter; and a list of all Presbyterian Churches and their memberships in Greenbrier County. 7 items."],"text":["Roy Bird Cook (1886-1961), Collector, Papers","Series 1. Zimmerman Collection -- Correspondence","Series 1. Zimmerman Collection -- Correspondence -- Miscellaneous","Miscellaneous letters, including: a letter to Rev. L.B. Bobbitt from Eugene R. Smith, about Smith's service to the Methodist Episcopal Church and the Methodist Episcopal Church South for many years, including his service in Lewisburg; a letter from Margaret C. Williamson, Assistant State Editor for the Federal Writers' Project, to Edith Lett, explaining what she needs to include in her Lewisburg City guide chapter; and a list of all Presbyterian Churches and their memberships in Greenbrier County. 7 items.","1937 October 30 -- Charleston, Works Progress Administration, Federal Writer's Project, assistant State Editor Margaret C. Williamson to Edith Lett, Lewisburg, regarding information needed for the Lewisburg City chapter of the guide book for West Virginia. Map drawn on reverse.","Box 1","Folder 20"],"title_filing_ssi":"1937 October 30 -- Charleston, Works Progress Administration, Federal Writer's Project, assistant State Editor Margaret C. Williamson to Edith Lett, Lewisburg, regarding information needed for the Lewisburg City chapter of the guide book for West Virginia. Map drawn on reverse.","title_ssm":["1937 October 30 -- Charleston, Works Progress Administration, Federal Writer's Project, assistant State Editor Margaret C. Williamson to Edith Lett, Lewisburg, regarding information needed for the Lewisburg City chapter of the guide book for West Virginia. Map drawn on reverse."],"title_tesim":["1937 October 30 -- Charleston, Works Progress Administration, Federal Writer's Project, assistant State Editor Margaret C. Williamson to Edith Lett, Lewisburg, regarding information needed for the Lewisburg City chapter of the guide book for West Virginia. Map drawn on reverse."],"unitdate_inclusive_ssm":["1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1937 October 30 -- Charleston, Works Progress Administration, Federal Writer's Project, assistant State Editor Margaret C. Williamson to Edith Lett, Lewisburg, regarding information needed for the Lewisburg City chapter of the guide book for West Virginia. Map drawn on reverse."],"component_level_isim":[4],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Roy Bird Cook (1886-1961), Collector, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":173,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1937],"containers_ssim":["Box 1","Folder 20"],"_nest_path_":"/components#0/components#5/components#1/components#4","timestamp":"2026-05-21T00:40:21.874Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6197","ead_ssi":"wvmturhc_repositories_2_resources_6197","_root_":"wvmturhc_repositories_2_resources_6197","_nest_parent_":"wvmturhc_repositories_2_resources_6197","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6197.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199147","title_ssm":["Roy Bird Cook (1886-1961), Collector, Papers"],"title_tesim":["Roy Bird Cook (1886-1961), Collector, Papers"],"unitdate_ssm":["1774, 1822-1943"],"unitdate_inclusive_ssm":["1774, 1822-1943"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 1528","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6197"],"text":["A\u0026M 1528","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6197","Roy Bird Cook (1886-1961), Collector, Papers","Egypt","Georgia","Greenbrier County (W. Va.)","Harpers Ferry (W. Va.) -- History -- John Brown's Raid, 1859","Lewisburg (W. Va.) - History - Civil War, 1861-1865","Tennessee","Vicksburg (Miss.)","United States -- History -- Civil War, 1861-1865 -- Military life","United States -- History -- Civil War, 1861-1865 -- Veterans","United States -- History -- Civil War, 1861-1865","Academies and Institutes.","Accounting","Cedar Creek, Battle of, Va., 1864","Cemeteries -- Recording","Cemeteries","Education","Frontier and pioneer life","Genealogy","Indians, North American.","Marriage records","Methodist Episcopal Church.","Military camps","Pioneers","Presbyterian Church.","Registers of births, etc","Roads -- West Virginia","Schools","Seminole War, 2nd, 1835-1842","Slaves and slavery.","Taverns (Inns)","Toll roads  -- West Virginia","Transportation","Women -- Education -- United States","Women's history -- 1850-1899","No special access restriction applies.","Marcellus William Zimmerman  (ca. 1853-January 30, 1937), longtime resident of Lewisburg, Greenbrier County, West Virginia, was editor of the Greenbrier Independent for many years. His weekly \"Notes\" column in the local papers contained large quantities of information on local history, county residents, genealogy, and the Civil War in Greenbrier County. He also served as the County Clerk and County Historian for Greenbrier. Zimmerman married Sallie R. Chockley (ca. 1859-March 16, 1931) on April 8, 1883. They had a son, Frank (b. ca. 1894), and a daughter, Edith (b. February 23, 1901). Edith married James A. Lett on September 11, 1920. She also engaged in historical and genealogical pursuits.","Thomas and Nancy Reynolds  were the parents of  Alexander W. Reynolds ,  Sallie (Sally) Reynolds Patton , and possibly Eliza S. Mathews. Sallie married William Patton and had a son, also named William, who died in 1870. Alexander and his wife, Mary, had a daughter named Sally who died of scarlet fever in 1852. They also had a son, Frank, and a grandson called Aleck.","Roy Bird Cook  (April 1, 1886 - November 21, 1961) was born in Lewis County, near Roanoke, WV. Cook was a pharmacist and prominent West Virginia historian. Cook wrote several books on the history of Lewis County and biographies of Stonewall Jackson and Alexander Scott Withers, and contributed historical articles to a wide variety of publications. He also collected Civil War and early West Virginia documents and memorabilia.","The 31st Virginia Volunteer Infantry Regiment  was formed in the early weeks of the Civil War when Confederate General Robert E. Lee ordered the recruitment of troops to protect railroad lines running through western Virginia's northern counties. On May 4, Lee appointed Colonel George Porterfield to assume command of these forces, which were being raised primarily in Taylor, Marion, Harrison, Monongalia, and Barbour Counties. In the next few weeks, these new recruits found themselves in the war's first arena, a tactical struggle for control of the Confederacy's northwestern flank--the hills, rails, and rivers of what would soon become the nation's 35th state, West Virginia.","\nComposed of some of the war's earliest recruits, the 31st Virginia Infantry would see action under General Garnett, William L. \"Mudwall\" Jackson, Jones and Imboden, Stonewall Jackson, Jubal Early, and many more legendary Confederate commanders, at battles including Corrick's Ford, Cross Keys, Cold Harbor, Gettysburg, New Market, and others. Approximately 57 of the 850 men who joined the regiment in 1861 witnessed Lee's surrender at Appomattox on April 9, 1865.","\nA detailed history of the 31st Virginia by James Dell Cooke is available online. Researchers are also referred to John M. Ashcraft's '31st Virginia Infantry' (Lynchburg, Va.: H.E. Howard, 1988).","81, 858, 895, 1309, 1379, 1528, 1561","Includes genealogy and Civil War records collected by Roy Bird Cook of Lewis County, West Virginia.","\nSeries 1 through 5 were compiled by Marcellus W. Zimmerman. They include correspondence, church records, academic records, genealogical records, research manuscripts, and clippings regarding primarily the genealogy and history of Lewisburg and Greenbrier County, and the life and career of Confederate Brigadier General Alexander W. Reynolds.","\nSeries 6 through 8 were collected by Roy Bird Cook. They include military records and clippings regarding West Virginia units, the Confederate 31st Virginia Infantry, and other Confederate units from Virginia; there are also business and miscellaneous records, including ledgers, clippings, research notes, etc.","\nSeries 9 includes oversized material from earlier series.","\nSpecific topics of Series 1 through 5 include: correspondence regarding the genealogy of families in West Virginia and Virginia, with a special focus on Greenbrier County (1881-1943); Confederate Brigadier General Alexander W. Reynolds' life and military career before and during the Civil War, as well as his post-War service in the Army of the Viceroy (Khedive) of Egypt (1835-1875 and undated); correspondence of Thomas H. Dennis, editor of the  Greenbrier Independent , regarding county affairs, politics, and local history (1899-1921); the Lewisburg Methodist Episcopal Church (1834-1843 and undated); the Old Lewisburg Academy, the Lewisburg Female Institute, and other area schools (1827-1879 and undated); biographical sketches of area persons and families, such as the Alexander, Anderson, Burnside, Beirne, Caldwell, Crawford, Creigh, Erskine, Feamster, Mathews, McElhenney, McLaughlin, Nickell, Reynolds, Smith, Thompson, Van Bibber, and Welch families (1830-1937); and the history of Greenbrier County (1867-1940 and undated), among others.","\nSpecific topics of Series 6 through 8 include: the 31st Virginia Infantry and other Confederate and Union units (1855-1938 and undated [bulk 1861-1865]); financial accounts of general merchandise, subscriptions, hotel maintenance and repair, etc. (ca. 1853-1899); ephemera related to West Virginia (1848-1922); and clippings and handwritten notes regarding the history, appearance, and growing of various flowers (1899-1936 and undated), among others.","\nSpecific topics of Series 9 include: students of the Old Lewisburg Academy, the Lewisburg Female Institute, etc. (1853-1927); Greenbrier death records (undated); the 31st Virginia Infantry and other Confederate units (1861-1864); and genealogical sketches on various families (ca. 1886, undated).","\nMore information on the content of each series in this collection is available in the series-level records.","This series contains six subseries.","Includes correspondence regarding genealogy of families in Greenbrier County, including letters to Marcellus W. Zimmerman and his daughter Edith Lett (regarding Zimmerman's genealogy and history notes).","This subseries includes letters to and from Sallie Patton of Lewisburg, Nancy Reynolds, Granville Alderson, Frank Reynolds, S. B. Hern, I. W. Branham, and Thomas Reeves Ash. Subjects include family matters and the Civil War. Highlights include letters describing military action near Lewisburg (1862), Confederate military camps and officers (1862), and \"Yankee\" depredations in Lewisburg (1864). 14 items.","This subseries includes mainly letters written by Alexander W. Reynolds to his sister Sallie Patton. Topics include family matters, Reynolds' military work before the Civil War, Civil War related correspondence while Reynolds was an officer in the Confederate States Army, and Reynolds' experiences serving in the army of the Viceroy of Egypt.","This subseries includes military orders, vouchers, and correspondence related to Reynolds' time in the Confederate States Army.","This subseries includes letters to Dennis, who was a Speaker of the West Virginia House of Delegates, Superintendent of Greenbrier County Schools, Colonel in the Confederate Army, and editor of the  Greenbrier Independent . Correspondents include W.A. Truslow, Lucile Humphreys, John McNeel, J. Coleman Alderson, J.G. Stevens, and others. Subjects include county affairs, politics, and local history. Other items include invitations to the Louisiana Purchase Centennial and to the commencement of Morgantown (W.Va.) High School Class of 1914. Includes 8 items. Additional T.H. Dennis materials can be found in Series 8, Miscellany.","This subseries includes letters relating to genealogy, the history of Lewisburg and Greenbrier County, etc.","Includes station reports, stewards' accounts, receipts, financial statements, member pledges, etc.","Includes notebooks of principals, which contain pupil lists, years attended, and name of parent or guardian (1827-1879 and undated). Also includes newspaper clippings on the history of Old Lewisburg Academy and other area schools. See also Series 9, Oversized, box 13 for additional alumni lists for the Old Lewisburg Academy, Lewisburg Female Institute, Greenbrier College for Women, etc.","This series includes personal and genealogical information about many individuals and families of Virginia and West Virginia. Please see the folder-level records for the complete list of names. Also included are images of prominent individuals (ca. 1916); images of unidentified Confederate veterans (undated); newspaper clippings of articles about Henry G. Davis, Stephen B. Elkins, and John H. Holt (1900-1915); and various materials relating to the history of Lewisburg and Greenbrier County. Additional genealogical and historical information can also be found in: Series 5, Zimmerman Collection -- History; Series 9, Oversized, box 15, folder 4; and Series 9, Oversized, box 14, folder 2.","This series includes manuscripts, correspondence, and newspaper clippings regarding the history of Greenbrier County and some of its families. Topics include, among others: the formation of Greenbrier County (WV), Augusta County (VA), and Frederick County (VA); Washington landing on the Kanawha River; Jarrett's Fort; the Battle of Cedar Creek; old houses of Lewisburg; history of the Henning and Plumer families; West Virginia archaeology; and Alexander Welch's account of life as a colonial soldier at Valley Forge.","This series contains four subseries, which include:"," West Virginia; 1859-1938; box 3, folder 14-18;  \n 31st Virginia Infantry; 1855-1936 and undated (bulk 1861-1865); box 4, folder 1 through box 7, folder 28;  \n Other Virginia CSA Units; 1910-1932 and undated; box 7, folder 29 through box 8, folder 2; and  \n Clippings; 1927; box 8, folder 3-5.","This subseries includes military records related to military companies or organizations of West Virginia. Items include a roster of Morris Post #50 Grand Army of the Republic members, record books of the Greenbrier Light Infantry Grays, information on companies formed before and after John Brown's raid at Harper's Ferry, etc. The Greenbrier Light Infantry Grays were Company A, 2nd West Virginia Regiment, organized July 21, 1877, Lewisburg, WV. For additional West Virginia military records, see also Series 9, Oversized, box 14, folder 3-4.","This subseries includes Confederate army forms, correspondence, and manuscript notes pertaining to the 31st Virginia Volunteer Infantry Regiment. These records include official discharge papers for causes such as injury or age; pay vouchers; requisitions; conscript material; orders and circulars; Quartermaster's Stores invoices; receipts; court martial papers; lists of men absent without leave; etc. Requisitions were made through use of handwritten missives, Special Requisition forms, Requisition for Forage forms, etc. Items mentioned in requisition and receipt documents include stationary, food, clothing, horses, haversacks, tents, etc. Orders (both special and general orders, unless otherwise noted) and circulars cover a variety of topics, including troop movements, disabilities, furloughs, courts martial, etc. This subseries also includes an official document dated October 24, 1861, written by the commissioners of Camp Bartow, declaring that William P. Cooper was voted into the vacancy left in the Virginia state convention by the expulsion of John S. Carlile. Cooper was part of the 31st Virginia Infantry. See also Series 9, Oversized, box 15, folder 1 and map cabinet 1, drawer 20."," For digitized documents of the 31st Virginia Infantry from another collection, visit \"Records of the 31st Virginia Infantry Regiment, C.S.A.\" (see link in Instances/Digital Objects).","For digitized documents of the 31st Virginia Infantry from another collection, click here: Civil War - Documents of the 31st Regiment (CSA).","This subseries includes: typescript rosters of a variety of companies and batteries of Virginia Light Artillery, Infantry, and Cavalry; correspondence regarding Confederate military units formed in West Virginia; and typescript records listing Confederate soldiers by county and regiment. See also Series 9, Oversized, box 15, folder 2 and map cabinet 1, drawer 20.","This subseries includes photocopies and original clippings of a series of articles on recollections of life during the Civil War by Dr. Thomas Bland Camden, transcribed from original notes by Roy Bird Cook, which were printed in the   Weston Democrat   from January 7 to June 3, 1927.","This series includes day books, ledgers, pocket diaries, and scrapbooks. Accounting entries cover general merchandise, subscriptions, hotel maintenance and repair, etc. Some items also include newspaper clippings about poultry, horticulture, fictional stories, etc. For additional account books, see also Series 9, Oversized, box 14, folder 1 and box 15, folder 5.","This series includes printed and manuscript items such as: a scrapbook of newspaper clippings regarding the Civil War (ca. 1861-1865); ephemera related to West Virginia (1848-1922); handwritten lecture notes by T.H. Dennis on legal topics (1872-1873); and clippings and handwritten notes regarding the history, appearance, and growing of various flowers (1899-1936 and undated). Many of the handwritten notes and some of the clippings bear handwritten page numbers and the words \"used\" or \"not used.\" For additional Civil War-related newspaper clippings, see Series 9, Oversized, box 14, folder 5. For additional materials related to T.H. Dennis, see Series 1, Zimmerman Collection -- Correspondence -- Letters to Thomas H. Dennis.","This series includes lists of students of the Old Lewisburg Academy, the Lewisburg Female Institute, etc. (1853-1927); account ledgers (1825-1891, undated); Greenbrier death records (undated); military records (ca. 1830s-1903); newspaper clippings (1861-1884, undated); and genealogical sketches on various families (ca. 1886, undated). Many of the lists of students are written on the back sides of older ledger pages. This series also includes receipts, financial statements, and muster rolls for the 31st Virginia Infantry, as well as muster rolls from other Confederate units (1861-1864).","For additional military records, see Series 6, Military Records. For additional genealogical sketches, see Series 4, Zimmerman Collection -- Biographical and Genealogical Sketches. For additional account books and ledgers, see Series 7, Business Records. For additional materials related to the Old Lewisburg Academy and its offshoots, see Series 3, Zimmerman Collection -- Old Lewisburg Academy.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Includes genealogy and Civil War records collected by Roy Bird Cook of Lewis County, West Virginia. Series 1 through 5 were compiled by Marcellus W. Zimmerman. They include correspondence, church records, academic records, genealogical records, research manuscripts, and clippings regarding primarily the genealogy and history of Lewisburg and Greenbrier County, and the life and career of Confederate Brigadier General Alexander W. Reynolds. Series 6 through 8 were collected by Roy Bird Cook. They include military records and clippings regarding West Virginia units, the Confederate 31st Virginia Infantry, and other Confederate units from Virginia; there are also business and miscellaneous records, including ledgers, clippings, research notes, etc. Series 9 includes oversized material from earlier series.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Confederate States of America. Army. Virginia Artillery. 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(William Tecumseh), 1820-1891","Zimmerman, Marcellus W.","English"],"unitid_tesim":["A\u0026M 1528","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6197"],"normalized_title_ssm":["Roy Bird Cook (1886-1961), Collector, Papers"],"collection_title_tesim":["Roy Bird Cook (1886-1961), Collector, Papers"],"collection_ssim":["Roy Bird Cook (1886-1961), Collector, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Egypt","Georgia","Greenbrier County (W. Va.)","Harpers Ferry (W. Va.) -- History -- John Brown's Raid, 1859","Lewisburg (W. 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(10 document cases, 5 in. each); (2 document cases, 2 1/2 in. each); (2 large flat storage boxes, 3 1/2 in. each); (1 large flat storage box, 3 in.); (3 oversize folders, 1 in.)"],"extent_tesim":["5.5 Linear Feet 5 ft. 6 in. (10 document cases, 5 in. each); (2 document cases, 2 1/2 in. each); (2 large flat storage boxes, 3 1/2 in. each); (1 large flat storage box, 3 in.); (3 oversize folders, 1 in.)"],"date_range_isim":[1774,1775,1776,1777,1778,1779,1780,1781,1782,1783,1784,1785,1786,1787,1788,1789,1790,1791,1792,1793,1794,1795,1796,1797,1798,1799,1800,1801,1802,1803,1804,1805,1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eMarcellus William Zimmerman\u003c/emph\u003e (ca. 1853-January 30, 1937), longtime resident of Lewisburg, Greenbrier County, West Virginia, was editor of the Greenbrier Independent for many years. His weekly \"Notes\" column in the local papers contained large quantities of information on local history, county residents, genealogy, and the Civil War in Greenbrier County. He also served as the County Clerk and County Historian for Greenbrier. Zimmerman married Sallie R. Chockley (ca. 1859-March 16, 1931) on April 8, 1883. They had a son, Frank (b. ca. 1894), and a daughter, Edith (b. February 23, 1901). Edith married James A. Lett on September 11, 1920. She also engaged in historical and genealogical pursuits.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eThomas and Nancy Reynolds\u003c/emph\u003e were the parents of \u003cemph render=\"bold\"\u003eAlexander W. Reynolds\u003c/emph\u003e, \u003cemph render=\"bold\"\u003eSallie (Sally) Reynolds Patton\u003c/emph\u003e, and possibly Eliza S. Mathews. Sallie married William Patton and had a son, also named William, who died in 1870. Alexander and his wife, Mary, had a daughter named Sally who died of scarlet fever in 1852. They also had a son, Frank, and a grandson called Aleck.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eRoy Bird Cook\u003c/emph\u003e (April 1, 1886 - November 21, 1961) was born in Lewis County, near Roanoke, WV. Cook was a pharmacist and prominent West Virginia historian. Cook wrote several books on the history of Lewis County and biographies of Stonewall Jackson and Alexander Scott Withers, and contributed historical articles to a wide variety of publications. He also collected Civil War and early West Virginia documents and memorabilia.\u003c/p\u003e\n","\u003cp\u003e\n\u003cemph render=\"bold\"\u003eThe 31st Virginia Volunteer Infantry Regiment\u003c/emph\u003e was formed in the early weeks of the Civil War when Confederate General Robert E. Lee ordered the recruitment of troops to protect railroad lines running through western Virginia's northern counties. On May 4, Lee appointed Colonel George Porterfield to assume command of these forces, which were being raised primarily in Taylor, Marion, Harrison, Monongalia, and Barbour Counties. In the next few weeks, these new recruits found themselves in the war's first arena, a tactical struggle for control of the Confederacy's northwestern flank--the hills, rails, and rivers of what would soon become the nation's 35th state, West Virginia.\u003c/p\u003e\n","\u003cp\u003e\nComposed of some of the war's earliest recruits, the 31st Virginia Infantry would see action under General Garnett, William L. \"Mudwall\" Jackson, Jones and Imboden, Stonewall Jackson, Jubal Early, and many more legendary Confederate commanders, at battles including Corrick's Ford, Cross Keys, Cold Harbor, Gettysburg, New Market, and others. Approximately 57 of the 850 men who joined the regiment in 1861 witnessed Lee's surrender at Appomattox on April 9, 1865.\u003c/p\u003e\n","\u003cp\u003e\nA detailed history of the 31st Virginia by James Dell Cooke is available online. Researchers are also referred to John M. Ashcraft's '31st Virginia Infantry' (Lynchburg, Va.: H.E. Howard, 1988).\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Marcellus William Zimmerman  (ca. 1853-January 30, 1937), longtime resident of Lewisburg, Greenbrier County, West Virginia, was editor of the Greenbrier Independent for many years. His weekly \"Notes\" column in the local papers contained large quantities of information on local history, county residents, genealogy, and the Civil War in Greenbrier County. He also served as the County Clerk and County Historian for Greenbrier. Zimmerman married Sallie R. Chockley (ca. 1859-March 16, 1931) on April 8, 1883. They had a son, Frank (b. ca. 1894), and a daughter, Edith (b. February 23, 1901). Edith married James A. Lett on September 11, 1920. She also engaged in historical and genealogical pursuits.","Thomas and Nancy Reynolds  were the parents of  Alexander W. Reynolds ,  Sallie (Sally) Reynolds Patton , and possibly Eliza S. Mathews. Sallie married William Patton and had a son, also named William, who died in 1870. Alexander and his wife, Mary, had a daughter named Sally who died of scarlet fever in 1852. They also had a son, Frank, and a grandson called Aleck.","Roy Bird Cook  (April 1, 1886 - November 21, 1961) was born in Lewis County, near Roanoke, WV. Cook was a pharmacist and prominent West Virginia historian. Cook wrote several books on the history of Lewis County and biographies of Stonewall Jackson and Alexander Scott Withers, and contributed historical articles to a wide variety of publications. He also collected Civil War and early West Virginia documents and memorabilia.","The 31st Virginia Volunteer Infantry Regiment  was formed in the early weeks of the Civil War when Confederate General Robert E. Lee ordered the recruitment of troops to protect railroad lines running through western Virginia's northern counties. On May 4, Lee appointed Colonel George Porterfield to assume command of these forces, which were being raised primarily in Taylor, Marion, Harrison, Monongalia, and Barbour Counties. In the next few weeks, these new recruits found themselves in the war's first arena, a tactical struggle for control of the Confederacy's northwestern flank--the hills, rails, and rivers of what would soon become the nation's 35th state, West Virginia.","\nComposed of some of the war's earliest recruits, the 31st Virginia Infantry would see action under General Garnett, William L. \"Mudwall\" Jackson, Jones and Imboden, Stonewall Jackson, Jubal Early, and many more legendary Confederate commanders, at battles including Corrick's Ford, Cross Keys, Cold Harbor, Gettysburg, New Market, and others. Approximately 57 of the 850 men who joined the regiment in 1861 witnessed Lee's surrender at Appomattox on April 9, 1865.","\nA detailed history of the 31st Virginia by James Dell Cooke is available online. Researchers are also referred to John M. Ashcraft's '31st Virginia Infantry' (Lynchburg, Va.: H.E. Howard, 1988)."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Roy Bird Cook (1886-1961), Collector, Papers, A\u0026amp;M 1528, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Roy Bird Cook (1886-1961), Collector, Papers, A\u0026M 1528, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e81, 858, 895, 1309, 1379, 1528, 1561\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["81, 858, 895, 1309, 1379, 1528, 1561"],"scopecontent_html_tesm":["\u003cp\u003eIncludes genealogy and Civil War records collected by Roy Bird Cook of Lewis County, West Virginia.\u003c/p\u003e\n","\u003cp\u003e\nSeries 1 through 5 were compiled by Marcellus W. Zimmerman. They include correspondence, church records, academic records, genealogical records, research manuscripts, and clippings regarding primarily the genealogy and history of Lewisburg and Greenbrier County, and the life and career of Confederate Brigadier General Alexander W. Reynolds.\u003c/p\u003e\n","\u003cp\u003e\nSeries 6 through 8 were collected by Roy Bird Cook. They include military records and clippings regarding West Virginia units, the Confederate 31st Virginia Infantry, and other Confederate units from Virginia; there are also business and miscellaneous records, including ledgers, clippings, research notes, etc.\u003c/p\u003e\n","\u003cp\u003e\nSeries 9 includes oversized material from earlier series.\u003c/p\u003e\n","\u003cp\u003e\nSpecific topics of Series 1 through 5 include: correspondence regarding the genealogy of families in West Virginia and Virginia, with a special focus on Greenbrier County (1881-1943); Confederate Brigadier General Alexander W. Reynolds' life and military career before and during the Civil War, as well as his post-War service in the Army of the Viceroy (Khedive) of Egypt (1835-1875 and undated); correspondence of Thomas H. Dennis, editor of the \u003cemph render=\"italic\"\u003eGreenbrier Independent\u003c/emph\u003e, regarding county affairs, politics, and local history (1899-1921); the Lewisburg Methodist Episcopal Church (1834-1843 and undated); the Old Lewisburg Academy, the Lewisburg Female Institute, and other area schools (1827-1879 and undated); biographical sketches of area persons and families, such as the Alexander, Anderson, Burnside, Beirne, Caldwell, Crawford, Creigh, Erskine, Feamster, Mathews, McElhenney, McLaughlin, Nickell, Reynolds, Smith, Thompson, Van Bibber, and Welch families (1830-1937); and the history of Greenbrier County (1867-1940 and undated), among others.\u003c/p\u003e\n","\u003cp\u003e\nSpecific topics of Series 6 through 8 include: the 31st Virginia Infantry and other Confederate and Union units (1855-1938 and undated [bulk 1861-1865]); financial accounts of general merchandise, subscriptions, hotel maintenance and repair, etc. (ca. 1853-1899); ephemera related to West Virginia (1848-1922); and clippings and handwritten notes regarding the history, appearance, and growing of various flowers (1899-1936 and undated), among others.\u003c/p\u003e\n","\u003cp\u003e\nSpecific topics of Series 9 include: students of the Old Lewisburg Academy, the Lewisburg Female Institute, etc. (1853-1927); Greenbrier death records (undated); the 31st Virginia Infantry and other Confederate units (1861-1864); and genealogical sketches on various families (ca. 1886, undated).\u003c/p\u003e\n","\u003cp\u003e\nMore information on the content of each series in this collection is available in the series-level records.\u003c/p\u003e","\u003cp\u003eThis series contains six subseries.\u003c/p\u003e","\u003cp\u003eIncludes correspondence regarding genealogy of families in Greenbrier County, including letters to Marcellus W. Zimmerman and his daughter Edith Lett (regarding Zimmerman's genealogy and history notes).\u003c/p\u003e","\u003cp\u003eThis subseries includes letters to and from Sallie Patton of Lewisburg, Nancy Reynolds, Granville Alderson, Frank Reynolds, S. B. Hern, I. W. Branham, and Thomas Reeves Ash. Subjects include family matters and the Civil War. Highlights include letters describing military action near Lewisburg (1862), Confederate military camps and officers (1862), and \"Yankee\" depredations in Lewisburg (1864). 14 items.\u003c/p\u003e","\u003cp\u003eThis subseries includes mainly letters written by Alexander W. Reynolds to his sister Sallie Patton. Topics include family matters, Reynolds' military work before the Civil War, Civil War related correspondence while Reynolds was an officer in the Confederate States Army, and Reynolds' experiences serving in the army of the Viceroy of Egypt.\u003c/p\u003e","\u003cp\u003eThis subseries includes military orders, vouchers, and correspondence related to Reynolds' time in the Confederate States Army.\u003c/p\u003e","\u003cp\u003eThis subseries includes letters to Dennis, who was a Speaker of the West Virginia House of Delegates, Superintendent of Greenbrier County Schools, Colonel in the Confederate Army, and editor of the \u003cemph render=\"italic\"\u003eGreenbrier Independent\u003c/emph\u003e. Correspondents include W.A. Truslow, Lucile Humphreys, John McNeel, J. Coleman Alderson, J.G. Stevens, and others. Subjects include county affairs, politics, and local history. Other items include invitations to the Louisiana Purchase Centennial and to the commencement of Morgantown (W.Va.) High School Class of 1914. Includes 8 items. Additional T.H. Dennis materials can be found in Series 8, Miscellany.\u003c/p\u003e","\u003cp\u003eThis subseries includes letters relating to genealogy, the history of Lewisburg and Greenbrier County, etc.\u003c/p\u003e","\u003cp\u003eIncludes station reports, stewards' accounts, receipts, financial statements, member pledges, etc.\u003c/p\u003e","\u003cp\u003eIncludes notebooks of principals, which contain pupil lists, years attended, and name of parent or guardian (1827-1879 and undated). Also includes newspaper clippings on the history of Old Lewisburg Academy and other area schools. See also Series 9, Oversized, box 13 for additional alumni lists for the Old Lewisburg Academy, Lewisburg Female Institute, Greenbrier College for Women, etc.\u003c/p\u003e","\u003cp\u003eThis series includes personal and genealogical information about many individuals and families of Virginia and West Virginia. Please see the folder-level records for the complete list of names. Also included are images of prominent individuals (ca. 1916); images of unidentified Confederate veterans (undated); newspaper clippings of articles about Henry G. Davis, Stephen B. Elkins, and John H. Holt (1900-1915); and various materials relating to the history of Lewisburg and Greenbrier County. Additional genealogical and historical information can also be found in: Series 5, Zimmerman Collection -- History; Series 9, Oversized, box 15, folder 4; and Series 9, Oversized, box 14, folder 2.\u003c/p\u003e","\u003cp\u003eThis series includes manuscripts, correspondence, and newspaper clippings regarding the history of Greenbrier County and some of its families. Topics include, among others: the formation of Greenbrier County (WV), Augusta County (VA), and Frederick County (VA); Washington landing on the Kanawha River; Jarrett's Fort; the Battle of Cedar Creek; old houses of Lewisburg; history of the Henning and Plumer families; West Virginia archaeology; and Alexander Welch's account of life as a colonial soldier at Valley Forge.\u003c/p\u003e","\u003cp\u003eThis series contains four subseries, which include:\u003c/p\u003e\n","\u003cp\u003e West Virginia; 1859-1938; box 3, folder 14-18; \u003clb\u003e\u003c/lb\u003e\n 31st Virginia Infantry; 1855-1936 and undated (bulk 1861-1865); box 4, folder 1 through box 7, folder 28; \u003clb\u003e\u003c/lb\u003e\n Other Virginia CSA Units; 1910-1932 and undated; box 7, folder 29 through box 8, folder 2; and \u003clb\u003e\u003c/lb\u003e\n Clippings; 1927; box 8, folder 3-5.\u003c/p\u003e","\u003cp\u003eThis subseries includes military records related to military companies or organizations of West Virginia. Items include a roster of Morris Post #50 Grand Army of the Republic members, record books of the Greenbrier Light Infantry Grays, information on companies formed before and after John Brown's raid at Harper's Ferry, etc. The Greenbrier Light Infantry Grays were Company A, 2nd West Virginia Regiment, organized July 21, 1877, Lewisburg, WV. For additional West Virginia military records, see also Series 9, Oversized, box 14, folder 3-4.\u003c/p\u003e","\u003cp\u003eThis subseries includes Confederate army forms, correspondence, and manuscript notes pertaining to the 31st Virginia Volunteer Infantry Regiment. These records include official discharge papers for causes such as injury or age; pay vouchers; requisitions; conscript material; orders and circulars; Quartermaster's Stores invoices; receipts; court martial papers; lists of men absent without leave; etc. Requisitions were made through use of handwritten missives, Special Requisition forms, Requisition for Forage forms, etc. Items mentioned in requisition and receipt documents include stationary, food, clothing, horses, haversacks, tents, etc. Orders (both special and general orders, unless otherwise noted) and circulars cover a variety of topics, including troop movements, disabilities, furloughs, courts martial, etc. This subseries also includes an official document dated October 24, 1861, written by the commissioners of Camp Bartow, declaring that William P. Cooper was voted into the vacancy left in the Virginia state convention by the expulsion of John S. Carlile. Cooper was part of the 31st Virginia Infantry. See also Series 9, Oversized, box 15, folder 1 and map cabinet 1, drawer 20.\u003c/p\u003e\n","\u003cp\u003e For digitized documents of the 31st Virginia Infantry from another collection, visit \"Records of the 31st Virginia Infantry Regiment, C.S.A.\" (see link in Instances/Digital Objects).\u003c/p\u003e","\u003cp\u003eFor digitized documents of the 31st Virginia Infantry from another collection, click here: Civil War - Documents of the 31st Regiment (CSA).\u003c/p\u003e","\u003cp\u003eThis subseries includes: typescript rosters of a variety of companies and batteries of Virginia Light Artillery, Infantry, and Cavalry; correspondence regarding Confederate military units formed in West Virginia; and typescript records listing Confederate soldiers by county and regiment. See also Series 9, Oversized, box 15, folder 2 and map cabinet 1, drawer 20.\u003c/p\u003e","\u003cp\u003eThis subseries includes photocopies and original clippings of a series of articles on recollections of life during the Civil War by Dr. Thomas Bland Camden, transcribed from original notes by Roy Bird Cook, which were printed in the \u003cemph render=\"italic\"\u003e Weston Democrat\u003c/emph\u003e  from January 7 to June 3, 1927.\u003c/p\u003e","\u003cp\u003eThis series includes day books, ledgers, pocket diaries, and scrapbooks. Accounting entries cover general merchandise, subscriptions, hotel maintenance and repair, etc. Some items also include newspaper clippings about poultry, horticulture, fictional stories, etc. For additional account books, see also Series 9, Oversized, box 14, folder 1 and box 15, folder 5.\u003c/p\u003e","\u003cp\u003eThis series includes printed and manuscript items such as: a scrapbook of newspaper clippings regarding the Civil War (ca. 1861-1865); ephemera related to West Virginia (1848-1922); handwritten lecture notes by T.H. Dennis on legal topics (1872-1873); and clippings and handwritten notes regarding the history, appearance, and growing of various flowers (1899-1936 and undated). Many of the handwritten notes and some of the clippings bear handwritten page numbers and the words \"used\" or \"not used.\" For additional Civil War-related newspaper clippings, see Series 9, Oversized, box 14, folder 5. For additional materials related to T.H. Dennis, see Series 1, Zimmerman Collection -- Correspondence -- Letters to Thomas H. Dennis.\u003c/p\u003e","\u003cp\u003eThis series includes lists of students of the Old Lewisburg Academy, the Lewisburg Female Institute, etc. (1853-1927); account ledgers (1825-1891, undated); Greenbrier death records (undated); military records (ca. 1830s-1903); newspaper clippings (1861-1884, undated); and genealogical sketches on various families (ca. 1886, undated). Many of the lists of students are written on the back sides of older ledger pages. This series also includes receipts, financial statements, and muster rolls for the 31st Virginia Infantry, as well as muster rolls from other Confederate units (1861-1864).\u003c/p\u003e","\u003cp\u003eFor additional military records, see Series 6, Military Records. For additional genealogical sketches, see Series 4, Zimmerman Collection -- Biographical and Genealogical Sketches. For additional account books and ledgers, see Series 7, Business Records. For additional materials related to the Old Lewisburg Academy and its offshoots, see Series 3, Zimmerman Collection -- Old Lewisburg Academy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Includes genealogy and Civil War records collected by Roy Bird Cook of Lewis County, West Virginia.","\nSeries 1 through 5 were compiled by Marcellus W. Zimmerman. They include correspondence, church records, academic records, genealogical records, research manuscripts, and clippings regarding primarily the genealogy and history of Lewisburg and Greenbrier County, and the life and career of Confederate Brigadier General Alexander W. Reynolds.","\nSeries 6 through 8 were collected by Roy Bird Cook. They include military records and clippings regarding West Virginia units, the Confederate 31st Virginia Infantry, and other Confederate units from Virginia; there are also business and miscellaneous records, including ledgers, clippings, research notes, etc.","\nSeries 9 includes oversized material from earlier series.","\nSpecific topics of Series 1 through 5 include: correspondence regarding the genealogy of families in West Virginia and Virginia, with a special focus on Greenbrier County (1881-1943); Confederate Brigadier General Alexander W. Reynolds' life and military career before and during the Civil War, as well as his post-War service in the Army of the Viceroy (Khedive) of Egypt (1835-1875 and undated); correspondence of Thomas H. Dennis, editor of the  Greenbrier Independent , regarding county affairs, politics, and local history (1899-1921); the Lewisburg Methodist Episcopal Church (1834-1843 and undated); the Old Lewisburg Academy, the Lewisburg Female Institute, and other area schools (1827-1879 and undated); biographical sketches of area persons and families, such as the Alexander, Anderson, Burnside, Beirne, Caldwell, Crawford, Creigh, Erskine, Feamster, Mathews, McElhenney, McLaughlin, Nickell, Reynolds, Smith, Thompson, Van Bibber, and Welch families (1830-1937); and the history of Greenbrier County (1867-1940 and undated), among others.","\nSpecific topics of Series 6 through 8 include: the 31st Virginia Infantry and other Confederate and Union units (1855-1938 and undated [bulk 1861-1865]); financial accounts of general merchandise, subscriptions, hotel maintenance and repair, etc. (ca. 1853-1899); ephemera related to West Virginia (1848-1922); and clippings and handwritten notes regarding the history, appearance, and growing of various flowers (1899-1936 and undated), among others.","\nSpecific topics of Series 9 include: students of the Old Lewisburg Academy, the Lewisburg Female Institute, etc. (1853-1927); Greenbrier death records (undated); the 31st Virginia Infantry and other Confederate units (1861-1864); and genealogical sketches on various families (ca. 1886, undated).","\nMore information on the content of each series in this collection is available in the series-level records.","This series contains six subseries.","Includes correspondence regarding genealogy of families in Greenbrier County, including letters to Marcellus W. Zimmerman and his daughter Edith Lett (regarding Zimmerman's genealogy and history notes).","This subseries includes letters to and from Sallie Patton of Lewisburg, Nancy Reynolds, Granville Alderson, Frank Reynolds, S. B. Hern, I. W. Branham, and Thomas Reeves Ash. Subjects include family matters and the Civil War. Highlights include letters describing military action near Lewisburg (1862), Confederate military camps and officers (1862), and \"Yankee\" depredations in Lewisburg (1864). 14 items.","This subseries includes mainly letters written by Alexander W. Reynolds to his sister Sallie Patton. Topics include family matters, Reynolds' military work before the Civil War, Civil War related correspondence while Reynolds was an officer in the Confederate States Army, and Reynolds' experiences serving in the army of the Viceroy of Egypt.","This subseries includes military orders, vouchers, and correspondence related to Reynolds' time in the Confederate States Army.","This subseries includes letters to Dennis, who was a Speaker of the West Virginia House of Delegates, Superintendent of Greenbrier County Schools, Colonel in the Confederate Army, and editor of the  Greenbrier Independent . Correspondents include W.A. Truslow, Lucile Humphreys, John McNeel, J. Coleman Alderson, J.G. Stevens, and others. Subjects include county affairs, politics, and local history. Other items include invitations to the Louisiana Purchase Centennial and to the commencement of Morgantown (W.Va.) High School Class of 1914. Includes 8 items. Additional T.H. Dennis materials can be found in Series 8, Miscellany.","This subseries includes letters relating to genealogy, the history of Lewisburg and Greenbrier County, etc.","Includes station reports, stewards' accounts, receipts, financial statements, member pledges, etc.","Includes notebooks of principals, which contain pupil lists, years attended, and name of parent or guardian (1827-1879 and undated). Also includes newspaper clippings on the history of Old Lewisburg Academy and other area schools. See also Series 9, Oversized, box 13 for additional alumni lists for the Old Lewisburg Academy, Lewisburg Female Institute, Greenbrier College for Women, etc.","This series includes personal and genealogical information about many individuals and families of Virginia and West Virginia. Please see the folder-level records for the complete list of names. Also included are images of prominent individuals (ca. 1916); images of unidentified Confederate veterans (undated); newspaper clippings of articles about Henry G. Davis, Stephen B. Elkins, and John H. Holt (1900-1915); and various materials relating to the history of Lewisburg and Greenbrier County. Additional genealogical and historical information can also be found in: Series 5, Zimmerman Collection -- History; Series 9, Oversized, box 15, folder 4; and Series 9, Oversized, box 14, folder 2.","This series includes manuscripts, correspondence, and newspaper clippings regarding the history of Greenbrier County and some of its families. Topics include, among others: the formation of Greenbrier County (WV), Augusta County (VA), and Frederick County (VA); Washington landing on the Kanawha River; Jarrett's Fort; the Battle of Cedar Creek; old houses of Lewisburg; history of the Henning and Plumer families; West Virginia archaeology; and Alexander Welch's account of life as a colonial soldier at Valley Forge.","This series contains four subseries, which include:"," West Virginia; 1859-1938; box 3, folder 14-18;  \n 31st Virginia Infantry; 1855-1936 and undated (bulk 1861-1865); box 4, folder 1 through box 7, folder 28;  \n Other Virginia CSA Units; 1910-1932 and undated; box 7, folder 29 through box 8, folder 2; and  \n Clippings; 1927; box 8, folder 3-5.","This subseries includes military records related to military companies or organizations of West Virginia. Items include a roster of Morris Post #50 Grand Army of the Republic members, record books of the Greenbrier Light Infantry Grays, information on companies formed before and after John Brown's raid at Harper's Ferry, etc. The Greenbrier Light Infantry Grays were Company A, 2nd West Virginia Regiment, organized July 21, 1877, Lewisburg, WV. For additional West Virginia military records, see also Series 9, Oversized, box 14, folder 3-4.","This subseries includes Confederate army forms, correspondence, and manuscript notes pertaining to the 31st Virginia Volunteer Infantry Regiment. These records include official discharge papers for causes such as injury or age; pay vouchers; requisitions; conscript material; orders and circulars; Quartermaster's Stores invoices; receipts; court martial papers; lists of men absent without leave; etc. Requisitions were made through use of handwritten missives, Special Requisition forms, Requisition for Forage forms, etc. Items mentioned in requisition and receipt documents include stationary, food, clothing, horses, haversacks, tents, etc. Orders (both special and general orders, unless otherwise noted) and circulars cover a variety of topics, including troop movements, disabilities, furloughs, courts martial, etc. This subseries also includes an official document dated October 24, 1861, written by the commissioners of Camp Bartow, declaring that William P. Cooper was voted into the vacancy left in the Virginia state convention by the expulsion of John S. Carlile. Cooper was part of the 31st Virginia Infantry. See also Series 9, Oversized, box 15, folder 1 and map cabinet 1, drawer 20."," For digitized documents of the 31st Virginia Infantry from another collection, visit \"Records of the 31st Virginia Infantry Regiment, C.S.A.\" (see link in Instances/Digital Objects).","For digitized documents of the 31st Virginia Infantry from another collection, click here: Civil War - Documents of the 31st Regiment (CSA).","This subseries includes: typescript rosters of a variety of companies and batteries of Virginia Light Artillery, Infantry, and Cavalry; correspondence regarding Confederate military units formed in West Virginia; and typescript records listing Confederate soldiers by county and regiment. See also Series 9, Oversized, box 15, folder 2 and map cabinet 1, drawer 20.","This subseries includes photocopies and original clippings of a series of articles on recollections of life during the Civil War by Dr. Thomas Bland Camden, transcribed from original notes by Roy Bird Cook, which were printed in the   Weston Democrat   from January 7 to June 3, 1927.","This series includes day books, ledgers, pocket diaries, and scrapbooks. Accounting entries cover general merchandise, subscriptions, hotel maintenance and repair, etc. Some items also include newspaper clippings about poultry, horticulture, fictional stories, etc. For additional account books, see also Series 9, Oversized, box 14, folder 1 and box 15, folder 5.","This series includes printed and manuscript items such as: a scrapbook of newspaper clippings regarding the Civil War (ca. 1861-1865); ephemera related to West Virginia (1848-1922); handwritten lecture notes by T.H. Dennis on legal topics (1872-1873); and clippings and handwritten notes regarding the history, appearance, and growing of various flowers (1899-1936 and undated). Many of the handwritten notes and some of the clippings bear handwritten page numbers and the words \"used\" or \"not used.\" For additional Civil War-related newspaper clippings, see Series 9, Oversized, box 14, folder 5. For additional materials related to T.H. Dennis, see Series 1, Zimmerman Collection -- Correspondence -- Letters to Thomas H. Dennis.","This series includes lists of students of the Old Lewisburg Academy, the Lewisburg Female Institute, etc. (1853-1927); account ledgers (1825-1891, undated); Greenbrier death records (undated); military records (ca. 1830s-1903); newspaper clippings (1861-1884, undated); and genealogical sketches on various families (ca. 1886, undated). Many of the lists of students are written on the back sides of older ledger pages. This series also includes receipts, financial statements, and muster rolls for the 31st Virginia Infantry, as well as muster rolls from other Confederate units (1861-1864).","For additional military records, see Series 6, Military Records. For additional genealogical sketches, see Series 4, Zimmerman Collection -- Biographical and Genealogical Sketches. For additional account books and ledgers, see Series 7, Business Records. For additional materials related to the Old Lewisburg Academy and its offshoots, see Series 3, Zimmerman Collection -- Old Lewisburg Academy."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_28b726eee55d1b828e279ff5670d4d6d\"\u003eIncludes genealogy and Civil War records collected by Roy Bird Cook of Lewis County, West Virginia. Series 1 through 5 were compiled by Marcellus W. Zimmerman. They include correspondence, church records, academic records, genealogical records, research manuscripts, and clippings regarding primarily the genealogy and history of Lewisburg and Greenbrier County, and the life and career of Confederate Brigadier General Alexander W. Reynolds. Series 6 through 8 were collected by Roy Bird Cook. They include military records and clippings regarding West Virginia units, the Confederate 31st Virginia Infantry, and other Confederate units from Virginia; there are also business and miscellaneous records, including ledgers, clippings, research notes, etc. Series 9 includes oversized material from earlier series.\u003c/abstract\u003e"],"abstract_tesim":["Includes genealogy and Civil War records collected by Roy Bird Cook of Lewis County, West Virginia. Series 1 through 5 were compiled by Marcellus W. Zimmerman. They include correspondence, church records, academic records, genealogical records, research manuscripts, and clippings regarding primarily the genealogy and history of Lewisburg and Greenbrier County, and the life and career of Confederate Brigadier General Alexander W. Reynolds. Series 6 through 8 were collected by Roy Bird Cook. They include military records and clippings regarding West Virginia units, the Confederate 31st Virginia Infantry, and other Confederate units from Virginia; there are also business and miscellaneous records, including ledgers, clippings, research notes, etc. Series 9 includes oversized material from earlier series."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_2f0db7f49c9923db46477ec806872619\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Confederate States of America. Army. Virginia Artillery. Bryan's Battery","Confederate States of America. Army. Virginia Artillery. Wise Legion. Company B","Confederate States of America. Army. Virginia Infantry Regiment, 25th. Company H","Confederate States of America. Army. Virginia Infantry Regiment, 2nd","Confederate States of America. Army. Virginia Infantry Regiment, 2nd. Company A","Confederate States of America. Army. Virginia Infantry Regiment, 31st","Farmers Bank of Virginia","Greenbrier Independent","Hopkins House  (Liberty, Va.)","Lewisburg Female Institute (Lewisburg, W. Va.)","Lewisburg Methodist Episcopal Church  (Lewisburg, W. Va.)","Lewisburg Seminary (Lewisburg, W. Va.)","Old Lewisburg Academy  (Lewisburg, W. Va.)","Pare and Son","United States Military Academy","United States. Army. West Virginia Infantry Regiment, 2nd (1861-1864)","White Sulphur Springs Hotel","Alexander family","Anderson family","Beirne family","Burnside family","Caldwell family","Glendening family","Crawford family","Craig family","Curry family","Feemster family","Gilliam family","Haynes family","Matthews family","Nichols family","Reynolds family","Smith family","Thompson family","Van Bibber family","Cary, J.H. Oley.","Cook, Roy Bird, 1886-1961","Dennis, Thomas H.","Early, Jubal Anderson, 1816-1894","Echols, John, 1823-1896","Grant, Ulysses S. (Ulysses Simpson), 1822-1885","Humphreys, Milton.","Lee, Robert E. (Robert Edward), 1807-1870","Loring, William Wing, 1818-1886","Reynolds, Alexander Welch, 1817-1876","Sherman, William T. (William Tecumseh), 1820-1891","Zimmerman, Marcellus W."],"names_ssim":["West Virginia and Regional History Center","Confederate States of America. Army. Virginia Artillery. Bryan's Battery","Confederate States of America. Army. Virginia Artillery. Wise Legion. Company B","Confederate States of America. Army. Virginia Infantry Regiment, 25th. Company H","Confederate States of America. Army. Virginia Infantry Regiment, 2nd","Confederate States of America. Army. Virginia Infantry Regiment, 2nd. Company A","Confederate States of America. Army. Virginia Infantry Regiment, 31st","Farmers Bank of Virginia","Greenbrier Independent","Hopkins House  (Liberty, Va.)","Lewisburg Female Institute (Lewisburg, W. Va.)","Lewisburg Methodist Episcopal Church  (Lewisburg, W. Va.)","Lewisburg Seminary (Lewisburg, W. Va.)","Old Lewisburg Academy  (Lewisburg, W. Va.)","Pare and Son","United States Military Academy","United States. Army. West Virginia Infantry Regiment, 2nd (1861-1864)","White Sulphur Springs Hotel","Alexander family","Anderson family","Beirne family","Burnside family","Caldwell family","Glendening family","Crawford family","Craig family","Curry family","Feemster family","Gilliam family","Haynes family","Matthews family","Nichols family","Reynolds family","Smith family","Thompson family","Van Bibber family","Cook, Roy Bird, 1886-1961","Cary, J.H. Oley.","Dennis, Thomas H.","Early, Jubal Anderson, 1816-1894","Echols, John, 1823-1896","Grant, Ulysses S. (Ulysses Simpson), 1822-1885","Humphreys, Milton.","Lee, Robert E. (Robert Edward), 1807-1870","Loring, William Wing, 1818-1886","Reynolds, Alexander Welch, 1817-1876","Sherman, William T. (William Tecumseh), 1820-1891","Zimmerman, Marcellus W."],"corpname_ssim":["West Virginia and Regional History Center","Confederate States of America. Army. Virginia Artillery. Bryan's Battery","Confederate States of America. Army. Virginia Artillery. Wise Legion. Company B","Confederate States of America. Army. Virginia Infantry Regiment, 25th. Company H","Confederate States of America. Army. Virginia Infantry Regiment, 2nd","Confederate States of America. Army. Virginia Infantry Regiment, 2nd. Company A","Confederate States of America. Army. Virginia Infantry Regiment, 31st","Farmers Bank of Virginia","Greenbrier Independent","Hopkins House  (Liberty, Va.)","Lewisburg Female Institute (Lewisburg, W. Va.)","Lewisburg Methodist Episcopal Church  (Lewisburg, W. Va.)","Lewisburg Seminary (Lewisburg, W. Va.)","Old Lewisburg Academy  (Lewisburg, W. Va.)","Pare and Son","United States Military Academy","United States. Army. West Virginia Infantry Regiment, 2nd (1861-1864)","White Sulphur Springs Hotel"],"famname_ssim":["Alexander family","Anderson family","Beirne family","Burnside family","Caldwell family","Glendening family","Crawford family","Craig family","Curry family","Feemster family","Gilliam family","Haynes family","Matthews family","Nichols family","Reynolds family","Smith family","Thompson family","Van Bibber family"],"persname_ssim":["Cook, Roy Bird, 1886-1961","Cary, J.H. Oley.","Dennis, Thomas H.","Early, Jubal Anderson, 1816-1894","Echols, John, 1823-1896","Grant, Ulysses S. (Ulysses Simpson), 1822-1885","Humphreys, Milton.","Lee, Robert E. (Robert Edward), 1807-1870","Loring, William Wing, 1818-1886","Reynolds, Alexander Welch, 1817-1876","Sherman, William T. (William Tecumseh), 1820-1891","Zimmerman, Marcellus W."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":423,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:40:21.874Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6197_c01_c06_c02_c05"}},{"id":"wvmturhc_repositories_2_resources_6147_c06_c05","type":"Item","attributes":{"title":"1937; Private fliers urged to fight move...to restrict use of federal airways","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6147_c06_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6147_c06_c05","ref_ssm":["wvmturhc_repositories_2_resources_6147_c06_c05"],"id":"wvmturhc_repositories_2_resources_6147_c06_c05","ead_ssi":"wvmturhc_repositories_2_resources_6147","_root_":"wvmturhc_repositories_2_resources_6147","_nest_parent_":"wvmturhc_repositories_2_resources_6147_c06","parent_ssi":"wvmturhc_repositories_2_resources_6147_c06","parent_ssim":["wvmturhc_repositories_2_resources_6147","wvmturhc_repositories_2_resources_6147_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6147","wvmturhc_repositories_2_resources_6147_c06"],"parent_unittitles_ssm":["Carl B. Allen Papers Regarding Early Aviation","Newspaper Articles on Various Subjects by CBA"],"parent_unittitles_tesim":["Carl B. Allen Papers Regarding Early Aviation","Newspaper Articles on Various Subjects by CBA"],"text":["Carl B. Allen Papers Regarding Early Aviation","Newspaper Articles on Various Subjects by CBA","1937; Private fliers urged to fight move...to restrict use of federal airways","Box 1","Folder 5b"],"title_filing_ssi":"1937; Private fliers urged to fight move...to restrict use of federal airways","title_ssm":["1937; Private fliers urged to fight move...to restrict use of federal airways"],"title_tesim":["1937; Private fliers urged to fight move...to restrict use of federal airways"],"unitdate_other_ssim":["1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1937; Private fliers urged to fight move...to restrict use of federal airways"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Carl B. Allen Papers Regarding Early Aviation"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":42,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1937],"containers_ssim":["Box 1","Folder 5b"],"_nest_path_":"/components#5/components#4","timestamp":"2026-05-21T01:30:35.335Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6147","ead_ssi":"wvmturhc_repositories_2_resources_6147","_root_":"wvmturhc_repositories_2_resources_6147","_nest_parent_":"wvmturhc_repositories_2_resources_6147","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6147.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199101","title_ssm":["Carl B. Allen Papers Regarding Early Aviation"],"title_tesim":["Carl B. Allen Papers Regarding Early Aviation"],"unitdate_ssm":["1918-1971"],"unitdate_inclusive_ssm":["1918-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2252","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6147"],"text":["A\u0026M 2252","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6147","Carl B. Allen Papers Regarding Early Aviation","Air Mail -- 1933-1935","Autogiros --  Development","Aeronautics","Airships","Ford Air Tour.","Inventors and inventions.","Postal service","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Contains mostly clippings regarding both general contemporary history and aviation history.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, scrapbooks, newspaper clippings, documents, photographs and other papers of Carl B. Allen, Army Air Corps officer, aviator, and newspaper writer. Subjects include the development of the Autogiro, 1930; air mail, 1933-1935; the Howell Inquiry, 1934-1937; the Army and aviation, 1934-1936; aviation achievements, 1934-1937; George W. Carver's work at Tuskegee; South American round trip, 1936; first trans-Pacific flight, 1936; Amelia Earhart; the Ford Air Tour, 1926-1927; America First Committee; the Air Safety Board, 1936-1940 and the Glenn L. Martin Company.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board.","Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973","English"],"unitid_tesim":["A\u0026M 2252","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6147"],"normalized_title_ssm":["Carl B. Allen Papers Regarding Early Aviation"],"collection_title_tesim":["Carl B. Allen Papers Regarding Early Aviation"],"collection_ssim":["Carl B. Allen Papers Regarding Early Aviation"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Allen, Carl B."],"creator_ssim":["Allen, Carl B."],"creator_persname_ssim":["Allen, Carl B."],"creators_ssim":["Allen, Carl B."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Air Mail -- 1933-1935","Autogiros --  Development","Aeronautics","Airships","Ford Air Tour.","Inventors and inventions.","Postal service"],"access_subjects_ssm":["Air Mail -- 1933-1935","Autogiros --  Development","Aeronautics","Airships","Ford Air Tour.","Inventors and inventions.","Postal service"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Linear Feet 6 ft. 10 1/2 in. (13 document cases, 5 in. each); (5 document cases, 2 1/2 in. each); (1 large flat storage box, 2 in.); (2 flat storage boxes, 1 1/2 in. each)"],"extent_tesim":["6.9 Linear Feet 6 ft. 10 1/2 in. (13 document cases, 5 in. each); (5 document cases, 2 1/2 in. each); (1 large flat storage box, 2 in.); (2 flat storage boxes, 1 1/2 in. each)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Carl B. Allen Papers Regarding Early Aviation, A\u0026amp;M 2252, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Carl B. Allen Papers Regarding Early Aviation, A\u0026M 2252, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eContains mostly clippings regarding both general contemporary history and aviation history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains mostly clippings regarding both general contemporary history and aviation history."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32e34f3d396e2e4ff3eaa7b89b6dacfb\"\u003eCorrespondence, scrapbooks, newspaper clippings, documents, photographs and other papers of Carl B. Allen, Army Air Corps officer, aviator, and newspaper writer. Subjects include the development of the Autogiro, 1930; air mail, 1933-1935; the Howell Inquiry, 1934-1937; the Army and aviation, 1934-1936; aviation achievements, 1934-1937; George W. Carver's work at Tuskegee; South American round trip, 1936; first trans-Pacific flight, 1936; Amelia Earhart; the Ford Air Tour, 1926-1927; America First Committee; the Air Safety Board, 1936-1940 and the Glenn L. Martin Company.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, scrapbooks, newspaper clippings, documents, photographs and other papers of Carl B. Allen, Army Air Corps officer, aviator, and newspaper writer. Subjects include the development of the Autogiro, 1930; air mail, 1933-1935; the Howell Inquiry, 1934-1937; the Army and aviation, 1934-1936; aviation achievements, 1934-1937; George W. Carver's work at Tuskegee; South American round trip, 1936; first trans-Pacific flight, 1936; Amelia Earhart; the Ford Air Tour, 1926-1927; America First Committee; the Air Safety Board, 1936-1940 and the Glenn L. Martin Company."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0d443e3bbcdffbbac7e7a0a3ada7dbef\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board.","America First Committee","United States. Army. Air Corps","Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973"],"names_ssim":["West Virginia and Regional History Center","United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board.","Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973"],"corpname_ssim":["West Virginia and Regional History Center","United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board."],"persname_ssim":["Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":259,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:30:35.335Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6147_c06_c05"}},{"id":"vircu_repositories_3_resources_6_c04_c02_c11","type":"File","attributes":{"title":"1937 Program Committee","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_6_c04_c02_c11#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_6_c04_c02_c11","ref_ssm":["vircu_repositories_3_resources_6_c04_c02_c11"],"id":"vircu_repositories_3_resources_6_c04_c02_c11","ead_ssi":"vircu_repositories_3_resources_6","_root_":"vircu_repositories_3_resources_6","_nest_parent_":"vircu_repositories_3_resources_6_c04_c02","parent_ssi":"vircu_repositories_3_resources_6_c04_c02","parent_ssim":["vircu_repositories_3_resources_6","vircu_repositories_3_resources_6_c04","vircu_repositories_3_resources_6_c04_c02"],"parent_ids_ssim":["vircu_repositories_3_resources_6","vircu_repositories_3_resources_6_c04","vircu_repositories_3_resources_6_c04_c02"],"parent_unittitles_ssm":["Virginia Dental Association records","Series 4: Annual Meetings","Subseries 4.2: Local Arrangements and Program Committee Records"],"parent_unittitles_tesim":["Virginia Dental Association records","Series 4: Annual Meetings","Subseries 4.2: Local Arrangements and Program Committee Records"],"text":["Virginia Dental Association records","Series 4: Annual Meetings","Subseries 4.2: Local Arrangements and Program Committee Records","1937 Program Committee","box 24"],"title_filing_ssi":"1937 Program Committee","title_ssm":["1937 Program Committee"],"title_tesim":["1937 Program Committee"],"unitdate_inclusive_ssm":["1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1937 Program Committee"],"component_level_isim":[3],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Virginia Dental Association records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":135,"parent_access_restrict_tesm":["Collection is open for use without restrictions."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1937],"containers_ssim":["box 24"],"_nest_path_":"/components#3/components#1/components#10","timestamp":"2026-05-21T04:33:13.264Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_6","ead_ssi":"vircu_repositories_3_resources_6","_root_":"vircu_repositories_3_resources_6","_nest_parent_":"vircu_repositories_3_resources_6","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_6.xml","aspace_url_ssi":"http://ead.lib.virginia.edu/vivaxtf/view?docId=vcu-tm/vircuh00044.xml","title_ssm":["Virginia Dental Association records"],"title_tesim":["Virginia Dental Association records"],"unitdate_ssm":["1870-2011","1870-1985"],"unitdate_bulk_ssim":["1870-1985"],"unitdate_inclusive_ssm":["1870-2011"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["1988.Jul.17","/repositories/3/resources/6"],"text":["1988.Jul.17","/repositories/3/resources/6","Virginia Dental Association records","Dentists -- Virginia","Dental schools -- Virginia","Dentistry -- Societies, etc.","Dentistry -- History -- Virginia","African American dentists -- Virginia.","Societies, Dental.","History of Dentistry.","Dentists -- History","Collection is open for use without restrictions.","VCU Libraries digitized the  Bulletin of the Virginia State Dental Association  and the  Virginia Dental Journal  with the permission and collaboration of the Virginia Dental Association. Visit   VCU Scholars Compass  to view the full run of the journal.","The records of the Virgina Dental Association have been divided into ten series with subseries as needed. Series 1: Annual Compilation of Records, 1870-1972 -- Series 2: Financial Records, 1887-1975 -- Series 3: Committees, 1924-1979 -- Series 4: Annual Meetings, 1929-1980 -- Series 5: Correspondence, 1917-1985 -- Series 6: Component Societies, 1931-1978 -- Series 7: Administrative Files, 1919-1984 -- Series 8: National and State Dental Organizations, 1923-1976 -- Series 9: One Hundred Years of Dentistry in Virginia, 1873-1963 -- Series 10: VDA Journals, 1928-2011. Efforts have been made to preserve the original arrangement of these files where applicable.","On November 3, 1870 nine Virginia dentists met in Richmond to establish an organization to \"cultivate the science and the art of dentistry, and all its collateral branches, to elevate and sustain the professional character of dentists; and to promote amongst them mutual improvement, social intercourse and good will.\" This meeting marked the creation of the Virginia Dental Association (VDA) or the Virginia State Dental Association as it was named when first created. The VDA changed to its current name in 1970. The VDA was the successor to the first professional dental organization, the Virginia Society of Surgeon Dentists which was formed in 1842.","An early goal of the VDA was to create standards and regulations for the profession. When the VDA was formed there were no statutes regulating the practice of dentistry in Virginia. The VDA spent several years drafting a bill to present to the state legislature culminating in the passage of the Dental Act of 1886. This act also established the Virginia Board of Dental Examiners. The VDA also successfully campaigned in 1915 to have a representative on the State Board of Health making Virginia the first state to include a dentist on such a board. In 1936 the VDA helped pass a bill that outlawed advertising dental services and prices as a means of protecting the public from unethical dental practices. This remained in effect until the early 1980s when the Federal Trade Commission ruled that truthful advertising could not be restricted.","Dental education was another subject of much interest and debate for the VDA. They supported the creation of the first dental school in Virginia in 1893 at the University College of Medicine (UCM). In 1913 UCM merged with the Medical College of Virginia (MCV), which had created its own dental school in 1897. For a time some members of the VDA thought that dentist should obtain an M.D. degree to practice medicine. The Dental Act only required a diploma and a certificate from the state board to practice dentistry. A dental degree was not required to sit for the state board exam. A law requiring an M.D. was passed in 1910, but was repealed in 1914 before any provisions were enacted.","The VDA, which is a component of the American Dental Association, created component societies in 1931. This was to better facilitate communication and professional development for member dentists throughout the state. Dentists who joined a component society also became members of the state and national associations through this tripartate structure. Virginia was divided into eight regions. Each region was arranged to have an existing local society within the area to become the component group where applicable. This arrangement is still in place today. The component societies are:","Component 1, Virginia Tidewater Dental Association, founded 1880","Component 2, Peninsula Dental Society, founded 1934","Component 3, Southside Dental Society, founded 1925","Component 4, Richmond Dental Society, founded 1894","Component 5, Piedmont Dental Society, founded 1916","Component 6, Southwest Virginia Dental Society, founded 1917","Component 7, Shenandoah Valley Dental Association, founded 1914","Component 8, Northern Virginia Dental Society, founded 1931","The VDA began publishing its journal the  Bulletin of the Virginia State Dental Association  in 1923. After sporadic publication for the first ten years the VDA began publishing on a regular schedule. The number of issues published has varied from three to six. The journal is currently published quarterly. The title was changed to the  Virginia Dental Journal  in 1964. It is a resource for members to find information about professional and scientific developments, legislative issues, and annual meetings. The journal also includes editorials and news updates from the component societies.","An annual meeting of the VDA was held for members to come together and benefit from the mutual exchange of ideas and practical knowledge. The meetings offered an opportunity to focus on issues such as professional ethics, dental legislation, public health and service, and education. Much of the work of the organization was carried out by committees, all of which were overseen by the governing body the Executive Council. The VDA had three elected officers the president, the preseident-elect, and the secretary-treasurer, as well as several appointed officers including the editor of the journal. The VDA did not have a headquarters until the organization hired its first executive secretary in 1964 and she set up the headquarters in her home. Since that time it has been located in several areas around Richmond. Today the VDA is governed by a board of directors and still holds an annual meeting. The VDA continues to help improve the profession and its members, support dental education, promote public dental health, and provide outreach services to underserved populations.","A digitized copy of the published  One Hundred Years of Dentistry in Virginia, 1869-1969  is available in VCU Libraries Digital Collections.","The records of the Virginia Dental Association (VDA), 1870-2011, include the official minutes and proceedings of the organization as well as committee records, component society materials, correspondence, financial records, annual meeting records and programs, membership records, subject files, materials relating to the American Dental Association and other national, state, and local dental organizations, and research files used to write One Hundred Years of Dentistry in Virginia. These records provide insight into the changes in the dental profession and also the evolution of professional organizations in general.","Series 1: Annual Compilation of Records, 1870-1972. This series, divided into two subseries, consists of the official minutes of the VDA and the records of the Executive Council, the main governing body of the organization.","Subseries 1.1: Minute Books, 1870-1963. The minute books contain annual meeting programs and proceedings, speeches and papers delivered at the meetings, the Bulletin the official publication of the VDA, committee reports, financial statements, newspaper clippings, member lists, and meeting attendee lists including guests and exhibitors. Also included in the minute books are reports from the Bureau of Dental Heath which often contains statistics regarding race and schools where clinics were held and reports of the State Board of Dental Examiners which include statistics regarding applicants for dental licenses.","Subseries 1.2: Executive Council Records, 1931-1972, bulk 1962-1972. These records include meeting minutes and reports along with some correspondence.","Series 2: Financial Records, 1887-1975. These records include bank statements and deposits, invoices, proposed budgets, receipts, and treasurer's books.","Series 3: Committees, 1924-1979. This series contains materials such as correspondence and reports of various standing and special committees.","Series 4: Annual Meetings, 1924-1980. This series includes materials related to the planning and execution of the meetings and is divided into four subseries.","Subseries 4.1: Annual Meeting Records, 1929-1980. This subseries contains general records such as correspondence, financial information, and publicity related to the planning of each annual meeting. Some files also include the proceedings for the meeting as well. The planning for most meetings began one to two years prior to the event, which is indicated by the inclusive date range listed for each folder.","Subseries 4.2: Local Arrangements and Program Committees, 1929-1939, 1954-1956, 1965. Materials in this subseries include correspondence and planning information related to arrangements for clinics, programs, and entertainment at the annual meetings.","Subseries 4.3: Programs, 1924-1970. This subseries contains copies of the official meeting programs.","Subseries 4.4: Meeting Exhibitors, 1927-1980. This subseries includes correspondence with vendors of dental related products and services requesting that the vendors purchase exhibit space or buy advertisements in the meeting program.","Series 5: Correspondence, 1917-1985. This series is divided into two subseries.","Subseries 5.1: General VDA Correspondence, 1917-1975. This subseries consists mostly of correspondence between the membership and the officers of the VDA. There is also some correspondence with the ADA, other state dental societies, the Virginia State Health Department, Virginia Board of Dental Examiners, and other state offices. The subjects most often covered include dues (overdue notices and disputes), issues related to the governance and structure of the VDA, meeting planning (locations, exhibitors, entertainment, and programs), legislative issues related dentistry, and professional ethics issues (advertising, obligations to public health, etc).","Subseries 5.2: Officer's Correspondence and Related Materials, 1927-1985. These files consist primarily of correspondence of specific officers of the VDA. Additionaly, some files also include speeches, photographs, and clippings.","Series 6: Component Societies, 1931-1978. This series contains materials such as correspondence, membership lists, and meeting programs from the eight component societies in Virginia.","Series 7: Administrative Files, 1919-1984. This series consists of subject and court files and is divided into two subseries.","Subseries 7:1: Subject Files, 1919-1984. Contains various subject files relating to legislative and professional issues, membership benefits such as insurance and retirement plans, and other materials such as newspaper clippings and photographs. Also includes membership card files kept by the VDA.","Subseries 7.2: Federal Trade Commission Case, 1960-1978. This subseries pertains to the Federal Trade Commission complaint against the American Dental Association and several of its constituent groups including the Virginia Dental Association and the Northern Virginia Dental Society (American Dental Association, et. al., Docket No. 9093). The FTC complaint stated that the ADA ethical codes violated anittrust laws by barring advertising and preventing price competition. Part of the defense strategy was to prove that the VDA and the NVDS were non-profit groups and as such were outside the FTC's jurisdiction. Documents in this subseries include Children's Dental Health Week materials, public service brochures promoting dental care, newspaper clipping discussing community outreach programs by the VDA, and materials on the governance and benefits of the two groups.","Series 8: National and State Dental Organizations, 1923-1976. This series contains materials such as correspondence, brochures, and newsletters from various other dental organizations includuing the American Dental Association, several local Virginia dental clubs, and some out-of-state dental groups.","Series 9: One Hundred Years of Dentistry in Virginia, 1873-1969. This series contains essays, speeches, research notes, photographs and related materials that were compiled to write this history. Research materials were compiled primarily by Hermie Wait Powell, the author, and Dr. William Newton Hodgkins","Series 10: VDA Journals, 1928-2011. This series contains an incomplete set of the  Bulletin  and the  Virginia Dental Journal . There are eight bound volumes of the Bulletin, loose issues of the Virginia Dental Journal from 1976-1983, 2008-2009, and 2011, and a DVD with the electronic version from 2004-2008. ","Contains six minute books: 1870-1877, 1878-1892, 1893-1903, 1904-1905, 1906-1911, and 1912-1915","The 1922 minutes mention that three women dentists were admitted into the VDA for the first time.","At the 1932 annual meeting Martin Dewey, president of the ADA, discussed the lack of Black dentists and also issues regarding dentists working with the Native American population.","The 1936 minutes contain letters from other Virginia dental groups, including the Old Dominion Dental Society (the separate organization for Black dentists), regarding support for legislation to outlaw advertising dentists.","The 1942 annual meeting marked the centennial celebration of organized dentistry in Virginia. The minutes include a resolution by the Committee on Tire Priorities for the Richmond Dental Society authorizing the VDA to work to have dentists given priority rating for automobile tires; a presentation by M.S. McClung of the Office of Price Control discussing the need for price control during war time; and Dr. Harry Bear's discussion of the accelerated program at the Medical College of Virginia, School of Dentistry for those persons who join the Army or Navy reserves during World War II.","During the 1952 meeting the president, J.H. Cocks, discussed civil defense training for dentists in the case of atomic attack. He also recommended the next president appoint a committee to study racial segregation as it concerned membership in the VDA.","Several documents from 1962 discuss the inclusion of Blacks in the VDA membership.","This committee was formerly known as Mouth Hygiene.","This committee was formed as a result of the Depression-era Federal Emergency Relief Administration. The committee worked with the state Emergency Relief Administration to set a fee scale for dental work performed for the unemployed.","This committee arranged a testimonial dinner at the annual meeting to honor Dr. Harry Lyons and his leadership as president of the American Dental Association.","The questionnaire includes full name, date of birth, name of colleges attended and degrees earned, date of admission to the association, veteran status and rank held, and any offices held in the association at the component and state levels.","The Mouth Hygiene committee became the Council on Dental Health in 1948. Folder 17 includes educational posters that were created to promote dental health.","This file contains reports from several special committees including Constitution and Bylaws, Collection of Amalgam Scraps, and a committee to study the feasibility of hiring an executive secretary for the Association.","This meeting was a convention cruise to Havana and Nassau.","Two meetings were held in 1966. The first was a convention cruise to San Juan and St. Thomas. The second meeting was held in Norfolk. Materials include registration cards and passenger lists for the cruise in addition to the general correspondence and other materials related to the planning of the meetings.","Folder 13 contains several photographs of the banquet.","Includes samples of meeting badges from several vendors","Several letters (June 16 and 19, December 2 and 13) between the VDA and the Old Dominion Dental Society discuss allowing Blacks membership in the VDA.","A letter dated April 11 states that the VDA has three female members.","Several letters concerning a bill that would more fully define the practice of dentistry and make it illegal for a person to conduct a dental practice under a trade name or corporation and a letter (December 29) from the ADA discussing the difficulties dentists encounter using alcohol in their practices due to Prohibition laws.","Several letters discussing dental care for school children in the Roanoke area and concerns about advertising dentists.","Correspondence about lifting the licensing tax on dentists.","A letter (April 17) from J.E. John of the VDA to C.J. Caraballo of Florida asking for guidance in accepting blacks into the state dental society. Caraballos' response (April 23) stated that both Florida and Alabama allowed Blacks to attend state meetings as guests and to pay a fee into the treasury to obtain a membership card which entitled them to membership in the ADA as well.","Correspondence includes a letter (April 29) from the Southern California State Dental Association regarding the formation of a National Woman's Auxiliary Board and another letter (November 10) from the ADA regarding the Army Dental Corps bill to increase the number of dentists to improve the level of care and service for military personnel.","Correspondence includes letters regarding the possible formation of a Southern Dental Association, a letter from the American Dental Hygienists' Association asking for names of licensed hygienists (licenses not required in Virginia at that time), and Stephen J. Lewis of the Old Dominion Dental Society asking for a copy of the VDA constitution and the bylaws to use as a guide for reorganizing their group.","Includes a letter (May 23) from F. L. Adams of Florida regarding membership of black dentists in the Virginia Association. The letter mentions a proposal to the ADA to provide black dentists with the opportunity to join the ADA via their membership in the National Dental Association.","Correspondence includes a letter (May 18) from the VDA to Congressman Richard A. Poff expressing their hope that he will vote against the Anti-Fluoridation Bill.","Includes letters discussing the portion of the VDA bylaws which stated the Executive Council must approve members elected by the component societies. This was in conflict with the ADA bylaws, so an amendment was made stating that the component societies had the final say on members.","Correspondence includes an invitation from the ADA for a US Army sponsored program on nuclear disaster preparedness and the potential of using dentists in a para-medical capacity during an emergency.","President, 1980; also includes a copy of his President's Address.","President, 1928.","President, 1977.","President, 1978; also includes a copy of his President's Address as well as a few other speeches and clippings.","President, 1979; also includes a photograph, a copy of his President's Address, and clippings.","President, 1971; also includes a copy of his President's Address.","Executive Council, 1934; his correspondence mostly pertains to his work to abolish the state dental license tax.","President, 1970.","President, 1985, also includes a copy of his President's Address and a photograph.","President, 1940.","President, 1930; Secretary-Treasurer, 1935-1939.","President, 1974; also includes a copy of his President's Address and several other speeches.","President, 1969; also includes campaign materials for his 1975 bid for president of the ADA.","President, 1984; also includes a photograph and a 1984 speech to the MCV dental graduates.","President, 1936.","President, 1968.","President, 1983; also includes a copy of his President's Address.","President, 1972; also includes a photograph.","President, 1958.","Secretary-Treasurer, 1929-1935.","President, 1980; also includes a copy of his President's Address.","President, 1973; also includes a photograph.","Correspondence regarding the organization of local dental groups into component societies of the VDA and membership lists.","Materials for component society 8 include correspondence, annual reports, a history of the group, and programs from component meetings.","Contains correspondence, meeting minutes, and programs for the planning of the 1952 conference.","This lawsuit was filed in reaction to the charges by the NVDS that Golec had violated the ethics code of the Society by sending announcement cards to area dentist announcing service and staff additions at his practice. The suit was settled, the actions against Golec were expunged from his record, and the appropriate portion of the NVDS Code of Ethics was changed.","These records contain index cards listing member information including name, address, birth date, college attended, specialty, military service, details of participation in the VDA, and death date. Some records have obituaries attached. To view an Excel spreadsheet of all the dentists listed along with their college, date of graduation, city of practice, date of initial VDA membership, and death date please  click here .","Correspondence regarding this act and the designation of certain military bases as \"rural areas\" so that dependents on base could receive treatment from a military dentist.","A dental care program for school aged children","A request for documents from the law firm representing the VDA in the FTC case. Folders 22-28 contain the requested documents.","The newspaper clippings discuss the public dental health initiatives and other non-profit activities in which the VDA had engaged.","The manual was developed by the VDA and the Old Dominion Dental Society.","Documents relating to the governance and benefits of the VDA.","Documents relating to the VDA and the Northern Virginia Dental Society, both named in the FTC case.","These files include dues information, junior and student member information, and membership statements.","Address delivered by Dr. Carter Perkins before the Virginia Dental Society.","See also box 34 which contains oversized items from this file","Former president (1887), items include letters, programs, and announcements.","Former president of the VDA, he had collected information on the history of dentistry in Virginia and this book was dedicated to him.","Former president of the VDA. Items include memos from the dental surgeon of the 29th Division of the American Expeditionary Forces, some correspondences, and some essays on dental practice and history.","See also box 34 which contains oversized items from this file.","This box contains typed note cards with information regarding the history of dentistry in Virginia, the VDA, dental legislation and procedures, and other related topics.","This box contains oversized items from the collection.","Please note that this is not a complete run of the journal.","There are no restrictions.","VCU Health Sciences Library","Virginia Dental Association","American Dental Association","Virginia. Department of Health","Virginia. Board of Dentistry","Hodgkin, William N., 1890-1961","Powell, Hermie Wait","English"],"unitid_tesim":["1988.Jul.17","/repositories/3/resources/6"],"normalized_title_ssm":["Virginia Dental Association records"],"collection_title_tesim":["Virginia Dental Association records"],"collection_ssim":["Virginia Dental Association records"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Virginia Dental Association"],"creator_ssim":["Virginia Dental Association"],"creator_corpname_ssim":["Virginia Dental Association"],"creators_ssim":["Virginia Dental Association"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Gift of the Virginia Dental Association."],"access_subjects_ssim":["Dentists -- Virginia","Dental schools -- Virginia","Dentistry -- Societies, etc.","Dentistry -- History -- Virginia","African American dentists -- Virginia.","Societies, Dental.","History of Dentistry.","Dentists -- History"],"access_subjects_ssm":["Dentists -- Virginia","Dental schools -- Virginia","Dentistry -- Societies, etc.","Dentistry -- History -- Virginia","African American dentists -- Virginia.","Societies, Dental.","History of Dentistry.","Dentists -- History"],"has_online_content_ssim":["false"],"extent_ssm":["27 Linear Feet"],"extent_tesim":["27 Linear Feet"],"date_range_isim":[1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for use without restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for use without restrictions."],"accruals_heading_ssm":["Accruals"],"altformavail_html_tesm":["\u003cp\u003eVCU Libraries digitized the \u003cemph render=\"italic\"\u003eBulletin of the Virginia State Dental Association\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eVirginia Dental Journal\u003c/emph\u003e with the permission and collaboration of the Virginia Dental Association. Visit \u003cextref type=\"simple\" href=\"https://scholarscompass.vcu.edu/vdj/\"\u003e VCU Scholars Compass\u003c/extref\u003e to view the full run of the journal.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["VCU Libraries digitized the  Bulletin of the Virginia State Dental Association  and the  Virginia Dental Journal  with the permission and collaboration of the Virginia Dental Association. Visit   VCU Scholars Compass  to view the full run of the journal."],"arrangement_html_tesm":["\u003cp\u003eThe records of the Virgina Dental Association have been divided into ten series with subseries as needed. Series 1: Annual Compilation of Records, 1870-1972 -- Series 2: Financial Records, 1887-1975 -- Series 3: Committees, 1924-1979 -- Series 4: Annual Meetings, 1929-1980 -- Series 5: Correspondence, 1917-1985 -- Series 6: Component Societies, 1931-1978 -- Series 7: Administrative Files, 1919-1984 -- Series 8: National and State Dental Organizations, 1923-1976 -- Series 9: One Hundred Years of Dentistry in Virginia, 1873-1963 -- Series 10: VDA Journals, 1928-2011. Efforts have been made to preserve the original arrangement of these files where applicable.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The records of the Virgina Dental Association have been divided into ten series with subseries as needed. Series 1: Annual Compilation of Records, 1870-1972 -- Series 2: Financial Records, 1887-1975 -- Series 3: Committees, 1924-1979 -- Series 4: Annual Meetings, 1929-1980 -- Series 5: Correspondence, 1917-1985 -- Series 6: Component Societies, 1931-1978 -- Series 7: Administrative Files, 1919-1984 -- Series 8: National and State Dental Organizations, 1923-1976 -- Series 9: One Hundred Years of Dentistry in Virginia, 1873-1963 -- Series 10: VDA Journals, 1928-2011. Efforts have been made to preserve the original arrangement of these files where applicable."],"bioghist_html_tesm":["\u003cp\u003eOn November 3, 1870 nine Virginia dentists met in Richmond to establish an organization to \"cultivate the science and the art of dentistry, and all its collateral branches, to elevate and sustain the professional character of dentists; and to promote amongst them mutual improvement, social intercourse and good will.\" This meeting marked the creation of the Virginia Dental Association (VDA) or the Virginia State Dental Association as it was named when first created. The VDA changed to its current name in 1970. The VDA was the successor to the first professional dental organization, the Virginia Society of Surgeon Dentists which was formed in 1842.\u003c/p\u003e\n","\u003cp\u003eAn early goal of the VDA was to create standards and regulations for the profession. When the VDA was formed there were no statutes regulating the practice of dentistry in Virginia. The VDA spent several years drafting a bill to present to the state legislature culminating in the passage of the Dental Act of 1886. This act also established the Virginia Board of Dental Examiners. The VDA also successfully campaigned in 1915 to have a representative on the State Board of Health making Virginia the first state to include a dentist on such a board. In 1936 the VDA helped pass a bill that outlawed advertising dental services and prices as a means of protecting the public from unethical dental practices. This remained in effect until the early 1980s when the Federal Trade Commission ruled that truthful advertising could not be restricted.\u003c/p\u003e\n","\u003cp\u003eDental education was another subject of much interest and debate for the VDA. They supported the creation of the first dental school in Virginia in 1893 at the University College of Medicine (UCM). In 1913 UCM merged with the Medical College of Virginia (MCV), which had created its own dental school in 1897. For a time some members of the VDA thought that dentist should obtain an M.D. degree to practice medicine. The Dental Act only required a diploma and a certificate from the state board to practice dentistry. A dental degree was not required to sit for the state board exam. A law requiring an M.D. was passed in 1910, but was repealed in 1914 before any provisions were enacted.\u003c/p\u003e\n","\u003cp\u003eThe VDA, which is a component of the American Dental Association, created component societies in 1931. This was to better facilitate communication and professional development for member dentists throughout the state. Dentists who joined a component society also became members of the state and national associations through this tripartate structure. Virginia was divided into eight regions. Each region was arranged to have an existing local society within the area to become the component group where applicable. This arrangement is still in place today. The component societies are:\u003c/p\u003e\n","\u003cp\u003eComponent 1, Virginia Tidewater Dental Association, founded 1880\u003c/p\u003e\n","\u003cp\u003eComponent 2, Peninsula Dental Society, founded 1934\u003c/p\u003e\n","\u003cp\u003eComponent 3, Southside Dental Society, founded 1925\u003c/p\u003e\n","\u003cp\u003eComponent 4, Richmond Dental Society, founded 1894\u003c/p\u003e\n","\u003cp\u003eComponent 5, Piedmont Dental Society, founded 1916\u003c/p\u003e\n","\u003cp\u003eComponent 6, Southwest Virginia Dental Society, founded 1917\u003c/p\u003e\n","\u003cp\u003eComponent 7, Shenandoah Valley Dental Association, founded 1914\u003c/p\u003e\n","\u003cp\u003eComponent 8, Northern Virginia Dental Society, founded 1931\u003c/p\u003e\n","\u003cp\u003eThe VDA began publishing its journal the \u003cemph render=\"italic\"\u003eBulletin of the Virginia State Dental Association\u003c/emph\u003e in 1923. After sporadic publication for the first ten years the VDA began publishing on a regular schedule. The number of issues published has varied from three to six. The journal is currently published quarterly. The title was changed to the \u003cemph render=\"italic\"\u003eVirginia Dental Journal\u003c/emph\u003e in 1964. It is a resource for members to find information about professional and scientific developments, legislative issues, and annual meetings. The journal also includes editorials and news updates from the component societies.\u003c/p\u003e\n","\u003cp\u003eAn annual meeting of the VDA was held for members to come together and benefit from the mutual exchange of ideas and practical knowledge. The meetings offered an opportunity to focus on issues such as professional ethics, dental legislation, public health and service, and education. Much of the work of the organization was carried out by committees, all of which were overseen by the governing body the Executive Council. The VDA had three elected officers the president, the preseident-elect, and the secretary-treasurer, as well as several appointed officers including the editor of the journal. The VDA did not have a headquarters until the organization hired its first executive secretary in 1964 and she set up the headquarters in her home. Since that time it has been located in several areas around Richmond. Today the VDA is governed by a board of directors and still holds an annual meeting. The VDA continues to help improve the profession and its members, support dental education, promote public dental health, and provide outreach services to underserved populations.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["On November 3, 1870 nine Virginia dentists met in Richmond to establish an organization to \"cultivate the science and the art of dentistry, and all its collateral branches, to elevate and sustain the professional character of dentists; and to promote amongst them mutual improvement, social intercourse and good will.\" This meeting marked the creation of the Virginia Dental Association (VDA) or the Virginia State Dental Association as it was named when first created. The VDA changed to its current name in 1970. The VDA was the successor to the first professional dental organization, the Virginia Society of Surgeon Dentists which was formed in 1842.","An early goal of the VDA was to create standards and regulations for the profession. When the VDA was formed there were no statutes regulating the practice of dentistry in Virginia. The VDA spent several years drafting a bill to present to the state legislature culminating in the passage of the Dental Act of 1886. This act also established the Virginia Board of Dental Examiners. The VDA also successfully campaigned in 1915 to have a representative on the State Board of Health making Virginia the first state to include a dentist on such a board. In 1936 the VDA helped pass a bill that outlawed advertising dental services and prices as a means of protecting the public from unethical dental practices. This remained in effect until the early 1980s when the Federal Trade Commission ruled that truthful advertising could not be restricted.","Dental education was another subject of much interest and debate for the VDA. They supported the creation of the first dental school in Virginia in 1893 at the University College of Medicine (UCM). In 1913 UCM merged with the Medical College of Virginia (MCV), which had created its own dental school in 1897. For a time some members of the VDA thought that dentist should obtain an M.D. degree to practice medicine. The Dental Act only required a diploma and a certificate from the state board to practice dentistry. A dental degree was not required to sit for the state board exam. A law requiring an M.D. was passed in 1910, but was repealed in 1914 before any provisions were enacted.","The VDA, which is a component of the American Dental Association, created component societies in 1931. This was to better facilitate communication and professional development for member dentists throughout the state. Dentists who joined a component society also became members of the state and national associations through this tripartate structure. Virginia was divided into eight regions. Each region was arranged to have an existing local society within the area to become the component group where applicable. This arrangement is still in place today. The component societies are:","Component 1, Virginia Tidewater Dental Association, founded 1880","Component 2, Peninsula Dental Society, founded 1934","Component 3, Southside Dental Society, founded 1925","Component 4, Richmond Dental Society, founded 1894","Component 5, Piedmont Dental Society, founded 1916","Component 6, Southwest Virginia Dental Society, founded 1917","Component 7, Shenandoah Valley Dental Association, founded 1914","Component 8, Northern Virginia Dental Society, founded 1931","The VDA began publishing its journal the  Bulletin of the Virginia State Dental Association  in 1923. After sporadic publication for the first ten years the VDA began publishing on a regular schedule. The number of issues published has varied from three to six. The journal is currently published quarterly. The title was changed to the  Virginia Dental Journal  in 1964. It is a resource for members to find information about professional and scientific developments, legislative issues, and annual meetings. The journal also includes editorials and news updates from the component societies.","An annual meeting of the VDA was held for members to come together and benefit from the mutual exchange of ideas and practical knowledge. The meetings offered an opportunity to focus on issues such as professional ethics, dental legislation, public health and service, and education. Much of the work of the organization was carried out by committees, all of which were overseen by the governing body the Executive Council. The VDA had three elected officers the president, the preseident-elect, and the secretary-treasurer, as well as several appointed officers including the editor of the journal. The VDA did not have a headquarters until the organization hired its first executive secretary in 1964 and she set up the headquarters in her home. Since that time it has been located in several areas around Richmond. Today the VDA is governed by a board of directors and still holds an annual meeting. The VDA continues to help improve the profession and its members, support dental education, promote public dental health, and provide outreach services to underserved populations."],"prefercite_html_tesm":["\u003cp\u003eRecords of the Virginia Dental Association, Accession # 88/Jul/17, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va.\u003c/p\u003e"],"prefercite_tesim":["Records of the Virginia Dental Association, Accession # 88/Jul/17, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, Va."],"processinfo_heading_ssm":["Processing Information"],"relatedmaterial_html_tesm":["\u003cp\u003eA digitized copy of the published \u003ctitle\u003eOne Hundred Years of Dentistry in Virginia, 1869-1969\u003c/title\u003e is available in VCU Libraries Digital Collections.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["A digitized copy of the published  One Hundred Years of Dentistry in Virginia, 1869-1969  is available in VCU Libraries Digital Collections."],"scopecontent_html_tesm":["\u003cp\u003eThe records of the Virginia Dental Association (VDA), 1870-2011, include the official minutes and proceedings of the organization as well as committee records, component society materials, correspondence, financial records, annual meeting records and programs, membership records, subject files, materials relating to the American Dental Association and other national, state, and local dental organizations, and research files used to write One Hundred Years of Dentistry in Virginia. These records provide insight into the changes in the dental profession and also the evolution of professional organizations in general.\u003c/p\u003e\n","\u003cp\u003eSeries 1: Annual Compilation of Records, 1870-1972. This series, divided into two subseries, consists of the official minutes of the VDA and the records of the Executive Council, the main governing body of the organization.\u003c/p\u003e\n","\u003cp\u003eSubseries 1.1: Minute Books, 1870-1963. The minute books contain annual meeting programs and proceedings, speeches and papers delivered at the meetings, the Bulletin the official publication of the VDA, committee reports, financial statements, newspaper clippings, member lists, and meeting attendee lists including guests and exhibitors. Also included in the minute books are reports from the Bureau of Dental Heath which often contains statistics regarding race and schools where clinics were held and reports of the State Board of Dental Examiners which include statistics regarding applicants for dental licenses.\u003c/p\u003e\n","\u003cp\u003eSubseries 1.2: Executive Council Records, 1931-1972, bulk 1962-1972. These records include meeting minutes and reports along with some correspondence.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Financial Records, 1887-1975. These records include bank statements and deposits, invoices, proposed budgets, receipts, and treasurer's books.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Committees, 1924-1979. This series contains materials such as correspondence and reports of various standing and special committees.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Annual Meetings, 1924-1980. This series includes materials related to the planning and execution of the meetings and is divided into four subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries 4.1: Annual Meeting Records, 1929-1980. This subseries contains general records such as correspondence, financial information, and publicity related to the planning of each annual meeting. Some files also include the proceedings for the meeting as well. The planning for most meetings began one to two years prior to the event, which is indicated by the inclusive date range listed for each folder.\u003c/p\u003e\n","\u003cp\u003eSubseries 4.2: Local Arrangements and Program Committees, 1929-1939, 1954-1956, 1965. Materials in this subseries include correspondence and planning information related to arrangements for clinics, programs, and entertainment at the annual meetings.\u003c/p\u003e\n","\u003cp\u003eSubseries 4.3: Programs, 1924-1970. This subseries contains copies of the official meeting programs.\u003c/p\u003e\n","\u003cp\u003eSubseries 4.4: Meeting Exhibitors, 1927-1980. This subseries includes correspondence with vendors of dental related products and services requesting that the vendors purchase exhibit space or buy advertisements in the meeting program.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Correspondence, 1917-1985. This series is divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries 5.1: General VDA Correspondence, 1917-1975. This subseries consists mostly of correspondence between the membership and the officers of the VDA. There is also some correspondence with the ADA, other state dental societies, the Virginia State Health Department, Virginia Board of Dental Examiners, and other state offices. The subjects most often covered include dues (overdue notices and disputes), issues related to the governance and structure of the VDA, meeting planning (locations, exhibitors, entertainment, and programs), legislative issues related dentistry, and professional ethics issues (advertising, obligations to public health, etc).\u003c/p\u003e\n","\u003cp\u003eSubseries 5.2: Officer's Correspondence and Related Materials, 1927-1985. These files consist primarily of correspondence of specific officers of the VDA. Additionaly, some files also include speeches, photographs, and clippings.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Component Societies, 1931-1978. This series contains materials such as correspondence, membership lists, and meeting programs from the eight component societies in Virginia.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Administrative Files, 1919-1984. This series consists of subject and court files and is divided into two subseries.\u003c/p\u003e\n","\u003cp\u003eSubseries 7:1: Subject Files, 1919-1984. Contains various subject files relating to legislative and professional issues, membership benefits such as insurance and retirement plans, and other materials such as newspaper clippings and photographs. Also includes membership card files kept by the VDA.\u003c/p\u003e\n","\u003cp\u003eSubseries 7.2: Federal Trade Commission Case, 1960-1978. This subseries pertains to the Federal Trade Commission complaint against the American Dental Association and several of its constituent groups including the Virginia Dental Association and the Northern Virginia Dental Society (American Dental Association, et. al., Docket No. 9093). The FTC complaint stated that the ADA ethical codes violated anittrust laws by barring advertising and preventing price competition. Part of the defense strategy was to prove that the VDA and the NVDS were non-profit groups and as such were outside the FTC's jurisdiction. Documents in this subseries include Children's Dental Health Week materials, public service brochures promoting dental care, newspaper clipping discussing community outreach programs by the VDA, and materials on the governance and benefits of the two groups.\u003c/p\u003e\n","\u003cp\u003eSeries 8: National and State Dental Organizations, 1923-1976. This series contains materials such as correspondence, brochures, and newsletters from various other dental organizations includuing the American Dental Association, several local Virginia dental clubs, and some out-of-state dental groups.\u003c/p\u003e\n","\u003cp\u003eSeries 9: One Hundred Years of Dentistry in Virginia, 1873-1969. This series contains essays, speeches, research notes, photographs and related materials that were compiled to write this history. Research materials were compiled primarily by Hermie Wait Powell, the author, and Dr. William Newton Hodgkins\u003c/p\u003e\n","\u003cp\u003eSeries 10: VDA Journals, 1928-2011. This series contains an incomplete set of the \u003cemph render=\"italic\"\u003eBulletin\u003c/emph\u003e and the \u003cemph render=\"italic\"\u003eVirginia Dental Journal\u003c/emph\u003e. There are eight bound volumes of the Bulletin, loose issues of the Virginia Dental Journal from 1976-1983, 2008-2009, and 2011, and a DVD with the electronic version from 2004-2008. \u003c/p\u003e","\u003cp\u003eContains six minute books: 1870-1877, 1878-1892, 1893-1903, 1904-1905, 1906-1911, and 1912-1915\u003c/p\u003e","\u003cp\u003eThe 1922 minutes mention that three women dentists were admitted into the VDA for the first time.\u003c/p\u003e","\u003cp\u003eAt the 1932 annual meeting Martin Dewey, president of the ADA, discussed the lack of Black dentists and also issues regarding dentists working with the Native American population.\u003c/p\u003e","\u003cp\u003eThe 1936 minutes contain letters from other Virginia dental groups, including the Old Dominion Dental Society (the separate organization for Black dentists), regarding support for legislation to outlaw advertising dentists.\u003c/p\u003e","\u003cp\u003eThe 1942 annual meeting marked the centennial celebration of organized dentistry in Virginia. The minutes include a resolution by the Committee on Tire Priorities for the Richmond Dental Society authorizing the VDA to work to have dentists given priority rating for automobile tires; a presentation by M.S. McClung of the Office of Price Control discussing the need for price control during war time; and Dr. Harry Bear's discussion of the accelerated program at the Medical College of Virginia, School of Dentistry for those persons who join the Army or Navy reserves during World War II.\u003c/p\u003e","\u003cp\u003eDuring the 1952 meeting the president, J.H. Cocks, discussed civil defense training for dentists in the case of atomic attack. He also recommended the next president appoint a committee to study racial segregation as it concerned membership in the VDA.\u003c/p\u003e","\u003cp\u003eSeveral documents from 1962 discuss the inclusion of Blacks in the VDA membership.\u003c/p\u003e","\u003cp\u003eThis committee was formerly known as Mouth Hygiene.\u003c/p\u003e","\u003cp\u003eThis committee was formed as a result of the Depression-era Federal Emergency Relief Administration. The committee worked with the state Emergency Relief Administration to set a fee scale for dental work performed for the unemployed.\u003c/p\u003e","\u003cp\u003eThis committee arranged a testimonial dinner at the annual meeting to honor Dr. Harry Lyons and his leadership as president of the American Dental Association.\u003c/p\u003e","\u003cp\u003eThe questionnaire includes full name, date of birth, name of colleges attended and degrees earned, date of admission to the association, veteran status and rank held, and any offices held in the association at the component and state levels.\u003c/p\u003e","\u003cp\u003eThe Mouth Hygiene committee became the Council on Dental Health in 1948. Folder 17 includes educational posters that were created to promote dental health.\u003c/p\u003e","\u003cp\u003eThis file contains reports from several special committees including Constitution and Bylaws, Collection of Amalgam Scraps, and a committee to study the feasibility of hiring an executive secretary for the Association.\u003c/p\u003e","\u003cp\u003eThis meeting was a convention cruise to Havana and Nassau.\u003c/p\u003e","\u003cp\u003eTwo meetings were held in 1966. The first was a convention cruise to San Juan and St. Thomas. The second meeting was held in Norfolk. Materials include registration cards and passenger lists for the cruise in addition to the general correspondence and other materials related to the planning of the meetings.\u003c/p\u003e","\u003cp\u003eFolder 13 contains several photographs of the banquet.\u003c/p\u003e","\u003cp\u003eIncludes samples of meeting badges from several vendors\u003c/p\u003e","\u003cp\u003eSeveral letters (June 16 and 19, December 2 and 13) between the VDA and the Old Dominion Dental Society discuss allowing Blacks membership in the VDA.\u003c/p\u003e","\u003cp\u003eA letter dated April 11 states that the VDA has three female members.\u003c/p\u003e","\u003cp\u003eSeveral letters concerning a bill that would more fully define the practice of dentistry and make it illegal for a person to conduct a dental practice under a trade name or corporation and a letter (December 29) from the ADA discussing the difficulties dentists encounter using alcohol in their practices due to Prohibition laws.\u003c/p\u003e","\u003cp\u003eSeveral letters discussing dental care for school children in the Roanoke area and concerns about advertising dentists.\u003c/p\u003e","\u003cp\u003eCorrespondence about lifting the licensing tax on dentists.\u003c/p\u003e","\u003cp\u003eA letter (April 17) from J.E. John of the VDA to C.J. Caraballo of Florida asking for guidance in accepting blacks into the state dental society. Caraballos' response (April 23) stated that both Florida and Alabama allowed Blacks to attend state meetings as guests and to pay a fee into the treasury to obtain a membership card which entitled them to membership in the ADA as well.\u003c/p\u003e","\u003cp\u003eCorrespondence includes a letter (April 29) from the Southern California State Dental Association regarding the formation of a National Woman's Auxiliary Board and another letter (November 10) from the ADA regarding the Army Dental Corps bill to increase the number of dentists to improve the level of care and service for military personnel.\u003c/p\u003e","\u003cp\u003eCorrespondence includes letters regarding the possible formation of a Southern Dental Association, a letter from the American Dental Hygienists' Association asking for names of licensed hygienists (licenses not required in Virginia at that time), and Stephen J. Lewis of the Old Dominion Dental Society asking for a copy of the VDA constitution and the bylaws to use as a guide for reorganizing their group.\u003c/p\u003e","\u003cp\u003eIncludes a letter (May 23) from F. L. Adams of Florida regarding membership of black dentists in the Virginia Association. The letter mentions a proposal to the ADA to provide black dentists with the opportunity to join the ADA via their membership in the National Dental Association.\u003c/p\u003e","\u003cp\u003eCorrespondence includes a letter (May 18) from the VDA to Congressman Richard A. Poff expressing their hope that he will vote against the Anti-Fluoridation Bill.\u003c/p\u003e","\u003cp\u003eIncludes letters discussing the portion of the VDA bylaws which stated the Executive Council must approve members elected by the component societies. This was in conflict with the ADA bylaws, so an amendment was made stating that the component societies had the final say on members.\u003c/p\u003e","\u003cp\u003eCorrespondence includes an invitation from the ADA for a US Army sponsored program on nuclear disaster preparedness and the potential of using dentists in a para-medical capacity during an emergency.\u003c/p\u003e","\u003cp\u003ePresident, 1980; also includes a copy of his President's Address.\u003c/p\u003e","\u003cp\u003ePresident, 1928.\u003c/p\u003e","\u003cp\u003ePresident, 1977.\u003c/p\u003e","\u003cp\u003ePresident, 1978; also includes a copy of his President's Address as well as a few other speeches and clippings.\u003c/p\u003e","\u003cp\u003ePresident, 1979; also includes a photograph, a copy of his President's Address, and clippings.\u003c/p\u003e","\u003cp\u003ePresident, 1971; also includes a copy of his President's Address.\u003c/p\u003e","\u003cp\u003eExecutive Council, 1934; his correspondence mostly pertains to his work to abolish the state dental license tax.\u003c/p\u003e","\u003cp\u003ePresident, 1970.\u003c/p\u003e","\u003cp\u003ePresident, 1985, also includes a copy of his President's Address and a photograph.\u003c/p\u003e","\u003cp\u003ePresident, 1940.\u003c/p\u003e","\u003cp\u003ePresident, 1930; Secretary-Treasurer, 1935-1939.\u003c/p\u003e","\u003cp\u003ePresident, 1974; also includes a copy of his President's Address and several other speeches.\u003c/p\u003e","\u003cp\u003ePresident, 1969; also includes campaign materials for his 1975 bid for president of the ADA.\u003c/p\u003e","\u003cp\u003ePresident, 1984; also includes a photograph and a 1984 speech to the MCV dental graduates.\u003c/p\u003e","\u003cp\u003ePresident, 1936.\u003c/p\u003e","\u003cp\u003ePresident, 1968.\u003c/p\u003e","\u003cp\u003ePresident, 1983; also includes a copy of his President's Address.\u003c/p\u003e","\u003cp\u003ePresident, 1972; also includes a photograph.\u003c/p\u003e","\u003cp\u003ePresident, 1958.\u003c/p\u003e","\u003cp\u003eSecretary-Treasurer, 1929-1935.\u003c/p\u003e","\u003cp\u003ePresident, 1980; also includes a copy of his President's Address.\u003c/p\u003e","\u003cp\u003ePresident, 1973; also includes a photograph.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding the organization of local dental groups into component societies of the VDA and membership lists.\u003c/p\u003e","\u003cp\u003eMaterials for component society 8 include correspondence, annual reports, a history of the group, and programs from component meetings.\u003c/p\u003e","\u003cp\u003eContains correspondence, meeting minutes, and programs for the planning of the 1952 conference.\u003c/p\u003e","\u003cp\u003eThis lawsuit was filed in reaction to the charges by the NVDS that Golec had violated the ethics code of the Society by sending announcement cards to area dentist announcing service and staff additions at his practice. The suit was settled, the actions against Golec were expunged from his record, and the appropriate portion of the NVDS Code of Ethics was changed.\u003c/p\u003e","\u003cp\u003eThese records contain index cards listing member information including name, address, birth date, college attended, specialty, military service, details of participation in the VDA, and death date. Some records have obituaries attached. To view an Excel spreadsheet of all the dentists listed along with their college, date of graduation, city of practice, date of initial VDA membership, and death date please \u003cextref type=\"simple\" href=\"https://gallery.library.vcu.edu/items/show/1586\"\u003eclick here\u003c/extref\u003e.\u003c/p\u003e","\u003cp\u003eCorrespondence regarding this act and the designation of certain military bases as \"rural areas\" so that dependents on base could receive treatment from a military dentist.\u003c/p\u003e","\u003cp\u003eA dental care program for school aged children\u003c/p\u003e","\u003cp\u003eA request for documents from the law firm representing the VDA in the FTC case. Folders 22-28 contain the requested documents.\u003c/p\u003e","\u003cp\u003eThe newspaper clippings discuss the public dental health initiatives and other non-profit activities in which the VDA had engaged.\u003c/p\u003e","\u003cp\u003eThe manual was developed by the VDA and the Old Dominion Dental Society.\u003c/p\u003e","\u003cp\u003eDocuments relating to the governance and benefits of the VDA.\u003c/p\u003e","\u003cp\u003eDocuments relating to the VDA and the Northern Virginia Dental Society, both named in the FTC case.\u003c/p\u003e","\u003cp\u003eThese files include dues information, junior and student member information, and membership statements.\u003c/p\u003e","\u003cp\u003eAddress delivered by Dr. Carter Perkins before the Virginia Dental Society.\u003c/p\u003e","\u003cp\u003eSee also box 34 which contains oversized items from this file\u003c/p\u003e","\u003cp\u003eFormer president (1887), items include letters, programs, and announcements.\u003c/p\u003e","\u003cp\u003eFormer president of the VDA, he had collected information on the history of dentistry in Virginia and this book was dedicated to him.\u003c/p\u003e","\u003cp\u003eFormer president of the VDA. Items include memos from the dental surgeon of the 29th Division of the American Expeditionary Forces, some correspondences, and some essays on dental practice and history.\u003c/p\u003e","\u003cp\u003eSee also box 34 which contains oversized items from this file.\u003c/p\u003e","\u003cp\u003eThis box contains typed note cards with information regarding the history of dentistry in Virginia, the VDA, dental legislation and procedures, and other related topics.\u003c/p\u003e","\u003cp\u003eThis box contains oversized items from the collection.\u003c/p\u003e","\u003cp\u003ePlease note that this is not a complete run of the journal.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The records of the Virginia Dental Association (VDA), 1870-2011, include the official minutes and proceedings of the organization as well as committee records, component society materials, correspondence, financial records, annual meeting records and programs, membership records, subject files, materials relating to the American Dental Association and other national, state, and local dental organizations, and research files used to write One Hundred Years of Dentistry in Virginia. These records provide insight into the changes in the dental profession and also the evolution of professional organizations in general.","Series 1: Annual Compilation of Records, 1870-1972. This series, divided into two subseries, consists of the official minutes of the VDA and the records of the Executive Council, the main governing body of the organization.","Subseries 1.1: Minute Books, 1870-1963. The minute books contain annual meeting programs and proceedings, speeches and papers delivered at the meetings, the Bulletin the official publication of the VDA, committee reports, financial statements, newspaper clippings, member lists, and meeting attendee lists including guests and exhibitors. Also included in the minute books are reports from the Bureau of Dental Heath which often contains statistics regarding race and schools where clinics were held and reports of the State Board of Dental Examiners which include statistics regarding applicants for dental licenses.","Subseries 1.2: Executive Council Records, 1931-1972, bulk 1962-1972. These records include meeting minutes and reports along with some correspondence.","Series 2: Financial Records, 1887-1975. These records include bank statements and deposits, invoices, proposed budgets, receipts, and treasurer's books.","Series 3: Committees, 1924-1979. This series contains materials such as correspondence and reports of various standing and special committees.","Series 4: Annual Meetings, 1924-1980. This series includes materials related to the planning and execution of the meetings and is divided into four subseries.","Subseries 4.1: Annual Meeting Records, 1929-1980. This subseries contains general records such as correspondence, financial information, and publicity related to the planning of each annual meeting. Some files also include the proceedings for the meeting as well. The planning for most meetings began one to two years prior to the event, which is indicated by the inclusive date range listed for each folder.","Subseries 4.2: Local Arrangements and Program Committees, 1929-1939, 1954-1956, 1965. Materials in this subseries include correspondence and planning information related to arrangements for clinics, programs, and entertainment at the annual meetings.","Subseries 4.3: Programs, 1924-1970. This subseries contains copies of the official meeting programs.","Subseries 4.4: Meeting Exhibitors, 1927-1980. This subseries includes correspondence with vendors of dental related products and services requesting that the vendors purchase exhibit space or buy advertisements in the meeting program.","Series 5: Correspondence, 1917-1985. This series is divided into two subseries.","Subseries 5.1: General VDA Correspondence, 1917-1975. This subseries consists mostly of correspondence between the membership and the officers of the VDA. There is also some correspondence with the ADA, other state dental societies, the Virginia State Health Department, Virginia Board of Dental Examiners, and other state offices. The subjects most often covered include dues (overdue notices and disputes), issues related to the governance and structure of the VDA, meeting planning (locations, exhibitors, entertainment, and programs), legislative issues related dentistry, and professional ethics issues (advertising, obligations to public health, etc).","Subseries 5.2: Officer's Correspondence and Related Materials, 1927-1985. These files consist primarily of correspondence of specific officers of the VDA. Additionaly, some files also include speeches, photographs, and clippings.","Series 6: Component Societies, 1931-1978. This series contains materials such as correspondence, membership lists, and meeting programs from the eight component societies in Virginia.","Series 7: Administrative Files, 1919-1984. This series consists of subject and court files and is divided into two subseries.","Subseries 7:1: Subject Files, 1919-1984. Contains various subject files relating to legislative and professional issues, membership benefits such as insurance and retirement plans, and other materials such as newspaper clippings and photographs. Also includes membership card files kept by the VDA.","Subseries 7.2: Federal Trade Commission Case, 1960-1978. This subseries pertains to the Federal Trade Commission complaint against the American Dental Association and several of its constituent groups including the Virginia Dental Association and the Northern Virginia Dental Society (American Dental Association, et. al., Docket No. 9093). The FTC complaint stated that the ADA ethical codes violated anittrust laws by barring advertising and preventing price competition. Part of the defense strategy was to prove that the VDA and the NVDS were non-profit groups and as such were outside the FTC's jurisdiction. Documents in this subseries include Children's Dental Health Week materials, public service brochures promoting dental care, newspaper clipping discussing community outreach programs by the VDA, and materials on the governance and benefits of the two groups.","Series 8: National and State Dental Organizations, 1923-1976. This series contains materials such as correspondence, brochures, and newsletters from various other dental organizations includuing the American Dental Association, several local Virginia dental clubs, and some out-of-state dental groups.","Series 9: One Hundred Years of Dentistry in Virginia, 1873-1969. This series contains essays, speeches, research notes, photographs and related materials that were compiled to write this history. Research materials were compiled primarily by Hermie Wait Powell, the author, and Dr. William Newton Hodgkins","Series 10: VDA Journals, 1928-2011. This series contains an incomplete set of the  Bulletin  and the  Virginia Dental Journal . There are eight bound volumes of the Bulletin, loose issues of the Virginia Dental Journal from 1976-1983, 2008-2009, and 2011, and a DVD with the electronic version from 2004-2008. ","Contains six minute books: 1870-1877, 1878-1892, 1893-1903, 1904-1905, 1906-1911, and 1912-1915","The 1922 minutes mention that three women dentists were admitted into the VDA for the first time.","At the 1932 annual meeting Martin Dewey, president of the ADA, discussed the lack of Black dentists and also issues regarding dentists working with the Native American population.","The 1936 minutes contain letters from other Virginia dental groups, including the Old Dominion Dental Society (the separate organization for Black dentists), regarding support for legislation to outlaw advertising dentists.","The 1942 annual meeting marked the centennial celebration of organized dentistry in Virginia. The minutes include a resolution by the Committee on Tire Priorities for the Richmond Dental Society authorizing the VDA to work to have dentists given priority rating for automobile tires; a presentation by M.S. McClung of the Office of Price Control discussing the need for price control during war time; and Dr. Harry Bear's discussion of the accelerated program at the Medical College of Virginia, School of Dentistry for those persons who join the Army or Navy reserves during World War II.","During the 1952 meeting the president, J.H. Cocks, discussed civil defense training for dentists in the case of atomic attack. He also recommended the next president appoint a committee to study racial segregation as it concerned membership in the VDA.","Several documents from 1962 discuss the inclusion of Blacks in the VDA membership.","This committee was formerly known as Mouth Hygiene.","This committee was formed as a result of the Depression-era Federal Emergency Relief Administration. The committee worked with the state Emergency Relief Administration to set a fee scale for dental work performed for the unemployed.","This committee arranged a testimonial dinner at the annual meeting to honor Dr. Harry Lyons and his leadership as president of the American Dental Association.","The questionnaire includes full name, date of birth, name of colleges attended and degrees earned, date of admission to the association, veteran status and rank held, and any offices held in the association at the component and state levels.","The Mouth Hygiene committee became the Council on Dental Health in 1948. Folder 17 includes educational posters that were created to promote dental health.","This file contains reports from several special committees including Constitution and Bylaws, Collection of Amalgam Scraps, and a committee to study the feasibility of hiring an executive secretary for the Association.","This meeting was a convention cruise to Havana and Nassau.","Two meetings were held in 1966. The first was a convention cruise to San Juan and St. Thomas. The second meeting was held in Norfolk. Materials include registration cards and passenger lists for the cruise in addition to the general correspondence and other materials related to the planning of the meetings.","Folder 13 contains several photographs of the banquet.","Includes samples of meeting badges from several vendors","Several letters (June 16 and 19, December 2 and 13) between the VDA and the Old Dominion Dental Society discuss allowing Blacks membership in the VDA.","A letter dated April 11 states that the VDA has three female members.","Several letters concerning a bill that would more fully define the practice of dentistry and make it illegal for a person to conduct a dental practice under a trade name or corporation and a letter (December 29) from the ADA discussing the difficulties dentists encounter using alcohol in their practices due to Prohibition laws.","Several letters discussing dental care for school children in the Roanoke area and concerns about advertising dentists.","Correspondence about lifting the licensing tax on dentists.","A letter (April 17) from J.E. John of the VDA to C.J. Caraballo of Florida asking for guidance in accepting blacks into the state dental society. Caraballos' response (April 23) stated that both Florida and Alabama allowed Blacks to attend state meetings as guests and to pay a fee into the treasury to obtain a membership card which entitled them to membership in the ADA as well.","Correspondence includes a letter (April 29) from the Southern California State Dental Association regarding the formation of a National Woman's Auxiliary Board and another letter (November 10) from the ADA regarding the Army Dental Corps bill to increase the number of dentists to improve the level of care and service for military personnel.","Correspondence includes letters regarding the possible formation of a Southern Dental Association, a letter from the American Dental Hygienists' Association asking for names of licensed hygienists (licenses not required in Virginia at that time), and Stephen J. Lewis of the Old Dominion Dental Society asking for a copy of the VDA constitution and the bylaws to use as a guide for reorganizing their group.","Includes a letter (May 23) from F. L. Adams of Florida regarding membership of black dentists in the Virginia Association. The letter mentions a proposal to the ADA to provide black dentists with the opportunity to join the ADA via their membership in the National Dental Association.","Correspondence includes a letter (May 18) from the VDA to Congressman Richard A. Poff expressing their hope that he will vote against the Anti-Fluoridation Bill.","Includes letters discussing the portion of the VDA bylaws which stated the Executive Council must approve members elected by the component societies. This was in conflict with the ADA bylaws, so an amendment was made stating that the component societies had the final say on members.","Correspondence includes an invitation from the ADA for a US Army sponsored program on nuclear disaster preparedness and the potential of using dentists in a para-medical capacity during an emergency.","President, 1980; also includes a copy of his President's Address.","President, 1928.","President, 1977.","President, 1978; also includes a copy of his President's Address as well as a few other speeches and clippings.","President, 1979; also includes a photograph, a copy of his President's Address, and clippings.","President, 1971; also includes a copy of his President's Address.","Executive Council, 1934; his correspondence mostly pertains to his work to abolish the state dental license tax.","President, 1970.","President, 1985, also includes a copy of his President's Address and a photograph.","President, 1940.","President, 1930; Secretary-Treasurer, 1935-1939.","President, 1974; also includes a copy of his President's Address and several other speeches.","President, 1969; also includes campaign materials for his 1975 bid for president of the ADA.","President, 1984; also includes a photograph and a 1984 speech to the MCV dental graduates.","President, 1936.","President, 1968.","President, 1983; also includes a copy of his President's Address.","President, 1972; also includes a photograph.","President, 1958.","Secretary-Treasurer, 1929-1935.","President, 1980; also includes a copy of his President's Address.","President, 1973; also includes a photograph.","Correspondence regarding the organization of local dental groups into component societies of the VDA and membership lists.","Materials for component society 8 include correspondence, annual reports, a history of the group, and programs from component meetings.","Contains correspondence, meeting minutes, and programs for the planning of the 1952 conference.","This lawsuit was filed in reaction to the charges by the NVDS that Golec had violated the ethics code of the Society by sending announcement cards to area dentist announcing service and staff additions at his practice. The suit was settled, the actions against Golec were expunged from his record, and the appropriate portion of the NVDS Code of Ethics was changed.","These records contain index cards listing member information including name, address, birth date, college attended, specialty, military service, details of participation in the VDA, and death date. Some records have obituaries attached. To view an Excel spreadsheet of all the dentists listed along with their college, date of graduation, city of practice, date of initial VDA membership, and death date please  click here .","Correspondence regarding this act and the designation of certain military bases as \"rural areas\" so that dependents on base could receive treatment from a military dentist.","A dental care program for school aged children","A request for documents from the law firm representing the VDA in the FTC case. Folders 22-28 contain the requested documents.","The newspaper clippings discuss the public dental health initiatives and other non-profit activities in which the VDA had engaged.","The manual was developed by the VDA and the Old Dominion Dental Society.","Documents relating to the governance and benefits of the VDA.","Documents relating to the VDA and the Northern Virginia Dental Society, both named in the FTC case.","These files include dues information, junior and student member information, and membership statements.","Address delivered by Dr. Carter Perkins before the Virginia Dental Society.","See also box 34 which contains oversized items from this file","Former president (1887), items include letters, programs, and announcements.","Former president of the VDA, he had collected information on the history of dentistry in Virginia and this book was dedicated to him.","Former president of the VDA. Items include memos from the dental surgeon of the 29th Division of the American Expeditionary Forces, some correspondences, and some essays on dental practice and history.","See also box 34 which contains oversized items from this file.","This box contains typed note cards with information regarding the history of dentistry in Virginia, the VDA, dental legislation and procedures, and other related topics.","This box contains oversized items from the collection.","Please note that this is not a complete run of the journal."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Virginia Dental Association","American Dental Association","Virginia. Department of Health","Virginia. 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Speeches and addresses of Homer A. Holt (filed loosely)"],"parent_unittitles_tesim":["Homer Adams Holt (1898-1975) Papers","Series 6. Speeches and addresses of Homer A. Holt (filed loosely)"],"text":["Homer Adams Holt (1898-1975) Papers","Series 6. Speeches and addresses of Homer A. Holt (filed loosely)","1939 Addresses","Box 5","Folder 4"],"title_filing_ssi":"1939 Addresses","title_ssm":["1939 Addresses"],"title_tesim":["1939 Addresses"],"unitdate_inclusive_ssm":["1937–1939"],"normalized_date_ssm":["1937/1939"],"normalized_title_ssm":["1939 Addresses"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Homer Adams Holt (1898-1975) Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":17,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":720,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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SEE ALSO Labor organization.","Politicians -- United States","West Virginia - Politics and government.","West Virginia - Governors.","No special access restriction applies.","Homer Adams Holt was born in Lewisburg, WV in 1898. He graduated from Greenbrier Military School and Washington and Lee University. During World War I, he attained the rank of lieutenant in the Army. After the war, Holt returned to Washington and Lee as an instructor and a law student. After graduating in 1923, he taught law at the school for two years. In 1925, he established a law practice in Fayetteville, Fayette County. He served as state Attorney General under Governor Herman Guy Kump (1933-1937), helping to devise a new tax system.","During the early 1930s, the nation's worst recorded industrial accident occurred at the site of a new hydroelectric power plant at Hawks Nest being constructed for the Union Carbide and Carbon Corporation. Contractors Rinehard and Dennis violated standard safety procedures, exposing workers to dangerous silica dust. Between 476 and 764 workers died from silicosis, a condition caused from inhaling silica particles. The number is difficult to determine because many of the workers were migrant African Americans from the South who left the area after construction was completed. The deaths at Hawks Nest resulted in the recognition of silicosis as an occupational disease. As West Virginia's Attorney General at the time, Holt successfully defended Union Carbide in the ensuing U.S. Supreme Court trial, (\"United States vs. State of West Virginia,\" 295 US 463 [1935]).","As governor, Holt instituted a program to improve the facilities of state institutions. He drew criticism for his attacks on school lobbyists and the labor movement, resulting in a split within the Democratic party. A significant innovation was the establishment of an interim committee to study proposed legislation and draft bills when the legislature was not in session.","During Holt's administration, the Works Progress Administration (WPA) began work on \"West Virginia: A Guide to the Mountain State,\" which detailed the incident at Hawks Nest. Holt strident objections to this and other subject matter delayed publication of the book until Governor Matthew Neely took office in 1941. A detailed discussion of the WPA Guide can be found in Jerry B. Thomas' \"`The Nearly Perfect State': Governor Homer Adams Holt, the WPA Writers' Project and the Making of West Virginia: A Guide to the Mountain State in West Virginia History, Volume 52 (1993).","After leaving office, Holt joined a Charleston law firm. From 1947 to 1953, he was general counsel of the Union Carbide and Carbon Corporation in New York City, serving also as a director and vice president. In retirement, he practiced law on a part-time basis. Holt died in Charleston in 1975.","(Adapted from \"Homer Adams Holt\" West Virginia Archives and History. 2019. Accessed October 29, 2020. http://www.wvculture.org/history/government/governors/homeholt.html.)","Correspondence, messages, and state papers of West Virginia's twentieth governor, 1937-1941, and manuscript drafts of \"West Virginia: A Guide to the Mountain State (1941),\" the Works Project Administration's Federal Writer's Project's work on West Virginia. Also included are assorted speeches and addresses given by Holt, newspaper clippings and articles regarding Holt's successor as Governor of West Virginia, Matthew Neely, and other political figures, and correspondence with governors from other states regarding the Hatch Act of 1939.","Digita","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Steel Workers Organizing Committee (U.S.)","Surplus Commodities Corporation","United States. Public Health Service","Weirton Steel Employees' Security League","West Virginia Bar Association","Writers' Program of the Work Projects Administration in the State of West Virginia","Holt, Homer Adams, 1898-1975","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Holt, Rush Dew, 1905-1955","Johnson, George W.","Kump, Herman Guy, 1877-1962","McNutt, Paul V.  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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Coal mining - Labor organization.","Elections","Politics and government.","Union names.","Unions. SEE ALSO Labor organization.","Politicians -- United States","West Virginia - Politics and government.","West Virginia - Governors."],"access_subjects_ssm":["Coal mining - Labor organization.","Elections","Politics and government.","Union names.","Unions. SEE ALSO Labor organization.","Politicians -- United States","West Virginia - Politics and government.","West Virginia - Governors."],"has_online_content_ssim":["false"],"extent_ssm":["2.1 Linear Feet 2 ft. 1 in. (5 document cases, 5 in. each)"],"extent_tesim":["2.1 Linear Feet 2 ft. 1 in. (5 document cases, 5 in. each)"],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eHomer Adams Holt was born in Lewisburg, WV in 1898. He graduated from Greenbrier Military School and Washington and Lee University. During World War I, he attained the rank of lieutenant in the Army. After the war, Holt returned to Washington and Lee as an instructor and a law student. After graduating in 1923, he taught law at the school for two years. In 1925, he established a law practice in Fayetteville, Fayette County. He served as state Attorney General under Governor Herman Guy Kump (1933-1937), helping to devise a new tax system.\u003c/p\u003e\n","\u003cp\u003eDuring the early 1930s, the nation's worst recorded industrial accident occurred at the site of a new hydroelectric power plant at Hawks Nest being constructed for the Union Carbide and Carbon Corporation. Contractors Rinehard and Dennis violated standard safety procedures, exposing workers to dangerous silica dust. Between 476 and 764 workers died from silicosis, a condition caused from inhaling silica particles. The number is difficult to determine because many of the workers were migrant African Americans from the South who left the area after construction was completed. The deaths at Hawks Nest resulted in the recognition of silicosis as an occupational disease. As West Virginia's Attorney General at the time, Holt successfully defended Union Carbide in the ensuing U.S. Supreme Court trial, (\"United States vs. State of West Virginia,\" 295 US 463 [1935]).\u003c/p\u003e\n","\u003cp\u003eAs governor, Holt instituted a program to improve the facilities of state institutions. He drew criticism for his attacks on school lobbyists and the labor movement, resulting in a split within the Democratic party. A significant innovation was the establishment of an interim committee to study proposed legislation and draft bills when the legislature was not in session.\u003c/p\u003e\n","\u003cp\u003eDuring Holt's administration, the Works Progress Administration (WPA) began work on \"West Virginia: A Guide to the Mountain State,\" which detailed the incident at Hawks Nest. Holt strident objections to this and other subject matter delayed publication of the book until Governor Matthew Neely took office in 1941. A detailed discussion of the WPA Guide can be found in Jerry B. Thomas' \"`The Nearly Perfect State': Governor Homer Adams Holt, the WPA Writers' Project and the Making of West Virginia: A Guide to the Mountain State in West Virginia History, Volume 52 (1993).\u003c/p\u003e\n","\u003cp\u003eAfter leaving office, Holt joined a Charleston law firm. From 1947 to 1953, he was general counsel of the Union Carbide and Carbon Corporation in New York City, serving also as a director and vice president. In retirement, he practiced law on a part-time basis. Holt died in Charleston in 1975.\u003c/p\u003e\n","\u003cp\u003e(Adapted from \"Homer Adams Holt\" West Virginia Archives and History. 2019. Accessed October 29, 2020. http://www.wvculture.org/history/government/governors/homeholt.html.)\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Homer Adams Holt was born in Lewisburg, WV in 1898. He graduated from Greenbrier Military School and Washington and Lee University. During World War I, he attained the rank of lieutenant in the Army. After the war, Holt returned to Washington and Lee as an instructor and a law student. After graduating in 1923, he taught law at the school for two years. In 1925, he established a law practice in Fayetteville, Fayette County. He served as state Attorney General under Governor Herman Guy Kump (1933-1937), helping to devise a new tax system.","During the early 1930s, the nation's worst recorded industrial accident occurred at the site of a new hydroelectric power plant at Hawks Nest being constructed for the Union Carbide and Carbon Corporation. Contractors Rinehard and Dennis violated standard safety procedures, exposing workers to dangerous silica dust. Between 476 and 764 workers died from silicosis, a condition caused from inhaling silica particles. The number is difficult to determine because many of the workers were migrant African Americans from the South who left the area after construction was completed. The deaths at Hawks Nest resulted in the recognition of silicosis as an occupational disease. As West Virginia's Attorney General at the time, Holt successfully defended Union Carbide in the ensuing U.S. Supreme Court trial, (\"United States vs. State of West Virginia,\" 295 US 463 [1935]).","As governor, Holt instituted a program to improve the facilities of state institutions. He drew criticism for his attacks on school lobbyists and the labor movement, resulting in a split within the Democratic party. A significant innovation was the establishment of an interim committee to study proposed legislation and draft bills when the legislature was not in session.","During Holt's administration, the Works Progress Administration (WPA) began work on \"West Virginia: A Guide to the Mountain State,\" which detailed the incident at Hawks Nest. Holt strident objections to this and other subject matter delayed publication of the book until Governor Matthew Neely took office in 1941. A detailed discussion of the WPA Guide can be found in Jerry B. Thomas' \"`The Nearly Perfect State': Governor Homer Adams Holt, the WPA Writers' Project and the Making of West Virginia: A Guide to the Mountain State in West Virginia History, Volume 52 (1993).","After leaving office, Holt joined a Charleston law firm. From 1947 to 1953, he was general counsel of the Union Carbide and Carbon Corporation in New York City, serving also as a director and vice president. In retirement, he practiced law on a part-time basis. Holt died in Charleston in 1975.","(Adapted from \"Homer Adams Holt\" West Virginia Archives and History. 2019. Accessed October 29, 2020. http://www.wvculture.org/history/government/governors/homeholt.html.)"],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Homer Adams Holt (1898-1975) Papers, A\u0026amp;M 1450, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Homer Adams Holt (1898-1975) Papers, A\u0026M 1450, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eCorrespondence, messages, and state papers of West Virginia's twentieth governor, 1937-1941, and manuscript drafts of \"West Virginia: A Guide to the Mountain State (1941),\" the Works Project Administration's Federal Writer's Project's work on West Virginia. Also included are assorted speeches and addresses given by Holt, newspaper clippings and articles regarding Holt's successor as Governor of West Virginia, Matthew Neely, and other political figures, and correspondence with governors from other states regarding the Hatch Act of 1939.\u003c/p\u003e\n","\u003cp\u003eDigita\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Correspondence, messages, and state papers of West Virginia's twentieth governor, 1937-1941, and manuscript drafts of \"West Virginia: A Guide to the Mountain State (1941),\" the Works Project Administration's Federal Writer's Project's work on West Virginia. Also included are assorted speeches and addresses given by Holt, newspaper clippings and articles regarding Holt's successor as Governor of West Virginia, Matthew Neely, and other political figures, and correspondence with governors from other states regarding the Hatch Act of 1939.","Digita"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_f235b18de1e4d136b7cdfa9158aac3b2\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["Steel Workers Organizing Committee (U.S.)","Surplus Commodities Corporation","United States. Public Health Service","Weirton Steel Employees' Security League","West Virginia Bar Association","Writers' Program of the Work Projects Administration in the State of West Virginia","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Holt, Homer Adams, 1898-1975","Holt, Rush Dew, 1905-1955","Johnson, George W.","Kump, Herman Guy, 1877-1962","McNutt, Paul V.  (Paul Vories), 1891-1955","Neely, Matthew Mansfield, 1874-1958","Perkins, Milo, 1900-","Pressman, Lee, 1906-1969","Randolph, Jennings, 1902-1998","Revercomb, Chapman, 1895-","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Vanderbilt, William H. (William Henry), 1901-1981"],"names_ssim":["West Virginia and Regional History Center","Steel Workers Organizing Committee (U.S.)","Surplus Commodities Corporation","United States. Public Health Service","Weirton Steel Employees' Security League","West Virginia Bar Association","Writers' Program of the Work Projects Administration in the State of West Virginia","Holt, Homer Adams, 1898-1975","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Holt, Rush Dew, 1905-1955","Johnson, George W.","Kump, Herman Guy, 1877-1962","McNutt, Paul V.  (Paul Vories), 1891-1955","Neely, Matthew Mansfield, 1874-1958","Perkins, Milo, 1900-","Pressman, Lee, 1906-1969","Randolph, Jennings, 1902-1998","Revercomb, Chapman, 1895-","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Vanderbilt, William H. (William Henry), 1901-1981"],"corpname_ssim":["West Virginia and Regional History Center","Steel Workers Organizing Committee (U.S.)","Surplus Commodities Corporation","United States. Public Health Service","Weirton Steel Employees' Security League","West Virginia Bar Association","Writers' Program of the Work Projects Administration in the State of West Virginia"],"persname_ssim":["Holt, Homer Adams, 1898-1975","Cornwell, John J. (John Jacob), 1867-1953","Davis, John W. (John William), 1873-1955","Holt, Rush Dew, 1905-1955","Johnson, George W.","Kump, Herman Guy, 1877-1962","McNutt, Paul V.  (Paul Vories), 1891-1955","Neely, Matthew Mansfield, 1874-1958","Perkins, Milo, 1900-","Pressman, Lee, 1906-1969","Randolph, Jennings, 1902-1998","Revercomb, Chapman, 1895-","Roosevelt, Franklin D. (Franklin Delano), 1882-1945","Vanderbilt, William H. (William Henry), 1901-1981"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:45:52.320Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_4724_c06_c10"}},{"id":"viblbv_repositories_2_resources_1980_c01_c29","type":"File","attributes":{"title":"1943 C.E. \"Theory of Simple Structures\" by Shedd and Vawter","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1980_c01_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1980_c01_c29","ref_ssm":["viblbv_repositories_2_resources_1980_c01_c29"],"id":"viblbv_repositories_2_resources_1980_c01_c29","ead_ssi":"viblbv_repositories_2_resources_1980","_root_":"viblbv_repositories_2_resources_1980","_nest_parent_":"viblbv_repositories_2_resources_1980_c01","parent_ssi":"viblbv_repositories_2_resources_1980_c01","parent_ssim":["viblbv_repositories_2_resources_1980","viblbv_repositories_2_resources_1980_c01"],"parent_ids_ssim":["viblbv_repositories_2_resources_1980","viblbv_repositories_2_resources_1980_c01"],"parent_unittitles_ssm":["Henry M. 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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943],"containers_ssim":["box 1","folder 29"],"_nest_path_":"/components#0/components#28","timestamp":"2026-05-21T02:32:24.099Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1980","ead_ssi":"viblbv_repositories_2_resources_1980","_root_":"viblbv_repositories_2_resources_1980","_nest_parent_":"viblbv_repositories_2_resources_1980","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1980.xml","title_filing_ssi":"Morris, Henry M. Papers","title_ssm":["Henry M. Morris Papers,"],"title_tesim":["Henry M. Morris Papers,"],"unitdate_ssm":["1937-1999"],"unitdate_inclusive_ssm":["1937-1999"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1994.028"],"text":["Ms.1994.028","Henry M. Morris Papers,","Science and Technology","University History","Faculty and staff","Collection is open for research.","The collection is arranged in two series: Series I: Papers and Series II: Institute for Creation Research Materials. ","Series I contains Morris's papers related to his career as a hydraulic engineer. This series is arranged in subject files. ","Series II houses materials related to the Institute for Creation Research, of which Morris served as founder and director.  This series is arranged by material type.","Henry M. Morris (1918-2006) was both a hydraulic engineer and a creationist scientist.  He received his undergraduate degree from Rice University (1939) and graduated from the University of Minnesota with his Ph.D. in 1950, writing his dissertation on \"A New Concept of Flow in Rough Conduits.\" He served as professor of Hydraulic Engineering and Chairman of the Department of Civil Engineering (1957-1970) at Virginia Polytechnic Institute. 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Wiggert. 2nd edition, 1972.","This collection contains papers relating to Morris's career as a hydraulic engineer and Morris's role as director of the Institute for Creation Research. The materials date from 1937 to 1999.  Divided into two series, Morris's papers consist of course materials (exams, notes), his M.S. thesis and Ph.D. dissertation, reprints, publications, technical reports, correspondence concerning such topics as hydraulic engineering and soil mechanics, and publications and pamphlets from the Institute for Creation Research.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains papers relating to Morris's career as a hydraulic engineer and his position as director of the Institute for Creation Research.  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Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Henry M. Morris Papers were donated to Special Collections in the fall of 1994. 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He received his undergraduate degree from Rice University (1939) and graduated from the University of Minnesota with his Ph.D. in 1950, writing his dissertation on \"A New Concept of Flow in Rough Conduits.\" He served as professor of Hydraulic Engineering and Chairman of the Department of Civil Engineering (1957-1970) at Virginia Polytechnic Institute. Morris was also a fellow of the American Association for Advancement of Science and the American Society of Civil Engineers.\u003c/p\u003e\n","\u003cp\u003eDr. Henry M. Morris also served as the founder, President (1970-1996), and President Emeritus (1996-2006) of the Institute for Creation Research in San Diego, California. His most famous book, \"The Genesis Flood,\" has been credited with helping revive the modern creationist movement.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Henry M. Morris (1918-2006) was both a hydraulic engineer and a creationist scientist.  He received his undergraduate degree from Rice University (1939) and graduated from the University of Minnesota with his Ph.D. in 1950, writing his dissertation on \"A New Concept of Flow in Rough Conduits.\" He served as professor of Hydraulic Engineering and Chairman of the Department of Civil Engineering (1957-1970) at Virginia Polytechnic Institute. Morris was also a fellow of the American Association for Advancement of Science and the American Society of Civil Engineers.","Dr. Henry M. Morris also served as the founder, President (1970-1996), and President Emeritus (1996-2006) of the Institute for Creation Research in San Diego, California. His most famous book, \"The Genesis Flood,\" has been credited with helping revive the modern creationist movement.  "],"odd_html_tesm":["\u003cp\u003eThe guide to the Henry M. Morris Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Henry M. Morris Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Henry M. Morris Papers, Ms1994-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Henry M. Morris Papers, Ms1994-028, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Henry M. Morris Papers was completed in July 2013.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Henry M. Morris Papers was completed in July 2013."],"relatedmaterial_html_tesm":["\u003cp\u003eThe following book has been removed from the collection and has been catalogued for the rare book collection: \u003ctitle render=\"italic\"\u003eApplied Hydraulics in Engineering\u003c/title\u003e by Henry M. Morris and James M. Wiggert. 2nd edition, 1972.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["The following book has been removed from the collection and has been catalogued for the rare book collection:  Applied Hydraulics in Engineering  by Henry M. Morris and James M. Wiggert. 2nd edition, 1972."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains papers relating to Morris's career as a hydraulic engineer and Morris's role as director of the Institute for Creation Research. The materials date from 1937 to 1999.  Divided into two series, Morris's papers consist of course materials (exams, notes), his M.S. thesis and Ph.D. dissertation, reprints, publications, technical reports, correspondence concerning such topics as hydraulic engineering and soil mechanics, and publications and pamphlets from the Institute for Creation Research.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["This collection contains papers relating to Morris's career as a hydraulic engineer and Morris's role as director of the Institute for Creation Research. The materials date from 1937 to 1999.  Divided into two series, Morris's papers consist of course materials (exams, notes), his M.S. thesis and Ph.D. dissertation, reprints, publications, technical reports, correspondence concerning such topics as hydraulic engineering and soil mechanics, and publications and pamphlets from the Institute for Creation Research."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_3bec291abbda1a7a3cba1b59269c9880\" label=\"Abstract\"\u003eThis collection contains papers relating to Morris's career as a hydraulic engineer and his position as director of the Institute for Creation Research.  The materials date from 1937 to 1999 and include course materials (exams, notes), his M.S. thesis and Ph.D. dissertation, publications, technical reports, correspondence concerning such topics as hydraulic engineering and soil mechanics, and publications and pamphlets from the Institute of Creation Research.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains papers relating to Morris's career as a hydraulic engineer and his position as director of the Institute for Creation Research.  The materials date from 1937 to 1999 and include course materials (exams, notes), his M.S. thesis and Ph.D. dissertation, publications, technical reports, correspondence concerning such topics as hydraulic engineering and soil mechanics, and publications and pamphlets from the Institute of Creation Research."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Morris, Henry M., 1918-2006"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"persname_ssim":["Morris, Henry M., 1918-2006"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":143,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:32:24.099Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1980_c01_c29"}},{"id":"viblbv_repositories_2_resources_1363_c03_c01_c13_c09","type":"Item","attributes":{"title":"#194 - Wood, Casey","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c13_c09#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c13_c09","ref_ssm":["viblbv_repositories_2_resources_1363_c03_c01_c13_c09"],"id":"viblbv_repositories_2_resources_1363_c03_c01_c13_c09","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363_c03_c01_c13","parent_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c13","parent_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c13"],"parent_ids_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c13"],"parent_unittitles_ssm":["Bailey-Law Collection","Series III. 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Numerical Files","#186-194","#194 - Wood, Casey"],"title_filing_ssi":"#194 - Wood, Casey","title_ssm":["#194 - Wood, Casey"],"title_tesim":["#194 - Wood, Casey"],"unitdate_inclusive_ssm":["1920-1940"],"normalized_date_ssm":["1920/1940"],"normalized_title_ssm":["#194 - Wood, Casey"],"component_level_isim":[4],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Bailey-Law Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":342,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940],"_nest_path_":"/components#2/components#0/components#12/components#8","timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1363","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1363.xml","title_filing_ssi":"Bailey-Law Collection","title_ssm":["Bailey-Law Collection"],"title_tesim":["Bailey-Law Collection"],"unitdate_ssm":["1825-1971"],"unitdate_inclusive_ssm":["1825-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1982.002"],"text":["Ms.1982.002","Bailey-Law Collection","Ornithology","Science and Technology","The collection is open for research.","Some of this collection has been digitized and is available online.","Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.","The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.","Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. ","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]","The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","The materials in the collection are in English."],"unitid_tesim":["Ms.1982.002"],"normalized_title_ssm":["Bailey-Law Collection"],"collection_title_tesim":["Bailey-Law Collection"],"collection_ssim":["Bailey-Law Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creators_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Bailey-Law Collection was obtained in several separate accruals. The lithographed plates from Bailey's  The Birds of Florida  were donated to Special Collections in 1980. The bulk of the collection, however, was received via transfers from Virginia Tech's Department of Biology in 1982 and from the Virginia Museum of Natural History at Virginia Tech in 2003."],"access_subjects_ssim":["Ornithology","Science and Technology"],"access_subjects_ssm":["Ornithology","Science and Technology"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Cubic Feet 36 boxes"],"extent_tesim":["15.0 Cubic Feet 36 boxes"],"date_range_isim":[1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/368\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eBorn in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.\u003c/p\u003e\n","\u003cp\u003eBailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.\u003c/p\u003e\n","\u003cp\u003eIn 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.\u003c/p\u003e","\u003cp\u003eJohn Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. \u003c/p\u003e\n","\u003cp\u003eThough he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). \u003c/p\u003e\n","\u003cp\u003eLaw married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Harold Harris Bailey","Biographical Note - John Eugene Law"],"bioghist_tesim":["Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey."],"odd_html_tesm":["\u003cp\u003eThe guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's \u003cextref href=\"https://catalog.lib.vt.edu/\" title=\"online catalog\"\u003eonline catalog\u003c/extref\u003e. \u003c/p\u003e\n","\u003cp\u003eThe extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into the following series: \u003c/p\u003e\n","\u003cp\u003eSeries I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.\u003c/p\u003e\n","\u003cp\u003eSeries II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. \u003c/p\u003e\n","\u003cp\u003eSubseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e (1913) and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the \u003ctitle render=\"italic\"\u003eBulletin of the Bailey Museum and Library of Natural History\u003c/title\u003e, together with sample issues of the publication. \u003c/p\u003e\n","\u003cp\u003eSubseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.\u003c/p\u003e\n","\u003cp\u003eSeries III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.\u003c/p\u003e\n","\u003cp\u003eUnique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. \u003c/p\u003e\n","\u003cp\u003eSubseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.\u003c/p\u003e\n","\u003cp\u003eSeries V. Images, 1904-1942. This series is arranged by format in two subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e. The photographs have been divided among the following categories: \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.\u003c/p\u003e","\u003cp\u003e[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]\u003c/p\u003e","\u003cp\u003e\u003clist type=\"simple\"\u003e\u003chead\u003eContains signatures of:\u003c/head\u003e\n\u003citem\u003eUlysses S. Grant [Union Army general and United States president]\u003c/item\u003e\u003citem\u003eAmbrose E. Burnside [Union Army general]\u003c/item\u003e\u003citem\u003eWilliam Tecumseh Sherman [Union Army general]\u003c/item\u003e\u003citem\u003ePhilip H. Sheridan [Union Army general]\u003c/item\u003e\u003citem\u003eJ. Tyler\u003c/item\u003e\u003citem\u003eJ. Davis\u003c/item\u003e\u003citem\u003eHenry P. Baldwin [Michigan governor]\u003c/item\u003e\u003citem\u003eLevi P. Morton [United States vice-president]\u003c/item\u003e\u003citem\u003eHannibal Hamlin [United States vice-president]\u003c/item\u003e\u003citem\u003eWilliam Claflin [Massachusetts governor]\u003c/item\u003e\u003citem\u003eDouglas Sladen [English author]\u003c/item\u003e\u003citem\u003e[S. W. Lincoln Jr.?]\u003c/item\u003e\u003citem\u003eGrover Cleveland [United States president]\u003c/item\u003e\u003citem\u003eFrances Folsom Cleveland [United States first lady]\u003c/item\u003e\u003citem\u003eRutherford B. Hayes [United States president]\u003c/item\u003e\u003citem\u003eJohn J. Audubon [naturalist]\u003c/item\u003e\u003citem\u003eJoshua L. Chamberlain [Maine governor]\u003c/item\u003e\u003citem\u003eBenjamin F. Butler [Union Army general]\u003c/item\u003e\u003citem\u003eGeo. H. Hepworth [minister and journalist]\u003c/item\u003e\u003citem\u003eWalter Harriman [New Hampshire governor]\u003c/item\u003e\u003citem\u003eHorace Greeley [newspaper editor; 1872 presidential candidate]\u003c/item\u003e\u003citem\u003eJoseph [W.?] Donahue\u003c/item\u003e\u003citem\u003eJames M. Harvey [Kansas governor]\u003c/item\u003e\u003citem\u003eJohn W. Geary [Pennsylvania governor]\u003c/item\u003e\u003citem\u003eJohn Hoffman [New York governor]\u003c/item\u003e\u003citem\u003eHans von Bulow [pianist]\u003c/item\u003e\u003citem\u003eLucius Fairchild [Wisconsin governor]\u003c/item\u003e\u003citem\u003eRobert W. Chambers [American author]\u003c/item\u003e\u003citem\u003eHenry Huntly Haight [California governor]\u003c/item\u003e\u003citem\u003eGeo. S. Boutwell [United States secretary of the treasury]\u003c/item\u003e\u003citem\u003eHenry L. Pierce [Massachusetts congressman]\u003c/item\u003e\u003citem\u003eCharles [illegible]\u003c/item\u003e\u003citem\u003eE. M. Pease [Texas governor]\u003c/item\u003e\u003citem\u003eH. L. Dawes [Massachusetts senator]\u003c/item\u003e\u003citem\u003eWilliam Gaston [Massachusetts governor]\u003c/item\u003e\u003citem\u003eAlexander H. Rice [Massachusetts governor]\u003c/item\u003e\u003citem\u003eHenry W. Longfellow [poet]\u003c/item\u003e\u003citem\u003eWilliam Dean Howells [author][with poem]\u003c/item\u003e\u003citem\u003eMargaret J. Preston [poet]\u003c/item\u003e\u003citem\u003eOliver Wendall Holmes [United States Supreme Court justice][with poem] \u003c/item\u003e\u003citem\u003eWilliam Cullen Bryant [poet and newspaper editor]\u003c/item\u003e\u003citem\u003eNathaniel B. Shurtleff [Boston mayor]\u003c/item\u003e\u003citem\u003eAaron V. Brown [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMarshall Jewell [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMorrison Remick Waite [United States Supreme Court chief justice]\u003c/item\u003e\u003citem\u003eWilliam Worth Belknap [United States secretary of war]\u003c/item\u003e\u003citem\u003eAsa Gray [Harvard University professor of botany]\u003c/item\u003e\u003citem\u003eOlive Thorne Miller [naturalist and children's writer]\u003c/item\u003e\u003citem\u003eJames Parton [author/biographer]\u003c/item\u003e\u003citem\u003eBayard Taylor [poet]\u003c/item\u003e\u003citem\u003eThomas Hughes [English author]\u003c/item\u003e\u003citem\u003e[illegible]\u003c/item\u003e\u003citem\u003eFrank Stockton [author]\u003c/item\u003e\u003citem\u003eWilliam R. Marshall [Minnesota governor]\u003c/item\u003e\u003citem\u003eW. L. Champney [artist][with drawing]\u003c/item\u003e\u003citem\u003eP. A. Rearick [United States Navy captain]\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003e[notebook containing color plates extracted from unidentified publication]\u003c/p\u003e","\u003cp\u003e[includes original artwork] \u003c/p\u003e\n","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[\"Notes \u0026amp; Memoranda Relating to Natural Science in General as Observed and Collected\"]\u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[photographs and research materials relating to Rapa Nui (also known as Easter Island)] \u003c/p\u003e\n","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[bound collection of individual checklists]\u003c/p\u003e","\u003cp\u003e[identified by Bailey as being from reports of the New York Fish Commission]\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBaltimore oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBlackbird\u003c/item\u003e\u003citem\u003eBlack-crowned night heron\u003c/item\u003e\u003citem\u003eBlue Jay\u003c/item\u003e\u003citem\u003eBluebird [2 items]\u003c/item\u003e\u003citem\u003eBobolink [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBrown thrasher [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCatbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eChimney swift [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eChipping sparrow\u003c/item\u003e\u003citem\u003eCrow\u003c/item\u003e\u003citem\u003eField sparrow\u003c/item\u003e\u003citem\u003eIndigo bunting [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eKingfisher [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eLeast bittern\u003c/item\u003e\u003citem\u003eLouisiana water thrush [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eMeadowlark [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eOrchard oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eOvenbird\u003c/item\u003e\u003citem\u003ePewee [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRed-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRobin\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWhip-poor-will [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWhite-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWoodcock [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo\u003c/item\u003e\u003citem\u003eYellow-breasted chat [accompanied by black-and-white original\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlder flaycatcher n.d.\u003c/item\u003e\u003citem\u003eAmerican coot n.d. [2 items]\u003c/item\u003e\u003citem\u003eArkansas goldfinch 1904\u003c/item\u003e\u003citem\u003eBald eagle 1927\u003c/item\u003e\u003citem\u003eBank swallow n.d.\u003c/item\u003e\u003citem\u003eBarn swallow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBlack and white warbler (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eBlack-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eBlack-headed grosbeak n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBlack-necked stilt n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d.\u003c/item\u003e\u003citem\u003eBob white n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCalifornia towhee 1904\u003c/item\u003e\u003citem\u003eCanadian grouse n.d.\u003c/item\u003e\u003citem\u003eCanadian warbler n.d.\u003c/item\u003e\u003citem\u003eCape sable seaside sparrow 1921, n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eChestnut-sided warbler 1902, n.d. [3 items]\u003c/item\u003e\u003citem\u003eChickadee n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eClapper rail n.d.\u003c/item\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eDuck hawk n.d.\u003c/item\u003e\u003citem\u003eDusky seaside sparrow 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eField sparrow n.d.\u003c/item\u003e\u003citem\u003eFlamingo n.d. [6 items]\u003c/item\u003e\u003citem\u003eFlorida bald eagle 1921\u003c/item\u003e\u003citem\u003eFlorida bob white n.d.\u003c/item\u003e\u003citem\u003eFlorida meadowlark 1922 [2 items]\u003c/item\u003e\u003citem\u003eFlorida nighthawk n.d.\u003c/item\u003e\u003citem\u003eFlorida red-shouldered hawk 1928\u003c/item\u003e\u003citem\u003eFlorida redwing 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eGrasshopper sparrow n.d.\u003c/item\u003e\u003citem\u003eGreat white heron 1924\u003c/item\u003e\u003citem\u003eGround dove n.d. [2 items]\u003c/item\u003e\u003citem\u003eHermit thrush n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d.\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003citem\u003eKingbird 1902\u003c/item\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eLaughing gull 1910\u003c/item\u003e\u003citem\u003eLazuli bunting n.d.\u003c/item\u003e\u003citem\u003eLeast flycatcher (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [2 items]\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eMagnolia warbler n.d.\u003c/item\u003e\u003citem\u003eMyrtle warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eNashville warbler n.d.\u003c/item\u003e\u003citem\u003eNorthern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eOlive-sided flycatcher n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePhoebe 1902 [2 items]\u003c/item\u003e\u003citem\u003ePrairie warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-billed tropic bird n.d.\u003c/item\u003e\u003citem\u003eRed-cockaded woodpecker 1918\u003c/item\u003e\u003citem\u003eRed-winged blackbird n.d.\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d.\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d.\u003c/item\u003e\u003citem\u003eRuby-throat n.d.\u003c/item\u003e\u003citem\u003eRuddy [2 items]\u003c/item\u003e\u003citem\u003eRusset-backed thrush 1904\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eSage grouse n.d.\u003c/item\u003e\u003citem\u003eSalt marsh yellow throat n.d. [2 items]\u003c/item\u003e\u003citem\u003eSamuel's song sparrow n.d. [2 items]\u003c/item\u003e\u003citem\u003eSand swallow n.d.\u003c/item\u003e\u003citem\u003eScarlet tanager n.d.\u003c/item\u003e\u003citem\u003eScreech owl n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eTennessee warbler n.d.\u003c/item\u003e\u003citem\u003eTowhee n.d.\u003c/item\u003e\u003citem\u003eVermillion flycatcher 1935\u003c/item\u003e\u003citem\u003eVesper sparrow n.d.\u003c/item\u003e\u003citem\u003eWestern flycatcher n.d.\u003c/item\u003e\u003citem\u003eWestern mockingbird 1920\u003c/item\u003e\u003citem\u003eWestern red-tailed hawk 1904 [2 copies]\u003c/item\u003e\u003citem\u003eWhite-crowned pigeon 1921, n.d.\u003c/item\u003e\u003citem\u003eWhite-throated sparrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWilson's plover 1932 n.d. [3 items]\u003c/item\u003e\u003citem\u003eWilson's thrush n.d.\u003c/item\u003e\u003citem\u003eWilson's warbler n.d.\u003c/item\u003e\u003citem\u003eWood ibis n.d. [2 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d.\u003c/item\u003e\u003citem\u003eWorm-eating warbler n.d.\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eYellow warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCanada goose 1917, n.d. [3 items]\u003c/item\u003e\u003citem\u003eCanvasback duck 1917\u003c/item\u003e\u003citem\u003eCatbird n.d. [2 items]\u003c/item\u003e\u003citem\u003eChestnut-sided warbler n.d.\u003c/item\u003e\u003citem\u003eChickadee n.d. [2 items]\u003c/item\u003e\u003citem\u003eChimney swift n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eCrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eField sparrow n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlamingo n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlicker n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eFlorida burrowing owl 1920, n.d. [2 items]\u003c/item\u003e\u003citem\u003eFlorida cormorant n.d.\u003c/item\u003e\u003citem\u003eFlorida jay n.d.\u003c/item\u003e\u003citem\u003eFoster's tern n.d.\u003c/item\u003e\u003citem\u003eGannet n.d. [2 items]\u003c/item\u003e\u003citem\u003eGreat blue heron 1904\u003c/item\u003e\u003citem\u003eGreen heron n.d.\u003c/item\u003e\u003citem\u003eHarlequin ducks n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [3 items]\u003c/item\u003e\u003citem\u003eLittle blue heron n.d.\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eLouisiana water thrush n.d.\u003c/item\u003e\u003citem\u003eMan o'war bird n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePelican 1935\u003c/item\u003e\u003citem\u003ePhoebe n.d. [3 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-eyed vireo n.d. [4 items]\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d. [3 items]\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eScreech owl n.d. [3 items]\u003c/item\u003e\u003citem\u003eShrike n.d.\u003c/item\u003e\u003citem\u003eSong sparrow n.d.\u003c/item\u003e\u003citem\u003e[Southeastern American kestrel] n.d. [4 items]\u003c/item\u003e\u003citem\u003eSpotted sandpiper n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWater ouzel 1905\u003c/item\u003e\u003citem\u003eWestern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eWhip-poor-will n.d.\u003c/item\u003e\u003citem\u003eWhistling swan 1917 [2 items]\u003c/item\u003e\u003citem\u003eWhite albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eWhite ibis n.d.\u003c/item\u003e\u003citem\u003eWhite pelican n.d.[2 items]\u003c/item\u003e\u003citem\u003eWild turkey n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWood ibis n.d. [4 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d. [3 items]\u003c/item\u003e\u003citem\u003eYellow-breasted chat n.d. [2 items]\u003c/item\u003e\u003citem\u003eYellow warbler n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003cp\u003e[artist unknown; given to Bailey by Charles Townsend]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following maps from the collection were transferred to the Historical Map Collection:\n\u003clist\u003e\u003citem\u003e\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1967).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1972).\n\u003c/item\u003e\u003citem\u003e\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\u003c/item\u003e\u003citem\u003e\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\u003c/item\u003e\u003citem\u003e\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\u003c/item\u003e\u003citem\u003e\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\u003c/item\u003e\u003citem\u003e\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\u003c/item\u003e\u003citem\u003e\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\u003c/item\u003e\u003citem\u003e\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\u003c/item\u003e\u003citem\u003e\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\u003c/item\u003e\u003citem\u003e\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\u003c/item\u003e\u003citem\u003e\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\u003c/item\u003e\u003citem\u003e\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003citem\u003e\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\u003c/item\u003e\u003citem\u003e\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\u003c/item\u003e\u003citem\u003e\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\u003c/item\u003e\u003citem\u003e\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\u003c/item\u003e\u003citem\u003e\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\u003c/item\u003e\u003citem\u003e\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f419c7b4e4e2820af0c941b645e14b03\" label=\"Abstract\"\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1290,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c13_c09"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c02_c27","type":"Item","attributes":{"title":"1956","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c27#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures ROCKEFELLER CENTER, NEW YORK October 1, 1937 #1956 Miniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler. It is executed in gold-gilt silver and in design follows an ancient prototype. The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner. Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones. Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel. A border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints. On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented. The reverse is inscribed with the names of the donors, as follows: Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova; Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff From the Winter Palace. MRS. JOHN L. PRATT\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c27#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c02_c27","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c02_c27"],"id":"virmu_repositories_2_resources_8_c01_c05_c02_c27","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c02","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c02","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c02"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6","1956","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 6","Item SC07.01.5.121","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.21","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"1956","title_ssm":["1956"],"title_tesim":["1956"],"unitdate_other_ssim":["Oct. 1, 1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1956"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":311,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1937],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 6","Item SC07.01.5.121"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.21\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.21"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#1/components#26","timestamp":"2026-05-21T03:30:55.910Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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can--1","American--1","American--1","American--1","American--1","American--1","American--1","American--1","American--1","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","47.20.412, 47.20.333, 47.20.312","47.20.14, 47.20.284, 47.20.338","47.20.30, 47.20.26, 47.20.28, 47.20.214, 47.20.341, 47.20.363, 47.20.404, 47.20.309","47.20.167, 47.20.72, 47.20.287, 47.20.166, 47.20.346, 47.20.296, 47.20.90, 47.20.95, 47.20.420, 47.20.421, 47.20.85, 47.20.94, 47.20.77, 47.20.74, 47.20.78, 47.20.75, 47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62, 47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87, 47.20.115, 47.20.63, 47.20.83, 47.20.54, 47.20.88, 47.20.130, 47.20.93, 47.20.59, 47.20.56, 47.20.58, 47.20.92, 47.20.96","47.20.4, 47.20.71, 47.20.81, 47.20.70, 47.20.55, 47.20.80, 47.20.76, 47.20.332, 47.20.336, 47.20.397, 47.20.140, 47.20.342, 47.20.281, 47.20.304, 47.20.157","47.20.416, 47.20.349, 47.20.317, 47.20.197","47.20.314, 47.20.313, 47.20.322, 47.20.290, 47.20.251, 47.20.12, 47.20.319, 47.20.184, 47.20.169, 47.20.358, 47.20.350, 47.20.183, 47.20.187, 47.20.141, 47.20.162, 47.20.417, 47.20.329","47.20.173, 47.20.195","47.20.173, 47.20.195","47.20.31, 47.20.291, 47.20.193, 47.20.275, 47.20.181, 47.20.164, 47.20.168, 47.20.27, 47.20.182, 47.20.177, 47.20.196, 47.20.396, 47.20.315, 47.20.337, 47.20.413, 47.20.320","47.20.263, 47.20.353","47.20.310, 47.20.339, 47.20.19, 47.20.282, 47.20.286, 47.20.45, 47.20.348, 47.20.142, 47.20.143, 47.20.128, 47.20.185, 47.20.190, 47.20.180, 47.20.276, 47.20.127","47.20.255, 47.20.294, 47.20.314, 47.20.356, 47.20.414, 47.20.299, 47.20.210,","47.20.22, 47.20.13, 47.20.151, 47.20.279, 47.20.191, 47.20.252, 47.20.7, 47.20.21","47.20.51, 47.20.64, 47.20.493, 47.20.52, 47.20.126, 47.20.278, 47.20.208","47.20.29, 47.20.17","47.20.221, 47.20.265, 47.20.308","47.20.240, 47.20.257, 47.20.256","47.20.306","47.20.292, 47.20.288, 47.20.267","47.20.259, 47.20.311, 47.20.138","47.20.20, 47.20.297, 47.20.351, 47.20.163, 47.20.144, 47.20.220","47.20.215, 47.20.394","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.131","47.20.13","47.20.33","47.20.33","47.20.248, 47.20.249, 47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.373","47.20.209, 47.20.334, 47.20.318, 47.20.102, 47.20.100, 47.20.101","47.20.343, 47.20.344, 47.20.340, 47.20.46, 47.20.148","47.20.495, 47.20.273","47.20.233, 47.20.395","47.20.16","47.20.13","47.20.154, 47.20.205","47.20.379","47.20.383","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.284","47.20.312","47.20.338","47.20.333","47.20.412","47.20.14","47.20.13","47.20.177","47.20.196","47.20.168","47.20.181","47.20.193","47.20.164","47.20.182","47.20.169","47.20.27","47.20.275","47.20.291","47.20.320","47.20.337","47.20.413","47.20.31","47.20.315","47.20.396","47.20.348","47.20.142","47.20.143","47.20.128","47.20.279","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.131","47.20.167","47.20.139","47.20.312","47.20.312","47.20.333","47.20.412","47.20.39","47.20.14","47.20.284","47.20.338","47.20.30","47.20.26","47.20.28","47.20.214","47.20.404","47.20.386","47.20.145","47.20.287","47.20.72","47.20.166","47.20.346","47.20.296","47.20.90","47.20.37","47.20.95, 47.20.85, 47.20.94, 47.20.77, 47.20.59","47.20.74, 47.20.78, 47.20.75, 47.20.63, 47.20.83","47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62","47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87","47.20.115, 47.20.130, 47.20.93, 47.20.56, 47.20.58","47.20.54, 47.20.88, 47.20.92, 47.20.96","47.20.4","47.20.397","47.20.336","47.20.342","47.20.332","47.20.71","47.20.80, 47.20.76","47.20.81, 47.20.70, 47.20.55","47.20.140","47.20.281","47.20.304","47.20.157","47.20.16","47.20.349","47.20.12","47.20.416","47.20.317","47.20.197","47.20.322","47.20.290","47.20.314","47.20.313","47.20.42","47.20.251","47.20.187","47.20.184","47.20.169","47.20.183","47.20.329","47.20.319","47.20.350","47.20.358","47.20.162","47.20.141","47.20.417","47.20.205","47.20.154","47.20.173","47.20.173","47.20.195","47.20.195","47.20.31","47.20.193","47.20.291","47.20.177","47.20.196","47.20.168","47.20.181","47.20.164","47.20.182","47.20.27","47.20.275","47.20.13","47.20.52","47.20.320","47.20.337","47.20.413","47.20.51, 47.20.493, 47.20.64","47.20.315","47.20.396","47.20.126","47.20.208a-b","47.20.278","47.20.353","47.20.263","47.20.348","47.20.142","47.20.143","47.20.128","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.13","47.20.151","47.20.279","47.20.7","47.20.21","47.20.191","47.20.252","47.20.22","47.20.29","47.20.17","47.20.233","47.20.395","47.20.341, 47.20.363","47.20.176","47.20.420, 47.20.421","47.20.20","47.20.340","47.20.418","47.20.33","47.20.255","47.20.294a-b","47.20.314","47.20.138","47.20.356, 47.20.414","47.20.163","47.20.248, 47.20.249","47.20.350","47.20.299","47.20.210","47.20.297","47.20.97?","47.20.144","47.20.221","47.20.220","47.20.240","47.20.257","47.20.267","47.20.256","47.20.265","47.20.379","47.20.308","47.20.311","47.20.374","47.20.259","47.20.216","47.20.110, 47.20.136","47.20.119, 47.20.114, 47.20.120, 47.20.125","47.20.113, 47.20.118, 47.20.112, 47.20.122","47.20.121, 47.20.117","47.20.288","47.20.292","47.20.383.1-6","47.20.343","47.20.273","47.20.46, 47.20.148","47.20.495","47.20.344","47.20.394","47.20.215","47.20.209","47.20.373","47.20.131","47.20.334","47.20.102","47.20.100","47.20.101","47.20.318","47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.306","47.20.351","47.20.270","47.20.18, 47.20.8","47.20.323","47.20.345","47.20.10","47.20.18","47.20.419","47.20.355","47.20.392","47.20.40","47.20.357","47.20.8","47.20.384","47.20.9","47.20.427","47.20.382","47.20.419","47.20.1","47.20.2","47.20.2","47.20.11","47.20.391","47.20.389","47.20.393","47.20.378","47.20.25,47.20.419, 47.20.10, 47.20.11","47.20.392","47.20.398","47.20.381","47.20.419","47.20.355","47.20.391","47.20.9a","47.20.384.1-13","47.20.378","47.20.427","47.20.382","47.20.18","47.20.8","47.20.409","47.20.398","47.20.405","47.20.357","47.20.392","47.20.390","47.20.388.1, 47.20.388.2","47.20.36","47.20.389","47.20.393","47.20.393","47.20.387","47.20.3","47.20.425","47.20.303, 47.20.367","47.20.426","47.20.146","47.20.5","47.20.6","47.20.40","47.20.345","47.20.222","47.20.213","47.20.69","47.20.137","47.20.272","47.20.38","47.20.179","47.20.277a-b","47.20.330","47.20.326","47.20.53","47.20.305","47.20.323","47.20.376.1-42","47.20.271","47.20.269","47.20.244","47.20.268","47.20.152","47.20.15","47.20.165","47.20.327","47.20.328","47.20.41","47.20.293","47.20.47","47.20.48","47.20.49","47.20.50","47.20.65","47.20.66","47.20.67","47.20.68","47.20.98","47.20.250","47.20.161","47.20.325","47.20.227","47.20.235","47.20.231","47.20.211","47.20.207","47.20.202","47.20.324","47.20.228","47.20.241, 47.20.242","47.20.170","47.20.203","47.20.225","47.20.217","47.20.218","47.20.221","47.20.224","47.20.230","47.20.229","47.20.232","47.20.261","47.20.260","47.20.155","47.20.60","47.20.171","47.20.239","47.20.244","47.20.247","47.20.262","47.20.266","47.20.300","47.20.133","47.20.134","47.20.289","47.20.57","47.20.99","47.20.111","47.20.116","47.20.123","47.20.124","47.20.385","47.20.301","47.20.156","47.20.172","47.20.186","47.20.246","47.20.199","47.20.198","47.20.178","47.20.285","47.20.309","47.20.234","47.20.226","47.20.223","47.20.220","47.20.219","47.20.212","47.20.245","47.20.109","47.20.43","47.20.238","47.20.103","47.20.108","47.20.354","47.20.375","47.20.335","47.20.331","47.20.321","47.20.298","47.20.254","47.20.105","47.20.104","47.20.106","47.20.107","47.20.135","47.20.359, 47.20.365","47.20.35","42.19.1","47.20.1, 47.20.2","47.20.11","47.20.25","47.20.10","47.20.419","47.20.32","47.20.32","47.20.32","47.20.32","47.20.32","47.20.357","47.20.409","47.20.303, 47.20.367","47.20.387","47.20.3","47.20.425","47.20.34","47.20.34","47.20.36, 47.20.32, 47.20.34","47.20.17","47.20.17","47.20.17","47.20.348","47.20.21","47.20.21","47.20.176","47.20.36","47.20.32","11061-1, 47.20.33, 47.20.34","11912-2, 47.20.34, 47.20.35, 47.20.32","11912-3, 47.20.34, 47.20.44, 47.20.148","1651, 47.20.235, 47.20.217, 47.20.222","4471, 47.20.214","490M, 47.20.32, 47.20.33","490M-6, 47.20.32","491M-19, 47.20.36, 47.20.231","491M-29, 47.20.148, 47.20.46","544M, 47.20.222, 47.20.217","7852M-10, 47.20.126","7852M-12, 47.20.34, 47.20.17, 47.20.18","7853M-4, 47.20.34, 47.20.32, 47.20.148, 47.20.46","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine 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Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. 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Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eWide World Photos, Inc. (NY-33541), Copyright 1937.\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","Ge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Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. 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The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: 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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:30:55.910Z","scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.\u003c/p\u003e\n","\u003cp\u003eThe invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. \u003c/p\u003e\n","\u003cp\u003eI have received your note and also the book, and am sorry that you have had this unpleasantness.\u003c/p\u003e\n","\u003cp\u003eI hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, \u003c/p\u003e\n","\u003cp\u003eYours very sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.\u003c/p\u003e\n","\u003cp\u003eI will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.\u003c/p\u003e\n","\u003cp\u003eOr maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.\u003c/p\u003e\n","\u003cp\u003eI am sorry you had to be annoyed paying\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethe freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.\u003c/p\u003e\n","\u003cp\u003eWith best wishes and kindest regards, in which Mrs. Schaffer joins me, I am\u003c/p\u003e\n","\u003cp\u003eYours most sincerely, \nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. \u003c/p\u003e\n","\u003cp\u003eSorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.\u003c/p\u003e\n","\u003cp\u003eI have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. \u003c/p\u003e\n","\u003cp\u003eOn second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see \u003c/p\u003e\n","\u003cp\u003e(over please)\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003eyour things, and at the same time I could measure the egg.\u003c/p\u003e\n","\u003cp\u003eI think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. \u003c/p\u003e\n","\u003cp\u003eThe heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. \u003c/p\u003e\n","\u003cp\u003eHoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexanders S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eJust a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. \u003c/p\u003e\n","\u003cp\u003eSo far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.\u003c/p\u003e\n","\u003cp\u003eBelieve it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. \u003c/p\u003e\n","\u003cp\u003eI would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. \u003c/p\u003e\n","\u003cp\u003eRegarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. \u003c/p\u003e\n","\u003cp\u003eI could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for \u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethis, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, and love from the family, \u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.\u003c/p\u003e\n","\u003cp\u003eI am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.\u003c/p\u003e\n","\u003cp\u003eI am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eIt was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.\u003c/p\u003e\n","\u003cp\u003eIf I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.\u003c/p\u003e\n","\u003cp\u003eMrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and wishes for your speedy recovery,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \u003c/p\u003e\n","\u003cp\u003eTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt, \u003c/p\u003e\n","\u003cp\u003eIt is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. \u003c/p\u003e\n","\u003cp\u003eI am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. \u003c/p\u003e\n","\u003cp\u003eI am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eSeptember 1, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter and check which I have received today.\u003c/p\u003e\n","\u003cp\u003eI was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.\u003c/p\u003e\n","\u003cp\u003eThe raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.\u003c/p\u003e\n","\u003cp\u003eHowever, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.\u003c/p\u003e\n","\u003cp\u003eI am looking forward to seeing you soon.  With kindest regards and best wishes, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eOctober 7, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eWe are very much relieved that you have found the box.  I would have felt miserable otherwise.\u003c/p\u003e\n","\u003cp\u003eI am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.\u003c/p\u003e\n","\u003cp\u003eI hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eP.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eMay 11, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia \u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.\u003c/p\u003e\n","\u003cp\u003eI am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.\u003c/p\u003e\n","\u003cp\u003eI sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.\u003c/p\u003e\n","\u003cp\u003eOf course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.\u003c/p\u003e\n","\u003cp\u003eLooking forward to the pleasure of seeing you soon, with kindest regards, I am\u003c/p\u003e\n","\u003cp\u003eVery sincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: Telephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eAugust 1, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eI was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. \u003c/p\u003e\n","\u003cp\u003eIt is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. \u003c/p\u003e\n","\u003cp\u003eWe are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer \n[signature]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eNovember 2, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.\u003c/p\u003e\n","\u003cp\u003eHave you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.\u003c/p\u003e\n","\u003cp\u003ePaul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.\u003c/p\u003e\n","\u003cp\u003eI hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 15, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.\u003c/p\u003e\n","\u003cp\u003eI am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.\u003c/p\u003e\n","\u003cp\u003eThe silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\nP. S.  The parchment just arrived.  Thank you.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 30, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!\u003c/p\u003e\n","\u003cp\u003eWe both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.\u003c/p\u003e\n","\u003cp\u003eWe do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).\u003c/p\u003e\n","\u003cp\u003eWith kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003e\nNovember 21, 1945\u003c/p\u003e\n","\u003cp\u003eMrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.\u003c/p\u003e\n","\u003cp\u003eI am enclosing a receipt for them.  They all arrived in good condition including the flower.\u003c/p\u003e\n","\u003cp\u003eRegarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.\u003c/p\u003e\n","\u003cp\u003eI am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nCordially yours,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eENC.\nASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003eJune 4, 1946\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003eThe man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.\u003c/p\u003e\n","\u003cp\u003eHe claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.\u003c/p\u003e\n","\u003cp\u003ePlease do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nSincerely,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York\u003c/p\u003e\n","\u003cp\u003eFebruary 3, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your very kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWell, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.\u003c/p\u003e\n","\u003cp\u003eAlex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.\u003c/p\u003e\n","\u003cp\u003eThe children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.\u003c/p\u003e\n","\u003cp\u003eI hope that we'll be seeing you soon.\u003c/p\u003e\n","\u003cp\u003ePeter and Paul send their love, as do I.\u003c/p\u003e\n","\u003cp\u003eSincerely,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.\u003c/p\u003e\n","\u003cp\u003eApril 24, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you very much for your check and letter.  I do appreciate it.\u003c/p\u003e\n","\u003cp\u003eMy husband just went away for a few days to recuperate, as he is still not up to par.\u003c/p\u003e\n","\u003cp\u003eYes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eCordially,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eJuly 5, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your nice letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!\u003c/p\u003e\n","\u003cp\u003eThe children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.\u003c/p\u003e\n","\u003cp\u003eI hope you are taking good care of yourself and keeping well.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eRay Schaffer\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eCopy\u003c/p\u003e\n","\u003cp\u003eDec. 4th '45\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Schaffer – \u003c/p\u003e\n","\u003cp\u003eHerewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.\u003c/p\u003e\n","\u003cp\u003eTell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.\u003c/p\u003e\n","\u003cp\u003eKindest regards, Sincerely yours,\u003c/p\u003e\n","\u003cp\u003e(Signed) Lillian T. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffe [ripped]\n15 West 50th Street [ripped]\u003c/p\u003e\n","\u003cp\u003eCenter Publications, Inc. \nNEW YORK N Y\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\u003c/p\u003e\n","\u003cp\u003eA most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. \u003c/p\u003e\n","\u003cp\u003eThese eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2443\u003c/p\u003e\n","\u003cp\u003eGolden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.\u003c/p\u003e\n","\u003cp\u003eThis very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN. L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026amp; Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\u003c/p\u003e\n","\u003cp\u003eGOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eThis series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).\u003c/p\u003e\n","\u003cp\u003ePrice tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.\u003c/p\u003e\n","\u003cp\u003eFinally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.\u003c/p\u003e\n","\u003cp\u003eFrom the Collection in the Winter Palace, St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg \nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809\u003c/p\u003e\n","\u003cp\u003eSet of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nHotel McAlpin\nNew York, New York\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.\u003c/p\u003e\n","\u003cp\u003eFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528\u003c/p\u003e\n","\u003cp\u003eAn icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111\u003c/p\u003e\n","\u003cp\u003eA jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.\u003c/p\u003e\n","\u003cp\u003eIt is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019\u003c/p\u003e\n","\u003cp\u003eA jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.\u003c/p\u003e\n","\u003cp\u003eThe box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148\u003c/p\u003e\n","\u003cp\u003eA brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.\u003c/p\u003e\n","\u003cp\u003eIt was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C\u003c/p\u003e\n","\u003cp\u003eA porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.\u003c/p\u003e\n","\u003cp\u003eThe Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \u003c/p\u003e\n","\u003cp\u003eArticle No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62\u003c/p\u003e\n","\u003cp\u003eRare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMarch 6th, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nEaster, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. \u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nAugust 17, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/2\u003c/p\u003e\n","\u003cp\u003eGold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.\u003c/p\u003e\n","\u003cp\u003eIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 29th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nFebruary 8th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay 11th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eLillian T. Pratt\nChristmas, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026amp; Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\u003c/p\u003e\n","\u003cp\u003eLOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.\u003c/p\u003e","\u003cp\u003eTranscription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677\u003c/p\u003e","\u003cp\u003eTranscription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136\u003c/p\u003e","\u003cp\u003eTranscription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -\u003c/p\u003e","\u003cp\u003eTranscription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 149322\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 159619\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00\u003c/p\u003e","\u003cp\u003eTranscription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026amp; Co.\nFifth Avenue New York\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]\u003c/p\u003e\n","\u003cp\u003e45 00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026amp; Co.\nNew York\u003c/p\u003e\n","\u003cp\u003e[Back]\nB. Altman \u0026amp; Co. New York\n60\n25.00\nOver Treasure Trove tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026amp; Co. New York tag \n45.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026amp; Co. New York\n50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026amp; SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag, Sale\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag [$45.00?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026amp; Col. New York\n[Back] Altman Lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026amp; Co. New York\n[Back] Altman lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52A\nM 98\nB. ALTMAN \u0026amp; CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52-A\nB. ALTMAN \u0026amp; CO.\nS 93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nS93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA4 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nW5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52-A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026amp; Co.\nNew York\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026amp; Co.\nNew York\n[R829 written over company name at bottom]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026amp; Bohemian Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNew York\n165.00 [lined through]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Miller \u0026amp; Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026amp; J. Sloane\n47th \u0026amp; 5th Ave\nN. Y. City\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026amp; Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height\u003c/p\u003e","\u003cp\u003eTranscription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026amp; CO.\nPHILADELPHIA\u003c/p\u003e","\u003cp\u003eTranscription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026amp; E. Wakelin\u003c/p\u003e","\u003cp\u003eTranscription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W\u003c/p\u003e","\u003cp\u003eTranscription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9\u003c/p\u003e","\u003cp\u003eTranscription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026amp; Richard\nSibley\nRRM\u003c/p\u003e","\u003cp\u003eTranscription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427\u003c/p\u003e","\u003cp\u003eTranscription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n10679\nGeo. III\n[lion \u0026amp; unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER\u003c/p\u003e","\u003cp\u003eTranscription: \n2002\n$20.00 (b)\nGeorgian\nMA\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R\u003c/p\u003e","\u003cp\u003eTranscription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32\u003c/p\u003e","\u003cp\u003eTranscription: \nS. \u0026amp; G. GUMP CO.\nSAN FRANCISCO, CAL.\u003c/p\u003e\n","\u003cp\u003eAntique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.\u003c/p\u003e\n","\u003cp\u003eS. \u0026amp; G. GUMP COMPANY\u003c/p\u003e","\u003cp\u003eThis series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.\u003c/p\u003e","\u003cp\u003eTranscription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures\u003c/p\u003e\n","\u003cp\u003eThis remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. \u003c/p\u003e\n","\u003cp\u003eAll Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware\u003c/p\u003e\n","\u003cp\u003eFIFTH FLOOR\u003c/p\u003e\n","\u003cp\u003eThalhimers\u003c/p\u003e","\u003cp\u003eTranscription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel\u003c/p\u003e\n","\u003cp\u003ePart of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention\u003c/p\u003e\n","\u003cp\u003eCzarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. \u003c/p\u003e\n","\u003cp\u003eWhen brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026amp; Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]\u003c/p\u003e","\u003cp\u003eThis series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.\u003c/p\u003e","\u003cp\u003eDescription: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".\u003c/p\u003e","\u003cp\u003eDescription: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.\u003c/p\u003e","\u003cp\u003eDescription: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.\u003c/p\u003e","\u003cp\u003eDescription: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.\u003c/p\u003e","\u003cp\u003eTranscription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY\u003c/p\u003e\n","\u003cp\u003eTO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]\u003c/p\u003e\n","\u003cp\u003ePhotographs - Do Not Bend\u003c/p\u003e","\u003cp\u003eDescription: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eDescription: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.\u003c/p\u003e","\u003cp\u003eTranscription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.\u003c/p\u003e\n","\u003cp\u003e1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003e[Hand drawn and numbered outlines of the heads of all the people in the photograph]\u003c/p\u003e\n","\u003cp\u003e14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.\u003c/p\u003e","\u003cp\u003eDescription: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c27"}},{"id":"wvmturhc_repositories_2_resources_1_c03_c05_c02_c01","type":"Item","attributes":{"title":"1961 Kennedy inaugural — also F. Roosevelt, Truman, Eisenhower, and Johnson oaths of office","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1_c03_c05_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eEvent(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1_c03_c05_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1_c03_c05_c02_c01","ref_ssm":["wvmturhc_repositories_2_resources_1_c03_c05_c02_c01"],"id":"wvmturhc_repositories_2_resources_1_c03_c05_c02_c01","ead_ssi":"wvmturhc_repositories_2_resources_1","_root_":"wvmturhc_repositories_2_resources_1","_nest_parent_":"wvmturhc_repositories_2_resources_1_c03_c05_c02","parent_ssi":"wvmturhc_repositories_2_resources_1_c03_c05_c02","parent_ssim":["wvmturhc_repositories_2_resources_1","wvmturhc_repositories_2_resources_1_c03","wvmturhc_repositories_2_resources_1_c03_c05","wvmturhc_repositories_2_resources_1_c03_c05_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1","wvmturhc_repositories_2_resources_1_c03","wvmturhc_repositories_2_resources_1_c03_c05","wvmturhc_repositories_2_resources_1_c03_c05_c02"],"parent_unittitles_ssm":["Senator John D. (Jay) Rockefeller IV papers","III. Press","E. Audiovisual materials","Compact (audio) cassette"],"parent_unittitles_tesim":["Senator John D. (Jay) Rockefeller IV papers","III. Press","E. Audiovisual materials","Compact (audio) cassette"],"text":["Senator John D. (Jay) Rockefeller IV papers","III. Press","E. Audiovisual materials","Compact (audio) cassette","1961 Kennedy inaugural — also F. Roosevelt, Truman, Eisenhower, and Johnson oaths of office","Box III.E. - 12","Event(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\"."],"title_filing_ssi":"1961 Kennedy inaugural — also F. Roosevelt, Truman, Eisenhower, and Johnson oaths of office","title_ssm":["1961 Kennedy inaugural — also F. Roosevelt, Truman, Eisenhower, and Johnson oaths of office"],"title_tesim":["1961 Kennedy inaugural — also F. Roosevelt, Truman, Eisenhower, and Johnson oaths of office"],"unitdate_inclusive_ssm":["1933–1969"],"normalized_date_ssm":["1933/1969"],"normalized_title_ssm":["1961 Kennedy inaugural — also F. Roosevelt, Truman, Eisenhower, and Johnson oaths of office"],"component_level_isim":[4],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Senator John D. (Jay) Rockefeller IV papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2776,"parent_access_restrict_tesm":["Access to audiovisual items may be arranged in the West Virginia \u0026 Regional History Center reading room depending on the format. Advance notice is required."],"parent_access_terms_tesm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. "],"date_range_isim":[1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969],"containers_ssim":["Box III.E. - 12"],"scopecontent_html_tesm":["\u003cp\u003eEvent(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Event(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\"."],"_nest_path_":"/components#2/components#4/components#1/components#0","timestamp":"2026-06-10T07:10:52.276Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1","ead_ssi":"wvmturhc_repositories_2_resources_1","_root_":"wvmturhc_repositories_2_resources_1","_nest_parent_":"wvmturhc_repositories_2_resources_1","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/177420","title_ssm":["Senator John D. (Jay) Rockefeller IV papers"],"title_tesim":["Senator John D. (Jay) Rockefeller IV papers"],"unitdate_ssm":["1960-2015","1985-2014"],"unitdate_bulk_ssim":["1985-2014"],"unitdate_inclusive_ssm":["1960-2015"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4050","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1"],"text":["A\u0026M 4050","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1","Senator John D. (Jay) Rockefeller IV papers","United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party","United States. Congress -- History -- 20th century","United States. Congress -- Archives","Steel industry and trade","Wireless communication systems -- Law and legislation","Child welfare","Coal miners--West Virginia","Veterans--United States","Health care reform -- United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States","The majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. ","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. ","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available. ","Some digital materials are available online at https://rockefeller.lib.wvu.edu/.","The Constituent Services Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Legislative Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Press Staff Files series is closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion.","Speeches and statements can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Press releases can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Photographs series can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Access to audiovisual items may be arranged in the West Virginia \u0026 Regional History Center reading room depending on the format. Advance notice is required.","Clippings are available digitally as PDFs and can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Websites and social media can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Legacy Memos series is available online at https://rockefeller.lib.wvu.edu/.","The Office Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The papers are arranged into six subgroups, and each subgroup is further arranged into series. Digital materials received on external hard drives, USB flash drives, floppy disks, CDs, and DVDs are arranged in the appropriate series and reflect the arrangement of the paper records.","This series is arranged chronologically with undated materials listed last. The \"Miscellaneous\" speeches are not in chronological order; they originally were bound in a volume and have been described together.","This series is arranged chronologically.","Photographs are organized chronologically. Undated photographs are located at the end of the series.","The Audiovisual Materials series is arranged by format and then arranged chronologically.","The Clippings series is arranged chronologically.","The Websites and Social Media series is arranged chronologically.","Senator John Davison (Jay) Rockefeller IV served the people and state of West Virginia for more than 50 years. Rockefeller came to West Virginia in 1964 as a VISTA volunteer in the small community of Emmons, an experience that shaped his extensive career in public service. He served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); President of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). In 1984 he was elected to the United States Senate and was reelected four times, in 1990, 1996, 2002, and 2008, before retiring in 2015.","Jay Rockefeller was born in New York, New York, on June 18, 1937, to philanthropists John Davison Rockefeller III and Blanchette Ferry Hooker. He is the great-grandson of John D. Rockefeller, founder of the Standard Oil Company, and nephew of businessman and politician Nelson Aldrich Rockefeller. Jay Rockefeller graduated from Phillips Exeter Academy, New Hampshire, in 1955, and graduated from Harvard University in 1961 with a B.A. in Far Eastern Languages and History. In his junior year at Harvard, he attended the International Christian University in Tokyo, Japan, and he spent three years studying Japanese.","In 1964, Rockefeller joined the newly formed national service program Volunteers In Service to America (VISTA) aimed at fighting poverty. He served in Emmons, WV, a small mining community located in Boone and Kanawha Counties, for two years. His efforts in Emmons included starting a Little League baseball team, extending school bus service to the rural area, and providing transportation to dental clinics. He built a community center and obtained access to mobile health screenings for women.","Rockefeller entered politics in 1966 as a Kanawha County candidate for the West Virginia House of Delegates. He changed his party affiliation to Democrat, breaking with the family's traditional affiliation with the Republican Party.","In 1967, Rockefeller married Sharon Lee Percy, daughter of U.S. Senator Charles Percy of Illinois. Their Chicago wedding was featured on the cover of Life magazine. They had four children: John Davison (Jamie) V, Valerie, Charles, and Justin Aldrich.","He ran for West Virginia Secretary of State in 1968, winning the election against Republican John Callebs. As Secretary of State, Rockefeller pushed for election law reform and broke up several county Democratic political machines. He was successful in making elections more transparent and in reducing instances of election fraud by removing the names of deceased people from the state's official list of registered voters.","Rockefeller announced his candidacy for governor of West Virginia in 1972 against incumbent Republican Governor Arch Moore. Moore won reelection by 72,000 votes.","Within months of his defeat, Rockefeller was named president of West Virginia Wesleyan College, located in Buckhannon, WV. Some of his biggest accomplishments include increasing enrollment, creating an active recruitment campaign, and streamlining operations. He submitted a letter of resignation to the College in 1975 to prepare for the next gubernatorial election, for which he campaigned throughout 1976.","Rockefeller's second run for governor was successful: he beat Republican candidate Cecil Underwood by more than 242,000 votes, the largest majority in state history. Natural disaster, strikes, and a worsening economy posed serious challenges during his years as governor. In the spring of 1977, major spring floods in the southern West Virginia counties of McDowell, Wayne, Logan, and Ming wiped entire towns away, and made safe housing above flood plains a focus of Rockefeller's administration.","The same year saw the beginning of the 111-day national Bituminous Coal Strike of 1977-1978 led by the United Mine Workers of America (UMWA) and the AFL-CIO. Rockefeller refused to call upon the National Guard to suppress the miners' strike. At its conclusion, President Jimmy Carter appointed Rockefeller to lead the first major federal study of coal mining in America in three decades. Rockefeller served as chair of the President's Commission on Coal and pushed for a national energy strategy that included Appalachian coal. He also created the West Virginia Board of Coal Mine Health and Safety, reorganized state agencies, and set up senior centers statewide.","In 1980, Rockefeller ran for a second term as governor, again facing Republican Arch Moore, and won by 64,000 votes. Rockefeller faced another challenging four years and worked to maintain the state's economy as the federal government cut funding in the midst of an economic downturn, industries struggled to remain open, and unemployment rates across the state rose.","At the end of his governorship, Rockefeller ran for the United States Senate as a Democrat against businessman John Raese of Morgantown, WV. Rockefeller won the 1984 election by four percentage points and went on to fill the seat left vacant after long-time Senator Jennings Randolph retired.","Rockefeller began his service in the U.S. Senate on January 15, 1985, and served until 2015. He became a leading champion for health care reform, an advocate for improving the lives of children and working families, and a supporter of the nation's soldiers, veterans, and senior citizens. He served as chair of the Committee on Veterans Affairs (1993-1994, 2001-2003); the Select Committee on Intelligence (2007-2009); the Committee on Commerce, Science, and Transportation (2009-2015); and the Committee on Finance Subcommittee on Medicare and Long-term Care (1989-1994, 2001-2003, 2007-2014). He also served as vice-chair of the Select Committee on Intelligence (2003-2006).","He held additional leadership positions as chairman on the Pepper Commission (1987-1990), the U.S. Senate Steel Caucus (1989-1994, 2013-2015, co-chair 1995-2013), the National Commission on Children (1989-1993), and the Democratic Technology and Communications Committee (1995-2003). He was also a member of several Senate groups, including the Steering Committee on Democratic Policy, the Alternative Fuels Council, and the Coal Caucus.","Influenced by his two years in Emmons, WV, Rockefeller championed health care issues, and health care reform throughout his Senate career. He supported measures to improve and modernize Medicare, expand access to health care, and increase health coverage for children, authoring the Children's Health Insurance Program (CHIP). He introduced and co-sponsored more than 2,000 pieces of major health-related legislation and provided leadership and policy on health care reform for both the Clinton and Obama administrations. During the latter, he contributed to the successful passage of the Affordable Care Act and was a proponent of providing people with a not-for-profit insurance company backed by the government, commonly known as a public option.","He was appointed to the Senate Finance Committee and its Subcommittee on Medicare and Long-term Care (later known as the Subcommittee on Health Care) in 1987 and served as chairman of the Subcommittee and ranking member until his retirement. In 1987, he also was elected chair of the U.S. Bipartisan Commission on Comprehensive Health Care, also known as the Pepper Commission, when the commission's original leader, Representative Claude Pepper (D-FL), passed away. The Commission was charged with developing legislation that would provide Americans with comprehensive health and long-term care coverage.","In recognition of his contributions to improving the wellbeing of children and families and supporting education, in 1988, President Ronald Reagan appointed Rockefeller chair of the National Commission on Children. Recommendations made by the Commission centered on the creation of a Child Tax Credit, expansion of the Earned Income Tax Credit, and improvement to the federal approach to child welfare. As a member of the Finance Committee, he worked on the tax code to provide better financial support to the middle class and working poor. He sought to toughen child support enforcement laws, improve federal adoption and foster care services, and ensure a safe environment for children in the child welfare system with educational programs aimed at substance abuse prevention and treatment. He also worked for renewed investment in schools, school construction, and teachers, particularly those located in rural and impoverished areas.","Senator Rockefeller was an advocate for veterans' issues, serving on the Veterans' Affairs Committee for the entirety of his Senate career and acting as both chair and ranking minority member. He especially focused on expanding research and treatment for service-related illnesses, such as Gulf War Illness, Agent Orange, and issues relating to Atomic Veterans. He brought attention to treatment of Post-Traumatic Stress Disorder (PTSD) and the reform of the Veterans Affairs (VA) health care system.","Throughout his time in the Senate, Rockefeller was deeply involved with issues related to energy, the environment, coal miners, and mine safety. The first bill Rockefeller introduced in the Senate in 1985 was legislation intended to reduce the backlog of pending black lung cases, and he consistently worked to preserve the Black Lung Trust Fund while protecting coal jobs.","In 1992, he introduced the Coal Act to ensure retired miners received health benefits, and he threatened to keep the Senate in session over Christmas if they refused to pass the bill, which he described as a peak moment in his career. The Coal Act was passed as part of the Energy Policy Act of 1992, creating two new health care funds to protect the health benefits of all union coal miners, along with their widows and dependents. In 1995, the UMWA named him an honorary member, a distinction rarely bestowed on an elected official, because of his efforts on behalf of miners.","Following the January 2006 West Virginia Sago and Aracoma mine disasters, which together led to the deaths of 14 men, Rockefeller brought several senators from the Health, Education, Labor, and Pensions (HELP) Committee to meet with families of the Sago mine workers. Rockefeller then joined Committee Chair Senator Mike Enzi (R-WY) and Ranking Member Senator Ted Kennedy (D-MA) in drafting the MINER Act, which was signed into law in June 2006, establishing important new mine safety regulations.","Senator Rockefeller served on the Senate Select Intelligence Committee, 2001-2014, during critical and difficult years for the SSCI and the intelligence community. In January 2001, then-Democratic leader Tom Daschle (D-SD) appointed Rockefeller to the Committee. Eight months later the September 11, 2001, terrorist attacks occurred. In the months following the attacks, the United States launched operation Enduring Freedom in Afghanistan, and in March 2003, invaded Iraq. These events changed the nature and conduct of intelligence oversight. During Rockefeller's tenure on the committee, and particularly during his time as vice chairman and chairman, he made significant contributions in key areas, including the 9/11 investigation; the Iraq War and flawed intelligence on weapons of mass destruction; intelligence community reform; surveillance oversight and reform; the CIA's detention and interrogation program; cybersecurity; and the intelligence authorization process. ","Rockefeller also made significant contributions to communications policy. He co-authored the Universal Service Program for Schools and Libraries, known as E-Rate, which was authorized as part of the Telecommunications Act of 1996, making telecommunications and information services more affordable for schools and libraries. In 2010, Rockefeller introduced the Public Safety Spectrum Act, which created FirstNet, a nationwide wireless broadband network for the nation's first responders. It was signed into law as part of the Middle Class Tax Relief and Job Creation Act of 2012. He also supported net neutrality protections to keep the Internet open and free, and in 2011, he successfully led the Senate Floor against a resolution of disapproval of net neutrality rules.","He also championed the steel industry in West Virginia and the nation, earning him the nickname \"Senator Steel.\" Much of his work, launched largely through his position as co-chair of the Senate Steel Caucus, focused on providing income support and job training to laid-off employees and their families through Trade Adjustment Assistance (TAA), working with individual steel companies to mitigate the effects of closure and downsizing, and intervening in steel employee strikes. As a member of both the Committee on Commerce, Science, and Transportation, and the Committee on Finance, Rockefeller also addressed concerns about American manufacturing; trade protections and relief for workers negatively impacted by trade; and tax credits supporting research and development and encouraging businesses to build and expand.","For the state of West Virginia, Senator Rockefeller made jobs and economic development a priority. In 1988 he founded the Discover the Real West Virginia Program (DRWV), later formalized as the Discover the Real West Virginia Foundation, which showcased business and investment opportunities in West Virginia. He launched the \"Project Harvest\" trade mission in 1995 to bring state and international business leaders and investors together. Rockefeller's early experiences in Japan and knowledge of the language and culture aided in attracting the Toyota company to the state, resulting in the opening of the Buffalo, WV, plant in 1996. In the ensuing years, more than 20 other Japanese companies followed. Further, he encouraged the growth of the West Virginia tourism and travel industry through legislation that conserved lands, designated scenic areas, and promoted better transportation infrastructure.","In January 2013, Senator Rockefeller announced that he would not seek reelection. In his retirement announcement, he reflected that \"public service demands, and deserves nothing less than every single thing that you have to bring to bear, and that is what I have given.\" As he prepared to leave the Congress in December 2014, his Senate colleagues offered tributes on the Senate Floor recognizing his impressive legislative record, distinguished career, and legacy of compassionate and conscientious service.","Sources: ","Grimes, Richard S. \"Jay Rockefeller.\" The West Virginia Encyclopedia. http://www.wvencyclopedia.org/articles/110","Jay: A Rockefeller's Journey. Produced by Suzanne Higgins and Russ Barbour. 2015. Online video. West Virginia Public Broadcasting. http://video.wvpublic.org/video/2365511585/","\"A Record of Achievement for West Virginia: Energy and Environment Issues (Legacy on Energy, Environment and Coal Miners),\" 2014 May 30, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Review of Senator John D. Rockefeller's Service on the Senate Select Committee on Intelligence: 2001-2015,\" 2014 December 17, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries. ","\"Rockefeller, John Davison IV (Jay), (1937 - ).\" Biographical Directory of the United States Congress, 1774-present. http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000361","\"Senator Jay Rockefeller Retirement Announcement.\"  2013 January 11, 2013. Online video clip. C-SPAN. http://www.c-span.org/video/?310340-1/senator-jay-rockefeller-retirement-announcement","\"Senator Rockefeller's Health Care Accomplishments: 99th-113th Congress Memorandum,\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Tributes to John D. Rockefeller.\" 2014 December 4. Congressional Record 160:147 p. S6343. Congress.gov.\nhttps://www.congress.gov/crec/2014/12/04/CREC-2014-12-04-pt1-PgS6343-2.pdf","\"Veterans' Legacy Memorandum,\" 2014 April 11, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.\n \n\"West Virginia Wesleyan College Legacy Memorandum,\" 2014 October, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"A Record of Achievement for West Virginia: Diversifying West Virginia's Economy for the 21st Century (Your Legacy Memo on Jobs and Economic Growth in West Virginia),\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on FirstNet – Public Safety Spectrum Act,\" 2014 October 24, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on Net Neutrality,\" 2014 October 3, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","Processed by Danielle Emerling, 2015-\nProcessing assistants: Ashley Brooker, Dzondria Tarver, Leo Gmeindl, Casey DeHaven, Joshua Childs","The Senator John D. (Jay) Rockefeller IV papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Folders that do not exist: 43, 146, 177, 182, 187, 193, 196, 251, 313, 584. Contents were combined with other folders during processing.","Box III.E. - 18 now contains Box III.E. - 25 and Box III.E. - 28.","Audio and video recordings of some of Senator Rockefeller's speeches can be found in the III.E. Audiovisual materials series.","The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.  The records were maintained by Senator Rockefeller's Washington, DC, office and West Virginia state offices in Charleston, Beckley, Fairmont, and Martinsburg. Record formats include papers, audiovisual materials, born-digital resources, photographs, and memorabilia. The collection consists of approximately 2011 linear feet of paper records and two terabytes of electronic records.","The first subgroup, Constituent Services, reflects the work Senator Rockefeller and his staff performed for the state and people of West Virginia. It consists of constituent casework, issue mail, grant and project files, and academy files. ","The second subgroup, Legislative files, is composed of materials related to legislative and committee work. Legislative staff files; subject files; correspondence; committee files; and legislative activities, voting records, and accomplishments comprise this subgroup. ","The third subgroup, Press files, illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. ","The fourth subgroup, Personal and Political files, consists of Legacy Memos, schedules, personal files and correspondence, campaign files, and trip files.  ","The fifth subgroup, Office files, contains a small number of office management files. ","The sixth subgroup, Memorabilia, consists of a large collection of framed items, plaques, and objects, many of which Senator Rockefeller received as gifts during his service. It contains a large number of foreign gifts, particularly from Japan and Taiwan. ","The Press files subgroup illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. Much of the Press files subgroup is open for research.","The Speeches and Statements series contains transcripts of Senator Rockefeller's remarks given both inside and outside of the Senate. Speeches range in date from 1985 to 2014 and cover the 99th Congress to the 106th Congress, as well as various topics for which Senator Rockefeller gave speeches and talks outside of the Senate. Subjects include health care, education, foreign relations, graduation speeches, economic issues, campaign speeches, and speeches to political contributors. The series also contains remarks and public announcements, as well as committee statements. Beginning in 2001 through 2014, most speeches were created and saved digitally.","4 of 5 folders","5 of 5 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 2 folders","2 of 2 folders","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1). award rercieved from the anti-defamation league. 2). speech to political contibutors: baseball story in Emmans, WV, experiences in public offices, introductions: Geoff Garon, Bob Squier, Cheryl Braner, Martha Wehrle, Tamera Stanton, Lane Baily. 3). Joe Grandmiaser - New Hampshire: deals with contrasts between NH and WV, acid rain, pollution, over half of NH powers WV, clean air, technology. 4). U.S. military aid to the Contras: advocates diplomatic and economic presence against Sandinista. 5). Committee hearing on nomination of James Fletcher: SDI, space plane, NASA, DOD joint venture. 6). present condition of America: present condition, call for commitment to serve society. 7). Wheeling - Nisshin dedication remarks introduces: Jack, Chairman Abe, Lloyd Labensky, Governor Moore, Mayor Dalessio; Japanese steel mill located in West Virginia. 8). Remarks of the senator at the Democrats for the 80's dinner: election of 958, ad-lib praise for Bob Graham. 9). remarks for the AIPAC breakfast: foreign relations, Israel support. 10). coal and steel problems facing West Virginia and nation. 11). business roundtable - international trade: fundraiser with Bob Graham. 12). Mitchel amendment - amend to tax bill: JDR supports amendment, argues against low capital gains tax. 13). points on tax shelters and passive losses. 14). Points for Princeton and/or Beckley Chamber meetings. Theme \"Getting coal moving now more important than ever.\" Reform staggers act. imported electric power from Canada. Colombian imports. exporting coal. 15). talking points on revenue sharing: accounts for 25% of all tax revenue for WV. 16) points on coal import amendment by Senator Ford. 17). remarks at Huntington Mall: importance of small businesses - SBA awards. 18). Shoemaker Square talking points: hall of fame, Mayor Shoemaker.","The Press releases series contains releases and media advisories created in Senator Rockefeller's office and distributed to media outlets. Releases range in date from 1988 to 2014.  Subjects of news statements and releases include health care, education, veterans, coal and steel industries, foreign relations, specifically with Japan and China, and other topics specific to West Virginia. The series also contains Congressional Records that were released monthly with news statements and press releases, as well as public announcements regarding special topics, such as Toyota Engine Plant expansion, Diamond Electric opening, and Gulf War veteran's treatment field hearings. There are also weekly commentary articles included and press kits on topics such as China Steel and West Virginia Coal and Public Safety. Beginning in 2001 through 2014, press releases were created and saved digitally.","1 of 2 folders","2 of 2 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","The Photographs series contains print and digital images relating to Senator Rockefeller's personal life and political career and spans the years 1960 to 2014. The bulk of the photographs relate to his time as Senator. Most were taken by official Senate photographers, and some appear to have been taken by members of his staff. Photographs officially associated with his career in the Senate are stamped with a label on the back, while those taken by a professional photographer often are watermarked or labeled as such. The photographs range in size from 3\" x 3\" to 11\" x 14\", and can be found in black and white as well as color. Various negatives and contact sheets are also included and noted on the folders.","Photographic topics include scenes of speeches, campaign events, political meetings and hearings, formal governor and Senate portraits, personal and candid shots, and visitations throughout West Virginia, Washington, D.C., and abroad, namely in Japan, China, and Thailand. Images from the 1960s also relate to his time spent as a VISTA volunteer in Emmons, WV. Some photographs document the various institutions and organizations that Rockefeller brought to West Virginia, such as Toyota, as well as his topics of interest including cyber security, education, senior citizen welfare, manufacturing, and coal. Individuals represented throughout the photographs include various United States presidents, members of Congress, staff members, constituents, foreign dignitaries, and family members. ","Senator Rockefeller is referred to as \"JDR\" on folder and photograph descriptions, and some files include staff notes and press releases.","The Senate Photographic Studio (SPS) file contains digital photographs of JDR in Senate hearings, swearing-in ceremonies, in his Washington, D.C. office with constituents, and at other events, 1985-2014. The files were transferred on an external hard drive and arranged chronologically. The SPS scanned print photographs from JDR's early years in the Senate, and beginning in the mid-2000s, SPS photographers began using digital cameras to capture images. The years 1996 and 1998-2000 do not have images.","The Audiovisual Materials series contains moving image and sound recordings of Senator Rockefeller's activities throughout his Senate career. Records relate to legislative activities, such as hearings of the committees on which Senator Rockefeller served and of other bodies, such as the U.S. Senate Committee on Armed Services, the National Commission on Terrorist Attacks Upon the United States (\"9/11 Commission\"), the U.S. Senate Committee on Homeland Security and Governmental Affairs, and the National Security Agency.  ","Other activities documented include bill introductions, debates, votes, and nominations; speeches, such as State of the Union addresses and opposition responses and  Democratic National Conventions; summits, such as the National Summit on Children and Families; forums, such as the New Hampshire Democratic Health Forum; town hall meetings; roundtable discussions; conference calls; luncheons and dinners; visits to schools and hospitals; campaigns, rallies, and elections; and ceremonies, such as award presentations, ground breaking, presidential inauguration, retirement celebrations.  ","Subjects include the intelligence community; terrorism; airline security; chemical and nuclear weapons; telecommunications (e.g., cybersecurity, wire-tapping); the Persian Gulf War (1991); the Iraq War (2003-2011); health care reform; aging; Alzheimer's disease; the Children's Health Insurance Program; spina bifida; veterans' health (e.g., Gulf War syndrome); prescription drugs; Medicare; Medicaid; retirement; Social Security; welfare; child support; taxes; labor (e.g., unions, strikes, minimum wage); the federal budget; commerce; trade (e.g., Fast Track, General Agreement on Tariffs and Trade, North American Free Trade Agreement); product liability; coal, steel, and automotive industries; coal miners' health (e.g., black lung disease, mine safety); business in West Virginia; energy and the environment (e.g., alternative fuels, clean air); education; and national service (e.g., Volunteers in Service to America).  ","Many items contain television and radio news segments, interviews, and live coverage, but there are also campaign advertisements, video press releases with b-roll, some documentaries (e.g., Biography: \"The Rockefellers,\" 1994), music compilations (including JDR as a guest conductor), and unedited footage.","Television networks that produced material in this series include: A\u0026E, ABC, CBS, Christian Broadcasting Network, CNBC, CNN, C-SPAN, Fox, History Channel, MSNBC, NBC, PBS, and West Virginia Public Television.","Local television stations that produced material in this series include: KDKA, KIRO, WBOY, WCHS, WDTV, WETA, WGBH, WOAY, WOWK, WSAZ, WTAP, WTOV, WTRF, WTVJ, WVAH, WVNS, and WVVA.","Television programs excerpted in this series include: 60 Minutes, 60 Minutes II, The 700 Club, Biography, Charlie Rose, Dateline NBC, Face the Nation, Fox and Friends, Frontline, Good Morning America, Hardball, Larry King Live, Late Edition, Lou Dobbs Tonight, Meet the Press, Moneyline, NBC Nightly News, NewsHour, NewsNight, Nightline, Primetime Live, The MacNeil/Lehrer NewsHour, The Rachel Maddow Show, The Situation Room, The Today Show, This Week, Washington Week in Review, Weekend Live, and World News Tonight.","Radio networks and local radio stations that produced material in this series include: ABC Radio, KABC, KFBK, Minnesota Public Radio, National Public Radio, WAMU, WCHS, WEPM, West Virginia MetroNews, WETA, WGMS, WJEH, WJLS, WRKY, WRNR, WSTV, WSTV, and WWYO.","Radio programs excerpted in this series include: All Things Considered, the Christine Craft Show, Hal Bruno's Washington, John McLaughlin's One on One, Morning Edition, Talk of the Nation, Talkline, The Diane Rehm Show, and The Michael Jackson Show.","Organizations included in this series, in addition to those mentioned above, are: Alzheimer's Association; American Association of Retired Persons; American Hospital Association; Blanchette Rockefeller Neurosciences Institute; Charleston Area Medical Center; Chlopak, Leonard, Schechter \u0026 Associates; Eastern Panhandle Free Clinic; Elm Grove Elementary School; Fairfax Hospital; League of Women Voters; Mayo Clinic; Morgantown High School; National Commission on Children; National Policy Council; Peyton Elementary School; Philips; Rainelle Medical Center; Shepherd College; Sino Swearingen; Toyota Motor Corporation; United Mine Workers of America; United Steelworkers of America; University of Charleston; University of New Hampshire; Veterans' Affairs Medical Centers; Webster County High School; Weirton Steel; West Virginia University; Weston State Hospital; Wetzel County Hospital; Wheeling Hospital; Wheeling-Pittsburgh Steel; and Yale University.","People mentioned within this series include: Charlene Barshefsky, Osama Bin Laden, Wolf Blitzer, George W. Bush, Robert C. Byrd, Gaston Caperton, Shelley Moore Capito, Hillary Rodham Clinton, Bill Clinton, Lou Dobbs, Johnny Reid Edwards, Al Gore, Hoppy Kercheval, John Kerry, Larry King, Jessica Lynch, Joe Manchin III, Chris Matthews, Arch Moore, Barack Obama, Keith Olbermann, Condoleezza Rice, Charlie Rose, Arlen Specter, and Paula Zahn.   ","Places in West Virginia represented in this series include: Beckley, Benwood, Boone County, Buffalo, Cabin Creek, Charleston, Clarksburg, Fairmont, Fayette County, Hancock County, Huntington, Kenova, Martinsburg, McDowell County, Mercer County, Minden, Monongalia County, Montcoal, Morgantown, Moundsville, Mullens, New Martinsville, Newell, Nicholas County, Oak Hill, Parkersburg, Pineville, Pleasants County, Princeton, Rainelle, Randolph County, Ravenswood, Richwood, Ripley, Shady Spring, Shepherdstown, Shrewsbury, Stanaford, Webster County, Weirton, Weston, Wetzel County, and Wheeling.  ","Other places associated with this series include: Abu Ghraib, Iraq; Alabama; Arlington, Virginia; Atlanta, Georgia; Baghdad, Iraq; Boston, Massachusetts; Chicago, Illinois; Concord, New Hampshire; Durham, New Hampshire; Gallipolis, Ohio; Goreham, New Hampshire; Japan; Miami, Florida; New Hampshire; New Haven, Connecticut; New York, New York; Pittsburgh, Pennsylvania; Rye, New Hampshire; Steubenville, Ohio; Taiwan; Tokyo, Japan, and Washington, D.C. ","Network(s): WGBH-TV, PBS. Notes: TRT=58:31.","Network(s): WGBH-TV, PBS.","Network(s): Ch. 6.","Notes: Videocassette label includes \"Squier Knapp Ochs Comm.\"","Notes: Note attached to videocassette cover includes \"5 min. spot that ran before forum\".","Notes: [TRT=7:45].","Place(s): Charleston, West Virginia. Notes: TRT=4:28. Business card enclosed from Gerald McDonald, President, Huntington Area Development Council.","Notes: TRT=8:27.","Notes: TRT=22:00.","Program(s): The Today Show, CBS This Morning. Network(s): NBC, CBS.","Program(s): On the Record. Notes: TRT=28:52.","Notes: Videocassette label includes \"Squier-Eskew-Knapp\".","Network(s): Ch. 5, Ch. 12.","Notes: TRT=30:00.","Program(s): Nightly News. Network(s): NBC. Notes: Videocassette label includes \"NBC WASHINGTON\" and logo.","Venue(s): Harkness Auditorium, Yale University School of Medicine. Place(s): New Haven, Connecticut. Notes: TRT=1:06:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): CNN.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label includes \"4:30 PM - 8:30 PM\".","Notes: TRT=15:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"JDR defining Dem. Party\".","Network(s): WGBH-TV. Notes: TRT=1:00:00. Videocassette label and cover include WGBH logo.","Program(s): Fox Morning News. Network(s): Fox, WETA-TV.","Notes: Videocassette label includes \"Broadcast News Reports\".","Network(s): ABC. Notes: TRT=1:47:00.","Program(s): NBC News. Network(s): NBC. Notes: Videocassette label includes \"JDR: \"If George Bush had to run on his record, he would be run out of town.\"","Network(s): CBS, NBC.","Network(s): C-SPAN, CBS, NBC, CNN, ABC, Fox, . Notes: TRT=2:04:00.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"6PM\".","Network(s): WSAZ-TV, NBC, WCHS-TV, ABC. Notes: Videocassette label includes \"11:00\".","Network(s): WOAY-TV, ABC. Place(s): Oak Hill and Beckley, West Virginia.","Network(s): C-SPAN. Notes: TRT=1:30:00.","Network(s): CNN, ABC, Fox, NBC, PBS.","Program(s): John McLaughlin's One on One, The McLaughlin Group. Network(s): PBS.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Face the Nation. Network(s): CBS. Place(s): Washington, D.C.","Notes: TRT=39:00. Videocassette label and cover include \"Capitol Video Communications, Inc.\" and logo.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Network(s): ABC.","Network(s): CBS, Fox.","Notes: TRT=7:27.","Notes: TRT=1:50:00.","Place(s): Parkersburg, West Virginia.","Notes: TRT=1:34:00.","Event(s): Democratic National Convention. Venue(s): Madison Square Garden. Place(s): New York, New York.","Notes: Three copies held; 40+ additional copies to be returned or recycled. Five copies removed from A\u0026M 4050 III. A. \"How the President's Health Care Plan Works\" video, 1992.","Notes: TRT=12:30. Videocassette cover includes \"A Government Service Message from the nurses of the National Nurses in Business Association.","Network(s): WGBH-TV.","Network(s): CNN.","Network(s): NHK (Japan Broadcasting Corporation).","Network(s): C-SPAN. Notes: TRT=20:00. Videocassette label and cover indicate that C-SPAN distributed this videocassette.","Program(s): Fox Morning News. Network(s): Fox. Notes: Videocassette label includes \"8:25 AM\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Program(s): Good Morning America, Moneyline, Nightline. Network(s): ABC, CNN, CBS.","Program(s): Nightline. Network(s): ABC.","Program(s): The MacNeil/Lehrer NewsHour, Nightline. Network(s): PBS, ABC. Notes: TRT=2:38:00.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): The MacNeil/Lehrer NewsHour, Eye on America. Network(s): PBS, CBS. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette cover includes \"SDG-50\" and \"DPC 'raw tape'\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=15:00.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Place(s): Washington, D.C. Notes: Videocassette label includes \"SDG-50\" and \"DPC 'raw tape'\".","Place(s): Washington, D.C.","Program(s): Eye on America. Network(s): NBC, CNN, CBS.","Notes: Videocassette label includes \"11:30 PM\".","Network(s): NBC.","Network(s): CNN.","Network(s): WGBH-TV.","Program(s): Nightline. Network(s): ABC. Notes: TRT=30:00.","Network(s): CBS.","Network(s): NBC.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:00:00.","Network(s): CNN.","Network(s): CNBC.","Place(s): Washington, D.C.","Program(s): CBS Morning News. Network(s): CBS.","Notes: TRT=6:13 (approximate). Broadcast schedule enclosed.","Network(s): CBS.","Network(s): NBC.","Place(s): Weirton, West Virginia. Notes: TRT=4:00.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:25.","Notes: TRT=5:18.","Notes: TRT=6:03.","Notes: TRT=58:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): ABC. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=6:30.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Dub\".","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Master\".","Place(s): Washington, D.C.","Network(s): CNBC.","Network(s): CNN.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=0:30. Videocassette label includes \"Clinton/Gore Creative Team.\"","Place(s): Charleston, West Virginia.","Notes: TRT=7:30. Videocassette cover includes \"John Franzén Multimedia\" and logo.","Place(s): Washington, D.C.","Notes: TRT=1:00. Videocassette label includes \"Greer, Margolis, Mitchell, Grinwald \u0026 Assoc.\"","Place(s): Washington, D.C.","Place(s): Princeton, West Virginia.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=10:00.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Atlanta, Georgia.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates,\" and \"Capitol Video Communications, Inc.\" and logo.","Event(s): Presidential debates.","Network(s): ABC.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): ABC. Event(s): Presidential election.","Network(s): CNN.","Notes: TRT=25:00.","Notes: TRT=33:00.","Notes: Note attached to videocassette cover includes \"This tape has Tommy Boggs delivering JDR's remarks re: Ron Brown since JDR could not attend.\"","Network(s): C-SPAN.","Notes: Copyright USA Health Network Company, Inc.","Place(s): Huntington, West Virginia. Notes: TRT=12:15. Attached note includes \"WV Economic Development Tapes.\"","Network(s): ABC. Notes: TRT=1:00:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Primetime Live. Network(s): ABC. Notes: TRT=58:00.","Event(s): United States presidential inauguration. Place(s): Washington, D.C.","Network(s): C-SPAN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): Inside Politics. Network(s): CNN. Event(s): State of the Union Address. Place(s): Washington, D.C. Notes: Videocassette label includes \"4:30 PM\".","Notes: TRT=30:00.","Network(s): CNN.","Network(s): CNN. Place(s): Pineville, West Virginia.","Network(s): ABC, NBC.","Notes: TRT=approximately 48:00. Videocassette label includes Medical News Network logo.","Program(s): The Today Show, Fox Morning News. Network(s): NBC, Fox. Notes: TRT=10:00.","Program(s): Prime News. Network(s): CNN. Notes: TRT=3:00:00.","Program(s): Fox Morning News. Network(s): Fox. Notes: Title only on note attached to videocassette cover.","Program(s): The Today Show. Network(s): NBC. Notes: Title only on note attached to videocassette cover.","Notes: TRT=3:21.","Notes: TRT=8:21.","Place(s): Washington, D.C.","Notes: TRT=40:00.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=9:00.","Network(s): CBS, ABC. Notes: TRT=56:00.","Network(s): C-SPAN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: Videocassette label includes \"'Rainelle' — 'New Martinsville' — 'Martinsburg' — 'Cabin Creek'\".","Notes: Videocassette label includes \"MASTER\".","Network(s): WOAY-TV, ABC.","Place(s): [Morgantown, West Virginia]. Notes: Videocassette label includes \"West Virginia University Health Sciences Center\".","Network(s): CNN, CBS.","Network(s): ABC. Notes: TRT=3:00.","Network(s): C-SPAN. Notes: Copyright: 1992 National Cable Satellite Corporation.","Program(s): Frontline. Network(s): PBS.","Program(s): Frontline. Network(s): PBS. Notes: TRT=1:00. Videocassette label and cover include \"WETA\" and logo.","Notes: TRT=60:00.","Program(s): Inside Politics. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=2:00:00.","Place(s): Chicago, Illinois.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline, Nightline. Network(s): CNN, ABC.","Network(s): WGBH-TV.","Place(s): Washington, D.C. Notes: Videocassette label includes \"5:45 PM\".","Network(s): ABC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"11:00 PM\".","Place(s): Bluefield, West Virginia.","Place(s): Oak Hill, West Virginia.","Notes: TRT=1:05:00.","Program(s): NBC Today. Network(s): NBC. Notes: TRT=9:00.","Network(s): WVEA [West Virginia Education Association]/KTA. Notes: Business card attached, from Jackie Goodwin, Director of Communications, WVEA, with contact info and \"To: Marissa Spadafore — This is a copy of the video which Senator Rockefeller graciously was interviewed for. It was used as an internal membership piece for Kanawha County. I thought you would want a copy for your files.\"","Network(s): ABC. Notes: TRT=3:00.","Notes: TRT=17:00.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns and Associates,\" and \"Henninger Video\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=6:00.","Program(s): Sunday Journal. Network(s): C-SPAN. Notes: Business card attached, from Geoffrey Baum, Producer, C-SPAN, with contact info.","Place(s): Minnesota. Notes: Videocassette cover includes \"Mayo Clinic\" and logo.","Program(s): Face the Nation, Meet the Press. Network(s): CBS, NBC. Notes: TRT=1:30:00.","Notes: TRT=30:00.","Notes: TRT=53:00.","Network(s): WSAZ-TV.","Network(s): WSAZ-TV, WCHS-TV, WOWK-TV.","Notes: TRT=45:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): CBS, PBS.","Notes: TRT=57:00.","Notes: TRT=57:00.","Place(s): Newell, West Virginia.","Notes: TRT=58:49.","Place(s): Washington, D.C.","Network(s): ABC.","Program(s): Late Edition. Network(s): CNN.","Notes: TRT=28:30.","Notes: TRT=4:47. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=3:06. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=2:00:00.","Notes: TRT=27:36. Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Notes: TRT=57:27.","Program(s): The Today Show, Late Edition. Network(s): NBC, CNN. Notes: TRT=6:00.","Program(s): Nightline, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=54:00.","Notes: TRT=12:00.","Network(s): CBS. Notes: TRT=2:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Notes: TRT=6:00.","Place(s): Pittsburgh, Pennsylvania.","Network(s): ABC, NBC. Notes: TRT=4:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover includes \"Modern Video Productions\" and logo.","Network(s): CNN.","Program(s): The Today Show, The MacNeil/Lehrer NewsHour. Network(s): NBC, PBS. Notes: TRT=19:00.","Place(s): Weston, West Virginia. Notes: TRT=1:30:00.","Program(s): Washington Week in Review. Network(s): PBS. Notes: TRT=26:46.","Notes: Videocassette label and cover include \"Squier/Knapp/Ochs\".","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Network(s): C-SPAN.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=27:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover include \"Chlopak, Leonard \u0026 Schechter,\" and \"Henninger Video\" and logo.","Place(s): Washington, D.C. Notes: TRT=12:00.","Place(s): Washington, D.C.","Program(s): Today, CBS This Morning. Network(s): NBC, CBS. Notes: TRT=4:00.","Program(s): Primetime Live. Network(s): ABC.","Place(s): Richwood, West Virginia. Notes: TRT=1:35:00 (approximate). Videocassette label includes \"airmaster copy.\"","Network(s): C-SPAN.","Network(s): C-SPAN.","Network(s): NBC. Notes: TRT=3:00.","Program(s): Biography. Network(s): A\u0026E Television Networks. Notes: Title from videocassette cover, which also includes \"12/26/06\"; no videocassette labels.","Place(s): Washington, D.C.","Network(s): WSAZ-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: TRT=14:00.","Network(s): ABC. Notes: TRT=5:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover includes \"Complete Post, Inc.\" and logo.","Network(s): ABC. Notes: TRT=4:49.","Network(s): ABC. Notes: TRT=5:00.","Notes: Videocassette label and cover include \"Grunwald Eskew \u0026 Donilon,\" and \"Henninger Capitol\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=7:00.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=1:30:00. Videocassette label includes \"West Virginia Department of Health \u0026 Human Resources.\" Letter enclosed from Ann H. Garcelon, Communications Director, State of West Virginia Department of Health and Human Resources, to JDR re: this \"Public Health Teleconference.\"","Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=7:00.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Notes: Letter, and business card, enclosed from Gretchen Goldsmith, Producer, The Crusaders, to Dan Rauh includes \"Per the instructions of Ralph Rivera of PT Phone Home, enclosed is a copy of The Crusaders' segment on the organization. Ralph indicated that the tape would be shown to the member of the Senate Veterans' Affairs Committee.\" Enclosed note includes \"To: Todd Glass — Return to Dan Rauh, Vets' Committee.\"","Notes: TRT=29:10.","Network(s): Ch. 3, Ch. 8, Ch. 13.","Network(s): CNN. Place(s): Kenova, West Virginia.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): WOWK-TV.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: TRT=5:00.","Notes: TRT=1:15:00.","Notes: TRT=1:32:00.","Network(s): CNN.","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=11:40. Attached note includes \"Todd: For your viewing pleasure — Be kind --- we're still improving! [signed] K\".","Program(s): 60 Minutes. Network(s): CBS.","Notes: TRT=25:30. Attached note includes \"Todd — Please save in the JDR-WV great video clips. Thanks.\"","Notes: TRT=32:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=10:00.","Notes: TRT=2:10.","Place(s): New Martinsville, West Virginia.","Notes: Videocassette label and cover includes \"Modern Video Productions\" and logo.","Place(s): Washington, D.C.","Network(s): KIRO-TV. Notes: TRT=51:00. Videocassette label includes \"Third Avenue Productions.\"","Notes: TRT=2:00 (approximate).","Notes: TRT=29:50.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Event(s): [National Press Club annual dinner]. Place(s): Washington, D.C. Notes: Business card enclosed from Melissa M. Bender, Executive Assistant to the President, National Press Club.","Network(s): C-SPAN.","Place(s): Topeka, Kansas. Notes: Attached note includes \"Laura Quinn — 109 HART\".","Place(s): Beckley, West Virginia; [Welch, West Virginia].","Network(s): WNPB-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette label includes \"TIME: 9:28 to 11:54\".","Notes: Attached note includes \"Mindy/Rich/others — For your viewing pleasure. JDR at M.U. [signed] Lou Ann\".","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=46:00.","Place(s): Washington, D.C.","Place(s): Shrewsbury, WV.","Network(s): WVVA-TV.","Network(s): WOAY-TV, WVVA-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): WSAZ-TV. Notes: TRT=30:00.","Notes: Videocassette label and cover include \"Squier Knapp Ochs,\" and \"Interface Video Systems, Inc.\" and logo.","Notes: TRT=9:58. Videocassette label includes \"Fingerhut, Powers, Smith \u0026 Associates, Inc.\" and \"David Sandretti \u0026 Phil Smith, Producers.\" Includes pamphlet from Save America's Families Coalition.","Place(s): Arlington, Virginia.","Notes: TRT=1:30 (approximate). Television commercial script enclosed for each ad.","Program(s): The MacNeil/Lehrer NewsHour, ABC World News Tonight. Network(s): PBS, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=5:22.","Program(s): CBS Evening News. Network(s): CBS.","Place(s): Washington, D.C.","Program(s): Nightline. Network(s): ABC.","Notes: TRT=20:00.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: Appears to have been transferred to DVD.","Notes: Appears to have been transferred to DVD.","Network(s): [WSWP-TV].","Notes: Enclosed is an index to the 15 ads, re: Paul Wellstone, Max Baucus, and Jack Reed.","Network(s): WVVA-TV. Event(s): State of the State address. Place(s): Beckley, West Virginia.","Network(s): CBS.","Network(s): CBS. Notes: Attached note refers to an enclosed story on miners legislation with JDR and Alan Law.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: Has been transferred to DVD.","Notes: Has been transferred to DVD.","Network(s): CNN.","Network(s): WVVA-TV.","Program(s): CNN Presents. Network(s): CNN.","Network(s): WOAY-TV, CBS, CNN, NBC. Place(s): Wyoming; Washington, D.C.","Program(s): This Week, Nightline, The Today Show. Network(s): WCHS-TV, WSAZ-TV, WOAY-TV, WTRF-TV, CBS, ABC, NBC. Place(s): Charleston, West Virginia; Wheeling, West Virginia; Washington, D.C.; Clarksburg, West Virginia.","Place(s): Washington, D.C.","Network(s): WOWK-TV, WSAZ-TV.","Program(s): 60 Minutes. Network(s): WCHS-TV, CNN, CBS, ABC.","Notes: Attached note includes \"WCHS — 4-1-96\".","Program(s): NewsHour. Network(s): PBS. Notes: TRT=10:00.","Event(s): 50th anniversary of UMWA Health Fund. Venue(s): The White House. Place(s): Washington, D.C. Notes: Attached note includes \"These tapes are both raw footage…\".","Program(s): Larry King Live. Network(s): CNN.","Program(s): Larry King Live. Network(s): CNN.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Network(s): WBOY-TV. Place(s): Washington, D.C.; Bridgeport, West Virginia.","Network(s): Channel 5, Channel 12.","Program(s): 60 Minutes. Network(s): CBS, C-SPAN. Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: TRT=52:37.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: TRT=10:33. Videocassette label includes \"The Arnold Agency\" and logo.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Program(s): Larry King Live. Network(s): CNN.","Notes: TRT=8:00.","Network(s): CNN, CBS, MSNBC.","Network(s): CNN.","Notes: TRT=00:30. Videocassette label includes \"Split Ch. Audio, Dub in Mix.\"","Program(s): Nightline. Network(s): ABC.","Program(s): The 700 Club. Network(s): Christian Broadcasting Network. Notes: Attached business card from Emily Murray, Assistant Producer, CBN News.","Program(s): Fox Morning News. Network(s): Fox.","Notes: TRT=0:30. Videocassette label and cover include \"KLM Video, Inc.\" and logo.","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Notes: TRT=60:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=4:48.","Network(s): CNN. Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=4:35.","Place(s): Stanaford, West Virginia. Notes: TRT=6:30. Videocassette label includes \"Appalachian Video Productions, Inc.\"","Notes: Business cards attached from Barry Cohn, Broadcast Producer, Dept. of Science News, American Medical Association, and Emily Murray, Assistant Producer, CBN News.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Notes: TRT=15:00.","Network(s): CTS News. Place(s): Taiwan. Notes: Enclosed note from Jennifer Zimdahl Galt, Chief of Information Unit, and AIT Spokesperson, includes \"Jane — As promised, please find enclosed a tape of the TV talk show interview with Senator Rockefeller. They only used a minute or so.\"","Network(s): WOWK-TV.","Network(s): NBC. Notes: TRT=2:00.","Network(s): CNN, CBS, MSNBC.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Network(s): ABC, CNN, NBC.","Place(s): Washington, D.C.","Notes: TRT=20:51.","Place(s): Washington, D.C.","Place(s): Wheeling, West Virginia. Notes: TRT:9:00.","Program(s): Good Morning America. Network(s): ABC.","Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): NewsHour. Network(s): PBS.","Program(s): World News Tonight. Network(s): ABC. Notes: Videocassette label includes U.S. Senate logo. Attached note includes \"Senator Rockefeller, this is a \"rough\" cut of tomorrow's caucus video. —Kim.\"","Program(s): The Today Show. Network(s): NBC. Notes: TRT=3:00.","Network(s): WPBY-TV. Place(s): Clarksburg, West Virginia.","Event(s): Philips Lighting press conference.","Program(s): CBS Morning News. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=17:00.","Network(s): CNN. Place(s): Washington, D.C.","Network(s): WFRF.","Program(s): Nightline. Network(s): ABC.","Notes: Videocassette label includes U.S. Senate logo.","Network(s): WCHS-TV, ABC, WOWK-TV, CBS.","Network(s): WSTV, WTRF-TV, CBS. Place(s): Wheeling, West Virginia.","Notes: TRT=0:59.","Place(s): Martinsburg, West Virginia.","Place(s): Mercer and McDowell Counties, West Virginia.","Place(s): [California].","Network(s): WCHS-TV, ABC, WSAZ-TV, NBC.","Program(s): Frontline. Network(s): WGBH-TV/PBS. Notes: Videocassette label includes \"WGBH\".","Notes: Videocassette cover includes \"Airport News and Training Network\" and attached business card from J. Spencer Dickerson, Executive Vice President, The American Association of Airport Executives\".","Notes: Videocassette cover includes \"Airport News and Training Network\".","Notes: TRT=10:00.","Program(s): Nightline. Network(s): ABC. Notes: TRT=21:56.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:58:00.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Horizons Television, Inc.\"","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Program(s): CBS Evening News. Network(s): CBS.","Network(s): WOAY-TV, ABC. Notes: Information from attached note; no videocassette labels.","Venue(s): The White House. Place(s): Washington, D.C. Notes: TRT=6:00:00. Videocassette label includes \"Social Security Administration Regional Public Affairs Office.\"","Network(s): WOWK-TV, WSAZ-TV.","Network(s): WTRF-TV.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WTOV-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline. Network(s): CNN.","Program(s): Internight. Network(s): MSNBC. Notes: TRT=7:40.","Network(s): MSNBC, Fox.","Program(s): Meet the Press. Network(s): NBC.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Place(s): Beckley, West Virginia.","Notes: TRT=12:00.","Notes: Videocassette label and cover include \"Bozell Eskew Advertising\".","Network(s): News4 Camcare. Event(s): Dedication of the MS Clinic at the Charleston Area Medical Center. Venue(s): MS Clinic at the Charleston Area Medical Center. Place(s): Charleston, West Virginia. Notes: Includes letter, under Camcare Health Education and Research Institute letterhead, from Jerry Handley, Network Specialist, to Ms. Joy Sims, Press Office, Office of Senator Jay Rockefeller, regarding enclosed videotape containing excerpts of Rockefeller's remarks at the dedication of the MS Clinic at the Charleston Area Medical Center on May 24th, 1999.","Network(s): WVVA-TV, WOAY-TV. Venue(s): Rainelle Medical Center. Place(s): Rainelle, West Virginia.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Network(s): WOWK-TV.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns \u0026 Associates, Inc.\" and logo.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Place(s): Mullens, West Virginia. Notes: TRT=9:35. Videocassette label includes \"West Virginia National Guard\" and \"Produced by Detachment 1, 196th MPAD, WVARNG.\"","Notes: TRT=1:26:00.","Event(s): Toyota Lexus Announcement. Place(s): Buffalo, West Virginia. Notes: Videocassette label includes \"Image Associates\" and logo.","Notes: Videocassette label and cover includes \"Motion Masters\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia.","Network(s): WOWK-TV. Place(s): Charleston, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=2:00:00.","Notes: TRT=7:16. Videocassette label includes \"Produced by: Ray Miller, West Virginia University Television Productions.\"","Network(s): CNN.","Network(s): CNN. Notes: TRT=1:00:00. Videocassette label includes \"5:30 PM - 6:30 PM.\"","Network(s): Fox.","Network(s): WOWK-TV.","Notes: Has been transferred to DVD.","Notes: Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:08.","Notes: TRT=12:00. Has been transferred to DVD.","Notes: Has been transferred to DVD.","Notes: TRT=12:04.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Notes: TRT=48:00. Has been transferred to DVD.","Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): CNNfn.","Event(s): United Steelworkers of America rally.","Network(s): CBS.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"11:00 PM\".","Network(s): WCHS-TV, ABC.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C. Notes: TRT=15:00.","Network(s): Fox. Notes: TRT=5:00.","Notes: TRT=1:07:00.","Network(s): WOAY-TV, ABC.","Place(s): Shady Spring, West Virginia.","Network(s): WOAY-TV, ABC.","Notes: TRT=27:00.","Network(s): WOAY-TV, ABC.","Network(s): Fox.","Network(s): Fox. Notes: Videocassette label includes Fox News letterhead and contact info.","Network(s): NBC.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=2:00 (approximate).","Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): WOAY-TV, ABC.","Notes: TRT=1:00. Videocassette cover includes \"version 6.\"","Network(s): WOAY-TV, ABC.","Network(s): CNN.","Network(s): West Virginia Public Broadcasting.","Program(s): Meet the Press. Network(s): NBC. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WOWK-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WSAZ-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Program(s): Paula Zahn Now. Network(s): CNN.","Program(s): Paula Zahn Now. Network(s): CNN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Studio B. Network(s): Fox. Notes: Videocassette cover includes \"3 PM\".","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=1:00:00.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Network(s): WOWK-TV, CBS, CNN, Fox.","Program(s): Nightly News, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): World News Tonight, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): Late Edition, Weekend Live, World News Tonight, American Morning, Fox and Friends, Larry King Live. Network(s): CNN, Fox, ABC, CNN, CNBC, NBC.","Network(s): WOAY-TV, ABC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Place(s): Washington, D.C. Notes: TRT=5:00.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C.","Program(s): NewsHour, Meet the Press, Late Edition. Network(s): Fox, PBS, NBC, CNN. Notes: Videocassette label includes \"Newshour (soundbite from tax conference meeting)\".","Place(s): Washington, D.C.","Program(s): American Morning, Today, Capitol Report, World News Tonight. Network(s): CNN, NBC, CNBC, Fox, ABC.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=9:00.","Network(s): CNN.","Network(s): NBC. Notes: TRT=6:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:30:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=55:00.","Network(s): CNN, MSNBC. Notes: TRT=≥1:00:00.","Network(s): CNN. Notes: Videocassette label includes \"5:40-6:15PM\".","Network(s): CNN. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Program(s): Fox News Sunday. Network(s): Fox. Notes: TRT=2:00.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=approximately 15:00.","Program(s): NBC Nightly News. Network(s): NBC.","Program(s): Hardball. Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): CNN, MSNBC, Fox.","Network(s): CNN.","Network(s): CNN. Notes: Videocassette label includes \"9:00am\".","Network(s): ABC, CBS, NBC. Notes: TRT=1:32:00.","Place(s): Washington, D.C. Notes: TRT=13:00.","Network(s): ABC.","Program(s): Fox News Sunday. Network(s): Fox.","Program(s): 60 Minutes II. Network(s): CBS. Notes: TRT=1:00:00.","Place(s): Washington, D.C. Notes: TRT=7:00. Videocassette label includes \"11:00 AM.\"","Program(s): Face the Nation. Network(s): CBS.","Network(s): ABC, CBS, NBC.","Network(s): C-SPAN. Notes: TRT=1:30:00. Videocassette label includes \"10:30 AM - 12:00 PM.\"","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=60:00.","Network(s): Fox. Notes: TRT=60:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Network(s): Fox. Notes: TRT=1:00:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Place(s): Washington, D.C. Notes: TRT=11:00.","Program(s): Hardball. Network(s): MSNBC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Network(s): WBOY-TV, West Virginia Media. Notes: Videocassette label includes WBOY-TV logo.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=30:00.","Network(s): CNN. Notes: No videocassette cover.","Network(s): WSAZ-TV, NBC. Place(s): Huntington, West Virginia. Notes: Videocassette label includes \"6:30AM.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Notes: No videocassette cover.","Place(s): Richwood, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=60:00.","Notes: TRT=11:58.","Notes: TRT=11:58. Has been transferred to DVD.","Notes: TRT=8:08. Has been transferred to DVD.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=21:04.","Network(s): Fox.","Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"6-7:00 PM.\"","Network(s): MSNBC. Notes: TRT=60:00. Videocassette label includes \"7-8:00 PM.\"","Program(s): NBC Nightly News. Network(s): CBS, NBC. Notes: TRT=12:00.","Program(s): CBS Evening News, NBC Nightly News, MSNBC Hardball, CNN Late Edition. Network(s): CBS, NBC, CNN, MSNBC, Fox. Notes: Videocassette label indicates 13 segments.","Network(s): CNN. Notes: TRT=1:00:00.","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Late Edition Sunday. Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"12:00 - 1:00 PM.\"","Program(s): 60 Minutes. Network(s): CBS. Notes: Videocassette label includes \"John Nolen\".","Event(s): John Kerry rally in West Virginia.","Program(s): NBC News. Network(s): NBC. Notes: TRT=13:08.","Notes: TRT=21:05.","Network(s): WSAZ-TV, NBC. Notes: Videocassette label includes \"11:00pm.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Network(s): CNN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: TRT=3:35.","Notes: TRT=3:35.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Network(s): CNN, Fox.","Program(s): 60 Minutes. Network(s): CBS. Notes: TRT=14:00.","Program(s): CNN Sunday Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): ABC World News Tonight. Network(s): ABC, CNN.","Program(s): Charlie Rose. Network(s): PBS.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Network(s): CNN.","Network(s): Fox.","Place(s): Morgantown, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=1:00:00.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): ABC, CBS, NBC. Notes: TRT=1:24:00.","Program(s): Fox News Sunday. Network(s): MSNBC, Fox. Notes: TRT=2:00:00. Videocassette label includes \"MSNBC 7-8PM July 9, Fox News Sunday July 11.\"","Network(s): CNBC, CNN. Notes: TRT=2:00:00. Videocassette label includes \"CNBC from 7-8PM and CNN from 10-11PM.\"","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): NewsHour. Network(s): PBS.","Program(s): Hardball. Network(s): CNN, Fox, MSNBC.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=25:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=50:00.","Program(s): NewsNight. Network(s): CNN.","Network(s): CNBC. Notes: Videocassette label includes \"7-8:00 pm\".","Network(s): CNN.","Network(s): CNN.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: TRT=1:20:00.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Network(s): Fox. Notes: TRT=6:20.","Network(s): MSNBC. Notes: TRT=5:30.","Event(s): Government Affairs hearing. Notes: TRT=3:13:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=60:00.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Program(s): Hardball. Network(s): Fox, MSNBC, CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:00:00.","Network(s): ABC, CBS, NBC. Notes: TRT=2:00.","Network(s): CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=4:30:00.","Program(s): CBC [CBS] Evening News. Network(s): CBC [CBS].","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=2:05:00.","Program(s): NewsNight. Network(s): CNN.","Event(s): UN General Assembly meeting. Venue(s): UN General Assembly building. Place(s): New York, New York.","Event(s): Allawi speech to Congress. Place(s): Washington, D.C.","Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Network(s): CNN.","Network(s): Fox, CNN.","Network(s): CNN.","Network(s): CNN.","Program(s): This Week. Network(s): ABC, CNN.","Network(s): West Virginia Public Television.","Network(s): CBS. Notes: TRT=30:00.","Program(s): Face the Nation, The Early Show. Network(s): CBS.","Network(s): CNN.","Program(s): Lou Dobbs Tonight, Hardball. Network(s): CNN, MSNBC. Event(s): Trial of Saddam Hussein.","Network(s): Fox.","Program(s): Lou Dobbs Tonight. Network(s): CNN, Fox, NBC.","Program(s): Lou Dobbs Tonight. Network(s): Fox, CNN. Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Late Edition. Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: Videocassette label includes U.S. Senate logo.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:20:00. Videocassette label includes \"10:00 AM - 1:19 PM.\"","Network(s): CNN.","Network(s): Fox.","Network(s): Fox, CNN.","Program(s): Frontline. Network(s): PBS.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=25:00.","Network(s): NBC.","Program(s): 60 Minutes II. Network(s): CBS.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:56:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=42:00.","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Geoff Garin\".","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Geoff Garin\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Program(s): Nightline. Network(s): ABC.","Network(s): WSAZ-TV. Notes: Title from note attached to videocassette cover.","Place(s): Washington, D.C.","Place(s): Charlotte, North Carolina.","Network(s): ABC, NBC, CBS. Notes: TRT=10:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Network(s): C-SPAN. Place(s): Washington, D.C. Notes: Professionally produced C-SPAN videotape (ID: 189201 - Part 1 of 1) and cover. Description on back cover: \"Representative Capito was interviewed about the future of the Republican Party, West Virginia politics, and her decision not to run against Sen. Byrd in 2006. She also discussed her major in zoology at Duke University as well as the naming of her children, Charles Capito III and Shelley XIII. Pictures of Representative Capito, her family, and soldiers were shown intermittently during the program.\" Copyright: 2005 National Cable Satellite Corporation.","Program(s): Nightline. Network(s): ABC. Notes: Videocassette label includes \"Dub\".","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Network(s): ABC, CBS, NBC. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Network(s): West Virginia Public Television. Notes: Videocassette label includes \"West Virginia Public Television\" and logo. Date is broadcast date.","Network(s): CNN.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=53:10.","Program(s): Hannity \u0026 Colmes. Network(s): Fox. Notes: Attached note includes \"Bill Bennett \u0026 Wes Clark. JDR was frequently discussed.\"","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:10:00 (approximate).","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:55:00.","Network(s): PBS.","Network(s): WOWK-TV, CBS.","Network(s): NBC. Notes: TRT=22:55.","Network(s): ABC. Notes: TRT=30:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:10:00.","Network(s): ABC, NBC. Notes: TRT=42:00.","Network(s): CBS. Notes: TRT=20:00.","Network(s): WVNS-TV, Fox.","Notes: Business card attached, from Philippe Diaz, Cinema Libre Studio, with contact info.","Place(s): Washington, D.C.","Network(s): WTRF-TV, CBS.","Notes: Note on cover includes \"Piece on poor water safety during Marine training. Not that interesting, but thought it might still be useful… —Chris\".","Event(s): House of Representatives debate. Venue(s): House of Representatives. Place(s): Washington, D.C. Notes: TRT=5:30.","Event(s): United Steelworkers of America Wheeling-Pitt strike. Place(s): Wheeling, West Virginia; Pittsburgh, Pennsylvania.","Notes: Videocassette label includes \"Note this is a short segment\".","Program(s): Charlie Rose. Network(s): PBS.","Network(s): Fox.","Network(s): CNN.","Event(s): United Steelworkers of America convention.","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Event(s): West Virginia Air Service Summit. Notes: TRT=1:04:40.","Event(s): West Virginia Air Service Summit. Notes: TRT=1:54:17. Videocassette label indicates welcoming remarks by Governor Underwood and Senator Rockefeller.","Event(s): West Virginia Air Service Summit. Notes: TRT=2:00:51.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Retiree James McMahon, Spouse Carole McMahon — insurance\".","Notes: No Videocassette label; title from videocassette cover.","Notes: Removed from Box 129 (Downtown moved to Depot). Videocassette label includes U.S. Senate logo.","Notes: Videocassette label includes \"Chlopak, Leonard, Schechter\".","Notes: TRT=4:49.","Notes: TRT=12:00.","Venue(s): Blanchette Rockefeller Neurosciences Institute. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes WVU TV logo.","Notes: TRT=9:00. Videocassette label includes \"Produced by the Sierra Club.\"","Program(s): CBS News Sunday Morning. Network(s): CBS.","Event(s): Democratic National Convention.","Place(s): Weirton, West Virginia.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label and cover indicate that cassette was distributed by C-SPAN.","Notes: Videocassette label includes \"Democratic Technology \u0026 Communications Committee\".","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover includes \"Chlopak, Leonard, Schechter\" and \"Squier/Knapp/Ochs\".","Notes: Videocassette label and cover include \"Ernst \u0026 Young\" and logo. Business card enclosed from Michael Colopy, from O'Connor \u0026 Hannan.","Network(s): NBC.","Program(s): Crossfire. Network(s): CBS, CNN.","Notes: TRT=30:00 (approximate).","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Notes: TRT=9:30. Attached note includes \"WV Economic Development Tapes.\"","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Network(s): WVVA-TV.","Network(s): ABC.","Network(s): KIRO-TV.","Notes: Videocassette label and cover include \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: TRT=55:48.","Notes: Business card enclosed from Jeff Kimball, Deputy Press Secretary for JDR.","Place(s): Nicholas County, West Virginia. Notes: TRT=20:00.","Place(s): Washington, D.C.","Network(s): WVVA-TV, WOAY-TV. Place(s): Fayette County, West Virginia.","Notes: Note attached to cover from Squier Knapp Dunn Communications.","Notes: Videocassette label and cover include \"Digital Generation Systems, Inc.\" and logo.","Notes: Note attached to videocassette cover includes \"Clean Tape / No visible footage\".","Notes: Videocassette label includes \"HMS Technologies, Inc.\" and logo.","Notes: TRT=14:30. Videocassette label and cover include \"Ryan-McGinn.\"","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Hitachi, LTD.\"","Network(s): West Virginia Public Television.","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Foresight Communications, Inc.\" and logo.","Network(s): WCHS-TV.","Place(s): McDowell County, West Virginia.","Notes: Business card enclosed from Ron W. Wroblewski, President, W.Va. Marine Corps Coordinating Council.","Network(s): WBOY-TV.","Network(s): Fox, WDTV-TV.","Notes: TRT=14:53. Videocassette label includes \"Alliance for Retired Americans\" and logo.","Place(s): Ravenswood, West Virginia. Notes: TRT=14:45. Videocassette label includes \"Century Aluminum.\"","Network(s): WSAZ-TV. Notes: Videocassette label includes \"For Mark Ferrell\".","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: TRT=12:45.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: TRT=1:15.","Notes: Videocassette label includes U.S. Senate logo.","Notes: Videocassette cover includes \"JDR Caucus Video 6/17/97\".","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS, WVSA, NBC, CBS. Notes: Programs and networks from note attached to cover.","Network(s): WDTV-TV, WBOY-TV. Place(s): Monongalia County, West Virginia.","Notes: Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Place(s): Washington, D.C.","Program(s): Hardball. Network(s): MSNBC.","Place(s): Washington, D.C.","Place(s): Michigan. Notes: TRT=10:00. Videocassette label includes \"MVP Communications Inc.\"","Place(s): Washington, D.C.","Network(s): WCHS-TV, WSAZ-TV. Place(s): Kenova, West Virginia.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Network(s): Fox, CNN.","Program(s): World News Tonight. Network(s): ABC.","Network(s): WOWK-TV.","Program(s): Crossfire. Network(s): CNN.","Place(s): [Huntington, West Virginia].","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Video news release, interviews, dub of state tourism film and commercials","Note on tape state: \"tape warped - will not play.\"","(1.) Bob Brunner, Skinner Highway plan interview in D.C., March 1990. \n(2) AFL-CIO dinner with Barbara Mikulski, WOWK, February 1990.\n(3) EDA grant announcement for Clalrksburg Life Sciences Center, WDTV and WBOY, September 1989.  \n(4) Murphy home health visit - WSAZ, July 1989.  \n(5) Murphy home health visit - WCHS, July 1989. \n(6) Murphy home health visits - WOWK, July 1989. \n(7) Philips Lighting announcement/ Stonewall Jackson tour, WDTV and WBOY, July 1989.  \n(8) Cabot Oil and Gas announcement, WVVA, July 1989.  \n(9.) Discover the REAL WV/ Oliver North discssion, WTRF, July 5, 1989. \n(10.) Rural health clinic press conference, New River Health Clinic, WSAZ, April 24, 1989. \n(11.) Harrison County town meeting, WBOY, WDTV, and Congressional pay raise issue, WDTV; event - senators joking (\"It costs you $75 to come here tonight; it cost me $12 million\") Good Morning America, February 1989.  \n(12.) \"Partnership for progress\" with Caperton and delegation, WOWK, January 1989; CBS evening news on trade adjustment assistance. \n(13) Fairmont firemen/ policemen \"thank you\" reception, WBOY, December 1988.  (14). EAS story, WOAY, 1988.","11:00 p.m. Channel 11 and 13. 12 p.m. (noon) channel 11.","4 negative adds: 2 Bryan, 1 Conrad, 1 Pomeroy","Time: 00:00 Governor Bill Clinton; 1:00 Congressman Tim Penny; 17:08 Senator Jay Rockefeller; 34:30 Congressman Mike Espie; 1:09:30 House Majority Whip William Gray III","JDR speaks twice - once in morning and once around 5","Film damaged","(1) Fox morning news (whole thing) JDR at 7:35 a.m. \n(2) CBS Morning News (segment only) a. summer story JDR hit. b. National Commission segment. \n(3) NBC Today (segment only) children's interview segment (no JDR). \n(4). CNN Horn?/ Cheri Hayes. \n(5) ABC World News lead story 10-15 minutes on commission. \n(6) CBS Evening news lead story. \n(7) NBC News lead story. \n(8) MacNeil/ Lehrer  \n(9). CNN Crier and co.","(1). \"Logan airport\" ABC World News Tonight, ABC/Network January 24, 1989. \n(2)  Airport congestion, Alfred Kahn, Nightly Business Report, PBS/Network, January 13, 1989. \n(3) \"Keeping congestion down at Logan,\", WCVB-TV Channel 5, Boston, December 12, 1988.","(1) David Duke dilemma, KGO Channel 7 at 6 p.m., November 17, 1991 (2). Democratic fundraiser, KCRA channel 3 at 10 p.m.","North Carolina University documentary 1986, Rockefeller comments on Japan.","1.) Trip to Olney. 2). message. 3). catastrophic care.","Groundbreaking on June 19, 1984. Construction 1984-1985. Video by Herbert W. Roush, Sr.","1). China steel/ Island Creek contract in D.C. office, 1988;  \n2). POSCo contract in Charleston with Billy Yoo, April 21, 1988; \n3). POSCO contract/ Washigton, May 13, 1988;   4.) Historic Hinton, NPS memorandum of understanding, NPS Joe Kennedy and Bob McKeard;  \n5). Press conference/ industrial extension act introduced with McCain, R-AZ, June 10, 1987;  \n6). China steel and USX D.C. contract signing, June 7, 1988; \n7). AEP mine visit/ methanol May 2, 1988","WOAY - El-Tech, 1987; WSAZ children's hospital in Charleston - Bush Tower 1989; WVAH congressional minute 8th, 9th, 10th amendment; WDTV October 14, 1988 methanol signed into law; WSAZ ARC corridors 1988; WOWK ARC corridors 1988; WCHS ARC corridors 1988; WOAY El-tech September 17, 1988, Dukakis, methanol; WOWK methanol passage 1988; WOAY El tech - def. fair 1988; WCHS white watering 1988; WOAV methanol bill, captive shippers; WVVA methanol","Tape sent to Barbra Pryor from A26 mark Ave, Follansbee, WV","1). WDTV - math/science bill. 2). WBOY/WDTV - research summit. 3). WTAE - Dee Caperton. 4). WDTV - clean air. 5). WBOY - United Mine Workers (UMW) endorsement. 6). Oliver Luck ad. 7). WBOY - Salem-Teikyo","Harriman Communications.","Testimony and Q\u0026A of Mr. Robert Harris (Berkeley)","Event(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".","Program(s): All Things Considered. Network(s): National Public Radio.","Network(s): WWYO.","Network(s): WWYO.","Network(s): WWYO.","Place(s): Washington, D.C.","Notes: Cassette label includes \"American Focus\" and logo.","Program(s): Morning Edition. Network(s): National Public Radio.","Notes: Attached note includes \"9/20/88 Methanol tape\".","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJLS. Place(s): [Beckley, West Virginia].","Place(s): Washington, D.C.","Program(s): Morning Edition. Network(s): National Public Radio.","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJEH. Place(s): Gallipolis, Ohio. Notes: Attached note includes \"I made this copy from the original tape which WJEH gave me. You have to run through the commercials before you get to the history part. This is the first — and only to date —interview as to Senator Rockefeller's floor statement in the Congressional Record. 6/21/90 [signed] Patricia Burton\".","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): National Public Radio.","Notes: Cassette cover includes \"Tammy Lydel, NH Register — Erin Rasmussen, KSTP, Minnesota — Melissa Berg, Kansas City Times — Don Findley, San Antonio — Ron Kanye, LA Daily News — Stewart Craig, Augusta Chronicle — Steve Harvey, Atlanta Constitution 3 Jim Gannon, Detroit News 3 Pete Leffler, Allentown Call\".","Notes: Cassette cover includes \"Leslie Balducci, Chicago Sun Times — Lester Strong, WHDH, Boston — Margaret Murphy, ABC Nightline — Maryclaire Dale, Charleston Gazette — Paul Owens, Martinsburg Morning Journal — P.J. Cameon, Clarksburg Telegram, Cindy Crigger, Williamson Daily News — Bill ST. Clair, Parkersburg Sentinel — Chris Cramer, Weirton Daily News — Bluefield Telegram, Barbara Hawkins\".","Notes: Cassette cover includes \"Todd Silberman, Fayetteville, NC News — Irene Sege, Boston Globe — Bonnie Healy, DE County Times — Lori Roberts, The State, Columbia, SC\".","Notes: Cassette cover includes \"Terri Monsour, St. Paul Pioneer Press — Marshall Kildurf, San Francisco Chronicle — Susan Page, Newsday — Dorsey Griffith, Modesto Bee\".","Place(s): Washington, D.C.","Notes: Original title overwritten with \"Clean Air 3.00 [2000/03?]\".","Place(s): Goreham, New Hampshire.","Place(s): Rye, New Hampshire.","Event(s): Claude Pepper Award. Place(s): Concord, New Hampshire.","Place(s): Concord, New Hampshire.","Place(s): Durham, New Hampshire.","Place(s): New Hampshire.","Program(s): John McLaughlin's One on One. Network(s): PBS.","Place(s): Milwaukee, Wisconsin.","Program(s): Morning Edition. Network(s): National Public Radio. Notes: TRT=8:30. Cassette label includes National Public Radio copyright.","Program(s): Hal Bruno's Washington. Network(s): ABC Radio. Notes: Cassette cover includes \"ABC Radio News\" and logo.","Program(s): The Diane Rehm Show. Network(s): WAMU, National Public Radio.","Place(s): Washington, D.C.","Notes: TRT=7:27.","Network(s): CNN. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): State of the Union response.","Notes: Business card enclosed for Joel H. Komisarow, Producer, CBS News, with contact info.","Notes: Cassette cover includes \"Not for public distribution\".","Event(s): Alabama Democratic Conference. Place(s): Alabama.","Network(s): West Virginia Public Radio.","Notes: TRT=28:30.","Program(s): Christine Craft Show. Network(s): KFBK.","Program(s): The Michael Jackson Show. Network(s): KABC. Notes: Business card enclosed for Lyle Gregory, Producer, The Michael Jackson Show, KABC TALKRADIO, with contact info.","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' DNC-9245R :60\" and \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates\".","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Network(s): KLSE/KZSE, Minnesota Public Radio. Notes: Videocassette label includes MPR logo.","Notes: TRT=1:00.","Event(s): State of the Union response.","Program(s): All Things Considered. Network(s): National Public Radio.","Notes: TRT=5:00.","Event(s): National Summit on Children and Families.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): NPR or MPR.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Tina Trenner Show. Notes: Videocassette label includes \"Air[ed] 12/24/93\".","Network(s): National Public Radio.","Network(s): National Public Radio.","Notes: TRT=1:00:00.","Program(s): [Marketplace]. Network(s): [American Public Radio]. Notes: Cassette label and cover label differ in content.","Notes: Removed from A\u0026M 4050 III. A. PRODUCT LIABILITY, 1994 RADIO SPOT WV.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Network(s): WGMS.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Program(s): Talk of the Nation. Network(s): National Public Radio.","Program(s): Talk of the Nation. Network(s): National Public Radio.","Network(s): West Virginia MetroNews.","Network(s): WEPM.","Venue(s): Wheeling Clinic, Wheeling Hospital. Place(s): Wheeling, West Virginia.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"provision in tax bill attacking Coal Miners' Health\".","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"Wellstone\".","Notes: Dates on cassette label and cover label differ.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Removed from A\u0026M 4050 III.A. PGWS, 1996.  Cassette label includes \"Panelists: Bernard Rostker – Pentagon, Dana Priest – Washington Post, Joe Vialante – DAV, Arthur Kaplan – President's Advisory Committee.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.  Cassette label includes \"Acceptance speech by incoming Alfalfa Club President.  'For He's Our President' sung by Marine Staff Sgt. Michael Ryan…Introduction by Colin Powell; John D. Rockefeller IV.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Network(s): West Virginia Public Radio. Notes: TRT=6:05.","Notes: TRT=30:00.","Program(s): The Diane Rehm Show. Network(s): National Public Radio. Notes: TRT=60:00.","Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WSTV, WRKY, WTRF-TV.","Notes: TRT=20:00 (approximate).","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia Public Radio.","Network(s): National Public Radio. Notes: TRT=11:00 (approximate).","Notes: TRT=1:00.","Notes: Attached note includes \"Make audio dub of Sen. Rock[efeller] feed!\".","Notes: Cassette label includes \"Medical Group Management Association\" and logo.","Notes: Title from handwriting on cassette cover.","Event(s): State of the Union address. Place(s): Washington, D.C.","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Clarksburg, West Virginia.","Place(s): Clarksburg, West Virginia.","Venue(s): Wetzel County Hospital. Place(s): Wetzel County, West Virginia.","Place(s): Pleasants County, West Virginia; Hancock County, West Virginia; Wetzel County, West Virginia;.","Network(s): WTRF-TV. Place(s): Hancock County, West Virginia.","Place(s): Boone County, West Virginia.","Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Place(s): Benwood, West Virginia.","Place(s): Martinsburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): WSTV.","Network(s): WSTV. Place(s): Steubenville, Ohio.","Place(s): [Charleston, West Virginia].","Network(s): West Virginia Public Radio.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Fairmont, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Place(s): Parkersburg, West Virginia.","Place(s): Wheeling, West Virginia.","Network(s): ABC.","Network(s): WETA.","Network(s): NBC.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Beckley, West Virginia; Clarksburg, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): NBC, CNN.","Network(s): West Virginia MetroNews, Fox, NPR.","Network(s): CNN.","Network(s): Fox.","Network(s): West Virginia MetroNews.","Notes: Title and date from note attached to cover.","Notes: TRT=5:00.","Place(s): Newell, West Virginia. Notes: Business card attached to Betacam cover for Jerry Hughes, President, Hughes Television Productions, Inc.","Notes: Betacam label and cover include \"Squier/Knapp/Ochs\".","Program(s): Sarbanes Show.","Place(s): Washington, D.C. Notes: TRT=40:00.","Place(s): Washington, D.C. Notes: TRT=35:22.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia. Notes: Betacam label includes \"Master\".","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Notes: Betacam cover includes \"Master Beta Copy\".","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=4:34.","Place(s): Wheeling, West Virginia.","Notes: Betacam label includes \"Edited Master\" and \"Stereo\".","Program(s): On the Record. Notes: TRT=21:00.","Program(s): On the Record. Notes: TRT=30:00.","Notes: Betacam label includes \"Daschle, Lautenberg, Rockefeller, Graham, Mosley, Braun\".","Place(s): Ripley, West Virginia.","Place(s): Ripley, West Virginia. Notes: Betacam label includes \"B-roll and WV interviews (RAW)\".","Notes: TRT=5:00.","Notes: TRT=10:10.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=6:00.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=5:10.","Place(s): [Buffalo, West Virginia].","Place(s): Buffalo, West Virginia.","Place(s): Buffalo, West Virginia.","Notes: TRT=32:00. Videocassette label includes \"B-roll — campaign kickoff 2002, footage from 1996 of veteran \u0026 miner, Toyota plant footage 1/26/01.\"","Notes: Betacam label includes \"Master\" and \"The Washington Bureau\" with contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Place(s): [Buffalo, West Virginia].","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Betacam cover includes \"Master\".","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Note attached to Betacam cover includes \"Chris, when you get a chance, please convert this into a digital file so Neysa can put it on our web site. Thanks, Allen Mattison\".","Notes: TRT=8:00.","Notes: Betacam label includes \"Oglebay Resort — 500 dubs with logo — cut aways — interviews\".","Venue(s): Ohio County Airport, Wheeling Senior Center. Place(s): Wheeling, West Virginia.","Notes: TRT=15:00.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee — Senator Tom Daschle, Democratic Leader — Senator Jay Rockefeller, Chairman\" and U.S. Senate logo.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: Betacam label includes U.S. Senate logo.","Notes: TRT=1:56.","Place(s): Mercer County, West Virginia; McDowell County, West Virginia.","Venue(s): Toyota auto plant. Place(s): Buffalo, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Betacam label includes \"10:00 AM - 11:30 AM\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia. Notes: Event program and business card for Joseph Webb, II, Interim Manager, WVU Television Productions, enclosed.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=34:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=1:30:00.","Notes: TRT=1:00:00. Betacam label and cover include \"Master\" and \"Motion Masters, Inc.\" Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:00.","Place(s): Washington, D.C. Notes: TRT=5:00.","Notes: TRT=21:00.","Notes: TRT=21:05.","Notes: Betacam label includes St. Louis Rams logo.","Notes: TRT=4:00.","Notes: TRT=17:00.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=12:12.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=7:21.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=5:44.","Notes: TRT=10:26.","Event(s): United States Senate Committee on Veterans' Affairs hearing; United States Senate Committee on Armed Services. Place(s): Washington, D.C. Notes: TRT=7:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=24:37.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=19:10.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=20:00. Videocassette label includes \"10:50A-11A \u0026 2:42P-2:52P\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=53:35.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=13:52.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): Children's Commission Summit. Notes: Betacam label includes \"I. Rebuilding Caring Communities, II. Great Beginnings — Supporting Young Children and their Families, III. Educating America — Improving Schooling and the Transition to Work, IV. Creating a Culture of Responsibility for Children, Youth, \u0026 Families\".","Notes: TRT=8:30. Betacam label includes \"Credit — Children's Action Network\". Business card attached to Betacam cover for Jennifer Perry, Executive Director, with contact info.","Notes: TRT=0:45.","Notes: Title from note attached to cover.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee\" and logo.","Notes: TRT=20:06.","Notes: DVD label and cover include \"Senate Democratic Communications Center\".","Notes: TRT=38:00.","Notes: DVD cover includes \"Friday Night — Saturday — Tatsuo Ikenaga — Shigehiko Ikenaga — Lloyd Ayers — Cathy Davis — Shigeji Ikenaga — White Water — Country Roads.\" Business cards enclosed from Someday Video Productions.","Notes: TRT=53:00. DVD label includes \"START 6:10pm - STOP 7:03pm.\"","Notes: TRT=3:39:00. DVD label includes \"START 9:25am - STOP 1:04pm.\"","Notes: TRT=3:55:00. DVD label includes \"START 2:15pm - STOP 6:10pm.\"","Program(s): Lou Dobbs Tonight, NBC Nightly News. Network(s): CNN, NBC.","Program(s): O'Reilly Factor. Network(s): Fox, CNN, NBC.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS, Fox.","Program(s): CBS News Sunday Morning. Network(s): CBS.","Program(s): Lou Dobbs Tonight, The Situation Room. Network(s): CNN.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Notes: TRT=30:00.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Program(s): Countdown with Keith Olbermann. Network(s): Fox, CNN.","Program(s): Biography. Network(s): A\u0026E.","Program(s): Lou Dobbs Tonight. Network(s): MSNBC, CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=22:29.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:15:00. DVD label includes \"2:30 - 5:45 pm.\"","Program(s): Late Edition with Wolf Blitzer. Network(s): CNN.","Program(s): Hardball. Network(s): MSNBC. Place(s): Washington, D.C.","Program(s): The Situation Room. Network(s): CNN.","Network(s): WDTV-TV, WVNS-TV. Place(s): Bridgeport, West Virginia; Monongalia County, West Virginia; Beckley, West Virginia; Raleigh County, West Virginia.","Network(s): WTAP-TV. Place(s): Parkersburg, West Virginia.","Network(s): Fox.","Notes: TRT=13:30.","Notes: TRT=13:30.","Network(s): WCHS-TV. Place(s): Charleston, West Virginia.","Network(s): WSAZ-TV. Notes: TRT=1:03.","Network(s): WCHS-TV. Place(s): Webster County, West Virginia.","Network(s): MSNBC, CNN, ABC.","Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): MSNBC, CNN.","Network(s): CNN.","Place(s): Braxton County, West Virginia.","Program(s): Dateline NBC. Network(s): NBC.","Network(s): KDKA-TV, WCHS-TV, WOWK-TV, WVAH-TV, WVVA-TV, WTOV-TV, WTRF-TV, WBOY-TV, WDTV-TV. Notes: Broadcast schedule enclosed.","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Program(s): Hardball. Network(s): MSNBC.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Program(s): Charlie Rose, Countdown with Keith Olbermann, This Week. Network(s): PBS, MSNBC, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Countdown with Keith Olbermann, The Ed Show, The Situation Room, Hardball. Network(s): MSNBC, CNN.","Program(s): The Situation Room. Network(s): CNN.","Notes: TRT=13:20.","Notes: TRT=4:30.","Notes: TRT=4:10.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Washington, D.C. Notes: TRT=22:00.","Notes: TRT=6:30.","Notes: TRT=3:30.","Notes: TRT=6:30.","Notes: TRT=7:15.","Notes: TRT=4:40.","Notes: TRT=6:50.","Notes: TRT=5:21.","Notes: TRT=2:30.","Notes: TRT=2:30.","Notes: TRT=2:55.","Notes: TRT=4:00.","Notes: TRT=3:00.","Notes: TRT=1:30.","Place(s): Washington, D.C. Notes: TRT=25:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=3:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=6:00.","Notes: TRT=4:11.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to letter (enclosed with 4050_xdc_0001 through 4050_xdc_0004) from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, this DVD contains the final version that was broadcast.","Network(s): C-SPAN. Notes: TRT=30:00.","Place(s): Washington, D.C.","Notes: TRT=7:00.","Notes: TRT=7:00.","Program(s): The Rachel Maddow Show. Network(s): MSNBC.","Notes: TRT=7:44.","Program(s): Charlie Rose. Network(s): PBS.","Notes: Includes DVD booklet.","Notes: TRT=11:30.","Network(s): A\u0026E.","Network(s): A\u0026E.","Place(s): Montcoal, West Virginia.","Network(s): WCHS-TV. Notes: Cassette label includes \"Beckley News Bureau\".","Program(s): Hello VIP. Network(s): Ch. 12 TV Tokyo. Place(s): Tokyo, Japan. Notes: Includes note to David Owens, from Yuichi Watanabe, Nikkei Visual Images, Inc., dated 1988/09/20.","Place(s): Minden, West Virginia.","Place(s): New Hampshire.","Place(s): Rainelle, West Virginia.","Place(s): Rainelle, West Virginia; Cabin Creek, West Virginia.","Place(s): Martinsburg, West Virginia.","Place(s): Martinsburg, West Virginia.","Notes: U-matic cassette and cover label include \"Raw\".","Notes: Attached business card from Mary Berecky, Anchor-Reporter, WDTV-5.","Notes: TRT=0:53.","Network(s): WSAZ-TV.","Network(s): WMUR-TV. Place(s): New Hampshire.","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: A compilation of Christmas songs.","Network(s): West Virginia Public Radio, National Public Radio.","Program(s): Talkline. Network(s): West Virginia MetroNews. Notes: Enclosed note includes \"Audio CD\".","Notes: Classical music track-list enclosed.","Program(s): All Things Considered. Network(s): West Virginia Public Radio, National Public Radio.","Notes: Note attached to cover includes \"Masters\".","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Notes: Removed from Box 129 (Downtown moved to Depot). Sticky note attached to case includes \"Found in Rachel's old desk. Should be archived.\"","Network(s): WTRF-TV, WCHS-TV, WTAP-TV, WOWK-TV.","The Clippings series contains newspaper clippings—original newsprint as well as photocopies—compiled by Senator Rockefeller's staff for distribution to the Senator and other staff members. Clippings primarily span Rockefeller's tenure in the U.S. Senate, but some clippings date to his second term as governor of West Virginia. Staff compiled clippings about the day's events and also maintained clippings that mentioned Rockefeller. Most of the clippings are arranged by topic, publication, or date range. Clippings within files arranged by topic or publication generally are ordered chronologically.  Some clippings arranged by date range are divided into morning and afternoon clippings, and these often are accompanied by indexes (tables of contents).  Finally, some files separate clippings created by West Virginia media from clippings created by national outlets. ","Beginning in approximately 2001, the staff began collecting clippings primarily from online news sources and wire services. Staff in the Washington, D.C. office maintained these digital clippings in the press files of the office's centralized shared drive. ","Digital file: Part 1 of 5 (Part 1)","Digital File: Part 1 of 5 (Part 2)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 2)","Digital File:  Part 3 of 5 (part 1)","Digital File:  Part 3 of 5 (parts 1 and 2)","Digital File:  Part 3 of 5 (part 2), Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 2)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","The Websites and Social Media series contains files used to create Senator Rockefeller's congressional website and archived versions of his congressional website, YouTube page, Facebook page, and Twitter feed. The 2008 and 2011 congressional website files were maintained by press staff. The 2014 archived website and social media files were captured using Hanzo Archives and ArchiveSocial in May-June 2014.","The Legacy Memos series includes 12 memos compiled by staff members in 2013 and 2014 following the Senator's announcement that he would retire from Congress. The Memos provide a comprehensive overview of Senator Rockefeller's service and accomplishments in several important issue areas in which he worked during his 30-year career in the U.S. Senate, as well as during his time as Governor of West Virginia, 1977-1985. They highlight major initiatives and legislation, such as the Children's Health Insurance Program (CHIP); treatment of service related illnesses, such as Gulf War Illness; the Coal Act of 1992; the Public Safety Spectrum Act; and many others.","The Memorabilia Subgroup contains plaques, awards, framed items, and other gifts given to Senator Rockefeller throughout his Senate career. Several foreign gifts from Asian countries are included. Some materials can also be found in the Awards and Honors series, which contains honorary degrees, awards, and medals.","#84 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","#175 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","Drawing has signatures and notes surrounding it.","The beret features a flash patch with a standard blue with white stars. In the center is a enamel pin featuring a vertical arrow with two medals on either sides. The medals have red ribbons and the medals are blue with a star in the center.","Blueprints created by Diamond Group Inc., Odessa, Deleware.","Posters feature the U.S. Steel Tower, Hays Mine Treatment Plant, E. H. Aldrich Station, Omni William Penn Hotel, Duquesne Light Company, and David Lawrence Convention Center.","Note on back reads: \"To one among a new person who helped her. From Yen, Ling Hsing, 90 years old.\"","Presented by Americorps VISTA","Award honoring members of congress who have made substantial contributions in support of the United States Coast Guard.","In recognition of Rockefeller's advocacy on behalf of West Virginia consumers, workers, and their families and his efforts to protect our nations civil justice system.","For Rockefeller's efforts in the Second Session of the 108th Congress to strengthen American's health centers and preserve access to vital health care services for more than 15 million uninsured and medically underserved Americans.","Presented in grateful recognition of his contribution to the well-being of America's veterans as a member of the United States Senate","Two Toyota Pistons with Toyota and West Virginia gold labels.","Vase is blue and green. The green is on the bottom and comes up like flames to the top.","Given in recognition for his support of Wheeling-PIttsburgh Steel and its employees.","Image is in a flat greenish-yellow cloth covered box with flowers on it.","In recognition of unwavering support of a constitutional amendment to protect the flag from physical desecration.","For recognition of your outstanding personal contribution to the Americans for whom, on May 20, 1988, President Ronald Regan signed the Radiation Exposed Veterans Compensation Act.","Presented at the national forum: \"Strong Families for Strong Communities\".","Presented by the National Association of Community Health Centers.","Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. ","John Davison (Jay) Rockefeller IV (b. 1937) represented West Virginia in the United States Senate for five terms. He was elected as a Democrat to the Ninety-ninth Congress and served from January 15, 1985, to January 3, 2015. He was not a candidate for reelection in 2014. Rockefeller previously served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); president of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). From 1964-1966, he was a volunteer in the Volunteers In Service To America (VISTA) program in Emmons, West Virginia. The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","United States. Congress. Senate. Committee on Commerce","United States. Congress. Senate. Select Committee on Intelligence","United States. Congress. Senate. Committee on Veterans' Affairs","United States. Congress. Pepper Commission","United States. National Commission on Children","Rockefeller, John D., IV (John Davison), 1937-","Rockefeller, Sharon Percy, 1944-","English \n.    "],"unitid_tesim":["A\u0026M 4050","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1"],"normalized_title_ssm":["Senator John D. (Jay) Rockefeller IV papers"],"collection_title_tesim":["Senator John D. (Jay) Rockefeller IV papers"],"collection_ssim":["Senator John D. (Jay) Rockefeller IV papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party"],"geogname_ssim":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party"],"creator_ssm":["Rockefeller, John D., IV (John Davison), 1937-"],"creator_ssim":["Rockefeller, John D., IV (John Davison), 1937-"],"creator_persname_ssim":["Rockefeller, John D., IV (John Davison), 1937-"],"creators_ssim":["Rockefeller, John D., IV (John Davison), 1937-"],"places_ssim":["United States -- Politics and government -- 20th century","West Virginia -- Politics and government","National security","West Virginia -- Politics and government","United States -- Politics and government","Democratic Party"],"access_terms_ssm":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. "],"acqinfo_ssim":["Gift of Senator John D. (Jay) Rockefeller IV, 2014-2015"],"access_subjects_ssim":["United States. Congress -- History -- 20th century","United States. Congress -- Archives","Steel industry and trade","Wireless communication systems -- Law and legislation","Child welfare","Coal miners--West Virginia","Veterans--United States","Health care reform -- United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States"],"access_subjects_ssm":["United States. Congress -- History -- 20th century","United States. Congress -- Archives","Steel industry and trade","Wireless communication systems -- Law and legislation","Child welfare","Coal miners--West Virginia","Veterans--United States","Health care reform -- United States","Coal mines and mining -- Law and legislation -- United States","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["2011 Linear Feet record cartons","2 Terabytes"],"extent_tesim":["2011 Linear Feet record cartons","2 Terabytes"],"date_range_isim":[1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015],"accessrestrict_html_tesm":["\u003cp\u003eThe majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. \u003c/p\u003e\n","\u003cp\u003eMaterials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. \u003c/p\u003e\n","\u003cp\u003eThe collection is stored off-site. Researchers should contact the West Virginia \u0026amp; Regional History Center prior to visiting to ensure materials are available. \u003c/p\u003e\n","\u003cp\u003eSome digital materials are available online at https://rockefeller.lib.wvu.edu/.\u003c/p\u003e","\u003cp\u003eThe Constituent Services Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e","\u003cp\u003eThe Legislative Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e","\u003cp\u003eThe Press Staff Files series is closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e","\u003cp\u003eSpeeches and statements can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003ePress releases can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eThe Photographs series can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eAccess to audiovisual items may be arranged in the West Virginia \u0026amp; Regional History Center reading room depending on the format. Advance notice is required.\u003c/p\u003e","\u003cp\u003eClippings are available digitally as PDFs and can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eWebsites and social media can be accessed in the reading room of the West Virginia \u0026amp; Regional History Center. Advance notice is required.\u003c/p\u003e","\u003cp\u003eThe Legacy Memos series is available online at https://rockefeller.lib.wvu.edu/.\u003c/p\u003e","\u003cp\u003eThe Office Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The majority of the Senator John D. (Jay) Rockefeller IV papers are closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion. ","Materials previously made publicly available, such as speeches, press releases, photographs, press interviews, clippings, and publications are open for research. ","The collection is stored off-site. Researchers should contact the West Virginia \u0026 Regional History Center prior to visiting to ensure materials are available. ","Some digital materials are available online at https://rockefeller.lib.wvu.edu/.","The Constituent Services Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Legislative Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion.","The Press Staff Files series is closed until 2035. Permission to access materials prior to 2035 may be given at the donor's discretion.","Speeches and statements can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Press releases can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Photographs series can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Access to audiovisual items may be arranged in the West Virginia \u0026 Regional History Center reading room depending on the format. Advance notice is required.","Clippings are available digitally as PDFs and can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","Websites and social media can be accessed in the reading room of the West Virginia \u0026 Regional History Center. Advance notice is required.","The Legacy Memos series is available online at https://rockefeller.lib.wvu.edu/.","The Office Subgroup is closed. Permission to access materials prior to 2035 may be given at the donor's discretion."],"arrangement_html_tesm":["\u003cp\u003eThe papers are arranged into six subgroups, and each subgroup is further arranged into series. Digital materials received on external hard drives, USB flash drives, floppy disks, CDs, and DVDs are arranged in the appropriate series and reflect the arrangement of the paper records.\u003c/p\u003e","\u003cp\u003eThis series is arranged chronologically with undated materials listed last. The \"Miscellaneous\" speeches are not in chronological order; they originally were bound in a volume and have been described together.\u003c/p\u003e","\u003cp\u003eThis series is arranged chronologically.\u003c/p\u003e","\u003cp\u003ePhotographs are organized chronologically. Undated photographs are located at the end of the series.\u003c/p\u003e","\u003cp\u003eThe Audiovisual Materials series is arranged by format and then arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe Clippings series is arranged chronologically.\u003c/p\u003e","\u003cp\u003eThe Websites and Social Media series is arranged chronologically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["The papers are arranged into six subgroups, and each subgroup is further arranged into series. Digital materials received on external hard drives, USB flash drives, floppy disks, CDs, and DVDs are arranged in the appropriate series and reflect the arrangement of the paper records.","This series is arranged chronologically with undated materials listed last. The \"Miscellaneous\" speeches are not in chronological order; they originally were bound in a volume and have been described together.","This series is arranged chronologically.","Photographs are organized chronologically. Undated photographs are located at the end of the series.","The Audiovisual Materials series is arranged by format and then arranged chronologically.","The Clippings series is arranged chronologically.","The Websites and Social Media series is arranged chronologically."],"bioghist_html_tesm":["\u003cp\u003eSenator John Davison (Jay) Rockefeller IV served the people and state of West Virginia for more than 50 years. Rockefeller came to West Virginia in 1964 as a VISTA volunteer in the small community of Emmons, an experience that shaped his extensive career in public service. He served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); President of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). In 1984 he was elected to the United States Senate and was reelected four times, in 1990, 1996, 2002, and 2008, before retiring in 2015.\u003c/p\u003e\n","\u003cp\u003eJay Rockefeller was born in New York, New York, on June 18, 1937, to philanthropists John Davison Rockefeller III and Blanchette Ferry Hooker. He is the great-grandson of John D. Rockefeller, founder of the Standard Oil Company, and nephew of businessman and politician Nelson Aldrich Rockefeller. Jay Rockefeller graduated from Phillips Exeter Academy, New Hampshire, in 1955, and graduated from Harvard University in 1961 with a B.A. in Far Eastern Languages and History. In his junior year at Harvard, he attended the International Christian University in Tokyo, Japan, and he spent three years studying Japanese.\u003c/p\u003e\n","\u003cp\u003eIn 1964, Rockefeller joined the newly formed national service program Volunteers In Service to America (VISTA) aimed at fighting poverty. He served in Emmons, WV, a small mining community located in Boone and Kanawha Counties, for two years. His efforts in Emmons included starting a Little League baseball team, extending school bus service to the rural area, and providing transportation to dental clinics. He built a community center and obtained access to mobile health screenings for women.\u003c/p\u003e\n","\u003cp\u003eRockefeller entered politics in 1966 as a Kanawha County candidate for the West Virginia House of Delegates. He changed his party affiliation to Democrat, breaking with the family's traditional affiliation with the Republican Party.\u003c/p\u003e\n","\u003cp\u003eIn 1967, Rockefeller married Sharon Lee Percy, daughter of U.S. Senator Charles Percy of Illinois. Their Chicago wedding was featured on the cover of Life magazine. They had four children: John Davison (Jamie) V, Valerie, Charles, and Justin Aldrich.\u003c/p\u003e\n","\u003cp\u003eHe ran for West Virginia Secretary of State in 1968, winning the election against Republican John Callebs. As Secretary of State, Rockefeller pushed for election law reform and broke up several county Democratic political machines. He was successful in making elections more transparent and in reducing instances of election fraud by removing the names of deceased people from the state's official list of registered voters.\u003c/p\u003e\n","\u003cp\u003eRockefeller announced his candidacy for governor of West Virginia in 1972 against incumbent Republican Governor Arch Moore. Moore won reelection by 72,000 votes.\u003c/p\u003e\n","\u003cp\u003eWithin months of his defeat, Rockefeller was named president of West Virginia Wesleyan College, located in Buckhannon, WV. Some of his biggest accomplishments include increasing enrollment, creating an active recruitment campaign, and streamlining operations. He submitted a letter of resignation to the College in 1975 to prepare for the next gubernatorial election, for which he campaigned throughout 1976.\u003c/p\u003e\n","\u003cp\u003eRockefeller's second run for governor was successful: he beat Republican candidate Cecil Underwood by more than 242,000 votes, the largest majority in state history. Natural disaster, strikes, and a worsening economy posed serious challenges during his years as governor. In the spring of 1977, major spring floods in the southern West Virginia counties of McDowell, Wayne, Logan, and Ming wiped entire towns away, and made safe housing above flood plains a focus of Rockefeller's administration.\u003c/p\u003e\n","\u003cp\u003eThe same year saw the beginning of the 111-day national Bituminous Coal Strike of 1977-1978 led by the United Mine Workers of America (UMWA) and the AFL-CIO. Rockefeller refused to call upon the National Guard to suppress the miners' strike. At its conclusion, President Jimmy Carter appointed Rockefeller to lead the first major federal study of coal mining in America in three decades. Rockefeller served as chair of the President's Commission on Coal and pushed for a national energy strategy that included Appalachian coal. He also created the West Virginia Board of Coal Mine Health and Safety, reorganized state agencies, and set up senior centers statewide.\u003c/p\u003e\n","\u003cp\u003eIn 1980, Rockefeller ran for a second term as governor, again facing Republican Arch Moore, and won by 64,000 votes. Rockefeller faced another challenging four years and worked to maintain the state's economy as the federal government cut funding in the midst of an economic downturn, industries struggled to remain open, and unemployment rates across the state rose.\u003c/p\u003e\n","\u003cp\u003eAt the end of his governorship, Rockefeller ran for the United States Senate as a Democrat against businessman John Raese of Morgantown, WV. Rockefeller won the 1984 election by four percentage points and went on to fill the seat left vacant after long-time Senator Jennings Randolph retired.\u003c/p\u003e\n","\u003cp\u003eRockefeller began his service in the U.S. Senate on January 15, 1985, and served until 2015. He became a leading champion for health care reform, an advocate for improving the lives of children and working families, and a supporter of the nation's soldiers, veterans, and senior citizens. He served as chair of the Committee on Veterans Affairs (1993-1994, 2001-2003); the Select Committee on Intelligence (2007-2009); the Committee on Commerce, Science, and Transportation (2009-2015); and the Committee on Finance Subcommittee on Medicare and Long-term Care (1989-1994, 2001-2003, 2007-2014). He also served as vice-chair of the Select Committee on Intelligence (2003-2006).\u003c/p\u003e\n","\u003cp\u003eHe held additional leadership positions as chairman on the Pepper Commission (1987-1990), the U.S. Senate Steel Caucus (1989-1994, 2013-2015, co-chair 1995-2013), the National Commission on Children (1989-1993), and the Democratic Technology and Communications Committee (1995-2003). He was also a member of several Senate groups, including the Steering Committee on Democratic Policy, the Alternative Fuels Council, and the Coal Caucus.\u003c/p\u003e\n","\u003cp\u003eInfluenced by his two years in Emmons, WV, Rockefeller championed health care issues, and health care reform throughout his Senate career. He supported measures to improve and modernize Medicare, expand access to health care, and increase health coverage for children, authoring the Children's Health Insurance Program (CHIP). He introduced and co-sponsored more than 2,000 pieces of major health-related legislation and provided leadership and policy on health care reform for both the Clinton and Obama administrations. During the latter, he contributed to the successful passage of the Affordable Care Act and was a proponent of providing people with a not-for-profit insurance company backed by the government, commonly known as a public option.\u003c/p\u003e\n","\u003cp\u003eHe was appointed to the Senate Finance Committee and its Subcommittee on Medicare and Long-term Care (later known as the Subcommittee on Health Care) in 1987 and served as chairman of the Subcommittee and ranking member until his retirement. In 1987, he also was elected chair of the U.S. Bipartisan Commission on Comprehensive Health Care, also known as the Pepper Commission, when the commission's original leader, Representative Claude Pepper (D-FL), passed away. The Commission was charged with developing legislation that would provide Americans with comprehensive health and long-term care coverage.\u003c/p\u003e\n","\u003cp\u003eIn recognition of his contributions to improving the wellbeing of children and families and supporting education, in 1988, President Ronald Reagan appointed Rockefeller chair of the National Commission on Children. Recommendations made by the Commission centered on the creation of a Child Tax Credit, expansion of the Earned Income Tax Credit, and improvement to the federal approach to child welfare. As a member of the Finance Committee, he worked on the tax code to provide better financial support to the middle class and working poor. He sought to toughen child support enforcement laws, improve federal adoption and foster care services, and ensure a safe environment for children in the child welfare system with educational programs aimed at substance abuse prevention and treatment. He also worked for renewed investment in schools, school construction, and teachers, particularly those located in rural and impoverished areas.\u003c/p\u003e\n","\u003cp\u003eSenator Rockefeller was an advocate for veterans' issues, serving on the Veterans' Affairs Committee for the entirety of his Senate career and acting as both chair and ranking minority member. He especially focused on expanding research and treatment for service-related illnesses, such as Gulf War Illness, Agent Orange, and issues relating to Atomic Veterans. He brought attention to treatment of Post-Traumatic Stress Disorder (PTSD) and the reform of the Veterans Affairs (VA) health care system.\u003c/p\u003e\n","\u003cp\u003eThroughout his time in the Senate, Rockefeller was deeply involved with issues related to energy, the environment, coal miners, and mine safety. The first bill Rockefeller introduced in the Senate in 1985 was legislation intended to reduce the backlog of pending black lung cases, and he consistently worked to preserve the Black Lung Trust Fund while protecting coal jobs.\u003c/p\u003e\n","\u003cp\u003eIn 1992, he introduced the Coal Act to ensure retired miners received health benefits, and he threatened to keep the Senate in session over Christmas if they refused to pass the bill, which he described as a peak moment in his career. The Coal Act was passed as part of the Energy Policy Act of 1992, creating two new health care funds to protect the health benefits of all union coal miners, along with their widows and dependents. In 1995, the UMWA named him an honorary member, a distinction rarely bestowed on an elected official, because of his efforts on behalf of miners.\u003c/p\u003e\n","\u003cp\u003eFollowing the January 2006 West Virginia Sago and Aracoma mine disasters, which together led to the deaths of 14 men, Rockefeller brought several senators from the Health, Education, Labor, and Pensions (HELP) Committee to meet with families of the Sago mine workers. Rockefeller then joined Committee Chair Senator Mike Enzi (R-WY) and Ranking Member Senator Ted Kennedy (D-MA) in drafting the MINER Act, which was signed into law in June 2006, establishing important new mine safety regulations.\u003c/p\u003e\n","\u003cp\u003eSenator Rockefeller served on the Senate Select Intelligence Committee, 2001-2014, during critical and difficult years for the SSCI and the intelligence community. In January 2001, then-Democratic leader Tom Daschle (D-SD) appointed Rockefeller to the Committee. Eight months later the September 11, 2001, terrorist attacks occurred. In the months following the attacks, the United States launched operation Enduring Freedom in Afghanistan, and in March 2003, invaded Iraq. These events changed the nature and conduct of intelligence oversight. During Rockefeller's tenure on the committee, and particularly during his time as vice chairman and chairman, he made significant contributions in key areas, including the 9/11 investigation; the Iraq War and flawed intelligence on weapons of mass destruction; intelligence community reform; surveillance oversight and reform; the CIA's detention and interrogation program; cybersecurity; and the intelligence authorization process. \u003c/p\u003e\n","\u003cp\u003eRockefeller also made significant contributions to communications policy. He co-authored the Universal Service Program for Schools and Libraries, known as E-Rate, which was authorized as part of the Telecommunications Act of 1996, making telecommunications and information services more affordable for schools and libraries. In 2010, Rockefeller introduced the Public Safety Spectrum Act, which created FirstNet, a nationwide wireless broadband network for the nation's first responders. It was signed into law as part of the Middle Class Tax Relief and Job Creation Act of 2012. He also supported net neutrality protections to keep the Internet open and free, and in 2011, he successfully led the Senate Floor against a resolution of disapproval of net neutrality rules.\u003c/p\u003e\n","\u003cp\u003eHe also championed the steel industry in West Virginia and the nation, earning him the nickname \"Senator Steel.\" Much of his work, launched largely through his position as co-chair of the Senate Steel Caucus, focused on providing income support and job training to laid-off employees and their families through Trade Adjustment Assistance (TAA), working with individual steel companies to mitigate the effects of closure and downsizing, and intervening in steel employee strikes. As a member of both the Committee on Commerce, Science, and Transportation, and the Committee on Finance, Rockefeller also addressed concerns about American manufacturing; trade protections and relief for workers negatively impacted by trade; and tax credits supporting research and development and encouraging businesses to build and expand.\u003c/p\u003e\n","\u003cp\u003eFor the state of West Virginia, Senator Rockefeller made jobs and economic development a priority. In 1988 he founded the Discover the Real West Virginia Program (DRWV), later formalized as the Discover the Real West Virginia Foundation, which showcased business and investment opportunities in West Virginia. He launched the \"Project Harvest\" trade mission in 1995 to bring state and international business leaders and investors together. Rockefeller's early experiences in Japan and knowledge of the language and culture aided in attracting the Toyota company to the state, resulting in the opening of the Buffalo, WV, plant in 1996. In the ensuing years, more than 20 other Japanese companies followed. Further, he encouraged the growth of the West Virginia tourism and travel industry through legislation that conserved lands, designated scenic areas, and promoted better transportation infrastructure.\u003c/p\u003e\n","\u003cp\u003eIn January 2013, Senator Rockefeller announced that he would not seek reelection. In his retirement announcement, he reflected that \"public service demands, and deserves nothing less than every single thing that you have to bring to bear, and that is what I have given.\" As he prepared to leave the Congress in December 2014, his Senate colleagues offered tributes on the Senate Floor recognizing his impressive legislative record, distinguished career, and legacy of compassionate and conscientious service.\u003c/p\u003e\n","\u003cp\u003eSources: \u003c/p\u003e\n","\u003cp\u003eGrimes, Richard S. \"Jay Rockefeller.\" The West Virginia Encyclopedia. http://www.wvencyclopedia.org/articles/110\u003c/p\u003e\n","\u003cp\u003eJay: A Rockefeller's Journey. Produced by Suzanne Higgins and Russ Barbour. 2015. Online video. West Virginia Public Broadcasting. http://video.wvpublic.org/video/2365511585/\u003c/p\u003e\n","\u003cp\u003e\"A Record of Achievement for West Virginia: Energy and Environment Issues (Legacy on Energy, Environment and Coal Miners),\" 2014 May 30, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Review of Senator John D. Rockefeller's Service on the Senate Select Committee on Intelligence: 2001-2015,\" 2014 December 17, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries. \u003c/p\u003e\n","\u003cp\u003e\"Rockefeller, John Davison IV (Jay), (1937 - ).\" Biographical Directory of the United States Congress, 1774-present. http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000361\u003c/p\u003e\n","\u003cp\u003e\"Senator Jay Rockefeller Retirement Announcement.\"  2013 January 11, 2013. Online video clip. C-SPAN. http://www.c-span.org/video/?310340-1/senator-jay-rockefeller-retirement-announcement\u003c/p\u003e\n","\u003cp\u003e\"Senator Rockefeller's Health Care Accomplishments: 99th-113th Congress Memorandum,\" 2014, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Tributes to John D. Rockefeller.\" 2014 December 4. Congressional Record 160:147 p. S6343. Congress.gov.\nhttps://www.congress.gov/crec/2014/12/04/CREC-2014-12-04-pt1-PgS6343-2.pdf\u003c/p\u003e\n","\u003cp\u003e\"Veterans' Legacy Memorandum,\" 2014 April 11, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\n \n\"West Virginia Wesleyan College Legacy Memorandum,\" 2014 October, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"A Record of Achievement for West Virginia: Diversifying West Virginia's Economy for the 21st Century (Your Legacy Memo on Jobs and Economic Growth in West Virginia),\" 2014, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Your Legacy on FirstNet – Public Safety Spectrum Act,\" 2014 October 24, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e\n","\u003cp\u003e\"Your Legacy on Net Neutrality,\" 2014 October 3, A\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026amp; Regional History Center, West Virginia University Libraries.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Senator John Davison (Jay) Rockefeller IV served the people and state of West Virginia for more than 50 years. Rockefeller came to West Virginia in 1964 as a VISTA volunteer in the small community of Emmons, an experience that shaped his extensive career in public service. He served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); President of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). In 1984 he was elected to the United States Senate and was reelected four times, in 1990, 1996, 2002, and 2008, before retiring in 2015.","Jay Rockefeller was born in New York, New York, on June 18, 1937, to philanthropists John Davison Rockefeller III and Blanchette Ferry Hooker. He is the great-grandson of John D. Rockefeller, founder of the Standard Oil Company, and nephew of businessman and politician Nelson Aldrich Rockefeller. Jay Rockefeller graduated from Phillips Exeter Academy, New Hampshire, in 1955, and graduated from Harvard University in 1961 with a B.A. in Far Eastern Languages and History. In his junior year at Harvard, he attended the International Christian University in Tokyo, Japan, and he spent three years studying Japanese.","In 1964, Rockefeller joined the newly formed national service program Volunteers In Service to America (VISTA) aimed at fighting poverty. He served in Emmons, WV, a small mining community located in Boone and Kanawha Counties, for two years. His efforts in Emmons included starting a Little League baseball team, extending school bus service to the rural area, and providing transportation to dental clinics. He built a community center and obtained access to mobile health screenings for women.","Rockefeller entered politics in 1966 as a Kanawha County candidate for the West Virginia House of Delegates. He changed his party affiliation to Democrat, breaking with the family's traditional affiliation with the Republican Party.","In 1967, Rockefeller married Sharon Lee Percy, daughter of U.S. Senator Charles Percy of Illinois. Their Chicago wedding was featured on the cover of Life magazine. They had four children: John Davison (Jamie) V, Valerie, Charles, and Justin Aldrich.","He ran for West Virginia Secretary of State in 1968, winning the election against Republican John Callebs. As Secretary of State, Rockefeller pushed for election law reform and broke up several county Democratic political machines. He was successful in making elections more transparent and in reducing instances of election fraud by removing the names of deceased people from the state's official list of registered voters.","Rockefeller announced his candidacy for governor of West Virginia in 1972 against incumbent Republican Governor Arch Moore. Moore won reelection by 72,000 votes.","Within months of his defeat, Rockefeller was named president of West Virginia Wesleyan College, located in Buckhannon, WV. Some of his biggest accomplishments include increasing enrollment, creating an active recruitment campaign, and streamlining operations. He submitted a letter of resignation to the College in 1975 to prepare for the next gubernatorial election, for which he campaigned throughout 1976.","Rockefeller's second run for governor was successful: he beat Republican candidate Cecil Underwood by more than 242,000 votes, the largest majority in state history. Natural disaster, strikes, and a worsening economy posed serious challenges during his years as governor. In the spring of 1977, major spring floods in the southern West Virginia counties of McDowell, Wayne, Logan, and Ming wiped entire towns away, and made safe housing above flood plains a focus of Rockefeller's administration.","The same year saw the beginning of the 111-day national Bituminous Coal Strike of 1977-1978 led by the United Mine Workers of America (UMWA) and the AFL-CIO. Rockefeller refused to call upon the National Guard to suppress the miners' strike. At its conclusion, President Jimmy Carter appointed Rockefeller to lead the first major federal study of coal mining in America in three decades. Rockefeller served as chair of the President's Commission on Coal and pushed for a national energy strategy that included Appalachian coal. He also created the West Virginia Board of Coal Mine Health and Safety, reorganized state agencies, and set up senior centers statewide.","In 1980, Rockefeller ran for a second term as governor, again facing Republican Arch Moore, and won by 64,000 votes. Rockefeller faced another challenging four years and worked to maintain the state's economy as the federal government cut funding in the midst of an economic downturn, industries struggled to remain open, and unemployment rates across the state rose.","At the end of his governorship, Rockefeller ran for the United States Senate as a Democrat against businessman John Raese of Morgantown, WV. Rockefeller won the 1984 election by four percentage points and went on to fill the seat left vacant after long-time Senator Jennings Randolph retired.","Rockefeller began his service in the U.S. Senate on January 15, 1985, and served until 2015. He became a leading champion for health care reform, an advocate for improving the lives of children and working families, and a supporter of the nation's soldiers, veterans, and senior citizens. He served as chair of the Committee on Veterans Affairs (1993-1994, 2001-2003); the Select Committee on Intelligence (2007-2009); the Committee on Commerce, Science, and Transportation (2009-2015); and the Committee on Finance Subcommittee on Medicare and Long-term Care (1989-1994, 2001-2003, 2007-2014). He also served as vice-chair of the Select Committee on Intelligence (2003-2006).","He held additional leadership positions as chairman on the Pepper Commission (1987-1990), the U.S. Senate Steel Caucus (1989-1994, 2013-2015, co-chair 1995-2013), the National Commission on Children (1989-1993), and the Democratic Technology and Communications Committee (1995-2003). He was also a member of several Senate groups, including the Steering Committee on Democratic Policy, the Alternative Fuels Council, and the Coal Caucus.","Influenced by his two years in Emmons, WV, Rockefeller championed health care issues, and health care reform throughout his Senate career. He supported measures to improve and modernize Medicare, expand access to health care, and increase health coverage for children, authoring the Children's Health Insurance Program (CHIP). He introduced and co-sponsored more than 2,000 pieces of major health-related legislation and provided leadership and policy on health care reform for both the Clinton and Obama administrations. During the latter, he contributed to the successful passage of the Affordable Care Act and was a proponent of providing people with a not-for-profit insurance company backed by the government, commonly known as a public option.","He was appointed to the Senate Finance Committee and its Subcommittee on Medicare and Long-term Care (later known as the Subcommittee on Health Care) in 1987 and served as chairman of the Subcommittee and ranking member until his retirement. In 1987, he also was elected chair of the U.S. Bipartisan Commission on Comprehensive Health Care, also known as the Pepper Commission, when the commission's original leader, Representative Claude Pepper (D-FL), passed away. The Commission was charged with developing legislation that would provide Americans with comprehensive health and long-term care coverage.","In recognition of his contributions to improving the wellbeing of children and families and supporting education, in 1988, President Ronald Reagan appointed Rockefeller chair of the National Commission on Children. Recommendations made by the Commission centered on the creation of a Child Tax Credit, expansion of the Earned Income Tax Credit, and improvement to the federal approach to child welfare. As a member of the Finance Committee, he worked on the tax code to provide better financial support to the middle class and working poor. He sought to toughen child support enforcement laws, improve federal adoption and foster care services, and ensure a safe environment for children in the child welfare system with educational programs aimed at substance abuse prevention and treatment. He also worked for renewed investment in schools, school construction, and teachers, particularly those located in rural and impoverished areas.","Senator Rockefeller was an advocate for veterans' issues, serving on the Veterans' Affairs Committee for the entirety of his Senate career and acting as both chair and ranking minority member. He especially focused on expanding research and treatment for service-related illnesses, such as Gulf War Illness, Agent Orange, and issues relating to Atomic Veterans. He brought attention to treatment of Post-Traumatic Stress Disorder (PTSD) and the reform of the Veterans Affairs (VA) health care system.","Throughout his time in the Senate, Rockefeller was deeply involved with issues related to energy, the environment, coal miners, and mine safety. The first bill Rockefeller introduced in the Senate in 1985 was legislation intended to reduce the backlog of pending black lung cases, and he consistently worked to preserve the Black Lung Trust Fund while protecting coal jobs.","In 1992, he introduced the Coal Act to ensure retired miners received health benefits, and he threatened to keep the Senate in session over Christmas if they refused to pass the bill, which he described as a peak moment in his career. The Coal Act was passed as part of the Energy Policy Act of 1992, creating two new health care funds to protect the health benefits of all union coal miners, along with their widows and dependents. In 1995, the UMWA named him an honorary member, a distinction rarely bestowed on an elected official, because of his efforts on behalf of miners.","Following the January 2006 West Virginia Sago and Aracoma mine disasters, which together led to the deaths of 14 men, Rockefeller brought several senators from the Health, Education, Labor, and Pensions (HELP) Committee to meet with families of the Sago mine workers. Rockefeller then joined Committee Chair Senator Mike Enzi (R-WY) and Ranking Member Senator Ted Kennedy (D-MA) in drafting the MINER Act, which was signed into law in June 2006, establishing important new mine safety regulations.","Senator Rockefeller served on the Senate Select Intelligence Committee, 2001-2014, during critical and difficult years for the SSCI and the intelligence community. In January 2001, then-Democratic leader Tom Daschle (D-SD) appointed Rockefeller to the Committee. Eight months later the September 11, 2001, terrorist attacks occurred. In the months following the attacks, the United States launched operation Enduring Freedom in Afghanistan, and in March 2003, invaded Iraq. These events changed the nature and conduct of intelligence oversight. During Rockefeller's tenure on the committee, and particularly during his time as vice chairman and chairman, he made significant contributions in key areas, including the 9/11 investigation; the Iraq War and flawed intelligence on weapons of mass destruction; intelligence community reform; surveillance oversight and reform; the CIA's detention and interrogation program; cybersecurity; and the intelligence authorization process. ","Rockefeller also made significant contributions to communications policy. He co-authored the Universal Service Program for Schools and Libraries, known as E-Rate, which was authorized as part of the Telecommunications Act of 1996, making telecommunications and information services more affordable for schools and libraries. In 2010, Rockefeller introduced the Public Safety Spectrum Act, which created FirstNet, a nationwide wireless broadband network for the nation's first responders. It was signed into law as part of the Middle Class Tax Relief and Job Creation Act of 2012. He also supported net neutrality protections to keep the Internet open and free, and in 2011, he successfully led the Senate Floor against a resolution of disapproval of net neutrality rules.","He also championed the steel industry in West Virginia and the nation, earning him the nickname \"Senator Steel.\" Much of his work, launched largely through his position as co-chair of the Senate Steel Caucus, focused on providing income support and job training to laid-off employees and their families through Trade Adjustment Assistance (TAA), working with individual steel companies to mitigate the effects of closure and downsizing, and intervening in steel employee strikes. As a member of both the Committee on Commerce, Science, and Transportation, and the Committee on Finance, Rockefeller also addressed concerns about American manufacturing; trade protections and relief for workers negatively impacted by trade; and tax credits supporting research and development and encouraging businesses to build and expand.","For the state of West Virginia, Senator Rockefeller made jobs and economic development a priority. In 1988 he founded the Discover the Real West Virginia Program (DRWV), later formalized as the Discover the Real West Virginia Foundation, which showcased business and investment opportunities in West Virginia. He launched the \"Project Harvest\" trade mission in 1995 to bring state and international business leaders and investors together. Rockefeller's early experiences in Japan and knowledge of the language and culture aided in attracting the Toyota company to the state, resulting in the opening of the Buffalo, WV, plant in 1996. In the ensuing years, more than 20 other Japanese companies followed. Further, he encouraged the growth of the West Virginia tourism and travel industry through legislation that conserved lands, designated scenic areas, and promoted better transportation infrastructure.","In January 2013, Senator Rockefeller announced that he would not seek reelection. In his retirement announcement, he reflected that \"public service demands, and deserves nothing less than every single thing that you have to bring to bear, and that is what I have given.\" As he prepared to leave the Congress in December 2014, his Senate colleagues offered tributes on the Senate Floor recognizing his impressive legislative record, distinguished career, and legacy of compassionate and conscientious service.","Sources: ","Grimes, Richard S. \"Jay Rockefeller.\" The West Virginia Encyclopedia. http://www.wvencyclopedia.org/articles/110","Jay: A Rockefeller's Journey. Produced by Suzanne Higgins and Russ Barbour. 2015. Online video. West Virginia Public Broadcasting. http://video.wvpublic.org/video/2365511585/","\"A Record of Achievement for West Virginia: Energy and Environment Issues (Legacy on Energy, Environment and Coal Miners),\" 2014 May 30, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Review of Senator John D. Rockefeller's Service on the Senate Select Committee on Intelligence: 2001-2015,\" 2014 December 17, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries. ","\"Rockefeller, John Davison IV (Jay), (1937 - ).\" Biographical Directory of the United States Congress, 1774-present. http://bioguide.congress.gov/scripts/biodisplay.pl?index=R000361","\"Senator Jay Rockefeller Retirement Announcement.\"  2013 January 11, 2013. Online video clip. C-SPAN. http://www.c-span.org/video/?310340-1/senator-jay-rockefeller-retirement-announcement","\"Senator Rockefeller's Health Care Accomplishments: 99th-113th Congress Memorandum,\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Tributes to John D. Rockefeller.\" 2014 December 4. Congressional Record 160:147 p. S6343. Congress.gov.\nhttps://www.congress.gov/crec/2014/12/04/CREC-2014-12-04-pt1-PgS6343-2.pdf","\"Veterans' Legacy Memorandum,\" 2014 April 11, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.\n \n\"West Virginia Wesleyan College Legacy Memorandum,\" 2014 October, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"A Record of Achievement for West Virginia: Diversifying West Virginia's Economy for the 21st Century (Your Legacy Memo on Jobs and Economic Growth in West Virginia),\" 2014, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on FirstNet – Public Safety Spectrum Act,\" 2014 October 24, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries.","\"Your Legacy on Net Neutrality,\" 2014 October 3, A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia \u0026 Regional History Center, West Virginia University Libraries."],"prefercite_html_tesm":["\u003cp\u003eA\u0026amp;M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia and Regional History Center, West Virginia University Libraries.\u003c/p\u003e"],"prefercite_tesim":["A\u0026M 4050, Senator John D. (Jay) Rockefeller IV papers, West Virginia and Regional History Center, West Virginia University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Danielle Emerling, 2015-\nProcessing assistants: Ashley Brooker, Dzondria Tarver, Leo Gmeindl, Casey DeHaven, Joshua Childs\u003c/p\u003e","\u003cp\u003eThe Senator John D. (Jay) Rockefeller IV papers are in process. The contents of this finding aid will be revised as progress is made on the collection.\u003c/p\u003e","\u003cp\u003eFolders that do not exist: 43, 146, 177, 182, 187, 193, 196, 251, 313, 584. Contents were combined with other folders during processing.\u003c/p\u003e","\u003cp\u003eBox III.E. - 18 now contains Box III.E. - 25 and Box III.E. - 28.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Processed by Danielle Emerling, 2015-\nProcessing assistants: Ashley Brooker, Dzondria Tarver, Leo Gmeindl, Casey DeHaven, Joshua Childs","The Senator John D. (Jay) Rockefeller IV papers are in process. The contents of this finding aid will be revised as progress is made on the collection.","Folders that do not exist: 43, 146, 177, 182, 187, 193, 196, 251, 313, 584. Contents were combined with other folders during processing.","Box III.E. - 18 now contains Box III.E. - 25 and Box III.E. - 28."],"relatedmaterial_html_tesm":["\u003cp\u003eAudio and video recordings of some of Senator Rockefeller's speeches can be found in the III.E. Audiovisual materials series.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Audio and video recordings of some of Senator Rockefeller's speeches can be found in the III.E. Audiovisual materials series."],"scopecontent_html_tesm":["\u003cp\u003eThe bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.  The records were maintained by Senator Rockefeller's Washington, DC, office and West Virginia state offices in Charleston, Beckley, Fairmont, and Martinsburg. Record formats include papers, audiovisual materials, born-digital resources, photographs, and memorabilia. The collection consists of approximately 2011 linear feet of paper records and two terabytes of electronic records.\u003c/p\u003e\n","\u003cp\u003eThe first subgroup, Constituent Services, reflects the work Senator Rockefeller and his staff performed for the state and people of West Virginia. It consists of constituent casework, issue mail, grant and project files, and academy files. \u003c/p\u003e\n","\u003cp\u003eThe second subgroup, Legislative files, is composed of materials related to legislative and committee work. Legislative staff files; subject files; correspondence; committee files; and legislative activities, voting records, and accomplishments comprise this subgroup. \u003c/p\u003e\n","\u003cp\u003eThe third subgroup, Press files, illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. \u003c/p\u003e\n","\u003cp\u003eThe fourth subgroup, Personal and Political files, consists of Legacy Memos, schedules, personal files and correspondence, campaign files, and trip files.  \u003c/p\u003e\n","\u003cp\u003eThe fifth subgroup, Office files, contains a small number of office management files. \u003c/p\u003e\n","\u003cp\u003eThe sixth subgroup, Memorabilia, consists of a large collection of framed items, plaques, and objects, many of which Senator Rockefeller received as gifts during his service. It contains a large number of foreign gifts, particularly from Japan and Taiwan. \u003c/p\u003e","\u003cp\u003eThe Press files subgroup illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. Much of the Press files subgroup is open for research.\u003c/p\u003e","\u003cp\u003eThe Speeches and Statements series contains transcripts of Senator Rockefeller's remarks given both inside and outside of the Senate. Speeches range in date from 1985 to 2014 and cover the 99th Congress to the 106th Congress, as well as various topics for which Senator Rockefeller gave speeches and talks outside of the Senate. Subjects include health care, education, foreign relations, graduation speeches, economic issues, campaign speeches, and speeches to political contributors. The series also contains remarks and public announcements, as well as committee statements. Beginning in 2001 through 2014, most speeches were created and saved digitally.\u003c/p\u003e","\u003cp\u003e4 of 5 folders\u003c/p\u003e","\u003cp\u003e5 of 5 folders\u003c/p\u003e","\u003cp\u003e1 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 3 folders\u003c/p\u003e","\u003cp\u003e3 of 3 folders\u003c/p\u003e","\u003cp\u003e1 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 3 folders\u003c/p\u003e","\u003cp\u003e3 of 3 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.\u003c/p\u003e","\u003cp\u003e1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.\u003c/p\u003e","\u003cp\u003e1). award rercieved from the anti-defamation league. 2). speech to political contibutors: baseball story in Emmans, WV, experiences in public offices, introductions: Geoff Garon, Bob Squier, Cheryl Braner, Martha Wehrle, Tamera Stanton, Lane Baily. 3). Joe Grandmiaser - New Hampshire: deals with contrasts between NH and WV, acid rain, pollution, over half of NH powers WV, clean air, technology. 4). U.S. military aid to the Contras: advocates diplomatic and economic presence against Sandinista. 5). Committee hearing on nomination of James Fletcher: SDI, space plane, NASA, DOD joint venture. 6). present condition of America: present condition, call for commitment to serve society. 7). Wheeling - Nisshin dedication remarks introduces: Jack, Chairman Abe, Lloyd Labensky, Governor Moore, Mayor Dalessio; Japanese steel mill located in West Virginia. 8). Remarks of the senator at the Democrats for the 80's dinner: election of 958, ad-lib praise for Bob Graham. 9). remarks for the AIPAC breakfast: foreign relations, Israel support. 10). coal and steel problems facing West Virginia and nation. 11). business roundtable - international trade: fundraiser with Bob Graham. 12). Mitchel amendment - amend to tax bill: JDR supports amendment, argues against low capital gains tax. 13). points on tax shelters and passive losses. 14). Points for Princeton and/or Beckley Chamber meetings. Theme \"Getting coal moving now more important than ever.\" Reform staggers act. imported electric power from Canada. Colombian imports. exporting coal. 15). talking points on revenue sharing: accounts for 25% of all tax revenue for WV. 16) points on coal import amendment by Senator Ford. 17). remarks at Huntington Mall: importance of small businesses - SBA awards. 18). Shoemaker Square talking points: hall of fame, Mayor Shoemaker.\u003c/p\u003e","\u003cp\u003eThe Press releases series contains releases and media advisories created in Senator Rockefeller's office and distributed to media outlets. Releases range in date from 1988 to 2014.  Subjects of news statements and releases include health care, education, veterans, coal and steel industries, foreign relations, specifically with Japan and China, and other topics specific to West Virginia. The series also contains Congressional Records that were released monthly with news statements and press releases, as well as public announcements regarding special topics, such as Toyota Engine Plant expansion, Diamond Electric opening, and Gulf War veteran's treatment field hearings. There are also weekly commentary articles included and press kits on topics such as China Steel and West Virginia Coal and Public Safety. Beginning in 2001 through 2014, press releases were created and saved digitally.\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 3 folders\u003c/p\u003e","\u003cp\u003e3 of 3 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003e1 of 2 folders\u003c/p\u003e","\u003cp\u003e2 of 2 folders\u003c/p\u003e","\u003cp\u003eThe Photographs series contains print and digital images relating to Senator Rockefeller's personal life and political career and spans the years 1960 to 2014. The bulk of the photographs relate to his time as Senator. Most were taken by official Senate photographers, and some appear to have been taken by members of his staff. Photographs officially associated with his career in the Senate are stamped with a label on the back, while those taken by a professional photographer often are watermarked or labeled as such. The photographs range in size from 3\" x 3\" to 11\" x 14\", and can be found in black and white as well as color. Various negatives and contact sheets are also included and noted on the folders.\u003c/p\u003e\n","\u003cp\u003ePhotographic topics include scenes of speeches, campaign events, political meetings and hearings, formal governor and Senate portraits, personal and candid shots, and visitations throughout West Virginia, Washington, D.C., and abroad, namely in Japan, China, and Thailand. Images from the 1960s also relate to his time spent as a VISTA volunteer in Emmons, WV. Some photographs document the various institutions and organizations that Rockefeller brought to West Virginia, such as Toyota, as well as his topics of interest including cyber security, education, senior citizen welfare, manufacturing, and coal. Individuals represented throughout the photographs include various United States presidents, members of Congress, staff members, constituents, foreign dignitaries, and family members. \u003c/p\u003e\n","\u003cp\u003eSenator Rockefeller is referred to as \"JDR\" on folder and photograph descriptions, and some files include staff notes and press releases.\u003c/p\u003e","\u003cp\u003eThe Senate Photographic Studio (SPS) file contains digital photographs of JDR in Senate hearings, swearing-in ceremonies, in his Washington, D.C. office with constituents, and at other events, 1985-2014. The files were transferred on an external hard drive and arranged chronologically. The SPS scanned print photographs from JDR's early years in the Senate, and beginning in the mid-2000s, SPS photographers began using digital cameras to capture images. The years 1996 and 1998-2000 do not have images.\u003c/p\u003e","\u003cp\u003eThe Audiovisual Materials series contains moving image and sound recordings of Senator Rockefeller's activities throughout his Senate career. Records relate to legislative activities, such as hearings of the committees on which Senator Rockefeller served and of other bodies, such as the U.S. Senate Committee on Armed Services, the National Commission on Terrorist Attacks Upon the United States (\"9/11 Commission\"), the U.S. Senate Committee on Homeland Security and Governmental Affairs, and the National Security Agency.  \u003c/p\u003e\n","\u003cp\u003eOther activities documented include bill introductions, debates, votes, and nominations; speeches, such as State of the Union addresses and opposition responses and  Democratic National Conventions; summits, such as the National Summit on Children and Families; forums, such as the New Hampshire Democratic Health Forum; town hall meetings; roundtable discussions; conference calls; luncheons and dinners; visits to schools and hospitals; campaigns, rallies, and elections; and ceremonies, such as award presentations, ground breaking, presidential inauguration, retirement celebrations.  \u003c/p\u003e\n","\u003cp\u003eSubjects include the intelligence community; terrorism; airline security; chemical and nuclear weapons; telecommunications (e.g., cybersecurity, wire-tapping); the Persian Gulf War (1991); the Iraq War (2003-2011); health care reform; aging; Alzheimer's disease; the Children's Health Insurance Program; spina bifida; veterans' health (e.g., Gulf War syndrome); prescription drugs; Medicare; Medicaid; retirement; Social Security; welfare; child support; taxes; labor (e.g., unions, strikes, minimum wage); the federal budget; commerce; trade (e.g., Fast Track, General Agreement on Tariffs and Trade, North American Free Trade Agreement); product liability; coal, steel, and automotive industries; coal miners' health (e.g., black lung disease, mine safety); business in West Virginia; energy and the environment (e.g., alternative fuels, clean air); education; and national service (e.g., Volunteers in Service to America).  \u003c/p\u003e\n","\u003cp\u003eMany items contain television and radio news segments, interviews, and live coverage, but there are also campaign advertisements, video press releases with b-roll, some documentaries (e.g., Biography: \"The Rockefellers,\" 1994), music compilations (including JDR as a guest conductor), and unedited footage.\u003c/p\u003e\n","\u003cp\u003eTelevision networks that produced material in this series include: A\u0026amp;E, ABC, CBS, Christian Broadcasting Network, CNBC, CNN, C-SPAN, Fox, History Channel, MSNBC, NBC, PBS, and West Virginia Public Television.\u003c/p\u003e\n","\u003cp\u003eLocal television stations that produced material in this series include: KDKA, KIRO, WBOY, WCHS, WDTV, WETA, WGBH, WOAY, WOWK, WSAZ, WTAP, WTOV, WTRF, WTVJ, WVAH, WVNS, and WVVA.\u003c/p\u003e\n","\u003cp\u003eTelevision programs excerpted in this series include: 60 Minutes, 60 Minutes II, The 700 Club, Biography, Charlie Rose, Dateline NBC, Face the Nation, Fox and Friends, Frontline, Good Morning America, Hardball, Larry King Live, Late Edition, Lou Dobbs Tonight, Meet the Press, Moneyline, NBC Nightly News, NewsHour, NewsNight, Nightline, Primetime Live, The MacNeil/Lehrer NewsHour, The Rachel Maddow Show, The Situation Room, The Today Show, This Week, Washington Week in Review, Weekend Live, and World News Tonight.\u003c/p\u003e\n","\u003cp\u003eRadio networks and local radio stations that produced material in this series include: ABC Radio, KABC, KFBK, Minnesota Public Radio, National Public Radio, WAMU, WCHS, WEPM, West Virginia MetroNews, WETA, WGMS, WJEH, WJLS, WRKY, WRNR, WSTV, WSTV, and WWYO.\u003c/p\u003e\n","\u003cp\u003eRadio programs excerpted in this series include: All Things Considered, the Christine Craft Show, Hal Bruno's Washington, John McLaughlin's One on One, Morning Edition, Talk of the Nation, Talkline, The Diane Rehm Show, and The Michael Jackson Show.\u003c/p\u003e\n","\u003cp\u003eOrganizations included in this series, in addition to those mentioned above, are: Alzheimer's Association; American Association of Retired Persons; American Hospital Association; Blanchette Rockefeller Neurosciences Institute; Charleston Area Medical Center; Chlopak, Leonard, Schechter \u0026amp; Associates; Eastern Panhandle Free Clinic; Elm Grove Elementary School; Fairfax Hospital; League of Women Voters; Mayo Clinic; Morgantown High School; National Commission on Children; National Policy Council; Peyton Elementary School; Philips; Rainelle Medical Center; Shepherd College; Sino Swearingen; Toyota Motor Corporation; United Mine Workers of America; United Steelworkers of America; University of Charleston; University of New Hampshire; Veterans' Affairs Medical Centers; Webster County High School; Weirton Steel; West Virginia University; Weston State Hospital; Wetzel County Hospital; Wheeling Hospital; Wheeling-Pittsburgh Steel; and Yale University.\u003c/p\u003e\n","\u003cp\u003ePeople mentioned within this series include: Charlene Barshefsky, Osama Bin Laden, Wolf Blitzer, George W. Bush, Robert C. Byrd, Gaston Caperton, Shelley Moore Capito, Hillary Rodham Clinton, Bill Clinton, Lou Dobbs, Johnny Reid Edwards, Al Gore, Hoppy Kercheval, John Kerry, Larry King, Jessica Lynch, Joe Manchin III, Chris Matthews, Arch Moore, Barack Obama, Keith Olbermann, Condoleezza Rice, Charlie Rose, Arlen Specter, and Paula Zahn.   \u003c/p\u003e\n","\u003cp\u003ePlaces in West Virginia represented in this series include: Beckley, Benwood, Boone County, Buffalo, Cabin Creek, Charleston, Clarksburg, Fairmont, Fayette County, Hancock County, Huntington, Kenova, Martinsburg, McDowell County, Mercer County, Minden, Monongalia County, Montcoal, Morgantown, Moundsville, Mullens, New Martinsville, Newell, Nicholas County, Oak Hill, Parkersburg, Pineville, Pleasants County, Princeton, Rainelle, Randolph County, Ravenswood, Richwood, Ripley, Shady Spring, Shepherdstown, Shrewsbury, Stanaford, Webster County, Weirton, Weston, Wetzel County, and Wheeling.  \u003c/p\u003e\n","\u003cp\u003eOther places associated with this series include: Abu Ghraib, Iraq; Alabama; Arlington, Virginia; Atlanta, Georgia; Baghdad, Iraq; Boston, Massachusetts; Chicago, Illinois; Concord, New Hampshire; Durham, New Hampshire; Gallipolis, Ohio; Goreham, New Hampshire; Japan; Miami, Florida; New Hampshire; New Haven, Connecticut; New York, New York; Pittsburgh, Pennsylvania; Rye, New Hampshire; Steubenville, Ohio; Taiwan; Tokyo, Japan, and Washington, D.C. \u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV, PBS. Notes: TRT=58:31.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV, PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): Ch. 6.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Squier Knapp Ochs Comm.\"\u003c/p\u003e","\u003cp\u003eNotes: Note attached to videocassette cover includes \"5 min. spot that ran before forum\".\u003c/p\u003e","\u003cp\u003eNotes: [TRT=7:45].\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia. Notes: TRT=4:28. Business card enclosed from Gerald McDonald, President, Huntington Area Development Council.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:27.\u003c/p\u003e","\u003cp\u003eNotes: TRT=22:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, CBS This Morning. Network(s): NBC, CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): On the Record. Notes: TRT=28:52.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Squier-Eskew-Knapp\".\u003c/p\u003e","\u003cp\u003eNetwork(s): Ch. 5, Ch. 12.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightly News. Network(s): NBC. Notes: Videocassette label includes \"NBC WASHINGTON\" and logo.\u003c/p\u003e","\u003cp\u003eVenue(s): Harkness Auditorium, Yale University School of Medicine. Place(s): New Haven, Connecticut. Notes: TRT=1:06:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"4:30 PM - 8:30 PM\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"JDR defining Dem. Party\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV. Notes: TRT=1:00:00. Videocassette label and cover include WGBH logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox, WETA-TV.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Broadcast News Reports\".\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=1:47:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC News. Network(s): NBC. Notes: Videocassette label includes \"JDR: \"If George Bush had to run on his record, he would be run out of town.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS, NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN, CBS, NBC, CNN, ABC, Fox, . Notes: TRT=2:04:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC. Notes: Videocassette label includes \"6PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, NBC, WCHS-TV, ABC. Notes: Videocassette label includes \"11:00\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC. Place(s): Oak Hill and Beckley, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, ABC, Fox, NBC, PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): John McLaughlin's One on One, The McLaughlin Group. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=39:00. Videocassette label and cover include \"Capitol Video Communications, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS, Fox.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:27.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:50:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:34:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): Madison Square Garden. Place(s): New York, New York.\u003c/p\u003e","\u003cp\u003eNotes: Three copies held; 40+ additional copies to be returned or recycled. Five copies removed from A\u0026amp;M 4050 III. A. \"How the President's Health Care Plan Works\" video, 1992.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:30. Videocassette cover includes \"A Government Service Message from the nurses of the National Nurses in Business Association.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): NHK (Japan Broadcasting Corporation).\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=20:00. Videocassette label and cover indicate that C-SPAN distributed this videocassette.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox. Notes: Videocassette label includes \"8:25 AM\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.\u003c/p\u003e","\u003cp\u003eEvent(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America, Moneyline, Nightline. Network(s): ABC, CNN, CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour, Nightline. Network(s): PBS, ABC. Notes: TRT=2:38:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour, Eye on America. Network(s): PBS, CBS. Notes: TRT=1:03:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette cover includes \"SDG-50\" and \"DPC 'raw tape'\".\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTVJ-TV. Place(s): Miami, Florida.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTVJ-TV. Place(s): Miami, Florida.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: Videocassette label includes \"SDG-50\" and \"DPC 'raw tape'\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Eye on America. Network(s): NBC, CNN, CBS.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"11:30 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America. Network(s): ABC. Notes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Morning News. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:13 (approximate). Broadcast schedule enclosed.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Weirton, West Virginia. Notes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America. Network(s): ABC. Notes: TRT=2:25.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:18.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:03.\u003c/p\u003e","\u003cp\u003eNotes: TRT=58:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:30.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Dub\".\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Master\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label includes \"Clinton/Gore Creative Team.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:30. Videocassette cover includes \"John Franzén Multimedia\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00. Videocassette label includes \"Greer, Margolis, Mitchell, Grinwald \u0026amp; Assoc.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Princeton, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Atlanta, Georgia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Grunwald \u0026amp; Associates,\" and \"Capitol Video Communications, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eEvent(s): Presidential debates.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"John Franzén Multimedia\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Event(s): Presidential election.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=33:00.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to videocassette cover includes \"This tape has Tommy Boggs delivering JDR's remarks re: Ron Brown since JDR could not attend.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eNotes: Copyright USA Health Network Company, Inc.\u003c/p\u003e","\u003cp\u003ePlace(s): Huntington, West Virginia. Notes: TRT=12:15. Attached note includes \"WV Economic Development Tapes.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Primetime Live. Network(s): ABC. Notes: TRT=58:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States presidential inauguration. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Inside Politics. Network(s): CNN. Event(s): State of the Union Address. Place(s): Washington, D.C. Notes: Videocassette label includes \"4:30 PM\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): Pineville, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=approximately 48:00. Videocassette label includes Medical News Network logo.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, Fox Morning News. Network(s): NBC, Fox. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Prime News. Network(s): CNN. Notes: TRT=3:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox. Notes: Title only on note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: Title only on note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:21.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:21.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=40:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=9:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS, ABC. Notes: TRT=56:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"'Rainelle' — 'New Martinsville' — 'Martinsburg' — 'Cabin Creek'\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"MASTER\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): [Morgantown, West Virginia]. Notes: Videocassette label includes \"West Virginia University Health Sciences Center\".\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: Copyright: 1992 National Cable Satellite Corporation.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): PBS. Notes: TRT=1:00. Videocassette label and cover include \"WETA\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Inside Politics. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline, Nightline. Network(s): CNN, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WGBH-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: Videocassette label includes \"5:45 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC. Notes: Videocassette label includes \"11:00 PM\".\u003c/p\u003e","\u003cp\u003ePlace(s): Bluefield, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Oak Hill, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:05:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Today. Network(s): NBC. Notes: TRT=9:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVEA [West Virginia Education Association]/KTA. Notes: Business card attached, from Jackie Goodwin, Director of Communications, WVEA, with contact info and \"To: Marissa Spadafore — This is a copy of the video which Senator Rockefeller graciously was interviewed for. It was used as an internal membership piece for Kanawha County. I thought you would want a copy for your files.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=17:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns and Associates,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Sunday Journal. Network(s): C-SPAN. Notes: Business card attached, from Geoffrey Baum, Producer, C-SPAN, with contact info.\u003c/p\u003e","\u003cp\u003ePlace(s): Minnesota. Notes: Videocassette cover includes \"Mayo Clinic\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation, Meet the Press. Network(s): CBS, NBC. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=53:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, WCHS-TV, WOWK-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=45:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): CBS, PBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=57:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=57:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Newell, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=58:49.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=28:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:47. Videocassette label and cover include \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:06. Videocassette label and cover include \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=27:36. Removed from A\u0026amp;M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.\u003c/p\u003e","\u003cp\u003eNotes: TRT=57:27.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, Late Edition. Network(s): NBC, CNN. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=54:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Pittsburgh, Pennsylvania.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC. Notes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover includes \"Modern Video Productions\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show, The MacNeil/Lehrer NewsHour. Network(s): NBC, PBS. Notes: TRT=19:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Weston, West Virginia. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Washington Week in Review. Network(s): PBS. Notes: TRT=26:46.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Squier/Knapp/Ochs\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=27:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00 (approximate). Videocassette label and cover include \"Chlopak, Leonard \u0026amp; Schechter,\" and \"Henninger Video\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=12:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Today, CBS This Morning. Network(s): NBC, CBS. Notes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Primetime Live. Network(s): ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Richwood, West Virginia. Notes: TRT=1:35:00 (approximate). Videocassette label includes \"airmaster copy.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Biography. Network(s): A\u0026amp;E Television Networks. Notes: Title from videocassette cover, which also includes \"12/26/06\"; no videocassette labels.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: TRT=14:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00 (approximate). Videocassette label and cover includes \"Complete Post, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=4:49.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Grunwald Eskew \u0026amp; Donilon,\" and \"Henninger Capitol\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS This Morning. Network(s): CBS. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:30:00. Videocassette label includes \"West Virginia Department of Health \u0026amp; Human Resources.\" Letter enclosed from Ann H. Garcelon, Communications Director, State of West Virginia Department of Health and Human Resources, to JDR re: this \"Public Health Teleconference.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Huntington, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Letter, and business card, enclosed from Gretchen Goldsmith, Producer, The Crusaders, to Dan Rauh includes \"Per the instructions of Ralph Rivera of PT Phone Home, enclosed is a copy of The Crusaders' segment on the organization. Ralph indicated that the tape would be shown to the member of the Senate Veterans' Affairs Committee.\" Enclosed note includes \"To: Todd Glass — Return to Dan Rauh, Vets' Committee.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=29:10.\u003c/p\u003e","\u003cp\u003eNetwork(s): Ch. 3, Ch. 8, Ch. 13.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): Kenova, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"John Franzén Multimedia\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:32:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:40. Attached note includes \"Todd: For your viewing pleasure — Be kind --- we're still improving! [signed] K\".\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNotes: TRT=25:30. Attached note includes \"Todd — Please save in the JDR-WV great video clips. Thanks.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=32:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=18:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:10.\u003c/p\u003e","\u003cp\u003ePlace(s): New Martinsville, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover includes \"Modern Video Productions\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): KIRO-TV. Notes: TRT=51:00. Videocassette label includes \"Third Avenue Productions.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:00 (approximate).\u003c/p\u003e","\u003cp\u003eNotes: TRT=29:50.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, C-SPAN. Notes: TRT=1:38:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, C-SPAN. Notes: TRT=1:38:00.\u003c/p\u003e","\u003cp\u003eEvent(s): [National Press Club annual dinner]. Place(s): Washington, D.C. Notes: Business card enclosed from Melissa M. Bender, Executive Assistant to the President, National Press Club.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN.\u003c/p\u003e","\u003cp\u003ePlace(s): Topeka, Kansas. Notes: Attached note includes \"Laura Quinn — 109 HART\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia; [Welch, West Virginia].\u003c/p\u003e","\u003cp\u003eNetwork(s): WNPB-TV.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette label includes \"TIME: 9:28 to 11:54\".\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"Mindy/Rich/others — For your viewing pleasure. JDR at M.U. [signed] Lou Ann\".\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=46:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Shrewsbury, WV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, WVVA-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Squier Knapp Ochs,\" and \"Interface Video Systems, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=9:58. Videocassette label includes \"Fingerhut, Powers, Smith \u0026amp; Associates, Inc.\" and \"David Sandretti \u0026amp; Phil Smith, Producers.\" Includes pamphlet from Save America's Families Coalition.\u003c/p\u003e","\u003cp\u003ePlace(s): Arlington, Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:30 (approximate). Television commercial script enclosed for each ad.\u003c/p\u003e","\u003cp\u003eProgram(s): The MacNeil/Lehrer NewsHour, ABC World News Tonight. Network(s): PBS, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:22.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eNotes: Appears to have been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Appears to have been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNetwork(s): [WSWP-TV].\u003c/p\u003e","\u003cp\u003eNotes: Enclosed is an index to the 15 ads, re: Paul Wellstone, Max Baucus, and Jack Reed.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV. Event(s): State of the State address. Place(s): Beckley, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: Attached note refers to an enclosed story on miners legislation with JDR and Alan Law.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): CNN Presents. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, CBS, CNN, NBC. Place(s): Wyoming; Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week, Nightline, The Today Show. Network(s): WCHS-TV, WSAZ-TV, WOAY-TV, WTRF-TV, CBS, ABC, NBC. Place(s): Charleston, West Virginia; Wheeling, West Virginia; Washington, D.C.; Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): WCHS-TV, CNN, CBS, ABC.\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"WCHS — 4-1-96\".\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eEvent(s): 50th anniversary of UMWA Health Fund. Venue(s): The White House. Place(s): Washington, D.C. Notes: Attached note includes \"These tapes are both raw footage…\".\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WBOY-TV. Place(s): Washington, D.C.; Bridgeport, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 5, Channel 12.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS, C-SPAN. Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: TRT=52:37.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:33. Videocassette label includes \"The Arnold Agency\" and logo.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, CBS, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=00:30. Videocassette label includes \"Split Ch. Audio, Dub in Mix.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): The 700 Club. Network(s): Christian Broadcasting Network. Notes: Attached business card from Emily Murray, Assistant Producer, CBN News.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox Morning News. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"KLM Video, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=4:48.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:35.\u003c/p\u003e","\u003cp\u003ePlace(s): Stanaford, West Virginia. Notes: TRT=6:30. Videocassette label includes \"Appalachian Video Productions, Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Business cards attached from Barry Cohn, Broadcast Producer, Dept. of Science News, American Medical Association, and Emily Murray, Assistant Producer, CBN News.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=45:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CTS News. Place(s): Taiwan. Notes: Enclosed note from Jennifer Zimdahl Galt, Chief of Information Unit, and AIT Spokesperson, includes \"Jane — As promised, please find enclosed a tape of the TV talk show interview with Senator Rockefeller. They only used a minute or so.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, CBS, MSNBC.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CNN, NBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:51.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia. Notes: TRT:9:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Good Morning America. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): World News Tonight. Network(s): ABC. Notes: Videocassette label includes U.S. Senate logo. Attached note includes \"Senator Rockefeller, this is a \"rough\" cut of tomorrow's caucus video. —Kim.\"\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WPBY-TV. Place(s): Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003eEvent(s): Philips Lighting press conference.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Morning News. Network(s): CBS. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=17:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WFRF.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC, WOWK-TV, CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV, WTRF-TV, CBS. Place(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:59.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Mercer and McDowell Counties, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): [California].\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC, WSAZ-TV, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): WGBH-TV/PBS. Notes: Videocassette label includes \"WGBH\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Airport News and Training Network\" and attached business card from J. Spencer Dickerson, Executive Vice President, The American Association of Airport Executives\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Airport News and Training Network\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC. Notes: TRT=21:56.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:58:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Horizons Television, Inc.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WCHS-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WCHS-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC. Notes: Information from attached note; no videocassette labels.\u003c/p\u003e","\u003cp\u003eVenue(s): The White House. Place(s): Washington, D.C. Notes: TRT=6:00:00. Videocassette label includes \"Social Security Administration Regional Public Affairs Office.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTOV-TV.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Moneyline. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Internight. Network(s): MSNBC. Notes: TRT=7:40.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Bozell Eskew Advertising\".\u003c/p\u003e","\u003cp\u003eNetwork(s): News4 Camcare. Event(s): Dedication of the MS Clinic at the Charleston Area Medical Center. Venue(s): MS Clinic at the Charleston Area Medical Center. Place(s): Charleston, West Virginia. Notes: Includes letter, under Camcare Health Education and Research Institute letterhead, from Jerry Handley, Network Specialist, to Ms. Joy Sims, Press Office, Office of Senator Jay Rockefeller, regarding enclosed videotape containing excerpts of Rockefeller's remarks at the dedication of the MS Clinic at the Charleston Area Medical Center on May 24th, 1999.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV, WOAY-TV. Venue(s): Rainelle Medical Center. Place(s): Rainelle, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns \u0026amp; Associates, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003ePlace(s): Mullens, West Virginia. Notes: TRT=9:35. Videocassette label includes \"West Virginia National Guard\" and \"Produced by Detachment 1, 196th MPAD, WVARNG.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:26:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Toyota Lexus Announcement. Place(s): Buffalo, West Virginia. Notes: Videocassette label includes \"Image Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover includes \"Motion Masters\".\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=2:00:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:16. Videocassette label includes \"Produced by: Ray Miller, West Virginia University Television Productions.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00. Videocassette label includes \"5:30 PM - 6:30 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed from Mark Ferrell, Press Secretary for JDR.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:08.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:04.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 13. Notes: Content information from note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eNotes: TRT=48:00. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: No videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNNfn.\u003c/p\u003e","\u003cp\u003eEvent(s): United Steelworkers of America rally.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"11:00 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:07:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Shady Spring, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=27:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: Videocassette label includes Fox News letterhead and contact info.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:00 (approximate).\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00. Videocassette cover includes \"version 6.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eProgram(s): Paula Zahn Now. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Paula Zahn Now. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Studio B. Network(s): Fox. Notes: Videocassette cover includes \"3 PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=45:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition, Weekend Live. Network(s): CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition, Weekend Live. Network(s): CNN, Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, CBS, CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightly News, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): World News Tonight, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition, Weekend Live, World News Tonight, American Morning, Fox and Friends, Larry King Live. Network(s): CNN, Fox, ABC, CNN, CNBC, NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOAY-TV, ABC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour, Meet the Press, Late Edition. Network(s): Fox, PBS, NBC, CNN. Notes: Videocassette label includes \"Newshour (soundbite from tax conference meeting)\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): American Morning, Today, Capitol Report, World News Tonight. Network(s): CNN, NBC, CNBC, Fox, ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC. Notes: TRT=9:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=55:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, MSNBC. Notes: TRT=≥1:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: Videocassette label includes \"5:40-6:15PM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox News Sunday. Network(s): Fox. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN. Notes: TRT=approximately 15:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): CNN, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, MSNBC, Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: Videocassette label includes \"9:00am\".\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:32:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=13:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox News Sunday. Network(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes II. Network(s): CBS. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=7:00. Videocassette label includes \"11:00 AM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=1:30:00. Videocassette label includes \"10:30 AM - 12:00 PM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=60:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=1:00:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=11:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WBOY-TV, West Virginia Media. Notes: Videocassette label includes WBOY-TV logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: No videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, NBC. Place(s): Huntington, West Virginia. Notes: Videocassette label includes \"6:30AM.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: No videocassette cover.\u003c/p\u003e","\u003cp\u003ePlace(s): Richwood, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:58.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:58. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:08. Has been transferred to DVD.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC. Notes: TRT=21:04.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=60:00. Videocassette label includes \"6-7:00 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC. Notes: TRT=60:00. Videocassette label includes \"7-8:00 PM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): CBS, NBC. Notes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News, NBC Nightly News, MSNBC Hardball, CNN Late Edition. Network(s): CBS, NBC, CNN, MSNBC, Fox. Notes: Videocassette label indicates 13 segments.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition Sunday. Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"12:00 - 1:00 PM.\"\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS. Notes: Videocassette label includes \"John Nolen\".\u003c/p\u003e","\u003cp\u003eEvent(s): John Kerry rally in West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC News. Network(s): NBC. Notes: TRT=13:08.\u003c/p\u003e","\u003cp\u003eNotes: TRT=21:05.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV, NBC. Notes: Videocassette label includes \"11:00pm.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:35.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:35.\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes. Network(s): CBS. Notes: TRT=14:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CNN Sunday Edition. Network(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): ABC World News Tonight. Network(s): ABC, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003ePlace(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eEvent(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C. Notes: No videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:24:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Fox News Sunday. Network(s): MSNBC, Fox. Notes: TRT=2:00:00. Videocassette label includes \"MSNBC 7-8PM July 9, Fox News Sunday July 11.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC, CNN. Notes: TRT=2:00:00. Videocassette label includes \"CNBC from 7-8PM and CNN from 10-11PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Notes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): CNN, Fox, MSNBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS. Notes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=50:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsNight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNBC. Notes: Videocassette label includes \"7-8:00 pm\".\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: TRT=1:20:00.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox. Notes: TRT=6:20.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC. Notes: TRT=5:30.\u003c/p\u003e","\u003cp\u003eEvent(s): Government Affairs hearing. Notes: TRT=3:13:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): Fox, MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:00:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=4:30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): CBC [CBS] Evening News. Network(s): CBC [CBS].\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=2:05:00.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsNight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): UN General Assembly meeting. Venue(s): UN General Assembly building. Place(s): New York, New York.\u003c/p\u003e","\u003cp\u003eEvent(s): Allawi speech to Congress. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week. Network(s): ABC, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Television.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation, The Early Show. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight, Hardball. Network(s): CNN, MSNBC. Event(s): Trial of Saddam Hussein.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): CNN, Fox, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): Fox, CNN. Event(s): State of the Union Address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:20:00. Videocassette label includes \"10:00 AM - 1:19 PM.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Frontline. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC. Notes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): 60 Minutes II. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:56:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC. Notes: TRT=42:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Geoff Garin\".\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Geoff Garin\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: Title from note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Charlotte, North Carolina.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC, CBS. Notes: TRT=10:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Place(s): Washington, D.C. Notes: Professionally produced C-SPAN videotape (ID: 189201 - Part 1 of 1) and cover. Description on back cover: \"Representative Capito was interviewed about the future of the Republican Party, West Virginia politics, and her decision not to run against Sen. Byrd in 2006. She also discussed her major in zoology at Duke University as well as the naming of her children, Charles Capito III and Shelley XIII. Pictures of Representative Capito, her family, and soldiers were shown intermittently during the program.\" Copyright: 2005 National Cable Satellite Corporation.\u003c/p\u003e","\u003cp\u003eProgram(s): Nightline. Network(s): ABC. Notes: Videocassette label includes \"Dub\".\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:03:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Television. Notes: Videocassette label includes \"West Virginia Public Television\" and logo. Date is broadcast date.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): PBS. Notes: TRT=53:10.\u003c/p\u003e","\u003cp\u003eProgram(s): Hannity \u0026amp; Colmes. Network(s): Fox. Notes: Attached note includes \"Bill Bennett \u0026amp; Wes Clark. JDR was frequently discussed.\"\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:10:00 (approximate).\u003c/p\u003e","\u003cp\u003eProgram(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:55:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV, CBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC. Notes: TRT=22:55.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, CBS, NBC. Notes: TRT=1:10:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC, NBC. Notes: TRT=42:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): CBS. Notes: TRT=20:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVNS-TV, Fox.\u003c/p\u003e","\u003cp\u003eNotes: Business card attached, from Philippe Diaz, Cinema Libre Studio, with contact info.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV, CBS.\u003c/p\u003e","\u003cp\u003eNotes: Note on cover includes \"Piece on poor water safety during Marine training. Not that interesting, but thought it might still be useful… —Chris\".\u003c/p\u003e","\u003cp\u003eEvent(s): House of Representatives debate. Venue(s): House of Representatives. Place(s): Washington, D.C. Notes: TRT=5:30.\u003c/p\u003e","\u003cp\u003eEvent(s): United Steelworkers of America Wheeling-Pitt strike. Place(s): Wheeling, West Virginia; Pittsburgh, Pennsylvania.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Note this is a short segment\".\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United Steelworkers of America convention.\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".\u003c/p\u003e","\u003cp\u003eEvent(s): West Virginia Air Service Summit. Notes: TRT=1:04:40.\u003c/p\u003e","\u003cp\u003eEvent(s): West Virginia Air Service Summit. Notes: TRT=1:54:17. Videocassette label indicates welcoming remarks by Governor Underwood and Senator Rockefeller.\u003c/p\u003e","\u003cp\u003eEvent(s): West Virginia Air Service Summit. Notes: TRT=2:00:51.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Retiree James McMahon, Spouse Carole McMahon — insurance\".\u003c/p\u003e","\u003cp\u003eNotes: No Videocassette label; title from videocassette cover.\u003c/p\u003e","\u003cp\u003eNotes: Removed from Box 129 (Downtown moved to Depot). Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Chlopak, Leonard, Schechter\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:49.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:00.\u003c/p\u003e","\u003cp\u003eVenue(s): Blanchette Rockefeller Neurosciences Institute. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes WVU TV logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=9:00. Videocassette label includes \"Produced by the Sierra Club.\"\u003c/p\u003e","\u003cp\u003eProgram(s): CBS News Sunday Morning. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention.\u003c/p\u003e","\u003cp\u003ePlace(s): Weirton, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Meet the Press. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover indicate that cassette was distributed by C-SPAN.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"Democratic Technology \u0026amp; Communications Committee\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover includes \"Chlopak, Leonard, Schechter\" and \"Squier/Knapp/Ochs\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Ernst \u0026amp; Young\" and logo. Business card enclosed from Michael Colopy, from O'Connor \u0026amp; Hannan.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): Crossfire. Network(s): CBS, CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00 (approximate).\u003c/p\u003e","\u003cp\u003eNetwork(s): WNPB. Notes: Videocassette label includes WNPB logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=9:30. Attached note includes \"WV Economic Development Tapes.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WNPB. Notes: Videocassette label includes WNPB logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): KIRO-TV.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=55:48.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed from Jeff Kimball, Deputy Press Secretary for JDR.\u003c/p\u003e","\u003cp\u003ePlace(s): Nicholas County, West Virginia. Notes: TRT=20:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WVVA-TV, WOAY-TV. Place(s): Fayette County, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to cover from Squier Knapp Dunn Communications.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Digital Generation Systems, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to videocassette cover includes \"Clean Tape / No visible footage\".\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes \"HMS Technologies, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=14:30. Videocassette label and cover include \"Ryan-McGinn.\"\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Hitachi, LTD.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Television.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label and cover include \"Foresight Communications, Inc.\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV.\u003c/p\u003e","\u003cp\u003ePlace(s): McDowell County, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed from Ron W. Wroblewski, President, W.Va. Marine Corps Coordinating Council.\u003c/p\u003e","\u003cp\u003eNetwork(s): WBOY-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, WDTV-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=14:53. Videocassette label includes \"Alliance for Retired Americans\" and logo.\u003c/p\u003e","\u003cp\u003ePlace(s): Ravenswood, West Virginia. Notes: TRT=14:45. Videocassette label includes \"Century Aluminum.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: Videocassette label includes \"For Mark Ferrell\".\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNotes: Content information on videocassette cover only; videocassette unlabeled.\u003c/p\u003e","\u003cp\u003eNotes: TRT=12:45.\u003c/p\u003e","\u003cp\u003eNotes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.\u003c/p\u003e","\u003cp\u003eNotes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:15.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNotes: Videocassette cover includes \"JDR Caucus Video 6/17/97\".\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS, WVSA, NBC, CBS. Notes: Programs and networks from note attached to cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): WDTV-TV, WBOY-TV. Place(s): Monongalia County, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Michigan. Notes: TRT=10:00. Videocassette label includes \"MVP Communications Inc.\"\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV, WSAZ-TV. Place(s): Kenova, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Channel 13. Notes: Content information from note attached to videocassette cover.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): World News Tonight. Network(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WOWK-TV.\u003c/p\u003e","\u003cp\u003eProgram(s): Crossfire. Network(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): [Huntington, West Virginia].\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eVideo news release, interviews, dub of state tourism film and commercials\u003c/p\u003e","\u003cp\u003eNote on tape state: \"tape warped - will not play.\"\u003c/p\u003e","\u003cp\u003e(1.) Bob Brunner, Skinner Highway plan interview in D.C., March 1990. \n(2) AFL-CIO dinner with Barbara Mikulski, WOWK, February 1990.\n(3) EDA grant announcement for Clalrksburg Life Sciences Center, WDTV and WBOY, September 1989.  \n(4) Murphy home health visit - WSAZ, July 1989.  \n(5) Murphy home health visit - WCHS, July 1989. \n(6) Murphy home health visits - WOWK, July 1989. \n(7) Philips Lighting announcement/ Stonewall Jackson tour, WDTV and WBOY, July 1989.  \n(8) Cabot Oil and Gas announcement, WVVA, July 1989.  \n(9.) Discover the REAL WV/ Oliver North discssion, WTRF, July 5, 1989. \n(10.) Rural health clinic press conference, New River Health Clinic, WSAZ, April 24, 1989. \n(11.) Harrison County town meeting, WBOY, WDTV, and Congressional pay raise issue, WDTV; event - senators joking (\"It costs you $75 to come here tonight; it cost me $12 million\") Good Morning America, February 1989.  \n(12.) \"Partnership for progress\" with Caperton and delegation, WOWK, January 1989; CBS evening news on trade adjustment assistance. \n(13) Fairmont firemen/ policemen \"thank you\" reception, WBOY, December 1988.  (14). EAS story, WOAY, 1988.\u003c/p\u003e","\u003cp\u003e11:00 p.m. Channel 11 and 13. 12 p.m. (noon) channel 11.\u003c/p\u003e","\u003cp\u003e4 negative adds: 2 Bryan, 1 Conrad, 1 Pomeroy\u003c/p\u003e","\u003cp\u003eTime: 00:00 Governor Bill Clinton; 1:00 Congressman Tim Penny; 17:08 Senator Jay Rockefeller; 34:30 Congressman Mike Espie; 1:09:30 House Majority Whip William Gray III\u003c/p\u003e","\u003cp\u003eJDR speaks twice - once in morning and once around 5\u003c/p\u003e","\u003cp\u003eFilm damaged\u003c/p\u003e","\u003cp\u003e(1) Fox morning news (whole thing) JDR at 7:35 a.m. \n(2) CBS Morning News (segment only) a. summer story JDR hit. b. National Commission segment. \n(3) NBC Today (segment only) children's interview segment (no JDR). \n(4). CNN Horn?/ Cheri Hayes. \n(5) ABC World News lead story 10-15 minutes on commission. \n(6) CBS Evening news lead story. \n(7) NBC News lead story. \n(8) MacNeil/ Lehrer  \n(9). CNN Crier and co.\u003c/p\u003e","\u003cp\u003e(1). \"Logan airport\" ABC World News Tonight, ABC/Network January 24, 1989. \n(2)  Airport congestion, Alfred Kahn, Nightly Business Report, PBS/Network, January 13, 1989. \n(3) \"Keeping congestion down at Logan,\", WCVB-TV Channel 5, Boston, December 12, 1988.\u003c/p\u003e","\u003cp\u003e(1) David Duke dilemma, KGO Channel 7 at 6 p.m., November 17, 1991 (2). Democratic fundraiser, KCRA channel 3 at 10 p.m.\u003c/p\u003e","\u003cp\u003eNorth Carolina University documentary 1986, Rockefeller comments on Japan.\u003c/p\u003e","\u003cp\u003e1.) Trip to Olney. 2). message. 3). catastrophic care.\u003c/p\u003e","\u003cp\u003eGroundbreaking on June 19, 1984. Construction 1984-1985. Video by Herbert W. Roush, Sr.\u003c/p\u003e","\u003cp\u003e1). China steel/ Island Creek contract in D.C. office, 1988;  \n2). POSCo contract in Charleston with Billy Yoo, April 21, 1988; \n3). POSCO contract/ Washigton, May 13, 1988;   4.) Historic Hinton, NPS memorandum of understanding, NPS Joe Kennedy and Bob McKeard;  \n5). Press conference/ industrial extension act introduced with McCain, R-AZ, June 10, 1987;  \n6). China steel and USX D.C. contract signing, June 7, 1988; \n7). AEP mine visit/ methanol May 2, 1988\u003c/p\u003e","\u003cp\u003eWOAY - El-Tech, 1987; WSAZ children's hospital in Charleston - Bush Tower 1989; WVAH congressional minute 8th, 9th, 10th amendment; WDTV October 14, 1988 methanol signed into law; WSAZ ARC corridors 1988; WOWK ARC corridors 1988; WCHS ARC corridors 1988; WOAY El-tech September 17, 1988, Dukakis, methanol; WOWK methanol passage 1988; WOAY El tech - def. fair 1988; WCHS white watering 1988; WOAV methanol bill, captive shippers; WVVA methanol\u003c/p\u003e","\u003cp\u003eTape sent to Barbra Pryor from A26 mark Ave, Follansbee, WV\u003c/p\u003e","\u003cp\u003e1). WDTV - math/science bill. 2). WBOY/WDTV - research summit. 3). WTAE - Dee Caperton. 4). WDTV - clean air. 5). WBOY - United Mine Workers (UMW) endorsement. 6). Oliver Luck ad. 7). WBOY - Salem-Teikyo\u003c/p\u003e","\u003cp\u003eHarriman Communications.\u003c/p\u003e","\u003cp\u003eTestimony and Q\u0026amp;A of Mr. Robert Harris (Berkeley)\u003c/p\u003e","\u003cp\u003eEvent(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".\u003c/p\u003e","\u003cp\u003eProgram(s): All Things Considered. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): WWYO.\u003c/p\u003e","\u003cp\u003eNetwork(s): WWYO.\u003c/p\u003e","\u003cp\u003eNetwork(s): WWYO.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"American Focus\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"9/20/88 Methanol tape\".\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): WJLS. Place(s): [Beckley, West Virginia].\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): WJEH. Place(s): Gallipolis, Ohio. Notes: Attached note includes \"I made this copy from the original tape which WJEH gave me. You have to run through the commercials before you get to the history part. This is the first — and only to date —interview as to Senator Rockefeller's floor statement in the Congressional Record. 6/21/90 [signed] Patricia Burton\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Tammy Lydel, NH Register — Erin Rasmussen, KSTP, Minnesota — Melissa Berg, Kansas City Times — Don Findley, San Antonio — Ron Kanye, LA Daily News — Stewart Craig, Augusta Chronicle — Steve Harvey, Atlanta Constitution 3 Jim Gannon, Detroit News 3 Pete Leffler, Allentown Call\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Leslie Balducci, Chicago Sun Times — Lester Strong, WHDH, Boston — Margaret Murphy, ABC Nightline — Maryclaire Dale, Charleston Gazette — Paul Owens, Martinsburg Morning Journal — P.J. Cameon, Clarksburg Telegram, Cindy Crigger, Williamson Daily News — Bill ST. Clair, Parkersburg Sentinel — Chris Cramer, Weirton Daily News — Bluefield Telegram, Barbara Hawkins\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Todd Silberman, Fayetteville, NC News — Irene Sege, Boston Globe — Bonnie Healy, DE County Times — Lori Roberts, The State, Columbia, SC\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Terri Monsour, St. Paul Pioneer Press — Marshall Kildurf, San Francisco Chronicle — Susan Page, Newsday — Dorsey Griffith, Modesto Bee\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Original title overwritten with \"Clean Air 3.00 [2000/03?]\".\u003c/p\u003e","\u003cp\u003ePlace(s): Goreham, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Rye, New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): Claude Pepper Award. Place(s): Concord, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Concord, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Durham, New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eProgram(s): John McLaughlin's One on One. Network(s): PBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Milwaukee, Wisconsin.\u003c/p\u003e","\u003cp\u003eProgram(s): Morning Edition. Network(s): National Public Radio. Notes: TRT=8:30. Cassette label includes National Public Radio copyright.\u003c/p\u003e","\u003cp\u003eProgram(s): Hal Bruno's Washington. Network(s): ABC Radio. Notes: Cassette cover includes \"ABC Radio News\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): The Diane Rehm Show. Network(s): WAMU, National Public Radio.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:27.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): Presidential Health Care Forum. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): Presidential Health Care Forum. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union response.\u003c/p\u003e","\u003cp\u003eNotes: Business card enclosed for Joel H. Komisarow, Producer, CBS News, with contact info.\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"Not for public distribution\".\u003c/p\u003e","\u003cp\u003eEvent(s): Alabama Democratic Conference. Place(s): Alabama.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: TRT=28:30.\u003c/p\u003e","\u003cp\u003eProgram(s): Christine Craft Show. Network(s): KFBK.\u003c/p\u003e","\u003cp\u003eProgram(s): The Michael Jackson Show. Network(s): KABC. Notes: Business card enclosed for Lyle Gregory, Producer, The Michael Jackson Show, KABC TALKRADIO, with contact info.\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette cover includes \"'Jay' DNC-9245R :60\" and \"Greer, Margolis, Mitchell, Grunwald \u0026amp; Associates\".\u003c/p\u003e","\u003cp\u003eVenue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): KLSE/KZSE, Minnesota Public Radio. Notes: Videocassette label includes MPR logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union response.\u003c/p\u003e","\u003cp\u003eProgram(s): All Things Considered. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eEvent(s): National Summit on Children and Families.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): NPR or MPR.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Tina Trenner Show. Notes: Videocassette label includes \"Air[ed] 12/24/93\".\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00:00.\u003c/p\u003e","\u003cp\u003eProgram(s): [Marketplace]. Network(s): [American Public Radio]. Notes: Cassette label and cover label differ in content.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III. A. PRODUCT LIABILITY, 1994 RADIO SPOT WV.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNetwork(s): WGMS.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"TV feed\".\u003c/p\u003e","\u003cp\u003eProgram(s): Talk of the Nation. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eProgram(s): Talk of the Nation. Network(s): National Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WEPM.\u003c/p\u003e","\u003cp\u003eVenue(s): Wheeling Clinic, Wheeling Hospital. Place(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"provision in tax bill attacking Coal Miners' Health\".\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"Wellstone\".\u003c/p\u003e","\u003cp\u003eNotes: Dates on cassette label and cover label differ.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III.A. PGWS, 1996.  Cassette label includes \"Panelists: Bernard Rostker – Pentagon, Dana Priest – Washington Post, Joe Vialante – DAV, Arthur Kaplan – President's Advisory Committee.\"\u003c/p\u003e","\u003cp\u003eEvent(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.\u003c/p\u003e","\u003cp\u003eEvent(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.  Cassette label includes \"Acceptance speech by incoming Alfalfa Club President.  'For He's Our President' sung by Marine Staff Sgt. Michael Ryan…Introduction by Colin Powell; John D. Rockefeller IV.\"\u003c/p\u003e","\u003cp\u003eEvent(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WRNR. Place(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WRNR. Place(s): Morgantown, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio. Notes: TRT=6:05.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Diane Rehm Show. Network(s): National Public Radio. Notes: TRT=60:00.\u003c/p\u003e","\u003cp\u003eNotes: Removed from A\u0026amp;M 4050 III.A. Alfalfa Club, 1997-1998.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV, WRKY, WTRF-TV.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:00 (approximate).\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): National Public Radio. Notes: TRT=11:00 (approximate).\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00.\u003c/p\u003e","\u003cp\u003eNotes: Attached note includes \"Make audio dub of Sen. Rock[efeller] feed!\".\u003c/p\u003e","\u003cp\u003eNotes: Cassette label includes \"Medical Group Management Association\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: Title from handwriting on cassette cover.\u003c/p\u003e","\u003cp\u003eEvent(s): State of the Union address. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".\u003c/p\u003e","\u003cp\u003ePlace(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Clarksburg, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Wetzel County Hospital. Place(s): Wetzel County, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Pleasants County, West Virginia; Hancock County, West Virginia; Wetzel County, West Virginia;.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV. Place(s): Hancock County, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Boone County, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Huntington, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Benwood, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSTV. Place(s): Steubenville, Ohio.\u003c/p\u003e","\u003cp\u003ePlace(s): [Charleston, West Virginia].\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003ePlace(s): Fairmont, West Virginia; Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003ePlace(s): Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): WETA.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003ePlace(s): Beckley, West Virginia; Clarksburg, West Virginia; Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNetwork(s): NBC, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews, Fox, NPR.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia MetroNews.\u003c/p\u003e","\u003cp\u003eNotes: Title and date from note attached to cover.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Newell, West Virginia. Notes: Business card attached to Betacam cover for Jerry Hughes, President, Hughes Television Productions, Inc.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label and cover include \"Squier/Knapp/Ochs\".\u003c/p\u003e","\u003cp\u003eProgram(s): Sarbanes Show.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=40:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=35:22.\u003c/p\u003e","\u003cp\u003eVenue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia. Notes: Betacam label includes \"Master\".\u003c/p\u003e","\u003cp\u003eVenue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Betacam cover includes \"Master Beta Copy\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:34.\u003c/p\u003e","\u003cp\u003ePlace(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Edited Master\" and \"Stereo\".\u003c/p\u003e","\u003cp\u003eProgram(s): On the Record. Notes: TRT=21:00.\u003c/p\u003e","\u003cp\u003eProgram(s): On the Record. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Daschle, Lautenberg, Rockefeller, Graham, Mosley, Braun\".\u003c/p\u003e","\u003cp\u003ePlace(s): Ripley, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Ripley, West Virginia. Notes: Betacam label includes \"B-roll and WV interviews (RAW)\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:10.\u003c/p\u003e","\u003cp\u003eVenue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eVenue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=5:10.\u003c/p\u003e","\u003cp\u003ePlace(s): [Buffalo, West Virginia].\u003c/p\u003e","\u003cp\u003ePlace(s): Buffalo, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Buffalo, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=32:00. Videocassette label includes \"B-roll — campaign kickoff 2002, footage from 1996 of veteran \u0026amp; miner, Toyota plant footage 1/26/01.\"\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Master\" and \"The Washington Bureau\" with contact info.\u003c/p\u003e","\u003cp\u003eNotes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003eNotes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.\u003c/p\u003e","\u003cp\u003ePlace(s): [Buffalo, West Virginia].\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Betacam cover includes \"Master\".\u003c/p\u003e","\u003cp\u003eEvent(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Note attached to Betacam cover includes \"Chris, when you get a chance, please convert this into a digital file so Neysa can put it on our web site. Thanks, Allen Mattison\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:00.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Oglebay Resort — 500 dubs with logo — cut aways — interviews\".\u003c/p\u003e","\u003cp\u003eVenue(s): Ohio County Airport, Wheeling Senior Center. Place(s): Wheeling, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: TRT=15:00.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Democratic Technology \u0026amp; Communications Committee — Senator Tom Daschle, Democratic Leader — Senator Jay Rockefeller, Chairman\" and U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes U.S. Senate logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:56.\u003c/p\u003e","\u003cp\u003ePlace(s): Mercer County, West Virginia; McDowell County, West Virginia.\u003c/p\u003e","\u003cp\u003eVenue(s): Toyota auto plant. Place(s): Buffalo, West Virginia.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Betacam label includes \"10:00 AM - 11:30 AM\".\u003c/p\u003e","\u003cp\u003eVenue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia. Notes: Event program and business card for Joseph Webb, II, Interim Manager, WVU Television Productions, enclosed.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=34:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=1:30:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:00:00. Betacam label and cover include \"Master\" and \"Motion Masters, Inc.\" Business card enclosed from Mark Ferrell, Press Secretary for JDR.\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=5:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=21:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=21:05.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes St. Louis Rams logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=17:00.\u003c/p\u003e","\u003cp\u003eVenue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=12:12.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=7:21.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=5:44.\u003c/p\u003e","\u003cp\u003eNotes: TRT=10:26.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing; United States Senate Committee on Armed Services. Place(s): Washington, D.C. Notes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=24:37.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=19:10.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=20:00. Videocassette label includes \"10:50A-11A \u0026amp; 2:42P-2:52P\".\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=53:35.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=13:52.\u003c/p\u003e","\u003cp\u003eVenue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eEvent(s): Children's Commission Summit. Notes: Betacam label includes \"I. Rebuilding Caring Communities, II. Great Beginnings — Supporting Young Children and their Families, III. Educating America — Improving Schooling and the Transition to Work, IV. Creating a Culture of Responsibility for Children, Youth, \u0026amp; Families\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=8:30. Betacam label includes \"Credit — Children's Action Network\". Business card attached to Betacam cover for Jennifer Perry, Executive Director, with contact info.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:45.\u003c/p\u003e","\u003cp\u003eNotes: Title from note attached to cover.\u003c/p\u003e","\u003cp\u003eNotes: Betacam label includes \"Democratic Technology \u0026amp; Communications Committee\" and logo.\u003c/p\u003e","\u003cp\u003eNotes: TRT=20:06.\u003c/p\u003e","\u003cp\u003eNotes: DVD label and cover include \"Senate Democratic Communications Center\".\u003c/p\u003e","\u003cp\u003eNotes: TRT=38:00.\u003c/p\u003e","\u003cp\u003eNotes: DVD cover includes \"Friday Night — Saturday — Tatsuo Ikenaga — Shigehiko Ikenaga — Lloyd Ayers — Cathy Davis — Shigeji Ikenaga — White Water — Country Roads.\" Business cards enclosed from Someday Video Productions.\u003c/p\u003e","\u003cp\u003eNotes: TRT=53:00. DVD label includes \"START 6:10pm - STOP 7:03pm.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:39:00. DVD label includes \"START 9:25am - STOP 1:04pm.\"\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:55:00. DVD label includes \"START 2:15pm - STOP 6:10pm.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight, NBC Nightly News. Network(s): CNN, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): O'Reilly Factor. Network(s): Fox, CNN, NBC.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News, Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS Evening News, Face the Nation. Network(s): CBS, Fox.\u003c/p\u003e","\u003cp\u003eProgram(s): CBS News Sunday Morning. Network(s): CBS.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight, The Situation Room. Network(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=30:00.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.\u003c/p\u003e","\u003cp\u003eProgram(s): Countdown with Keith Olbermann. Network(s): Fox, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Biography. Network(s): A\u0026amp;E.\u003c/p\u003e","\u003cp\u003eProgram(s): Lou Dobbs Tonight. Network(s): MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=22:29.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:15:00. DVD label includes \"2:30 - 5:45 pm.\"\u003c/p\u003e","\u003cp\u003eProgram(s): Late Edition with Wolf Blitzer. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): The Situation Room. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): WDTV-TV, WVNS-TV. Place(s): Bridgeport, West Virginia; Monongalia County, West Virginia; Beckley, West Virginia; Raleigh County, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WTAP-TV. Place(s): Parkersburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): Fox.\u003c/p\u003e","\u003cp\u003eNotes: TRT=13:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=13:30.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV. Place(s): Charleston, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV. Notes: TRT=1:03.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV. Place(s): Webster County, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC, CNN, ABC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN, MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eNetwork(s): CNN.\u003c/p\u003e","\u003cp\u003ePlace(s): Braxton County, West Virginia.\u003c/p\u003e","\u003cp\u003eProgram(s): Dateline NBC. Network(s): NBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): KDKA-TV, WCHS-TV, WOWK-TV, WVAH-TV, WVVA-TV, WTOV-TV, WTRF-TV, WBOY-TV, WDTV-TV. Notes: Broadcast schedule enclosed.\u003c/p\u003e","\u003cp\u003eNotes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026amp; Telecommunications Association\".\u003c/p\u003e","\u003cp\u003eNotes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026amp; Telecommunications Association\".\u003c/p\u003e","\u003cp\u003eNotes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026amp; Telecommunications Association\".\u003c/p\u003e","\u003cp\u003eProgram(s): Hardball. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Broadcasting.\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose, Countdown with Keith Olbermann, This Week. Network(s): PBS, MSNBC, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): Countdown with Keith Olbermann, The Ed Show, The Situation Room, Hardball. Network(s): MSNBC, CNN.\u003c/p\u003e","\u003cp\u003eProgram(s): The Situation Room. Network(s): CNN.\u003c/p\u003e","\u003cp\u003eNotes: TRT=13:20.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:10.\u003c/p\u003e","\u003cp\u003eProgram(s): Face the Nation. Network(s): CBS.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=22:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:15.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:40.\u003c/p\u003e","\u003cp\u003eNotes: TRT=6:50.\u003c/p\u003e","\u003cp\u003eNotes: TRT=5:21.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:30.\u003c/p\u003e","\u003cp\u003eNotes: TRT=2:55.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=1:30.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C. Notes: TRT=25:00.\u003c/p\u003e","\u003cp\u003eEvent(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eProgram(s): NBC Nightly News. Network(s): NBC. Notes: TRT=3:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Today Show. Network(s): NBC. Notes: TRT=6:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=4:11.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to letter (enclosed with 4050_xdc_0001 through 4050_xdc_0004) from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, this DVD contains the final version that was broadcast.\u003c/p\u003e","\u003cp\u003eNetwork(s): C-SPAN. Notes: TRT=30:00.\u003c/p\u003e","\u003cp\u003ePlace(s): Washington, D.C.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:00.\u003c/p\u003e","\u003cp\u003eProgram(s): The Rachel Maddow Show. Network(s): MSNBC.\u003c/p\u003e","\u003cp\u003eNotes: TRT=7:44.\u003c/p\u003e","\u003cp\u003eProgram(s): Charlie Rose. Network(s): PBS.\u003c/p\u003e","\u003cp\u003eNotes: Includes DVD booklet.\u003c/p\u003e","\u003cp\u003eNotes: TRT=11:30.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E.\u003c/p\u003e","\u003cp\u003eNetwork(s): A\u0026amp;E.\u003c/p\u003e","\u003cp\u003ePlace(s): Montcoal, West Virginia.\u003c/p\u003e","\u003cp\u003eNetwork(s): WCHS-TV. Notes: Cassette label includes \"Beckley News Bureau\".\u003c/p\u003e","\u003cp\u003eProgram(s): Hello VIP. Network(s): Ch. 12 TV Tokyo. Place(s): Tokyo, Japan. Notes: Includes note to David Owens, from Yuichi Watanabe, Nikkei Visual Images, Inc., dated 1988/09/20.\u003c/p\u003e","\u003cp\u003ePlace(s): Minden, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): New Hampshire.\u003c/p\u003e","\u003cp\u003ePlace(s): Rainelle, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Rainelle, West Virginia; Cabin Creek, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003ePlace(s): Martinsburg, West Virginia.\u003c/p\u003e","\u003cp\u003eNotes: U-matic cassette and cover label include \"Raw\".\u003c/p\u003e","\u003cp\u003eNotes: Attached business card from Mary Berecky, Anchor-Reporter, WDTV-5.\u003c/p\u003e","\u003cp\u003eNotes: TRT=0:53.\u003c/p\u003e","\u003cp\u003eNetwork(s): WSAZ-TV.\u003c/p\u003e","\u003cp\u003eNetwork(s): WMUR-TV. Place(s): New Hampshire.\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: Cassette label and cover include \"Campaign Strategies Inc.\"\u003c/p\u003e","\u003cp\u003eNotes: A compilation of Christmas songs.\u003c/p\u003e","\u003cp\u003eNetwork(s): West Virginia Public Radio, National Public Radio.\u003c/p\u003e","\u003cp\u003eProgram(s): Talkline. Network(s): West Virginia MetroNews. Notes: Enclosed note includes \"Audio CD\".\u003c/p\u003e","\u003cp\u003eNotes: Classical music track-list enclosed.\u003c/p\u003e","\u003cp\u003eProgram(s): All Things Considered. Network(s): West Virginia Public Radio, National Public Radio.\u003c/p\u003e","\u003cp\u003eNotes: Note attached to cover includes \"Masters\".\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eProgram(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026amp; Regulatory Affairs, Comcast, these optical discs contain unedited footage.\u003c/p\u003e","\u003cp\u003eNotes: Removed from Box 129 (Downtown moved to Depot). Sticky note attached to case includes \"Found in Rachel's old desk. Should be archived.\"\u003c/p\u003e","\u003cp\u003eNetwork(s): WTRF-TV, WCHS-TV, WTAP-TV, WOWK-TV.\u003c/p\u003e","\u003cp\u003eThe Clippings series contains newspaper clippings—original newsprint as well as photocopies—compiled by Senator Rockefeller's staff for distribution to the Senator and other staff members. Clippings primarily span Rockefeller's tenure in the U.S. Senate, but some clippings date to his second term as governor of West Virginia. Staff compiled clippings about the day's events and also maintained clippings that mentioned Rockefeller. Most of the clippings are arranged by topic, publication, or date range. Clippings within files arranged by topic or publication generally are ordered chronologically.  Some clippings arranged by date range are divided into morning and afternoon clippings, and these often are accompanied by indexes (tables of contents).  Finally, some files separate clippings created by West Virginia media from clippings created by national outlets. \u003c/p\u003e\n","\u003cp\u003eBeginning in approximately 2001, the staff began collecting clippings primarily from online news sources and wire services. Staff in the Washington, D.C. office maintained these digital clippings in the press files of the office's centralized shared drive. \u003c/p\u003e","\u003cp\u003eDigital file: Part 1 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File: Part 1 of 5 (Part 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 2 of 5 (part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 2 of 5 (part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 2 of 5 (part 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 3 of 5 (part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 3 of 5 (parts 1 and 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 3 of 5 (part 2), Part 4 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 4 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 4 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 4 of 5 (Part 2)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eDigital File:  Part 5 of 5 (Part 1)\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eFiles of Todd Glass, Deputy Press Secretary (1993-1996).\u003c/p\u003e","\u003cp\u003eThe Websites and Social Media series contains files used to create Senator Rockefeller's congressional website and archived versions of his congressional website, YouTube page, Facebook page, and Twitter feed. The 2008 and 2011 congressional website files were maintained by press staff. The 2014 archived website and social media files were captured using Hanzo Archives and ArchiveSocial in May-June 2014.\u003c/p\u003e","\u003cp\u003eThe Legacy Memos series includes 12 memos compiled by staff members in 2013 and 2014 following the Senator's announcement that he would retire from Congress. The Memos provide a comprehensive overview of Senator Rockefeller's service and accomplishments in several important issue areas in which he worked during his 30-year career in the U.S. Senate, as well as during his time as Governor of West Virginia, 1977-1985. They highlight major initiatives and legislation, such as the Children's Health Insurance Program (CHIP); treatment of service related illnesses, such as Gulf War Illness; the Coal Act of 1992; the Public Safety Spectrum Act; and many others.\u003c/p\u003e","\u003cp\u003eThe Memorabilia Subgroup contains plaques, awards, framed items, and other gifts given to Senator Rockefeller throughout his Senate career. Several foreign gifts from Asian countries are included. Some materials can also be found in the Awards and Honors series, which contains honorary degrees, awards, and medals.\u003c/p\u003e","\u003cp\u003e#84 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.\u003c/p\u003e","\u003cp\u003e#175 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.\u003c/p\u003e","\u003cp\u003eDrawing has signatures and notes surrounding it.\u003c/p\u003e","\u003cp\u003eThe beret features a flash patch with a standard blue with white stars. In the center is a enamel pin featuring a vertical arrow with two medals on either sides. The medals have red ribbons and the medals are blue with a star in the center.\u003c/p\u003e","\u003cp\u003eBlueprints created by Diamond Group Inc., Odessa, Deleware.\u003c/p\u003e","\u003cp\u003ePosters feature the U.S. Steel Tower, Hays Mine Treatment Plant, E. H. Aldrich Station, Omni William Penn Hotel, Duquesne Light Company, and David Lawrence Convention Center.\u003c/p\u003e","\u003cp\u003eNote on back reads: \"To one among a new person who helped her. From Yen, Ling Hsing, 90 years old.\"\u003c/p\u003e","\u003cp\u003ePresented by Americorps VISTA\u003c/p\u003e","\u003cp\u003eAward honoring members of congress who have made substantial contributions in support of the United States Coast Guard.\u003c/p\u003e","\u003cp\u003eIn recognition of Rockefeller's advocacy on behalf of West Virginia consumers, workers, and their families and his efforts to protect our nations civil justice system.\u003c/p\u003e","\u003cp\u003eFor Rockefeller's efforts in the Second Session of the 108th Congress to strengthen American's health centers and preserve access to vital health care services for more than 15 million uninsured and medically underserved Americans.\u003c/p\u003e","\u003cp\u003ePresented in grateful recognition of his contribution to the well-being of America's veterans as a member of the United States Senate\u003c/p\u003e","\u003cp\u003eTwo Toyota Pistons with Toyota and West Virginia gold labels.\u003c/p\u003e","\u003cp\u003eVase is blue and green. The green is on the bottom and comes up like flames to the top.\u003c/p\u003e","\u003cp\u003eGiven in recognition for his support of Wheeling-PIttsburgh Steel and its employees.\u003c/p\u003e","\u003cp\u003eImage is in a flat greenish-yellow cloth covered box with flowers on it.\u003c/p\u003e","\u003cp\u003eIn recognition of unwavering support of a constitutional amendment to protect the flag from physical desecration.\u003c/p\u003e","\u003cp\u003eFor recognition of your outstanding personal contribution to the Americans for whom, on May 20, 1988, President Ronald Regan signed the Radiation Exposed Veterans Compensation Act.\u003c/p\u003e","\u003cp\u003ePresented at the national forum: \"Strong Families for Strong Communities\".\u003c/p\u003e","\u003cp\u003ePresented by the National Association of Community Health Centers.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Staffer","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.  The records were maintained by Senator Rockefeller's Washington, DC, office and West Virginia state offices in Charleston, Beckley, Fairmont, and Martinsburg. Record formats include papers, audiovisual materials, born-digital resources, photographs, and memorabilia. The collection consists of approximately 2011 linear feet of paper records and two terabytes of electronic records.","The first subgroup, Constituent Services, reflects the work Senator Rockefeller and his staff performed for the state and people of West Virginia. It consists of constituent casework, issue mail, grant and project files, and academy files. ","The second subgroup, Legislative files, is composed of materials related to legislative and committee work. Legislative staff files; subject files; correspondence; committee files; and legislative activities, voting records, and accomplishments comprise this subgroup. ","The third subgroup, Press files, illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. ","The fourth subgroup, Personal and Political files, consists of Legacy Memos, schedules, personal files and correspondence, campaign files, and trip files.  ","The fifth subgroup, Office files, contains a small number of office management files. ","The sixth subgroup, Memorabilia, consists of a large collection of framed items, plaques, and objects, many of which Senator Rockefeller received as gifts during his service. It contains a large number of foreign gifts, particularly from Japan and Taiwan. ","The Press files subgroup illustrates Senator Rockefeller's interactions with the media and outreach to the state of West Virginia and his constituents. It contains press staff files, speeches and statements, press releases, photographs, audiovisual materials, clippings, publications, and newsletters and mailings. Much of the Press files subgroup is open for research.","The Speeches and Statements series contains transcripts of Senator Rockefeller's remarks given both inside and outside of the Senate. Speeches range in date from 1985 to 2014 and cover the 99th Congress to the 106th Congress, as well as various topics for which Senator Rockefeller gave speeches and talks outside of the Senate. Subjects include health care, education, foreign relations, graduation speeches, economic issues, campaign speeches, and speeches to political contributors. The series also contains remarks and public announcements, as well as committee statements. Beginning in 2001 through 2014, most speeches were created and saved digitally.","4 of 5 folders","5 of 5 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","1 of 2 folders","2 of 2 folders","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1.) Introduction speeches: Lloyd Bentsen, George Stephanopoulos, Gene Sperling, Bruce Reed, Vernon Jordan, James Carville, Ira Shapiro. 2.) appeal to young people to be community servants. 3) problem of economic competitiveness. 4) talking points for Missouri Democratic Unity dinner. 5.) Japanese companies moving to West Virginia. 6.) talking points for 1996 Southern Club event. 7.) talking points for the Governor's series dinner. 8). statement to press on JDR's possession of a Colt AR-15 gun. 9). statement from JDR on John Novak's death. 10). talking points for seniors event on behalf of Bill Clinton. 11). talking points for EPA administrator Lee Thomas. 13). Talking points on education and nutrition. 14). talking points on budget deficit. 15). suggested talking points for the pension question. 16). talking points on coal and steel.  17). talking points for the Charleston Renaissance meeting (small business week). 18). basic talking points for Charleston University. 19). talking points for the arguing against the Committee draft bill which would repeal the local Rail Service Assistance Program. 20). remarks by JDR at the North Carolina Jefferson-Jackson dinner. 21). remarks by JDR for West Virginia Day. 22). remarks by JDR opposing the Secretary of Transportation's recommendation to sell Conrail to the Norfolk Southern Corporation. 23). JDR answering questions of a reporter concerning: effects of government cut backs on the PCB's clean up effort and wage increased for teachers. 24). J-J Dinner speech. 25). JDR addressing medical personnel on past and future problems facing the medical community and their solutions. 26). remarks by JDR to the Democratic National Committee.","1). award rercieved from the anti-defamation league. 2). speech to political contibutors: baseball story in Emmans, WV, experiences in public offices, introductions: Geoff Garon, Bob Squier, Cheryl Braner, Martha Wehrle, Tamera Stanton, Lane Baily. 3). Joe Grandmiaser - New Hampshire: deals with contrasts between NH and WV, acid rain, pollution, over half of NH powers WV, clean air, technology. 4). U.S. military aid to the Contras: advocates diplomatic and economic presence against Sandinista. 5). Committee hearing on nomination of James Fletcher: SDI, space plane, NASA, DOD joint venture. 6). present condition of America: present condition, call for commitment to serve society. 7). Wheeling - Nisshin dedication remarks introduces: Jack, Chairman Abe, Lloyd Labensky, Governor Moore, Mayor Dalessio; Japanese steel mill located in West Virginia. 8). Remarks of the senator at the Democrats for the 80's dinner: election of 958, ad-lib praise for Bob Graham. 9). remarks for the AIPAC breakfast: foreign relations, Israel support. 10). coal and steel problems facing West Virginia and nation. 11). business roundtable - international trade: fundraiser with Bob Graham. 12). Mitchel amendment - amend to tax bill: JDR supports amendment, argues against low capital gains tax. 13). points on tax shelters and passive losses. 14). Points for Princeton and/or Beckley Chamber meetings. Theme \"Getting coal moving now more important than ever.\" Reform staggers act. imported electric power from Canada. Colombian imports. exporting coal. 15). talking points on revenue sharing: accounts for 25% of all tax revenue for WV. 16) points on coal import amendment by Senator Ford. 17). remarks at Huntington Mall: importance of small businesses - SBA awards. 18). Shoemaker Square talking points: hall of fame, Mayor Shoemaker.","The Press releases series contains releases and media advisories created in Senator Rockefeller's office and distributed to media outlets. Releases range in date from 1988 to 2014.  Subjects of news statements and releases include health care, education, veterans, coal and steel industries, foreign relations, specifically with Japan and China, and other topics specific to West Virginia. The series also contains Congressional Records that were released monthly with news statements and press releases, as well as public announcements regarding special topics, such as Toyota Engine Plant expansion, Diamond Electric opening, and Gulf War veteran's treatment field hearings. There are also weekly commentary articles included and press kits on topics such as China Steel and West Virginia Coal and Public Safety. Beginning in 2001 through 2014, press releases were created and saved digitally.","1 of 2 folders","2 of 2 folders","1 of 3 folders","2 of 3 folders","3 of 3 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","1 of 2 folders","2 of 2 folders","The Photographs series contains print and digital images relating to Senator Rockefeller's personal life and political career and spans the years 1960 to 2014. The bulk of the photographs relate to his time as Senator. Most were taken by official Senate photographers, and some appear to have been taken by members of his staff. Photographs officially associated with his career in the Senate are stamped with a label on the back, while those taken by a professional photographer often are watermarked or labeled as such. The photographs range in size from 3\" x 3\" to 11\" x 14\", and can be found in black and white as well as color. Various negatives and contact sheets are also included and noted on the folders.","Photographic topics include scenes of speeches, campaign events, political meetings and hearings, formal governor and Senate portraits, personal and candid shots, and visitations throughout West Virginia, Washington, D.C., and abroad, namely in Japan, China, and Thailand. Images from the 1960s also relate to his time spent as a VISTA volunteer in Emmons, WV. Some photographs document the various institutions and organizations that Rockefeller brought to West Virginia, such as Toyota, as well as his topics of interest including cyber security, education, senior citizen welfare, manufacturing, and coal. Individuals represented throughout the photographs include various United States presidents, members of Congress, staff members, constituents, foreign dignitaries, and family members. ","Senator Rockefeller is referred to as \"JDR\" on folder and photograph descriptions, and some files include staff notes and press releases.","The Senate Photographic Studio (SPS) file contains digital photographs of JDR in Senate hearings, swearing-in ceremonies, in his Washington, D.C. office with constituents, and at other events, 1985-2014. The files were transferred on an external hard drive and arranged chronologically. The SPS scanned print photographs from JDR's early years in the Senate, and beginning in the mid-2000s, SPS photographers began using digital cameras to capture images. The years 1996 and 1998-2000 do not have images.","The Audiovisual Materials series contains moving image and sound recordings of Senator Rockefeller's activities throughout his Senate career. Records relate to legislative activities, such as hearings of the committees on which Senator Rockefeller served and of other bodies, such as the U.S. Senate Committee on Armed Services, the National Commission on Terrorist Attacks Upon the United States (\"9/11 Commission\"), the U.S. Senate Committee on Homeland Security and Governmental Affairs, and the National Security Agency.  ","Other activities documented include bill introductions, debates, votes, and nominations; speeches, such as State of the Union addresses and opposition responses and  Democratic National Conventions; summits, such as the National Summit on Children and Families; forums, such as the New Hampshire Democratic Health Forum; town hall meetings; roundtable discussions; conference calls; luncheons and dinners; visits to schools and hospitals; campaigns, rallies, and elections; and ceremonies, such as award presentations, ground breaking, presidential inauguration, retirement celebrations.  ","Subjects include the intelligence community; terrorism; airline security; chemical and nuclear weapons; telecommunications (e.g., cybersecurity, wire-tapping); the Persian Gulf War (1991); the Iraq War (2003-2011); health care reform; aging; Alzheimer's disease; the Children's Health Insurance Program; spina bifida; veterans' health (e.g., Gulf War syndrome); prescription drugs; Medicare; Medicaid; retirement; Social Security; welfare; child support; taxes; labor (e.g., unions, strikes, minimum wage); the federal budget; commerce; trade (e.g., Fast Track, General Agreement on Tariffs and Trade, North American Free Trade Agreement); product liability; coal, steel, and automotive industries; coal miners' health (e.g., black lung disease, mine safety); business in West Virginia; energy and the environment (e.g., alternative fuels, clean air); education; and national service (e.g., Volunteers in Service to America).  ","Many items contain television and radio news segments, interviews, and live coverage, but there are also campaign advertisements, video press releases with b-roll, some documentaries (e.g., Biography: \"The Rockefellers,\" 1994), music compilations (including JDR as a guest conductor), and unedited footage.","Television networks that produced material in this series include: A\u0026E, ABC, CBS, Christian Broadcasting Network, CNBC, CNN, C-SPAN, Fox, History Channel, MSNBC, NBC, PBS, and West Virginia Public Television.","Local television stations that produced material in this series include: KDKA, KIRO, WBOY, WCHS, WDTV, WETA, WGBH, WOAY, WOWK, WSAZ, WTAP, WTOV, WTRF, WTVJ, WVAH, WVNS, and WVVA.","Television programs excerpted in this series include: 60 Minutes, 60 Minutes II, The 700 Club, Biography, Charlie Rose, Dateline NBC, Face the Nation, Fox and Friends, Frontline, Good Morning America, Hardball, Larry King Live, Late Edition, Lou Dobbs Tonight, Meet the Press, Moneyline, NBC Nightly News, NewsHour, NewsNight, Nightline, Primetime Live, The MacNeil/Lehrer NewsHour, The Rachel Maddow Show, The Situation Room, The Today Show, This Week, Washington Week in Review, Weekend Live, and World News Tonight.","Radio networks and local radio stations that produced material in this series include: ABC Radio, KABC, KFBK, Minnesota Public Radio, National Public Radio, WAMU, WCHS, WEPM, West Virginia MetroNews, WETA, WGMS, WJEH, WJLS, WRKY, WRNR, WSTV, WSTV, and WWYO.","Radio programs excerpted in this series include: All Things Considered, the Christine Craft Show, Hal Bruno's Washington, John McLaughlin's One on One, Morning Edition, Talk of the Nation, Talkline, The Diane Rehm Show, and The Michael Jackson Show.","Organizations included in this series, in addition to those mentioned above, are: Alzheimer's Association; American Association of Retired Persons; American Hospital Association; Blanchette Rockefeller Neurosciences Institute; Charleston Area Medical Center; Chlopak, Leonard, Schechter \u0026 Associates; Eastern Panhandle Free Clinic; Elm Grove Elementary School; Fairfax Hospital; League of Women Voters; Mayo Clinic; Morgantown High School; National Commission on Children; National Policy Council; Peyton Elementary School; Philips; Rainelle Medical Center; Shepherd College; Sino Swearingen; Toyota Motor Corporation; United Mine Workers of America; United Steelworkers of America; University of Charleston; University of New Hampshire; Veterans' Affairs Medical Centers; Webster County High School; Weirton Steel; West Virginia University; Weston State Hospital; Wetzel County Hospital; Wheeling Hospital; Wheeling-Pittsburgh Steel; and Yale University.","People mentioned within this series include: Charlene Barshefsky, Osama Bin Laden, Wolf Blitzer, George W. Bush, Robert C. Byrd, Gaston Caperton, Shelley Moore Capito, Hillary Rodham Clinton, Bill Clinton, Lou Dobbs, Johnny Reid Edwards, Al Gore, Hoppy Kercheval, John Kerry, Larry King, Jessica Lynch, Joe Manchin III, Chris Matthews, Arch Moore, Barack Obama, Keith Olbermann, Condoleezza Rice, Charlie Rose, Arlen Specter, and Paula Zahn.   ","Places in West Virginia represented in this series include: Beckley, Benwood, Boone County, Buffalo, Cabin Creek, Charleston, Clarksburg, Fairmont, Fayette County, Hancock County, Huntington, Kenova, Martinsburg, McDowell County, Mercer County, Minden, Monongalia County, Montcoal, Morgantown, Moundsville, Mullens, New Martinsville, Newell, Nicholas County, Oak Hill, Parkersburg, Pineville, Pleasants County, Princeton, Rainelle, Randolph County, Ravenswood, Richwood, Ripley, Shady Spring, Shepherdstown, Shrewsbury, Stanaford, Webster County, Weirton, Weston, Wetzel County, and Wheeling.  ","Other places associated with this series include: Abu Ghraib, Iraq; Alabama; Arlington, Virginia; Atlanta, Georgia; Baghdad, Iraq; Boston, Massachusetts; Chicago, Illinois; Concord, New Hampshire; Durham, New Hampshire; Gallipolis, Ohio; Goreham, New Hampshire; Japan; Miami, Florida; New Hampshire; New Haven, Connecticut; New York, New York; Pittsburgh, Pennsylvania; Rye, New Hampshire; Steubenville, Ohio; Taiwan; Tokyo, Japan, and Washington, D.C. ","Network(s): WGBH-TV, PBS. Notes: TRT=58:31.","Network(s): WGBH-TV, PBS.","Network(s): Ch. 6.","Notes: Videocassette label includes \"Squier Knapp Ochs Comm.\"","Notes: Note attached to videocassette cover includes \"5 min. spot that ran before forum\".","Notes: [TRT=7:45].","Place(s): Charleston, West Virginia. Notes: TRT=4:28. Business card enclosed from Gerald McDonald, President, Huntington Area Development Council.","Notes: TRT=8:27.","Notes: TRT=22:00.","Program(s): The Today Show, CBS This Morning. Network(s): NBC, CBS.","Program(s): On the Record. Notes: TRT=28:52.","Notes: Videocassette label includes \"Squier-Eskew-Knapp\".","Network(s): Ch. 5, Ch. 12.","Notes: TRT=30:00.","Program(s): Nightly News. Network(s): NBC. Notes: Videocassette label includes \"NBC WASHINGTON\" and logo.","Venue(s): Harkness Auditorium, Yale University School of Medicine. Place(s): New Haven, Connecticut. Notes: TRT=1:06:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): CNN.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label includes \"4:30 PM - 8:30 PM\".","Notes: TRT=15:00.","Network(s): CNN.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"JDR defining Dem. Party\".","Network(s): WGBH-TV. Notes: TRT=1:00:00. Videocassette label and cover include WGBH logo.","Program(s): Fox Morning News. Network(s): Fox, WETA-TV.","Notes: Videocassette label includes \"Broadcast News Reports\".","Network(s): ABC. Notes: TRT=1:47:00.","Program(s): NBC News. Network(s): NBC. Notes: Videocassette label includes \"JDR: \"If George Bush had to run on his record, he would be run out of town.\"","Network(s): CBS, NBC.","Network(s): C-SPAN, CBS, NBC, CNN, ABC, Fox, . Notes: TRT=2:04:00.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"6PM\".","Network(s): WSAZ-TV, NBC, WCHS-TV, ABC. Notes: Videocassette label includes \"11:00\".","Network(s): WOAY-TV, ABC. Place(s): Oak Hill and Beckley, West Virginia.","Network(s): C-SPAN. Notes: TRT=1:30:00.","Network(s): CNN, ABC, Fox, NBC, PBS.","Program(s): John McLaughlin's One on One, The McLaughlin Group. Network(s): PBS.","Program(s): Fox Morning News. Network(s): Fox.","Program(s): Face the Nation. Network(s): CBS. Place(s): Washington, D.C.","Notes: TRT=39:00. Videocassette label and cover include \"Capitol Video Communications, Inc.\" and logo.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Network(s): ABC.","Network(s): CBS, Fox.","Notes: TRT=7:27.","Notes: TRT=1:50:00.","Place(s): Parkersburg, West Virginia.","Notes: TRT=1:34:00.","Event(s): Democratic National Convention. Venue(s): Madison Square Garden. Place(s): New York, New York.","Notes: Three copies held; 40+ additional copies to be returned or recycled. Five copies removed from A\u0026M 4050 III. A. \"How the President's Health Care Plan Works\" video, 1992.","Notes: TRT=12:30. Videocassette cover includes \"A Government Service Message from the nurses of the National Nurses in Business Association.","Network(s): WGBH-TV.","Network(s): CNN.","Network(s): NHK (Japan Broadcasting Corporation).","Network(s): C-SPAN. Notes: TRT=20:00. Videocassette label and cover indicate that C-SPAN distributed this videocassette.","Program(s): Fox Morning News. Network(s): Fox. Notes: Videocassette label includes \"8:25 AM\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Event(s): National Press Club annual dinner. Place(s): Washington, D.C. Notes: 4050_vhs_0287 and 4050_vhs_0288 were bound with a rubber band.","Program(s): Good Morning America, Moneyline, Nightline. Network(s): ABC, CNN, CBS.","Program(s): Nightline. Network(s): ABC.","Program(s): The MacNeil/Lehrer NewsHour, Nightline. Network(s): PBS, ABC. Notes: TRT=2:38:00.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): The MacNeil/Lehrer NewsHour, Eye on America. Network(s): PBS, CBS. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette cover includes \"SDG-50\" and \"DPC 'raw tape'\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=15:00.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Network(s): WTVJ-TV. Place(s): Miami, Florida.","Place(s): Washington, D.C. Notes: Videocassette label includes \"SDG-50\" and \"DPC 'raw tape'\".","Place(s): Washington, D.C.","Program(s): Eye on America. Network(s): NBC, CNN, CBS.","Notes: Videocassette label includes \"11:30 PM\".","Network(s): NBC.","Network(s): CNN.","Network(s): WGBH-TV.","Program(s): Nightline. Network(s): ABC. Notes: TRT=30:00.","Network(s): CBS.","Network(s): NBC.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:00:00.","Network(s): CNN.","Network(s): CNBC.","Place(s): Washington, D.C.","Program(s): CBS Morning News. Network(s): CBS.","Notes: TRT=6:13 (approximate). Broadcast schedule enclosed.","Network(s): CBS.","Network(s): NBC.","Place(s): Weirton, West Virginia. Notes: TRT=4:00.","Program(s): Good Morning America. Network(s): ABC. Notes: TRT=2:25.","Notes: TRT=5:18.","Notes: TRT=6:03.","Notes: TRT=58:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): ABC. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=6:30.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Dub\".","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: Videocassette label includes \"Master\".","Place(s): Washington, D.C.","Network(s): CNBC.","Network(s): CNN.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=0:30. Videocassette label includes \"Clinton/Gore Creative Team.\"","Place(s): Charleston, West Virginia.","Notes: TRT=7:30. Videocassette cover includes \"John Franzén Multimedia\" and logo.","Place(s): Washington, D.C.","Notes: TRT=1:00. Videocassette label includes \"Greer, Margolis, Mitchell, Grinwald \u0026 Assoc.\"","Place(s): Washington, D.C.","Place(s): Princeton, West Virginia.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=10:00.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Atlanta, Georgia.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates,\" and \"Capitol Video Communications, Inc.\" and logo.","Event(s): Presidential debates.","Network(s): ABC.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): ABC. Event(s): Presidential election.","Network(s): CNN.","Notes: TRT=25:00.","Notes: TRT=33:00.","Notes: Note attached to videocassette cover includes \"This tape has Tommy Boggs delivering JDR's remarks re: Ron Brown since JDR could not attend.\"","Network(s): C-SPAN.","Notes: Copyright USA Health Network Company, Inc.","Place(s): Huntington, West Virginia. Notes: TRT=12:15. Attached note includes \"WV Economic Development Tapes.\"","Network(s): ABC. Notes: TRT=1:00:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Primetime Live. Network(s): ABC. Notes: TRT=58:00.","Event(s): United States presidential inauguration. Place(s): Washington, D.C.","Network(s): C-SPAN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): Inside Politics. Network(s): CNN. Event(s): State of the Union Address. Place(s): Washington, D.C. Notes: Videocassette label includes \"4:30 PM\".","Notes: TRT=30:00.","Network(s): CNN.","Network(s): CNN. Place(s): Pineville, West Virginia.","Network(s): ABC, NBC.","Notes: TRT=approximately 48:00. Videocassette label includes Medical News Network logo.","Program(s): The Today Show, Fox Morning News. Network(s): NBC, Fox. Notes: TRT=10:00.","Program(s): Prime News. Network(s): CNN. Notes: TRT=3:00:00.","Program(s): Fox Morning News. Network(s): Fox. Notes: Title only on note attached to videocassette cover.","Program(s): The Today Show. Network(s): NBC. Notes: Title only on note attached to videocassette cover.","Notes: TRT=3:21.","Notes: TRT=8:21.","Place(s): Washington, D.C.","Notes: TRT=40:00.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=9:00.","Network(s): CBS, ABC. Notes: TRT=56:00.","Network(s): C-SPAN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: Videocassette label includes \"'Rainelle' — 'New Martinsville' — 'Martinsburg' — 'Cabin Creek'\".","Notes: Videocassette label includes \"MASTER\".","Network(s): WOAY-TV, ABC.","Place(s): [Morgantown, West Virginia]. Notes: Videocassette label includes \"West Virginia University Health Sciences Center\".","Network(s): CNN, CBS.","Network(s): ABC. Notes: TRT=3:00.","Network(s): C-SPAN. Notes: Copyright: 1992 National Cable Satellite Corporation.","Program(s): Frontline. Network(s): PBS.","Program(s): Frontline. Network(s): PBS. Notes: TRT=1:00. Videocassette label and cover include \"WETA\" and logo.","Notes: TRT=60:00.","Program(s): Inside Politics. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=2:00:00.","Place(s): Chicago, Illinois.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline, Nightline. Network(s): CNN, ABC.","Network(s): WGBH-TV.","Place(s): Washington, D.C. Notes: Videocassette label includes \"5:45 PM\".","Network(s): ABC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WCHS-TV, ABC. Notes: Videocassette label includes \"11:00 PM\".","Place(s): Bluefield, West Virginia.","Place(s): Oak Hill, West Virginia.","Notes: TRT=1:05:00.","Program(s): NBC Today. Network(s): NBC. Notes: TRT=9:00.","Network(s): WVEA [West Virginia Education Association]/KTA. Notes: Business card attached, from Jackie Goodwin, Director of Communications, WVEA, with contact info and \"To: Marissa Spadafore — This is a copy of the video which Senator Rockefeller graciously was interviewed for. It was used as an internal membership piece for Kanawha County. I thought you would want a copy for your files.\"","Network(s): ABC. Notes: TRT=3:00.","Notes: TRT=17:00.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns and Associates,\" and \"Henninger Video\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=6:00.","Program(s): Sunday Journal. Network(s): C-SPAN. Notes: Business card attached, from Geoffrey Baum, Producer, C-SPAN, with contact info.","Place(s): Minnesota. Notes: Videocassette cover includes \"Mayo Clinic\" and logo.","Program(s): Face the Nation, Meet the Press. Network(s): CBS, NBC. Notes: TRT=1:30:00.","Notes: TRT=30:00.","Notes: TRT=53:00.","Network(s): WSAZ-TV.","Network(s): WSAZ-TV, WCHS-TV, WOWK-TV.","Notes: TRT=45:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): CBS, PBS.","Notes: TRT=57:00.","Notes: TRT=57:00.","Place(s): Newell, West Virginia.","Notes: TRT=58:49.","Place(s): Washington, D.C.","Network(s): ABC.","Program(s): Late Edition. Network(s): CNN.","Notes: TRT=28:30.","Notes: TRT=4:47. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=3:06. Videocassette label and cover include \"Henninger Video\" and logo.","Notes: TRT=2:00:00.","Notes: TRT=27:36. Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Notes: TRT=57:27.","Program(s): The Today Show, Late Edition. Network(s): NBC, CNN. Notes: TRT=6:00.","Program(s): Nightline, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS. Notes: TRT=54:00.","Notes: TRT=12:00.","Network(s): CBS. Notes: TRT=2:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Notes: TRT=6:00.","Place(s): Pittsburgh, Pennsylvania.","Network(s): ABC, NBC. Notes: TRT=4:00.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Program(s): Moneyline. Network(s): CNN.","Notes: TRT=0:30. Videocassette label and cover includes \"Modern Video Productions\" and logo.","Network(s): CNN.","Program(s): The Today Show, The MacNeil/Lehrer NewsHour. Network(s): NBC, PBS. Notes: TRT=19:00.","Place(s): Weston, West Virginia. Notes: TRT=1:30:00.","Program(s): Washington Week in Review. Network(s): PBS. Notes: TRT=26:46.","Notes: Videocassette label and cover include \"Squier/Knapp/Ochs\".","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Notes: TRT=0:30. Videocassette label and cover include \"Chlopak, Leonard, Schechter,\" and \"Henninger Video\" and logo.","Network(s): C-SPAN.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=27:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover include \"Chlopak, Leonard \u0026 Schechter,\" and \"Henninger Video\" and logo.","Place(s): Washington, D.C. Notes: TRT=12:00.","Place(s): Washington, D.C.","Program(s): Today, CBS This Morning. Network(s): NBC, CBS. Notes: TRT=4:00.","Program(s): Primetime Live. Network(s): ABC.","Place(s): Richwood, West Virginia. Notes: TRT=1:35:00 (approximate). Videocassette label includes \"airmaster copy.\"","Network(s): C-SPAN.","Network(s): C-SPAN.","Network(s): NBC. Notes: TRT=3:00.","Program(s): Biography. Network(s): A\u0026E Television Networks. Notes: Title from videocassette cover, which also includes \"12/26/06\"; no videocassette labels.","Place(s): Washington, D.C.","Network(s): WSAZ-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS. Notes: TRT=14:00.","Network(s): ABC. Notes: TRT=5:00.","Notes: TRT=1:00 (approximate). Videocassette label and cover includes \"Complete Post, Inc.\" and logo.","Network(s): ABC. Notes: TRT=4:49.","Network(s): ABC. Notes: TRT=5:00.","Notes: Videocassette label and cover include \"Grunwald Eskew \u0026 Donilon,\" and \"Henninger Capitol\" and logo.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=7:00.","Program(s): CBS This Morning. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=1:30:00. Videocassette label includes \"West Virginia Department of Health \u0026 Human Resources.\" Letter enclosed from Ann H. Garcelon, Communications Director, State of West Virginia Department of Health and Human Resources, to JDR re: this \"Public Health Teleconference.\"","Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=7:00.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Network(s): Channel 3, Channel 13. Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Notes: Letter, and business card, enclosed from Gretchen Goldsmith, Producer, The Crusaders, to Dan Rauh includes \"Per the instructions of Ralph Rivera of PT Phone Home, enclosed is a copy of The Crusaders' segment on the organization. Ralph indicated that the tape would be shown to the member of the Senate Veterans' Affairs Committee.\" Enclosed note includes \"To: Todd Glass — Return to Dan Rauh, Vets' Committee.\"","Notes: TRT=29:10.","Network(s): Ch. 3, Ch. 8, Ch. 13.","Network(s): CNN. Place(s): Kenova, West Virginia.","Notes: Videocassette cover includes \"John Franzén Multimedia\" and logo.","Network(s): WOWK-TV.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: TRT=5:00.","Notes: TRT=1:15:00.","Notes: TRT=1:32:00.","Network(s): CNN.","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=11:40. Attached note includes \"Todd: For your viewing pleasure — Be kind --- we're still improving! [signed] K\".","Program(s): 60 Minutes. Network(s): CBS.","Notes: TRT=25:30. Attached note includes \"Todd — Please save in the JDR-WV great video clips. Thanks.\"","Notes: TRT=32:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=18:00.","Notes: TRT=10:00.","Notes: TRT=2:10.","Place(s): New Martinsville, West Virginia.","Notes: Videocassette label and cover includes \"Modern Video Productions\" and logo.","Place(s): Washington, D.C.","Network(s): KIRO-TV. Notes: TRT=51:00. Videocassette label includes \"Third Avenue Productions.\"","Notes: TRT=2:00 (approximate).","Notes: TRT=29:50.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Network(s): ABC, C-SPAN. Notes: TRT=1:38:00.","Event(s): [National Press Club annual dinner]. Place(s): Washington, D.C. Notes: Business card enclosed from Melissa M. Bender, Executive Assistant to the President, National Press Club.","Network(s): C-SPAN.","Place(s): Topeka, Kansas. Notes: Attached note includes \"Laura Quinn — 109 HART\".","Place(s): Beckley, West Virginia; [Welch, West Virginia].","Network(s): WNPB-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Videocassette label includes \"TIME: 9:28 to 11:54\".","Notes: Attached note includes \"Mindy/Rich/others — For your viewing pleasure. JDR at M.U. [signed] Lou Ann\".","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=46:00.","Place(s): Washington, D.C.","Place(s): Shrewsbury, WV.","Network(s): WVVA-TV.","Network(s): WOAY-TV, WVVA-TV.","Program(s): The MacNeil/Lehrer NewsHour. Network(s): PBS.","Network(s): WSAZ-TV. Notes: TRT=30:00.","Notes: Videocassette label and cover include \"Squier Knapp Ochs,\" and \"Interface Video Systems, Inc.\" and logo.","Notes: TRT=9:58. Videocassette label includes \"Fingerhut, Powers, Smith \u0026 Associates, Inc.\" and \"David Sandretti \u0026 Phil Smith, Producers.\" Includes pamphlet from Save America's Families Coalition.","Place(s): Arlington, Virginia.","Notes: TRT=1:30 (approximate). Television commercial script enclosed for each ad.","Program(s): The MacNeil/Lehrer NewsHour, ABC World News Tonight. Network(s): PBS, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Notes: TRT=5:22.","Program(s): CBS Evening News. Network(s): CBS.","Place(s): Washington, D.C.","Program(s): Nightline. Network(s): ABC.","Notes: TRT=20:00.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: Appears to have been transferred to DVD.","Notes: Appears to have been transferred to DVD.","Network(s): [WSWP-TV].","Notes: Enclosed is an index to the 15 ads, re: Paul Wellstone, Max Baucus, and Jack Reed.","Network(s): WVVA-TV. Event(s): State of the State address. Place(s): Beckley, West Virginia.","Network(s): CBS.","Network(s): CBS. Notes: Attached note refers to an enclosed story on miners legislation with JDR and Alan Law.","Event(s): State of the Union address. Place(s): Washington, D.C.","Notes: Has been transferred to DVD.","Notes: Has been transferred to DVD.","Network(s): CNN.","Network(s): WVVA-TV.","Program(s): CNN Presents. Network(s): CNN.","Network(s): WOAY-TV, CBS, CNN, NBC. Place(s): Wyoming; Washington, D.C.","Program(s): This Week, Nightline, The Today Show. Network(s): WCHS-TV, WSAZ-TV, WOAY-TV, WTRF-TV, CBS, ABC, NBC. Place(s): Charleston, West Virginia; Wheeling, West Virginia; Washington, D.C.; Clarksburg, West Virginia.","Place(s): Washington, D.C.","Network(s): WOWK-TV, WSAZ-TV.","Program(s): 60 Minutes. Network(s): WCHS-TV, CNN, CBS, ABC.","Notes: Attached note includes \"WCHS — 4-1-96\".","Program(s): NewsHour. Network(s): PBS. Notes: TRT=10:00.","Event(s): 50th anniversary of UMWA Health Fund. Venue(s): The White House. Place(s): Washington, D.C. Notes: Attached note includes \"These tapes are both raw footage…\".","Program(s): Larry King Live. Network(s): CNN.","Program(s): Larry King Live. Network(s): CNN.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Network(s): WBOY-TV. Place(s): Washington, D.C.; Bridgeport, West Virginia.","Network(s): Channel 5, Channel 12.","Program(s): 60 Minutes. Network(s): CBS, C-SPAN. Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: TRT=52:37.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Notes: TRT=10:33. Videocassette label includes \"The Arnold Agency\" and logo.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois.","Program(s): Larry King Live. Network(s): CNN.","Notes: TRT=8:00.","Network(s): CNN, CBS, MSNBC.","Network(s): CNN.","Notes: TRT=00:30. Videocassette label includes \"Split Ch. Audio, Dub in Mix.\"","Program(s): Nightline. Network(s): ABC.","Program(s): The 700 Club. Network(s): Christian Broadcasting Network. Notes: Attached business card from Emily Murray, Assistant Producer, CBN News.","Program(s): Fox Morning News. Network(s): Fox.","Notes: TRT=0:30. Videocassette label and cover include \"KLM Video, Inc.\" and logo.","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Place(s): Wheeling, West Virginia. Notes: Videocassette label includes \"Kellas Grindley Productions, Wheeling, WV\".","Notes: TRT=60:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=4:48.","Network(s): CNN. Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Washington, D.C.","Notes: TRT=4:35.","Place(s): Stanaford, West Virginia. Notes: TRT=6:30. Videocassette label includes \"Appalachian Video Productions, Inc.\"","Notes: Business cards attached from Barry Cohn, Broadcast Producer, Dept. of Science News, American Medical Association, and Emily Murray, Assistant Producer, CBN News.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Notes: TRT=15:00.","Network(s): CTS News. Place(s): Taiwan. Notes: Enclosed note from Jennifer Zimdahl Galt, Chief of Information Unit, and AIT Spokesperson, includes \"Jane — As promised, please find enclosed a tape of the TV talk show interview with Senator Rockefeller. They only used a minute or so.\"","Network(s): WOWK-TV.","Network(s): NBC. Notes: TRT=2:00.","Network(s): CNN, CBS, MSNBC.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Network(s): ABC, CNN, NBC.","Place(s): Washington, D.C.","Notes: TRT=20:51.","Place(s): Washington, D.C.","Place(s): Wheeling, West Virginia. Notes: TRT:9:00.","Program(s): Good Morning America. Network(s): ABC.","Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): NewsHour. Network(s): PBS.","Program(s): World News Tonight. Network(s): ABC. Notes: Videocassette label includes U.S. Senate logo. Attached note includes \"Senator Rockefeller, this is a \"rough\" cut of tomorrow's caucus video. —Kim.\"","Program(s): The Today Show. Network(s): NBC. Notes: TRT=3:00.","Network(s): WPBY-TV. Place(s): Clarksburg, West Virginia.","Event(s): Philips Lighting press conference.","Program(s): CBS Morning News. Network(s): CBS. Notes: TRT=5:00.","Notes: TRT=17:00.","Network(s): CNN. Place(s): Washington, D.C.","Network(s): WFRF.","Program(s): Nightline. Network(s): ABC.","Notes: Videocassette label includes U.S. Senate logo.","Network(s): WCHS-TV, ABC, WOWK-TV, CBS.","Network(s): WSTV, WTRF-TV, CBS. Place(s): Wheeling, West Virginia.","Notes: TRT=0:59.","Place(s): Martinsburg, West Virginia.","Place(s): Mercer and McDowell Counties, West Virginia.","Place(s): [California].","Network(s): WCHS-TV, ABC, WSAZ-TV, NBC.","Program(s): Frontline. Network(s): WGBH-TV/PBS. Notes: Videocassette label includes \"WGBH\".","Notes: Videocassette cover includes \"Airport News and Training Network\" and attached business card from J. Spencer Dickerson, Executive Vice President, The American Association of Airport Executives\".","Notes: Videocassette cover includes \"Airport News and Training Network\".","Notes: TRT=10:00.","Program(s): Nightline. Network(s): ABC. Notes: TRT=21:56.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:58:00.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Horizons Television, Inc.\"","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Network(s): WOWK-TV, WCHS-TV, WSAZ-TV.","Program(s): CBS Evening News. Network(s): CBS.","Network(s): WOAY-TV, ABC. Notes: Information from attached note; no videocassette labels.","Venue(s): The White House. Place(s): Washington, D.C. Notes: TRT=6:00:00. Videocassette label includes \"Social Security Administration Regional Public Affairs Office.\"","Network(s): WOWK-TV, WSAZ-TV.","Network(s): WTRF-TV.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Network(s): WTOV-TV.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Moneyline. Network(s): CNN.","Program(s): Internight. Network(s): MSNBC. Notes: TRT=7:40.","Network(s): MSNBC, Fox.","Program(s): Meet the Press. Network(s): NBC.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Place(s): Beckley, West Virginia.","Notes: TRT=12:00.","Notes: Videocassette label and cover include \"Bozell Eskew Advertising\".","Network(s): News4 Camcare. Event(s): Dedication of the MS Clinic at the Charleston Area Medical Center. Venue(s): MS Clinic at the Charleston Area Medical Center. Place(s): Charleston, West Virginia. Notes: Includes letter, under Camcare Health Education and Research Institute letterhead, from Jerry Handley, Network Specialist, to Ms. Joy Sims, Press Office, Office of Senator Jay Rockefeller, regarding enclosed videotape containing excerpts of Rockefeller's remarks at the dedication of the MS Clinic at the Charleston Area Medical Center on May 24th, 1999.","Network(s): WVVA-TV, WOAY-TV. Venue(s): Rainelle Medical Center. Place(s): Rainelle, West Virginia.","Network(s): WSAZ-TV.","Network(s): WCHS-TV.","Network(s): WOWK-TV.","Notes: TRT=0:30. Videocassette label and cover include \"Greer, Margolis, Mitchell, Burns \u0026 Associates, Inc.\" and logo.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Place(s): Mullens, West Virginia. Notes: TRT=9:35. Videocassette label includes \"West Virginia National Guard\" and \"Produced by Detachment 1, 196th MPAD, WVARNG.\"","Notes: TRT=1:26:00.","Event(s): Toyota Lexus Announcement. Place(s): Buffalo, West Virginia. Notes: Videocassette label includes \"Image Associates\" and logo.","Notes: Videocassette label and cover includes \"Motion Masters\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia.","Network(s): WOWK-TV. Place(s): Charleston, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=2:00:00.","Notes: TRT=7:16. Videocassette label includes \"Produced by: Ray Miller, West Virginia University Television Productions.\"","Network(s): CNN.","Network(s): CNN. Notes: TRT=1:00:00. Videocassette label includes \"5:30 PM - 6:30 PM.\"","Network(s): Fox.","Network(s): WOWK-TV.","Notes: Has been transferred to DVD.","Notes: Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:08.","Notes: TRT=12:00. Has been transferred to DVD.","Notes: Has been transferred to DVD.","Notes: TRT=12:04.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Notes: TRT=48:00. Has been transferred to DVD.","Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): CNNfn.","Event(s): United Steelworkers of America rally.","Network(s): CBS.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"11:00 PM\".","Network(s): WCHS-TV, ABC.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C. Notes: TRT=15:00.","Network(s): Fox. Notes: TRT=5:00.","Notes: TRT=1:07:00.","Network(s): WOAY-TV, ABC.","Place(s): Shady Spring, West Virginia.","Network(s): WOAY-TV, ABC.","Notes: TRT=27:00.","Network(s): WOAY-TV, ABC.","Network(s): Fox.","Network(s): Fox. Notes: Videocassette label includes Fox News letterhead and contact info.","Network(s): NBC.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=2:00 (approximate).","Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): WOAY-TV, ABC.","Notes: TRT=1:00. Videocassette cover includes \"version 6.\"","Network(s): WOAY-TV, ABC.","Network(s): CNN.","Network(s): West Virginia Public Broadcasting.","Program(s): Meet the Press. Network(s): NBC. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WOWK-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Network(s): WSAZ-TV. Notes: Content information on videocassette cover only; videocassette unlabeled.","Program(s): Paula Zahn Now. Network(s): CNN.","Program(s): Paula Zahn Now. Network(s): CNN.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Studio B. Network(s): Fox. Notes: Videocassette cover includes \"3 PM\".","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Network(s): Fox, CNN, MSNBC. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Notes: TRT=45:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=1:00:00.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Program(s): Late Edition, Weekend Live. Network(s): CNN, Fox.","Network(s): WOWK-TV, CBS, CNN, Fox.","Program(s): Nightly News, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): World News Tonight, American Morning, Fox and Friends. Network(s): ABC, CNN, Fox.","Program(s): Late Edition, Weekend Live, World News Tonight, American Morning, Fox and Friends, Larry King Live. Network(s): CNN, Fox, ABC, CNN, CNBC, NBC.","Network(s): WOAY-TV, ABC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Place(s): Washington, D.C. Notes: TRT=5:00.","Network(s): WOAY-TV, ABC.","Place(s): Washington, D.C.","Program(s): NewsHour, Meet the Press, Late Edition. Network(s): Fox, PBS, NBC, CNN. Notes: Videocassette label includes \"Newshour (soundbite from tax conference meeting)\".","Place(s): Washington, D.C.","Program(s): American Morning, Today, Capitol Report, World News Tonight. Network(s): CNN, NBC, CNBC, Fox, ABC.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=9:00.","Network(s): CNN.","Network(s): NBC. Notes: TRT=6:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:30:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=55:00.","Network(s): CNN, MSNBC. Notes: TRT=≥1:00:00.","Network(s): CNN. Notes: Videocassette label includes \"5:40-6:15PM\".","Network(s): CNN. Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C.","Program(s): Fox News Sunday. Network(s): Fox. Notes: TRT=2:00.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=approximately 15:00.","Program(s): NBC Nightly News. Network(s): NBC.","Program(s): Hardball. Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): CNN, MSNBC, Fox.","Network(s): CNN.","Network(s): CNN. Notes: Videocassette label includes \"9:00am\".","Network(s): ABC, CBS, NBC. Notes: TRT=1:32:00.","Place(s): Washington, D.C. Notes: TRT=13:00.","Network(s): ABC.","Program(s): Fox News Sunday. Network(s): Fox.","Program(s): 60 Minutes II. Network(s): CBS. Notes: TRT=1:00:00.","Place(s): Washington, D.C. Notes: TRT=7:00. Videocassette label includes \"11:00 AM.\"","Program(s): Face the Nation. Network(s): CBS.","Network(s): ABC, CBS, NBC.","Network(s): C-SPAN. Notes: TRT=1:30:00. Videocassette label includes \"10:30 AM - 12:00 PM.\"","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=60:00.","Network(s): Fox. Notes: TRT=60:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Network(s): Fox. Notes: TRT=1:00:00. Videocassette label includes \"9:00 PM - 10:00 PM.\"","Place(s): Washington, D.C. Notes: TRT=11:00.","Program(s): Hardball. Network(s): MSNBC.","Program(s): Larry King Live, Hardball. Network(s): CNBC, CNN, NBC, MSNBC.","Network(s): WBOY-TV, West Virginia Media. Notes: Videocassette label includes WBOY-TV logo.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=30:00.","Network(s): CNN. Notes: No videocassette cover.","Network(s): WSAZ-TV, NBC. Place(s): Huntington, West Virginia. Notes: Videocassette label includes \"6:30AM.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Notes: No videocassette cover.","Place(s): Richwood, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=60:00.","Notes: TRT=11:58.","Notes: TRT=11:58. Has been transferred to DVD.","Notes: TRT=8:08. Has been transferred to DVD.","Event(s): State of the Union Address. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=21:04.","Network(s): Fox.","Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"6-7:00 PM.\"","Network(s): MSNBC. Notes: TRT=60:00. Videocassette label includes \"7-8:00 PM.\"","Program(s): NBC Nightly News. Network(s): CBS, NBC. Notes: TRT=12:00.","Program(s): CBS Evening News, NBC Nightly News, MSNBC Hardball, CNN Late Edition. Network(s): CBS, NBC, CNN, MSNBC, Fox. Notes: Videocassette label indicates 13 segments.","Network(s): CNN. Notes: TRT=1:00:00.","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Late Edition Sunday. Network(s): CNN. Notes: TRT=60:00. Videocassette label includes \"12:00 - 1:00 PM.\"","Program(s): 60 Minutes. Network(s): CBS. Notes: Videocassette label includes \"John Nolen\".","Event(s): John Kerry rally in West Virginia.","Program(s): NBC News. Network(s): NBC. Notes: TRT=13:08.","Notes: TRT=21:05.","Network(s): WSAZ-TV, NBC. Notes: Videocassette label includes \"11:00pm.\" Videocassette cover includes company information: TV Newsfile, West Virginia and National Television News Monitor, ADMIX Broadcast Service (with contact information).","Network(s): CNN.","Program(s): CBS Evening News. Network(s): CBS. Notes: TRT=30:00.","Notes: TRT=3:35.","Notes: TRT=3:35.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C.","Network(s): CNN, Fox.","Program(s): 60 Minutes. Network(s): CBS. Notes: TRT=14:00.","Program(s): CNN Sunday Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): ABC World News Tonight. Network(s): ABC, CNN.","Program(s): Charlie Rose. Network(s): PBS.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Network(s): CNN.","Network(s): Fox.","Place(s): Morgantown, West Virginia.","Program(s): Late Edition. Network(s): CNN. Notes: TRT=1:00:00.","Program(s): Hardball. Network(s): MSNBC. Notes: TRT=1:00:00.","Event(s): National Commission on Terrorist Attacks Upon the United States (9/11 Commission). Place(s): Washington, D.C. Notes: No videocassette cover.","Network(s): ABC, CBS, NBC. Notes: TRT=1:24:00.","Program(s): Fox News Sunday. Network(s): MSNBC, Fox. Notes: TRT=2:00:00. Videocassette label includes \"MSNBC 7-8PM July 9, Fox News Sunday July 11.\"","Network(s): CNBC, CNN. Notes: TRT=2:00:00. Videocassette label includes \"CNBC from 7-8PM and CNN from 10-11PM.\"","Network(s): CNN. Notes: TRT=1:00:00.","Program(s): NewsHour. Network(s): PBS.","Program(s): Hardball. Network(s): CNN, Fox, MSNBC.","Program(s): Face the Nation. Network(s): CBS. Notes: TRT=25:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=50:00.","Program(s): NewsNight. Network(s): CNN.","Network(s): CNBC. Notes: Videocassette label includes \"7-8:00 pm\".","Network(s): CNN.","Network(s): CNN.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: TRT=1:20:00.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts.","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Event(s): Democratic National Convention. Venue(s): FleetCenter. Place(s): Boston, Massachusetts. Notes: Videocassette label includes \"6:00 PM - 12:00 AM\".","Network(s): Fox. Notes: TRT=6:20.","Network(s): MSNBC. Notes: TRT=5:30.","Event(s): Government Affairs hearing. Notes: TRT=3:13:00.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=60:00.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Armed Services. Place(s): Washington, D.C.","Program(s): Hardball. Network(s): Fox, MSNBC, CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:00:00.","Network(s): ABC, CBS, NBC. Notes: TRT=2:00.","Network(s): CNN.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=4:30:00.","Program(s): CBC [CBS] Evening News. Network(s): CBC [CBS].","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=2:05:00.","Program(s): NewsNight. Network(s): CNN.","Event(s): UN General Assembly meeting. Venue(s): UN General Assembly building. Place(s): New York, New York.","Event(s): Allawi speech to Congress. Place(s): Washington, D.C.","Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Program(s): Late Edition. Network(s): CNN.","Network(s): CNN.","Network(s): Fox, CNN.","Network(s): CNN.","Network(s): CNN.","Program(s): This Week. Network(s): ABC, CNN.","Network(s): West Virginia Public Television.","Network(s): CBS. Notes: TRT=30:00.","Program(s): Face the Nation, The Early Show. Network(s): CBS.","Network(s): CNN.","Program(s): Lou Dobbs Tonight, Hardball. Network(s): CNN, MSNBC. Event(s): Trial of Saddam Hussein.","Network(s): Fox.","Program(s): Lou Dobbs Tonight. Network(s): CNN, Fox, NBC.","Program(s): Lou Dobbs Tonight. Network(s): Fox, CNN. Event(s): State of the Union Address. Place(s): Washington, D.C.","Network(s): Fox.","Program(s): Late Edition. Network(s): CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: Videocassette label includes U.S. Senate logo.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:20:00. Videocassette label includes \"10:00 AM - 1:19 PM.\"","Network(s): CNN.","Network(s): Fox.","Network(s): Fox, CNN.","Program(s): Frontline. Network(s): PBS.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=25:00.","Network(s): NBC.","Program(s): 60 Minutes II. Network(s): CBS.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=1:56:00.","Program(s): Meet the Press. Network(s): NBC. Notes: TRT=42:00.","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Geoff Garin\".","Place(s): Charleston, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Geoff Garin\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Beckley, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 8:00pm to 10:00pm — Moderator: Mark Bunge\".","Place(s): Clarksburg, West Virginia. Notes: Videocassette label includes \"WV STATEWIDE — 6:00pm to 8:00pm — Moderator: Mark Bunge\".","Program(s): Nightline. Network(s): ABC.","Network(s): WSAZ-TV. Notes: Title from note attached to videocassette cover.","Place(s): Washington, D.C.","Place(s): Charlotte, North Carolina.","Network(s): ABC, NBC, CBS. Notes: TRT=10:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Network(s): C-SPAN. Place(s): Washington, D.C. Notes: Professionally produced C-SPAN videotape (ID: 189201 - Part 1 of 1) and cover. Description on back cover: \"Representative Capito was interviewed about the future of the Republican Party, West Virginia politics, and her decision not to run against Sen. Byrd in 2006. She also discussed her major in zoology at Duke University as well as the naming of her children, Charles Capito III and Shelley XIII. Pictures of Representative Capito, her family, and soldiers were shown intermittently during the program.\" Copyright: 2005 National Cable Satellite Corporation.","Program(s): Nightline. Network(s): ABC. Notes: Videocassette label includes \"Dub\".","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Network(s): ABC, CBS, NBC. Notes: TRT=1:03:00.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Network(s): West Virginia Public Television. Notes: Videocassette label includes \"West Virginia Public Television\" and logo. Date is broadcast date.","Network(s): CNN.","Program(s): NewsHour. Network(s): PBS. Notes: TRT=53:10.","Program(s): Hannity \u0026 Colmes. Network(s): Fox. Notes: Attached note includes \"Bill Bennett \u0026 Wes Clark. JDR was frequently discussed.\"","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:10:00 (approximate).","Program(s): NewsHour. Network(s): ABC, CBS, NBC, PBS. Notes: TRT=1:55:00.","Network(s): PBS.","Network(s): WOWK-TV, CBS.","Network(s): NBC. Notes: TRT=22:55.","Network(s): ABC. Notes: TRT=30:00.","Network(s): ABC, CBS, NBC. Notes: TRT=1:10:00.","Network(s): ABC, NBC. Notes: TRT=42:00.","Network(s): CBS. Notes: TRT=20:00.","Network(s): WVNS-TV, Fox.","Notes: Business card attached, from Philippe Diaz, Cinema Libre Studio, with contact info.","Place(s): Washington, D.C.","Network(s): WTRF-TV, CBS.","Notes: Note on cover includes \"Piece on poor water safety during Marine training. Not that interesting, but thought it might still be useful… —Chris\".","Event(s): House of Representatives debate. Venue(s): House of Representatives. Place(s): Washington, D.C. Notes: TRT=5:30.","Event(s): United Steelworkers of America Wheeling-Pitt strike. Place(s): Wheeling, West Virginia; Pittsburgh, Pennsylvania.","Notes: Videocassette label includes \"Note this is a short segment\".","Program(s): Charlie Rose. Network(s): PBS.","Network(s): Fox.","Network(s): CNN.","Event(s): United Steelworkers of America convention.","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Venue(s): West Virginia University. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes \"A forum hosted by U.S. Senator Robert C. Byrd at West Virginia University\".","Event(s): West Virginia Air Service Summit. Notes: TRT=1:04:40.","Event(s): West Virginia Air Service Summit. Notes: TRT=1:54:17. Videocassette label indicates welcoming remarks by Governor Underwood and Senator Rockefeller.","Event(s): West Virginia Air Service Summit. Notes: TRT=2:00:51.","Place(s): Washington, D.C.","Notes: Videocassette label includes \"Retiree James McMahon, Spouse Carole McMahon — insurance\".","Notes: No Videocassette label; title from videocassette cover.","Notes: Removed from Box 129 (Downtown moved to Depot). Videocassette label includes U.S. Senate logo.","Notes: Videocassette label includes \"Chlopak, Leonard, Schechter\".","Notes: TRT=4:49.","Notes: TRT=12:00.","Venue(s): Blanchette Rockefeller Neurosciences Institute. Place(s): Morgantown, West Virginia. Notes: Videocassette label includes WVU TV logo.","Notes: TRT=9:00. Videocassette label includes \"Produced by the Sierra Club.\"","Program(s): CBS News Sunday Morning. Network(s): CBS.","Event(s): Democratic National Convention.","Place(s): Weirton, West Virginia.","Program(s): Meet the Press. Network(s): NBC.","Notes: Videocassette label and cover indicate that cassette was distributed by C-SPAN.","Notes: Videocassette label includes \"Democratic Technology \u0026 Communications Committee\".","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover includes \"Chlopak, Leonard, Schechter\" and \"Squier/Knapp/Ochs\".","Notes: Videocassette label and cover include \"Ernst \u0026 Young\" and logo. Business card enclosed from Michael Colopy, from O'Connor \u0026 Hannan.","Network(s): NBC.","Program(s): Crossfire. Network(s): CBS, CNN.","Notes: TRT=30:00 (approximate).","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Notes: TRT=9:30. Attached note includes \"WV Economic Development Tapes.\"","Network(s): WNPB. Notes: Videocassette label includes WNPB logo.","Network(s): WVVA-TV.","Network(s): ABC.","Network(s): KIRO-TV.","Notes: Videocassette label and cover include \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: TRT=55:48.","Notes: Business card enclosed from Jeff Kimball, Deputy Press Secretary for JDR.","Place(s): Nicholas County, West Virginia. Notes: TRT=20:00.","Place(s): Washington, D.C.","Network(s): WVVA-TV, WOAY-TV. Place(s): Fayette County, West Virginia.","Notes: Note attached to cover from Squier Knapp Dunn Communications.","Notes: Videocassette label and cover include \"Digital Generation Systems, Inc.\" and logo.","Notes: Note attached to videocassette cover includes \"Clean Tape / No visible footage\".","Notes: Videocassette label includes \"HMS Technologies, Inc.\" and logo.","Notes: TRT=14:30. Videocassette label and cover include \"Ryan-McGinn.\"","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Hitachi, LTD.\"","Network(s): West Virginia Public Television.","Notes: Videocassette cover includes \"Chlopak, Leonard, Schechter, and Associates\" and logo.","Notes: Videocassette label and cover include \"Foresight Communications, Inc.\" and logo.","Network(s): WCHS-TV.","Place(s): McDowell County, West Virginia.","Notes: Business card enclosed from Ron W. Wroblewski, President, W.Va. Marine Corps Coordinating Council.","Network(s): WBOY-TV.","Network(s): Fox, WDTV-TV.","Notes: TRT=14:53. Videocassette label includes \"Alliance for Retired Americans\" and logo.","Place(s): Ravenswood, West Virginia. Notes: TRT=14:45. Videocassette label includes \"Century Aluminum.\"","Network(s): WSAZ-TV. Notes: Videocassette label includes \"For Mark Ferrell\".","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: Content information on videocassette cover only; videocassette unlabeled.","Notes: TRT=12:45.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: 4050_vhs_0266 and 4050_vhs_0268 were bound with 4050_vhs_0267 by rubber band.","Notes: TRT=1:15.","Notes: Videocassette label includes U.S. Senate logo.","Notes: Videocassette cover includes \"JDR Caucus Video 6/17/97\".","Program(s): Lou Dobbs Tonight. Network(s): CNN.","Program(s): This Week, The MacNeil/Lehrer NewsHour. Network(s): ABC, PBS, WVSA, NBC, CBS. Notes: Programs and networks from note attached to cover.","Network(s): WDTV-TV, WBOY-TV. Place(s): Monongalia County, West Virginia.","Notes: Removed from A\u0026M 4050 III. A. \"HOW THE PRESIDENT'S HEALTH CARE PLAN WORKS\" VIDEO, 1992.","Place(s): Washington, D.C.","Program(s): Hardball. Network(s): MSNBC.","Place(s): Washington, D.C.","Place(s): Michigan. Notes: TRT=10:00. Videocassette label includes \"MVP Communications Inc.\"","Place(s): Washington, D.C.","Network(s): WCHS-TV, WSAZ-TV. Place(s): Kenova, West Virginia.","Network(s): Channel 13. Notes: Content information from note attached to videocassette cover.","Network(s): Fox, CNN.","Program(s): World News Tonight. Network(s): ABC.","Network(s): WOWK-TV.","Program(s): Crossfire. Network(s): CNN.","Place(s): [Huntington, West Virginia].","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Place(s): Washington, D.C.","Video news release, interviews, dub of state tourism film and commercials","Note on tape state: \"tape warped - will not play.\"","(1.) Bob Brunner, Skinner Highway plan interview in D.C., March 1990. \n(2) AFL-CIO dinner with Barbara Mikulski, WOWK, February 1990.\n(3) EDA grant announcement for Clalrksburg Life Sciences Center, WDTV and WBOY, September 1989.  \n(4) Murphy home health visit - WSAZ, July 1989.  \n(5) Murphy home health visit - WCHS, July 1989. \n(6) Murphy home health visits - WOWK, July 1989. \n(7) Philips Lighting announcement/ Stonewall Jackson tour, WDTV and WBOY, July 1989.  \n(8) Cabot Oil and Gas announcement, WVVA, July 1989.  \n(9.) Discover the REAL WV/ Oliver North discssion, WTRF, July 5, 1989. \n(10.) Rural health clinic press conference, New River Health Clinic, WSAZ, April 24, 1989. \n(11.) Harrison County town meeting, WBOY, WDTV, and Congressional pay raise issue, WDTV; event - senators joking (\"It costs you $75 to come here tonight; it cost me $12 million\") Good Morning America, February 1989.  \n(12.) \"Partnership for progress\" with Caperton and delegation, WOWK, January 1989; CBS evening news on trade adjustment assistance. \n(13) Fairmont firemen/ policemen \"thank you\" reception, WBOY, December 1988.  (14). EAS story, WOAY, 1988.","11:00 p.m. Channel 11 and 13. 12 p.m. (noon) channel 11.","4 negative adds: 2 Bryan, 1 Conrad, 1 Pomeroy","Time: 00:00 Governor Bill Clinton; 1:00 Congressman Tim Penny; 17:08 Senator Jay Rockefeller; 34:30 Congressman Mike Espie; 1:09:30 House Majority Whip William Gray III","JDR speaks twice - once in morning and once around 5","Film damaged","(1) Fox morning news (whole thing) JDR at 7:35 a.m. \n(2) CBS Morning News (segment only) a. summer story JDR hit. b. National Commission segment. \n(3) NBC Today (segment only) children's interview segment (no JDR). \n(4). CNN Horn?/ Cheri Hayes. \n(5) ABC World News lead story 10-15 minutes on commission. \n(6) CBS Evening news lead story. \n(7) NBC News lead story. \n(8) MacNeil/ Lehrer  \n(9). CNN Crier and co.","(1). \"Logan airport\" ABC World News Tonight, ABC/Network January 24, 1989. \n(2)  Airport congestion, Alfred Kahn, Nightly Business Report, PBS/Network, January 13, 1989. \n(3) \"Keeping congestion down at Logan,\", WCVB-TV Channel 5, Boston, December 12, 1988.","(1) David Duke dilemma, KGO Channel 7 at 6 p.m., November 17, 1991 (2). Democratic fundraiser, KCRA channel 3 at 10 p.m.","North Carolina University documentary 1986, Rockefeller comments on Japan.","1.) Trip to Olney. 2). message. 3). catastrophic care.","Groundbreaking on June 19, 1984. Construction 1984-1985. Video by Herbert W. Roush, Sr.","1). China steel/ Island Creek contract in D.C. office, 1988;  \n2). POSCo contract in Charleston with Billy Yoo, April 21, 1988; \n3). POSCO contract/ Washigton, May 13, 1988;   4.) Historic Hinton, NPS memorandum of understanding, NPS Joe Kennedy and Bob McKeard;  \n5). Press conference/ industrial extension act introduced with McCain, R-AZ, June 10, 1987;  \n6). China steel and USX D.C. contract signing, June 7, 1988; \n7). AEP mine visit/ methanol May 2, 1988","WOAY - El-Tech, 1987; WSAZ children's hospital in Charleston - Bush Tower 1989; WVAH congressional minute 8th, 9th, 10th amendment; WDTV October 14, 1988 methanol signed into law; WSAZ ARC corridors 1988; WOWK ARC corridors 1988; WCHS ARC corridors 1988; WOAY El-tech September 17, 1988, Dukakis, methanol; WOWK methanol passage 1988; WOAY El tech - def. fair 1988; WCHS white watering 1988; WOAV methanol bill, captive shippers; WVVA methanol","Tape sent to Barbra Pryor from A26 mark Ave, Follansbee, WV","1). WDTV - math/science bill. 2). WBOY/WDTV - research summit. 3). WTAE - Dee Caperton. 4). WDTV - clean air. 5). WBOY - United Mine Workers (UMW) endorsement. 6). Oliver Luck ad. 7). WBOY - Salem-Teikyo","Harriman Communications.","Testimony and Q\u0026A of Mr. Robert Harris (Berkeley)","Event(s): United States presidential inauguration. Place(s): Washington, D.C. Notes: Cassette cover includes \"Sparky Tewalt, P.O. Box 25, Falling Waters, WV 25419\".","Program(s): All Things Considered. Network(s): National Public Radio.","Network(s): WWYO.","Network(s): WWYO.","Network(s): WWYO.","Place(s): Washington, D.C.","Notes: Cassette label includes \"American Focus\" and logo.","Program(s): Morning Edition. Network(s): National Public Radio.","Notes: Attached note includes \"9/20/88 Methanol tape\".","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJLS. Place(s): [Beckley, West Virginia].","Place(s): Washington, D.C.","Program(s): Morning Edition. Network(s): National Public Radio.","Program(s): Morning Edition. Network(s): National Public Radio.","Network(s): WJEH. Place(s): Gallipolis, Ohio. Notes: Attached note includes \"I made this copy from the original tape which WJEH gave me. You have to run through the commercials before you get to the history part. This is the first — and only to date —interview as to Senator Rockefeller's floor statement in the Congressional Record. 6/21/90 [signed] Patricia Burton\".","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): WCHS. Place(s): Charleston, West Virginia.","Network(s): National Public Radio.","Notes: Cassette cover includes \"Tammy Lydel, NH Register — Erin Rasmussen, KSTP, Minnesota — Melissa Berg, Kansas City Times — Don Findley, San Antonio — Ron Kanye, LA Daily News — Stewart Craig, Augusta Chronicle — Steve Harvey, Atlanta Constitution 3 Jim Gannon, Detroit News 3 Pete Leffler, Allentown Call\".","Notes: Cassette cover includes \"Leslie Balducci, Chicago Sun Times — Lester Strong, WHDH, Boston — Margaret Murphy, ABC Nightline — Maryclaire Dale, Charleston Gazette — Paul Owens, Martinsburg Morning Journal — P.J. Cameon, Clarksburg Telegram, Cindy Crigger, Williamson Daily News — Bill ST. Clair, Parkersburg Sentinel — Chris Cramer, Weirton Daily News — Bluefield Telegram, Barbara Hawkins\".","Notes: Cassette cover includes \"Todd Silberman, Fayetteville, NC News — Irene Sege, Boston Globe — Bonnie Healy, DE County Times — Lori Roberts, The State, Columbia, SC\".","Notes: Cassette cover includes \"Terri Monsour, St. Paul Pioneer Press — Marshall Kildurf, San Francisco Chronicle — Susan Page, Newsday — Dorsey Griffith, Modesto Bee\".","Place(s): Washington, D.C.","Notes: Original title overwritten with \"Clean Air 3.00 [2000/03?]\".","Place(s): Goreham, New Hampshire.","Place(s): Rye, New Hampshire.","Event(s): Claude Pepper Award. Place(s): Concord, New Hampshire.","Place(s): Concord, New Hampshire.","Place(s): Durham, New Hampshire.","Place(s): New Hampshire.","Program(s): John McLaughlin's One on One. Network(s): PBS.","Place(s): Milwaukee, Wisconsin.","Program(s): Morning Edition. Network(s): National Public Radio. Notes: TRT=8:30. Cassette label includes National Public Radio copyright.","Program(s): Hal Bruno's Washington. Network(s): ABC Radio. Notes: Cassette cover includes \"ABC Radio News\" and logo.","Program(s): The Diane Rehm Show. Network(s): WAMU, National Public Radio.","Place(s): Washington, D.C.","Notes: TRT=7:27.","Network(s): CNN. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): Presidential Health Care Forum. Place(s): New Hampshire.","Event(s): State of the Union response.","Notes: Business card enclosed for Joel H. Komisarow, Producer, CBS News, with contact info.","Notes: Cassette cover includes \"Not for public distribution\".","Event(s): Alabama Democratic Conference. Place(s): Alabama.","Network(s): West Virginia Public Radio.","Notes: TRT=28:30.","Program(s): Christine Craft Show. Network(s): KFBK.","Program(s): The Michael Jackson Show. Network(s): KABC. Notes: Business card enclosed for Lyle Gregory, Producer, The Michael Jackson Show, KABC TALKRADIO, with contact info.","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' BCG-147R :60\" and \"Great American Media\".","Notes: Cassette cover includes \"'Jay' DNC-9245R :60\" and \"Greer, Margolis, Mitchell, Grunwald \u0026 Associates\".","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Venue(s): Shepherd College. Place(s): Shepherdstown, West Virginia.","Network(s): KLSE/KZSE, Minnesota Public Radio. Notes: Videocassette label includes MPR logo.","Notes: TRT=1:00.","Event(s): State of the Union response.","Program(s): All Things Considered. Network(s): National Public Radio.","Notes: TRT=5:00.","Event(s): National Summit on Children and Families.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): NPR or MPR.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Program(s): Tina Trenner Show. Notes: Videocassette label includes \"Air[ed] 12/24/93\".","Network(s): National Public Radio.","Network(s): National Public Radio.","Notes: TRT=1:00:00.","Program(s): [Marketplace]. Network(s): [American Public Radio]. Notes: Cassette label and cover label differ in content.","Notes: Removed from A\u0026M 4050 III. A. PRODUCT LIABILITY, 1994 RADIO SPOT WV.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Network(s): WGMS.","Notes: Cassette label includes \"TV feed\".","Notes: Cassette label includes \"TV feed\".","Program(s): Talk of the Nation. Network(s): National Public Radio.","Program(s): Talk of the Nation. Network(s): National Public Radio.","Network(s): West Virginia MetroNews.","Network(s): WEPM.","Venue(s): Wheeling Clinic, Wheeling Hospital. Place(s): Wheeling, West Virginia.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"provision in tax bill attacking Coal Miners' Health\".","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Notes: Cassette label includes \"Wellstone\".","Notes: Dates on cassette label and cover label differ.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: Removed from A\u0026M 4050 III.A. PGWS, 1996.  Cassette label includes \"Panelists: Bernard Rostker – Pentagon, Dana Priest – Washington Post, Joe Vialante – DAV, Arthur Kaplan – President's Advisory Committee.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.  Cassette label includes \"Acceptance speech by incoming Alfalfa Club President.  'For He's Our President' sung by Marine Staff Sgt. Michael Ryan…Introduction by Colin Powell; John D. Rockefeller IV.\"","Event(s): Alfalfa Club Dinner.  Venue(s): Capital Hilton Hotel.  Place(s): Washington, D.C.  Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): WRNR. Place(s): Morgantown, West Virginia.","Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Network(s): West Virginia Public Radio. Notes: TRT=6:05.","Notes: TRT=30:00.","Program(s): The Diane Rehm Show. Network(s): National Public Radio. Notes: TRT=60:00.","Notes: Removed from A\u0026M 4050 III.A. Alfalfa Club, 1997-1998.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Notes: TRT=30:00.","Program(s): Talkline. Network(s): West Virginia MetroNews.","Network(s): WSTV, WRKY, WTRF-TV.","Notes: TRT=20:00 (approximate).","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Network(s): West Virginia Public Radio.","Network(s): National Public Radio. Notes: TRT=11:00 (approximate).","Notes: TRT=1:00.","Notes: Attached note includes \"Make audio dub of Sen. Rock[efeller] feed!\".","Notes: Cassette label includes \"Medical Group Management Association\" and logo.","Notes: Title from handwriting on cassette cover.","Event(s): State of the Union address. Place(s): Washington, D.C.","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Randolph County, West Virginia. Notes: Cassette label includes \"Property of the State of West Virginia\".","Place(s): Washington, D.C.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Place(s): Clarksburg, West Virginia.","Place(s): Clarksburg, West Virginia.","Venue(s): Wetzel County Hospital. Place(s): Wetzel County, West Virginia.","Place(s): Pleasants County, West Virginia; Hancock County, West Virginia; Wetzel County, West Virginia;.","Network(s): WTRF-TV. Place(s): Hancock County, West Virginia.","Place(s): Boone County, West Virginia.","Place(s): Charleston, West Virginia.","Place(s): Huntington, West Virginia.","Place(s): Benwood, West Virginia.","Place(s): Martinsburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): WSTV.","Network(s): WSTV. Place(s): Steubenville, Ohio.","Place(s): [Charleston, West Virginia].","Network(s): West Virginia Public Radio.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Fairmont, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Place(s): Parkersburg, West Virginia.","Place(s): Wheeling, West Virginia.","Network(s): ABC.","Network(s): WETA.","Network(s): NBC.","Network(s): West Virginia MetroNews.","Network(s): West Virginia MetroNews.","Place(s): Beckley, West Virginia; Clarksburg, West Virginia; Parkersburg, West Virginia.","Network(s): West Virginia MetroNews.","Network(s): NBC, CNN.","Network(s): West Virginia MetroNews, Fox, NPR.","Network(s): CNN.","Network(s): Fox.","Network(s): West Virginia MetroNews.","Notes: Title and date from note attached to cover.","Notes: TRT=5:00.","Place(s): Newell, West Virginia. Notes: Business card attached to Betacam cover for Jerry Hughes, President, Hughes Television Productions, Inc.","Notes: Betacam label and cover include \"Squier/Knapp/Ochs\".","Program(s): Sarbanes Show.","Place(s): Washington, D.C. Notes: TRT=40:00.","Place(s): Washington, D.C. Notes: TRT=35:22.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia. Notes: Betacam label includes \"Master\".","Venue(s): Kammer Power Plant. Place(s): Moundsville, West Virginia.","Notes: Betacam cover includes \"Master Beta Copy\".","Notes: TRT=15:00.","Notes: TRT=15:00.","Notes: TRT=4:34.","Place(s): Wheeling, West Virginia.","Notes: Betacam label includes \"Edited Master\" and \"Stereo\".","Program(s): On the Record. Notes: TRT=21:00.","Program(s): On the Record. Notes: TRT=30:00.","Notes: Betacam label includes \"Daschle, Lautenberg, Rockefeller, Graham, Mosley, Braun\".","Place(s): Ripley, West Virginia.","Place(s): Ripley, West Virginia. Notes: Betacam label includes \"B-roll and WV interviews (RAW)\".","Notes: TRT=5:00.","Notes: TRT=10:10.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=6:00.","Venue(s): U.S. Senate. Place(s): Washington, D.C. Notes: TRT=5:10.","Place(s): [Buffalo, West Virginia].","Place(s): Buffalo, West Virginia.","Place(s): Buffalo, West Virginia.","Notes: TRT=32:00. Videocassette label includes \"B-roll — campaign kickoff 2002, footage from 1996 of veteran \u0026 miner, Toyota plant footage 1/26/01.\"","Notes: Betacam label includes \"Master\" and \"The Washington Bureau\" with contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Notes: Betacam label includes \"Split Audio.\" Business card attached to Betacam cover for Rockefeller's Press Secretary, Mindy Rossi, and contact info.","Place(s): [Buffalo, West Virginia].","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Betacam cover includes \"Master\".","Event(s): Democratic National Convention. Venue(s): United Center. Place(s): Chicago, Illinois. Notes: Note attached to Betacam cover includes \"Chris, when you get a chance, please convert this into a digital file so Neysa can put it on our web site. Thanks, Allen Mattison\".","Notes: TRT=8:00.","Notes: Betacam label includes \"Oglebay Resort — 500 dubs with logo — cut aways — interviews\".","Venue(s): Ohio County Airport, Wheeling Senior Center. Place(s): Wheeling, West Virginia.","Notes: TRT=15:00.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee — Senator Tom Daschle, Democratic Leader — Senator Jay Rockefeller, Chairman\" and U.S. Senate logo.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Notes: Betacam label includes U.S. Senate logo.","Notes: TRT=1:56.","Place(s): Mercer County, West Virginia; McDowell County, West Virginia.","Venue(s): Toyota auto plant. Place(s): Buffalo, West Virginia.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: Betacam label includes \"10:00 AM - 11:30 AM\".","Venue(s): West Virginia University Erickson Alumni Center. Place(s): Morgantown, West Virginia. Notes: Event program and business card for Joseph Webb, II, Interim Manager, WVU Television Productions, enclosed.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=34:00.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=1:30:00.","Notes: TRT=1:00:00. Betacam label and cover include \"Master\" and \"Motion Masters, Inc.\" Business card enclosed from Mark Ferrell, Press Secretary for JDR.","Notes: TRT=8:00.","Place(s): Washington, D.C. Notes: TRT=5:00.","Notes: TRT=21:00.","Notes: TRT=21:05.","Notes: Betacam label includes St. Louis Rams logo.","Notes: TRT=4:00.","Notes: TRT=17:00.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=2:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=8:25.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=12:12.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=7:21.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=6:50.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=5:44.","Notes: TRT=10:26.","Event(s): United States Senate Committee on Veterans' Affairs hearing; United States Senate Committee on Armed Services. Place(s): Washington, D.C. Notes: TRT=7:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C. Notes: TRT=24:37.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=19:10.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=20:00. Videocassette label includes \"10:50A-11A \u0026 2:42P-2:52P\".","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=53:35.","Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C. Notes: TRT=13:52.","Venue(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C.","Event(s): Children's Commission Summit. Notes: Betacam label includes \"I. Rebuilding Caring Communities, II. Great Beginnings — Supporting Young Children and their Families, III. Educating America — Improving Schooling and the Transition to Work, IV. Creating a Culture of Responsibility for Children, Youth, \u0026 Families\".","Notes: TRT=8:30. Betacam label includes \"Credit — Children's Action Network\". Business card attached to Betacam cover for Jennifer Perry, Executive Director, with contact info.","Notes: TRT=0:45.","Notes: Title from note attached to cover.","Notes: Betacam label includes \"Democratic Technology \u0026 Communications Committee\" and logo.","Notes: TRT=20:06.","Notes: DVD label and cover include \"Senate Democratic Communications Center\".","Notes: TRT=38:00.","Notes: DVD cover includes \"Friday Night — Saturday — Tatsuo Ikenaga — Shigehiko Ikenaga — Lloyd Ayers — Cathy Davis — Shigeji Ikenaga — White Water — Country Roads.\" Business cards enclosed from Someday Video Productions.","Notes: TRT=53:00. DVD label includes \"START 6:10pm - STOP 7:03pm.\"","Notes: TRT=3:39:00. DVD label includes \"START 9:25am - STOP 1:04pm.\"","Notes: TRT=3:55:00. DVD label includes \"START 2:15pm - STOP 6:10pm.\"","Program(s): Lou Dobbs Tonight, NBC Nightly News. Network(s): CNN, NBC.","Program(s): O'Reilly Factor. Network(s): Fox, CNN, NBC.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS.","Program(s): CBS Evening News, Face the Nation. Network(s): CBS, Fox.","Program(s): CBS News Sunday Morning. Network(s): CBS.","Program(s): Lou Dobbs Tonight, The Situation Room. Network(s): CNN.","Place(s): Washington, D.C.","Program(s): The Today Show. Network(s): NBC.","Notes: TRT=30:00.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Network(s): A\u0026E. Notes: DVD label includes \"Jupiter Entertainment\" and logo.","Program(s): Countdown with Keith Olbermann. Network(s): Fox, CNN.","Program(s): Biography. Network(s): A\u0026E.","Program(s): Lou Dobbs Tonight. Network(s): MSNBC, CNN.","Event(s): United States Senate Committee on Veterans' Affairs hearing. Place(s): Washington, D.C. Notes: TRT=22:29.","Event(s): United States Senate Select Committee on Intelligence hearing. Place(s): Washington, D.C. Notes: TRT=3:15:00. DVD label includes \"2:30 - 5:45 pm.\"","Program(s): Late Edition with Wolf Blitzer. Network(s): CNN.","Program(s): Hardball. Network(s): MSNBC. Place(s): Washington, D.C.","Program(s): The Situation Room. Network(s): CNN.","Network(s): WDTV-TV, WVNS-TV. Place(s): Bridgeport, West Virginia; Monongalia County, West Virginia; Beckley, West Virginia; Raleigh County, West Virginia.","Network(s): WTAP-TV. Place(s): Parkersburg, West Virginia.","Network(s): Fox.","Notes: TRT=13:30.","Notes: TRT=13:30.","Network(s): WCHS-TV. Place(s): Charleston, West Virginia.","Network(s): WSAZ-TV. Notes: TRT=1:03.","Network(s): WCHS-TV. Place(s): Webster County, West Virginia.","Network(s): MSNBC, CNN, ABC.","Network(s): CNN, MSNBC.","Network(s): CNN.","Network(s): MSNBC, CNN.","Network(s): CNN.","Place(s): Braxton County, West Virginia.","Program(s): Dateline NBC. Network(s): NBC.","Network(s): KDKA-TV, WCHS-TV, WOWK-TV, WVAH-TV, WVVA-TV, WTOV-TV, WTRF-TV, WBOY-TV, WDTV-TV. Notes: Broadcast schedule enclosed.","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Notes: Enclosed DVD insert includes \"Retirement Living TV, the Blanchette Rockefeller Neuroscience Institute, and the National Cable \u0026 Telecommunications Association\".","Program(s): Hardball. Network(s): MSNBC.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Network(s): West Virginia Public Broadcasting.","Program(s): Charlie Rose, Countdown with Keith Olbermann, This Week. Network(s): PBS, MSNBC, ABC. Event(s): United States Senate Committee on Finance. Place(s): Washington, D.C.","Program(s): Countdown with Keith Olbermann, The Ed Show, The Situation Room, Hardball. Network(s): MSNBC, CNN.","Program(s): The Situation Room. Network(s): CNN.","Notes: TRT=13:20.","Notes: TRT=4:30.","Notes: TRT=4:10.","Program(s): Face the Nation. Network(s): CBS.","Place(s): Washington, D.C. Notes: TRT=22:00.","Notes: TRT=6:30.","Notes: TRT=3:30.","Notes: TRT=6:30.","Notes: TRT=7:15.","Notes: TRT=4:40.","Notes: TRT=6:50.","Notes: TRT=5:21.","Notes: TRT=2:30.","Notes: TRT=2:30.","Notes: TRT=2:55.","Notes: TRT=4:00.","Notes: TRT=3:00.","Notes: TRT=1:30.","Place(s): Washington, D.C. Notes: TRT=25:00.","Event(s): United States Senate Committee on Commerce, Science, and Transportation. Place(s): Washington, D.C.","Program(s): NBC Nightly News. Network(s): NBC. Notes: TRT=3:00.","Program(s): The Today Show. Network(s): NBC. Notes: TRT=6:00.","Notes: TRT=4:11.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to letter (enclosed with 4050_xdc_0001 through 4050_xdc_0004) from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, this DVD contains the final version that was broadcast.","Network(s): C-SPAN. Notes: TRT=30:00.","Place(s): Washington, D.C.","Notes: TRT=7:00.","Notes: TRT=7:00.","Program(s): The Rachel Maddow Show. Network(s): MSNBC.","Notes: TRT=7:44.","Program(s): Charlie Rose. Network(s): PBS.","Notes: Includes DVD booklet.","Notes: TRT=11:30.","Network(s): A\u0026E.","Network(s): A\u0026E.","Place(s): Montcoal, West Virginia.","Network(s): WCHS-TV. Notes: Cassette label includes \"Beckley News Bureau\".","Program(s): Hello VIP. Network(s): Ch. 12 TV Tokyo. Place(s): Tokyo, Japan. Notes: Includes note to David Owens, from Yuichi Watanabe, Nikkei Visual Images, Inc., dated 1988/09/20.","Place(s): Minden, West Virginia.","Place(s): New Hampshire.","Place(s): Rainelle, West Virginia.","Place(s): Rainelle, West Virginia; Cabin Creek, West Virginia.","Place(s): Martinsburg, West Virginia.","Place(s): Martinsburg, West Virginia.","Notes: U-matic cassette and cover label include \"Raw\".","Notes: Attached business card from Mary Berecky, Anchor-Reporter, WDTV-5.","Notes: TRT=0:53.","Network(s): WSAZ-TV.","Network(s): WMUR-TV. Place(s): New Hampshire.","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: Cassette label and cover include \"Campaign Strategies Inc.\"","Notes: A compilation of Christmas songs.","Network(s): West Virginia Public Radio, National Public Radio.","Program(s): Talkline. Network(s): West Virginia MetroNews. Notes: Enclosed note includes \"Audio CD\".","Notes: Classical music track-list enclosed.","Program(s): All Things Considered. Network(s): West Virginia Public Radio, National Public Radio.","Notes: Note attached to cover includes \"Masters\".","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Program(s): Take a Veteran to School. Network(s): History Channel. Venue(s): Morgantown High School. Place(s): Morgantown, West Virginia. Notes: According to enclosed letter from Mark Depretis, Regional Director, Government \u0026 Regulatory Affairs, Comcast, these optical discs contain unedited footage.","Notes: Removed from Box 129 (Downtown moved to Depot). Sticky note attached to case includes \"Found in Rachel's old desk. Should be archived.\"","Network(s): WTRF-TV, WCHS-TV, WTAP-TV, WOWK-TV.","The Clippings series contains newspaper clippings—original newsprint as well as photocopies—compiled by Senator Rockefeller's staff for distribution to the Senator and other staff members. Clippings primarily span Rockefeller's tenure in the U.S. Senate, but some clippings date to his second term as governor of West Virginia. Staff compiled clippings about the day's events and also maintained clippings that mentioned Rockefeller. Most of the clippings are arranged by topic, publication, or date range. Clippings within files arranged by topic or publication generally are ordered chronologically.  Some clippings arranged by date range are divided into morning and afternoon clippings, and these often are accompanied by indexes (tables of contents).  Finally, some files separate clippings created by West Virginia media from clippings created by national outlets. ","Beginning in approximately 2001, the staff began collecting clippings primarily from online news sources and wire services. Staff in the Washington, D.C. office maintained these digital clippings in the press files of the office's centralized shared drive. ","Digital file: Part 1 of 5 (Part 1)","Digital File: Part 1 of 5 (Part 2)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 1)","Digital File:  Part 2 of 5 (part 2)","Digital File:  Part 3 of 5 (part 1)","Digital File:  Part 3 of 5 (parts 1 and 2)","Digital File:  Part 3 of 5 (part 2), Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 1)","Digital File:  Part 4 of 5 (Part 2)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Digital File:  Part 5 of 5 (Part 1)","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","Files of Todd Glass, Deputy Press Secretary (1993-1996).","The Websites and Social Media series contains files used to create Senator Rockefeller's congressional website and archived versions of his congressional website, YouTube page, Facebook page, and Twitter feed. The 2008 and 2011 congressional website files were maintained by press staff. The 2014 archived website and social media files were captured using Hanzo Archives and ArchiveSocial in May-June 2014.","The Legacy Memos series includes 12 memos compiled by staff members in 2013 and 2014 following the Senator's announcement that he would retire from Congress. The Memos provide a comprehensive overview of Senator Rockefeller's service and accomplishments in several important issue areas in which he worked during his 30-year career in the U.S. Senate, as well as during his time as Governor of West Virginia, 1977-1985. They highlight major initiatives and legislation, such as the Children's Health Insurance Program (CHIP); treatment of service related illnesses, such as Gulf War Illness; the Coal Act of 1992; the Public Safety Spectrum Act; and many others.","The Memorabilia Subgroup contains plaques, awards, framed items, and other gifts given to Senator Rockefeller throughout his Senate career. Several foreign gifts from Asian countries are included. Some materials can also be found in the Awards and Honors series, which contains honorary degrees, awards, and medals.","#84 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","#175 of 500. Tendered by the Joint Congressional Committee on INagural Ceremonies. Statuary Hall, United States Capitol.","Drawing has signatures and notes surrounding it.","The beret features a flash patch with a standard blue with white stars. In the center is a enamel pin featuring a vertical arrow with two medals on either sides. The medals have red ribbons and the medals are blue with a star in the center.","Blueprints created by Diamond Group Inc., Odessa, Deleware.","Posters feature the U.S. Steel Tower, Hays Mine Treatment Plant, E. H. Aldrich Station, Omni William Penn Hotel, Duquesne Light Company, and David Lawrence Convention Center.","Note on back reads: \"To one among a new person who helped her. From Yen, Ling Hsing, 90 years old.\"","Presented by Americorps VISTA","Award honoring members of congress who have made substantial contributions in support of the United States Coast Guard.","In recognition of Rockefeller's advocacy on behalf of West Virginia consumers, workers, and their families and his efforts to protect our nations civil justice system.","For Rockefeller's efforts in the Second Session of the 108th Congress to strengthen American's health centers and preserve access to vital health care services for more than 15 million uninsured and medically underserved Americans.","Presented in grateful recognition of his contribution to the well-being of America's veterans as a member of the United States Senate","Two Toyota Pistons with Toyota and West Virginia gold labels.","Vase is blue and green. The green is on the bottom and comes up like flames to the top.","Given in recognition for his support of Wheeling-PIttsburgh Steel and its employees.","Image is in a flat greenish-yellow cloth covered box with flowers on it.","In recognition of unwavering support of a constitutional amendment to protect the flag from physical desecration.","For recognition of your outstanding personal contribution to the Americans for whom, on May 20, 1988, President Ronald Regan signed the Radiation Exposed Veterans Compensation Act.","Presented at the national forum: \"Strong Families for Strong Communities\".","Presented by the National Association of Community Health Centers."],"userestrict_html_tesm":["\u003cp\u003eMaterials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. \u003c/p\u003e\n","\u003cp\u003eMaterials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026amp; Regional History Center. \u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Materials may contain sensitive or private information. Researchers may use data collected from these materials in the statistical aggregate or as an example to illustrate a theme. No identifying information should point to specific individuals or families mentioned in the files. ","Materials produced by public servants while carrying out official duties are not copyrighted. Materials created outside of official duties, including diaries, personal correspondence, and campaign materials, are protected by copyright. Use of materials from this collection beyond the exceptions provided for in the Fair Use and Educational Use clauses of the U.S. Copyright Law may violate federal law. Permission to publish or reproduce is required from the copyright holder. For more information, please contact the West Virginia \u0026 Regional History Center. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_5d14eb4df51da22c7256b340d3bf4196\" label=\"Abstract\"\u003eJohn Davison (Jay) Rockefeller IV (b. 1937) represented West Virginia in the United States Senate for five terms. He was elected as a Democrat to the Ninety-ninth Congress and served from January 15, 1985, to January 3, 2015. He was not a candidate for reelection in 2014. Rockefeller previously served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); president of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). From 1964-1966, he was a volunteer in the Volunteers In Service To America (VISTA) program in Emmons, West Virginia. The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career.\u003c/abstract\u003e"],"abstract_tesim":["John Davison (Jay) Rockefeller IV (b. 1937) represented West Virginia in the United States Senate for five terms. He was elected as a Democrat to the Ninety-ninth Congress and served from January 15, 1985, to January 3, 2015. He was not a candidate for reelection in 2014. Rockefeller previously served in the West Virginia House of Delegates (1966-1968); as Secretary of State of West Virginia (1968-1972); president of West Virginia Wesleyan College (1973-1976); and Governor of West Virginia (1977-1985). From 1964-1966, he was a volunteer in the Volunteers In Service To America (VISTA) program in Emmons, West Virginia. The bulk of the Senator John D. (Jay) Rockefeller IV papers document his 30-year career in the United States Senate with additional materials related to his earlier political career."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_ee7b69b7d85f8fa23b62c37a980adc85\" label=\"Physical Location \"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["United States. Congress. Senate. Committee on Commerce","United States. Congress. Senate. Select Committee on Intelligence","United States. Congress. Senate. Committee on Veterans' Affairs","United States. Congress. Pepper Commission","United States. National Commission on Children","Rockefeller, Sharon Percy, 1944-","Rockefeller, John D., IV (John Davison), 1937-"],"names_ssim":["West Virginia and Regional History Center","United States. Congress. Senate. Committee on Commerce","United States. Congress. Senate. Select Committee on Intelligence","United States. Congress. Senate. Committee on Veterans' Affairs","United States. Congress. Pepper Commission","United States. National Commission on Children","Rockefeller, John D., IV (John Davison), 1937-","Rockefeller, Sharon Percy, 1944-"],"corpname_ssim":["West Virginia and Regional History Center","United States. Congress. Senate. Committee on Commerce","United States. Congress. Senate. Select Committee on Intelligence","United States. Congress. Senate. Committee on Veterans' Affairs","United States. Congress. Pepper Commission","United States. National Commission on Children"],"persname_ssim":["Rockefeller, John D., IV (John Davison), 1937-","Rockefeller, Sharon Percy, 1944-"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":7179,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-10T07:10:52.276Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1_c03_c05_c02_c01"}},{"id":"viblbv_repositories_2_resources_1363_c03_c01_c14_c04","type":"Item","attributes":{"title":"#198 - Brandt, H. W.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c14_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c14_c04","ref_ssm":["viblbv_repositories_2_resources_1363_c03_c01_c14_c04"],"id":"viblbv_repositories_2_resources_1363_c03_c01_c14_c04","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363_c03_c01_c14","parent_ssi":"viblbv_repositories_2_resources_1363_c03_c01_c14","parent_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c14"],"parent_ids_ssim":["viblbv_repositories_2_resources_1363","viblbv_repositories_2_resources_1363_c03","viblbv_repositories_2_resources_1363_c03_c01","viblbv_repositories_2_resources_1363_c03_c01_c14"],"parent_unittitles_ssm":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#195-202"],"parent_unittitles_tesim":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#195-202"],"text":["Bailey-Law Collection","Series III. Naturalists Biographical Files","Subseries A. Numerical Files","#195-202","#198 - Brandt, H. W."],"title_filing_ssi":"#198 - Brandt, H. W.","title_ssm":["#198 - Brandt, H. W."],"title_tesim":["#198 - Brandt, H. W."],"unitdate_inclusive_ssm":["1917-1955, n.d."],"normalized_date_ssm":["1917/1955"],"normalized_title_ssm":["#198 - Brandt, H. W."],"component_level_isim":[4],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Bailey-Law Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":347,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"_nest_path_":"/components#2/components#0/components#13/components#3","timestamp":"2026-05-21T02:18:51.534Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1363","ead_ssi":"viblbv_repositories_2_resources_1363","_root_":"viblbv_repositories_2_resources_1363","_nest_parent_":"viblbv_repositories_2_resources_1363","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1363.xml","title_filing_ssi":"Bailey-Law Collection","title_ssm":["Bailey-Law Collection"],"title_tesim":["Bailey-Law Collection"],"unitdate_ssm":["1825-1971"],"unitdate_inclusive_ssm":["1825-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1982.002"],"text":["Ms.1982.002","Bailey-Law Collection","Ornithology","Science and Technology","The collection is open for research.","Some of this collection has been digitized and is available online.","Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.","The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.","Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. ","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]","The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931","The materials in the collection are in English."],"unitid_tesim":["Ms.1982.002"],"normalized_title_ssm":["Bailey-Law Collection"],"collection_title_tesim":["Bailey-Law Collection"],"collection_ssim":["Bailey-Law Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creator_persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"creators_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Bailey-Law Collection was obtained in several separate accruals. The lithographed plates from Bailey's  The Birds of Florida  were donated to Special Collections in 1980. The bulk of the collection, however, was received via transfers from Virginia Tech's Department of Biology in 1982 and from the Virginia Museum of Natural History at Virginia Tech in 2003."],"access_subjects_ssim":["Ornithology","Science and Technology"],"access_subjects_ssm":["Ornithology","Science and Technology"],"has_online_content_ssim":["false"],"extent_ssm":["15.0 Cubic Feet 36 boxes"],"extent_tesim":["15.0 Cubic Feet 36 boxes"],"date_range_isim":[1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"altformavail_html_tesm":["\u003cp\u003e\u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/collections/show/368\"\u003eSome of this collection has been digitized and is available online.\u003c/a\u003e\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is available online."],"bioghist_html_tesm":["\u003cp\u003eBorn in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.\u003c/p\u003e\n","\u003cp\u003eBailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.\u003c/p\u003e\n","\u003cp\u003eIn 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.\u003c/p\u003e","\u003cp\u003eJohn Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. \u003c/p\u003e\n","\u003cp\u003eThough he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). \u003c/p\u003e\n","\u003cp\u003eLaw married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note - Harold Harris Bailey","Biographical Note - John Eugene Law"],"bioghist_tesim":["Born in East Orange, New Jersey on October 13, 1878, Harold Harris Bailey was the son of Harold Balch Bailey and Lillie Adams Taylor. As a child, Bailey moved with his parents to Newport News, Virginia, and in 1906, he married Ida Margaret Eschenburg. Bailey worked as a naval architect and ship broker, perhaps while living in California, then returned to Newport News. He served four years as game inspector for Virginia and Maryland before resigning in 1918 to devote all of his time to the management of his farm on the James River in Virginia. Meanwhile, inheriting an interest in ornithology from his father, Bailey had published The Birds of Virginia in 1913.","Bailey moved with his wife and children to Miami, Florida, where he worked with the Bureau of Biological Survey and published The Birds of Florida in 1925. During his years in Florida, Bailey was instrumental in the establishment of Everglades National Park.","In 1937, Bailey married Laura Beatty Law, and the couple in 1942 moved with their extensive collections to Goshen, Virginia, where they renovated the abandoned Rockbridge Alum Springs mineral spa and established the Rockbridge Alum Springs Biological Laboratory. In 1961, Bailey established the Bailey Research Trust (later the Bailey Wildlife Foundation). Following Harold Bailey's death on July 24, 1962, Laura Bailey oversaw curatorial duties for the collection and presented it to Virginia Polytechnic Institute and State University in 1969. She died in Lexington, Virginia on September 18, 1975.","John Eugene Law, son of John and Katherine E. Law, was born in Forest City, Iowa, on August 26, 1877. After graduating from high school in Perry, Iowa, Law attended the University of Wisconsin and Stanford University. Obtaining an A. B. in 1900, he held a series of bank positions in Pomona and Hollywood, California for the next several years before retiring from business in 1914. In 1919, he joined the California Museum of Vertebrate Zoology. Paid one dollar a year, Law served first as a curator in osteology and later as a curator in ptilology. ","Though he conducted considerable research (particularly in California and the Chiricahua Mountains of Arizona), published a number of papers and amassed a sizable collection of specimens, a great portion of Law's time was devoted to administrative duties for the Western Bird-banding Association and, to a greater extent, the Cooper Ornithological Club. He joined the COC in 1900 and would hold several key positions (Southern Division president, 1905, 1913-1915; vice-president, 1916-1917; secretary, 1906-1912; business manager, 1907-1925; president, board of governors, 1925). ","Law married Laura Mauldin Beatty (1886-1975) in Los Angeles on January 20, 1915. Sharing an interest in ornithology, the couple often performed field work together, especially in bird-banding. John Eugene Law died on November 14, 1931. In 1937, Laura Beatty Law married another ornithologist, Harold Bailey."],"odd_html_tesm":["\u003cp\u003eThe guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Bailey-Law Collection by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Bailey-Law Collection, Ms1982-002, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement and description of the Bailey-Law Collection commenced in June 2009 and was completed in October 2009."],"relatedmaterial_html_tesm":["\u003cp\u003eBooks from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's \u003cextref href=\"https://catalog.lib.vt.edu/\" title=\"online catalog\"\u003eonline catalog\u003c/extref\u003e. \u003c/p\u003e\n","\u003cp\u003eThe extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Material"],"relatedmaterial_tesim":["Books from the Bailey-Law Collection may be found by performing a keyword search on \"Bailey-Law Collection\" in the library's  online catalog . ","The extensive collection of bird skins, bird eggs, and mammal skins amassed by Law and Bailey were given to Virginia Polytechnic Institute and State University's Department of Biology in 1969. In 1990, the collection was transferred to the Virginia Tech branch of the Virginia Museum of Natural History. When the branch closed in 2003, most of the collection was transferred to the Virginia Museum of Natural History in Martinsville; the remainder was retained by Virginia Tech's Department of Biology. "],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/p\u003e\n","\u003cp\u003eThe collection is organized into the following series: \u003c/p\u003e\n","\u003cp\u003eSeries I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.\u003c/p\u003e\n","\u003cp\u003eSeries II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.\u003c/p\u003e\n","\u003cp\u003eSubseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. \u003c/p\u003e\n","\u003cp\u003eSubseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e (1913) and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the \u003ctitle render=\"italic\"\u003eBulletin of the Bailey Museum and Library of Natural History\u003c/title\u003e, together with sample issues of the publication. \u003c/p\u003e\n","\u003cp\u003eSubseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.\u003c/p\u003e\n","\u003cp\u003eSeries III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.\u003c/p\u003e\n","\u003cp\u003eUnique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:\u003c/p\u003e\n","\u003cp\u003eSubseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. \u003c/p\u003e\n","\u003cp\u003eSubseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.\u003c/p\u003e\n","\u003cp\u003eSeries IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.\u003c/p\u003e\n","\u003cp\u003eSeries V. Images, 1904-1942. This series is arranged by format in two subseries: \u003c/p\u003e\n","\u003cp\u003eSubseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.\u003c/p\u003e\n","\u003cp\u003eSubseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e. The photographs have been divided among the following categories: \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e, nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.\u003c/p\u003e","\u003cp\u003e[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]\u003c/p\u003e","\u003cp\u003e\u003clist type=\"simple\"\u003e\u003chead\u003eContains signatures of:\u003c/head\u003e\n\u003citem\u003eUlysses S. Grant [Union Army general and United States president]\u003c/item\u003e\u003citem\u003eAmbrose E. Burnside [Union Army general]\u003c/item\u003e\u003citem\u003eWilliam Tecumseh Sherman [Union Army general]\u003c/item\u003e\u003citem\u003ePhilip H. Sheridan [Union Army general]\u003c/item\u003e\u003citem\u003eJ. Tyler\u003c/item\u003e\u003citem\u003eJ. Davis\u003c/item\u003e\u003citem\u003eHenry P. Baldwin [Michigan governor]\u003c/item\u003e\u003citem\u003eLevi P. Morton [United States vice-president]\u003c/item\u003e\u003citem\u003eHannibal Hamlin [United States vice-president]\u003c/item\u003e\u003citem\u003eWilliam Claflin [Massachusetts governor]\u003c/item\u003e\u003citem\u003eDouglas Sladen [English author]\u003c/item\u003e\u003citem\u003e[S. W. Lincoln Jr.?]\u003c/item\u003e\u003citem\u003eGrover Cleveland [United States president]\u003c/item\u003e\u003citem\u003eFrances Folsom Cleveland [United States first lady]\u003c/item\u003e\u003citem\u003eRutherford B. Hayes [United States president]\u003c/item\u003e\u003citem\u003eJohn J. Audubon [naturalist]\u003c/item\u003e\u003citem\u003eJoshua L. Chamberlain [Maine governor]\u003c/item\u003e\u003citem\u003eBenjamin F. Butler [Union Army general]\u003c/item\u003e\u003citem\u003eGeo. H. Hepworth [minister and journalist]\u003c/item\u003e\u003citem\u003eWalter Harriman [New Hampshire governor]\u003c/item\u003e\u003citem\u003eHorace Greeley [newspaper editor; 1872 presidential candidate]\u003c/item\u003e\u003citem\u003eJoseph [W.?] Donahue\u003c/item\u003e\u003citem\u003eJames M. Harvey [Kansas governor]\u003c/item\u003e\u003citem\u003eJohn W. Geary [Pennsylvania governor]\u003c/item\u003e\u003citem\u003eJohn Hoffman [New York governor]\u003c/item\u003e\u003citem\u003eHans von Bulow [pianist]\u003c/item\u003e\u003citem\u003eLucius Fairchild [Wisconsin governor]\u003c/item\u003e\u003citem\u003eRobert W. Chambers [American author]\u003c/item\u003e\u003citem\u003eHenry Huntly Haight [California governor]\u003c/item\u003e\u003citem\u003eGeo. S. Boutwell [United States secretary of the treasury]\u003c/item\u003e\u003citem\u003eHenry L. Pierce [Massachusetts congressman]\u003c/item\u003e\u003citem\u003eCharles [illegible]\u003c/item\u003e\u003citem\u003eE. M. Pease [Texas governor]\u003c/item\u003e\u003citem\u003eH. L. Dawes [Massachusetts senator]\u003c/item\u003e\u003citem\u003eWilliam Gaston [Massachusetts governor]\u003c/item\u003e\u003citem\u003eAlexander H. Rice [Massachusetts governor]\u003c/item\u003e\u003citem\u003eHenry W. Longfellow [poet]\u003c/item\u003e\u003citem\u003eWilliam Dean Howells [author][with poem]\u003c/item\u003e\u003citem\u003eMargaret J. Preston [poet]\u003c/item\u003e\u003citem\u003eOliver Wendall Holmes [United States Supreme Court justice][with poem] \u003c/item\u003e\u003citem\u003eWilliam Cullen Bryant [poet and newspaper editor]\u003c/item\u003e\u003citem\u003eNathaniel B. Shurtleff [Boston mayor]\u003c/item\u003e\u003citem\u003eAaron V. Brown [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMarshall Jewell [United States postmaster-general]\u003c/item\u003e\u003citem\u003eMorrison Remick Waite [United States Supreme Court chief justice]\u003c/item\u003e\u003citem\u003eWilliam Worth Belknap [United States secretary of war]\u003c/item\u003e\u003citem\u003eAsa Gray [Harvard University professor of botany]\u003c/item\u003e\u003citem\u003eOlive Thorne Miller [naturalist and children's writer]\u003c/item\u003e\u003citem\u003eJames Parton [author/biographer]\u003c/item\u003e\u003citem\u003eBayard Taylor [poet]\u003c/item\u003e\u003citem\u003eThomas Hughes [English author]\u003c/item\u003e\u003citem\u003e[illegible]\u003c/item\u003e\u003citem\u003eFrank Stockton [author]\u003c/item\u003e\u003citem\u003eWilliam R. Marshall [Minnesota governor]\u003c/item\u003e\u003citem\u003eW. L. Champney [artist][with drawing]\u003c/item\u003e\u003citem\u003eP. A. Rearick [United States Navy captain]\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e","\u003cp\u003e[notebook containing color plates extracted from unidentified publication]\u003c/p\u003e","\u003cp\u003e[includes original artwork] \u003c/p\u003e\n","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[\"Notes \u0026amp; Memoranda Relating to Natural Science in General as Observed and Collected\"]\u003c/p\u003e","\u003cp\u003e[see also Oversize Materials]\u003c/p\u003e","\u003cp\u003e[photographs and research materials relating to Rapa Nui (also known as Easter Island)] \u003c/p\u003e\n","\u003cp\u003e[2 folders]\u003c/p\u003e","\u003cp\u003e[bound collection of individual checklists]\u003c/p\u003e","\u003cp\u003e[identified by Bailey as being from reports of the New York Fish Commission]\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBaltimore oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBlackbird\u003c/item\u003e\u003citem\u003eBlack-crowned night heron\u003c/item\u003e\u003citem\u003eBlue Jay\u003c/item\u003e\u003citem\u003eBluebird [2 items]\u003c/item\u003e\u003citem\u003eBobolink [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eBrown thrasher [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCatbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eChimney swift [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eChipping sparrow\u003c/item\u003e\u003citem\u003eCrow\u003c/item\u003e\u003citem\u003eField sparrow\u003c/item\u003e\u003citem\u003eIndigo bunting [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingbird [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eKingfisher [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eLeast bittern\u003c/item\u003e\u003citem\u003eLouisiana water thrush [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eMeadowlark [accompanied by black-and-white original]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eOrchard oriole [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eOvenbird\u003c/item\u003e\u003citem\u003ePewee [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRed-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eRobin\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWhip-poor-will [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWhite-eyed vireo [accompanied by black-and-white original]\u003c/item\u003e\u003citem\u003eWoodcock [accompanied by black-and-white original\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo\u003c/item\u003e\u003citem\u003eYellow-breasted chat [accompanied by black-and-white original\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eAlder flaycatcher n.d.\u003c/item\u003e\u003citem\u003eAmerican coot n.d. [2 items]\u003c/item\u003e\u003citem\u003eArkansas goldfinch 1904\u003c/item\u003e\u003citem\u003eBald eagle 1927\u003c/item\u003e\u003citem\u003eBank swallow n.d.\u003c/item\u003e\u003citem\u003eBarn swallow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBlack and white warbler (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eBlack-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eBlack-headed grosbeak n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBlack-necked stilt n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d.\u003c/item\u003e\u003citem\u003eBob white n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCalifornia towhee 1904\u003c/item\u003e\u003citem\u003eCanadian grouse n.d.\u003c/item\u003e\u003citem\u003eCanadian warbler n.d.\u003c/item\u003e\u003citem\u003eCape sable seaside sparrow 1921, n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eChestnut-sided warbler 1902, n.d. [3 items]\u003c/item\u003e\u003citem\u003eChickadee n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eClapper rail n.d.\u003c/item\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eDuck hawk n.d.\u003c/item\u003e\u003citem\u003eDusky seaside sparrow 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eField sparrow n.d.\u003c/item\u003e\u003citem\u003eFlamingo n.d. [6 items]\u003c/item\u003e\u003citem\u003eFlorida bald eagle 1921\u003c/item\u003e\u003citem\u003eFlorida bob white n.d.\u003c/item\u003e\u003citem\u003eFlorida meadowlark 1922 [2 items]\u003c/item\u003e\u003citem\u003eFlorida nighthawk n.d.\u003c/item\u003e\u003citem\u003eFlorida red-shouldered hawk 1928\u003c/item\u003e\u003citem\u003eFlorida redwing 1920\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eGrasshopper sparrow n.d.\u003c/item\u003e\u003citem\u003eGreat white heron 1924\u003c/item\u003e\u003citem\u003eGround dove n.d. [2 items]\u003c/item\u003e\u003citem\u003eHermit thrush n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d.\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003citem\u003eKingbird 1902\u003c/item\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eLaughing gull 1910\u003c/item\u003e\u003citem\u003eLazuli bunting n.d.\u003c/item\u003e\u003citem\u003eLeast flycatcher (with cowbird) n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [2 items]\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eMagnolia warbler n.d.\u003c/item\u003e\u003citem\u003eMyrtle warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eNashville warbler n.d.\u003c/item\u003e\u003citem\u003eNorthern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eOlive-sided flycatcher n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePhoebe 1902 [2 items]\u003c/item\u003e\u003citem\u003ePrairie warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-billed tropic bird n.d.\u003c/item\u003e\u003citem\u003eRed-cockaded woodpecker 1918\u003c/item\u003e\u003citem\u003eRed-winged blackbird n.d.\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d.\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d.\u003c/item\u003e\u003citem\u003eRuby-throat n.d.\u003c/item\u003e\u003citem\u003eRuddy [2 items]\u003c/item\u003e\u003citem\u003eRusset-backed thrush 1904\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eSage grouse n.d.\u003c/item\u003e\u003citem\u003eSalt marsh yellow throat n.d. [2 items]\u003c/item\u003e\u003citem\u003eSamuel's song sparrow n.d. [2 items]\u003c/item\u003e\u003citem\u003eSand swallow n.d.\u003c/item\u003e\u003citem\u003eScarlet tanager n.d.\u003c/item\u003e\u003citem\u003eScreech owl n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eTennessee warbler n.d.\u003c/item\u003e\u003citem\u003eTowhee n.d.\u003c/item\u003e\u003citem\u003eVermillion flycatcher 1935\u003c/item\u003e\u003citem\u003eVesper sparrow n.d.\u003c/item\u003e\u003citem\u003eWestern flycatcher n.d.\u003c/item\u003e\u003citem\u003eWestern mockingbird 1920\u003c/item\u003e\u003citem\u003eWestern red-tailed hawk 1904 [2 copies]\u003c/item\u003e\u003citem\u003eWhite-crowned pigeon 1921, n.d.\u003c/item\u003e\u003citem\u003eWhite-throated sparrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWilson's plover 1932 n.d. [3 items]\u003c/item\u003e\u003citem\u003eWilson's thrush n.d.\u003c/item\u003e\u003citem\u003eWilson's warbler n.d.\u003c/item\u003e\u003citem\u003eWood ibis n.d. [2 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d.\u003c/item\u003e\u003citem\u003eWorm-eating warbler n.d.\u003c/item\u003e\u003citem\u003eYellow-billed cuckoo n.d.\u003c/item\u003e\u003citem\u003eYellow warbler n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eCanada goose 1917, n.d. [3 items]\u003c/item\u003e\u003citem\u003eCanvasback duck 1917\u003c/item\u003e\u003citem\u003eCatbird n.d. [2 items]\u003c/item\u003e\u003citem\u003eChestnut-sided warbler n.d.\u003c/item\u003e\u003citem\u003eChickadee n.d. [2 items]\u003c/item\u003e\u003citem\u003eChimney swift n.d.\u003c/item\u003e\u003citem\u003eChipping sparrow n.d.\u003c/item\u003e\u003citem\u003eCrow n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eDowny woodpecker n.d.\u003c/item\u003e\u003citem\u003eField sparrow n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlamingo n.d. [3 items]\u003c/item\u003e\u003citem\u003eFlicker n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eFlorida burrowing owl 1920, n.d. [2 items]\u003c/item\u003e\u003citem\u003eFlorida cormorant n.d.\u003c/item\u003e\u003citem\u003eFlorida jay n.d.\u003c/item\u003e\u003citem\u003eFoster's tern n.d.\u003c/item\u003e\u003citem\u003eGannet n.d. [2 items]\u003c/item\u003e\u003citem\u003eGreat blue heron 1904\u003c/item\u003e\u003citem\u003eGreen heron n.d.\u003c/item\u003e\u003citem\u003eHarlequin ducks n.d.\u003c/item\u003e\u003citem\u003eHooded warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eHouse wren n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eKingfisher n.d.\u003c/item\u003e\u003citem\u003eLeast tern n.d. [3 items]\u003c/item\u003e\u003citem\u003eLittle blue heron n.d.\u003c/item\u003e\u003citem\u003eLoggerhead shrike n.d.\u003c/item\u003e\u003citem\u003eLouisiana water thrush n.d.\u003c/item\u003e\u003citem\u003eMan o'war bird n.d.\u003c/item\u003e\u003citem\u003eOvenbird n.d.\u003c/item\u003e\u003citem\u003ePelican 1935\u003c/item\u003e\u003citem\u003ePhoebe n.d. [3 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eRed-eyed vireo n.d. [4 items]\u003c/item\u003e\u003citem\u003eRedstart n.d.\u003c/item\u003e\u003citem\u003eRobin n.d. [3 items]\u003c/item\u003e\u003citem\u003eRose-breasted grosbeak n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eScreech owl n.d. [3 items]\u003c/item\u003e\u003citem\u003eShrike n.d.\u003c/item\u003e\u003citem\u003eSong sparrow n.d.\u003c/item\u003e\u003citem\u003e[Southeastern American kestrel] n.d. [4 items]\u003c/item\u003e\u003citem\u003eSpotted sandpiper n.d.\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWater ouzel 1905\u003c/item\u003e\u003citem\u003eWestern yellowthroat n.d.\u003c/item\u003e\u003citem\u003eWhip-poor-will n.d.\u003c/item\u003e\u003citem\u003eWhistling swan 1917 [2 items]\u003c/item\u003e\u003citem\u003eWhite albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eWhite ibis n.d.\u003c/item\u003e\u003citem\u003eWhite pelican n.d.[2 items]\u003c/item\u003e\u003citem\u003eWild turkey n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eWood ibis n.d. [4 items]\u003c/item\u003e\u003citem\u003eWood thrush n.d. [3 items]\u003c/item\u003e\u003citem\u003eYellow-breasted chat n.d. [2 items]\u003c/item\u003e\u003citem\u003eYellow warbler n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003clist type=\"ordered\"\u003e\u003citem\u003eBald eagle n.d. [2 copies]\u003c/item\u003e\u003citem\u003eBaltimore oriole n.d.\u003c/item\u003e\u003citem\u003eBlack albatross 1913 [2 items]\u003c/item\u003e\u003citem\u003eBlackbird n.d.\u003c/item\u003e\u003citem\u003eBlue-footed booby n.d.\u003c/item\u003e\u003citem\u003eBlue-winged warbler n.d. [2 items]\u003c/item\u003e\u003citem\u003eBluebird n.d. [2 items]\u003c/item\u003e\u003citem\u003eBridled tern 1921\u003c/item\u003e\u003citem\u003eBrown pelican n.d.\u003c/item\u003e\u003citem\u003eBrown thrasher n.d. [2 items]\u003c/item\u003e\u003c/list\u003e","\u003cp\u003e[artist unknown; given to Bailey by Charles Townsend]\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.","The collection is organized into the following series: ","Series I. John Eugene Law Papers, 1891-1931. This series is arranged in three subseries:","Subseries A. Correspondence, 1902-1930. Most significant among Law's correspondence is a large collection of letters between Law and Joseph Grinnell, director of the University of California's Museum of Vertebrate Zoology. Also included is correspondence with a handful of other naturalists. Arranged by correspondent name.","Subseries B. Subject files, 1912-1930. This subseries, containing mostly handwritten notes, consists of a collection of subject files maintained by Law concerning bird species, behavior and physiology. Included are large files on toxostoma (probably from Law's 1928 article on the curve-billed thrasher) as well as the Chiricahua Mountains of New Mexico, to which Law devoted a number of research trips. Arranged alphabetically by subject matter.","Subseries C. Research and field work, 1891-1931. This subseries includes materials produced by Law while performing ornithological research in the library and the field. Included are a series of research notebooks consisting largely of data gleaned from published sources. Among the field journals also contained in this subseries are notes on bird, nest and egg observations and collections made in California, Iowa, Minnesota, Wisconsin and unidentified locations. Arranged by document type.","Series II. Harold Harris Bailey Papers, 1910-1967. This series is arranged in five subseries:","Subseries A. Correspondence, 1915-1959. This small set of letters relates to ornithology as well as more general matters. Arranged chronologically.","Subseries B. Field and Research Work, 1911-1967. Bailey's field notes are contained in this subseries, as are a collection of bird banding records (which were likely commenced by John Eugene Law before being continued by Bailey), and various materials relating to Bailey's collections, including a case--used by both Bailey and his father--for collecting eggs.","Subseries C. Subject Files, 1910-1953. This brief subseries includes a handful of topics on which Bailey collected materials. Foremost among the topics is Bailey's longstanding, albeit seemingly one-sided, feud with the American Ornithologists' Union and the Cooper Ornithological Club, resulting from Bailey's stance on the 1931 A.O.U. checklist and other matters. ","Subseries D. Publications, 1913-1947. Included within these files are materials arising from the publication of Bailey's  The Birds of Virginia  (1913) and  The Birds of Florida  (1925). The subseries contains production correspondence, promotional material, and sales records. Also included are correspondence and lists relating to the  Bulletin of the Bailey Museum and Library of Natural History , together with sample issues of the publication. ","Subseries E. Rockbridge Alum Springs, 1945-1962. Various topics relating to the Baileys' establishment and operation of the Rockbridge Alum Springs Biological Laboratory are contained in this subseries. Included are files on Bailey's attempt to have a flyway lake constructed at the springs, an ongoing battle with trespassing hunters, requests for game and fish stock, the possible acquisition of adjoining lands, and the creation of a naturalists portrait gallery. Throughout the correspondence in this subseries, as elsewhere within the collection, Bailey's letters overflow with vitriol and belligerence, particularly against the academic naturalist establishment. When not criticizing fellow naturalists, he directs barbs against such general topics as the New Deal, the Civil Rights Movement, and communism.","Series III. Naturalists Biographical Files, 1825-1971. Comprising the core of the collection, the biographical files represent the Baileys' attempt to compile reference files on 19th- and 20- century naturalists. (The Baileys had titled the collection the Naturalist Autograph Files, but because the collection comprises more than autographs, it was given a broader title during processing.) The collection contains a broad scope of materials, ranging from correspondence to field notes, biographical sketches, printed materials, and photographs. Included among these are items that the Baileys \"inherited\" from other naturalists, as well as materials on a few individuals not known as naturalists, including letters signed by U. S. President Herbert Hoover and author James Branch Cabell, as well as a painting by artist Carl Moon.","Unique among the materials in this series is an autograph book maintained by Harold Balch Bailey, containing the autographs of notable 19th-century personages, including U. S. presidents and other political leaders; Union Army generals; authors; musicians; and artists. Also among the elder Bailey's papers are some documents regarding a 19th-century Massachusetts militia, including an item signed by John Quincy Adams. Other unusual items include Charles Townsend's file of material on Easter Island and a notebook of natural science observations maintained by Herman Haupt Jr. The series is arranged in two subseries:","Subseries A. Numerical files, 1825-1970. The files in this subseries comprise the Baileys' original \"Naturalist Autograph Files\" and remain as the couple compiled them. Each name is associated with a unique number, and the files are arranged numerically, with two indexes to the collection at the end. Many of the names represented in these files may also be found in Subseries II. ","Subseries B. Alphabetical files, 1836-1971. The files in this subseries were compiled from materials found loose within the collection. The items seem to have been intended by the Baileys for their autograph files but had yet to be integrated. The collection includes the same types of materials found in the numbered folders but is arranged alphabetically. Many of the names represented in these files may also be found in Subseries I. At the end of the subseries is a bound set of various collectors' egg catalogs.","Series IV. Printed Material, 1882-1969. This series includes a small selection of printed materials deemed best left with the manuscript collection when other printed materials were transferred to the Rare Book Collection. Most significant among the holdings are materials of the Cooper Ornithological Club / Cooper Ornithological Society and a collection of catalogs offering bird eggs, bird skins, cabinetry, and supplies for ornithologists, naturalists and taxidermists. Arranged by subject matter.","Series V. Images, 1904-1942. This series is arranged by format in two subseries: ","Subseries A. Color Plates and Other Illustrations, 1913-1922. This subseries consists largely of color plates detached from various illustrated publications, as well as sets of color prints. Other illustrations and paintings associated with individuals may be found in Series III.","Subseries B. Photographs, 1902-1937. Considering the breadth of Bailey and Law's research and collecting activities during a span of several decades, the collection contains relatively few photographs. Included is are full sets of original photos and half-tones used for Bailey's  The Birds of Virginia . The photographs have been divided among the following categories:  The Birds of Virginia , nests and eggs, birds, people, exhibits, specimens, and scenery. Included among the scenery are a few photos and postcards of Mountain Lake, the Cascades and Castle Rock in Giles County, Virginia. Photographs made by and of identified naturalists may be found in Series III.","[includes material relating to 19th-century Massachusetts militia units, one item bearing the signature of John Quincy Adams]","Contains signatures of: Ulysses S. Grant [Union Army general and United States president] Ambrose E. Burnside [Union Army general] William Tecumseh Sherman [Union Army general] Philip H. Sheridan [Union Army general] J. Tyler J. Davis Henry P. Baldwin [Michigan governor] Levi P. Morton [United States vice-president] Hannibal Hamlin [United States vice-president] William Claflin [Massachusetts governor] Douglas Sladen [English author] [S. W. Lincoln Jr.?] Grover Cleveland [United States president] Frances Folsom Cleveland [United States first lady] Rutherford B. Hayes [United States president] John J. Audubon [naturalist] Joshua L. Chamberlain [Maine governor] Benjamin F. Butler [Union Army general] Geo. H. Hepworth [minister and journalist] Walter Harriman [New Hampshire governor] Horace Greeley [newspaper editor; 1872 presidential candidate] Joseph [W.?] Donahue James M. Harvey [Kansas governor] John W. Geary [Pennsylvania governor] John Hoffman [New York governor] Hans von Bulow [pianist] Lucius Fairchild [Wisconsin governor] Robert W. Chambers [American author] Henry Huntly Haight [California governor] Geo. S. Boutwell [United States secretary of the treasury] Henry L. Pierce [Massachusetts congressman] Charles [illegible] E. M. Pease [Texas governor] H. L. Dawes [Massachusetts senator] William Gaston [Massachusetts governor] Alexander H. Rice [Massachusetts governor] Henry W. Longfellow [poet] William Dean Howells [author][with poem] Margaret J. Preston [poet] Oliver Wendall Holmes [United States Supreme Court justice][with poem]  William Cullen Bryant [poet and newspaper editor] Nathaniel B. Shurtleff [Boston mayor] Aaron V. Brown [United States postmaster-general] Marshall Jewell [United States postmaster-general] Morrison Remick Waite [United States Supreme Court chief justice] William Worth Belknap [United States secretary of war] Asa Gray [Harvard University professor of botany] Olive Thorne Miller [naturalist and children's writer] James Parton [author/biographer] Bayard Taylor [poet] Thomas Hughes [English author] [illegible] Frank Stockton [author] William R. Marshall [Minnesota governor] W. L. Champney [artist][with drawing] P. A. Rearick [United States Navy captain]","[notebook containing color plates extracted from unidentified publication]","[includes original artwork] ","[see also Oversize Materials]","[\"Notes \u0026 Memoranda Relating to Natural Science in General as Observed and Collected\"]","[see also Oversize Materials]","[photographs and research materials relating to Rapa Nui (also known as Easter Island)] ","[2 folders]","[bound collection of individual checklists]","[identified by Bailey as being from reports of the New York Fish Commission]","Baltimore oriole [accompanied by black-and-white original] Blackbird Black-crowned night heron Blue Jay Bluebird [2 items] Bobolink [accompanied by black-and-white original] Brown thrasher [accompanied by black-and-white original]","Catbird [accompanied by black-and-white original] Chimney swift [accompanied by black-and-white original Chipping sparrow Crow Field sparrow Indigo bunting [accompanied by black-and-white original]","Kingbird [accompanied by black-and-white original] Kingfisher [accompanied by black-and-white original] Least bittern Louisiana water thrush [accompanied by black-and-white original Meadowlark [accompanied by black-and-white original]","Orchard oriole [accompanied by black-and-white original] Ovenbird Pewee [accompanied by black-and-white original] Red-eyed vireo [accompanied by black-and-white original] Robin","Whip-poor-will [accompanied by black-and-white original] White-eyed vireo [accompanied by black-and-white original] Woodcock [accompanied by black-and-white original Yellow-billed cuckoo Yellow-breasted chat [accompanied by black-and-white original","Alder flaycatcher n.d. American coot n.d. [2 items] Arkansas goldfinch 1904 Bald eagle 1927 Bank swallow n.d. Barn swallow n.d.","Black and white warbler (with cowbird) n.d. Black-billed cuckoo n.d. Black-headed grosbeak n.d. [2 copies] Black-necked stilt n.d. Blue-winged warbler n.d. Bob white n.d. [2 items]","California towhee 1904 Canadian grouse n.d. Canadian warbler n.d. Cape sable seaside sparrow 1921, n.d.","Chestnut-sided warbler 1902, n.d. [3 items] Chickadee n.d. Chipping sparrow n.d. Clapper rail n.d. Downy woodpecker n.d. Duck hawk n.d. Dusky seaside sparrow 1920","Field sparrow n.d. Flamingo n.d. [6 items] Florida bald eagle 1921 Florida bob white n.d. Florida meadowlark 1922 [2 items] Florida nighthawk n.d. Florida red-shouldered hawk 1928 Florida redwing 1920","Grasshopper sparrow n.d. Great white heron 1924 Ground dove n.d. [2 items] Hermit thrush n.d. Hooded warbler n.d. House wren n.d. Kingbird 1902 Kingfisher n.d.","Laughing gull 1910 Lazuli bunting n.d. Least flycatcher (with cowbird) n.d. Least tern n.d. [2 items] Loggerhead shrike n.d. Magnolia warbler n.d. Myrtle warbler n.d.","Nashville warbler n.d. Northern yellowthroat n.d. Olive-sided flycatcher n.d. Ovenbird n.d. Phoebe 1902 [2 items] Prairie warbler n.d.","Red-billed tropic bird n.d. Red-cockaded woodpecker 1918 Red-winged blackbird n.d. Redstart n.d. Robin n.d. Rose-breasted grosbeak n.d. Ruby-throat n.d. Ruddy [2 items] Russet-backed thrush 1904","Sage grouse n.d. Salt marsh yellow throat n.d. [2 items] Samuel's song sparrow n.d. [2 items] Sand swallow n.d. Scarlet tanager n.d. Screech owl n.d.","Tennessee warbler n.d. Towhee n.d. Vermillion flycatcher 1935 Vesper sparrow n.d. Western flycatcher n.d. Western mockingbird 1920 Western red-tailed hawk 1904 [2 copies] White-crowned pigeon 1921, n.d. White-throated sparrow n.d.","Wilson's plover 1932 n.d. [3 items] Wilson's thrush n.d. Wilson's warbler n.d. Wood ibis n.d. [2 items] Wood thrush n.d. Worm-eating warbler n.d. Yellow-billed cuckoo n.d. Yellow warbler n.d.","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","Canada goose 1917, n.d. [3 items] Canvasback duck 1917 Catbird n.d. [2 items] Chestnut-sided warbler n.d. Chickadee n.d. [2 items] Chimney swift n.d. Chipping sparrow n.d. Crow n.d.","Downy woodpecker n.d. Field sparrow n.d. [3 items] Flamingo n.d. [3 items] Flicker n.d. [2 items]","Florida burrowing owl 1920, n.d. [2 items] Florida cormorant n.d. Florida jay n.d. Foster's tern n.d. Gannet n.d. [2 items] Great blue heron 1904 Green heron n.d. Harlequin ducks n.d. Hooded warbler n.d. [2 items] House wren n.d.","Kingfisher n.d. Least tern n.d. [3 items] Little blue heron n.d. Loggerhead shrike n.d. Louisiana water thrush n.d. Man o'war bird n.d. Ovenbird n.d. Pelican 1935 Phoebe n.d. [3 items]","Red-eyed vireo n.d. [4 items] Redstart n.d. Robin n.d. [3 items] Rose-breasted grosbeak n.d. [2 items]","Screech owl n.d. [3 items] Shrike n.d. Song sparrow n.d. [Southeastern American kestrel] n.d. [4 items] Spotted sandpiper n.d.","Water ouzel 1905 Western yellowthroat n.d. Whip-poor-will n.d. Whistling swan 1917 [2 items] White albatross 1913 [2 items] White ibis n.d. White pelican n.d.[2 items] Wild turkey n.d. [2 items]","Wood ibis n.d. [4 items] Wood thrush n.d. [3 items] Yellow-breasted chat n.d. [2 items] Yellow warbler n.d. [2 items]","Bald eagle n.d. [2 copies] Baltimore oriole n.d. Black albatross 1913 [2 items] Blackbird n.d. Blue-footed booby n.d. Blue-winged warbler n.d. [2 items] Bluebird n.d. [2 items] Bridled tern 1921 Brown pelican n.d. Brown thrasher n.d. [2 items]","[artist unknown; given to Bailey by Charles Townsend]"],"separatedmaterial_html_tesm":["\u003cp\u003eThe following maps from the collection were transferred to the Historical Map Collection:\n\u003clist\u003e\u003citem\u003e\nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1967).\n\u003c/item\u003e\u003citem\u003e\nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026amp; Co., 1972).\n\u003c/item\u003e\u003citem\u003e\nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n\u003c/item\u003e\u003citem\u003e\nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n\u003c/item\u003e\u003citem\u003e\nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n\u003c/item\u003e\u003citem\u003e\nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n\u003c/item\u003e\u003citem\u003e\nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n\u003c/item\u003e\u003citem\u003e\nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n\u003c/item\u003e\u003citem\u003e\nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n\u003c/item\u003e\u003citem\u003e\nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n\u003c/item\u003e\u003citem\u003e\nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n\u003c/item\u003e\u003citem\u003e\nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n\u003c/item\u003e\u003citem\u003e\nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n\u003c/item\u003e\u003citem\u003e\nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003citem\u003e\nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n\u003c/item\u003e\u003citem\u003e\nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n\u003c/item\u003e\u003citem\u003e\nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n\u003c/item\u003e\u003citem\u003e\nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n\u003c/item\u003e\u003citem\u003e\nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n\u003c/item\u003e\u003citem\u003e\nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n\u003c/item\u003e\u003citem\u003e\nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n\u003c/item\u003e\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Material"],"separatedmaterial_tesim":["The following maps from the collection were transferred to the Historical Map Collection:\n \nAlleghany County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBland County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nBotetourt County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCarroll County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nCraig County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1967).\n \nDelaware - Maryland - Virginia - West Virginia ([S.l.]: Rand McNally \u0026 Co., 1972).\n \nDelaware, Maryland, Virginia-West Virginia (San Jose, CA: H. M. Gousha Co., 1973).\n \nFloyd County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGeological Map of the Dominion of Canada ([Ottawa]: Department of the Interior, 1909).\n \nGeorge Washington National Forest, Virginia-West Virginia ([Washington, DC]: U. S. Department of Agriculture, 1950).\n \nGiles County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nGrayson County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nMap of Mexico (Washington, D.C.: National Geographic Society, 1916).\n \nMap of the New Balkan States and Central Europe ([S.l.: National Geographic Society, [1914?]).\n \nMaryland, Delaware, District of Columbia, Virginia, and West Virginia Road Map for 1930 (New York: General Drafting Co., 1938).\n \nMillboro, Virginia Quadrangle (Washington, DC: U. S. Geological Survey, 1949).\n \nThe National Geographic Magazine Map of Mexico ([Washington, D.C.: National Geographic Society, 1911?]).\n \nPatrick County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1941).\n \nPittsylvania County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1942).\n \nPittsylvania County [subdivisions] (Richmond: Virginia Department of Highways, [1942?]).\n \nPresenting Your Map of Rockbridge County, Virginia (Portland, OR: Western States Map Company, [n.d.]).\n \nPulaski County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n \nRoanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1940).\n \nShell Official Road Map of Delaware - Maryland - Virginia - W. Virginia, n.d. (Chicago: H. M. Gousha Co., [1938].\n \nSovereignty and Mandate Boundary Lines in 1921 of the Islands of the Pacific (Washington, D.C.: National Geographic Society, 1921).\n \nSubdivisions of Roanoke County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, [1940]).\n \nTerritory of Arizona ([Washington, D.C.: Government Land Office], 1903).\n \nTopographical Map of the Guy's Run Iron Lands, Rockbridge Co., Va. (Staunton, VA: Eng. Office of Jed. Hotchkiss, 1878). [reproduction]\n \nWise County, Showing the Primary and Secondary Highway Systems (Richmond: Virginia Department of Highways, 1947).\n"],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_f419c7b4e4e2820af0c941b645e14b03\" label=\"Abstract\"\u003eThis collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books, \u003ctitle render=\"italic\"\u003eThe Birds of Virginia\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eThe Birds of Florida\u003c/title\u003e, as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains the papers of ornithologists John Eugene Law and Harold H. Bailey, including notes on bird species, habitat, and behavior; correspondence; field journals; printed materials; photographs and other images. Among Bailey's papers are files relating to his books,  The Birds of Virginia  and  The Birds of Florida , as well as his operation of the Rockbridge Alum Springs Biological Laboratory. Also includes biographical files on hundreds of other naturalists and ornithologists, including such materials as correspondence, writings, photographs, field notes, and biographical sketches."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"names_coll_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"persname_ssim":["Bailey, Harold H. (Harold Harris), 1878-1962","Law, John Eugene, 1877-1931"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1290,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:18:51.534Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1363_c03_c01_c14_c04"}},{"id":"viw_repositories_2_resources_2595_c02","type":"File","attributes":{"title":"1993.38 Addition","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2595_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMatthew Whaley diploma of S. F. Royall, 4 June 1937.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_2595_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_2595_c02","ref_ssm":["viw_repositories_2_resources_2595_c02"],"id":"viw_repositories_2_resources_2595_c02","ead_ssi":"viw_repositories_2_resources_2595","_root_":"viw_repositories_2_resources_2595","_nest_parent_":"viw_repositories_2_resources_2595","parent_ssi":"viw_repositories_2_resources_2595","parent_ssim":["viw_repositories_2_resources_2595"],"parent_ids_ssim":["viw_repositories_2_resources_2595"],"parent_unittitles_ssm":["S. F. (Bill) Royall, Jr. papers"],"parent_unittitles_tesim":["S. F. (Bill) Royall, Jr. papers"],"text":["S. F. (Bill) Royall, Jr. papers","1993.38 Addition","Box 1","Folder 2","Matthew Whaley diploma of S. F. Royall, 4 June 1937."],"title_filing_ssi":"1993.38 Addition","title_ssm":["1993.38 Addition"],"title_tesim":["1993.38 Addition"],"unitdate_inclusive_ssm":["1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1993.38 Addition"],"component_level_isim":[1],"repository_ssim":["College of William and Mary"],"collection_ssim":["S. F. (Bill) Royall, Jr. papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2,"parent_access_restrict_tesm":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1937],"containers_ssim":["Box 1","Folder 2"],"scopecontent_html_tesm":["\u003cp\u003eMatthew Whaley diploma of S. F. Royall, 4 June 1937.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Matthew Whaley diploma of S. F. Royall, 4 June 1937."],"_nest_path_":"/components#1","timestamp":"2026-05-21T08:38:23.205Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_2595","ead_ssi":"viw_repositories_2_resources_2595","_root_":"viw_repositories_2_resources_2595","_nest_parent_":"viw_repositories_2_resources_2595","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_2595.xml","title_filing_ssi":"Royal, S. F. (Bill), Jr. papers","title_ssm":["S. F. (Bill) Royall, Jr. papers"],"title_tesim":["S. F. (Bill) Royall, Jr. papers"],"unitdate_ssm":["1883-1979"],"unitdate_inclusive_ssm":["1883-1979"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 5.351","/repositories/2/resources/2595"],"text":["UA 5.351","/repositories/2/resources/2595","S. F. (Bill) Royall, Jr. papers","Williamsburg (Va.)--History--20th century","Printers--Virginia--Williamsburg","World War, 1939-1945","Correspondence","Printed ephemera","Tax stamp","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","Arranged by accession.","S.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  .","Processed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02.","The papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.","Tax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.","Matthew Whaley diploma of S. F. Royall, 4 June 1937.","Letter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.","Photographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.","Botetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.","A small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.","Letter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).","Approximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.","Photocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.","Addition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026 Mary class directories. Artifacts include William \u0026 Mary memorabilia including a doc cap and pillow.","Transferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area."," Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection."," Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. Swem Library","English"],"unitid_tesim":["UA 5.351","/repositories/2/resources/2595"],"normalized_title_ssm":["S. F. (Bill) Royall, Jr. papers"],"collection_title_tesim":["S. F. (Bill) Royall, Jr. papers"],"collection_ssim":["S. F. (Bill) Royall, Jr. papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"geogname_ssm":["Williamsburg (Va.)--History--20th century"],"geogname_ssim":["Williamsburg (Va.)--History--20th century"],"creator_ssm":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creator_corpname_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"creators_ssim":["Williamsburg Historic Records Association (Williamsburg, Va.)"],"places_ssim":["Williamsburg (Va.)--History--20th century"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Gifts from S.F. (Bill Royal) via the Williamsburg Historic Records Association from 1989-2000."],"access_subjects_ssim":["Printers--Virginia--Williamsburg","World War, 1939-1945","Correspondence","Printed ephemera","Tax stamp"],"access_subjects_ssm":["Printers--Virginia--Williamsburg","World War, 1939-1945","Correspondence","Printed ephemera","Tax stamp"],"has_online_content_ssim":["false"],"extent_ssm":["1.00 Linear Feet"],"extent_tesim":["1.00 Linear Feet"],"genreform_ssim":["Correspondence","Printed ephemera","Tax stamp"],"date_range_isim":[1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eArranged by accession.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:"],"arrangement_tesim":["Arranged by accession."],"bioghist_html_tesm":["\u003cp\u003eS.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: \u003cextref href=\"http://scdbwiki.swem.wm.edu/wiki/index.php/S._F._Royall_(Bill),_Jr\" title=\"S. F. Royall (Bill), Jr\"\u003e\u003c/extref\u003e.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["S.F. (Bill) Royal owned Williamsburg Press, Inc. in Williamsburg, Virginia during the 1960's and 70's. Further information about this individual or organization may be available in the Special Collections Research Center Wiki:  ."],"prefercite_html_tesm":["\u003cp\u003eS. F. (Bill) Royall, Jr.  Papers, Special Collections Research Center, Swem Library, College of William and Mary.\u003c/p\u003e"],"prefercite_tesim":["S. F. (Bill) Royall, Jr.  Papers, Special Collections Research Center, Swem Library, College of William and Mary."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Processed by Ellen R. Strong in 2001. Formerly identified as Mss. Acc. 1989.02."],"scopecontent_html_tesm":["\u003cp\u003eThe papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.\u003c/p\u003e","\u003cp\u003eTax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.\u003c/p\u003e","\u003cp\u003eMatthew Whaley diploma of S. F. Royall, 4 June 1937.\u003c/p\u003e","\u003cp\u003eLetter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.\u003c/p\u003e","\u003cp\u003ePhotographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.\u003c/p\u003e","\u003cp\u003eBotetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.\u003c/p\u003e","\u003cp\u003eA small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.\u003c/p\u003e","\u003cp\u003eLetter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).\u003c/p\u003e","\u003cp\u003eApproximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.\u003c/p\u003e","\u003cp\u003ePhotocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.\u003c/p\u003e","\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.\u003c/p\u003e","\u003cp\u003eSamples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.\u003c/p\u003e","\u003cp\u003eAddition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026amp; Mary class directories. Artifacts include William \u0026amp; Mary memorabilia including a doc cap and pillow.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The papers of S.F. Bill Royall, Jr. contain a variety of personal material and ephemera, much of it related to Williamsburg, Virginia. The collection includes samples of printing from Bill Royall's press relating to Williamsburg organizations and events such as tags, calendars, posters, programs, stickers, flyers, bulletins and other items.","Tax stamps for liquor and tobacco given by the United States Internal Revenue for R. A. Lively of Williamsburg, Virginia. 26 June 1883.","Matthew Whaley diploma of S. F. Royall, 4 June 1937.","Letter to Mr. and Mrs. S.F. Royall from Mrs. Zoe (Thomas) Graves of the College of William and Mary remarking on the Williamsburg Reunions. Written sometime in the 1970's.","Photographs of Jean Etheridge: one possibly as a freshman at William and Mary and the other as an older woman, possibly in her 60's.","Botetourt Bibliography Society fall program, 1979, sample of COMMON GLORY stationery, newspaper advertisement for a traveling gift show at Cameron Hall in Williamsburg and a letter to Bill Royall from Clifford Currie, Director of Swem Library, about the printing of Swem Library's stationery, 8 August 1979.","A small book \"From the Books of Clem Samford\" printed by S.F. Royall, copy of 1940 graduation program at Matthew Whaley School, Williamsburg Baptist Church Rules of Order (1969), July 3, 1936 edition of Mathew Whaley High School's newspaper, \"Summer Shines,\" May 13, 1936 mailing from Jamestown, list of cast members in \"Latini Discipuli\" (undated), list of equipment offered for sale in February and March 1979 by Murphy Advertising, typed school notes, script for \"The Map Tea Party,\" ribbon for the Modern Language Association 53rd Annual Meeting, Dec. 29-31, 1936, Powder Horn newspaper from Matthew Whaley (transferred to Williamsburg Reunion Collection) (1928 and 1938), 1938 receipt from the Williamsburg Drug Company, and \"Souvenir Guide, Jamestown, Williamsburg and Yorktown, 1607-1907\" by J. Blair Spencer.","Letter of V.M. Geddy, Jr. to Bill and Mae Royall concerning contribution to his campaign, 5 May 1976. 15 issues of of The Powder Horn, 1931-1937 (transferred to the Williamsburg Reunion Collection).","Approximately 40 letters to S.F. Royall, Williamsburg Press, thanking him for fine printing and for extra help.","Photocopies. Sixteen wartime incoming letters to Bill Royall of Williamsburg, Va. from Lt. Ellsworth Palmer Ayers, Jr. (of the 2691 Sig. AW Bn., 64th Fighter Wing) mentioning Williamsburg residents W. A. R. Goodwin Jr. and Dewey Renick and their efforts in the war. Also contains a newspaper article about Williamsburg veterans of both World Wars, Korea, and Vietnam.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more.","Samples of printing from Bill Royall's press relating to Williamsburg organizations and events. Includes items such as tags, calendars, posters, programs, stickers, flyers, bulletins and much more. 500 items. 2 Boxes.","Addition includes artifacts, printed materials, artifacts and a scrapbook. Printed materials include conference brochures as well as William \u0026 Mary class directories. Artifacts include William \u0026 Mary memorabilia including a doc cap and pillow."],"separatedmaterial_html_tesm":["\u003cp\u003eTransferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area.\u003c/p\u003e\n","\u003cp\u003e Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection.\u003c/p\u003e\n","\u003cp\u003e Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials:"],"separatedmaterial_tesim":["Transferred to Rare Books: Directory of the City of Williamsburg, James City County, and York County (Williamsburg, 1940), Cover for child's music school book, compliments of the First National Bank, Williamsburg. Wayne Fulton Gibb's copy. \"Second Year Music, Hollis Dann Music Course\" by Hollis Dann and published by the American Book Company. 1915 and \"The Heart of Old Virginia,\" by Alice Maude Ewell,New York and Washington, Neale Publishing Company, 1907. Poetry book with allusions to local area."," Matthew Whaley yearbooks and other material related to the Williamsburg Reunion were transferred to the Williamsburg Reunion Collection."," Ephemera transferred to the the Williamsburg (Va) Postcard and Ephemera Collection: Xerox of broadside advertising cabinet manufacture of William Rouse of Smithfield, Virginia. April 1859. Printed at the Day Book Mammoth Press, Norfolk, Va. Location of original unknown. One original and two copies of Williamsburg Tourist Accommodation map, 1940. Approximately 25 pieces of Williamsburg publications printed by S.F. Royall, including pamphlets for Williamsburg Players, Twentieth-Century Gallery and Temple Beth El."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["College of William and Mary. Swem Library"],"names_ssim":["Special Collections Research Center","Williamsburg Historic Records Association (Williamsburg, Va.)","College of William and Mary. 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