{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=17","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=16","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=18","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1937\u0026page=3680"},"meta":{"pages":{"current_page":17,"next_page":18,"prev_page":16,"total_pages":3680,"limit_value":10,"offset_value":160,"total_count":36796,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_repositories_3_resources_1030_c03_c04","type":"Subseries","attributes":{"title":"1930s","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_1030_c03_c04","ref_ssm":["viu_repositories_3_resources_1030_c03_c04"],"id":"viu_repositories_3_resources_1030_c03_c04","ead_ssi":"viu_repositories_3_resources_1030","_root_":"viu_repositories_3_resources_1030","_nest_parent_":"viu_repositories_3_resources_1030_c03","parent_ssi":"viu_repositories_3_resources_1030_c03","parent_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_ids_ssim":["viu_repositories_3_resources_1030","viu_repositories_3_resources_1030_c03"],"parent_unittitles_ssm":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"parent_unittitles_tesim":["Charles M. Robinson and Principals Architectural Records","Architectural drawings"],"text":["Charles M. Robinson and Principals Architectural Records","Architectural drawings","1930s"],"title_filing_ssi":"1930s","title_ssm":["1930s"],"title_tesim":["1930s"],"unitdate_inclusive_ssm":["1930-1939"],"normalized_date_ssm":["1930/1939"],"normalized_title_ssm":["1930s"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charles M. Robinson and Principals Architectural Records"],"has_online_content_ssim":["false"],"child_component_count_isi":207,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":537,"parent_access_restrict_tesm":["This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. 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Robinson and Principals Architectural Records","Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings","This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. ","Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/","CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.","The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.","This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.","Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. 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The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"acqinfo_ssim":["Purchased from David Robinson, 2021-03-31"],"access_subjects_ssim":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"access_subjects_ssm":["Architecture, Modern -- 20th century -- Designs and plans","Architecture, Domestic -- Designs and plans.","Architects and community -- Virginia.","Architects -- Virginia.","Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"has_online_content_ssim":["false"],"extent_ssm":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"extent_tesim":["278.62 Cubic Feet 1768 rolls of architectural drawings housed in 1458 tube boxes, 4 tube rolls, 93 oversized flat file folders, and 2 oversized flat boxes. 11 legal document boxes, 1 oversized flat box, and 9 oversized flat folders of records"],"genreform_ssim":["Blueprints (reprographic copies)","architectural drawings (visual works)","design drawings"],"date_range_isim":[1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThis collection is open for research.\u003c/p\u003e\n","\u003cp\u003eSome of the architectural works are brittle or torn and need to be handled delicately.\u003c/p\u003e\n","\u003cp\u003ePhotographic materials need to be handled with proper gloves.\u003c/p\u003e","\u003cp\u003ePlease note, part of this collection is housed at Ivy Stacks, an off-site storage facility. 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Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e","\u003cp\u003eThis collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.\u003c/p\u003e","\u003cp\u003eDue the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.\u003c/p\u003e\n","\u003cp\u003eTo view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.\u003c/p\u003e\n","\u003cp\u003eAfter viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Physical Access","Conditions Governing Access","Physical Access"],"accessrestrict_tesim":["This collection is open for research.","Some of the architectural works are brittle or torn and need to be handled delicately.","Photographic materials need to be handled with proper gloves.","Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Folder 93 (drawings for Commission No. 15400) is a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder.","This collection has been minimally processed and is available for research. Please note, part of this collection is housed at Ivy Stacks, an off-site storage facility. Requests for materials housed at Ivy Stacks require at least 72 hours' notice.","Due the physical condition of this item, it is housed in a custom made oversized folder made from stiff board, and requires specific handling instructions. These instructions are also found on the folder.","To view the drawings untie the knots of the ribbons found on the sides of the folder. After opening the folder, untie knotted ribbon that holds the interior board in place, and then remove the board.","After viewing, place the interior board white side down on top of the curled edge before closing the folder to prevent the blueprint from curling. Then tie horizontal ribbon so the interior board sandwiches the blueprints tightly. Please make sure the blueprint doesn't curl on itself before closing the top flap. Finally, tie the exterior ribbons at the sides of the folder."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four main series: \u003c/p\u003e\n","\u003cp\u003eSeries 1 - Charles M. Robinson records, 1978, 2020, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 -  Office records, 1935-1992, undated\u003c/p\u003e\n","\u003cp\u003eSeries 3 - Architectural drawings, 1907-2012\u003c/p\u003e\n","\u003cp\u003eSeries 4 - Project photograph files, 1855-1999, undated\u003c/p\u003e\n","\u003cp\u003eSeries 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.\u003c/p\u003e\n","\u003cp\u003eIn Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.\u003c/p\u003e\n","\u003cp\u003eThe files in Series 4, Project photograph files, are arranged alphabetically. \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four main series: ","Series 1 - Charles M. Robinson records, 1978, 2020, undated","Series 2 -  Office records, 1935-1992, undated","Series 3 - Architectural drawings, 1907-2012","Series 4 - Project photograph files, 1855-1999, undated","Series 2 and 4 are further arranged into large files, and Series 3 is arranged first into subseries, then into files.","The files in Series 2, Office records, are arranged accoring to the significance of the documents to the firm's operations.","In Series 3, Architectural drawings, the subseries are named after each decade, beginning with 1900s and ending with the 2010s. The files below these subseries are project titles arranged in general chronological order grouped together by year.","The files in Series 4, Project photograph files, are arranged alphabetically. "],"bioghist_html_tesm":["\u003cp\u003e\u003cpersname\u003eCharles Morrison Robinson\u003c/persname\u003e was born on \u003cdate\u003eMarch 3, 1867\u003c/date\u003e, in \u003cgeogname\u003eHamilton, Loudoun County, Virginia\u003c/geogname\u003e. He was the eldest son of \u003coccupation\u003earchitect\u003c/occupation\u003e and builder \u003cpersname\u003eJames T. Robinson\u003c/persname\u003e and \u003cpersname\u003eElizabeth Crockett Robinson\u003c/persname\u003e. His family relocated to \u003cgeogname\u003eWelland, Ontario\u003c/geogname\u003e, where he completed his early schooling before beginning architectural training under \u003cpersname\u003eD.S. Hopkins\u003c/persname\u003e in \u003cgeogname\u003eGrand Rapids, Michigan\u003c/geogname\u003e, and \u003cpersname\u003eJohn K. Peebles\u003c/persname\u003e in \u003cgeogname\u003ePittsburgh, Pennsylvania\u003c/geogname\u003e. In \u003cdate\u003e1889\u003c/date\u003e, he formed his first partnership—Smith \u0026amp; Robinson—in \u003cgeogname\u003eAltoona, Pennsylvania\u003c/geogname\u003e. He married \u003cpersname\u003eAnnie Custer\u003c/persname\u003e in \u003cdate\u003e1891\u003c/date\u003e, and their son, \u003cpersname\u003eCharles Custer Robinson\u003c/persname\u003e, was born two years later.  \u003c/p\u003e\n","\u003cp\u003eFollowing years of practice in Pennsylvania, including partnerships with \u003cpersname\u003eGeorge T. Smith\u003c/persname\u003e, \u003cpersname\u003eR.B. Crockett\u003c/persname\u003e, and \u003cpersname\u003eGeorge Winkler\u003c/persname\u003e, \u003cfamname\u003eRobinson\u003c/famname\u003e returned to \u003cgeogname\u003eVirginia\u003c/geogname\u003e in \u003cdate\u003e1906\u003c/date\u003e, establishing Charles M. Robinson, Architect in \u003cgeogname\u003eRichmond\u003c/geogname\u003e. Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  \u003c/p\u003e\n","\u003cp\u003eBetween \u003cdate\u003e1906\u003c/date\u003e and \u003cdate\u003e1932\u003c/date\u003e, Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in \u003cgeogname\u003eRichmond\u003c/geogname\u003e, \u003cgeogname\u003eNorfolk\u003c/geogname\u003e, \u003cgeogname\u003eNewport News\u003c/geogname\u003e, \u003cgeogname\u003ePortsmouth\u003c/geogname\u003e, and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026amp; Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. \u003c/p\u003e\n","\u003cp\u003eIn \u003cdate\u003e1908\u003c/date\u003e he won the commission to design the campus of the State Normal School at \u003cgeogname\u003eHarrisonburg\u003c/geogname\u003e, now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026amp; Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. \u003c/p\u003e\n","\u003cp\u003eHis practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at \u003cgeogname\u003eCatawba\u003c/geogname\u003e, \u003cgeogname\u003eBurkeville\u003c/geogname\u003e, and \u003cgeogname\u003eCharlottesville\u003c/geogname\u003e for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  \u003c/p\u003e\n","\u003cp\u003eBy the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson, \u003cpersname\u003eBenjamin A. Ruffin\u003c/persname\u003e, and \u003cpersname\u003eJohn Binford Walford\u003c/persname\u003e, who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in \u003cdate\u003e1926\u003c/date\u003e, he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on \u003cdate\u003eAugust 20, 1932\u003c/date\u003e, at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  \u003c/p\u003e\n","\u003cp\u003eThe practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026amp; Wright (1946–1962); Wright, Jones \u0026amp; Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026amp; Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.\u003c/p\u003e\n","\u003cp\u003eReference List:\u003c/p\u003e\n","\u003cp\u003eArlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf\u003c/p\u003e\n","\u003cp\u003eLedger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/\u003c/p\u003e\n","\u003cp\u003eLoth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026amp;q=charles+robinson#v=onepage\u0026amp;q=charles%20robinson\u0026amp;f=false\u003c/p\u003e\n","\u003cp\u003eMorgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/\u003c/p\u003e\n","\u003cp\u003eMoyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/\u003c/p\u003e\n","\u003cp\u003ePreservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m\u003c/p\u003e\n","\u003cp\u003eRobinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html\u003c/p\u003e\n","\u003cp\u003eUnited States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf\u003c/p\u003e\n","\u003cp\u003eWinthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Charles Morrison Robinson  was born on  March 3, 1867 , in  Hamilton, Loudoun County, Virginia . He was the eldest son of  architect  and builder  James T. Robinson  and  Elizabeth Crockett Robinson . His family relocated to  Welland, Ontario , where he completed his early schooling before beginning architectural training under  D.S. Hopkins  in  Grand Rapids, Michigan , and  John K. Peebles  in  Pittsburgh, Pennsylvania . In  1889 , he formed his first partnership—Smith \u0026 Robinson—in  Altoona, Pennsylvania . He married  Annie Custer  in  1891 , and their son,  Charles Custer Robinson , was born two years later.  ","Following years of practice in Pennsylvania, including partnerships with  George T. Smith ,  R.B. Crockett , and  George Winkler ,  Robinson  returned to  Virginia  in  1906 , establishing Charles M. Robinson, Architect in  Richmond . Robinson became a leading designer for a future comprehensive statewide public school system mandated by Virginia's 1902 Constitution.  ","Between  1906  and  1932 , Robinson's practice produced plans for more than 400 public schools and many university buildings, including commissions in  Richmond ,  Norfolk ,  Newport News ,  Portsmouth , and dozens of rural counties. Robinson's standardized plans were paired with styles ranging from Arts \u0026 Crafts to Collegiate Gothic, Spanish Revival, and Art Deco. His schools featured ample light, logical circulation, and adaptable common spaces. ","In  1908  he won the commission to design the campus of the State Normal School at  Harrisonburg , now James Madison University, designing its first seven buildings and subsequent expansions through 1928. He designed foundational campuses for the institutions now known as the University of Mary Washington, Radford University, and Virginia State University, and oversaw more than sixty major projects for the College of William \u0026 Mary between 1921 and 1931, including the Sunken Garden and numerous residence halls, academic buildings, and the George Preston Blow Gymnasium. ","His practice also extended beyond education. In 1918 he designed the tuberculosis sanitariums (sanatoriums) at  Catawba ,  Burkeville , and  Charlottesville  for the Virginia State Board of Health. In Richmond, he designed civic and commercial structures, including the Times-Dispatch Building, Stuart Circle Hospital, Grace Hospital, St. Elizabeth's Hospital, the Sunday School Building at Ginter Park Methodist Church, and (in partnership with his former apprentice Marcellus Wright, Sr.) the ACCA Shriner Mosque—today the Altria Theater. Residentially, his Laburnum Court development introduced an early twentieth-century model of middle-class housing arranged around a landscaped central park.  ","By the 1920s, Robinson had expanded his firm to include his son Charles Custer Robinson,  Benjamin A. Ruffin , and  John Binford Walford , who became partners in Charles M. Robinson, Architects in 1922. Although Robinson retired to his farm in Hampton in  1926 , he remained professionally active, producing drawings at home and visiting construction sites. Robinson died on  August 20, 1932 , at age 66 in a Norfolk hospital, and the firm was formally dissolved the following day.  ","The practice he founded continued through multiple generations of architects, evolving through successive names—J. Binford Walford, Architect (1932–1946); Walford \u0026 Wright (1946–1962); Wright, Jones \u0026 Wilkerson (1962–1991); Wright, Jones, Wilkerson, Rothschild \u0026 Boynton (1991–1994); and finally Boynton, Rothschild, Rowland (1994–2020). The firm remained active for more than a century before being acquired in 2020.","Reference List:","Arlington County Historical Affairs and Landmark Review Board. (2008, September). Historic District Designation Form. Arlington County Register of Historic Places. https://www.arlingtonva.us/files/sharedassets/public/v/1/projects/documents/wraps_localhistoricdistrictdesignation_wilsonschool_2009.pdf","Ledger-Star, Norfolk, VA. (1932, August 22). Charles M. Robinson Prominent Architect, Dies; Burial Today. Newspapers.com by Ancestry. https://www.newspapers.com/article/ledger-star-charles-m-robinson-prominen/166469428/","Loth, C. (1999). The Virginia Landmarks Register. The University Press of Virginia. https://books.google.com/booksid=NJa_64aH1iMC\u0026q=charles+robinson#v=onepage\u0026q=charles%20robinson\u0026f=false","Morgan, S.W. (2019, September 24). Virginia's Unsung Architect. Richmond Magazine. https://richmondmagazine.com/home/latest/charles-robinson-branch-museum/","Moyer, L. (n.d.). Halls of History. University of Mary Washington Magazine. https://magazine.umw.edu/spring2013/features/halls-of-history/","Preservation Durham. (n.d.). Robinson, Charles M. Open Durham from Preservation Durham. https://www.opendurham.org/people/robinson-charles-m","Robinson, D.B. (n.d.). Charles M. Robinson: A Virginia Architectural History. https://www.charlesmrobinson.com/index.html","United States Department of the Interior National Park Service. (1992, October 31). National Register of Historic Places Multiple Property Documentation Form. Internet rchive Wayback Machine. https://web.archive.org/web/20101111233435/http://www.dhr.virginia.gov/registers/Counties/MultipleCounty/127-0845_PublicSchoolsinRichmondMPS_NPS_final.pdf","Winthrop, R.P. (2015, January 27). Architects of Richmond: Charles M. Robinson. Architecture Richmond. https://architecturerichmond.com/architects-of-richmond-charles-m-robinson/"],"odd_html_tesm":["\u003cp\u003eCONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.\u003c/p\u003e","\u003cp\u003eSome items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e","\u003cp\u003eThe commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related.\u003c/p\u003e"],"odd_heading_ssm":["Content Warning","Conservation and Preservation","General","General"],"odd_tesim":["CONTENT WARNING:\nThis material contains offensive or harmful language. This material contains references to outdated terminology for African Americans, as well as for Native Americans. The terms \"Colored\" and Negro\", in commom parlance when the drawings were created, are used throughout the architectural drawings to refer to Black people. The term \"Indian\" is also used to refer to Native Americans. These terms are primarily found in the titles of architectural drawings. Titles remain as they were found for historical context. The purpose of this note is to give users the opportunity to decide whether they need or want to view these materials, or at least, to mentally or emotionally prepare themselves to view the materials.","Some items in this collection sustained damage from pests and/or mold prior to coming to the Library. Preservation staff has frozen and stabilized the items to prevent further damage from pests or mold and cleaned the items to facilitate handling. 10/20/23","The commission number for this set of drawings is the same as the number for the \"John W. Daniel School, Newport News Schools, VA, 1913\" drawings. However, there is no indication of the projects being related.","The commission number for this set of drawings is the same as the number for the \"Eastville High School, Northampton County, VA, 1913\" drawings. However, there is no indication of the projects being related."],"prefercite_html_tesm":["\u003cp\u003eMSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia.\u003c/p\u003e"],"prefercite_tesim":["MSS 16518, Charles M. Robinson and Principals Architectural Records, Albert and Shirley Small Special Collections Library, University of Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. \u003c/p\u003e\n","\u003cp\u003eSeries 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. \u003c/p\u003e\n","\u003cp\u003eSeries 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. \u003c/p\u003e\n","\u003cp\u003eSeries 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   \u003c/p\u003e\n","\u003cp\u003eIncluded are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. \u003c/p\u003e\n","\u003cp\u003ePrimary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. \u003c/p\u003e\n","\u003cp\u003eOf particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. \u003c/p\u003e\n","\u003cp\u003eThe works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. \u003c/p\u003e\n","\u003cp\u003eSeries 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. \u003c/p\u003e","\u003cp\u003eDates: 1907 – 2012, bulk date 1907-1995  \u003c/p\u003e\n","\u003cp\u003eThis series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Charles M. Robinson and Principals Architectural Records consist of materials about Charles M. Robinson, and the office records, architectural and design plans, and project photograph files of the Charles M. Robinson, Architect firm and successor firms. The materials document the business operations of the firms, as well as their role in developing the city of Richmond, VA, and in developing various institutions and organizations across the state of Virginia. The works in this collection also demonstrate the significance of the firm's activities on communities in these areas. It is divided into four series. ","Series 1, Charles M. Robinson Files (1978, 2020, undated; 1 folder), includes copies of documents about Charles M. Robinson, such as a copy of his Architecture License. There is also a copy of a short essay about Robinson's role in the construction of the ACCA Shrine, now known as the Altria Theater. ","Series 2, Office records (circa 1935-1992, undated; 18 folders), includes office records, which are arranged in decreasing order of their significance/functionality to the firm's operations. Most notably are the lists of commissions, index to the architectural drawings, and the commission notes. These records cover the majority of the timeline following Robinson's death. ","Series 3, Architectural drawings (1907-2012, undated; 3 oversized boxes, 93 flat file folders, 4 tubes, 1457 tube boxes), the largest part of this collection, consists of the firm's architectural drawings and design plans, as well as the drawings and plans Robinson created in his role as the official school board architect for several cities and counties in Virginia, and as an architect for the Virginia State Board of Health. They span more than a century beginning in 1907 and ending in 2012 and represent over 1600 projects.   ","Included are drawings, designs, and plans for educational institutions, hospitals, churches, offices, retail stores, private residences, and plots across the state of Virginia. The series also includes topographic maps and site studies. There are original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. ","Primary, secondary, and post-secondary schools in locations across Virginia are very well represented by the plans in this collection. More well-known post-secondary educational institutions include the College of William and Mary, James Madison University, Raford University, University of Mary Washington, George Mason University, and Virginia Commonwealth University. However, the number of primary and secondary schools represented in the collection is even greater. ","Of particular significance are the designs and plans the firm created for educational institutions for students from underrepresented, historically oppressed, and marginalized groups. These include the Virginia School for the Deaf and Blind, the Virginia State University, the nation's first fully-state supported four-year post-secondary learning institution for Black Americans, and the HBCUs Norfolk State University and Virginia Union University. ","The works that Robinson completed as an architect for the Virginia State Board of Health include plans and designs for the Catawba, Blue Ridge, and Piedmont Tuberculosis sanitoriums (rehabilitation center, hospice, etc.). Robinson's work in this role also affected the lives of people from underrepresented groups, as the Piedmont institution was developed specifically for the care of Black residents of Virginia. ","Series 4, Project photograph files (circa 1855-1999, undated; 9 boxes, 15 folders), includes many of the project photograph files from the architectural firm. Although there are some items from Robinson's time with the firm, the large majority are dated and document the projects from after his death on August 20, 1932. The photograph file index introduces the rest of the series, which includes prints, negatives, photo documentation from John Binford Walford and Oscar Pendleton Wright's photograph albums, and undated presentation photos. ","Dates: 1907 – 2012, bulk date 1907-1995  ","This series consists of architectural rolls that contain drawings, designs, and plans of educational institutions, hospitals, churches, offices, retail stores, and private residences across the state of Virginia. The series also includes rolls that hold topographic maps, plot and general layouts, and site studies. The drawings comprise original designs, proposed designs, voided designs, additions, alterations, and renovations. The designs are comprehensive, and include work on interiors and exteriors, plumbing and ventilation systems, and landscape works. For a detailed inventory of the drawings, please see the Charles M. Robinson architectural records drawing inventory in the External Documents field."],"userestrict_html_tesm":["\u003cp\u003eThis collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["This collection contains some in-copyright material. Visit our Permissions and Publishing page (https://www.library.virginia.edu/special-collections/services/publishing) for more information about use of Special Collections materials. The library can provide copyright information upon request, but users are responsible for making their own determination about lawful use of collections materials."],"names_ssim":["Albert and Shirley Small Special Collections Library","Robinson","Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"famname_ssim":["Robinson"],"names_coll_ssim":["Robinson, Charles  M. (Morrison), 1867-1932"],"persname_ssim":["Robinson, Charles  M. (Morrison), 1867-1932","Charles Morrison Robinson","James T. Robinson","Elizabeth Crockett Robinson","D.S. Hopkins","John K. Peebles","Annie Custer","Charles Custer Robinson","George T. Smith","R.B. Crockett","George Winkler","Benjamin A. Ruffin","John Binford Walford"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1707,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-28T16:05:34.006Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1030_c03_c04"}},{"id":"viblbv_repositories_2_resources_3018_c05_c05_c02","type":"Subseries","attributes":{"title":"1930s-1950s playbills","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c05_c05_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3018_c05_c05_c02","ref_ssm":["viblbv_repositories_2_resources_3018_c05_c05_c02"],"id":"viblbv_repositories_2_resources_3018_c05_c05_c02","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018_c05_c05","parent_ssi":"viblbv_repositories_2_resources_3018_c05_c05","parent_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c05","viblbv_repositories_2_resources_3018_c05_c05"],"parent_ids_ssim":["viblbv_repositories_2_resources_3018","viblbv_repositories_2_resources_3018_c05","viblbv_repositories_2_resources_3018_c05_c05"],"parent_unittitles_ssm":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills"],"parent_unittitles_tesim":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills"],"text":["John Barnes Performing Arts Collection","Series V: Theatre","Broadway playbills","1930s-1950s playbills"],"title_filing_ssi":"1930s-1950s playbills","title_ssm":["1930s-1950s playbills"],"title_tesim":["1930s-1950s playbills"],"unitdate_inclusive_ssm":["1932-1956"],"normalized_date_ssm":["1932/1956"],"normalized_title_ssm":["1930s-1950s playbills"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["John Barnes Performing Arts Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":5,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":84,"parent_access_restrict_tesm":["Collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"_nest_path_":"/components#4/components#4/components#1","timestamp":"2026-05-21T02:27:21.236Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3018","ead_ssi":"viblbv_repositories_2_resources_3018","_root_":"viblbv_repositories_2_resources_3018","_nest_parent_":"viblbv_repositories_2_resources_3018","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3018.xml","title_filing_ssi":"Barnes, John Performing Arts Collection,  1890s-1980s","title_ssm":["John Barnes Performing Arts Collection"],"title_tesim":["John Barnes Performing Arts Collection"],"unitdate_ssm":["1890-1983","1940-1969"],"unitdate_bulk_ssim":["1940-1969"],"unitdate_inclusive_ssm":["1890-1983"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.2016.005"],"text":["Ms.2016.005","John Barnes Performing Arts Collection","Charlottesville (Va.)","Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs","Collection is open for research.","The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.","John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.","The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926","Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.","The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.","Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979","Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"unitid_tesim":["Ms.2016.005"],"normalized_title_ssm":["John Barnes Performing Arts Collection"],"collection_title_tesim":["John Barnes Performing Arts Collection"],"collection_ssim":["John Barnes Performing Arts Collection"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Charlottesville (Va.)"],"geogname_ssim":["Charlottesville (Va.)"],"creator_ssm":["Barnes, John H. (John Hancock), 1905-1979"],"creator_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creator_persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"creators_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"places_ssim":["Charlottesville (Va.)"],"access_terms_ssm":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"acqinfo_ssim":["The John Barnes Performing Arts Collection was given to Special Collections prior to 2009."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Community theater","Theater programs","Concert programs"],"has_online_content_ssim":["false"],"extent_ssm":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"extent_tesim":["11.9 Cubic Feet 9 boxes, 1 oversize folder"],"genreform_ssim":["Theater programs","Concert programs"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries I: Scrapbooks\u003c/b\u003e includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries II: Clippings\u003c/b\u003e consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include: \u003ci\u003ePopular Electricity\u003c/i\u003e, \u003ci\u003eMunsey's Magazine\u003c/i\u003e, \u003ci\u003eAtlantic Monthly\u003c/i\u003e, \u003ci\u003eThe Library Magazine\u003c/i\u003e, \u003ci\u003eHarper's New Monthly Magazine\u003c/i\u003e, \u003ci\u003eThe Nineteenth Century\u003c/i\u003e, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries III: National Theatre (Washington, DC)\u003c/b\u003e includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. \u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IV: John F. Kennedy Center for the Performing Arts\u003c/b\u003e includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries V: Theatre\u003c/b\u003e includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VI: Opera\u003c/b\u003e includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VII: Ballet and Dance\u003c/b\u003e includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries VIII: Music\u003c/b\u003e includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries IX: Motion Pictures and Television\u003c/b\u003e includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.\u003c/p\u003e\n","\u003cp\u003e\u003cb\u003eSeries X: Other Genres\u003c/b\u003e includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged in ten series. For the most part, the series reflect the arrangement in which the collection was found in 2009. Please note: Many series overlap, i.e. there are theatre materials in series other than Series V.","Series I: Scrapbooks  includes scrapbooks on a variety of theatre topics from the 1900s through the 1970s including articles on burlesque, Allied Entertainment, the Kansas City Theatre, Gloria Swanson, Charles Dickens, George Bernard Shaw, William Shakespeare, Christopher Marlowe, Ben Johnson, and the theatre industry in general. There are also scrapbooks containing theatrical programs from the 1920s to the 1970s.","Series II: Clippings  consists of numerous magazine and journal articles from 1839 through 1966 about the theatre and entertainment industries that have been clipped and individually bound. Source publications for the clippings include:  Popular Electricity ,  Munsey's Magazine ,  Atlantic Monthly ,  The Library Magazine ,  Harper's New Monthly Magazine ,  The Nineteenth Century , and more.","Series III: National Theatre (Washington, DC)  includes performing arts programs from the National Theatre in Washington, DC. The series includes programs from the 1940s through the 1970s and opera programs from the mid-1940s. The majority of the series is theatrical programs which are grouped  by time period and program design. There are two subseries: 1940s-1950s playbills, 1960s-1970s playbills. ","Series IV: John F. Kennedy Center for the Performing Arts  includes theatre, opera, ballet, kabuki, and concert programs. About half of the series is theatre programs covering the 1960s and 1970s. Programs for the other genres are all from the 1970s. The series has two subseries: theatre playbills and ballet programs.","Series V: Theatre  includes a broad variety of theatrical programs from around the world including programs from Israel, Italy, Poland, France, and the United States. It also includes newsletters, advertising and subscription materials, and souvenir programs. There are seven subseries: George Bernard Shaw playbills, Chicago theatre playbills, Broadway playbills (further divided by era), Arena Stage playbills, The Virginia Players playbills, The Washington Theater Club playbills, and Souvenir programs. The remaining playbills are organized by venue. Items in this series are from the 1900s through the 1970s.","Series VI: Opera  includes opera programs from the 1920s to the 1970s in English, French, and Italian. The programs are organized by opera company. Companies represented in the collection include: the English National Opera, Opera National de Belgique, the Dallas Civic Opera Company, The Oratorio Society of Charlottesville-Albemarle, the Virginia Opera Association, the Washington Grand Opera Association, and more.","Series VII: Ballet and Dance  includes ballet and dance programs from the 1930s to 1980 in English, French, Polish, and Russian. The programs are organized by dance company. Companies represented in the collection include: Alvin Ailey City Center Dance Theater, Ballet Russe de Monte Carlo, Bat-Dor Dance Company of Israel, Charlottesville Civic Ballet Company, The Bolshoi Ballet, Fairfax Ballet Company, National Ballet of Canada, New York City Ballet, State Order of Lenin Academic Opera and Ballet Theatre, The National Ballet (United States of America), and more.","Series VIII: Music  includes concert programs for ensemble performances, individual performers, music festivals, and music variety shows. The programs are from the 1920s through the early 1980s. There are programs from the University of Virginia, Virginia Tech, the National Symphony Orchestra, the Civic Musical Association of Richmond, The Community Concert Association (Charlottesville, Virginia), and more. There are three subseries: University of Virginia programs, Virginia Tech Union programs, and Large musical ensemble programs.","Series IX: Motion Pictures and Television  includes film materials from the 1920s through the 1970s with the majority of the items from the early days of film in the 1920s and 1930s. The series includes promotional handouts, film festival notes, motion picture brochures, catalogs, and programs, and a subseries of materials from the British Film Institute in the 1950s and 1960s. This series includes items in English, German, and Hungarian.","Series X: Other Genres  includes items about the entertainment industry in general, museum and library event programs, circus programs, cabaret programs, figure skating programs, and a dressage (horse dancing) program. Items in this series are from the 1930s through the 1970s and are in English, Russian, and French."],"bioghist_html_tesm":["\u003cp\u003eJohn Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in \u003ci\u003eBrown v. Board of Education of Topeka\u003c/i\u003e. When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information"],"bioghist_tesim":["John Hancock Barnes was born October 18, 1905 in Missouri and died on November 7, 1979 in Charlottesville, Virginia. He was married to Margaret Seymour. Barnes held both a Bachelor of Philosophy and a Master of Education. He was the head of the English department at Fluvanna County High School in Palmyra, Virginia from 1945 to 1949. He was an English teacher at Lane High School in Charlottesville, VA from 1949 until the school shut down under the Stanley Plan in September 1958 to protest the U.S. Supreme Court ruling regarding racial integration in  Brown v. Board of Education of Topeka . When the school reopened in February 1959, Barnes was the guidance director. He remained in that position until at least 1963. He passed away in 1979."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: John Barnes Performing Arts Collection, Ms2016-005, Special Collections, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the John Barnes Performing Arts Collection commenced in January 2016 and was completed in May 2016."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s. Many of the programs were paired with clippings of newspaper critics' reviews of the performances. The reviews have been digitized and are available upon request. See the Arrangement note for additional information on the  contents of the collection."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eThe following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:\u003c/head\u003e\n      \u003citem\u003eAnna Bolena Italian-English Libretto, 1973\u003c/item\u003e\n      \u003citem\u003eThe Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921?\u003c/item\u003e\n      \u003citem\u003ePlayer's Magazine, November 1924-May and June 1931, February-May 1959\u003c/item\u003e\n      \u003citem\u003ePhilharmonic, July 1901\u003c/item\u003e\n      \u003citem\u003eSaint Joan feature book, 1957\u003c/item\u003e\n      \u003citem\u003eTiefland Libretto, 1908\u003c/item\u003e\n      \u003citem\u003eA Witch of Salem Libretto, 1926\u003c/item\u003e\n    \u003c/list\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection:","The following materials were removed from the collection and cataloged for the Special Collections Rare Book Collection: Anna Bolena Italian-English Libretto, 1973 The Bookman's Journal and Print Collector, Vol. V, no. 1-3, 1921? Player's Magazine, November 1924-May and June 1931, February-May 1959 Philharmonic, July 1901 Saint Joan feature book, 1957 Tiefland Libretto, 1908 A Witch of Salem Libretto, 1926"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["Permission to publish material from the John Barnes Performing Arts Collection must be obtained from Special Collections, Virginia Tech."],"abstract_html_tesm":["\u003cabstract id=\"aspace_68b34aec577b16124acbb1215f539ab7\"\u003eThe collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["The collection includes performing arts programs from around the world as well as scrapbooks and clippings about the theatre and movie industries. The programs cover a variety of genres including theatre, classical and popular music, opera, ballet, motion picture, and other genres such as horse ballet, ice skating, and circus. The programs come from numerous countries including the United Kingdom, Israel, Russia, Japan, and Poland with the majority being from the Northeastern and Mid-Atlantic United States. The programs cover the late 1800s through the late 1900s with the majority of items from the 1940s through the 1960s."],"names_ssim":["Special Collections and University Archives, Virginia Tech","Barnes, John H. (John Hancock), 1905-1979"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech"],"persname_ssim":["Barnes, John H. (John Hancock), 1905-1979"],"language_ssim":["Materials in this collection are in English, French, German, Hebrew, Hungarian, Italian, Polish,  and Russian."],"total_component_count_is":314,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:27:21.236Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3018_c05_c05_c02"}},{"id":"virmu_repositories_2_resources_8_c01_c05_c02_c26","type":"Item","attributes":{"title":"1934","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c26#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eTranscription: [double-headed eagle] The Schaffer Collection of Russian Imperial Art Treasures ROCKEFELLER CENTER, NEW YORK October 1, 1937 #1934 A large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897. In the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess. Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red. In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka. Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction. The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions. At the corners, eight-winged cherubims are placed. The presentation inscription at the bottom of the icon reads: \"May 29, 1897. The City of Peterhof\". From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c26#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"virmu_repositories_2_resources_8_c01_c05_c02_c26","ref_ssm":["virmu_repositories_2_resources_8_c01_c05_c02_c26"],"id":"virmu_repositories_2_resources_8_c01_c05_c02_c26","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8_c01_c05_c02","parent_ssi":"virmu_repositories_2_resources_8_c01_c05_c02","parent_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c02"],"parent_ids_ssim":["virmu_repositories_2_resources_8","virmu_repositories_2_resources_8_c01","virmu_repositories_2_resources_8_c01_c05","virmu_repositories_2_resources_8_c01_c05_c02"],"parent_unittitles_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6"],"parent_unittitles_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6"],"text":["Lillian Thomas Pratt Personal Papers (SC-07)","Series 1: Schaffer Collection","Series 1.5: Item Descriptions","Folder 6","1934","Paper","Schaffer Collection","New York (N.Y.)","English","box SC-07 Box 1","folder 6","Item SC07.01.5.120","American--1","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","47.20.7","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"title_filing_ssi":"1934","title_ssm":["1934"],"title_tesim":["1934"],"unitdate_other_ssim":["Oct. 1, 1937"],"normalized_date_ssm":["1937"],"normalized_title_ssm":["1934"],"component_level_isim":[4],"repository_ssim":["Virginia Museum of Fine Arts"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"physdesc_tesim":["Paper"],"extent_ssm":["1 page"],"extent_tesim":["1 page"],"physfacet_tesim":["Sales records"],"creator_ssim":["Schaffer Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":310,"parent_access_restrict_tesm":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the VMFA Collections Search website. "],"parent_access_terms_tesm":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"date_range_isim":[1937],"names_ssim":["Schaffer Collection"],"corpname_ssim":["Schaffer Collection"],"geogname_ssim":["New York (N.Y.)"],"geogname_ssm":["New York (N.Y.)"],"places_ssim":["New York (N.Y.)"],"acqinfo_ssim":["Gift of Lillian Thomas Pratt."],"language_ssim":["English"],"containers_ssim":["box SC-07 Box 1","folder 6","Item SC07.01.5.120"],"bioghist_html_tesm":["\u003cp\u003eAmerican--1\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["American--1"],"odd_html_tesm":["\u003cp\u003eSchaffer Collection, Russian Imperial Art Treasures, Rockefeller Center\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e"],"prefercite_heading_ssm":["Preferred Citation"],"prefercite_tesim":["Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e47.20.7\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["47.20.7"],"scopecontent_html_tesm":["\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT"],"userestrict_html_tesm":["\u003cp\u003eNo Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["No Copyright - United States: http://rightsstatements.org/page/NoC-US/1.0/?language=en"],"_nest_path_":"/components#0/components#4/components#1/components#25","timestamp":"2026-05-21T03:30:55.910Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"virmu_repositories_2_resources_8","ead_ssi":"virmu_repositories_2_resources_8","_root_":"virmu_repositories_2_resources_8","_nest_parent_":"virmu_repositories_2_resources_8","ead_source_url_ssi":"data/oai/VMFA/repositories_2_resources_8.xml","aspace_url_ssi":"https://archives.vmfa.museum/repositories/2/resources/8","title_filing_ssi":"Pratt, Lillian Thomas (SC-07)","title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"unitdate_ssm":["1901-1947"],"unitdate_inclusive_ssm":["1901-1947"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["SC-07","/repositories/2/resources/8"],"text":["SC-07","/repositories/2/resources/8","Lillian Thomas Pratt Personal Papers (SC-07)","Art objects, Russian","Easter eggs","Fabergé eggs","The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . ","The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated","The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)","Two months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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can--1","American--1","American--1","American--1","American--1","American--1","American--1","American--1","American--1","The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.","47.20.412, 47.20.333, 47.20.312","47.20.14, 47.20.284, 47.20.338","47.20.30, 47.20.26, 47.20.28, 47.20.214, 47.20.341, 47.20.363, 47.20.404, 47.20.309","47.20.167, 47.20.72, 47.20.287, 47.20.166, 47.20.346, 47.20.296, 47.20.90, 47.20.95, 47.20.420, 47.20.421, 47.20.85, 47.20.94, 47.20.77, 47.20.74, 47.20.78, 47.20.75, 47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62, 47.20.84, 47.20.86, 47.20.82, 47.20.91, 47.20.87, 47.20.115, 47.20.63, 47.20.83, 47.20.54, 47.20.88, 47.20.130, 47.20.93, 47.20.59, 47.20.56, 47.20.58, 47.20.92, 47.20.96","47.20.4, 47.20.71, 47.20.81, 47.20.70, 47.20.55, 47.20.80, 47.20.76, 47.20.332, 47.20.336, 47.20.397, 47.20.140, 47.20.342, 47.20.281, 47.20.304, 47.20.157","47.20.416, 47.20.349, 47.20.317, 47.20.197","47.20.314, 47.20.313, 47.20.322, 47.20.290, 47.20.251, 47.20.12, 47.20.319, 47.20.184, 47.20.169, 47.20.358, 47.20.350, 47.20.183, 47.20.187, 47.20.141, 47.20.162, 47.20.417, 47.20.329","47.20.173, 47.20.195","47.20.173, 47.20.195","47.20.31, 47.20.291, 47.20.193, 47.20.275, 47.20.181, 47.20.164, 47.20.168, 47.20.27, 47.20.182, 47.20.177, 47.20.196, 47.20.396, 47.20.315, 47.20.337, 47.20.413, 47.20.320","47.20.263, 47.20.353","47.20.310, 47.20.339, 47.20.19, 47.20.282, 47.20.286, 47.20.45, 47.20.348, 47.20.142, 47.20.143, 47.20.128, 47.20.185, 47.20.190, 47.20.180, 47.20.276, 47.20.127","47.20.255, 47.20.294, 47.20.314, 47.20.356, 47.20.414, 47.20.299, 47.20.210,","47.20.22, 47.20.13, 47.20.151, 47.20.279, 47.20.191, 47.20.252, 47.20.7, 47.20.21","47.20.51, 47.20.64, 47.20.493, 47.20.52, 47.20.126, 47.20.278, 47.20.208","47.20.29, 47.20.17","47.20.221, 47.20.265, 47.20.308","47.20.240, 47.20.257, 47.20.256","47.20.306","47.20.292, 47.20.288, 47.20.267","47.20.259, 47.20.311, 47.20.138","47.20.20, 47.20.297, 47.20.351, 47.20.163, 47.20.144, 47.20.220","47.20.215, 47.20.394","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.374, 47.20.216, 47.20.110, 47.20.136, 47.20.113, 47.20.118, 47.20.112, 47.20.122, 47.20.119, 47.20.114, 27.40.120, 47.20.125, 47.20.121, 47.20.117","47.20.131","47.20.13","47.20.33","47.20.33","47.20.248, 47.20.249, 47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.373","47.20.209, 47.20.334, 47.20.318, 47.20.102, 47.20.100, 47.20.101","47.20.343, 47.20.344, 47.20.340, 47.20.46, 47.20.148","47.20.495, 47.20.273","47.20.233, 47.20.395","47.20.16","47.20.13","47.20.154, 47.20.205","47.20.379","47.20.383","47.20.310","47.20.339","47.20.19","47.20.282","47.20.286","47.20.45","47.20.284","47.20.312","47.20.338","47.20.333","47.20.412","47.20.14","47.20.13","47.20.177","47.20.196","47.20.168","47.20.181","47.20.193","47.20.164","47.20.182","47.20.169","47.20.27","47.20.275","47.20.291","47.20.320","47.20.337","47.20.413","47.20.31","47.20.315","47.20.396","47.20.348","47.20.142","47.20.143","47.20.128","47.20.279","47.20.185","47.20.190","47.20.180","47.20.276","47.20.127","47.20.131","47.20.167","47.20.139","47.20.312","47.20.312","47.20.333","47.20.412","47.20.39","47.20.14","47.20.284","47.20.338","47.20.30","47.20.26","47.20.28","47.20.214","47.20.404","47.20.386","47.20.145","47.20.287","47.20.72","47.20.166","47.20.346","47.20.296","47.20.90","47.20.37","47.20.95, 47.20.85, 47.20.94, 47.20.77, 47.20.59","47.20.74, 47.20.78, 47.20.75, 47.20.63, 47.20.83","47.20.61, 47.20.73, 47.20.89, 47.20.79, 47.20.62","47.20.84, 47.20.86, 47.20.82, 47.20.91, 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47.20.117","47.20.288","47.20.292","47.20.383.1-6","47.20.343","47.20.273","47.20.46, 47.20.148","47.20.495","47.20.344","47.20.394","47.20.215","47.20.209","47.20.373","47.20.131","47.20.334","47.20.102","47.20.100","47.20.101","47.20.318","47.20.132, 47.20.30, 47.20.403, 47.20.402","47.20.306","47.20.351","47.20.270","47.20.18, 47.20.8","47.20.323","47.20.345","47.20.10","47.20.18","47.20.419","47.20.355","47.20.392","47.20.40","47.20.357","47.20.8","47.20.384","47.20.9","47.20.427","47.20.382","47.20.419","47.20.1","47.20.2","47.20.2","47.20.11","47.20.391","47.20.389","47.20.393","47.20.378","47.20.25,47.20.419, 47.20.10, 47.20.11","47.20.392","47.20.398","47.20.381","47.20.419","47.20.355","47.20.391","47.20.9a","47.20.384.1-13","47.20.378","47.20.427","47.20.382","47.20.18","47.20.8","47.20.409","47.20.398","47.20.405","47.20.357","47.20.392","47.20.390","47.20.388.1, 47.20.388.2","47.20.36","47.20.389","47.20.393","47.20.393","47.20.387","47.20.3","47.20.425","47.20.303, 47.20.367","47.20.426","47.20.146","47.20.5","47.20.6","47.20.40","47.20.345","47.20.222","47.20.213","47.20.69","47.20.137","47.20.272","47.20.38","47.20.179","47.20.277a-b","47.20.330","47.20.326","47.20.53","47.20.305","47.20.323","47.20.376.1-42","47.20.271","47.20.269","47.20.244","47.20.268","47.20.152","47.20.15","47.20.165","47.20.327","47.20.328","47.20.41","47.20.293","47.20.47","47.20.48","47.20.49","47.20.50","47.20.65","47.20.66","47.20.67","47.20.68","47.20.98","47.20.250","47.20.161","47.20.325","47.20.227","47.20.235","47.20.231","47.20.211","47.20.207","47.20.202","47.20.324","47.20.228","47.20.241, 47.20.242","47.20.170","47.20.203","47.20.225","47.20.217","47.20.218","47.20.221","47.20.224","47.20.230","47.20.229","47.20.232","47.20.261","47.20.260","47.20.155","47.20.60","47.20.171","47.20.239","47.20.244","47.20.247","47.20.262","47.20.266","47.20.300","47.20.133","47.20.134","47.20.289","47.20.57","47.20.99","47.20.111","47.20.116","47.20.123","47.20.124","47.20.385","47.20.301","47.20.156","47.20.172","47.20.186","47.20.246","47.20.199","47.20.198","47.20.178","47.20.285","47.20.309","47.20.234","47.20.226","47.20.223","47.20.220","47.20.219","47.20.212","47.20.245","47.20.109","47.20.43","47.20.238","47.20.103","47.20.108","47.20.354","47.20.375","47.20.335","47.20.331","47.20.321","47.20.298","47.20.254","47.20.105","47.20.104","47.20.106","47.20.107","47.20.135","47.20.359, 47.20.365","47.20.35","42.19.1","47.20.1, 47.20.2","47.20.11","47.20.25","47.20.10","47.20.419","47.20.32","47.20.32","47.20.32","47.20.32","47.20.32","47.20.357","47.20.409","47.20.303, 47.20.367","47.20.387","47.20.3","47.20.425","47.20.34","47.20.34","47.20.36, 47.20.32, 47.20.34","47.20.17","47.20.17","47.20.17","47.20.348","47.20.21","47.20.21","47.20.176","47.20.36","47.20.32","11061-1, 47.20.33, 47.20.34","11912-2, 47.20.34, 47.20.35, 47.20.32","11912-3, 47.20.34, 47.20.44, 47.20.148","1651, 47.20.235, 47.20.217, 47.20.222","4471, 47.20.214","490M, 47.20.32, 47.20.33","490M-6, 47.20.32","491M-19, 47.20.36, 47.20.231","491M-29, 47.20.148, 47.20.46","544M, 47.20.222, 47.20.217","7852M-10, 47.20.126","7852M-12, 47.20.34, 47.20.17, 47.20.18","7853M-4, 47.20.34, 47.20.32, 47.20.148, 47.20.46","The collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.","Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918","English \n.    "],"unitid_tesim":["SC-07","/repositories/2/resources/8"],"normalized_title_ssm":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_title_tesim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"collection_ssim":["Lillian Thomas Pratt Personal Papers (SC-07)"],"repository_ssm":["Virginia Museum of Fine Arts"],"repository_ssim":["Virginia Museum of Fine Arts"],"creator_ssm":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creator_persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray"],"creator_corpname_ssim":["Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"creators_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts"],"access_terms_ssm":["The collection is subject to all copyright laws. Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders."],"access_subjects_ssim":["Art objects, Russian","Easter eggs","Fabergé eggs"],"access_subjects_ssm":["Art objects, Russian","Easter eggs","Fabergé eggs"],"has_online_content_ssim":["false"],"extent_ssm":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"extent_tesim":["1.5 Linear Feet 2 boxes (15 folders), 1 oversize item and 1 binder"],"physfacet_tesim":["723 items"],"date_range_isim":[1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e\n","\u003cp\u003eDigitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the \u003ca href=\"https://www.vmfa.museum/archives/lillian-thomas-pratt-personal-papers-sc-07/\"\u003eVMFA Collections Search website\u003c/a\u003e. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Access"],"accessrestrict_tesim":["The collection is open for research.","Digitization of the collection has been made possible by the National Endowment for the Humanities. The digital collection can be accessed through the  VMFA Collections Search website . "],"arrangement_html_tesm":["\u003cp\u003eThe collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.\u003c/p\u003e","\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 1\u003c/label\u003e\n        \u003citem\u003eSchaffer Collection, 1934-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 2\u003c/label\u003e\n        \u003citem\u003eHammer Galleries, 1933-1945, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 3\u003c/label\u003e\n        \u003citem\u003eEstate, 1932-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 4\u003c/label\u003e\n        \u003citem\u003eClippings, 1932-1937, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eSeries 5\u003c/label\u003e\n        \u003citem\u003eMuseum Records, 1936-1947, undated\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is organized into five series, and items are generally arranged chronologically within each series. Price tags are arranged numerically by item number. Items with no date are placed at the end at each series.","Series 1 Schaffer Collection, 1934-1947, undated Series 2 Hammer Galleries, 1933-1945, undated Series 3 Estate, 1932-1947, undated Series 4 Clippings, 1932-1937, undated Series 5 Museum Records, 1936-1947, undated"],"bibliography_html_tesm":["\u003cbibref\u003eThe Fall of the Romanoffs: How the Ex-Empress \u0026amp; Rasputine Caused the Russian Revolution, 1917\u003c/bibref\u003e","\u003cbibref\u003eConfessions of the Czarina, 1918\u003c/bibref\u003e","\u003cbibref\u003eMother Dear: The Empress Marie of Russia and Her Times, 1926\u003c/bibref\u003e","\u003cbibref\u003eThe Tragic Bride: The Story of the Empress Alexandra of Russia, 1927\u003c/bibref\u003e","\u003cbibref\u003eThe Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Intimate Life of the Last Tzarina, 1928\u003c/bibref\u003e","\u003cbibref\u003eThe Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931\u003c/bibref\u003e","\u003cbibref\u003eRussia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931\u003c/bibref\u003e","\u003cbibref\u003eEducation of a Princess: A Memoir, 1931\u003c/bibref\u003e","\u003cbibref\u003eA Princess in Exile, 1932\u003c/bibref\u003e","\u003cbibref\u003eTwice Seven, 1937\u003c/bibref\u003e","\u003cbibref\u003eRussian Imperial Treasures: Collection of Lillian T. Pratt, undated\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940\u003c/bibref\u003e","\u003cbibref\u003eHandbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960\u003c/bibref\u003e","\u003cbibref\u003eFabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976\u003c/bibref\u003e","\u003cbibref\u003eFabergé: Virginia Museum of Fine Arts, 1995\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed: At the Virginia Museum of Fine Arts, 2011\u003c/bibref\u003e","\u003cbibref\u003eLillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996\u003c/bibref\u003e","\u003cbibref\u003eSelections from the Lillian Thomas Pratt Collection of Jewels, 1947\u003c/bibref\u003e","\u003cbibref\u003e12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1949\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1950\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1951\u003c/bibref\u003e","\u003cbibref\u003eImperial Russian Easter Eggs, 1952\u003c/bibref\u003e","\u003cbibref\u003eJewelry by Fabergé, 1953\u003c/bibref\u003e","\u003cbibref\u003eJewels by Fabergé, 1954\u003c/bibref\u003e","\u003cbibref\u003eFabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996\u003c/bibref\u003e","\u003cbibref\u003eFabergé Revealed, 2011\u003c/bibref\u003e","\u003cbibref\u003eVMFA Collections: Decorative Arts: Metalwork: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVMFA Donors: Pratt, John Lee and Lillian Thomas\u003c/bibref\u003e","\u003cbibref\u003eVMFA Gallery Design: Fabergé\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)\u003c/bibref\u003e","\u003cbibref\u003eVirginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)\u003c/bibref\u003e"],"bibliography_heading_ssm":["Related Materials - VMFA Library: Pratt's Personal Library","Related Materials - VMFA Library: Catalogs","Related Materials - VMFA Library: Video","Related Materials - VMFA Library: Exhibition Files","Related Materials - VMFA Library: Subject Files","Related Materials - Library of Virginia"],"bibliography_tesim":["The Fall of the Romanoffs: How the Ex-Empress \u0026 Rasputine Caused the Russian Revolution, 1917","Confessions of the Czarina, 1918","Mother Dear: The Empress Marie of Russia and Her Times, 1926","The Tragic Bride: The Story of the Empress Alexandra of Russia, 1927","The Life and Tragedy of Alexandra Feodorovna, Empress of Russia, 1928","The Intimate Life of the Last Tzarina, 1928","The Real Romanovs, as Revealed by the Late Czar's Physician and His Son, 1931","Russia - My Home: An Intimate Record of Personal Experiences Before, During and After the Bolshevist Revolution, 1931","Education of a Princess: A Memoir, 1931","A Princess in Exile, 1932","Twice Seven, 1937","Russian Imperial Treasures: Collection of Lillian T. Pratt, undated","Imperial Russian Easter Eggs Presented by Tsar Nikolai II, 1940","Handbook of the Lillian Thomas Pratt Collection: Russian Imperial Jewels, 1960","Fabergé: A Catalog of the Lillian Thomas Pratt Collection of Russian Imperial Jewels, 1976","Fabergé: Virginia Museum of Fine Arts, 1995","Fabergé Revealed: At the Virginia Museum of Fine Arts, 2011","Lillian Thomas Pratt's Fabergé: Shopping, Collecting, Remembering, 1996","Selections from the Lillian Thomas Pratt Collection of Jewels, 1947","12th Anniversary Exhibition: The Pratt Collection of Jewels, 1948","Imperial Russian Easter Eggs, 1949","Imperial Russian Easter Eggs, 1950","Imperial Russian Easter Eggs, 1951","Imperial Russian Easter Eggs, 1952","Jewelry by Fabergé, 1953","Jewels by Fabergé, 1954","Fabergé in America and the Lillian Thomas Pratt Collection of Fabergé, 1996","Fabergé Revealed, 2011","VMFA Collections: Decorative Arts: Metalwork: Fabergé","VMFA Donors: Pratt, John Lee and Lillian Thomas","VMFA Gallery Design: Fabergé","Virginia Museum of Fine Arts Director's Correspondence, 1936-1976 (Coll. No. 33863 and 44067)","Virginia Museum of Fine Arts Exhibition Files, 1936-1992 (Coll No. 31633, 32958, 33041, 33160, 34679, 36342, 36957 and 37636)"],"bioghist_html_tesm":["\u003cp\u003eTwo months after Lillian Thomas Pratt's death in June 1947, her stunning and expansive collection of Fabergé artworks were unexpectedly bequeathed to the Virginia Museum of Fine Arts. Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.\u003c/p\u003e\n","\u003cp\u003ePratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.\u003c/p\u003e\n","\u003cp\u003eSource: \u003ca href=\"http://www.pandora.vmfa.museum/uhtbin/cgisirsi.exe/x/0/0/57/5/3?searchdata1=6519%7bCKEY%7d\u0026amp;searchfield1=GENERAL%5eSUBJECT%5eGENERAL%5e%5e\u0026amp;user_id=WEBSERVER\"\u003eFabergé: Virginia Museum of Fine 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Thought to have been born in 1876 in Philadelphia, details of Pratt's life still remain sketchy and limited. By 1900, she was working as a stenographer at the Puget Sound Flouring Mill, and in 1917, married her second husband, John Lee Pratt, a self-made millionaire engineer and businessman with General Motors. By 1931, they had settled at Chatham Manor in John's native Virginia, and Pratt spent over a decade amassing a collection of over 500 items, eighty percent of which is Russian decorative art, mainly Fabergé.","Pratt began collecting while accompanying her husband on business trips to New York City, shopping in her spare time, and possibly becoming enchanted with the Hammer Galleries' \"Russian Imperial Exhibit\" at Lord and Taylor in the early 1930s. While the total amount she spent during that time is unknown, she spent $100,000 alone at New York City's Schaffer Collection. She simultaneously purchased items, including four of her five imperial Easter eggs, from the Hammer Galleries. Her collection includes not only the finest imperial eggs, but also miniature eggs, jewelry, framed photographs, boxes, handles, flowers, and animal figures, among many other types of objects. Whatever her collecting may have been (besides simply furnishing her new home), her fascination with Russian royalty was enduring, and has been shared with museum visitors for over 60 years.","Source:  Fabergé: Virginia Museum of Fine 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collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. In January 2015, an additional collection of original documents were transferred from the Curatorial files to the Pratt collection.\u003c/p\u003e"],"custodhist_heading_ssm":["Provenance"],"custodhist_tesim":["The collection was transferred over time to the VMFA Library in the 2000s by museum staff members Dr. David Park Curry, Curator of the Fabergé collection, David Bradley, Foundation Director, and Richard Woodward, Deputy Director for Architecture and Design. The estate tax information was given to Woodward from the Honorable John D. Butzner, Jr. in the 1970s. The bulk of the collection was accessioned into the VMFA Archives' collection in February 2011. 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Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Russian Imperial Treasures\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eHammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eThalhimer's, Richmond\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eWide World Photos, Inc. (NY-33541), Copyright 1937.\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eFound in file for 47.20.376\u003c/p\u003e\n","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e","\u003cp\u003eDigitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","General","Ge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Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, A La Vieille Russie, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, A La Vieille Russie","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures, Rockefeller Center","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Schaffer Collection, Russian Imperial Art Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Exhibit, E. 52nd Street","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Russian Imperial Treasures","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Neue Palais Darmstadt Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Wolfsgarten near Darmstadt Hesse\" and \"Windsor Palace?\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Winter Palace\" and \"Anichkov Palace\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Hammer Collection, Hammer Galleries, Fifth Avenue. Annotated in pencil on the back with \"Kranichstein Hesse\"","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Thalhimer's, Richmond","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Wide World Photos, Inc. (NY-33541), Copyright 1937.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Found in file for 47.20.376","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities.","Digitization of the Lillian Thomas Pratt Archives has been made possible by the National Endowment for the Humanities."],"prefercite_html_tesm":["\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.\u003c/p\u003e","\u003cp\u003eLillian Thomas Pratt Personal Papers (SC-07). 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VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","Lillian Thomas Pratt Personal Papers (SC-07). VMFA Archives, Richmond, Virginia.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives.","VMFA Photo Archives."],"processinfo_html_tesm":["\u003cp\u003eA large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. A complete list of these publications is available from the Archivist.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Note"],"processinfo_tesim":["A large number of publications (almost entirely sales and exhibition catalogs) were interfiled into this collection over the years. None of the publications indicated that they were actually Pratt's personal copies, and almost all had been stamped by the VMFA Library or other departments. Therefore, all of the publications were removed and added to the VMFA Library's holdings during processing. 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The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.","This series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.","The invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.","The series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","My dear Mrs. Pratt,","Please forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. ","I have received your note and also the book, and am sorry that you have had this unpleasantness.","I hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, ","Yours very sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935","Mrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia","My dear Mrs. Pratt,","I am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.","I will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.","Or maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.","I am sorry you had to be annoyed paying","[page 2]","the freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.","With best wishes and kindest regards, in which Mrs. Schaffer joins me, I am","Yours most sincerely, \nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936","Dear Mrs. Pratt,","Thank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. ","Sorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.","I have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. ","On second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see ","(over please)","[page 2]","your things, and at the same time I could measure the egg.","I think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. ","The heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. ","Hoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,","Sincerely yours,\nAlexanders S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","Dear Mrs. Pratt,","Just a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. ","So far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.","Believe it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. ","With kindest regards and best wishes,","Cordially,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","Alexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. ","I would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. ","Regarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. ","I could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for ","[page 2]","this, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. ","With kindest regards and best wishes, and love from the family, ","Cordially,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.","I am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.","I am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. ","With kindest regards and best wishes,","Sincerely yours,\nAlexander S. Schaffer [signed]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","It was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.","If I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.","Mrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. ","With kindest regards and wishes for your speedy recovery,","Sincerely,\nAlexander S. Schaffer [signed]","Transcription: \n[In process]","Transcription: ","Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt, ","It is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. ","I am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. ","I am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.","Trusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,","Sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","September 1, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your letter and check which I have received today.","I was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.","The raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.","However, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.","I am looking forward to seeing you soon.  With kindest regards and best wishes, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","October 7, 1937","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","We are very much relieved that you have found the box.  I would have felt miserable otherwise.","I am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.","I hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.","Trusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am","Yours sincerely,\nAlexander S. Schaffer [signed]","P.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","May 11, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia ","Dear Mrs. Pratt,","I am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.","I am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.","I sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.","Of course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.","Looking forward to the pleasure of seeing you soon, with kindest regards, I am","Very sincerely yours,\nAlexander S. Schaffer [signed]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: Telephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","August 1, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","I was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. ","It is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. ","We are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.","With kindest regards and love from the family,","Sincerely,\nAlexander S. Schaffer \n[signature]","ASS:RS","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","November 2, 1938","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,","Thank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.","Have you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.","Paul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.","I hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.","With kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 15, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","I have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.","I am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.","The silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.","With kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,","Sincerely,\nAlexander S. Schaffer [signed]","ASS:RS\nP. S.  The parchment just arrived.  Thank you.","Transcription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"","[double-headed eagle emblem]","Russian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York","December 30, 1941","Mrs. John L. Pratt\nBox 118\nFredericksburg, Virginia","Dear Mrs. Pratt,","Thank you for your kind letter and check on account.","We have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!","We both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.","We do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).","With kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,","Sincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:RS","Transcription: \n[In process]","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","\nNovember 21, 1945","Mrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","Please forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.","I am enclosing a receipt for them.  They all arrived in good condition including the flower.","Regarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.","I am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.","With kindest regards and best wishes, I am,\nCordially yours,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ENC.\nASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"","[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"","A La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889","June 4, 1946","Mrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia","Dear Mrs. Pratt:","The man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.","He claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.","Please do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.","With kindest regards and best wishes, I am,\nSincerely,","Alexander S. Schaffer [signed]\nAlexander S. Schaffer","ASS:GMD","Cable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York","February 3, 1942","Dear Mrs. Pratt,","Many thanks for your very kind letter and check on account.","Well, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.","Alex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.","The children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.","I hope that we'll be seeing you soon.","Peter and Paul send their love, as do I.","Sincerely,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \nTelephone Circle 7-0747  ","Cable Address \"Russianart\"","Alexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.","April 24, 1942","Dear Mrs. Pratt,","Thank you very much for your check and letter.  I do appreciate it.","My husband just went away for a few days to recuperate, as he is still not up to par.","Yes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.","Love from us all,","Cordially,\nRay Schaffer [signed]","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","July 5, 1942","Dear Mrs. Pratt,","Many thanks for your nice letter and check on account.","We just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!","The children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.","I hope you are taking good care of yourself and keeping well.","Love from us all,","Ray Schaffer","Transcription: \n[In process]","Transcription: \n[Handwritten letter]","Copy","Dec. 4th '45","My dear Mrs. Schaffer – ","Herewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.","Tell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.","Kindest regards, Sincerely yours,","(Signed) Lillian T. Pratt","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00","Transcription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.","Transcription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00","Transcription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"","Transcription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00","Transcription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00","Transcription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00","Transcription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00","Transcription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00","Transcription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00","Transcription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00","Transcription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00","Transcription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00","Transcription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00","Transcription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00","Transcription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00","Transcription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00","Transcription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00","Transcription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00","Transcription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00","Transcription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00","Transcription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten","Transcription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".","Transcription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00","Transcription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00","Transcription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00","Transcription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00","Transcription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00","Transcription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00","Transcription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00","Transcription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00","Transcription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00","Transcription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00","Transcription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00","Transcription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00","Transcription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O","Alexander S. Schaffe [ripped]\n15 West 50th Street [ripped]","Center Publications, Inc. \nNEW YORK N Y","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934","A most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935","#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.","Made by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.","Made by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. ","These eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.","Mrs. John L. Pratt.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","#2443","Golden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.","This very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.","MRS. JOHN L. PRATT","November, 1945","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK","November, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.","Mrs. John L. Pratt","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK","#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.","MRS. JOHN. L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026 Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.","MRS. JOHN L. PRATT","Transcription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures","GOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.","MRS. JOHN L. PRATT","This series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).","Price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.","Finally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.","The series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. ","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.","\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.","From the Collection in the Winter Palace, St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg, Virginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg \nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809","Set of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.","Mrs. John L. Pratt\nHotel McAlpin\nNew York, New York","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.","From a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528","An icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111","A jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.","It is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019","A jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.","The box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148","A brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.","It was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.","From the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C","A porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.","The Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).","\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT ","Article No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.","From the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.","Mrs. John L. Pratt\nJanuary 31, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62","Rare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.","From the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJune 21st, 1935.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMarch 6th, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.","Mrs. John L. Pratt\nEaster, 1936.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. ","Mrs. John L. Pratt\nAugust 17, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle GT-1530/2","Gold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.","It was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.","From the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 9th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n ","Transcription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nNovember 12th, 1936","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha","Mrs. John L. Pratt\nJanuary 29th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nFebruary 8th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.","Mrs. John L. Pratt\nMay 11th, 1937.","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.","Mrs. John L. Pratt\nOctober 2nd, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.","Lillian T. Pratt\nChristmas, 1937","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.","Mrs. J. L. Pratt\nJanuary 27, 1938","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939","FROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026 Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK","LOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945","Transcription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"","Transcription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.","Description: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.","Transcription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.","Transcription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.","Transcription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.","Transcription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677","Transcription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.","Transcription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136","Transcription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -","Transcription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39","This series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.","The series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \n[In process]","Transcription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 149322","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nSpecial Order\nDept. 93\nOrder No. 159619","THIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026 CO.","Transcription: \nB. ALTMAN \u0026 CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00","Transcription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026 Co.\nFifth Avenue New York","Transcription: \nB. Altman \u0026 Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]","45 00","Transcription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026 Co.\nNew York","[Back]\nB. Altman \u0026 Co. New York\n60\n25.00\nOver Treasure Trove tag","Transcription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026 Co. New York tag \n45.00","Transcription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026 Co. New York\n50.00","Transcription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026 SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag no new price sticker","Transcription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag, Sale","Transcription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026 Co. New York\n[Back] Treasure Trove tag [$45.00?]","Transcription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026 Col. New York\n[Back] Altman Lamps tag","Transcription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026 Co. New York\n[Back] Altman lamps tag","Transcription: \nT 52\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00","Transcription: \nT 52A\nM 98\nB. ALTMAN \u0026 CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R","Transcription: \nT 52-A\nB. ALTMAN \u0026 CO.\nS 93C\n191\n16\"\n11.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nS93C\n191\n16\"\n11.00","Transcription: \nT52\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50","Transcription: \nT52\nA4 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nA5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00","Transcription: \nT52\nW5 93\nB. ALTMAN \u0026 CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00","Transcription: \nT52\nA 93\nB. ALTMAN \u0026 CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52\nR93\nB. ALTMAN \u0026 CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00","Transcription: \nT52-A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nT-52A\nB. ALTMAN \u0026 CO.\nC3 93\n896 TL\nD6199\nPrice 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B","Transcription: \n[Front]\nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00","Transcription: \nB. Altman \u0026 Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00","Transcription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove","Transcription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026 Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove","Transcription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026 Co.\nNew York\n[Back]\nTreasure Trove","Transcription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026 Co.\nNew York\n[R829 written over company name at bottom]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026 Bohemian Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan","Transcription: \nB. ALTMAN \u0026 CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00","Transcription: \nB. Altman \u0026 Co.\nNew York\n165.00 [lined through]","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00","Transcription: \n[Front] B. Altman \u0026 Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00","Transcription: \n[Front] Miller \u0026 Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026 J. Sloane\n47th \u0026 5th Ave\nN. Y. City","Transcription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026 Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height","Transcription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026 CO.\nPHILADELPHIA","Transcription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026 E. Wakelin","Transcription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.","Transcription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S","Transcription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K","Transcription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]","Transcription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S","Transcription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K","Transcription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M","Transcription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P","Transcription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T","Transcription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W","Transcription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9","Transcription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026 Richard\nSibley\nRRM","Transcription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG","Transcription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427","Transcription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850","Transcription: \n[Front]\n10679\nGeo. III\n[lion \u0026 unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"","Transcription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00","Transcription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER","Transcription: \n2002\n$20.00 (b)\nGeorgian\nMA","Transcription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R","Transcription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32","Transcription: \nS. \u0026 G. GUMP CO.\nSAN FRANCISCO, CAL.","Antique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.","S. \u0026 G. GUMP COMPANY","This series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.","Transcription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures","This remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. ","All Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware","FIFTH FLOOR","Thalhimers","Transcription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel","Part of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention","Czarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. ","When brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]","Transcription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026 Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]","Transcription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]","Transcription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]","This series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.","Description: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.","Description: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".","Description: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.","Description: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.","Description: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.","Description: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.","Description: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.","Description: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.","Transcription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY","TO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]","Photographs - Do Not Bend","Description: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.","Transcription: \n[In process]","Transcription: \n[In process]","Description: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.","Description: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.","Transcription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.","1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.","[Hand drawn and numbered outlines of the heads of all the people in the photograph]","14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.","Description: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.","Description: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.","Description: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.","Description: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.","Description: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.","Description: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.","Description: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks."],"userestrict_html_tesm":["\u003cp\u003eThe collection is subject to all copyright laws. Digitized content is licensed for use under a \u003ca href=\"https://creativecommons.org/licenses/by-nc/4.0/\"\u003eCreative Commons Attribution Non-Commercial 4.0 International License\u003c/a\u003e. The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: http://rightsstatements.org/page/InC/1.0/?language=en\u003c/p\u003e","\u003cp\u003eIn Copyright: 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Digitized content is licensed for use under a  Creative Commons Attribution Non-Commercial 4.0 International License . The only exception are the letters written by Alexander and Ray Schaffer, in which the Schaffer family retains copyright ownership. Transmission or reproduction of other materials protected by copyright, beyond that allowed by fair use, requires the researcher to obtain permission of copyright holders.","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en","In Copyright: 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The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. ","In Copyright: http://rightsstatements.org/page/InC/1.0/?language=en. The VMFA owns all legal rights to these images, including any available copyrights, but the content is licensed for use under a Creative Commons Attribution Non-Commercial 4.0 International License. "],"abstract_html_tesm":["\u003cabstract id=\"aspace_fb5f9a7488efeca094913bc14bf01383\"\u003eThe collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer.\u003c/abstract\u003e"],"abstract_tesim":["The collection documents the formation of the Lillian Thomas Pratt Collection of Fabergé decorative artworks at the Virginia Museum of Fine Arts. Bequeathed to the museum upon her death in 1947, Pratt's Fabergé collection consistently remains one of the highlights of the museum's permanent collection. Pratt purchased most of her Fabergé collection from the Schaffer Collection and Hammer Galleries, both of New York City, in the 1930s and 1940s. Comprised of correspondence, invoices, price tags, and detailed item descriptions, this collection illuminates Pratt's mind as a collector, as well as her relationship with one of her dealers, Alexander Schaffer."],"names_coll_ssim":["Fabergé (Firm)","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections"],"names_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget","Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"corpname_ssim":["Virginia Museum of Fine Arts Archives","Schaffer Collection","A La Vieille Russie (Firm)","Hammer Galleries","Virginia Museum of Fine Arts","Fabergé (Firm)","United States. Internal Revenue Service","B. Altman and Co.","Miller and Rhoads","Lord and Taylor","J.E. Caldwell and Co.","Parker and Wakelin (Firm)","James McCutcheon and Co.","S. and G. Gump","Richmond news leader","Richmond times-dispatch","New York post","New York Herald Tribune (Firm)","New York sun","World Wide Photos, Inc.","Akron Studios","Artvue","Eneberettiget"],"persname_ssim":["Pratt, Lillian Thomas, 1876?","Schaffer, Alexander S.","Schaffer, Ray","Fabergé, Peter Carl, 1846-1920","Pratt, Lillian Thomas, 1876? -- Art collections","Constance Harriet Stuart Milnes Gaskell, Lady, 1885-1964","Virginia Clarke Taylor","Fulmer, Rosamond","Anna Aleksandrovna Vyrubova, 1884-1964","Alexandra, Empress, consort of Nicholas I, Emperor of Russia, 1798-1860","Nicholas, Emperor of Russia, II, 1868-1918"],"language_ssim":["English \n.    "],"total_component_count_is":762,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T03:30:55.910Z","scopecontent_html_tesm":["\u003cp\u003eThe collection's inclusive dates are 1901-1947, with the bulk of the material dating from 1933-1945. The collection is comprised of correspondence, invoices, price tags, item descriptions, exhibition labels, estate tax information and inventories, newspaper clippings, drawings and photographs.\u003c/p\u003e","\u003cp\u003eThis series is comprised of correspondence, invoices, price tags, and item descriptions that detail the purchases Pratt made from the Schaffer collection in the 1930s and 1940s. Correspondence between Alexander S. Schaffer, his wife Ray Schaffer, and Pratt discuss sales, payments, display cabinets, family matters, and books and articles he sent to Pratt about Russian history, war, and family matters. After 1944, some of the correspondence, invoices and item descriptions came from A La Vieille Russie, where Schaffer continued to deal in Russian art and antiquities after closing his own shop.\u003c/p\u003e\n","\u003cp\u003eThe invoices are often annotated with check numbers as balances were paid off, and dates given often refer to the handwritten notes on the invoice detailing payment history. Similarly, price tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and often the date purchased. Many of the Schaffer descriptions are not dated, and while most of them can be cross-referenced with dates on the invoices, Schaffer often invoiced Pratt much later than the original purchase date, and in some cases, many years later. Finally, most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 1.1: Alexander Schaffer Correspondence, 1934-1947; Series 1.2: Ray Schaffer Correspondence, 1937-1947; Series 1.3: Invoices, 1934-1945, undated; Series 1.4: Price Tags, undated; Series 1.5: Item Descriptions, 1934-1945, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nApril 14, 1934\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for the delay in answering your kind letter of the 12th, but I was trying to trace the cause of wrong delivery, as I note that the envelope was properly addressed by you. The Mr. Schaeffer in the building should have indeed had the courtesy to forward it to me. \u003c/p\u003e\n","\u003cp\u003eI have received your note and also the book, and am sorry that you have had this unpleasantness.\u003c/p\u003e\n","\u003cp\u003eI hope that my letter finds you in the best of health, and remain, with best wishes, and kindest personal regards, in which Mrs. Schaffer joins me, \u003c/p\u003e\n","\u003cp\u003eYours very sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n36 West 50th Street\nRockefeller Center\nNew York\nNovember 19, 1935\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\n\"Chatham\" Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am most disappointed to hear that the cabinet is not the size that you should have. It is a pity that all your lovely objects could not be displayed without being crowded.\u003c/p\u003e\n","\u003cp\u003eI will try my very best to get another cabinet for you, the size you want, and exchange it for the one you have now. Of course I cannot tell just how soon I could get one, but in the meantime you can use the one you have.\u003c/p\u003e\n","\u003cp\u003eOr maybe you could find room for another cabinet which would give you a chance to display all of your lovely things without crowding them, regardless of their size. This would really be the best solution.\u003c/p\u003e\n","\u003cp\u003eI am sorry you had to be annoyed paying\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethe freight for the cabinet. I gave specific instructions to send it prepaid. I have also spoken to them about packing, and I am only glad that at least it arrived safely. It is so hard to make people understand sometimes, or have them do what you want them to do.\u003c/p\u003e\n","\u003cp\u003eWith best wishes and kindest regards, in which Mrs. Schaffer joins me, I am\u003c/p\u003e\n","\u003cp\u003eYours most sincerely, \nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 3, 1936\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your check on account and your kind inquiry about Mrs. Schaffer. She is feeling fine and is at the seashore at the present. I have given her your regards and she wishes to be remembered to you. She is getting along very nicely, but of course is anxiously awaiting the great event. \u003c/p\u003e\n","\u003cp\u003eSorry to hear about the trouble you have with your servants and hope you will be able to solve it to your satisfaction.\u003c/p\u003e\n","\u003cp\u003eI have designed something myself for the little stand and am taking the liberty of going ahead with it, hoping that you will approve of it. It will be made of 14 karat gold, and will be larger than the one you had and entirely different, and will cost approximately $150.00. The only thing I am not certain about is the size, not having the egg here. I have to guess more or less from the old stand, and therefore would like very much to have the egg to take measurements. \u003c/p\u003e\n","\u003cp\u003eOn second thought I don't think this will be necessary, as I expect to be in Washington next Tuesday, the 11th, when I would like to go out to your place for an hour or so, to see \u003c/p\u003e\n","\u003cp\u003e(over please)\u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003eyour things, and at the same time I could measure the egg.\u003c/p\u003e\n","\u003cp\u003eI think I could be in Fredericksburg around 2:00 P.M. and then take a train about 5:00 P.M. back to New York, unless it is necessary for me to stop over at Washington until Wednesday. \u003c/p\u003e\n","\u003cp\u003eThe heat is terrific in New York, and I am so glad that Mrs. Schaffer consented to go away. \u003c/p\u003e\n","\u003cp\u003eHoping that my letter finds you in the best of health, with kindest regards from Mrs. Schaffer and myself,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexanders S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 7, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eJust a line to let you know that I am planning to have an exhibit at my galleries, beginning November first, of the work of CARL FABERGE, and I thought you may be willing to loan me some of the lovely things you own. Although I really hate to put you to all this trouble, but maybe you could just have someone pack the things that you want to lend to me, and send them railway express, insured, at my expense. \u003c/p\u003e\n","\u003cp\u003eSo far I have only borrowed the big Easter egg, but I do not know whether I will have anything else outside of my own things.\u003c/p\u003e\n","\u003cp\u003eBelieve it or not, Paul is asking about you and sends his love, in which Mrs. Schaffer joins him. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n15 West 50th Street\nRockefeller Center\nNew York\nOctober 27, 1936\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI was so glad to receive your letter, as I was worried already that you may be ill, and that this was the reason that you did not come to New York as you planned. And judging from your letter, I was almost right, but I am glad to know that it isn't anything serious, and I hope that by the time this note reaches you, you will be in perfect condition again. \u003c/p\u003e\n","\u003cp\u003eI would not think of letting you make that trip to Washington. I would much rather wait until the 3d and then you could bring the things with you. \u003c/p\u003e\n","\u003cp\u003eRegarding the Egg, you have apparently forgotten that in one of my letters I have definitely promised it to you for September, and which I meant. Although it is now October, as you see I kept my promise, except for being late, which was beyond my control. I am sorry to learn that you cannot find a way of getting it at present. However, I must tell you this – should I be successful in making a substantial sale, I shall buy it back myself and then, needless to say, I will let you have it regardless of when you could pay for it. I only hope that they do not change their minds in the meanwhile. \u003c/p\u003e\n","\u003cp\u003eI could not buy it myself presently, because I have just paid a huge amount in duties for some fine things I have bought about a year ago. If not for \u003c/p\u003e\n","\u003cp\u003e[page 2]\u003c/p\u003e\n","\u003cp\u003ethis, I would have probably settled the whole affair with them without even writing to you about it, because to get it back is my one ambition, and I would not worry about selling it again. I shouldn't have done it in the first place. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, and love from the family, \u003c/p\u003e\n","\u003cp\u003eCordially,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 17, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am very sorry you didn't have a chance to come in while you were in New York, as I have some very beautiful pieces that I know you would have greatly enjoyed seeing.\u003c/p\u003e\n","\u003cp\u003eI am going abroad on Wednesday, the 23d, and will take some of them with me for a client in London. I don't know who long I will be. I hate to leave Mrs. Schaffer and the baby, but I guess I will have to.\u003c/p\u003e\n","\u003cp\u003eI am carefully packing and shipping the things to you, as I have them all photographed now. I am enclosing the photographs and the histories in the package. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nJune 21, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eIt was quite a shock to learn of your illness, but we are happy to read that the danger is over, and I can't tell you how glad we are that you are back home. We do hope that you will take good care of yourself so that you will get well and strong again, and never get ill again, ever.\u003c/p\u003e\n","\u003cp\u003eIf I weren't going to Europe, I would pay you a visit to cheer you up by showing you some of the things, but as it is, it will have to wait. However, I will keep the choicest [underlined] for you.\u003c/p\u003e\n","\u003cp\u003eMrs. Schaffer sends her love. Paul too made some sound, whatever he meant by it. Please do cheer us up as soon as possible, to tell us that you are better as we are still worried. \u003c/p\u003e\n","\u003cp\u003eWith kindest regards and wishes for your speedy recovery,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \u003c/p\u003e\n","\u003cp\u003eTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\nAugust 10, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt, \u003c/p\u003e\n","\u003cp\u003eIt is good to know that someone else thinks as much of the baby as we do. I was glad to see that you have noticed how much he changed. It is quite true he is not a doll any more, but a boy, and does not look like either of us especially. \u003c/p\u003e\n","\u003cp\u003eI am glad you kept the two pins. The one in question is a spinel ruby and not a garnet. I received the pink one today. \u003c/p\u003e\n","\u003cp\u003eI am sending to you today by railway express, insured, a few very choice pieces, of which I am enclosing the tags. I know that you will have great pleasure in seeing them and sincerely hope that you can manage to keep some.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you greatly improved (you didn't say anything about it in your letter), with kindest regards and best wishes from the whole family,\u003c/p\u003e\n","\u003cp\u003eSincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eSeptember 1, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter and check which I have received today.\u003c/p\u003e\n","\u003cp\u003eI was glad to read that you like the photos of the baby.  He is a little imp but he is adorable.  I know you will like him. He does look like his mother I think.  Both send their love.\u003c/p\u003e\n","\u003cp\u003eThe raspberry red gold mounted box that you mention, you already have in your collection.  I have sold it to you before you went to Egypt and had it repaired during your absence.  That is the only one I can think of.  At any rate, I only have three Faberge pieces in raspberry red enamel in my whole collection.  One is a little match case.  One is a little perfume bottle and one is a seal.\u003c/p\u003e\n","\u003cp\u003eHowever, I am glad that we had this little confusion about the boxes, because at least it gave you an opportunity to see the little yellow enamel box which you decided to keep.\u003c/p\u003e\n","\u003cp\u003eI am looking forward to seeing you soon.  With kindest regards and best wishes, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eOctober 7, 1937\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eWe are very much relieved that you have found the box.  I would have felt miserable otherwise.\u003c/p\u003e\n","\u003cp\u003eI am enclosing the bill and the histories of the objects you have taken with you.  In this bill is included the yellow enamel box which I have sent to you previously, and the two presentation icons that I am sending to you today by Railway Express, insured against all risks.  Please let me know whether they reach you in good condition.\u003c/p\u003e\n","\u003cp\u003eI hope that the trip to New York did not tire you too much, and that I will have the pleasure of seeing you very soon again.  I was sort of hoping that you could find time to see Paul, but I guess you just could not manage.\u003c/p\u003e\n","\u003cp\u003eTrusting that my letter finds you in the best of spirits, with kindest regards and best wishes from both of us, I am\u003c/p\u003e\n","\u003cp\u003eYours sincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eP.S.  Mrs. Schaffer seems to think that you wanted the panagia with the jasper cameo of Christ.  Please let me know whether I should keep it for you, as I myself am not certain.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eMay 11, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia \u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI am sorry for not answering your letter before this, but a freak accident kept me away for a few days.  While moving furniture around at home, I dropped a small but heavy table full of books on one of my toes.  It was quite painful, but I am glad to say that I think nothing serious will develop now.\u003c/p\u003e\n","\u003cp\u003eI am so sorry to read that you also have not been very well.  I know it is not as easy to do as to say, but one should try not to let things upset one.  Ones health is more important than anything else.  At least I am trying to practice what I preach even if I do not always succeed.\u003c/p\u003e\n","\u003cp\u003eI sincerely hope that conditions will improve very soon now, which would make it so much easier for all of us.  This depression did hit everybody I think.  It's worse than in 1932, because now one cannot buy anything, yet it is very hard to sell or to collect money. At least in 1932, even if it was hard to sell, one could buy fine things at reasonable prices, and eventually good things always find a market.\u003c/p\u003e\n","\u003cp\u003eOf course I would not dream of taking interest from you for the money you owe me.  I am convinced that if you could pay more than $500 a month, you would, and if you cannot, I certainly will wait rather than let you sacrifice any of the things that I know you love so much.\u003c/p\u003e\n","\u003cp\u003eLooking forward to the pleasure of seeing you soon, with kindest regards, I am\u003c/p\u003e\n","\u003cp\u003eVery sincerely yours,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: Telephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eAugust 1, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eI was most sorry to hear that you were ill, and I am glad to know that you are up and around again. Please do take care of yourself. Remember, we need your help for Paul's wedding. \u003c/p\u003e\n","\u003cp\u003eIt is remarkable how time flies! He is growing every day and you will find that he is not the little baby you have seen. Of course, we still think he's very sweet and lovable. \u003c/p\u003e\n","\u003cp\u003eWe are on the beach and would enjoy it very much except that there's a plague of mosquitoes which is not very pleasant, but we hope that they'll disappear soon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer \n[signature]\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eNovember 2, 1938\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\n \nDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your letter of the 1st and check on account.  I am glad that business is on the upswing.  It's about time – we all need it, and with the war scare behind us, we may be looking forward to better times.\u003c/p\u003e\n","\u003cp\u003eHave you seen on page 219 of the October Connoisseur the editorial about my topaz Fabergé vase?  I know you will be thrilled to see it, but the description will give you some idea of its beauty.  If you haven't this copy, I have an extra one and will be glad to send it to you.\u003c/p\u003e\n","\u003cp\u003ePaul and Mrs. Schaffer send their love.  You should hear him talking – a mile a minute – and most of the time we don't know what he's talking about.\u003c/p\u003e\n","\u003cp\u003eI hope the weather there has been just as nice as it has been in New York, although I think it might be better for business if the cold weather would set in.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards,\nSincerely yours,\nA.S. Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 15, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eI have just received your letter of the 14th, and hasten to let you know that the egg arrived safely.  Before I forget, my home address is: \n117-01 Park Lane South\nKew Gardens, L. I., N. Y.\nBuilding A, Apartment 2-B.\u003c/p\u003e\n","\u003cp\u003eI am sorry you cannot afford to keep the red and emerald egg.  Would you kindly return the parchment #2753?  I must have misunderstood about the jade chest egg.  I am enclosing an itemized bill as requested.\u003c/p\u003e\n","\u003cp\u003eThe silver tray will be packed and shipped to you as soon as possible, and if I haven't sold the necklaces before the end of the year, I will return them to you.  I think I told you that I sold the bracelet and the icon.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and very best wishes for a happy Christmas and New Year, in which the family joins me,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\u003c/p\u003e\n","\u003cp\u003eASS:RS\nP. S.  The parchment just arrived.  Thank you.\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747\nCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle emblem]\u003c/p\u003e\n","\u003cp\u003eRussian Imperial Treasures, Inc.\n\"The Schaffer Collection\"\n15 West 50th Street\nRockefeller Center\nNew York\u003c/p\u003e\n","\u003cp\u003eDecember 30, 1941\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nBox 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you for your kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe have just finished packing and will be out by tomorrow.  Let's hope it is all for the best!\u003c/p\u003e\n","\u003cp\u003eWe both want to thank you for your good wishes, and to express our sincere gratitude for having had the good fortune to acquire a friend like you.\u003c/p\u003e\n","\u003cp\u003eWe do hope to be able to see you every now and then.  If we go down south, we might even surprise you for a short visit.  (should we decide to drive).\u003c/p\u003e\n","\u003cp\u003eWith kindest regards, and very best wishes for the truly happiest New Year you have ever had, and with love from the family,\u003c/p\u003e\n","\u003cp\u003eSincerely,\nAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:RS\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003e\nNovember 21, 1945\u003c/p\u003e\n","\u003cp\u003eMrs. John Lee Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003ePlease forgive me for not answering your letter of the 14th at once, but I wanted to receive the articles before writing to you.\u003c/p\u003e\n","\u003cp\u003eI am enclosing a receipt for them.  They all arrived in good condition including the flower.\u003c/p\u003e\n","\u003cp\u003eRegarding the Globe Flowers, there was one stem without jade leaves. That is the way it was made.  It is all complete so you needn't worry about it.\u003c/p\u003e\n","\u003cp\u003eI am glad you like the little blue velvet stand.  I am indeed sorry that you could not manage to visit us during your last visit.  I do hope you can do so when you come again.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nCordially yours,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eENC.\nASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF EGYPT\"\u003c/p\u003e\n","\u003cp\u003e[Royal warrant seal]\n\"BY APPOINTMENT TO H.M. THE KING OF SWEDEN\"\u003c/p\u003e\n","\u003cp\u003eA La Vieille Russie\nIncorporated\n785 Fifth Avenue, New York\nEl Dorado 5-6889\u003c/p\u003e\n","\u003cp\u003eJune 4, 1946\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nP. O. Box 118\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt:\u003c/p\u003e\n","\u003cp\u003eThe man who bought the Faberge Easter Egg which you always said you should have bought and which you didn't because I discouraged you, was in today.  He wants to sell the Egg for $12,000.00, federal tax included.\u003c/p\u003e\n","\u003cp\u003eHe claims that someone else also wants to buy the Egg, so I decided to let you know at once in case you are interested.  He is not in need of money so I think you could have about six months in which to pay for it.\u003c/p\u003e\n","\u003cp\u003ePlease do not misunderstand me - I don't want to be a salesman in this case but you did mention several times how sorry you were that you didn't buy it.  Therefore, I do want you to have a chance to do so if you are still interested.\u003c/p\u003e\n","\u003cp\u003eWith kindest regards and best wishes, I am,\nSincerely,\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer [signed]\nAlexander S. Schaffer\u003c/p\u003e\n","\u003cp\u003eASS:GMD\u003c/p\u003e\n","\u003cp\u003eCable: Russianart, New York\nEstablished 1851\n18 Faubourg St., Honore, Paris\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, L.I.\nNew York\u003c/p\u003e\n","\u003cp\u003eFebruary 3, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your very kind letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWell, we still haven't left New York, but if all goes well, should be on the way in a few days.  Unless I write in the meantime, I think it would be best to send your next check to Kew Gardens.\u003c/p\u003e\n","\u003cp\u003eAlex has been away for a few days rest.  He should be back very shortly, but I didn't want to delay writing to you.\u003c/p\u003e\n","\u003cp\u003eThe children are very well.  I have a new governess for them, and that's one of the reasons it's taken us longer to get away.  I didn't want to take them with us, as it would have been too much for them, and no rest for anybody, and I couldn't leave them until I was absolutely sure that everything was running smoothly at home.\u003c/p\u003e\n","\u003cp\u003eI hope that we'll be seeing you soon.\u003c/p\u003e\n","\u003cp\u003ePeter and Paul send their love, as do I.\u003c/p\u003e\n","\u003cp\u003eSincerely,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nTelephone Circle 7-0747  \u003c/p\u003e\n","\u003cp\u003eCable Address \"Russianart\"\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffer\n117-01 Park Lane So.\nKew Gardens, N. Y.\u003c/p\u003e\n","\u003cp\u003eApril 24, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eThank you very much for your check and letter.  I do appreciate it.\u003c/p\u003e\n","\u003cp\u003eMy husband just went away for a few days to recuperate, as he is still not up to par.\u003c/p\u003e\n","\u003cp\u003eYes, the place that you saw near the Sherry-Netherland is where we have given our collection for sale, but so far they have sold few of our things.  People seem to think however, that things will improve.  Let's hope it will be soon.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eCordially,\nRay Schaffer [signed]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eJuly 5, 1942\u003c/p\u003e\n","\u003cp\u003eDear Mrs. Pratt,\u003c/p\u003e\n","\u003cp\u003eMany thanks for your nice letter and check on account.\u003c/p\u003e\n","\u003cp\u003eWe just moved last Monday so I'm sure you can visualize how busy I've been and will forgive me for not having written before.  Please overlook the stationery too, as I'm not even all unpacked!\u003c/p\u003e\n","\u003cp\u003eThe children love it here and are thriving.  I hope it will do Alex lots of good too, as he certainly needs it.  He's still been very jumpy!  As for me, I love it.\u003c/p\u003e\n","\u003cp\u003eI hope you are taking good care of yourself and keeping well.\u003c/p\u003e\n","\u003cp\u003eLove from us all,\u003c/p\u003e\n","\u003cp\u003eRay Schaffer\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Handwritten letter]\u003c/p\u003e\n","\u003cp\u003eCopy\u003c/p\u003e\n","\u003cp\u003eDec. 4th '45\u003c/p\u003e\n","\u003cp\u003eMy dear Mrs. Schaffer – \u003c/p\u003e\n","\u003cp\u003eHerewith my check for two hundred eighty-five dollars in full payment of account.  When you acknowledge please mention the amount, and that it is in full payment for my files.  Thank you and Mr. Schaffer for your kindness.  A great weight is off my shoulders.\u003c/p\u003e\n","\u003cp\u003eTell Mr. Schaffer I will pay for the Globe Flower and paper-cutter as soon as I can.  My Income Tax on the 15th will leave me a very small balance for December.\u003c/p\u003e\n","\u003cp\u003eKindest regards, Sincerely yours,\u003c/p\u003e\n","\u003cp\u003e(Signed) Lillian T. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n\"Visite en France de Leurs Majestes L'Empereur et L'Imperatrice de Russie. Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\n$30.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 3.\nRectangular miniature picture frame by CARL G. FABERGE, the Russian Court\njeweler.\nIt is executed in gold on silver bearing a ground of rose colored enamel.\nBorders of wreath design frame the enameled ground and around the opening for a picture is enclosed with beadwork.\nBears a piece of beveled plate glass to cover the picture and is paneled with ivory.\nSigned \"FABERGE\".\n$300.00\nFrom the Youssapoff Collection.  Originally it was presented to the Princess Youssapoff by the Empress Maria Feodorovna.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] G. 5.\nMiniature picture frame by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.\nConcentric fluted gold rims separate these areas.  The jade is of a dark spotted green and in contrast to it a pale mauve enamel is employed everlaid [sic] by an interweaving green-gold wreath.\nAt top a ribbon with bow and loose ends is fixed bearing a ruby in the center.  It is mounted with a gold easel.\n$275.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\n#G. 8.\nA miniature icon by CARL G. FABERGE, the Russian court jeweler. \nIt is in the form of triptych and very simply on the exterior is paneled with a dark wood bearing a four-petaled catch centered by an emerald.\nIt opens to disclose a solid gold interior. The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls. The yellow-gold ground bears arabesques of the filigree and studded at significant points in the design are emeralds, rubies, sapphires, and diamonds. \nThe central panel frames \"The Resurrection\". Against a dark background the figure of Christ appears holding aloft a pennant. His form radiates light and in the foreground two angels kneel. It is an extremely small painting even for a miniature but is complete in every detail. \nAt top there is the Russian cross studded with emeralds and rubies. \n$1500.00\nThe inscription is as follows: \nLeft panel: \"Resurrection of Thine, O Christ, Savior, about which the Angels sing in Heaven.\nRight panel: and we on Earth try to be worthy to glorify Thee.\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 13.\nDome-shaped jade push button by CARL G. FABERGE, the Russian Court jeweler.\nIn the classic French style adapted by Faberge, the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut ruby set in a nine-petaled mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and following in this style is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three short feet in the form of rococo scrolls.\n$650.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 14.\nGold-mounted jade calendar device by CARL G. FABERGE, the Russian Court jeweler.\nIn the form of a rectangular piece of dark translucent green jade it is designed in his classic manner and mounted with gold-gilt back and easel.\nAt the top swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center two oval openins [sic] bear red enameled mounts which have the numbers for the day of the month and these are changeable each day by clicking the buttons on either side. \nBelow on a set of gold gilt plaques the months are engraved and held in place by red enamel and moonstone mounts.\nSigned \"Faberge\".\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #G. 16\nLarge jade Easter egg mounted in gold gilt silver by CARL G. FABERGE, the Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold gilt silver, and bearing ruby catches with which to open it.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #23\nVery fine gold and silver frame beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth.  Signed and dated 1909.  (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is designed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana, her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler, \"Fabergé\", by whom it is signed.  The back is of ivory.\nFrom the personal belongings of Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 2354.\n$240.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #38\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.  \nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under number 1955.\n$60.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #73/44\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n$120.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[doubleheaded eagle] #75.WM\nCream leather frame with beautiful gold tooling and crown, top center, containing a photograph of the Grand Duchesses Olga and Tatiana. [from \"containing\" on, words are scratched through]\nThe frame was made by A. Peterson at St. Petersburg, by appointment to the Czar of Russia.\nFrom the Winter Palace, where it was catalogued under #430/2.\n$36.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #86\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and siver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n \"Blessing from the Monastery of St. Martyr and Healer Panteleimon on the Sacred Mount Athos.  To His Imperial Highness Heir Apparent and Czarevitch Grand Duke Alexis Nicholaievitch for Divine Assistance and Protection.  October 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\n$1,000.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and 9 saints in miniature as follows:\n1 - St. Peter – Metropolitan of Moscow\n2 – St. Alexis -     \"                 \"          \"\n3 – St. Ivann -      \"                 \"          \"\n4 - St. Prince Michael\n5 – St. Boyard Theodor\n6 – St. Dimitry the Blessed\n7 – St. Vasily the Blessed (In whose name the famous church in Moscow was built by Ivann the Terrible.  The church upon completion was so beautiful, that the Czar, fearing that it might be duplicated, had the architect blinded.)\n8 – St. Michael the Martyr\n9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears a nameplate which reads as follows:\n\"To His Imperial Highness Czarevitch and Grand Duke Alexis Nicholaievitch from the Nobility of Nijni Novgorod.\"  It was made by \"Chlebnikoff\" (By Appointment to the Russian Royal family.)  It is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\n$3,500.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #477\nVery lovely cane holder, of crystal, with fine enameling, and gold mounting, and studded with diamonds.\nMade by the famous court jeweler \"Faberge\" (By Appointment to the Czar of Russia.)\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Czar Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #479\nVery beautiful rock crystal parasol handle mounted in beautifully chased gold and enameled in soft shades of blue and studded with two rows of oriental pearls.\nMade by the famous court jeweler \"Carl Faberge\" (By Appointment to the Czar of Russia), who was often referred to as the Cellini of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #480\nVery fine cane handle enameled in white.  With gold striped and two Roman tens (X), enameled in orange.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the Cellini of the 19th century.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #481\nVery fine cane handle made of Russian nephrite (jade), mounted in gold and enameled in a beautiful red translucent enamel, in spiral design.  With two rows of diamonds.\nMade by the famous court jeweler \"Carl Faberge\", who was often referred to as the \"Cellini of the 19th century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #509\nVery fine parasol handle of amethyst, carved with a spiral design.  Gold mounting and two rows of diamonds.  Enameled in a lovely shade of translucent pink in a woven effect.\nIt is the creation of the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia.  He was often referred to as the Cellini of the 19th century because of his unusually fine craftsmanship.  \nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #534\nVery fine parasol handle made of a solid piece of amethyst, with most unusual gold and silver mounting.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #536\nVery fine cane handle made of Russian nephrite (jade), with gold mounting, very finely chased and hammered.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #538\nUnusual parasol handle made of Russian nephrite (jade), with very fine gold mounting in the shape of a serpent coiled around the handle.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as the \"Cellini of the 19th century.\"  \nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #539\nUnusual red/Russian nephrite cane handle, in the shape of duck's head.  With gold mounting, enameled in green and white, and set with diamonds.\nMade by the famous Russian artist \"Carl Faberge\", court jeweler to the Czar of Russia, who was often referred to as \"The Cellini of the 19th century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in center beautifully painted portrait of \"Madonna and Child\" in enamel, and framed with filigree work which is filled with shaded enamel showing tulips and other flowers, in the center of each of which topazes and garnets alternate.\nSurmounted by crown which has two aquamarines one topaz and one garnet.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family.) Moscow.\nFrom the private belongings of Czarina Alexendra [sic] Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$325.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.  The craftsmanship displayed in this piece adequately shows the reason why Carl Faberge is often referred to as the \"Cellini of the 19th century.\"\nFrom the Collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #997\nExceptionally fine circular cigarette container of gold and silver, enameled in brilliant translucent red and ornamented with swags and ribbons done in two shades of gold.  At top and bottom there are finely fluted borders with crossed ribbons at intervals.\nIt is by Carl Faberge, court jeweler to Nicholas II, the late Czar of Russia, and who is often referred to as the \"Cellini of the 19th century.\"\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1073\nExceptionally beautiful and rare [scratched out \"graphite\" and ?] jade (handwritten) frame mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frame the picture (handwritten), while on the [nephrite scratched out] jade (handwritten) margin green gold festoons are attached to reddish gold rosettes.\nA superb example of the fastidious workmanship lavished upon the small creations of Carl Faberge, celebrated court Jeweler to the Court of Russia.\nThis example aptly illustrates Faberge's unique use of the rare semi-precious stons [sic] which were found in the Russian Impire [sic].\n[Scratched through: In original Hollywood case]  From the Alexander Palace at Tsarskoye Selo.\n$750.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1075\nCircular gold picture frame of the most exquisite and delicate workmanship chased with a shimmering \"guilloche\" pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\n[In original case - scratched through]\nSigned by Carl G. Faberge, famous jeweler to the Imperial Court of Russia, [and who has so often been referred to as the \"Cellini of the 19th century.\" – scratched through]\nFrom the Alexander Palace at Tsarskoye Selo.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1078\nExceptionally beautiful gold and silver picture frame of most unusual size enameled in translucent sky-blue over a scintillating chased (guilloche) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At top laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  \n[crossed out: The frame contains a photograph portraying Czar Nicholas II and King George V of England, his cousin, and the two heirs to the throne, the Prince of Wales of England and the Czarevitch Alexis of Russia.]\nThe fine craftsmanship displayed in this example typifies the work of Carl G. Faberge, celebrated court Jeweler to the Imperial Russian Family.\nFrom the Alexander Palace at Tsarskoye Selo.\n[$600.00 scratched through] 450 handwritten\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1101\nExceptionally beautiful and rare gold (handwritten) miniature icon depicting the \"Holy Virgin and Child Enthroned\" set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top an interesting attachment is mounted with a blue sapphire while from the bottom hang a pink ruby an emerald and a pearl [last phrase handwritten].\nMounted in a beautifully designed triptych of \"Old Russian\" design. [Scratched through: lined with an ancient piece of brocade].  Hinges conform to the design of the case and are in solid silver intricately chased.\n[An \"X\" appears here, referring to where the last paragraph at the end of the text should be inserted]\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\n\"X\" - The icon bears an inscription meaning \"Save and Protect\".  It is signed by the artist: \"M. Chuknovsky\".\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1315\nVery fine miniature picture frame delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface enameled brilliant orange.  \nAt the corners of the actual opening for the picture pearls are set in while on the enamel circular wreaths are mounted together with crossed arrows.\nBy \"Carl (G) Faberge,\" celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the 19th century.\"\n$180.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1350\nPaper knife of richly grained tortoise shell of unusual personal interest mounted with a solid gold facsimile reproduction of the inscription: \"For Dear Alix (the Czarina Alexandra Feodorovna) from Misha.\" (Grand Duke Michael, brother of Nicholas II, the late Czar of Russia).\nFrom the Alexander Palace at Tsarskoye Selo.\n$150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1556\nSmall silver triangle frame by CARL G. FABERGE the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased guilloche surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a bevelled [sic] glass with the outside border in beadwork.\nBack with ivory and signed and in the original hollywood case bearing FABERGE'S name and the Russian eagle. [Last sentence crossed through]\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle} #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides a diamond is inset and in the very center surrounded by a laurel wreath the Roman number \"ten\" in diamonds signifies a tenth anniversary.\nSigned by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1576\nA pin by CARL G. FABERGE in the Egyptian style formed of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the 19th Century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$1200.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE, executed in solid gold in his French classic style.  It follows in technique the French 18th century gold snuff boxes with a ground of cobalt translucent enamel.  Unlike most of Fabergé's surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes, and is merely visible as faint rays on the enamel surface.\nAround the center there is a broad vari-colored gold band carved in a minute serpentine pattern together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg circular caps bear ten-pointed rosettes enameled in green.  The three divisions are further enhanced by the addition of 3 bands of white matte enamel dots, one of which in the center row is a tiny diamond catch.  As one opens the egg, the inscription may be seen: \"Christ is Risen\".  In the original case bearing the name \"Faberge\".\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$450.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface and opens with a small pearl bordered lid having a ruby catch.\nDecorated on top with a diamond and ruby six-petaled flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE, the Russian Court jeweler.\nIt is executed in Fabergé's classic style with three shades of gold employed.  The shaft is delicately fluted and is overlaid with a green gold festoon and diamond rosette.  About it, a delicately carved green gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1736\nJade parasol top mounted in gold by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.  On the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$350.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #1737\nJade parasol top mounted in gold, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.  A green gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\n$300.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2237\nTiny solid gold oval box, by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with exerpts [sic] from the Koran.  It is surrounded by a row of diamonds.\nLike all of Fabergé's boxes, the fit of cover to box is a notable example of his craftsmanship.  Here also he has employed the hinges which appear on the finest 18th century gold snuff boxes.\n$850.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] #2238\nRare miniature Easter egg, by CARL G. FABERGE, the Russian court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise, and entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a brilliant cabochon-cut ruby.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle, no identification number]\nMiniature gold and platinum charm in the form of a bulldog.\nThe collar is gold, and the eyes are rubies, while the body is set with ten large diamonds and many smaller ones.\n$250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nRockefeller Ce [ripped] ekly\nFOR IMMEDIATE [ripped] O\u003c/p\u003e\n","\u003cp\u003eAlexander S. Schaffe [ripped]\n15 West 50th Street [ripped]\u003c/p\u003e\n","\u003cp\u003eCenter Publications, Inc. \nNEW YORK N Y\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\n #572.\nExceptionally fine \"Fabergé\" handle, made of an unusually formed beautiful green jade, enclosed in two gold gilt bands which are chased in a simple design.  The top of the handle is studded with sixty-five various sized blue sapphires in a triangular setting.  Set on a stick of very fine tortoise shell.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1934\u003c/p\u003e\n","\u003cp\u003eA most unusually fine topaz brooch in the shape of the face of a lion, with two rubies as eyes.  The lion is holding in his mouth a large diamond, also gold ring, which is studded with seven smaller diamonds.  It is mounted in beautifully chased and engraved gold wreath, which is decorated with various hunting implements executed in red gold.\nOriginally among the possessions of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth, (Countess Brassov, morganatic wife of Grand Duke Michael.)  Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934 \n #23.\nVery fine gold and silver frame, beautifully enameled in lavender on one side and grayish-blue on the other.  It contains a photograph on one side of Grand Duke Michael Alexandrovitch, and on the other, a photograph of his wife, the Grand Duchess Elizabeth. Signed and dated 1909. (After the revolution, Czar Nicholas II abdicated in favor of his brother, the Grand Duke Michael, but the latter declined to become Czar of Russia.)\nThe frame is signed by \"Fabergé\", famous court jeweler to the Czar.  It is an exceptionally good example of his fine work.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #38.\nGold and silver frame with grayish-blue enamel panel with sunray effect.  In center, round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, surmounted by Roman ten (X), studded with diamonds.  It is signed by the well-known master, \"Fabergé\", court jeweler to the Czar of Russia.  The back is of ivory.\nThis was a present from the Czarina to the Czar on the tenth anniversary of their marriage.\nFrom his personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 1, 1934\n #73/44.\nIvory finished birch frame with gold and silver bead mounting, and crown in top center, containing a group photograph of the Russian Imperial family, portraying the late Czar, Nicholas II; his wife, Alexandra Feodorovna; at their knees, seated, Alexei Nicholaievitch, the Czarevitch; standing in the back, Grand Duchess Olga and Grand Duchess Tatiana; on the left, Grand Duchess Marie; and on the right, seated on a chair, the Grand Duchess Anastasia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 10369a.\n[handwritten: 12 1/8\" hegl (?) x 14 5/8\"]\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1934\n #315.\nPorcelain Easter egg, bearing on one side the gold monogram and crown of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, and on the other, a small red cross.\nIt was the custom of the Czarina to present these eggs to wounded officers, while she served as a nurse during the World War, as a token of Easter greetings.\nFrom the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nApril 2, 1934\n #70\nUnusual photograph taken during the World War in one of the hospitals, portraying the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, seated on a chair in the center, sewing.  Behind her can be seen the Grand Duchess Olga and the Grand Duchess Tatiana, dressed in nurses [sic] uniforms.  They are surrounded by wounded officers and members of the hospital staff.\nThe photograph has the original frame, the simplicity of which is surprising, and is from the personal belongings of Grand Duchess Tatiana, the second daughter of Nicholas II.  From the Alexander Palace at Tsarskoye Selo where it was catalogued under number 1955.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nApril 2, 1934\n #D2.\nBronze commemoration medal portraying Nicholas II, the late Czar of Russia, and Alexandra Feodorovna, his wife.  On the reverse side of the medal can be seen the Russian Imperial eagle and the emblem of the Republic of France, and the following inscription:\n \"Visite en France de leurs Majestés L'Empereur et L'Imperatrice de Russie.\n   Cherbourg. Paris. Chalons. 5-9 Octobre, 1896.\"\nOn the bottom is a beautifully chased wreath of various flowers and ribbon.\nIt was struck on the occasion of their visit to France in 1896, and is signed by the artist \"J.C. Chaplain.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nImperial Russian Art Treasures\nRockefeller Center, New York\nApril 30, 1934\n #86.\nUnusually fine icon portraying \"St. Panteleimon\" in a very fine gold and silver frame richly enameled.  A fine example of the work of \"Kuzmechev\", (By Appointment to the Czar of Russia.)  On the back of the icon is a large silver plaque with engraved inscription which reads as follows:\n\"Blessing from the Monastery\nof St. Martyr and Healer\nPanteleimon on the Sacred\nMount Athos.  To His Imperial\n Highness Heir Apparent and\nCzarevitch Grand Duke Alexis\nNicholaievitch for Divine\nAssistance and Protection.\nOctober 5, 1904.\"\nFrom the bedroom of the Czarevitch, at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 33.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #5.\nGold and silver vodka cup with dates \"1894-1904\" inlaid in blue enamel and surmounted by gold crown which is studded with diamonds.\nFrom the personal belongings of Czar Nicholas II, the late Czar of Russia, to whom it was presented by his wife, Czarina Alexandra Feodorovna, on the tenth anniversary of his reign.\nIt is signed by the well-known master \"Fabergé\", court jeweler to the Czar of Russia.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJune 4, 1934\n #36\nSmall round gold frame with beautiful green translucent enamel, containing a small round photograph of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia, holding in her arms the Grand Duchess Tatiana [name underlined in pencil with ? following name], her second daughter.  The photograph is surrounded by pearls.\nThe frame bears evidence of the artistry of the famous court jeweler \"Fabergé\", by whom it is signed.  The back is ivory.\nFrom the personal belongings of the Grand Duchess Tatiana.  From the Alexander Palace at Tsarskoye Selo, where it was catalogued under the number 2354.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #461\nMost exceptionally fine miniature icon (panagia), painted in enamel in very beautiful soft tones which produce a most pleasing effect.  Signed in the lower left corner.  The icon portrays \"St. George Slaying the Dragon\", the Insignia of the Romanoff family.  It is set in very fine gold and silver filigree work and is studded with rubies.\nIt is mounted in highly polished holly wood, similar to the original fitted case which is lined with satin and bears the gold stamp of the House of Fabergé, typical of the beautiful boxes that Fabergé made for his creations.  The icon is a fine example of the work of \"Carl Fabergé\", who was often referred to as the \"Cellini\" of the 19th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJuly 28, 1934\n #462\nA most unusual enamel miniature icon (panagia), portraying \"Madonna and Child\".  It is mounted in a very beautiful gold and silver frame surmounted by crown and studded with turquoises and pearls of very good quality.\nFrom the private collection of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nJuly 28, 1934\n #463\nA most unusual enamel miniature icon (panagia), portraying the \"Madonna and Child\".  It is set in a very fine gold and silver frame inlaid with vari-colored enamel in very fine filigree work.  Surmounted by crown and studded with pearls and garnets of very good quality.\nFrom the private collection of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nSeptember 28, 1934\n #558\nA most exceptionally fine silver bunny made from life by the well-known Russian jeweler, \"Carl Fabergé\", who was often referred to as the Cellini of the 19th century.  It is made up of two sections; the head opens on a hinge, and the hollow inside was probably used for bonbons.  The eyes of are Ural rubies.\nIt is a very good example of this type of work that was made by this master craftsman.  The life-like effect and charm, as well as the characteristically fine detail, will win one over readily to the many admirers that he already has all over the world, in both royal houses and humble alike.\nThe bunny bears on the bottom a most exceptionally clear hallmark and signature \"K. Fabergé,\" surmounted by Russian Imperial eagle, the date \"1894\", and the St. Petersburg hallmark.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #150\nA most exceptional blue and silver brocade cope, with an all-over \"Baroque\" floral and leaf design woven in silver threads which will never tarnish, as they were treated with an unknown process which is today a lost art.  It is bordered with a very fine hand-made silver lace of the period.\nRussian, 18th century.\nFrom the private collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nDecember 3, 1934\n #309\nVery interesting gold gilt silver ice pail in the shape of a basket, executed in very fine detail, true to the fine workmanship of the well-known court silversmith, \"Ovchinnikov\", who made so many outstanding pieces for the Russian Royal family.\nIt is signed and dated 1873.  Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nChristmas, 1934\n #597\nA most unusual gold pin in the shape of a tree trunk, showing a snake coiled around the tree, hypnotizing a bird which is perched directly above.  It is chased in very fine detail of vari-colored gold which is typical of Fabergé.\nOriginally in the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJanuary 2, 1935\n #504\nVery important gold and silver vase enameled in beautiful, rich coloring, which can hardly be described.  One can scarcely distinguish the enamel from the various precious stones, such as emeralds, rubies, sapphires, pearls, etc., with which it is embellished, true to the splendor of a jewelled [sic] crown, which is incorporated in the design of the vase.\nIt is the work of that outstanding master \"Carl Fabergé\", court jeweler to the Czar of Russia, and who was often referred to as the \"Cellini\" of the 19th century.  It is one of his most outstanding creations and is signed on the bottom of the vase.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nFebruary 26, 1935\n #438\nVery fine miniature Easter egg, enameled in a translucent pink and studded with one large and two smaller sapphires and two diamonds mounted in gold.\nThe work of Carl Faberge [sic], famous craftsman of the 19th century who was often referred to as the Cellini of the 19th century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #571\nExceptionally beautiful parasol handle by Carl Faberge [sic], Court Jeweler of the Czar of Russia, often referred to as the Cellini of the 19th century.\nThis fine specimen of Faberge's [sic] art shows the ingenuity and artistry of this master craftsman.\nThe curved part of the handle, formed of a single piece of jade, is finely incised and mounted with rubies.  The main body of it, a single piece of tortoise shell, polished and tapered, is connected by a fine gold and enamel mounting.  This gold mounting, so typical of Faberge's [sic] art, is chased and enameled in a lovely translucent red, and ornamented by a fine design of festoons in yellow gold.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #760\nVery fine gold gilt silver frame beautifully enameled in a rich cobalt and decorated with a wreath.  Top surmounted by beautifully designed gold ribbon.  The back is covered with Russian birch, finished to simulate ivory.\nFrame contains well-painted miniature portraying wife of Alexander II, grandfather of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #774\nA most exceptionally fine gold gilt silver ash tray, beautifully chased and enameled in a very fine shade of canary yellow transparent enamel, supported by three ball feet; studded in the front with a beautiful round moonstone and an oval moonstone at the top of the handle.\nA fine example of the creations of the famous Russian Court Jeweler, Carl Faberge [sic], who was often referred to as the Cellini of the 19th Century.\nFrom the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 25, 1935\n #780\nVery fine miniature carnelian Easter Egg, studded with three small rubies and diamonds mounted in gold.  \nThe work of Carl Faberge [sic], the famous craftsman of the 19th century who was often referred to as the Cellini of the 19th Century.\nFrom the private belongings of Olga Nicholaeovna, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nEaster, 1935\n #818\nVery interesting white porcelain Easter egg with floral design, bearing monogram \"A.F.\" surmounted by crown, standing for Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nMade in the Russian Imperial Porcelain Factory at St. Petersburg.\nThe decoration of this porcelain Easter Egg is beautifully composed of a handsome wreath of roses going around the middle of the egg from one side of the monogram to the other.  The roses, exquisitely painted in varying shades of magenta, together with the leaves, are bound about by a blue ribbon recurring at different intervals throughout the wreath.\nThe monogram of the Czarina is finely rendered in gold laurel leaves, and with the crown, is placed in the center of an oval from which start symetrical [sic] borders in gold going around the egg.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#417.  Exceptionally fine miniature Easter egg made of lapis.\n#419.  Miniature gold Easter egg, composed of three Russian semi-precious stones mounted in gold and set with three tiny rubies.\n#420.  Miniature gold Easter egg in the shape of a cage, set with a turquoise.\n#421.  Miniature gold Easter egg engraved in a spiral design and set with a band of blue sapphires.\n#639.  Very interesting miniature Easter egg carved from a dark blue lapis lazuli\n with a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\u003c/p\u003e\n","\u003cp\u003e#422.  Miniature gold Easter egg, beautifully enameled in white, and bearing the red cross.\n#423.  Miniature Easter egg, made of a gray Russian semi-precious stone set on \nthe bottom with a ruby and on the top mounted with a gold leaf.\n#424.  Miniature Easter egg made of Russian pink agate.\n#445.  Miniature gold Easter egg, beautifully enameled in green, white, and red, with tiny red enamel dots on the green enamel, and decorated with gold wreath.\n#447.  Very interesting miniature gold Easter egg enameled in turquoise blue and and placed in a gold cone which is suspended from a gold ring.\nMade by the famous court jeweler, \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Maria, the third daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#425.  Gold and silver miniature Easter egg set with blue transparent enamel.  \nOpening on a hinge.\n#426.  Miniature gold Easter egg decorated with tiny bell shaped flowers, each studded with a diamond, and on the bottom a blue sapphire.\n#427.  Miniature Easter egg made of pale blue Russian semi-precious stone, mounted in beautifully chased various colored gold.\n#428.  Miniature gold Easter egg in the shape of a perfume bottle hanging from a\n chain, the lid opening and studded with an amethyst.\n#429.  Miniature Easter egg in the shape of a Russian icon lamp (lampadka), with\ngarnet in the gold lamp, which hangs from three chains.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#430.  Miniature Easter egg, made of a gray semi-precious Russian stone mounted in various colored beautifully chased gold, and studded with four rubies.\n#431.  Miniature gold Easter egg enameled in white, the upper part studded with rubies and one diamond, and in the center, beautifully chased gold\nwreath.\n#432.  Miniature Easter egg made of Russian agate mounted in various colored beautifully chased gold. \n#435.  Miniature Easter egg of Siberian jade (nephrite), decorated with a gold leaf design studded with rose diamonds and two rubies.\n#436.  Miniature gold Easter egg set with five rubies and various rose diamonds.\nMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\nMay 2, 1935\n#437.  Miniature gold Easter egg beautifully enameled in red and white, and inlaid with gold leaves.\n#458.  Very interesting egg-shaped pearl supporting a beautifully chased gold cock which is suspended from a ring.\n#459.  Very fine miniature gold Easter egg studded with pearls and turquoises, stones divided in four sections.\n#673.  Very interesting gold gilt silver miniature Easter egg in the shape of a bee hive, studded with a green Ural stone.\n#676.  Very fine gold gilt silver miniature Easter egg enameled in soft shades of\n Russian enamel set in filigree work.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé.\"  From the personal belongings of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures \nRockefeller Center, New York\nMay 2, 1935\n#449.  Very beautiful miniature gold Easter egg nicely chased and enameled in \ntranslucent red on top and bottom; in center small squares of yellow and green enclosed in two white bands of opaque enamel.\n#450.  Very fine miniature gold Easter egg beautifully enameled in a soft shade of turquoise translucent enamel encircled with an engraved wreath which is enameled in emerald green.\n#779.  Most unusual miniature Easter egg composed of rock crystal and garnets divided in various sections with many rows of small diamonds mounted in\ngold.\n#779A. A very fine miniature Easter egg composed of an unusual star sapphire colored agate mounted in gold which is finely chased and enameled in [sic] soft shade of green and decorated with a row of diamonds.\u003c/p\u003e\n","\u003cp\u003eMade by the famous court jeweler \"Carl Fabergé\".  From the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 27, 1935 \n  #110\nExceptionally fine gold and silver Russian icon portraying the \"Holy Virgin of Iverskaya with the Child\".  The trappings, consisting of the exquisitely chased and modelled robes of the Virgin, together with the frame and borders of ancient Byzantine design, are a superb contrast to the magnificent haloes done in all the brilliant shades of the Russian enamel.  In a lovely design of filigree, the enamel combines rare shades of turquoise blue, ruby red and deep greens interspersed with white.\nWithin the recessed panel of the icon there is inscribed at top in old Russian characters: \"The Mother of God\", while within the halo of the Child, there is in the form of an abbreviation: \"From the Father Proceeds\".\nThe back of the icon is mounted with a plaque which is inscribed \"To Her Imperial Highness the Grand Duchess Tatiana Nicholaievna from the Nobility of Moscow.\"  This icon, notable alike for the beauty of characterization of the \"Virgin and Child\", together with its technical perfection in the use of gold, silver and enamel, was from her personal belongings at the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #888\nVery unusual penholder of the Dowager Empress Maria Feodorovna, constructed of a brilliant shaft of lapis lazuli mounted in gold and picked out with a conventionalized chasing.\nThe top is set with the seal of the Empress, consisting of her monogram \"MF\" surmounted by crown, and is engraved in a round, milky-colored agate.\nIt is a fine example of the work of \"Carl Fabergé\", the famous court jeweler to the Russian Imperial family, and who is often referred to as the \"Cellini\" of the 19th century.\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n   #893\nSmall round gold picture frame of more than ordinary beauty and quality by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family.\nThe ground of this piece chased with a shimmering pattern, is enameled translucent white and bordered with a minutely detailed wreath design in green gold on the outside.  The inside is bordered with pearls while the enameled surface is painted with conventionalized trees.\nThe back is of ivory, and it contains a photograph of Czarevitch Alexei Nicholaievitch, son and heir apparent of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #894\nSmall oval picture frame made of a deep ultramarine piece of lapis lazuli mounted on the outside with a chaste wreath design in two shades of gold.  On the inside, a border of pearls lends an air of rare quality and refinement.\nThe back is of ivory, and it contains a photograph of Maria Nicholaievna, the third daughter of Nicholas II, the late Czar of Russia.  \nIt is by \"Carl Fabergé\", famous court jeweler to the Russian Imperial family, who is often termed the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #901\nPerfectly square small silver gilt frame finely fluted and enameled in pale translucent blue.  It contains a photograph of the Grand Duchess Tatiana Nicholaiovna [sic], the second daughter of Nicholas II, the late Czar of Russia.\nIt is signed by \"Carl Fabergé\", court jeweler to the Russian Imperial family, often referred to as the \"Cellini\" of the 19th century.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  #905\nVery beautiful miniature gold Easter egg.  Chased and translucently enameled in deep Russian blue, it is finely festooned with ribbons and wreath in two shades of gold, which is so typical of the work of \"Carl Fabergé\", court jeweler to the Russian Imperial family.\nFrom the personal belongings of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#907, #908]\n#907.  Very lovely miniature gold Easter egg chased and enameled translucent\nwhite and studded with a beautiful yellow and a white diamond.\n#908.  Very beautiful miniature Easter egg of pink quartz.  It is encircled by a gold ring having two diamonds and two sapphires in the form of leaves attached to it.\nBoth of these eggs were made by \"Carl Fabergé\", well-known court jeweler to the Russian Imperial family, who was often referred to as the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n  [#909, #904, #911]\n#909.  Very fine miniature Easter egg made of an unusual green Ural stone. Mounted in gold with a conventionalized flower design, it is set with three groups of three diamonds, three sapphires and three rubies.\n#904.  Very lovely gold miniature Easter egg. The upper half is chased and  enameled in translucent white.  The lower half is of gold wire.  It is mounted with a large oval sapphire and two sprigs of gold leaves.\n#911.  Most unusual miniature Easter egg made of red porphyry.  (This stone was so rare that whenever found it was always presented to the Imperial family.)  It is mounted in a beautiful gold ropework design. \u003c/p\u003e\n","\u003cp\u003eThese eggs were made by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who was so often termed the \"Cellini\" of the 19th century.\nFrom the personal belongings of the Grand Duchess Tatiana, second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nSeptember 30, 1935\n #912\nDiamond-shaped gold pin, ornamented with the Russian Imperial Eagle, against a translucent mauve enamel ground in a chased sun-ray design.  The eagle, studded with various sized diamonds, is of very fine craftsmanship.  \nFrom the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1017\nUnusually beautiful solid gold cigarette case, elegantly embossed with sprays of leaves into which are mounted cabochon-cut rubies of beautiful color.  A ruby of the same color, mounted in gold, serves as the catch which opens the case.\nIt is signed by \"Carl Fabergé\", famous jeweler to the Russian Imperial family, who, because of his excellent craftsmanship and artistry, has often been termed the \"Cellini\" of the nineteenth century.\nFrom the belongings of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1041\nBeautifully conceived and executed miniature frame of the supreme quality achieved by \"Carl Fabergé\".  Mounted on a nephrite pedestal of pure classical inspiration, it is encircled at the top with a gold wreath mounted with rubies.  From it hang festoons of leaves minutely chased and carved out of green and yellow gold.  The gold enrichment of the base is also in two shades of gold and here is finely wrought with acanthus leaves.  The frame which is double to hold two miniatures, is enclosed with a round wreath, carved out of greenish gold and at the top is mounted with a ribbon, rubies and an oval terminal pearl.\nIt was made by the celebrated court jeweler to the Russian Imperial Court, \"Carl Fabergé\", who has often been termed the \"Cellini\" of the nineteenth century.\nFrom the Alexander Palace at Tsarskoye Seloe.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1935\n  #1049\nExceptionally fine and long lapis lazuli necklace composed of one hundred and ninety graduated Siberian lapis beads of an exceptionally beautiful blue.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #92\nExceptionally beautiful and rare Imperial triptych icon, designed and executed by the celebrated Russian Court silversmith, \"Ovchinnikov\", and presented by the Nobility of the City of Charcoff to the Czar and Czarina, Alexander III [sic] and Maria Feodorovna, in celebration of the twenty-fifth anniversary of their marriage.  In this example, all the ingenuity and resources of the artist were concentrated upon the workmanship of so important a piece, created to celebrate so momentous an occasion.\nOpening the icon, the central panel of sumptuous Russian design frames the exquisite portrait of the Blessed Virgin, clad in golden robes finely chased and patterned.  The Virgin is wearing a crown sparkling with the brilliance of diamonds, rubies and emeralds, against a halo of filigree and enamel mounted with ovular-shaped pearls.  The faces of the Virgin and Child are painted in miniature, and it is remarkable with what perfection the characterization and the details are rendered.  Necklaces of diamonds and rubies appear around their necks, and on the cuff of the Virgin's sleeve, a diamond star with ruby center is mounted.  The Child is also portrayed wearing the diadem of diamonds against the small halo, on which appears in Old Russian the inscription in the form of an abbreviation: \"From God Proceeds\".  The background of the panel, filling in the serpentine-shaped Russian arch, is of sky-blue and forms a superb color contrast to the yellow gold of the Virgin's robes.  Over this background, a vinelike design is entwined, studded here and there with rosette-like stars.  Magnificently framing the large central panel, as well as the side ones, borders ingeniously wrought in all different types of chasing and filigree work are set with a variety of rubies, emeralds and sapphires, interspersed with rectangular panels done in soft shades of blue and red matte enamel.\nThe side panels appropriately depict in fine relief, left, \"St. Alexander Nevsky\" (the patron saint of Alexander III [sic]), in armor and wearing ermine robes wrought in virgin silver, and on the right, \"St. Maria Magdalene\", (the patron saint of Maria Feodorovna).  Above each at left and right, guardian angels kneel in the clouds in an attitude of devotion.\nClosed, the icon presents the fine filigree exterior framed in enamel, in the center of which there is a large Greek Catholic cross studded with rubies and sapphires.\nThe reverse is inscribed as follows: \"To Their Imperial Majesties from the Nobility of Charcoff.  1866-1891. October 28.\"\nIt is signed by the artist \"Ovchinnikov\" and dated \"1891\", the year of its presentation to the Emperor and Empress of Russia.  It is considered the finest jeweled icon ever created in Russia, and is the best witness to the mastery of this great artist.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #972\nSmall gold picture frame of outstanding beauty, by \"Carl Fabergé\", famous court jeweler to the Czar of Russia.  Of rounded, triangular shape, it has as its main area the chased guilloche surface enameled in light translucent blue, in a very graceful drape design.\n\"Fabergé\" was greatly renowned for this type of enameling and in this example, the enameling is further set off by a gold border chased with a wreath design of great delicacy.  The actual opening for the picture is surrounded with a row of diamonds and surmounted by a ribbon bow.  The back of the frame is paneled with ivory.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 2, 1936\n  #982\nParticularly beautiful icon depicting the \"Transfiguration\", showing \"Christ\" in an aura of light with (left), Elias, and (right), The Prophet Moses.  Below Him are James, Peter and John, (lower left, center and right, respectively).\nOf the most exquisite workmanship, both for its very expressive quality and perfection of detail, it is painted in an almost monochromatic color scheme, relieved by the touches of purple, green and blue in the gowns of the saints.  It is framed in translucent pale gray enamel with leaf and tendril design mountings, which are further [sic] enhanced by sapphires, emeralds and rubies.\nIt is by \"Carl Fabergé\", celebrated court jeweler to the Czar of Russia, and is a superb example of his genius.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 1, 1936\n  #1006\nExtremely interesting water color luncheon menu of the 21st of June, 1896, in the domain \"\"Eleenskole\", which belonged to the Grand Duke Sergei Alexandrovich, uncle of Nicholas II, the late Czar of Russia.\nThis menu was written and designed by the Grand Duchess Victoria Mellita of Hesse, wife of the Empress' brother, Grand Duke Ernst-Ludvig of Hesse, and who later became the wife of the Grand Duke Cyril Vladimirovich under the name of Victoria Feodorovna.\nThe menu bears the following original signatures: Czar Nicholas II; Czarina Alexandra Feodorovna; Grand Duke Sergei Alexandrovich; Grand Duchess Elizabeth Feodorovna, sister of the Czarina and wife of the Grand Duke Sergei; Grand Duke Ernst-Ludwig of Hesse, brother of the Czarina; Victoria Mellita, his wife; and Victoria, Princess of Battenberg, sister of the Czarina.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nFebruary 17, 1936\n  #1043\nExceptionally beautiful gold and silver picture frame containing a photograph of the Grand Duchess Anastasia, the youngest daughter of Nicholas II, the late Czar of Russia.\nThis frame of very imposing character with a large Imperial Crown and ribbons at the top, is enameled in a raspberry red, the shade which immediately became so popular upon its creation by \"Carl Faberge [sic]\".\nSurrounding the enameled guilloche surface, leaf design borders of green gold are finely accented with ribbons of reddish-gold.  Also the enameled surface is picked out with formally placed rosettes and leaves, in this same combination so skillfully employed by \"Carl Faberge [sic]\".  The back is paneled with ivory and is signed by this famous master.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 1, 1936\n  #1176\nA most interesting umbrella handle in the form of an Easter egg sculptured of very fine dark green jade.  On the bottom it is mounted in gold gilt silver which is exquisitely chased and enameled in translucent mauve.\nIt is a good example of the work of the outstanding master \"Carl Faberge [sic]\", who was so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #37\nMost intimate and rare photograph of the late Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  It is set in an unusually fine frame of lapis lazuli.\nThe photograph was taken by her husband, the Czar, on their private yacht, and is from the personal belongings of the Grand Duchess Tatiana, the second daughter of Nicholas II.\nFrom the Alexandrovsky Palace at Tsarskoye Selo.  It bears the original catalogue number 2004.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #991\nVery lovely little nephrite vase of deep green coloring, with fine gold and silver mounting on the rim.\nThis piece by \"Carl Fabergé\", court jeweler to the Czar of Russia, is of minute proportions, and is charming in both shape and design.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1088\nVery fine gold and silver calendar frame beautifully chased with translucent lavender enamel.  Finely carved borders of beadwork and closely set anthemions enhance the beauty of the design.\nIt is signed by \"Carl Fabergé\", the outstanding Russian Court jeweler, who has so often been termed the \"Cellini of the nineteenth century\", because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1097\nExceptionally fine gold and silver picture frame of outstanding beauty.  It is enameled over a chased (guilloche) pattern in translucent pink, the edges bordered with finely carved wreath design terminated with rosettes.  The small oval opening for the picture, attached at the top to swags of laurel leaves, is bordered with pearls.\nIt is signed by \"Carl Faberge[sic]\", the celebrated court jeweler to the Czar of Russia, and who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1179\nMost unusual and rare miniature ivory Easter egg by \"Carl Fabergé\", the celebrated court jeweler to the Czar of Russia.\nIt opens on a hinged cover to disclose the surprise feature within, - a pale nephrite egg set in the white satin lining.  It is an ingenious creation which is typical of \"Fabergé's\" work.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 2, 1936\n  #1306\nA most exceptionally fine dark green jade elephant very sensitively modelled, with upturned trunk and diamonds for eyes.  It is a magnificent specimen of the fine sculptures which were created by the master \"Carl Fabergé\", and shows very beautifully his singularly perfect craftsmanship.\nIt is rendered in most complete detail.  Ears, trunk, tusks, legs, etc., are all carefully cut and polished.\nIt is one of the rare examples of miniature sculpture executed in stone by \"Carl Fabergé\", and for which he is today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #476\nA most unusually fine handle of nephrite, pale green in color, mounted with a cobra naturalistically carved out of yellow gold and entwined about the handle.  The scales and small details are meticulously rendered, while on top of the snake's head, a pink cabochon-cut ruby is mounted as the eye of the cobra.\nMade by \"Carl Fabergé\", celebrated court jeweler to the Imperial family of Russia.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #478\nVery beautifully designed parasol handle in the shape of a fin, made of nephrite.  It is mounted with gold and finely enameled in an unusual shade of pink, and is studded with four pearls and two rows of diamonds.\nIt was made by the famous court jeweler \"Carl Fabergé\" (By Appointment to the Czar of Russia), and is a fine example of his craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #482\nVery fine parasol handle made of nephrite, in the shape of a duck's head, with rubies for eyes and a most unusual green enamel band.  At the base it is mounted in gold and set with two rows of diamonds.  It is exceptionally finely enameled in translucent pink, giving the effect of trees in sunshine, which is enclosed in borders of white matte enamel, with translucent green enamel dots completing the design.\nIt is the creation of the famous Russian court jeweler \"Carl Fabergé\", who has so justly been termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #537\nExceptionally fine cane handle of pale green nephrite, exquisitely designed with an open-work gold mounting of rococco [sic] scrolls and tiny flowers in two shades of gold.  The rim is studded with a row of diamonds.\nMade by the famous artist and court jeweler \"Carl Fabergé\", who is today so often referred to as the \"Cellini of the nineteenth century.\"\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #986\nA particularly beautiful and rare solid gold picture frame of a graceful, oriental shape, designed with entwining leaf tendrils set with the richest shades of the transparent enamel, which has today become a lost art and cannot be duplicated.\nIt is a fine example of the work of the famous court jeweler \"Hahn\", who created some of the most prized specimens of the Russian Court Jewels.  The superb workmanship of this master is evident in such details as the execution of the panel of ivory which holds the picture, also the gold easel supporting the frame.  It is seldom indeed that one has the privilege of seeing a piece created by this great artist.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #987\nRectangular gold picture frame of exceptional quality and refinement, by \"Carl Fabergé\", court jeweler to the Czar of Russia.\nIn this specimen, \"Fabergé's\" unique enamel, a translucent mauve is set off by a border wreath design of minute workmanship in two shades of gold.  The opening for the picture, a tiny oval, is enclosed with beadwork attached at the top to festoons and ribbons of classical inspiration.  The back is paneled with ivory.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1035\nMost unusual gold and silver picture frame enameled in brilliant emerald green over a finely chased surface.  Designed in a five-petal arrangement, the center bears a photograph of Nicholas II, the late Czar of Russia, enclosed in beadwork, while in each of the five sectors, oval panels frame the portraits of the five children of the Czar: the Czarevitch Alexis, and the Grand Duchesses Olga, Tatiana, Maria and Anastasia.\nThe borders of this very rare example are embellished with wreaths, rosettes and bows of classical derivation.  The back is paneled with ivory.\nExecuted by \"Carl Fabergé\", court jeweler to the Russian Imperial family, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1166\nVery fine silver triptych frame of translucent white enamel applied over a chased (guilloché) surface, framed in a conventionalized leaf border of meticulous carving.\nThe actual openings for the portraits, two rectangular ones in the outer panels and octagonal one in the center, are placed with the formalized precision of the classic taste.  Exquisite borders, festoons with ribbons, together with rosettes and beadwork, complete the ensemble.\nSigned by \"Carl Fabergé\", celebrated court jeweler to the Russian Imperial family, who is today referred to as the \"Cellini of the nineteenth century\" because of the perfection of his craftsmanship.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 9, 1936\n  #1189\nA very lovely handle of pale green nephrite, gracefully curved and tapered.  It is mounted with a gold cylindrical band chased and enameled in translucent white over a shimmering surface.  Rubies are placed over it and are incorporated with a design of green-gold festoons.\nThis example typifies the fastidious craftsmanship of \"Carl Fabergé\", celebrated Russian Court jeweler, who has so often been referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #804\nA very beautiful brooch in the shape of a laurel wreath exquisitely cut out of green and a reddish gold and studded with many small diamonds which form a part of the design.\nThe center bears the monogram \"M\" and crown, in diamonds, of the Grand Duchess Maria, executed with two cabochon-cut rubies with the Cross on top.\nIt is a very good example of the superb workmanship of \"Carl Fabergé,\" celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth Century.\"\nFrom the personal belongings of Maria Nicholaiovna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nApril 11, 1936\n  #1291\nAn unusually fine gold and silver seal of the round fluted type, mounted on the top with an exquisitely modelled monkey holding in its hands a human skull.  The monkey is contemplating the skull and in its animated attitude is a rare example of the silversmith's art.\nIn the base is set a white agate which is engraved with the monogram of Alexander Alexandrovitch, or Alexander III, father of Nicholas II, the late Czar of Russia.\nMade by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #980\nMagnificently conceived and executed Imperial Russian seal made with gold and silver stem, supporting a perfectly carved and polished agate Easter egg.  The setting holding the egg is of the most unusual and finely detailed workmanship.  It is in the form of garlands of roses carved out of several shades of gold, as well as silver, and is bordered with beadwork.  The stem likewise, is finely chased and consists of a polka dotted surface bound with a green gold wreath which flares out at the bottom into a circular base, the underside of which is minutely incised with the Russian Imperial double-headed Eagle.\nIt is one of the creations of \"Carl Fabergé, and fittingly illustrates his unique use of gold and rare semi-precious stones.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 18, 1936\n  #1085\nA most unusual egg shaped, gold mounted nephrite bookmark, encrusted with diamonds and rubies in the form of the initials \"XB\", which is an abbreviation for the Russian \"Christ is Risen\".\nA good example of the work of the celebrated court jeweler \"Carl Fabergé\", showing his rare ability to combine beauty with utility.  In the original Faberge [sic] case.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #533 duplicate\nA very fine cane handle of pale reddish jade in a solid gold setting, paneled and enameled in matte white.  Superimposed over the surface are crossed arrows of gold, each of which bears in the center a deep-red cabochon-cut Ural stone.\nBy \"Carl Fabergé\", court jeweler to the Russian Imperial family, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMay 20, 1936\n  #535 duplicate\nA very fine solid gold parasol handle of elongated pear shape, enameled in a most unusual shade of pink over a chased surface which imparts a scintillating tint of lavender.  A gold band dividing the enameled area into panels is chased with a wreath design of green gold, punctuated with tiny rosettes in red gold.  In the top a diamond is inset, and about the rim a lapis blue band is enameled.\nMade by \"Carl Fabergé\", the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #539\nA very unusual and rare red Russian nephrite cane handle carved in the shape of a duck's head.  It is mounted in vari-colored gold which is partly chased and enameled in beautiful translucent green and matte white and set with small diamonds.\nMade by the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so often been termed the \"Cellini of the nineteenth century.\"\nFrom the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nJuly 28, 1936\n  #1101\nExceptionally beautiful and rare miniature gold icon depicting \"The Holy Virgin and Child Enthroned\", set in an oval frame meticulously carved and chased with roses and emerald green leaves.\nThe painting is of the most minute dimensions and is superbly painted with a perfection of details and beauty of characterization rarely achieved.  At top, an interesting attachment is mounted with a blue sapphire, while from the bottom hang a pink ruby, an emerald and a pearl.\nThe icon bears an inscription meaning \"Save and Protect\", and is signed by the artist \"M. Chuknovsky\".\nIt is mounted in a beautifully designed triptych case of \"Old Russian\" design.  Hinges conform to the design of the case and are in solid silver intricately chased.\nFrom the personal belongings of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 26, 1936\n  #509\nExceptionally beautiful handle carved of a single amethyst set in a gold mounting and forming an exquisite terminal to a parasol.  The amethyst, beautifully carved, consists of two shells placed together on a Russian capital.  The gold mounting, so typical of \"Fabergé's\" workmanship, is intricately embellished with a repeating design punctuated all over with diamonds and enameled a lovely translucent pink.  The piece, combining as it does two shades of gold, is exquisitely bordered with two rows of diamonds superbly demonstrating the infinite amount of craftsmanship employed in a \"Fabergé\" creation.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who was so often termed the \"Cellini of the nineteenth century\" because of his unusually fine craftsmanship.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAUGUST 26, 1936\n  #997\nExceptionally fine circular cigarette container of gold and silver, enameled in an unusually beautiful shade of brilliant translucent red, and ornamented with swags and ribbons done in two shades of gold.  At top and bottom are finely fluted borders crossed at intervals with ribbons.\nIt is an unusually beautiful example of the painstaking craftsmanship of the celebrated artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who has so justly been termed the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #477\nSmall handle of exquisite delicacy and refinement composed in its miniature dimensions of a \"T\"-shaped piece of rock crystal set in a gold mounting finely bordered with a bead edge of yellow gold.  Between these borders in incredibly small scale, the gold is chased into a design of waving lines, enameled in light blue and set with three rows of diamonds alternately placed.\nThis is a specimen typical of the unsurpassed craftsmanship of \"Carl Fabergé\", and worthy of the most discriminating taste.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #479\nParticularly beautiful handle, exquisitely wrought and decorated in a most beautiful manner.  The handle proper, a piece of rock crystal, is set in a cylindrical gold mounting embellished with various gold and enamel borders.  At the top and bottom there are green gold wreaths against a deeper shade of gold.  The enameled decoration is formed of three gold bands exquisitely enameled in a light shade of blue.  Each one is minutely chased with a scale design which imparts a shimmering quality.  Over the central band of a very pale shade of blue, there is a fine gold double wreath.  On each side of this middle portion two rows of pearls enhance the superlative quality of this \"Fabergé\" creation.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #480\nBeautiful handle perfectly illustrating the artistry of \"Carl Fabergé\". \nThis handle, a combination of a well-cut and polished piece of milky-green nephrite, is set off by the complementary shade of orange in its gold and enameled mounting.  This mounting, connecting the handle proper with the main body of the cane, is wrought with great delicacy and refinement.  Against a curved surface of white matte enamel, minutely striped with gold, there are superimposed two crossed ribbons chased of greenish-gold and enameled with translucent orange.  Above and below there is a tiny row of diamonds effectively set in quite another shade of gold.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #481\nVery fine handle made of nephrite of a pale golden greenish shade, symmetrically curved and mounted in brilliantly enameled gold.  The main part of the mounting is chased with a design of many short curves and enameled raspberry red.  Curving around it in a ribbon effect there are four bands of leaves exquisitely worked in two shades of gold, namely, yellow gold and green gold.  Above and below, there are two rows of diamonds.\nIt is a good example of the fine workmanship of the celebrated court jeweler \"Carl Fabergé\".  \nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #536\nVery fine handle of attractive simplicity composed of a beautifully shaped and polished piece of nephrite in a gold mounting.  This mount, which forms the connection between the handle proper and the body of the cane is of hand-hammered yellow gold and is bordered at top and bottom with two green gold wreaths.\nIt is the work of the famous Russian artist \"Carl Fabergé\", court jeweler to the Czar of Russia, who is often termed the \"Cellini of the nineteenth century.\"\nOriginally in the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #538\n\"Fabergé\" handle executed in a most unusual manner of soft green nephrite in the shape of an egg affixed to a hand-hammered cylindrical gold mounting.  Starting from this mount and entwined over the egg-shaped surface, there is a golden snake, chased in all the precision of its naturalistic details.\nOriginally in the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOCTOBER 29, 1936\n  #665\nAn exceptionally fine gold and silver oval miniature icon (panagia), bearing in the center a beautifully painted portrait of the \"Madonna and Child\" in enamel, and framed with filigree work which is filled with unusually fine shaded enamel, showing tulips and other flowers, in the center of each of which topazes alternate with garnets.  The icon is surmounted by a large crown which is studded with a topaz, a garnet and two aquamarines.\nMade by the House of Nemirova Kolodrina (By Appointment to the Russian Royal Family).  Moscow.\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 29, 1936\n #989\nExquisite little octagonal nephrite box mounted with gold, and having hinged lid minutely chased with cherubs and flower garlands in low relief.  It is bordered with an egg and dart motif and tiny beadwork of classical derivation, while the canted sides are set with alternating rows of diamonds and rubies.\nMade by \"Carl Fabergé\", the famous court jeweler to Nicholas II.  The craftsmanship displayed in this piece adequately shows the reason he is so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the collection of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.  From the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #75\nCream leather frame with beautiful gold tooling, and crown in top center, made by \"A. Peterson\" at St. Petersburg (By Appointment to the Czar of Russia.)\nFrom the Winter Palace, where it was catalogued under the number 430/2.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #93\nGold and silver unusually fine icon portraying \"Madonna and Child\" and nine saints in miniature as follows:\n 1 – St. Peter – Metropolitan of Moscow\n 2 – St. Alexis – Metropolitan of Moscow\n 3 – St. Ivann – Metropolitan of Moscow\n 4 – St. Prince Michael\n 5 – St. Boyard Theodor\n 6 – St. Dimitry the Blessed\n 7 – St. Vasily the Blessed (In whose name the famous church in Moscow\n  was built by Ivan the Terrible.  The church upon completion was such\n  a beautiful example of Russian architecture that the Czar, fearing\n  that the church might be duplicated, had the architect blinded.)\n 8 – St. Michael the Martyr\n 9 – St. Ivann the Clairvoyant\nIn a most unusually fine hand-made frame with beautiful enamel inlay and various Ural stones.  It also bears the nameplate of Alexei Nicholaievitch, to whom it was presented by the Nobility of Nijni Novgorod.  The plate reads as follows: \"To His Imperial Highness Czarevitch and Grand Duke Alexei Nicholaievitch from the Nobility of Nijni Novgorod.\"\nIt was made by \"Chlebnikoff\" (By Appointment to the Russian Royal Family).  It is a remarkable example of the work of this fine Russian silversmith, who has made many outstanding objects for the Imperial family.\nIt is from the bedroom of the Czarevitch at the Alexandrovsky Palace at Tsarskoye Selo, where it was catalogued under number 70.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #906\nMiniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler cut out of a brilliant cerise-colored Ural stone set in a delicate open-work gold mounting.\nFrom the collection of the Grand Duchess Maria Nicholaievna, third daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1073\nExceptionally beautiful and rare jade frame, mounted with gold borders in pure classical taste composed with a meticulously chased wreath design in two shades of gold around the outside, and surmounted at the top by a ribbon and bow enrichment.  A finely fluted border frames the picture, while on the jade margin green gold festoons are attached to reddish gold rosettes.\nIt is a superb example of the fastidious workmanship lavished upon his creations by \"Carl G. Fabergé\", the celebrated Court Jeweler to the Czar of Russia, and aptly illustrates his unique use of the rare semi-precious stones which were found throughout the Russian Empire.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1075\nCircular gold picture frame of the most exquisite and delicate workmanship, chased with a shimmering guilloche pattern and enameled rich translucent amethyst.\nThe circular opening is bordered with pearls, while the outside is finely chased with a wreath design executed in two shades of gold.  The back is paneled with ivory.\nIt is in the original case and is signed by \"Carl G. Fabergé\", the famous jeweler to the Imperial Court of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1078\nExceptionally beautiful gold and silver picture frame of most unusual size, enameled in translucent sky-blue over a scintillating chased (guilloché) surface.\nThe broad enamel border is framed on the inside by a beadwork edge and on the outside by a delicately chased wreath design.  At the top, laurel leaf festoons of classical inspiration are caught by rosettes and held in the middle by an elaborately wrought bow and ribbon enrichment.  The back is paneled by hollywood.\nThe fine craftsmanship displayed in this example typifies the work of \"Carl G. Fabergé\", the celebrated Court Jeweler to the Russian Imperial family.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n #1182, #1183, #778\n#1182. Miniature solid gold Easter egg signed with the initials of \"Carl G. Fabergé\", the celebrated Russian Court jeweler chased with the \"guilloche\" all-over pattern enameled brilliant emerald green.  Serving as complement to the green enamel a gold circle and stripes are set with a small ruby.\n#1183. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler.  Of a yellow gold it is chased and set with nine cabochon-cut rubies.\n#778. Solid gold miniature Easter egg by \"Carl G. Fabergé\", the celebrated Russian Court jeweler executed in yellow gold with green gold wreath design and filigree volutes set with two small diamonds.\nFrom the collection of the Grand Duchess Tatiana Nicholaievna, second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1315\nVery fine miniature picture frame, delicately designed with fluted and wreath design borders enclosing a chased (guilloche) surface, enameled brilliant orange.\nAt the corners of the actual opening for the picture, pearls are set in, while on the enamel, circular wreaths are mounted, together with crossed arrows.  \nBy \"Carl G. Fabergé\", the celebrated jeweler to the Russian Imperial court, who is today so often referred to as the \"Cellini of the nineteenth century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nDecember 1, 1936\n  #1350\nPaper knife of richly grained tortoise shell, of unusual personal interest.  It is mounted with a solid gold facsimile reproduction of the inscription \"For Dear Alix\" (the Czarina Alexandra Feodorovna) \"from Misha\" (the Grand Duke Michael, brother of Nicholas II, the late Czar of Russia.)\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle] \nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1343\nVery fine Easter egg cut out of a blue agate and decorated with a continuous motif of sprigs of four-pointed flowers and leaves cut out of silver and set with a myriad of tiny diamonds.\nIt is a signed piece by \"Carl G. Fabergé\", the celebrated Russian court jeweler who is today so often referred to as the \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1364\nAn exceptionally choice fantaisie by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nSigned and in the original case, this unique tray of gold gilt silver is mounted with a stand to which is attached an ivory swing on which perches a paraquet [sic] cut directly out of a rare brilliantly colored agate, the natural markings of which delineate the feathers in the minutest detail.\nEmeralds are set in for the eyes and the whole presents an astonishingly life-like aspect.  On either side of the swing tiny containers hold the golden kernels of birdseed.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nJanuary 1, 1937\n #1367\nA circular gold box signed by \"Carl G. Fabergé\", the celebrated Russian court jeweler.\nIt is enameled brilliant red over a broad guilloche line pattern, and mounted with intricate little vari-colored gold motifs of interlaced wreaths and rosettes having diamond centers.\nFive wreaths ornament the cover and frame a portrait of Catherine the Great which is dated 1773.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1464\nMiniature picture frame by CARL G. FABERGE cut from lapis lazuli in a quaint design, the bright blue surface overlaid with a vine-like wreath of tiny flowers executed in the greatest delicacy from green, reddish and yellow gold.\nIt is set with three diamonds.  The actual opening for the picture is bordered with pearls.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of\nRussian Imperial Art Treasures\nRockefeller Center, New York\nMarch 19, 1937\n #1537\nA most important miniature sculpture of a horned owl by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is rather larger than many of his famous bird and animal sculptures and is cut entirely from a moss agate, the green and gray markings creating a superb sense of the texture of feathers which are finely incised all over.  The claws are of gold and beautifully chased, and, together with the gold-mounted diamond eyes, the whole creates an astonishingly life-like aspect.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1546\nSilver gold-gilt buzzer for the table, of conical beehive shape with a large cabochon-cut ural stone in the center. \nIt is a device with clock-like movement, to be wound up, and when used gives a quiet, low, buzzing sound.\nCut into the silver by hand, a collar of long leaves surrounds the stone button.  The sides are decorated with chased garlands and around the base there is a beadwork border.\nBears the hallmark and signature of CARL G. FABERGÉ, the celebrated Russian Court jeweler.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nMarch 19, 1937\n  #1578\nGold chain bracelet of large heavy links, by CARL G. FABERGÉ, the celebrated Russian Court jeweler.\nIt is mounted with an Imperial Crown studded with diamonds and two cabochon-cut sapphires, and is mounted also with a small safety catch chain arrangement.\nFrom the personal belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1556\nGold gilt silver triangle frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, enameled in a brilliant Russian blue over a chased (guilloche) surface, the latter by its zigzag pattern emanating from the center, imparting an additional richness.\nThe circular picture opening is bordered with pearls and set with a beveled glass with the outside border in beadwork.\nThe back is paneled with ivory, while the easel is of gold gilt silver.  In the original hollywood case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1573\nA small pin in the shape of the regular octagon executed in a brilliant yellow gold with chased (guilloché) surface in the form of a sunburst enameled translucent white.\nIn the center of each of the eight sides, a diamond is inset and in the very center, surrounded by a laurel wreath, is the Roman number \"ten\" in diamonds.\nSigned by CARL G. FABERGE [sic], the celebrated Russian Court jeweler, who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1576\nA pin by CARL G. FABERGÉ in the Egyptian style, in the form of a large scarab cut from a spinel ruby enclosed with conventionalized lotus flowers in blue enamel with diamond stems, large diamond center and gold and silver mounting.\nA superb example of the work of the celebrated Russian Court jeweler who is today so often referred to as the \"Cellini of the nineteenth century.\"\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1580\nAn exceptionally beautiful Easter egg by CARL G. FABERGE [sic], celebrated Russian Court jeweler, executed in solid gold in his French classic style.\nIt follows in technique the French eighteenth century gold snuff boxes with a ground of cobalt blue translucent enamel.  Unlike most of FABERGE'S [sic] surfaces, the chased (guilloche) pattern also follows the traditional type used on the snuff boxes and is merely visible as faint rays on the enamel surface.\nAround the center, there is a broad vari-colored gold band carved in a minute serpentine pattern, together with leaves and berries enameled red and green, giving the appearance of tiny jewels.  On top and bottom of the egg, circular caps bear ten-pointed rosettes enameled in green.\nThe three divisions are further elaborated by the addition of three bands of white matte enamel dots, one of which in the center row, is a tiny diamond catch.\nBears the inscription which may be seen as one opens the egg \"Christ Has Risen.\"\nFrom the collection of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1661\nSmall solid gold handle with sharply curved top, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in his classic style with three shades of gold employed.\nThe shaft is delicately fluted and is overlaid with a green-gold festoon and diamond rosette.  About it, a delicately carved green-gold wreath design is chased.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1736\nJade parasol top mounted in gold by CARL G. FABERGE [sic], the Russian Court jeweler.\nIt is designed with fluted ball-shaped handle of a deep green jade set into a circular gold mounting chased in a plaid design and studded all over with rubies and diamonds.\nOn the summit it bears a cabochon-cut ruby surrounded by a row of diamonds.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #1737\nJade parasol top mounted in gold, by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is designed with slender handle in a deep green translucent jade set into a circular white enameled mounting.\nA green-gold wreath is festooned around it and mounted on top with a fine moonstone.\nFrom the personal belongings of Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2237\nTiny solid gold oval box by CARL G. FABERGÉ, the celebrated Russian Court jeweler.  \nIt is designed with alternating green and narrow blue enamel stripes, and bears on the cover an oval carnelian minutely engraved in the Arabic script with excerpts from the Koran.  It is surrounded by a row of diamonds.\nLike all of FABERGÉ's boxes, the fit of cover to box is a notable instance of his technique.  Here also he has employed the hinges which appear on the finest eighteenth century gold snuff boxes.\nIt is one of the best examples of his craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #2238\nRare miniature Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe egg form is executed in solid gold overlaid by settings of silver for the bands of diamonds which rise from the bottom and cover the lower portion of the egg.  From these bands, tendrils arise and, entwining over the gold surface of the egg, are executed in diamonds.\nThe bottom bears a cabochon-cut ruby.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-3\nRectangular miniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed from gold-gilt silver and is enameled over a chased (guilloche) surface in a very beautiful shade of rose.  Borders of wreath design frame the enameled ground, while the opening for the picture is enclosed with beadwork.  The back is paneled [sic] with ivory.\nFrom the Youssoupoff collection.  Originally it was presented to the Princess Youssoupoff by the Empress Maria Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-5\nMiniature picture frame by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed in unusually small dimensions in solid gold with a jade center surrounding the tiny opening for a picture.  Concentric fluted gold rims separate these areas.\nThe jade is of a dark, spotted green and in contrast to it, a pale mauve enamel is employed overlaid by an interweaving green-gold wreath.\nAt top, a ribbon with bow and loose ends is fixed, bearing a ruby in the center.  It is mounted with a gold easel.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-8\nA miniature icon by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is in the form of a triptych and is very simply panelled [sic] on the exterior with a dark wood bearing a four-petaled [sic] catch centered by an emerald.  It opens to disclose a solid gold interior.  The three panels are executed in a brilliant yellow gold bearing three Russian arch-shaped panels bordered by pearls.  The yellow-gold ground bears arabesques of filigree and is studded at significant points in the design with emeralds, rubies, sapphires, and diamonds.\nThe central panel frames \"The Resurrection.\"  Against a dark background, the figure of Christ appears holding aloft a pennant.  His form radiates light and in the foreground, two angels kneel.\nIt is an extremely fine painting for a miniature and is complete in every detail.  It is surmounted by a Russian Cross studded with emeralds and rubies.\nThe inscription on the left panel reads as follows: \"Resurrection of Thine, O Christ, Saviour, about which the Angels sing in Heaven.\"  And on the right panel: \"And we on Earth try to be worthy to glorify Thee.\"\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-13\nDome-shaped jade push-button by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the classic French style adapted by FABERGE [sic], the jade is of a dark green color cut into relief with rows of small rococo scrolls curving up over the top to join a central motif bearing the button.  The button is a cabochon-cut star ruby set in a nine-petaled [sic] mounting of diamonds.\nThe jade is mounted in solid gold of a bright yellow color and, following in this style, is finely chased with flutings which are crossed with evenly spaced ribbons.\nMounted on three gold feet in the form of rococo scrolls.\nOriginally in the collection of Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-14\nGold-mounted jade calendar by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIn the form of a rectangular piece of dark, translucent green jade, it is designed in his classic manner and mounted with gold-gilt back and easel.  At the top, swags of green gold are contrasted with a reddish gold, the latter taking the form of crossed ribbons and exuberant ribbon bows, a larger one in the center and two smaller ones flanking it.\nIn the very center, two oval openings bear red enameled mounts which have the numbers for the day of the month, and these are changeable each day by clicking the buttons on either side.  Below, on a set of gold-gilt plaques, the names of the months are engraved and held in place by red enamel and moonstone mounts.\nOriginally in the collection of the Countess Brassoff.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nAugust 18, 1937\n  #G-16\nLarge jade Easter egg mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nOf a fine green jade bearing a spotting of a darker green, the stone is cut out to paper-like thinness, making it translucent.\nMounted in a bright yellow gold-gilt silver and bearing ruby catches with which to open it.\nIt originally served as a jewel case.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1509\n\"The Cathedral\", a most important nineteenth century Russian icon painted in the miniature technique on gold over silver.  Against a ground of geometrical chasing, the various figures are painted with flowing gowns of white, purple, red, and bluish-green, with their haloes inscribed in the Old Slavonic.\nIn the clouds, the Holy Virgin stands, her halo emanating rays of light, with kneeling saints and angels on either side.  Below Her, appear, left; Czar Lev, and St. Czarina Zoia; center, St. Roman; right, St. Epiphanie, St. Andrew, St. Martyr Lubov (the small figure in white), and the Archangel Michael.\nIt is in the original frame of filigree, inset with the Russian enamel in jewel-like colors.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1568\nCross cut out of a fine rich blue piece of lapis lazuli.\nIt is mounted in gold and has a moveable diamond and pearl studded link.  The center of the cross is overlaid with a diamond studded rosette which has a pearl center.\nFrom the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1591\nSmall cushion-shaped box of gold and silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is executed entirely in canary yellow enameled over a chased (guilloche) surface, and opens with a small pearl-bordered lid having a ruby catch.  It is decorated on top with a diamond and ruby six-petaled [sic] flower which forms the center of the fine guilloche pattern.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1934\nA large and most important Russian icon of gold gilt silver by KLEIBER, (By Appointment to the Russian Imperial family), presented to the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia, on her birthday, May 29, 1897.\nIn the long rectangular panel it depicts \"St. Martyr Tatiana\", the patron saint of the Grand Duchess.  Against a background of chased geometrical motifs, she appears, clad in a long blue gown reaching to the floor, over which is a loose flowing mantle of rose red.  In her left hand she raises the white sash of her garment and with the other is seen carrying a lampadka.  Above her in the clouds, \"The Holy Virgin\" appears, Her arms upraised in benediction.  The icon is bordered with elaborate frame, entirely of hand-carved and chased work, showing a profusion of acanthus scrolls, rosettes and anthemions.  At the corners, eight-winged cherubims are placed.\nThe presentation inscription at the bottom of the icon reads: \"May 29, 1897.  The City of Peterhof\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #1956\nMiniature diptych icon by CARL G. FABERGE [sic], the Russian Court jeweler.  It is executed in gold-gilt silver and in design follows an ancient prototype.  The doors are of the Russian foliated arch-shape coming to a point at the top, with the front one decorated in a most elaborate manner.  Perhaps harking back to the Byzantine reliquaries and ecclesiastical utensils, this is studded with large stones.  Against the gilt surface, red Ural stones are contrasted with turquoise and pearls, and set into an entirely hand-carved design of Byzantine scrolls which twist and entwine over the entire panel.\nA border of evenly spaced pearls frames this panel, and within the icon, is repeated around the meticulously painted miniatures of the two Saints.  On the right is \"St. Nicholas the Miracle Worker\" and on the left \"St. Princess Alexandra\", the patron saints of the late Czar and Czarina, to whom the icon was presented.  The reverse is inscribed with the names of the donors, as follows: \n Princess Galizina; Countess Belefskaya; E. A. Schneider; Countess A. A. Olsufeva; E. H. Kozlaninova; Princess A. H. Lubanova-Rastovskaya; M. A. Vasilchikova;  Count and Countess G. G. Stanbok; M. P. Stepanov; V. S. Gadon; Prince and Princess Youssoupoff; A. A. and M. P. Stakhovitch; Count and Countess Shuvalov; B. Q. Junkovsky; K. A. and L. G. Balasnaya; A. P. Korniloff; A. L. Martinoff\nFrom the Winter Palace.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2136\nJade parasol top mounted in gold-gilt silver by CARL G. FABERGE [sic], the celebrated Russian Court jeweler.\nIt is cut from the jade in a very curious manner with tapering, bulbous areas up the sides, flaring outwards to the top which is designed in a four-petaled [sic] manner.  In this specimen, the jade is of a soft but brilliant green coloring.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #2243\nAn example of the miniature sculpture of CARL G. FABERGE [sic]: a pig cut out of lapis lazuli.\nIn this example of the Russian master's work, the lapis selected is a brilliant blue with rich markings and flecks of gold.\nIt is executed in an extremely naturalistic manner with such details as hooves, ears, and mouth minutely detailed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 1, 1937\n  #G-22\nVery unusual miniature diptych icon of solid gold by GRATCHOV, by Appointment to the Russian Imperial Family.\nIts design is perfectly plain on the exterior, and on opening it discloses miniatures of Jesus Christ on one panel and the Holy Virgin of Kazan on the other.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #798\nVery unusual panagia portraying \"Christ Blessing the Universe\".\nIt is carved out of green jasper in a two-colored effect, and mounted in a very interesting hand-made silver frame surmounted by crown [sic] and studded with amethysts, rubies and aquamarines. Attached to it is a gold gilt silver chain cut out by hand.\nRussian, early nineteenth century.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\nOctober 11, 1937\n  #1205\nExceptionally fine solid silver triptych icon designed with serpentine pointed top, and overlaid on the front with gold leaves and tendrils molded and chased to perfectly simulate the gold bullion work motifs to be found on the finest Russian brocades.\nOpening the side panels of the icon, which bear in the center the Greek Catholic cross, the central panel is painted with the \"Transfiguration\", against a pure gold ground.  Christ stands in the center with Elias on the left and Moses on the right, while below there are: left, \"John\"; middle, \"James\"; and right, \"Peter\".  The side panels frame at the left, \"St. Elizabeth\", and on the right, \"St. Sergius of Randanezh\".\nAll of the individual paintings are equally notable for a beauty of characterization as well as for the unusual finish of details.  A narrow border frame in emerald green, gold, red and black completes the design.\nThe icon bears on the reverse the dedication to Grand Duke Serge as follows: \"Blessing of the Preobrajensky Regiment, June 3d, 1884\".  \"A new commandment I give unto you, that ye love one another as I have loved you\".  \"From the New Testament, St. John, Chapter 13, Verse 34).\nThe names of the donors are inscribed (etched in the silver) over the sides of the icon.  They are as follows:\n Middle lower: Baron Medem, Kovansky, Count Murafief, Amursky, Neidhart, Kornileff, Count Titischoff. \n Right wing lower: Martinoff, Count Von Preil, Penherzhevsky, Gadon.\n Left wing lower: Belgard, Martinoff, Obahoff, Dolgoff II.\n Right top dome (front): Hartons, Belhart, Domerishkov, Veltzin, Kazin, Zhehacheff;\n         (back): Chekmareff, Komaroff, Palivin, Muravieff, Shipoff,  Schmitt.\n Left top dome (front): General Major Prince Obolensky, \n Left top dome (front) continued: Evreinoff (meaning in Russian \"Son of the Jew\"), Korniloff, Ladishensky, Dolhoff.\n   (back): Second Lieutenant Shemiakin, Bakalin, Lt. Peshkoff, Baron Medem.\nRight side (top): Admiral Ozeroff, Novisitzogg, Kasherinoff, Under Captain Haller, Heirot, Epanchin, Baliasny, Forselles, Vosnesensky, Surelius.\nRight side (bottom): Kashneff, Malahoff, Bashiloff, Mescherinoff, Merder, Neidhart II, Prince Troubetskoy, Loshhereff, Delsal, Count Loris-Melikoff.\nLeft side (top and bottom): Pensky, Kushkovsky, Adjutant Reiters, Count Stenbok, Captain A.G. Korostovitz, Kakoshkin; Schlitter, Delsal, Janetzky, Mirkuloff, Veimarn, Gardenin, Navrotsky.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2443\u003c/p\u003e\n","\u003cp\u003eGolden flowers in a rock crystal pot. Three (3) gold \"TROLLIUS EUROPAEUS\" (Globe Flowers) are made of solid gold, the actual blooms being enamelled (sic) in a clear translucent yellow. The petals are all finely chased underneath the enamelling (sic), emphasizing the translucency of the enamel. The stem, which is also of gold, is grooved with hair-like stripes and is lightly colored in the palest of green tints. The leaves which are very realistically carved from a dark green jade are veined and folded in an accurate duplication of nature's own. Each stem is signed, K. FABERGE, in Russian characters and bears the Russian Imperial Eagle. The conical pot in which these removable flowers stand, is carved from a solid block of rock crystal in such manner as to suggest a natural water-line which is as true to life as the actual would be. On the underside of the pot appear the Russian characters for K. FABERGE.\u003c/p\u003e\n","\u003cp\u003eThis very beautiful object was made by the celebrated Russian Court Jeweler, KARL FABERGE and the piece is extremely rare in that seldom were objects of this type marked with his full name.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nA LA VIEILLE RUSSIE, INC. \n785 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003eNovember, 1945\n#2891\nLapis-Lazuli combination seal and letter-opener. The handle is a long, bulbous-shaped piece of Lapis-Lazuli, beautifully curved in symmetrical pattern with a gold, hand-chased, ferrule. The blade and the seal, which are interchangeable, are of silver-gilt.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#181\nVery fine enamel miniature portrait of the Grand Duchess Olga, the eldest daughter of Nicholas II, the late Czar of Russia.\nIt is painted on silver and is enclosed in a gold and silver frame of beautiful bead design, surmounted by crown. Both the frame and the miniature are exceptional in quality.\nFrom the personal belongings of her father, Nicholas II. From the Alexandrovsky Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York\n#540\nVery unusual and rare rock crystal cane handle, with the head of a dog etched and enameled inside of the crystal ball in amazingly realistic fashion. It is a superb example of the artistry and craftsmanship of the famous court jeweler to the Czar of Russia, \"CARL G. FABERGE\", by whom it was made, and who was often referred to as the \"Cellini of the nineteenth century.\" \nThe globe of crystal, bound about by gold, is affixed to a wide stippled mounting studded at intervals with diamonds, rubies, emeralds, and sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nRockefeller Center, New York.\n#598\nPair of superb Wedgwood medallions, one portraying Czar Nicholas II, the late Czar of Russia, the other, his wife Czarine Alexandra Feodorovna. \nThese rare masterpieces of Wedgwood ware, the greatest of all ceramics, are exquisitely executed in white low relief on a soft green ground. In the perfection of the details and the characterization of the personages represented, they show the painstaking craftsmanship and distinctive elegance of this art.\nOn the back of each of the medallions there is the mark \"Wedgwood\" and in script \"The Czar of Russia\" and \"The Czarina of Russia\", respectively.\nThey were purchased from Madame Anna Viroubova, former lady-in-waiting and personal friend of the Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1022\nMost artistically conceived and executed miniature triptych icon sculptured out of solid gold, and signed by K. HAHN, who made some of the Crown Jewels of Russia. \nOf tiny proportions, this triptych is of a most exquisite design. Shown with the two side panels closed, it exhibits the pierced work border which frames panels with cherubs enameled blue and red. At the top, these doors are surmounted with a sunburst, in the center of which is a dove with outspread wings.\nOn opening the icon, one sees \"Christ Blessing the Universe\". On the left is \"St. Nicholas\", the patron saint of Nicholas II, and on the right is \"St. Alexander Nevsky\", the patron saint of Czar Alexander III. It was presented by Alexander III to his son and successor Nicholas II, with his blessings. At top, the Almighty is depicted with surrounding inscription which reads \"Save O Lord Thy People\". Placed over the hinges and crowning the top of the central panel, three fluted Russian domes are placed, each surmounted by the Greek Catholic Cross.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1044\nCircular gold picture frame of unusually small proportions by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased (guilloche) surface in sky-blue. The border and the inner round opening for the picture are enameled in matte white, bordered with gold. It is surmounted by a gold bow and ribbon enrichment.\nIt contains an original miniature of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1291\nGold gilt silver pencil bearing at its summit a tiny, finely formed mongoose, also of gold gilt silver. \nIt was part of a complete writing set of Czar Alexander III, made by Thomas Cole of London.\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#1326\nTo celebrate the two hundredth anniversary of the founding of the capital-city St. Petersburg, the late Czar, Nicholas II, commissioned the court jeweler CARL G. FABERGE, to execute an Easter egg to be presented to the Czarina in honor of the occasion. CARL G. FABERGE, jeweler to Czar Nicholas II and to his father Alexander III, had since 1885 executed an Easter egg yearly to be presented by the sovereign to his wife. However, to celebrate so great an occasion in the annals of the Romanoff family, this egg was planned many years before the date of the anniversary and was ready in 1903. When completed, it proved to be the most sumptuous and magnificent of any ever constructed.\nAt the highest point, the egg measures almost six inches, and at the widest four inches, and is constructed entirely of solid gold. (It is marked \"72\", the equivalent of eighteen karat gold). Covering its surface, an elaborate rococo design forms in its many curves, panels and areas perfectly suited to the particular type of workmanship which Fabergé excelled in designing and his workmaster M. Perchin in executing. The rococo curves are perfectly suited to the egg-shape, and are studded with hundreds of diamonds and scores of rubies. Intertwined bullrushes [sic] arising from the lower part of the egg are done in green gold, against the yellow gold surface, and show Perchin's superb chasing and minute detail. Cat-tails of square cut rubies give the touch of color which is so significant a feature of the egg, and are entwined with garlands of roses contrasting various shades of gold with platinum. On the top of the egg, the diamond monogram of the Czar is enclosed in a wreath enameled in white and emerald green. Around the upper and lower part of the egg are white enameled ribbons, explaining in Russian the significance of the occasion for which the egg was created.\nTwo miniatures around the middle bear portraits of Peter the Great, founder of St. Petersburg (in 1703), and Nicholas II, during whose reign the bicentenary was celebrated (in 1903). Emphasizing the evolution of St. Petersburg during these two hundred years, two other miniatures frame views of the cottage which Peter built on the low-lying ground by the sea, and which was to be the Russian capital, in contrast to the Winter Palace with its grounds as it was under Nicholas II. In the distance of the latter can be seen the Fortress of Peter and Paul with its spire. These four paintings are by VASSILY ZOUEV, with whom Faberge collaborated. He was the most celebrated miniaturist in Russia and was as well miniature painter to the court. Rock crystal was employed instead of glass to cover these paintings and it exactly fits the many-sided panels. The egg bears at the top the monogram and crown of Czar Nicholas II done in diamonds and the date 1703 when St. Petersburg was founded, as well as the date 1903, when the egg was made in celebration of that event. At the bottom, the double-headed Eagle, insignia of the Imperial family, is enameled in black surmounted by the Imperial crown set with diamonds. Over its breast a portrait diamond covers a tiny crest of \"St. George and the Dragon\" enameled in color.\nThe greatest feature of all, however, is concealed within the egg. On opening it, the mechanism within raises a miniature statue of Peter the Great from the interior. It is executed in solid gold by the Russian Court sculptor G. MALYSHEW, and stands on a sapphire pedestal. It is an exact replica of the colossus representing Peter which to this day stands on a square in St. Petersburg, and which was created on the order of Catherine the Great by Falconet.\nIt is interesting to note that besides the usual hallmarks that were always used, the egg bears the engraved signature \"K. Fabergé\" and the date 1903. This egg is considered to be the chef d'oeuvre of this great master.\nIt was illustrated on page 3 of the Russian magazine \"Stolitza et Usadba\" in the April 1, 1916 issue, which was devoted to a description of the Imperial Easter eggs. They were reproduced by special permission of the Czar, and the Peter the Great egg is the first illustrated. It was also reproduced and described in the November, 1936 issue of \"The Connoisseur\" on page 284, as well as in the \"Art News\", in its issue of November 7, 1936, on page 16, and in \"The New York Sun\" of October 31, 1936, page 17.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1479\nA good example of the miniature sculpture of CARL G. FABERGE, the Russian Court jeweler; a baby vulture carved from obsidian and shown seated in a most natural attitude. \nIn its small dimensions every detail of the anatomy is correctly and precisely cut even to a chasing of the individual feathers. The sheen of light within the stone running through front to back creates a varying surface texture as the piece is moved in the light, shifting from a downy grayness to jet black.\nDiamonds are set in for the eyes.\nSigned \"C. Fabergé.\"\nFrom the Alexander Palace at Tsarskoye Selo.\nMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1524\nCovered jade vase in a brilliant gold gilt silver mounting.\nIt is designed as a small covered chalice cup, the deep green jade forming the cup part, and mounted on a narrow stem flaring out into a circular base. The jade body is slightly tapered and curves out by means of concentric flutings into a rounded underside. The upper part bears a fluted gold rim and above it the cover is fitted. This is slightly domed and bears on its summit a high, cabochon-cut pink tourmaline as a knob.\nSigned by FABERGE, the well-known Russian Court jeweler, who is today referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1543\nMiniature picture frame enameled in mauve, signed by CARL G. FABERGE, the Russian Court jeweler.\nIt is designed in his French classical manner with a narrow mauve-enameled ground bordered by the motifs associated with this style. \nAround the beveled glass there is an edge of white matte enamel separated from the mauve surface by a tiny fluted border crossed with ribbons.\nAn outer border of beadwork encloses the frame and over the enameled surface rosettes with short swags are mounted.\nBears a hinged easel with the name \"Victoria\" lettered in openwork.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1569\nA large Imperial Russian Crown in gold and silver, and designed with leaves, tendrils and flower forms set with numerous cabochon rubies, cabochon sapphires and diamonds.\nIt is mounted at the top with a diamond-set Greek cross, and a diamond-encircled sapphire.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1735\nGold-gilt silver triptych picture frame by CARL G. FABERGE, the Russian Court jeweler, containing an exquisite drawing.\nThe entire frame is paneled with the ivory-like hollywood and the triptych doors are clasped in the middle by a Greek Catholic cross.\nOpening the doors, he drawing is seen to be set into an oval opening covered with beveled glass and surrounded by a row of pearls.\nThe ground surrounding the drawing is in Faberge's white enamel, given a great brilliance by the chased undersurface. At the corners winged cherubs are placed.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1749\nUmbrella handle in the form of an eagle's head, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe head is carved in a highly stylised (sic) manner out of a light green jade, with the eyes fashioned of two large beautiful red Ural stones mounted in gold. The white translucent enamel of the mounting is the type which Fabergé perfected and its sheen is further heightened by the guilloche under-surface. At the top and bottom it is bounded by bands of wreaths in vari-colored gold.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#1763/2723\nVery rare miniature animal studies of an elephant by CARL G. FABERGE, the celebrated Russian Court jeweler.\nOne is in silver, and is fully signed by the master, while the second, in gold, is unmarked. This was most likely made as a mate to the silver one. Presumably, they were silver and golden wedding anniversary gifts.\nThey are both modelled in an extremely naturalistic manner, with all the characteristics of the animal carried out with great fidelity to nature.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2122\nAn original photograph from the collection of the Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\nIt shows a whole group of photographs of the Czar, Czarina and their children. A large photograph of the Czar himself, is in the center, flanked by smaller ones showing the Czarina with the Grand Duchesses Olga, Tatiana and Maria. \nFrom the Hermitage Museum. Originally in the Winter Palace.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2247\nGold mounted sapphire-studded rock crystal perfume vial by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed in a cylindrical manner banded about the opening with gold, and bears a gold cover enameled in a translucent white. The whole bottle is studded all over in a polka-dot arrangement with cabochon-cut sapphires and bears about the opening a Greek fret chased in the gold.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2278\nA charming fantaisie by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn a solid gold cage perched on a golden bar on which rest two tiny golden containers for seed, is a parrot cut out of a single piece of pink quart with ruby gold-mounted eyes and gold claws.\nIt is a very fine example of Fabergé's animal sculpture. In its life-like presentation, all the details of feathers, wing and attitude are faithfully rendered and, most naturalistic in aspect on one side of the cage, is a tiny door of fine construction which is typical of the work of this master.\nThe cage rests on a slab of red nephrite highly polished and harmonizing so beautifully in color with the red gold cage and the pink color of the parrot.\nIt is a signed piece by this celebrated artist and is indeed a creation making him worthy of the title \"Cellini of the 19th century.\"\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2279\nKovsh by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of rock crystal into which is etched a highly conventionalized all-over leaf pattern. The shape is exquisite, being wide and flat.\nIt stands on a gold base with four feet each extending from a leaf. Around the rim is a gold mounting which comes to a point at the front and bears on its summit a pear-shaped pearl in an open-work gold mounting. The handle also, is carved out of gold into the form of a female head surrounded by leaves and flowers, and is embellished with nine small and one larger ruby and two rows of diamonds, one of which serves as a necklace for the figure.\nThe piece, elaborate as it is in its sumptuous decoration, somehow give the feeling of utter simplicity because of the harmony of the movement of line. It is a specimen of Fabergé's work which amply earns for him the title \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2281\nInteresting miniature Easter egg carved out of opal. It combines most beautifully a rich brown with iridescent shades of greens and blues.\nBy CARL G. FABERGE, the celebrated Russian Court jeweler.\nFrom the personal belongings of the Grand Duchess Olga, eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2297\nSolid gold pin in the shape of a wild rose, very beautifully enameled in a soft shade of pink and giving a most delightful and lifelike effect.\nFrom the personal belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2299\nA most unusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler, who is often referred to today as the \"Cellini of the nineteenth century\".\nBeautifully conceived and executed, it represents a spray of lilies-of-the valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade. The spray stands in what appears to be a red clay flower [underlined] pot filled with moss, but the pot actually is of silver and enameled in a matte brick red, the color of the natural clay, while the moss is of gold, so artfully employed  that one can scarcely believe that it is not actually moss.\nSo ingeniously is the entire object executed that it gives a most lifelike and naturalistic effect. One feels that the flower is planted in the pot, and only upon closer examination does one realize that the whole is created from such precious materials as gold, silver, pearls, diamonds and jade.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2300\nUnusual flower creation by CARL G. FABERGE, the celebrated Russian Court jeweler.\nBeautifully conceived and executed, it represents a spray of lilies-of-the-valley [underlined] fashioned of pearls with diamond tips, on a gold stem and with two large leaves of jade.\nThe spray stands in what seems to be a glass of water, but what is actually a rock crystal vase so created as to give the perfect illusion of water.\nSo ingeniously is the entire object executed that it gives a most lifelike effect. One actually feels that the lily-of-the-valley is standing in the water and only on close examination does one realize that the whole is created from gold, pearls, jade, crystal, etc.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2322\nAn exceptionally fine miniature sculpture of a blood hound by the celebrated Russian Court jeweler CARL G. FABERGE.\nThe animal is carved from a single piece of vari-colored agate ranging in shade from a light gray to a reddish brown. He is shown in the attitude of following the scent, and most noteworthy in this specimen is the impression one gains of his great strength and power. The lowered head, the sniffing nose, the upcurled tail, and long ears almost touching the ground, are all most remarkable, and most life-like. One actually seems to feel that the dog is following one, so realistic is the whole creation.\nIn its small dimensions every detail of the anatomy is correctly and precisely carved, even to the chasing of the individual markings on the dog. Diamonds are set in for the eyes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2323\nMiniature sculpture by CARL G. FABERGE, of an eagle, carved from vari-colored brown and gray agate, and with feet of gold.\nIt is an exceptionally fine example by this great Russian artist, and every portion of the bird's anatomy has been minutely carved with the greatest attention to detail.\nThe bird is shown standing in repose with wings folded in, and head slightly turned to one side. The beak is carved to almost knife-like sharpness, and diamonds are set in for the eyes, giving a most naturalistic expression. Adding to the impression one has of the great strength and ferocity of this bird, are the highly polished and sharp claws which are rendered with the highest degree of precision.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nMiniature rooster carved out of transparent carnelian, by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIn its small dimensions, every detail of the anatomy is correctly and precisely cut, even to the chasing of the individual feathers. The legs are of gold with the paws minutely chased and with sharp claws, while diamonds are set in for the eyes. \nIt is a fine example of the miniature sculptures in semi-precious stones for which Fabergé was famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2325\nUnique sculpture of a hornbill by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThis exotic bird with its exceptionally long curved beak, is shown in a seated position, with its head upraised. It is carved from flawless smoky topaz, beautiful in color.\nThe rendition of the bird is executed with broad, sweeping lines, yet with great attention and fidelity to detail. Diamonds mounted in yellow gold are set in for the eyes. It is in every respect an example typical of the fine animal sculptures by Fabergé.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\u003c/p\u003e\n","\u003cp\u003e#2340\nA magnificent specimen of the animal sculpture of CARL G. FABERGE, the celebrated Russian Court jeweler, is this large owl carved out of a single piece of obsidian.\nThis rare and excessively brittle stone is here used to the greatest advantage. It is so carved and polished as to bring out all the hidden lights.\nThe model for the sculpture was apparently an old bird, who sits looking at us sideways in a most quizzical fashion. His large eyes are set with tiger eyes, mounted in each corner with tiny diamonds, all set in gold. The roving quality of the tiger eyes is in admirable harmony with the nature of the obsidian, which changes and gives such an unusual silvery-gray sheen when light strikes it at various angles.\nThe fine carving and imbricated plumage are most typical of the genius of Fabergé. The wings are an interesting feature, being irregular in their foldings (sic), in conformity with the position of the bird, slightly turned.\nIn the original Fabergé hollywood case.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2353\nVery unusual gold pendant in the form of a lozenge, by BOLIN, the well-known Russian jeweler, who made many outstanding objects for members of the Russian Imperial family, as well as for other important personages.\nIn the center is a large diamond surrounded by four smaller ones. At the top is set a star cabochon-cut ruby of unusual color, while on the other three points are large cabochon-cut star sapphires.\nBordering the piece on both sides, are finely chased gold ropes.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2373\nRare Russian silver tray of the early nineteenth century, made in St. Petersburg circa 1815 during the reign of Czar Alexander I (1801-1825).\nIt is a plain rectangular tray standing on four ball feet, and bordered with a pierced and beaded gallery, and baring two gracefully shaped handles, also beaded.\nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2376\nGold link bracelet by CARL G. FABERGE, the celebrated Russian Court jeweler. \nThe center bears a shield-shaped plaque which is translucently enameled over a chased (guilloché) surface in a rich red, and against this background is mounted the Russian Imperial double-headed Eagle, beautifully chased. The breast bears a diamond and the crown surmounting it is likewise set with a diamond.\nOf exquisite refinement and delicacy it is a piece typical of the work of this great artist.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2419\nRectangular gold gilt silver frame by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe opening for the picture is large and square and the border rather narrow, which gives a most unusual effect.\nThe border, is enameled over a chased \"guilloché\" surface in a rich translucent red, over which is appliqued formal scrollwork in gold gilt silver. Pilasters enameled in fine shades of green and white complete the decoration, and blend beautifully with the entire composition. The back is paneled with hollywood.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN. L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2421\nExceptionally fine rectangular gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in an extremely pale blue.\nBoth the inner rectangular border for the picture and the outer border are perfectly plain. Surmounting the frame is a gold riband from which are suspended pendant festoons of berried laurel, and in each corner are rosettes inset with tiny diamonds.\nThe back is paneled with ivory and bears a fancifully designed easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2445\nAn exceptional piece by the celebrated Russian Court jeweler, CARL G. FABERGE, is this large ash tray fashioned of gold.\nThe shape is most graceful and unusual, being of trefoil design. From each of the three points thus formed, a gold handle extends, each handle being set with a gold coin of Catherine the Great, and dated 1766, 1773, and 1783. Fabergé was very fond of using these old Russian coins in completing his designs and they are here used to perfection. The coins are of green gold and are a fine contrast to the interior of the tray, which is a highly polished red gold.\nThe exterior is a surprise feature, as it is finely fluted, with typical Fabergé precision and painstaking craftsmanship.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2453\nA large goose carved out of a piece of rock crystal by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe goose is shown in a standing position with the long neck gracefully lifted, and the head turned slightly to one side. Tiny gold-mounted diamonds are set in for the eyes.\nThe imbricated plumage is finely rendered, and so life-like is the creation, that one feels that at any moment the goose will begin to waddle along. Fabergé was a great genius in the field of animal sculpture, and has here captured the charm of this bird, and given life to this finely carved stone.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2454\nAmethystine owl by CARL G. FABERGE, the celebrated Russian Court jeweler. Carved out of a single piece of this stone, which was especially chosen for its unusual color and shading, the owl is finely chased in great detail. Tiny gold-mounted olivenes (sic) are set in for the eyes, and such a choice was a happy inspiration, as they add greatly to the character of the bird.\nHe is shown with his meticulously chased gold feet perched on an ivory stand which has sapphire tips. The whole rests on a base which is composed of a single slap (sic) of lapis lazuli.\nA typical Fabergé nicety is added near the base: - two tiny enameled bands, one in white matte enamel, and the other in a lovely shade of translucent pink enamel, complete the color harmony, and are a charming surprise.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2455. Miniature gold Easter egg, with four sections finely enameled a deep blue, and set in each corner with a gold star and in the center with a cabochon ruby. In between these sections, the gold surfaces are beautifully fluted.\n#2456. Tiny Easter rabbit mounted in an egg-shaped gold ring. The bunny is beautifully carved out of a single piece of amethyst. Around his neck is a gold collar from which is suspended a gold-mounted olivene (sic), while olivenes (sic) are also set in for the eyes.\nBoth of these are by the famous Russian Court jeweler, CARL G. FABERGE, and are from the belongings of Czarina Alexandra Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2457. Miniature Easter egg of rock crystal, finely etched with four four-leaf clovers, in the center of each of which is a ruby or an emerald.\n#2461. Miniature gold Easter egg enameled over a chased (guilloché) surface in a rich red, with a gold band running around its side.\n#2467. Miniature gold Easter egg enameled over a chased (guilloché) surface in a pale apple green. Superimposed are two white matte enameled lilies with leaves.\n#2474. Miniature gold Easter egg, very simple in design. Its sole decoration consists of a calyx outlined at the top in deep ultramarine blue enamel.\nThey are by CARL G. FABERGE, the well-known Russian Court jeweler, and are from the belongings of the Grand Duchess Tatiana Nicholaiovna, the second daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2460. Miniature gold Easter egg, beautifully decorated with alternating panels of red and white translucent enamel. The white portions are further embellished with overlaid tiny blue flowers and green leaves.\n#2465. Miniature gold Easter egg fashioned as a gold egg-shaped ring enameled over a chased surface in a shimmering white. From its center is suspended a gold-mounted ruby.\n#2470. Miniature gold Easter egg fashioned as a gold egg-shaped ring, in which stands a gold-mounted egg-shaped aquamarine.\n#2472. Miniature Easter egg carved out of a single piece of the rare Russian semi-precious stone, orletz. Wound about the egg is a gold serpent, exquisitely chased, its head set with an emerald.\nThese are by CARL G. FABERGE, the celebrated Russian Court jeweler, and are from the belongings of the Grand Duchess Olga Nicholaiovna, the eldest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2464. Miniature Easter egg carved out of a single piece of dark green jade, mounted in a gold wreath which divides the egg into three portions. Two points of the wreath are set with rubies.\n#2468. Miniature gold Easter egg finely enameled over a chased (guilloché) surface in a rich red. One side is set with a . (sic) pearl, while the other bears abbreviations in gold letters, which stand for the traditional Easter greeting \"Christ is Risen\".\nThese are by the celebrated Russian Court jeweler CARL G. FABERGE, and are from the belongings of the Grand Duchess Anastasia Nicholaiovna, the youngest daughter of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2496\nTiny vase with two small handles, beautifully carved out of rock crystal. The entire surface is cut with a basketwork design, while the top is mounted with a gold rim which is set with alternating diamonds and rubies.\nIt is by the celebrated Russian Court jeweler CARL G. FABERGE, who is today often referred to as the \"Cellini of the nineteenth century\".\nFrom the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2497\nSmall gold cup by CARL G. FABERGE, the celebrated Russian Court jeweler. It is tapering in shape, and stands on a very short round base. On one side is a curiously formed openwork handle.\nThe most engaging feature is the decoration around the side of the cup. The lower portion is so chased as to look like water, in which are swimming two fishes, the tails and heads of which are blue sapphires. So cleverly chased are the sapphires and the gold, that the bodies of the fishes seem to be submerged in the water. The artifice is so well executed, that one actually thinks the fishes are playfully swimming in the water.\nIt is a piece typical of the fantaisies (sic) which Fabergé delighted in creating for members of the Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2498\nExquisite brooch by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is designed as a horizontal figure eight, with a large cabochon emerald of lovely color set in each side. Each is surrounded by diamonds mounted in openwork gold setting.\nIt is a piece typical of the craftsmanship of this great artist, and of his fine, discriminating taste.\nFrom the personal belongings of Czarina Alexandria Feodorovna, wife of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2512\nUnusual set of six large silver spoons, very simple both in design and in ornamentation.\nThe bowl of each is sharply pointed, while the handle is of shield shape, and on which is chased a shield surmounted by crown, and which bears the date \"1770\" as well as the words: \"Concordia et Laetitia\". The center of the shield shows two hands clasped in a handshake. The reverse is dated 1850 and bears the initials \"A.C.\".\nThe set was made in 1850 in St. Petersburg by the well-known firm \"Nichols and Plinke\", who made many outstanding objects for members of the Imperial family.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2524\nGold ring mounted with an exceptional emerald of over five carats and of remarkable brilliance and color.\nThe mounting was designed with the greatest simplicity in order to fully bring out the beauty of the stone.\nOriginally in the personal belongings of Nicholas II, the late Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2525\nA most exceptional star ruby of thirty carats, unusual for its size, shape and color of great intensity and richness.\nIt is mounted into an exquisite yellow gold ring, which consists of a broad band pierced throughout its entire surface, and chased with foliations and flowers which show exceedingly fine craftsmanship. The mounting for the stone is in the form of a collar of laurel leaves.\nThe general composition of the ring, with its fine material and excellent workmanship, combined with its exquisite lightness and grace, mark it as an important example of the jeweler's art.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2568\nExquisite miniature gold frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the fine quality and discriminating taste associated with the work of this master craftsman.\nIts surface is chased (guilloché) in a sunburst pattern enameled pale green [underlined]. The inner border, enclosing photograph, is set with pearls, while the outer border is beautifully chased with an oak leaf motif of green gold, crossed at intervals with bands of red gold. The back is of ivory and bears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2651\nFine Russian lapis lazuli and gold snuff box.\nIt is of cartouche form and is carved out of superb blue Russian lapis with the hinge and rims mounted in gold.\nThe cover bears in the center the gold and diamond studded monogram and crown of Empress Maria Feodorovna, mother of Nicholas II, the late Czar of Russia, and wife of Czar Alexander III.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2657\nSmall eighteen carat gold Easter egg by CARL G. FABERGE, the celebrated Russian court jeweler.\nIt opens through the center on a hinge and its entire surface is divided into four horizontal panels, each richly chased in typical FABERGE craftsmanship with interweaving foliations which stand out in bold relief against the finely stippled background. The top is set with a faceted ruby and upon opening the egg, one finds within, embedded in a lovely antique fabric, a small diamond and ruby ring. The central diamond is a golden color and this is surrounded by a circlet of six faceted rubies.\nIt is an exquisite example of the discriminating taste and precise craftsmanship of this great artist. This piece, for quality and for beauty, is in a class with the Russian Imperial Master eggs which are today so justly famous.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2675\nCircular ash tray by CARL G. FABERGE, the celebrated Russian Court jeweler. \nIt was executed during the World War from material captured at the front and melted.\nIt is of copper and bears in the center a large Russian Imperial double-headed Eagle. At the top are the words \"War 1914\", and at the bottom is the signature \"K. FABERGE\" in large letters.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2680\nExceptionally fine miniature gold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased (guilloché) surface in a scintillating white.\nIt is a small oval frame and the inner oval opening for the picture is bordered with pearls while the outer border is finely chased in typical FABERGE fashion with oak leaves in two shades of gold and set at intervals with lovely rubies in square gold mountings. At the top is a highly polished ribbon box attachment.\nThe back is paneled with ivory and bears a beautifully fashioned gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2691\nPaper knife with gold and topaz handle by CARL G. FABERGE, the celebrated Russian Court jeweler.\nThe stone is of a rich golden color and is so shaped that it may be easily grasped. Around its collar is a gold band chased in typical FABERGE classical style.\nIt is a good example of the fine craftsmanship and excellent taste of this great artist, who is today often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2692\nMiniature owl by CARL G. FABERGE, the celebrated Russian Court jeweler, carved out of a single piece of opal especially chosen for its fine color and shading.\nThe bird, which is of exceptionally small proportions, is shown standing on a gold perch which rests on an agate base. In its small dimensions, the details of the anatomy are correctly and precisely rendered. Two rubies are set in for the eyes.\nA charming example of the work of this great artist, who made so many important objets d'art for members of the Russian Imperial family, as well as for other important personages throughout the world.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2722\nCharming \"fantaisie\" by CARL G. FABERGE, the celebrated Russian Court jeweler, a tourmaline parrot of soft rose-color shading into a pale green tail and with emerald eyes, diamond collar and gold feet, perches on a swinging ivory bar which carries silver gilt pails on either end, filled with seed.\nIngeniously contrived, the swing is suspended from a silver gilt stand mounted on a round tray in typical Fabergé classical inspiration.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2786\nGold kovsh by CARL G. FABERGE, the celebrated Russian court jeweler, designed in the ancient Byzantine manner.\nThe round full bowl is decorated with eight spade-shaped panels bearing alternating leaf patterns with four Russian Imperial double-headed Eagles, all in bold relief. The eagles are chased with amazingly fine precision, and show the ball and scepter of sovereignty, the three crowns, St. George Slaying the Dragon, and the tiny shields, all in wonderful clarity and detail.\nThe kovsh stands on a short outflaring [sic] fluted foot, while the shoulder is absolutely plain. The most exotic feature is the handle which springs up from the base in the form of a horn, and which is surmounted by a finial consisting of a single large emerald.\nAn outstanding work of this great artist, often referred to as the \"Cellini of the nineteenth century\".\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2821\nMiniature gold and platinum charm in the form of a bull dog. \nThe collar is gold, the eyes are rubies, and the body is set with ten large diamonds and many smaller ones.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2859\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler, enameled over a chased guilloche surface in a most interesting pattern combining areas of various sizes in red, white, and blue enamel, the colors of the Imperial Standard.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2868\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler. It is enameled over a chased guilloché surface in a rich green. The top is decorated with classical fluted mounting and with chased gold garlands crossed at intervals with ribbons and from which are suspended pendant festoons. These are carried out in vari-colored gold, typical of the work of this master craftsman.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2869\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is finely enameled over a chased guilloché surface in a raspberry red. One side of the egg is decorated with an applied miniature sculpture in gold of an elephant with up-turned trunk. This is outlined by a band of white matte enamel separated from the red by narrow gold bands.\n \nMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2870\nMiniature gold Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler.\nIt is set around the center with a faceted emerald, a faceted ruby, and two faceted sapphires.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2881\nCircular silver tray by Nichols \u0026amp; Plinke, outstanding silversmiths of English origin who settled and worked in Russia at the request of the Imperial family.\nDesigned with the greatest simplicity the center bears an oval-shaped decoration suitable for monogramming, while the border is heavily chased and engraved with a classical pattern.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER NEW YORK\n#2882\nGold frame by CARL G. FABERGE, the celebrated Russian Court jeweler. In typical Fabergé design, the rectangular opening for the picture is bordered by bead and dash pattern, while the outside border is likewise designed with a classical pattern, set in each corner with a rosette. \nIn between these, the area is overlaid with a chased guilloché surface enameled a most unusual shade of greyish blue and this is overlaid with rich gold festoons and shell motifs.\nBears a fancifully designed gold easel.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#JZ-1, 2, 3, 4.\nGroup of gold animal charms, of fine quality.\nOne represents a gold bear standing on a pearl [underlined]; one is a bulldog [underlined] with diamond collar and tail; another is a dog with ruby [underlined] eyes and diamond collar [underlined]; and the fourth is a dog carved in Chinese fashion [underlined].\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#L-14\nMost unusual and rare split Easter egg by CARL G. FABERGE, the celebrated Russian Court jeweler, who is today often referred to as the \"Cellini of the nineteenth century\".\nIt is a particularly noteworthy example of his genius. Carved out of nephrite and beautifully polished, it is split lengthwise through the center, which is mounted in gold with a laurel leaf design. On front and back are oval openings for pictures bordered with gold chased with the classic dart and triple dot motif. The surprise feature however, is discovered upon opening the egg. Each portion bears on the back a beautifully fashioned gold easel, so that when the egg is open, it can easily stand upon its easels, enabling one to see both pictures at the same time.\nIt is a very beautiful piece, and in every detail is typical of the fine taste and exacting craftsmanship of this great master.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\nROCKEFELLER CENTER, NEW YORK\n#G.25\nDiamond-shaped rock crystal frame by CARL G. FABERGE, the celebrated Russian court jeweler, of the utmost delicacy and refinement.\nThe round opening for the picture is bordered with emeralds, and through the center on top and bottom runs a golden stem bearing three gold tulips, each with four tiny gold-mounted rubies. The border is finely fluted and is crossed at intervals with leaves of a contrasting shade of gold, while in each corner is set a diamond.\nThe opening for the picture is backed with ivory, while the frame is supported by a gold easel exquisite in shape.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nThe Schaffer Collection\n of \nRussian Imperial Art Treasures\u003c/p\u003e\n","\u003cp\u003eGOLD PRESENTATION BOX OF NICHOLAS II OF RUSSIA\nBY FABERGE\nThis exquisite example of the incomparable artistry of Fabergé is circular in shape. The top is enamelled [sic] in a lovely shade of rich iridescent blue over a guilloché surface. In the center is a raised oval reserve bordered by a row of pearls, a band of gold filigree and gracefully curved diamond set volutes extending to the outer rim.\nIn this reserve is found the Russian Imperial Eagle, entirely set with diamonds and surmounted by the crown set with two rubies. In the eagle's center is placed a finely chased shield showing \"St. George Slaying the Dragon\".\nUpon opening the box, the bottom of the inside is found to be enameled in the same deep blue as the top. In the center is the coat-of-arms of the Romanoff's, completely surrounded by a rayed sunburst design.\nPresented to Nicholas II by his wife Alexandra Feodorovna, upon the occasion of the three hundredth anniversary of the founding of the Romanoff dynasty, 1613-1913. \nFully signed by CARL G. FABERGE, jeweler to the Imperial Court, and bears the rare gold mark 72.\u003c/p\u003e\n","\u003cp\u003eMRS. JOHN L. PRATT\u003c/p\u003e","\u003cp\u003eThis series is comprised of invoices, price tags, item descriptions, exhibition labels and correspondence that document the purchases Pratt made from the Hammer Galleries in the 1930s and 1940s. The Lord and Taylor invoices are undated, but the item numbers match up with Hammer Galleries price tags, and the Galleries did present and sell their collection at Lord and Taylor in the early 1930s (probably 1934 based upon letterhead from the item descriptions).\u003c/p\u003e\n","\u003cp\u003ePrice tags were often annotated with price reductions or alterations in the item's description. Item descriptions are extremely detailed, and include the item number and the date purchased. Most of the item descriptions were annotated by museum staff at some point with VMFA accession numbers. A note in Pratt's hand is written on the item description for a traveling clock (item number 5253, purchased June 16, 1933) and says \"Given to H.R.H. Princess Margaret Rose of England May 1939.\" She received a letter of acknowledgment and appreciation back from Lady Constance Harriet Stuart Gaskell, a Woman of the Bedchamber to Queen Mary.\u003c/p\u003e\n","\u003cp\u003eFinally, the few exhibition labels were used in the Hammer Collection's \"Russian Imperial Exhibit\" at Lord and Taylor. Four are still mounted on the original gold colored panels.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into five subseries: Series 2.1: Lord and Taylor Invoices, [1933]; Series 2.2: Price Tags, undated; Series 2.3: Item Descriptions, 1933-1945, undated; Series 2.4: Exhibition Labels, 1933-1934, undated; Series 2.5: Correspondence, 1939.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. X 4110\nRunner made of 18th century brocade in a striped design of gold and various colors. From a portion of a Priest's robe woven and worn in Russia.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y. \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 D\nKnife of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Polish, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 25, 1933\nArticle No. F 99 C\nFork of gold on silver, exquisitely chased and hand-hammered, with Mother-of-Pearl handle. Russian, Circa 1870.\nFrom the Winter Palace Collection in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H-4098\nSilver Hand Mirror bearing the initials \"AN\" under the Imperial Crown, for Grand Duchess Anastasia, who was the youngest daughter of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003e\nMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5054\nA small modern Icon of \"St. George the Conqueror.\" Painted on metal and framed by the well-known Klebnikov of St. Petersburg. The frame is decorated in beautiful enamel work and bears the Russian hallmark \"84\" denoting the finest quality silver; also bears the stamp of the Imperial Double-headed Eagle, showing that it was made especially for a member of the Russian Royal Family.\nFrom the collection belonging to Nicholai II and his wife Alexandra, in the Winter and Alexander Palaces.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. 5358\nLarge Serving Spoon of gold on silver. On the handle appear the Imperial coat-of-arms, crown and monogram of Grand Duchess Elizabeth Mauvriekovna, wife of Grand Duke Konstantin. It was made by Hunt and Roskell of England.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4108\nPhotograph in a silver frame of Serge Alexandrovitch, who was the brother of Alexander III, and his wife, Elizaveta Feodorovna, who was the sister of Czarina Alexandra. On one side is engraved a crown and the inscription: \"Serge;\" on the other side, a crown and the inscription: \"Elizaveta.\" At the bottom, the dates \"1891-1904;\" at the top, a small crown and an enamel plaque of St. George Slaying the Dragon. Made by Faberge, the famous jeweler of the last Court of the Romanoffs.\u003c/p\u003e\n","\u003cp\u003eFrom the Collection in the Winter Palace, St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg, Virginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 26, 1933\nArticle No. H 4809\nFruit Spoon of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of this spoon is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg \nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. X 6101\nSquare of red velvet richly embroidered with gold stars of passementerie, also a design worked in beads and various colored stones. Finished with gold Gothic galoon. Part of a chasuble. Russian, Circa 1880.\nFrom a collection used in the chapels of the Russian Imperial Palaces in St. Petersburg, consisting of hand-loomed brocades, damasks, handcut (sic) velvets, and altar sets. The metal brocades are woven with genuine gold and silver threads.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4830\nIcon, \"The Twelve Apostles.\" Seventeenth century, Northern School. Gold on bronze mounting. \nFrom the collection in the Winter Palace, St. Petersburg, of Nicholai II, the last Czar of Russia\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nJanuary 27, 1933\nArticle No. 4809\u003c/p\u003e\n","\u003cp\u003eSet of twelve Fruit Spoons of gold on silver, beautifully designed, with an urn and shield engraved with the Imperial Crown. On the reverse side are the various silver marks, - \"84\" denoting sterling quality in Russia, - the initials \"MF\" for the maker, the date 1850, and the Imperial Russian Double-headed Eagle.\nAn interesting feature of these spoons is the manner in which the crown is engraved, being cut through the gold surface to show the silver beneath.\nFrom the Anitchkov Palace in St. Petersburg, Russia.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 1, 1933\nArticle No. 10685-B\nCup of gold on silver, with handsomely chased \"neilo\" (black enamel effect) decorations. Made in Russia and dated 1834.\nFrom the collection in the Winter Palace, St. Petersburg, Russia, of Nicholai I.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 2, 1933\nArticle No. 5253\nThin gold watch made by Leroy, Paris, for the Czarina Alexandra, whose monogram and crown in red enamel are delicately inlaid on the back. This simple but graceful time-piece was one of the last acquisitions of the Czarina. From her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 14, 1933\nArticle No. 5259\nGold on silver enameled Caviar Spoon. Russian, hallmarked \"88\" denoting the highest quality of Russian silver. Also bears the initials \"I.M.\" of the maker.\nFrom the collection in the Alexander Palace of the Czarina Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. D 1000\nSilver and enamel Tryptich, set with semi-precious stones. In the center is shown the head of Christ; on the left is Saint Nicholas; on the right, the Guardian Angel.\nFrom the collection of Alexandra Feodorovna, who was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT\nFebruary 17, 1933\nArticle No. 4580\nIcon of the early seventeenth century, Ulanov School, \"Dormition of the Virgin.\"\nBelow, among the prophets, disciples and saints, lies the Virgin while her Soul is represented as an infant in the arms of her Son, who will transport it to Paradise. On either side of Christ are Archangels; above Him, under the arch, are the Cherubim and Seraphim. At the top of the icon appears God the Father with the Holy Ghost. Immediately beneath is the Sabor of Angels awaiting Our Lady, who ascends from Earth. In the heavens, among other saints, are seen Thomas, John the Divine, Peter, Alexander, Paul, Philip and Savva. Below, in front of the bier, is Athonius, a Jew, who dared to place his hands on the bier to upset it. An Angel cut off the hands, but on Athonius saying an \"Ave,\" Peter healed him.\nFrom the collection of the Czarina Alexandra in the Winter Palace, St. Petersburg.\nMrs. John L. Pratt\nChatham\nFredericksburg\nVirginia\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nGiven to R.P. H. Princess Margaret Rose of England May 1939 [handwritten]\nJune 16th, 1933.\nArticle No. 5253\nEnglish silver Traveling Clock in wooden case. Made for Queen Victoria by Dimmick, Maker to Her Majesty the Queen, Cowes, England.\nInscribed on the face: \"From Grandmama 1894\". Given by Queen Victoria to her grandchild, the Czarina Alexandra Feodorovna.\nFrom the Alexander Palace, Tsarskoye-Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nHotel McAlpin\nNew York, New York\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 3550\nWooden Wine Ladle. Beautifully inlayed with metal. Part of the Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\n3623. Handkerchief.\nFine linen handkerchief embroidered with the crown and monogram of the Dowager Empress Maria Feodorovna, Mother of Nicholai II. The border is block printed with a series of brown and blue elephants. It is significant to the superstitious that the trunks of the elephant are turned down where is (sic) those of the lucky elephants are turned up. From the private quarters of the Dowager Empress in the Anitchkov Palace in St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2, 1933\nF43. Paper Knife.\nGold on silver blade. Mounted in mother of pearl handle. Bears crown and monogram of Grand Duke Constantin Nicholaevitch.\nRussian [handwritten]\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6154\nMat. Made of green and silver brocade outlined in rose, conventional floral design.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces, consisting of hand-loomed brocades, damasks, handcut [sic] velvets and altar sets. The metal threads are of genuine silver.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. 4404\nPhotograph of Olga, eldest daughter of Czar Nicholai II, Maria, the third daughter, their governess, and Titiani, the second daughter. Frame by Faberge; the blue ribbon crosses represents the order of St. Andrew, created in 1698 by Peter the Great. Only members of the Imperial Family could belong to this order. Winter Palace Collection.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5153\nSmall Runner. Made of damask woven with yellow flowers in serpentine design with gold. Trimmed with old gold lace. Russian Circa 18th Century.\nThis damask is from a collection used in the chapels of the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X5096\nSquare Mat. Made of gold brocade outlined in tan trimmed with galoon. Russian Circa 1850. \nThis brocade is from a collection used in the Russian Imperial Palaces consisting of handloomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 2nd, 1933\nArticle No. X6396\nTwo Circular Mats. Made of white and gold brocade in conventional design. Trimmed with lace galoon. Russian Circa 1870.\nThis brocade is from a collection used in the chapels of the Russian Imperial Palaces consisting of hand-loomed brocades, damasks, hand-cut velvets and altar sets. The metal threads are of genuine gold.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. 6025. Photograph of Nicholai II and his wife Alexandra as they were dressed for the Imperial Costume Ball held in the Winter Palace in 1903. The entire court at this ball were dress in Russian costumes of the seventeenth century. The Tzar and the Tzarina are here represented as Michael, First Tzar of Russia and his wife Evdokia, The photograph was made by Levitski, court photographer in St. Petersburg. On the back is a seal which reads: The artistic accurateness confirmed by the Imperial Academy of Art.\" This photograph was obtained from the elderly governess of the Grand Duchess who is still living incognito in Moscow.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nOctober 31st, 1933\nArticle No. E-1000. Silver and enamel Easter Egg bearing red crosses on white iridescent enamel and an inscription which reads: Greater love hath no man than he who sacrifices his life for a friend [underlined]. At the top are the initials and monogram of dowager Empress Marie, mother of Nicholai II. Inside is a folding screen of miniatures painted on mother-of-pearl and framed in gold and enamel. The miniatures read from left to right with their respective monograms mounted in gold on the back as follows: Grand Duchess Olga Alexandrovna, sister of Nicholai II, Grand Duchess Olga Nicholaevna, daughter of Nicholai II, Czarina Alexandra Feodorovna, wife of Nicholai II, Grand Duchess Titiana, daughter of Nicholai II, and Grand Duchess Marie Pavlovna, author of the \"Education of a Princess\", and cousin of Nicholai II. This egg was made by Fabergé, the court jeweler for Nicholai II as an Easter gift, in 1915, for his mother, the dowager Empress. From the Anitchkov Palace in St. Petersburg, where it was under Inventory No. 17,550.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933\nArticle No. 6787\nMat. Made of gold brocade showing an Imperial Crown and double-headed eagle on a blue background. Made in 1913 to commemorate the three hundredth anniversary of the Romanoff regime. Bound and lined with old gold galoon.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6707\nRunner. Of vari-colored silk floral design of pussy willows. Probably used at Easter time. Circa 1780.\nFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nDecember 4th, 1933.\nArticle No. X 6794\nRunner. Of gold brocade with vari-colored silk floral design trimmed with old lace galoon. Circa 1800.\u003c/p\u003e\n","\u003cp\u003eFrom a collection of brocades which were formerly used in the Imperial Chapels of the Romanoffs as altar covers and priests' robes. They were brought from the various Palaces about St. Petersburg to the Winter Palace. Here soldiers of the present government sorted them for burning so that the precious gold and silver used in weaving many of them could be reclaimed. Fortunately, Dr. Armand Hammer heard of the plan and succeeded in saving a large number of the vestments by purchasing them. These glorious fabrics, brilliant with metals that will never tarnish, combine the skill and artistry of the West with the originality and color of the Far East.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4763\nA silver plaque depicting the Church of Christ the Saviour, which was given to the Dowager Empress Marie Feodorovna on the occasion of the erection of this church. It was to commemorate the miraculous escape of the Royal Family from death in a railroad wreck. The church was erected by the contributions of various workers in the government departments and private citizens of Russia in the year 1888.\nThe plaque is from the Anitchov Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 5528\u003c/p\u003e\n","\u003cp\u003eAn icon finely painted on wood and mounted with a silver trapping set with seed pearls in a Byzantine design on a background of green enamel. The subject of the icon is \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The commandment of the new day: Love Thy Neighbor as Thyself.\"\n \nThe icon is backed with red velvet. It was made by the court jeweler, Faberge, whose full name is marked under the Imperial double eagle. It also bears the figure \"88\" which denotes the highest quality of Russian silver. The icon is from the quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 6136\nAn unusual tea pot of exquisite silver bearing the crown and monogram of Alexander III. It is made with double spouts and a gut handle.\nThis tea pot was made in 1891 by the Royal jewelers, Michelson of Copenhagen, belonging to the Danish Court.\nIt was found in the Gatchina Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nJanuary 4th, 1934.\nArticle No. 4765\nA slender gold column of exquisite workmanship, with a miniature of Nicholai II on it set with diamonds and crystals. The column is delicately chased with Icanthus leaves in green gold, a touch characteristic of Faberge who made the bibelot for the Czarina to present to Nicholai II on his birthday in 1907. It is contained in the original case and was found in the Alexander Palace.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6111\u003c/p\u003e\n","\u003cp\u003eA jewel chest made of hand-hammered silver, and lined with mulberry velvet. On the cover is the Russian Imperial Double-headed eagle adorned with the various emblems of the Romanoff family. The sides of the cover bear the repeated initial \"M\", inlaid with blue enamel, which stands for the Dowager Empress Marie, mother of Nicholai II. The key is set with a semi-precious green stone. The box is undoubtedly of Danish origin.\u003c/p\u003e\n","\u003cp\u003eIt is from the quarters of the Dowager Empress Marie, in the Anitchov Palace, St. Petersburg.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6019\u003c/p\u003e\n","\u003cp\u003eA jewel box made of silver. The cover is adorned with vari-colored Russian enamel, pearls and rose diamonds. It was made by the court silver-smith, Bolin, whose full name it bears. It is also marked with the initials of his assistant master and the figures \"88\", which denote the highest quality of Russian silver.\u003c/p\u003e\n","\u003cp\u003eThe box is from the personal quarters of the Czarina Alexandra, wife of Nicholai II, and was found in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nFebruary 1st, 1934.\nArticle No. 6148\u003c/p\u003e\n","\u003cp\u003eA brooch of silver modeled in a ribbon design and set with many turquoise and genuine half pearls.\u003c/p\u003e\n","\u003cp\u003eIt was found in the quarters of the Czarina Alexandra in the Alexander Palace at Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5421\nAn icon of \"St. Nicholas the Wonder Worker\", patron saint of Russia, with Christ and the Madonna. This icon was presented to Nicholai II when he was still a Czarevitch, by a peasant icon painter whose name appears on the border of the icon. The inscription on the back reads: \"From a peasant of the village of Materi, Province of Vladimir---Joseph Andrew Pankreshoff. Presented to His Imperial Highness, Czarevitch and Grand Duke Nicholai Alexandrovitch.\" Taken from the historic apartment of the Anitchkov Palace, with the inventory number #6794\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italian Primitive with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMarch 26th, 1934.\nArticle No. 5538\nAn icon painted on wood on a background of gold with a border of rich enamel in Byzantine design. It has a brass trapping and is enclosed in original wood and velvet-lined case. \"St. Nicholas the Wonder Worker\". A painting of exquisite detail and coloring. It was presented to Nicholai II when he was still the Tsarevitch. The sticker on the back of the box reads: \"To the Grand Duke Nicholai Alexandrovitch, 19th of July, 1882.\" It has the city museum inventory number, Anitchkov Palace, 6819. From the quarters of Nicholai II in the Anitchkov Palace before he became the Tsar of Russia.\nThe fascinating history of icons dates back to the time of the pyramids in Egypt, but the oldest examples today are to be found in the Russian churches. The primary influence was that of the Byzantine which accounts for their resemblance to the Italina (sic) Primitive, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks who painted them after long and fervent prayer.\u003c/p\u003e\n","\u003cp\u003eFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nMay 3rd, 1934.\nArticle No. 4122 C\u003c/p\u003e\n","\u003cp\u003eA porcelain Easter egg bearing the monogram of the Czarevirch [sic] Alexis. It is drawn through with the original ribbon and was made in the Russian Imperial Porcelain Factory.\u003c/p\u003e\n","\u003cp\u003eThe Russian Imperial Porcelain Factory was owned and operated exclusively by the the [sic] Royal Family from the time of its beginning in 1744 (when it was founded by Elizabeth I, daughter of Peter the Great) down to the time of the last of the Romanoffs, Nicholai II (1917).\u003c/p\u003e\n","\u003cp\u003e\nFrom the Hammer Collection – Three East Fifty-second Street, New York, N. Y.\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \u003c/p\u003e\n","\u003cp\u003eArticle No. E-313\nSupple Bracelet of woven gold. The alternate links are fashioned of green and of red gold, which the Russians were so fond of. It was made by the famous court jeweler Faberge, and although the bracelet is not marked with his initials, its style and workmanship mark it as unmistakably his. The catch is marked with the number \"56\" for the finest grade of Russian gold.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL EXHIBIT \nArticle No. A-104\nOval Frame delicately wrought in filigree effect set with sixteen alternating sapphires and rubies. Contains an original snap-shot of the Czarevitch Alexis in a sailor suit, sitting astride an old cannon in the gardens of Peterhof, which was the Imperial summer residence in 1910. The frame is marked with figure \"88\"denoting a higher quality of Russian silver than our \"Sterling.\"\nFrom the personal quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo. She was the wife of Nicholai II, the last Czar of Russia.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 31, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5547\nDainty spray of corn flowers, fashioned of gold, enamel and diamonds, supported in a small vase of rock crystal. The workmanship on the foliage and buds shows the most exclusive care in fashioning truly after nature. The enamel of deep blue is extremely clear. The stamen and pistils are each set with a small shiny diamond. The workmanship of the flower itself is by Faberge, the famous court jeweler, while the crystal vase was ground after his design in the Imperial Grinding Factory at Ekaterinburg.\nAmong the most delightful creations made by Faberge for Czar Nicholai II, was a collection of flowers and berries, made of gold, jade and precious stones. Many of the blossoms and berries were enameled in life like-colors. The small vases of rock crystal seem to be filled with water.\nThese delicate pieces brought great joy and pleasure to the Czar and it was a happy occasion when he presented them to some of the members of the Imperial Family.\nMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5401\nElectric contact bell of artisticaly [sic] hand wrought silver in the form of a rabbit. The eyes, which make the contact, are set with garnets.\nIt was made and signed by the court jeweler Faberge, outstanding craftsman of the last fifty years. His name appears under the double-headed eagle of Royal appointment. The figures \"88\" denote the highest quality of Russian silver.\nFrom the property of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5687\nEaster Egg of Orletz or Eagle stone, decorated with gold and silver mountings, and bearing an inlaid monogram and crown of Maria Feodorovna, Dowager Empress and mother of the last czar, Nicholai II. The egg is shaped of this rare Ural stone, named after the Russian Eagle in the Imperial Grinding Factory in Ekaterinburg. Made by the famous court jeweler Faberge.\nFrom the quarters of the Grand Duchess Tatiana in the Alexander Palace, Tsarskoye Selo, to whom this gift was presented by Maria Feodorovna, her grandmother. Grand Duchess Tatiana was the second daughter of Nicholai II.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A-62\u003c/p\u003e\n","\u003cp\u003eRare Insignia of the Imperial Order of St. Andrew in the form of a pendant. The pendant is of gold, wrought with the double-headed eagle on either side in relief. Over the eagle on one side appeas [sic] the figure of St. Andrew as he was crucified on the cross. It was made in the time of Peter I, circa 1720, and is exquisitely enemaled [sic] in natural colors. The entire medallion is framed in nineteen large diamonds of contemporary cutting, the ring has six smaller diamonds.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Grand Duchess Tatiana, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJune 21st, 1935.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5570\nSnuff box of gold, period and style of Alexander II. Russian, circa 1860.\nThe design, exquisitely chased, is of oak leaves and acorns, inlaid with transparent enamel in dark blue. It is marked \"56\" the Russian equivalent of 14 Karat gold, the profile of the Government Assay Office and the impressed number \"2073.\" Very lightly cut is the original order number of the maker \"P154.\" [4 crossed out and 0 handwritten].\nFrom the Imperial snuff box collection of His Imperial Majesty the Czar in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMarch 6th, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nEaster Egg\nEach Easter, the Dowager Empress, Marie Feodorovna, would order the Russian Imperial Porcelain Factory to execute porcelain eggs which she personally distributed. This one, bearing the original ribbon, has her monogram \"MF\" and crown in green.\nThe Russian Imperial Porcelain Factory was owned and operated exclusively by the Royal Family from the time of its founding in 1744 by Elizabeth I, daughter of Peter the Great, down to the last Czar, Nicholai II in 1917. With few exceptions, all the china used at court was made in this factory. Many of the monarchs ordered gifts created here for foreign dignitaries and court favorites. Elizabeth I used a small double eagle as her mark, while Catherine the Great used her monogram without the crown. Otherwise, most pieces were marked with the crown and monogram of the ruler in whose reign the object was made, except Alexander I, whose china rarely bore a mark.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nEaster, 1936.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. AS-1312\nExquisite parasol handle in baton design. It is of solid gold and decorated with conventional shell designs on a smooth ground. Each shell is set with a diamond, ruby, emerald or sapphire. On one side is applied a cut out double-headed eagle of Russia, adorned with the crests of all the Sovereign states, including that of Moscow in the center, showing \"St. George Slaying the Dragon.\" The handle is finished with an exceptional ball of choice flawless Siberian lapis lazuli of magnificient [sic] blue quality, set in a cup of scroll design, also set with precious stones. In all, there are eight diamonds, four rubies, four emeralds and five sapphires.\nFrom the quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. E-327\nRound powder box and cover of fine Ural [underlined] spinach jade [handwritten question mark]. The cover is rimmed in gold, chased in braided design, and has an artistically carved ivory elephant standing upon a fringed drum of gold, banded with alternating rubies and diamonds. The gold work is in the individual style of the celebrated court jeweler to Nicholai II, Karl Faberge, the creator of this lovely object.\nThe rim of the cover is marked with the full name of Faberge, the initials of his foremost workmaster [sic], Mikhail Perchin, the number \"56\", denoting Russian equivalent of 14Kt. gold, and the crossed anchors mark of the St. Petersburg Assay office.\nFrom the personal quarters of the Czarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay, 1936.\n \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle E-451\nThe \"Queen's Birthday Book\". A volume published in London by Griffith, Farran, Okeden and Welsh in 1887, and dedicated to Victoria, Queen and Empress of Great Britain, Ireland and India, on the occasion of her Golden Jubilee. The book contains thirteen portraits of members of the Royal Families and fifty-five Royal autographs, among which are those of Queen Victoria, May 24th; her Prince Consort, Albert Edward, November 9th; Edward VII, January 8th; his wife Alexandra, December 1st; (sister of the Czarina Maria Feodorovna) and George V, June 3rd. Perhaps the most interesting autograph is that of the Czarina Alexandra Feodorovna of Russia while she was the Princess Alix of Hesse and but fifteen years old (June 6th).\nThe book contains the ex-libris of Countess Vorontsov Dashkov, who was Mistress of Robes, the highest position in the Court, and the close companion of the Czarina Maria Feodorovna, mother of Nicholai II. The fly-leaf bears the inscription of presentation: \"For dearest Etta, in remembrance of the Queen's Jubilee, 1887, from your affectionate Mary Adeliade [sic], June 1887\". Mary Adelaide was Her Highness, the Duchess of Teck. \u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nAugust 17, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/3\nHandsome frame of transparent green enamel with two oval apertures containing a photograph of Czarina Alexandra and one of the Czar, Nicholai II. Above the ovals is the double-headed eagle with wings outstretched. The crown between the heads is set with rubies and diamonds while a shield, set with the same stones, is on its breast. Underneath the photographs are three swags with rosettes and crescents in garland effect. At the top of the frame two griffins, facing each other with their paws resting on an urn, form a delightful balance to the whole. It is backed with an ivory panel, the handle and ring being of gold scroll.\nIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported from Russia into France, it also bears the assay office device of that country.\nFrom the quarters of the Czarina Alexandra Feodorovna in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle GT-1530/2\u003c/p\u003e\n","\u003cp\u003eGold on silver rectangular frame of rose enamel over a field of engine turning. Mounted over the oval aperture which contains the photograph of Czarina Alexandra Feodorovna, is a double-headed eagle bearing the Imperial crown, set with diamonds, between the heads. On its breast is a single sapphire. Below, a swag and crescent design forms the decoration. Encircling the whole is a conventional laurel leaf design attached with a ribbon bow-knot, the ends falling in graceful wavy effect. It is backed with an ivory panel, the handle and the ring being of gold scroll.\u003c/p\u003e\n","\u003cp\u003eIt was made by the court silversmith to Nicholai II, K. Hann, and is hallmarked with his full name beneath the double-headed eagle of Royal appointment; the number \"88\" denoting the Russian quality of silver; and the wreathed head of the government assay office. Since it was originally imported into France from Russia, it also bears the assay office device of that country.\u003c/p\u003e\n","\u003cp\u003eFrom the quarters of the Czarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-762/80\nCharm in the shape of an Easter Egg made of solid gold and superbly decorated with transparent enamel in tones of pearl, turquoise, and ruby. The colors are separated by gold swags which cross and are capped by four pigeon blood rubies.\nIt was created by the celebrated Karl Faberge, court jeweler to Nicholai II, and is hall-marked with the initials of his workmaster [sic], and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 9th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle -4776\nJade and gold frame on a stand. The photograph, in a heart-shaped pendant, is of Grand Duke Boris Vladimirovitch.\nIt was made by the famous court jeweler to Nicholai II, Karl Faberge.\nFrom the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\n \u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle E-43\nExceptional photograph of the Czarina Alexandra in court dress, showing her great beauty. It is appropriately framed in finely chased gold on silver with a background of red iridescent enamel.\nThe frame was made by the famous court jeweler to Nicholai II, Karl Faberge, outstanding craftsman of the last fifty years. It is marked with the initials of his master and the figures \"88\" which denote the highest quality of Russian silver.\nFrom the personal quarters of Nicholai II in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nNovember 12th, 1936\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP-1553/2\nPhotograph album containing many rare and valuable photos of the Imperial Family. It is bound in navy blue morocco (whole binding), with shield, clasp and line impress of silver. The doublures are of white moire paper, and the edges are silver. It was bound by F. Knoop, St. Petersburg. The book bears the bookplate of Nicholai II, and was found in his private study, in the Alexander Palace, Tsarskoye Selo. First inventory given is on doublure number \"26933\". Later it was inventoried on the third page as \"12415\".\nThe list of photographs is as follows:\n47.20.376.1 – Emperor Alexander II\n2 – Emperor Alexander II\n3 – Empress Marie Alexandrovna\n4 – Emperor Alexander II\n5 – Emperor Alexander II\n6 – Empress Marie Alexandrovna, wife of Alexander II.\n7 – Emperor Alexander II\n8 – Alexander III and Marie Feodorovna\n9 – Empress Marie Feodorovna and Nicholai II\n10 – Emperor Alexander III\n11 – Grand Duchess Xenia, sister of Nicholai II\n12 – Three generations of German Rulers. The infant is the present ex-crown prince\n13 – Empress Marie Feodorovna and Nicholai II\n14 – Nicholai II (Grand Duke Nicholai Alexandrovitch)\n15 – Grand Duke George Alexandrovitch (brother of N. II)\n16 – Grand Duke Vladimir Alexandrovitch\n17 – Grand Duchess Marie Pavlovna, his wife\n18 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir and her children\n19 – Grand Duke Vladimir and his sons, Kyril and Boris\n20 – Grand Duke Vladimir Alexandrovitch\n21 – Grand Duchess Marie Pavlovna, his wife\n22 – Grand Dukes Kyril and Boris Vladimirovitch\n23 – Grand Duke Kyril Vladimirovitch\n    \nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e\n","\u003cp\u003e[double-headed eagle]\n-2- \n 24 – Grand Duchess Marie Alexandrovna\n 25 – Grand Duke Alexis Vladimirovitch\n 26 – Grand Duke Serge Alexandrovitch\n 27 – Grand Duke Paul Alexandrovitch\n 28 – Grand Duke Paul Alexandrovitch\n 29 – Grand Duke Alexis Alexandrovitch\n 30 – Grand Dukes Paul and Alexis and Duke of Oldenburg\n 31 – Grand Dukes Serge Alexandrovitch and Konstantin Konstantinovitch and the sister of Konstantin, Olga, later Queen of Greece\n32 – Grand Duke Nicholai Nicholaevitch\n33 – Grand Duchess Marie Pavlovna, wife of Grand Duke Vladimir\n34 – Grand Duke Nicholai Alexandrovitch (Nicholai II)\n35 – Grand Duchess Olga Konstantinovna, Queen of Greece\n36 – Grand Duchess Militza Nicholaevna\n37 – Duchess Alexandra of Oldenburg, 1st wife of Grand Duke Nicholai Nicholaevitch, died in 1900\n38 – Grand Duke Serge Alexandrovitch and Duchess Elizabeth Feodorovna\n39 – Grand Duke Vyacheslav Konstantinovitch\n40 – Grand Duke Dmitri Konstantinovitch\n41 – Grand Duke Konstantin Konstantinovitch\n42 – Grand Duchess Marie Alexandrovna, Duchess de Saxe- Coburg Gotha\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nJanuary 29th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. ME-1249\nRound snuffbox of spinach green Ural jade with hinged lid, mounted in gold. On the cover, set in diamonds, is the crown and monogram of Nicholai II, backed with two laurel sprays in green gold of exquisite workmanship, also set with diamonds. The top and bottom rims are engraved in delicate dot and dash design, while through the center runs a fillet of finely chased acanthus leaves in green gold and several tiny rosettes of red gold.\nThis superb example of the jeweler's art was designed by the celebrated jeweler to Nicholai II, Carl Faberge, and is hall-marked with his full name, the initials of his leading artist, Mikhail Perchin, the number \"56\" denoting the equivalent of 14 karat gold, the wreathed head of the government assay office, and the initials of the gold inspector \"YL\".\nFrom the collection of Nicholai II, last Czar of Russia, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nFebruary 8th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5571\nMagnificent gold snuffbox in oval shape with hinged lid. It is hand-wrought with a chased gold mounting. The lid has an oval gray and white cameo, masterfully carved with a mythological sea scene, signed \"W. Eissel\", outstanding German master. This is framed with fifty large diamonds and about one hundred small ones. The edge is in carved scroll design including two gargoyles over lapis blue enamel, and set with many diamonds, four of which are about one karat each. The sides are finished in the same treatment, having the crown and monogram of Kaiser Wilhelm in the front and the German imperial eagle in the back, all set in diamonds. The crown also has two rubies. At either end are small round cameos of mermen by the same master. Four kneeling cherubim, placed within shells of blue enamel and diamonds, support the cover. The bottom of the box is engraved with another sea scene showing Neptune and Venus receiving homage, while the background is again of blue enamel. This box was made for the Kaiser of Germany, and was so admired by Nicholai II, the former presented him with it.\nFrom the Snuffbox Collection of Nicholai II and his wife Alexandra, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nMay 11th, 1937.\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. JJ-5050/2\nExquisite oval icon of the \"Madonna of Kazan\". It is painted on ivory in a charming combination of water colors. The Greek symbols are for \"Mother of God\", \"Jesus Christ\" and \"Kazanski Mother of God\". The icon has a brass rim and is framed in rose velvet; it is backed with rose ribbed silk.\nAttached is the original government inventory tag, the abbreviations of which read: \"Alexander Palace Museum, Children's Apartments, Classroom of the Older Grand Duchesses Number 644/III\". These were the daughters of Nicholai II, whose palace was located in Tsarskoye Selo. This icon was undoubtedly executed by the Tsarina of Russia, a talented artist, whose work is easily recognized by her choice of colors and the fact that she invariably marked her paintings with the initials of her maiden name, Hesse.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. AV-5008/1\nOval icon medallion of solid gold. On one side is an exquisite enamel miniature of Jesus Christ dressed in blue and orange robes against a ground of brown scrolls on beige. His right hand is held in blessing, while in his left he is holding the open scripture. The Greek symbols about his shoulders are for \"Jesus Christ\", while those above the halo are for the \"Eternal Christ\". On the reverse side, on a ground of white enamel, is inscribed in black – \"Save and Protect\".\nThe gold is hall-marked with a number \"56\" denoting the Russian equivalent of 14 karat gold, and the device of the Moscow assay office.\nFound in St. Petersburg.\nThe fascinating history of icons can be traced back to the time of the pyramids in Egypt, but the oldest examples are to be found today in the Russian churches. The primary influence was that of the Byzantine, which accounts for their resemblance to the Italian primitives, with which we are more familiar. The spiritual feeling in these works of art is the expression of the monks, who executed them after long and fervent prayer. Larger icons are usually painted on wooden plaques; the small ones were more personal and were worn about the neck or carried in the pocket to be near at hand in time of need.\u003c/p\u003e\n","\u003cp\u003eMrs. John L. Pratt\nOctober 2nd, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RB-5210/37\nDelightful charm of a German Dachshund [underlined] in seated posture. Carved from genuine topaz, he is adorned with a gold collar and suspended from a gold link. His eyes are realistically set with emeralds.\nThis excellently modeled and lifelike animal was designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his talented stone carver, Kremlev.\nMrs. J. L. Pratt\nDecember, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1815\nCharming stone figure designed by the celebrated court jeweler to Nicholai II, Carl Faberge, and executed by his leading stone carver, Kremlev. Represented is one of the favorite sailors of Grand Duke Mikhail Alexandrovitch, brother of the last Tsar, Nicholai II. The name of the Imperial yacht \"Zarnitsa\" is inscribed in gold on the seaman's hatband.\nStanding solidly on his two feet of black onyx slightly spread apart, this sailor of courageous appearance is dressed in a spotless, freshly laundered suit of milky white jade. His piercing blue eyes, each set with a cabochon sapphire, sparkle with loyalty and sincerity. Flesh-toned aventurine makes up his interesting face, finely moulded [sic] with high cheek bones and sharp nose – typically Slavic characteristics. His sturdy hands are also of aventurine. This unusual portrayal, viewed from any angle, is singularly lifelike and attractive.\nIt is contained in the original hollywood box of the court jeweler, and is stamped with his full name beneath the double-headed eagle of royal appointment.\nThe \"Zarnitsa\" was anchored just outside of Kronstadt during the Krensky Revolution, and it is said that while the other sailors of the fleet joined the revolutionists, those on board the yacht ramined [sic] loyal to the Grand Duke Mikhail, in whose favor Nicholai II abdicated.\nMrs. J. L. Pratt \nDecember 9, 1937\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-517/4\nCross of hand-wrought silver, finished with a ball effect to represent jewels; Russian workmanship of the 18th century. On the face is the eight point Greek Orthodox cross, adorned with the crown of thorns. On either side is the spear and sponge of the Crucifixion, while below is the skull signifying that Christ conquered Death. The Slavic symbols read – \"King of Glory, Jesus Christ, son of God\". The reverse side is in scroll design.\nFrom the Imperial Chapel of the Feodorovski Cathedral, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eLillian T. Pratt\nChristmas, 1937\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. IP- 1843/4\nRare mosaic icon of \"St. Nicholas the Wonder Worker\"; Russian workmanship, circa 1850. This portrayal of Russia's most beloved Saint is so skilfully [sic] inlaid with thousands of varicolored stones that it gives the impression of being executed in oil. It shows great character and deep religious inspiration, rarely found in mosaics.\nSet off by a gold halo, St. Nicholas is represented making the sign of Jesus Christ with one hand, while in the other he holds a gold and green Bible. His gracefully folded robes of red and blue are trimmed with gold, and his stole of silver is embroidered with gold crosses. Slavic symbols on either side of the halo are for \"St. Nicholas the Wonder Worker\". The icon has a rim of fire gilt and is framed and backed in red velvet of a later period.\nFrom the apartments of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nJanuary 8, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/4\nParasol handle of frosted rock crystal, carved to represent the head of a duck, and mounted on mohagony [sic] banded in gold. The eyes of the duck are all the more lifelike for the two deep blue sapphires set in gold. Around the neck is a gold collar, set with fifteen green tourmalines. The ring of silver gilt was added later to the base of the handle.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Faberge, for Tsarina Alexandra Feodorovna and was found in her personal quarters in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. A-61\nUnusual frame of rose jasper and gold-on-silver, containing a snapshot of Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, taken in Peterhof, 1907. Dome-shaped and with easel back, it is contained in the original Vyatka birch box, lined with green velvet and white silk, of the court jeweler to Nicholai II, Carl Faberge. The lining is stamped with his name beneath the double-headed eagle of royal appointment.\nThe frame is hall-marked with the initials of one of Faberge's leading workmasters [sic], Mikhail Perchin; the number \"84\" denoting the Russian standard of silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the court jeweler, \"45196\".\nFrom the quarters of the children of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. E-754\nCharming miniature frame containing a photograph of the Tsarina Alexandra Feodorovna. Dome-shaped, it is made of lettuce jade, delicately decorated with chased green and red gold mountings. Above the oval aperture, rimmed in laurel leaf design, is a swag motif tied with a ribbon; below are two dainty rosettes.\nThis frame was made by the celebrated court jeweler to Nicholai II, Carl Faberge, and the gold-on-silver easel back is marked with the initials of his workmaster [sic] \"IB\"; the number \"88\" denoting the quality of Russian silver; and the wreathed head of the government assay office. It is also engraved with the original order number of the jeweler, \"0170\".\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/3\nEaster egg of green quartzite, varicolored gold and rock crystal, suspended from a chain of gold. A band of cut rock cyrstal [sic], bordered with narrow rims of gold, encircles the egg, separating the top from the lower portion. The top is surmounted with a wheel device decoratively worked in red and green gold, whose apex is a small Empirean [sic] wreath of laurel. A convex form of gold, delicately engraved in a wreath design covers the base.\nIt was created by the celebrated Russian court jeweler to Nicholai II and Alexander III, Carl Faberge.\nFrom the apartments of Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\u003c/p\u003e\n","\u003cp\u003eMrs. J. L. Pratt\nJanuary 27, 1938\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE, NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/1\nGraceful porte-poche of rock crystal with borders, handle and thee feet set with rubies and diamonds.  A gold border around the top is set with forty rubies and the corresponding border in the base has thirty-three rubies.  The question mark handle of gold, decorated with scroll design, is outlined with eight diamonds, set squarely.  Into each of the three ball feet are set thirty-two graduated diamonds. \nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé, and is hall-marked with his full name; the initials of one of his leading workmasters, Edward Kolin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.  It is engraved with the original order number of the court jeweler – \"40312\".  Since it was originally brought from Russia to England, it also bears the assay of the later country.\nFrom the apartments of the Tsarina Alexandra Feodorovna, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nJanuary 28, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/47\nCharm, in the form of an Easter egg, of exquisite simplicity.  It is made of spinach jade, belted with gold and a narrow fillet of diamonds, and is suspended from a gold link.\nThe egg was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé.\nFrom the apartments of Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/41\nEaster egg charm of gold, engraved in moire effect to represent clouds in the sky.  The design is based on the star and crescent motifs of Mohammedan origin.  Within the star form, outlined in relief, is set a diamond, and a large cabochon sapphire is enclosed within the crescent form.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster; the number \"56\" denoting the Russian equivalent of 14 Karat gold; and the device of the Moscow assay office, St. George slaying the dragon.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/46\nCharm of gold, purpurine and enamel, in the form of an Easter egg.  A circlet of diamonds separates the purpurine portion from the rest which is made up of alternating sections of opaque white and transparent emerald green enameling on a gold ground.  Each of the enameled sections bears a numeral of the year \"1900\", when it was presented to Grand Duchess Olga.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster.\nFrom the quarters of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nNote: purpurine is a composite stone developed by Fabergé, and reputed to be formed by a secret process of fusing gold and porcelain.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/39\nCharm of gold in the form of an Easter egg.  Palmetto leaves and the figure of an African elephant holding in his trunk a diamond, form the decoration.\nIn the style of Fabergé, the Russian court jeweler, it was created by the Kalodnikoff masters, bearing their hall-marks and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the apartments of the Grand Duchess Marie Nicholaevna, third daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1933\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/45\nUnusually handsome Easter egg charm of gold.  A fillet of diamonds separates a petal decoration from the upper part of the egg in which a solitaire diamond is set.  A cabochon sapphire is set at the base.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and is hall-marked number \"56\", the Russian equivalent of 14 karat gold.  \nFrom the apartments of Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J.L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/38\nEaster egg charm of gold-on-silver, inlaid with varicolored opaque [handwritten, transparent x'ed out] enamel and bearing the Russian letters \"XB\" front and back, the abbreviation of the Easter salutation \"Christ is Risen\".\nIt was designed by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II and Alexander III, and is hall-marked with the initials of his workmaster.  \nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/33\nCharm of clove pink matte enamel, covered with a filigree of gold intricate design of conventional fleur-de-lis and braiding.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the initials of his workmaster and the number \"56\" denoting the Russian equivalent of 14 karat gold.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/32\nCharm of gold, in the form of an Easter egg.  It is covered with enamel in the deep blue color, beloved of the Russian people, over delicate engine turning and is set with a diamond.\nIt was created by the celebrated Russian court jeweler to Nicholai II, Carl Fabergé, and is hall-marked with the number \"56\" denoting the Russian equivalent of 14 karat gold; and the initials of his master.\nFrom the quarters of Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/44\nEaster egg charm of topaz, with alternating sections of opaque white and translucent red enamel, banded with a circle of diamonds.\nIt was created by the celebrated court jeweler to Nicholai II and Alexander III, Carl Fabergé.\nFrom the quarters of the Grand Duchess Tatiana Nicholaevna, second daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/9\nExquisitely modeled figure of an African elephant with upraised trunk, wrought in twenty-two karat gold.  His lifelike eyes are set with diamonds, and the tusks are carved from ivory.\nCreated by Carl Fabergé, the celebrated Russian court jeweler to Nicholai II, it was made to the special order of his mother, the Dowager Empress Marie Feodorovna.\nFrom the quarters of the Empress, in the Anitchkov Palace, St. Petersburg.\nMrs. J. L. Pratt\nFebruary 1, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5214/13\nDelightful gold chain bracelet with safety catch.  It alternates with three red gold and three green gold links.\nIt was designed by the celebrated court jeweler to Nicholai II, Carl Fabergé, and executed by his workmaster whose initials it bears – \"AE\", together with the wreathed head of the government assay office.\nFrom the apartments of the Grand Duchess Olga Nicholaevna, oldest daughter of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nFebruary 2, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5209/26\nTiny, exquisite frame of lapis lazuli mounted on a rectangular base of gold-on-silver, supported by four ball feet.  The oval aperture, rimmed in gold, bears a photograph of Nicholai II.\nThis charming piece is from the quarters of Tsarina Alexandra Feodorovna, wife of Nicholai II, in the Alexander Palace, Tsarskoye Selo.\nMrs. J. L. Pratt\nApril 15, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSIES\nGraceful spray of pansies carved in amethyst, the centers set with brown diamonds.  Calyxes are formed in jade.  Rising on slender gold stems with leaves of Siberian nephrite, serrated and realistically modeled, the little pansy is set in rock crystal carved to represent water in a vase.\nCreated by the world-famed Russian jeweler, Karl Faberge, it is hallmarked with his name in Russian, and the initials of one of his leading masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18 karat gold.\nNumber RE5380-13\nMrs. John L. Pratt\nJanuary 9, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/2\nFlower fantasy exquisitely developed in jewels in the form of a dandelion seed ball.  Created by Carl Fabergé, illustrious jeweler to the Russian Imperial Family, this little piece typifies his finest work.  The head, with down of asbestos is developed around the seed pod and pedicels of platinum, delicately finished with tiny diamonds.  Serrated leaves carved in jade and graceful gold stalk rise from a little vase carved in rock crystal to represent a tumbler filled with water.\nFully hallmarked, it is signed with the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and with the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom a collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/10\nExtraordinary jeweled flower fantasy by Carl Fabergé, world famed court master to Tsars Alexsandr III and Nikolai II of Russia.  The blossom, carved in amethyst, opens slightly to reveal three stamens of gold, diamond set.  It surmounts a sturdy stem imbedded in gold soil within a tub-like container.  Leaves are realistically modeled of deep hued Siberian nephrite.  Encircling the container, which is fashioned of varitoned grey-brown agate, are hoops of gold pointed with small diamonds representing rivets.\nImportantly hallmarked, the stalk bears the full name of Fabergé; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Imperial Family.\nMrs. John L. Pratt\nJanuary 31, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/16\nPair of lovebirds carved in amethyst, huddled together on an ivory perch ornamented with transparent carnelian enamel on a ground of guilloché gold and dainty rings of platinum, diamond set.  Deep cabochon topaz are set in the ends of the perch bar; two fine gold chains, linked to a foot of each bird, are attached to the pedestal base.  The delicately wrought fantasy rests on an inverted circular base, fashioned of dark green Siberian jade mounted with a simple gold border.  Four ball feet of gold complete the stand.\nCreated by Carl Fabergé, eminent Russian court jeweler, this exquisite object is hallmarked with his name; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/17\nSmall cage of appealing design wrought with slender bars of gold and suspended with a gold loop.  Mounted on a base of Siberian nephrite which rests on four ball feet, the top is finished with seven pearls and with a decorative portion of turquoise composition, encircled by diamonds.  Within this cage, on a small twig-like perch, is a diminutive bird carved in emerald, with head lifted in song and eyes set with diamonds.  \nThe gold perch bears full hallmarks including the name of Fabergé; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nMrs. John L. Pratt\nFebruary 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/29\nParasol handle of limpid clear rock crystal etched in open squared effect, pointed throughout with cabochon rubies.  The base is of solid gold and is encircled with a conventionalized laurel wreath, intermittently bound with crossed ribbons.\nDesigned by Carl Fabergé, famed jeweler not only to the Imperial family of Russia but to the crowned heads of Europe and Asia, it is fully hallmarked.  Present is the name \"Fabergé\" (indistinct); the Russian initials of one of the master's leading artists, Mikhail Perchin; the wreathed head of the government assay office; the numeral \"56\" denoting the Russian equivalent of 14kt. gold; and the initials of the government inspector \"YL\".\nOriginally a parasol handle in the possession of the Tsarina Aleksandra Feodorovna of Russia, a flat base has been applied so that the little object may be used as a seal.  From the personal effects of the Tsarina in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.CA-5364/2\nGreen jade miniature frame designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II.  Made of one piece, it has two oval receptacles containing rare, original photographs of the court jeweler and his wife.  They are rimmed with delicate fillets of silver, applied with ruby and black enamel in a design bordered by lines of white.  The photograph openings are backed with ivory to which is attached a hinged easel of graceful design.\nThe easel is hallmarked with the full name \"Fabergé\"; the initials of one of his leading workmasters, Henrik Wigstroem; and the numeral \"88\" denoting the quality of Russian silver.\nAcquired from Nikolai Fabergé, son of the renowned jeweler.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\nFebruary 17, 1939\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/3\nJeweled flower fantasy created by Carl Fabergé, eminent Russian court jeweler, signed with his name and the initials of one of his leading workmasters, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nDesigned with ingenuous artistry, this branch of English hawthorn has small fruits (\"haws) of red and white agate, cleft leaves of jade and a gold stalk imbedded in a white agate pot with soil of gold.  It is mounted on a base of white jade.\nFrom the collection of a member of the Russian Imperial Family.\nThese flower creations represent the height of Fabergé's imaginative genius.  They were the favorite possessions of the late Tsar and Tsarina, both of whom were ardent flower lovers.  Several of these were created by Fabergé for King Edward VII of England who presented them to Queen Alexandra.  Upon her passing, these jewels were left to her son, King George V of England, and to Queen Maud of Norway.  Some of these fantasies are now the prized possessions of Mary, the Queen Mother of England.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5332/7\nCompanion figures of two French bulldogs, one seated in attentive attitude – the other, a pup, in crouched position.  Beautifully carved of smoky topaz, the eyes of each are set with cabochon sapphires.  Collars finished with pendant drops, are gold, set with faceted sapphires of fine deep color.\nRealistic in every detail, these little sculptures are designed and executed with incomparable finesse.  They are creations of Carl Fabergé, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia, who was, as well, jeweler to nearly all the crowned heads of the European and Asiatic continents.  Fabergé, expert in the art of small figure sculpture, was noted for his ability to impart to the materials in his hands a convincingly living quality of form.\nThe topaz dogs are from the collection of the Tsarina Aleksandra Feodorovna, , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5389/2\nHandsome parasol handle of Siberian nephrite known as spinach jade, banded in red gold, encircled in diamonds.  The central portion has a connecting bow motif developed in diamonds and two cabochon rubies of fine color.\nIt was created by Carl Fabergé, renowned jeweler to the Russian Imperial Family.  Smoothly modeled and gracious in its simplicity, it is characteristic of the decoratively useful objects made by him for the late Tsarina Aleksandra Feodorovna and her daughters, the young Grand Duchesses.\nMrs. John L. Pratt\nFebruary 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5416/28\nParasol handle of lapis lazuli and gold in hexagonal form.  Narrow strips of gold connecting with the collar, pointed alternately with diamonds and gold relief pattern in diamond effect.  Finished with a flat end of gold, the handle is suitable for use as a seal.  It is contained in its original case of green hand-tooled leather.\nOf Russian workmanship, in the style of Fabergé, it bears the master's initials \"AK\".\nMrs. John L. Pratt\nFebruary 20, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/16\nRare, jeweled flower fantasy in the form of a water lily spray, set in rock crystal,  carved to simulate a rectangular vase filled with water.  Beautifully modeled, blossoms and buds are carved in chalcedony; stamen clusters of gold are set with rubies of fine color.  The leaves, liquid in appearance and with natural veinings, are carved in Siberian nephrite.  Grouped together, these are supported on slender stems of gold of which the lower portion of which the lower branch is fully hallmarked with the complete name of the master-designer, Faberge, illustrious jeweler to the Imperial court of Russia.  Present also are the initials of one of his leading artists, Henrik Wigstroem, and with the numeral \"72\" denoting the Russian equivalent of 14kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 23, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/11\nIngenuous flower fantasy, finely detailed describing a Tibetian [sic] poppy.  Small buds and opening blossoms are fashioned in white chalcedony with peach tonings [sic].  The delicate stamens of gold, set with sapphires, cluster thickly in the fuller blown blossoms; centers are set with topaz.  Rhythmical stems rising from gold soil and finely worked sepals are in gold.  Carved in Siberian nephrite, the serrated leaves enclose the flower grouping.  A simulated tub carved in greyish-brown veined agate, is held with hoops of gold set with diamonds for the rivets.  \nAn extraordinary creation of Carl Fabergé, Imperial Russian master and illustrious designer in gems, the lower portion of the stem is hallmarked with his name in Russian; the initials of his able artist, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/4\nJeweled opium poppy, represented growing in a tub, designed by Carl Fabergé, Imperial Russia's greatest creator in gems.  Rising on sturdily modeled stalk of gold with blossom head full blown, it is delicately carved in amethyst.  A large cabochon Siberian amethyst, set in gold and red platinum, forms the heart of the blossom.  Surrounding this is a cluster of fine gold stamens pointed with diamonds.  The leaves are of extraordinary artistry.  Carved in Siberian nephrite, they follow the natural feeling of the growing plant.  The tub container is fashioned in brown-toned, striped agate.  Within this is soil of gold, and two gold hoops encircle the exterior.  Simulated rivets are diamond set.  \nThe stem is fully hallmarked with the complete name \"Fabergé\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/5\nLilies of the Valley\nEthereal flower creation developed in gems by Imperial Russia's foremost jeweler.  Tiny blossoms are delicately fashioned in quartz, with centers of gold.  Imbedded within gold soil in a container of brown veined agate, the blossoms and bands encircling the little tub are of 18kt. gold.  To this fact full hallmarks attest.  Present is the master's name \"Fabergé\"; the initials of one of his leading artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian [Imperial] Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5380/14\nDainty jeweled fantasy of a small hyacinth plant set in a little tub carved in white agate.  From the centers of the miniature blossoms of blue chalcedony appear gold stamens set with tiny emeralds.  Calyxes and leaves in realistic manner are of Siberian nephrite, and the stem isof [sic] 18kt. gold.\nThe lower portion of the stem, rising above the gold soil within a little tub, is hallmarked with the name of the master-designer, Carl Fabergé.  Present also are the initials of one of his ablest masters, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/12\nStalk of small asters, the blossoms carved in polished chalcedony, with gold centers, emerald set.  Calyxes are of green chalcedony, toning with the serrated leaves fashioned in Siberian nephrite.  The branch and extending short stems, joined irregularly with tiny leaflets, rise from a pot of jasper.  Wide gold bands encircle top and bottom of the container, the material of which, predominately brick-toned, shows platinum grains, throughout.  It may be noted that jasper and lapis lazuli from the Ural mountains frequently carried particles of precious metals.\nThe lower portion of the stem is fully hallmarked with the name, in Russian, of the master-creator of this little fantasy, \"Fabergé\".  Present also are the initials of one of his outstanding artists Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/11\nMiniature jeweled flower fantasy representing a rose plant imbedded in gold soil within a pot of grey-brown agate, banded in gold.  Bud-like blossoms of quartz surmount slender stalks of gold, realistically modeled in detail with thorns along their length.  Myriad small leaves in Siberian nephrite point upwards or cluster on drooping stems at the top of the container.\nThe little jeweled object, created by Carl Fabergé, eminent jeweler at the court of St. Petersburg, is fully hallmarked with his name; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5413/3\nRare, jeweled flower, fantasy, representing a branch of Queen Anne's Lace, imbedded within gold soil in a pot fashioned of dark red jasper, inclining gracefully to one side, the flower head is developed in platinum, pointed with diamonds on sturdy pedicels of gold.  The flower calyx is in chalcedony.  Gold stems bear small serrated leaves carved in nephrite, designed in perfect complement to the natural species.\nThe lower portion of the stem is fully hallmarked with the name \"Fabergé; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nOrange Blossom\nArticle No. RH-5380/10\nDelicately wrought flower fantasy created by Carl Fabergé, world famed court jeweler to the last two Tsars of Russia, Aleksandr III and Nikolai II.  Fashioned with consummated [sic] artistry, the buds and blossoms in chalcedony surmount a slender, curved stem of gold on which startingly [sic] realistic leaves appear, carved in Siberian nephrite.  Five of these cluster at the top and a large one is joined near the base of the stem, at the point where it is immersed in simulated water.  The little vase is ingeniously fashioned of rock crystal.\nFull hallmarks include the name \"Fabergé\"; the initials of one of his ablest artists, Henrik Wigstroem, and the numeral \"72\" denoting the Russian equivalent of 18kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nMrs. John L. Pratt\nFebruary 24, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/5\nFigure of a heron carved in blue-gray smoky agate, with legs and splayed feet of red gold.  The eyes are set with diamonds.\nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it was executed by one of his foremost artists, Henrik Wigstroem.  The bird shown upright, in resting position, carries one wing slightly higher than the other.  Sensitively modeled, fine detail of feathers and general form is evident.  Rhythmic in line, the little sculpture is a particularly beautiful example of the designer's individuality of expression.\nFully hallmarked, it bears the full name, \"Fabergé\"; initials of his workmaster Wigstroem; and the numeral \"72\" denoting the Russian standard of 18kt. gold.\nFrom the collection of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.VD-5399/4\nFigure of a \"Teterev\", wood grouse carved in black obsidian with eyes of diamonds, legs and claws fashioned in red gold.  The plump body is modeled smoothly and realistically described by restrained carving which suggests the feathered formation.  The bird is posed looking alertly to one side, with head inclined attentively and tail feathers raised.  \nCreated by Carl Fabergé, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia, it is hallmarked with his name and initials of his leading master, Henrik Wigstroem.  Present also is the numeral \"72\", denoting the Russian standard of 18kt. gold.\nFrom the personal quarters of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5408/16\nFigure of a Russian bear, smoothly carved in rock crystal, in standing posture.  Modeled with rare fluency of form and subtly detailed the little animal is shown with four [sic?] paws upraised and head turned to one side.  A striking feature of this beautiful sculpture is its perfect equilibrium notwithstanding the fact that the heavy body inclines forward.\nIt was designed by that master-creator in gems, Carl Fabergé, jeweler at the court of St. Petersburg during the reigns of the last two Tsars of Russia, Aleksandr III and Nikolai II.\nMrs. John L. Pratt\nMarch 3, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH845/1\nLocket and chain of solid gold.  The locket, oval in shape, encloses a plaque of pearl-white transparent enamel inlaid on a ground in sunburst and star design, framed within a scrolled pattern.  Applied to the enamel is a raised flower of gold, the petals of which are set with three rubies and three diamonds.\nIt was designed by Carl Fabergé, celebrated court jeweler to Tsar Nikolai II, and is hallmarked with the initials of his workmaster; the wreathed head of the government assay office; the initials of the silver inspector and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.  The chain of alternating smooth and etched oblong links, fashioned also by the court jeweler, is hallmarked with the initials of his workmaster \"H(?)V\".\nFrom the apartments of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Alexsandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nMarch 15, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.3531\nNineteenth century mahogany cabinet in French classic style, carved and ornamented with bronze mountings.  \"Espagnolettes\" form decorative motifs on portions of the frameworks.  Gracefully proportioned, it is fitted with removable glass shelves.\nDuring the twenty years previous to the Revolution, the style of French furniture reached a high standard of artistic excellence, both in design and execution.  This phase continued and produced a fine influence on the furniture of the next period, extending itself, as well, to the development of gracious furniture types in other countries.\nMrs. John L. Pratt\nMarch 17, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5454/3\nIntriguingly designed pendant in the form of a Russian Easter egg, suspended by two chains from a large loop.  Of solid gold, and fashioned to open midway on a small hinge, the six-pointed star ornamenting the top is set with a ruby and eighteen rose diamonds.\nDesigned by Carl Fabergé, Imperial Russia's greatest court jeweler, this little pendant charm was made for one of the young Grand Duchesses, daughters of the late Tsar Nikolai II.  It was found in the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. 5448\nUnusual, small parasol handle designed by Carl Fabergé, executed in his finest manner.  The ball top is fashioned in jade, the handle stick of gold is overlaid with blush-pink transparent enamel on a ground tooled in swag effect.  Two delicate fillets of gold, set with finely matched pearls, frame this portion.\nIt is contained in the original box of hollywood, stamped with the master's insignia beneath the double-headed eagle of royal appointment.\nOf great charm and simplicity, the little object was made for one of the daughters of the late Tsar Nikolai II.  It is from the children's apartments in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1938\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/12\nFigure of a polar bear carved in white granite, the eyes set with faceted emeralds of brilliant hue.  With teeth bared and head thrust forward, the animal seems to present a resistant front to some invisible enemy.  Heavy legs and paws and cumbersome body are well delineated, and the fur subtly handled.\nDesigned by Carl Fabergé, famous jeweler to the late Russian Imperial family, it was executed by one of his most talented stone carvers, Kremlev the Younger.\nFrom the apartments of Tsar Nikolai II in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No.5449\nFigure of a Dachshund carved in black Ural agate, lightly veined in red.  The little sculpture, smoothly executed and rhythmic in line, is shown in seated posture.  The eyes, set with diamonds, glisten in the finely modeled head and convey an expression of keen awareness, as well as that of patient watchfulness.  An appealing note is found in the left forepaw: the deep hued agate in which the entire body is carved, assumes a definite toning here, and the forefoot, consequently, is of grayish-tan color.\nDesigned by Carl Fabergé, Old Russia's illustrious jeweler for Tsars Aleksandr III and Nikolai II, and made for the Dowager Empress Marie Feodorovna, this is one of his exceptional animal sculptures.  It is contained in the original box of hollywood, velvet and satin lined, and stamped with the insignia of the royal jeweler beneath the double-headed eagle of royal appointment.\nFrom the apartments of the Dowager Empress in the Anitchkov Palace.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-1842/8\nCrouched figure of a cat gracefully carved in white transparent Ural stone, the eyes set with faceted sapphires.  There is a feeling of concentrated watchfulness in the rhythm of the body.\nIt was designed by the celebrated jeweler to the late Tsar's family, Carl Fabergé, and was executed by his able stone carver, Kremlev the Younger.\nFrom the collection of the Grand Duchess Olga Nikolaevna, eldest daughter of Tsar Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nApril 19, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle No. RH-5409/25\nGraceful figure of an ostrich, realistically carved in Siberian striated [sic] brown agate, with eyes set with emeralds and legs modeled in gold.  It stands on a plinth of giallo marble.  The body is beautifully executed in full detail.  Feather formation follow [sic] the natural veinings in the stone and the neck, rising arched, developed in the lighter-toned portion, is etched to show the smallest feather form.  \nIt was created by Carl Fabergé, world-famed jeweler to the Imperial family of Russia, court jeweler and designer in precious substances to nearly all the royal houses in Europe and Asia.\nMrs. John L. Pratt\nJune 1, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nROOSTER\nTiny, exquisite figure of a Rhode Island Red rooster, carved from a piece of veined gray and brown agate.  The natural coloring of the stone is admirably suited to representing the coloring of this famous chicken.  Each of its eyes is set with a sparkling diamond, and its feet are delicately fashioned in solid gold.\nThe rooster was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented young sculptor, Kremlov.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nJADE COUPE\nMagnificent cylindrical coupe wrought from a single piece of spinach jade.  The vessel is supported on a tripod base formed by three powerful sea horses [sic], superbly modeled in gold and silver.  A pierced gold band, displaying a design of dolphins and set with cabochon rubies and sapphires, rims the top.  Surmounting the domed cover of jade is a gold trident, beneath which is the head of Neptune, two female heads and a cabochon ruby and sapphire.\nThis distinguished objet d'art was designed by Carl Faberge, celebrated court jeweler to Nikolai II and is hallmarked in Russian with his full name; the initials of his workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; the number \"88\" indicating a fine quality of Russian silver; the device of the St. Petersburg assay office, crossed anchors and scepter; and the original order number of the court jeweler, 2017.\nMrs. John L. Pratt\nSeptember 25, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm in the form of a bear, carved from real opal, suspended from a gold link.  He is standing on four paws and his eyes are set with cabochon rubies.\nThis little animal was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and was executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBEAR CHARM\nTiny charm of a bear exquisitely carved from real amethyst and suspended from a gold link.  He is standing on his hind legs, and his eyes are set with small cabochon rubies.  \nThis charm was designed by the celebrated court jeweler to Nikolai II, and executed by his talented stone carver, Kremlov.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVASE\nSmall, oval vase carved in brown and white veined Ural agate.  The bowl is separated from the skirted foot by a band of finely matched turquoise set between two fillets of repousse [sic] gold.\nThis exquisitely graceful object was made in the Imperial Grinding Factory in Peterhof.  This factory was owned and operated exclusively by the court.\nFrom the quarters of Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold decorated with vertical sections of transparent ruby enamel, separated by fillets of transparent pearl enamel.  Each section has a dainty leaf design, giving the decoration a Persian feeling.\nIt is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nCharm in the form of three tiny Easter Eggs, suspended from a bar.  The eggs are of chrysophrase, agate, and reconstructed turquoise, while the gold bar is set with three cabochon rose tourmalines, alternating with two pearls.\nIt was designed by the celebrated court jeweler to Nikolai II, Carl Faberge, and is hallmarked with \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head of the government assay office (indistinct).\nFrom the quarters of the Grand Duchess Anastasia Nikolaevna, youngest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual charm in the form of an Easter Egg.  It is made up of two halves of Siberian amethyst, separated by a band of faceted rock crystal and held together on an axis of gold.\nIt was created by the celebrated court jeweler to Nikolai II, Carl Faberge, and the gold link is hallmarked with the initials of his assistant master \"PK\", and the number \"56\" denoting the equivalent of 14 kt. gold.  Since it was originally brought from Russia into France, it bears the French inscription mark \"ET\".\nFrom the apartments of the Grand Duchess Tatiana Nikolaevna, second daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nMiniature Easter Egg designed as a pendant charm, of gold-on-silver, the surface hand-tooled.  The swam motif modeled in relief, encircled within a modeled form, ornaments one side.\nLoops from which it is suspended are hallmarked, but the devices through years of wear have become less distinct.\nDesigned by Carl Faberge, court jeweler to the last two Tsars of the Romanov Dynasty, it is fashioned like those which he made expressly for the young Grand Duchesses, daughters of Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\u003c/p\u003e\n","\u003cp\u003eFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg pendant of gold, set with sapphires and diamonds in a connecting design resembling three medallions suspended from triangular ribbon pieces.\nIt is surmounted by two loops, one of which is hallmarked (indistinctly).\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nEaster Egg pendant of gold, decorated with transparent sapphire blue enamel over a field of delicate guilloche [sic] work.  It is set with a large diamond on one side and a small one at the bottom.\nThe loop is hallmarked with the number \"56\" denoting the Russian equivalent of 14 kt. gold and, indistinctly, with the initials of the master.\nDesigned by Carl Faberge, illustrious Russian court jeweler, the little charm is characteristic of those which he made expressly for the young Grand Duchesses, daughters of Tsar Nikolai II.\nMrs. John L. Pratt\nOctober 2, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nSILVER VASE\nVase of hand-wrought silver in Empire style, designed by the celebrated court jeweler to Nikolai II, Carl Faberge.  Standing on three claw feet, its sides are decorated with as many antique Russian coins, one of Empress Anna, dated 1712, one of Peter III, dated 1762 (he was the husband of Catherine the Great and ruled only one year), and one of Catherine the Great, dated 1764.  The bowl is outlined with a tiny twisted motif, while the upper rim is in acanthus leaf design.\nIt is hallmarked with the full name of the court jeweler, \"2K. Faberge\" beneath the double-headed eagle of royal appointment; the initials of his assistant workmaster \"AW\"; the number 88 denoting the quality of Russian silver; and the wreathed head device of the government assay office.  It also bears the jeweler's original order number #24066.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nINK WELL\nMagnificent inkwell of spinach jade, gold, silver and transparent enamel in the classic Empire style characteristic of many of the finest works of Carl Faberge, Russian court jeweler.  The base of Siberian nephrite is smoothly modeled down straight sides and under surface.  The collar of champ-leve [sic: champlevé] pearl -white enamel on a guilloche field designed in undulating effect is rimmed in gold motif.  Heavy gold swags in in the same feeling depend from this over the top surface of the bowl.  The hinged lid is vibrant with champ-leve [sic: champlevé] amethyst and pearl-white enamel in alternating bands, on guilloche fields identically designed with the collar.\nWithin the lid of gold-on-silver appear the hallmarks which include the Russian name of the master creator, Faberge; the Russian initials of his workmaster, F. Afanasaiev, the number \"88\" denoting the quality of Russian silver; and the wreathed head device of the government assay office.\nThe object is from the famous jade collection of Agathon Faberge, illustrious son of the jeweler, known throughout Europe during the Imperial regime as one of the greatest gem experts of the world.\nMrs. John L. Pratt\nDecember 4, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOCKET\nUnusual ball-like locket made from choice Siberian lapis lazuli and mounted with corded lattice work in gold.  Opening in half on a hinged lid, one side is equipped with a hinged glass miniature frame.\nThis locket was acquired from the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold and enamel created by Carl Faberge[sic], eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  The egg-shaped top has a field of guilloche work applied with mauve champ-leve [sic: champlevé] enamel, favorite color of the Tsarina Aleksandr Feodorovna.  This is decorated with a spiral effect of diamonds, terminating in a large diamond at the top.  The wide neck of yellow champ-leve [sic: champlevé] enamel is banded by two fillets of diamonds and is mounted with swags of green and red gold tied with diamonds.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle of gold in graceful tapering shape, created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II, Carl Faberge.  The sides and top are divided into five sections of rose champ-leve [sic: champlevé] enamel, with moss agate effects, over a field of guilloche work, and outlined in white enamel, each centered with a diamond.  The crown of the handle is rimmed with diamonds, and the top is set with a large diamond surrounded by small ones.  The neck, also of rose enamel banded with diamonds, is applied with criss-cross leaf motifs, each set with a diamond.\nIt is hallmarked with the initials of Faberge's [sic] leading workmaster, Mikhail Perchin; the number \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBULLDOG\nFigure of a bulldog cared in obsidian and designed by Carl Faberge, eminent jeweler to the Imperial Court of Tsars Aleksandr III and Nikolai II of Russia.  The dog's brilliant eyes, each set with a diamond, and his life-like expression, are a lasting tribute to the genius of Faberge.  Around his neck is a white enameled, gold collar from which is suspended a tiny bell.\nThe loop on the collar is hallmarked with the initials of Heinrich Wigstroen, successor to Mikhail Perchin as Faberge's [sic] leading master.  It also bears the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the wreathed head device of the assay office.\nFrom the collection of Prince Aleksandr Romanovski, Duke of Leuchtenberg.\nMrs. John L. Pratt\nDecember 6, 1939\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nParasol handle fashioned in 18 kt. gold, applied on a guilloche ground with long panels in champ-leve blue enamel.  Separations between these, and collars circumscribed top and base, are patterned in small flower and leaf effect, the motifs executed in transparent ruby and emerald enamel.  A faceted diamond is set in the circular top and this is enclosed within the three tones of transparent enamel bordered in gold.\nThe object was created by Russia's eminent court jeweler, Karl Faberge, famous throughout the world as the greatest creator in gems of modern times.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest masters, Henrik Wigstroem; the numeral \"72\" denoting the Russian standard of 18 kt. gold; wreathed head device of the government assay office; and the Russian initials \"YL\" of the government inspector.  Present also is another assay device, nearly obliterated through wear.\nFrom the Imperial Russian Collection.\nNumber 5450-6\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nLong parasol handle of spinach jade, gold, and enamel.  The smoothly formed top is finished with a wide collar of red and green gold applied with opaque white enamel and red-carnelian champ-leve enamel on a guilloche undersurface.  This is rimmed in fluent wreath effect in the characteristically classic manner of its maker, Karl Faberge, eminent court jeweler to Tsars Aleksandr III and Nikolai II of Russia.\nThe object is hallmarked with the Russian initials of one of the master's artist-assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and the device of the St. Petersburg assay office, crossed anchors and sceptre.\nNumber 5625-11\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPARASOL HANDLE\nRhythmically shaped parasol handle of finely carved jade, mounted in solid gold and set with numerous diamonds in leaf-veining effect following the movement of the carving.\nIt was made by the Court Jeweler to Tsar Nikolai II, Karl Faberge, outstanding craftsman of the last fifty years, and illustrious court master to the late sovereign and his father, Aleksandr III.  His full name appears on the object, together with the initials of one of his foremost masters, Mikhail Perchin.  It is also marked with Faberge's original order number, #1225.  The handle is contained in the original white hollywood box.\nFrom the apartments of the Tsarina Alexandra Feodorovna, wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber #E23\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nGLOBE\nTerrestrial globe fashioned of remarkably clear topaz, intricately carved with a map of the Earth and its great divisions.\nIt rests on a solid gold tripod, nested in the base of which is a compass.  The frame-stand is encircled with a wide gold rim band engraved to show the units of longitude reckoned 180 degrees East to West or 15 degrees to the hour, the months of the year inscribed in Russian, and the corresponding signs of the Zodiac.  \nPoles are represented by small gold markers engraved with the hours of the day, and these attach to the latitude indicator measuring the distance on the earth's surface northward and southward from the Equator.  Hinged to this is the terrestrial Meridian index.\nA rarity even among the exceptional objects of fantasy and the bibelots created by Karl Faberge, illustrious Court Jeweler to Tsars Aleksandr III and Nikolai II of Russia, the piece is hallmarked with the initials \"EK\" of the master's leading goldsmith, Edward Kollin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre, device of the St. Petersburg assay office.\nFrom the Imperial Russian Collection.\nNumber 5550-1\nMrs. John L. Pratt\nJanuary 5, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nDainty, rectangular frame of gold-on-silver with mauve champ-leve [sic: champ levé] enamel on a guilloche field, in basket weave design.  The oval aperture is rimmed in a fillet of gold set with pearls.\nThe frame, bordered with a continuous laurel leaf design in green gold, and delicately enhanced by the subtle color it encloses, is wrought in the finely characteristic style of the master.\nThe object is signed with the full name, in Russian, of Karl Faberge, celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  Frequent also is the number \"88\" for the Russian quality of silver; the Russian initials of Faberge's assistant master, Mikhail Perchin; device of the St. Petersburg assay office, crossed anchors and sceptre; and the jeweler's original order number #57700.\nThe object is backed with ivory and has an easel as well as a hook for hanging.\nFrom the apartments of the Tsarina Alexandra Feodorovna , wife of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber RH1698-100\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPANSY\nBeautifully composed spray of pansies, featured in rock crystal, fashioned to represent a small vase filled with water.  On a single stem of gold, three branchlets [sic] divide, each topped with a blossom carved in golden-hued and carnelian agate.  Petals, engraved with simulated veinings,[sic] curl realistically, held by calyxes of gold, and centers are set, each with a diamond.  Nephrite leaves group mainly along one long branchlet,[sic] reaching toward the light in their ascent.\nKarl Faberge, Russian court jeweler to the last two sovereigns of the Old Empire, created the little fantasy.  It bears his name in Russian; initials of one of his ablest assistants, Henrik Wigstroem; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and an assay device, in all likelihood that of St. Petersburg, now obscured.\nNumber 5509\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVERBENA\nDainty flower form created by Karl Faberge, Imperial Russia's most illustrious designer in gems.  Fashioned as a small verbena plant, the tiny blossoms are carved in chalcedony and white quartz, the centers pointed with diamonds.  These are joined to the gold stem by pedicels of gold.  Leaves are in Siberian nephrite.  The little tub, within which the plant is imbedded in gold soil, is of brown veined agate.\nLower portion of the stem is fully hallmarked with the complete name of the master in Russian, \"Faberge\"; the initials of one of his ablest artists, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.  \nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-6\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nBUTTERCUP\nJeweled flower fantasy of buttercups with three blossoms fashioned in translucent yellow agate, with stamen centers, diamond set.  Rising on graceful, slender stalks of gold, their serrated leaves, carved in Siberian nephrite, thrust upward through the gold soil in a container of Siberian lapis lazuli.  This rests on a square plinth of white jade.\nThe lower portion of the stem is hallmarked in full with the complete name, \"Faberge\"; the initials of one of his ablest workmasters, Henrik Wigstroem; and the number \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nNumber RH5380-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLILIES-OF-THE-VALLEY\nDelicately wrought lilies-of-the-valley with blossoms in translucent white chalcedony with gold centers, drooped on long stems of gold, from the base of which rise leaves in nephrite.  The little fantasy rests within rock crystal fashioned to represent a vase filled with water.\nThe object was created by the celebrated court jeweler to Tsars Aleksandr III and Nikolai II of Russia.  It is fully hallmarked at the base of the stem with the master's full name in Russian, \"K. [struck through] Faberge\"; the numeral \"72\" denoting the Russian equivalent of 18 kt. gold; and the initials \"HW\" for Henrik Wigstroem, one of Faberge's ablest workmasters.\nNumber RH5380-9\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nPRIMROSE\nGraceful flowering primrose branch rising from a rectangular vase carved in rock crystal.  The container is designed in such a manner that it has the appearance of being filled with water.  Full blown flowers are in carnelian-toned agate, stamen clusters of gold surrounding brilliant centers set with diamonds.  The leaves, carved with rare finesse are in Siberian nephrite, and stems are made of 18 kt. gold.\nKarl Faberge, Imperial Russia's greatest court jeweler, designed the extraordinary fantasy.  It is fully hallmarked with his name in Russian; with the initials of one of his ablest workmasters, Henrik Wigstroem; and the numeral \"72\" denoting the Russian equivalent of 18 kt. gold.\nFrom the collection of a member of the Russian Imperial Family.\nRH5413-2\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nHUMMING BIRD\nExquisitely carved figure of a humming bird with extended wing, resting on a high perch.  It was created by Karl Faberge, world-famed court jeweler to Aleksandr III and Nikolai II of Russia.\nFormed in smoky-toned translucent agate, the little figure is modeled with simplicity and fine attention to necessary detail of feathers and expression.  The eyes are set with diamonds.  The perch on which it rests is of 18 kt. gold, the horizontal bar being finished at either end with a cabochon sapphire and a circlet of diamonds.  Where the verticle [sic] rod joins purpurine base, banded and footed in gold in characteristic style of the master, it is encompassed by a collar of opaque and transparent enamel in white and pale tangerine.\nRendered indistinct through the years, are the hallmarks which appear on the under rim of the base.  These include the numeral \"72\" denoting the Russian standard of 18 kt. gold; and the initials \"HW\" for the Court Jeweler's notable workmaster, Henrik Wigstroem.\nThe composition known as purpurine is associated, if not entirely, at least most closely with the work of Faberge.  It was he who discovered the process whereby the fusing of porcelain and glass resulted in the extraordinary rich, red color.  The substance results, more often than not, although in a few of the rarest pieces, such as the one described above, the composition is smooth.\nNumber RH5408-14\nMrs. John L. Pratt\nJanuary 9, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nDACHSUND [sic]\nBeautiful, detailed figure of a dachshund, created by Karl Faberge, illustrious court jeweler to the monarchs of Europe and Asia, and especially to the last two Tsars of Russia.  It is carved in fine, brown agate.\nEach movement of the little body, subtly expressed, contributes to the whole rhythmical form.  The eyes are set with cabochon rubies.\nNumber 5478-5\nMrs. John L. Pratt\nJanuary 10, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG PENDANT\nImperial Russian Easter Egg pendant carved of pink orletz, known as eaglestone, found in the Ural mountains.  It is mounted in gold with an abruptly bent loop pinioned to either side of the top.  Through this passes a second large loop for hanging.\nCreated by Karl Faberge, illustrious court jeweler to the last two Tsars of Russia, it is hallmarked with the initials \"AD\" of one of his workmasters, and with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nIt is from the collection of the Grand Duchess Marie Nikolaevna, third daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5625-3\nMrs. John L. Pratt\nJanuary 24, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCOIN\nLarge commemorative medallion heavily wrought in silver, featuring Queen Victoria of the British Empire on its cover with the inscription \"Victoria Regina Imperatrix\" – Victoria, Queen and Empress.  The back is modeled in relief with figures of Greek mythology, and with shields of the continents massed on the lower edge entitled \"Asia\", \"America\", \"Europe\", \"Austral-Asia\", and \"Africa\".  Marvelously fashioned to conceal all but a vestige of the device by which the hinged lid opens, the piece contains two oval miniatures of Queen Alexandra and King Edward VII of England as Princess and Prince of Wales, hand-painted on ivory and framed with elaborate mounts of gold.  These include the plumed crown of the Prince of Wales and ribbons bearing the inscription \"Ich Dien\" – I Serve, motto significant of the Hanoverian line of the British Royal House.  \nThe cover of the piece is marked with the initials of the artist, \"JEB\".  It is of English workmanship and was made by the firm of \"George Edward \u0026amp; Sons\", Silversmiths by Appointment to the British Court.  It is contained in the original red velvet case.\nNumber 5450-17\nMrs. John L. Pratt\nJanuary 31, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG\nImperial Easter Egg of rose quartz.  It was polished in the Imperial Grinding Factory in Peterhof which was founded by the Empress Elizaveta Petrovna.  At the larger end is found a magnificent star similar to that of a star sapphire.\nIn Imperial Russia the Easter Egg was of the greatest significance, symbolizing as it did the Resurrection and beginning of life and hopefulness.  During the festival of Easter, the year's greatest elaborate and simple eggs were given by all orthodox believers.\nThis egg of rose quartz was the property of Grand Duchess Olga Nikolaevna, oldest daughter of Nikolai II, in the Aleksandr Palace, Tsarskoye, [sic] Selo.\nNumber RH-5332-17\nMrs. John L. Pratt\nFebruary 6, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nVIOLET\nJeweled violet fashioned in 18 kt. gold, the diamond-centered blossom naturalistically textured with an overlay of matte enamel, leaves wrought in Siberian nephrite.  Resting in its vase of rock crystal carved to represent a tiny tumbler filled with water, the flowerette [sic] inclines gracefully on its slender stem as if borne to one side by the weight of its petals. \nMady [sic] by Karl Faberge, illustrious court jeweler and in the master's best style, the little fantasy bears the assay mark of London in which city it was found.\nNumber 5756-19\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nPendant charm in the form of an Imperial Easter Egg of gold, applied with champ-leve [sic: champ-levé] ruby enamel on a surface tooled to represent a leaf form, and alternating sections in ultramarine blue enamel.  The four portions are banded with diamonds crossing at the underside and fashioned at the top with a double loop for hanging.\nMade by Karl Faberge, the larger of the loops is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and initials \"BF\" of one of the master's assistants.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent the most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-4\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nDelicately worked Imperial Easte[r] Egg charm of fete-ui mounted in gold and set with diamonds and rubies.  Describing a shower of tiny flower blossoms, small traceries in the precious metal depend rhythmically from a central repousse form at the top.\nTwo loops for hanging are hallmarked with the device of the workmaster \"MP\" for Mikhail Perchin, assistant of the illustrious court jeweler, Karl Faberge; and the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nExquisitely hand-wrought small double picture frame of a thin solid slab of Siberian nephrite mounted with motifs of the Empire period.  Above the rectangularly cut apertures, enframed in pearls, is a long floral swag developed in several tones of gold and set with cabochon rubies.  The central design shows a graceful  flower basket which depends from a triple bowknot.  A similarly fashioned classical design with long pole terminating with the traditional pineapple suggestion, is centered with a flowing ribbon.  The squared openings are backed in mother-of-pearl, and the little piece rests on an easel wrought in gold-on-silver.\nCreated by Karl Faberge, it is fully hallmarked with the master's name in Russian; with the numeral \"88\" denoting the standard of Russian silver; the wreathed head device of the government assay office; and Russian initials \"YA\" of the official inspector.\nNumber 5777-8\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nTABLE BELL\nSmall table bell of red gold, designed in cupola form with tapering oval handle.  \nSole ornamentation consists of horizontal ridges which encircle the entire piece.  Producing a musical note as it strikes the side of the bell, the clacker is modeled as an elongated drop.  \nThe little piece was fashioned by Karl Faberge, jeweler to the last two sovereigns of Old Russia, and is hallmarked with the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; crossed anchors and sceptre device of the St. Petersburg assay office; and with the initials of one of the master's assistant goldsmiths.\nNumber 5839-12\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame of a solid slab of translucent jade, mounted in two tones of gold with ornamental border and radiating stripes from an inner oval framework.  Containing the photograph of the small daughter Ireene of Prince Felix Youssopoff, it is exquisitely worked in the best style of the great court jeweler, Karl Faberge.  Mount designs include small four-petaled open blossoms, a twisted cabling and an alternating concantenate [sic] border within the outer edge.  \nDesigned with an ivory and gold back for resting on a table or hanging, the piece is hallmarked with the initials of one of the master's leading assistants, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.\nNumber 5839-9\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nTiny double, gold frame, hand-wrought with incised stylized borders and a tooled ground on which is applied transparent pearl-white enamel.  It contains portraits of Tsar Nikolai I of Russia in uniform, decorated with various orders of knighthood, and his wife, the Tsarina Aleksandra Feodorovna who also wears one of the star orders of the Empire.  Each of the sovereigns is portrayed wearing the blue ribbon of the Order of St. Andrew.  Finely executed, these are set off by interior oval frames in the manner of the border.\nThe object rests on a gold easel and is backed in ivory.\nNumber 5840-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nFRAME\nSquare picture frame fashioned to contain a miniature.  Hand-wrought in gold and applied on a guilloche field with transparent enamel in rich cobalt blue, the outer frame is developed in two tones of gold with a running border of leaves, and the inner fillet is bordered in pearls.\nThe piece, made by Karl Faberge, jeweler to the last two Tsars of Russia, is finely hallmarked with the master's full name in Russian; with the initials \"MP\" of one of Faberge's ablest associates, Mikhail Perchin; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of St. Petersburg.  The object bears as well the original order number, 58898.\nIt is backed in ivory and provided with a gold easel rest and a loop for hanging.\nNumber 5808-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nKOVSH\nCommemorative kovsh, smoothly modeled in red gold, featuring the Imperial double-headed eagle in diamonds on the prow.  Engraved within the border, fine old Russian stylized motifs are incised on the highly polished surface.  In the base, engraved within a heavy laurel wreath in repousse, a five ruble yellow-gold coin of Catherine the Great bears the Empress' portrait and, on the underside, the date \"1776\".  \nThis rare objet d'art was created by Karl Faberge and executed by his leading gold master, Edward Kolin.  Underside of the prow [lined through] handle bears, together with the jeweler's original order number #4297, the following hallmarks: the initials of the workmaster; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and crossed anchors and sceptre device of the St. Petersburg assay office.  \nNumber 5756-18\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nCHICK\nBaby chick, skilfully [sic] carved in richly-toned rose jasper with feet modeled in 18 kt. gold.  The eyes are set with cabochon rubies.\nCreated by Karl Faberge with fine expression of form and subtle line, this little object exemplifies the perfection of detail and ingenuous appeal which the master brought to the art of stone cutting.  \nFully hallmarked, it bears the number \"72\" denoting the Russian equivalent of 18 kt. gold; wreathed head of the government assay office; initials \"TL\" of the government inspector; and initials of the workmaster \"HW\" for Henrik Wigstroem.\nPresent also is the original blue enameled number, G21632, under which it was inventoried in the Gatchina Palace.\nNumber 5791-10\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg finely wrought in gold, hand-tooled and overlaid with orchid-pink champ-leve[sic: champ-levé] enamel and set with diamonds and a cabochon emerald.  Fashioned in panelled [sic] form, with diamond bands separating the enameled portions enhanced each by a stylized spray of gold laurel, the cabochon gem stone is featured in the based enframed [sic] in diamonds.\nIt was designed by the celebrated court jeweler, Karl Faberge.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nHandsome Easter Egg pendant of gold designed with oval medallions mounted with minute flower forms.  These, pointed with pearls and diamonds, are enhanced by vibrant enamelling [sic] in grotto green and old red.  Opaque white borders each of the four medallions.  The base is finished with a tiny pearl and the top with two loops for hanging.\nMade by Karl Faberge, both of these bear hallmarks including the numeral \"56\" denoting the Russian equivalent of 14 kt. gold and insignia, obscured, of the workmaster.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-5\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nUnusual Easter Egg charm designed as a locket to open by means of pressure on the tiny diamond thumb piece set in the base.  Of gold, overlaid with opaque white enamel streaked with swirls of pink to represent a rosebud, brilliant green enamel on a guilloche ground forms intricate patterns in repousse over the bud form to suggest the tendrils of a wild rose.\nIt was created by Karl Faberge, Russian court jeweler, and executed by one of his most illustrious assistants, Mikhail Perchin, who initials, in Russian, appear on the larger of the two loops.  Present also, but nearly obliterated through wear, is the numeral \"56\" denoting the Russian equivalent of 14 kt. gold.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 5903-6\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nEASTER EGG CHARM\nImperial Easter Egg charm of gold and sky-blue enamel set with a piece of rose quartz cut en cabochon.  Girdled with a fine gold band, the upper portion, terminating in a point, is hand-tooled beneath the enameled surface in delicate basket weave pattern.\nSurmounted with loops for hanging, the larger of the two is hallmarked with [in right margin a circle with slash through it and capital \"A\"; next text up to semi-colon appears to be lined through] the name of the Russian court jeweler Karl Faberge; the numeral \"56\" denoting the Russian equivalent of 14 kt. gold; and certain other marks, partly obliterated through wear.\nThese miniature Easter Eggs, looked forward to each year by the younger members of the Imperial household, represent most intricate and elaborate workmanship.  Enlarged, many of them would be as compellingly beautiful as the Gift Egg presented each year to the Tsarina and the Dowager Empress.  The Grand Duchesses used them as charms, as pendants, for \"bangles\" on bracelets, or suspended from thin gold chains in the manner of necklaces.\nNumber 6201-1\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nLOBSTER CHARM\nUnique charm modeled in gold and applied with transparent lacquer-red enamel on a tooled field, in the form of a lobster claw.  Characteristically jointed, the pincer end holds a faceted diamond in a prong setting.  It is surmounted by double loops for hanging.\nOriginally designed as a stick pin, this interesting charm was made by Karl Faberge, jeweler to the late sovereigns of Russia.\nNumber 5870-3\nMrs. John L. Pratt\nDecember 4, 1940\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\u003c/p\u003e\n","\u003cp\u003eLOT #1189 – ARTICLE #8\n\"PORTRAIT OF ANDREW JACKSON\"\nBy: Ralph E. W. Earl\nAmerican………………….XIX Century\nThe expert on American portraits, Mr. Albert Rosenthal states: \"Andrew Jackson, by E. W. Earl.  This unusual and interesting decorative canvas of the hero of New Orleans adds an unique portrayal of this outstanding figure in American history.  Its painter had opportunities for an intimate study of his subject, having practically been a member of the family through his marriage to the niece of General Jackson.  He represents his subject in a heroic and dramatic way and caught him in action both in the movement of the body and of facial expression.  The portrait is in exceedingly fine condition.\"\nThis excellent portrait, of great American historical importance is dated at lower left, 1823.\nIt was acquired from Plaza Art Auction Galleries, New York City, January 25, 1935. (C. Michaelson Sale)\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg\nVirginia\nJanuary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nHAMMER GALLERIES\n682 FIFTH AVENUE – NEW YORK\nLOT #505 – ART. 6\nMARINE PAINTING ON CANVAS\n\"THE AMERICAN PACKET SHIP 'DREADNOUGHT'\nOF NEW YORK\".\nBy: James Wilson Carmichael\nENGLISH-1800-1868\nFrom the William Randolph Hearst collection of works of art and furnishings, acquired over a period of fifty years, and consisting of objects from every familiar category of art, covering almost every country and period from 2000 B.C. to the end of the 19th century.\nThis vast and distinguished group of objects owned by the International Studio Art Corporation, eminently rich in content, as a whole forms an impelling and unified pattern despite its wide diversity, making it worthy of a large museum; and it is as evident that individual pieces will, by their abundant beauty and appeal, serve the harmonious purposes of use and enjoyment in the modern home.\nMrs. John L. Pratt\nFredericksburg, Va.\nFebruary 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nMINIATURE IN FRAME\nSmall, round, gold frame by Faberge, wrought in exquisitely delicate form and ornamented with haut-relief floral swags, a spray of laurel and a graceful bowknot.  It contains a beautifully painted miniature on ivory of the late Queen Alexandra of England, sister of the Dowager Empress, Marie Feodorovna of Russia.  This is immediately enframed [sic] within a rim of red cisele [sic] gold, and an outer gold rim is finely engraved to finish the piece.\nProvided with a modeled gold easel and with a loop for hanging, the little bibelot of backed in ivory held by gold screws.\nIt is one of the characteristically superior works of the famed Russian court jeweler, Karl Faberge.\nFrom the collection of Prince Youssopoff.\nMrs. John L. Pratt\nFebruary 26, 1941\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nFLORENTINE RENAISSANCE BUST\nLorenzo the Magnificent gave to the period of the Renaissance such impetus and encouragement that they served as the brush [??] which [??] the renewed interest in Classical Art.\nLorenzo had his faults, but his love for gems and jewels was less a fault than a talent, for he gathered together one of the finest collections of carved stones and exquisite jewelry ever to be owned by one man, and because he was a collector of Classical Art, others imitated him and followed his example, thus creating a market for the lapidary and goldsmith's work which has never been equalled. [sic]\nA development from this effort to create unusual pieces of jewelry and decorative objects was the use of large baroque pearls in their natural form.  The jeweler eagerly bought these pearls and after recognizing in one the body of a swan, in another the torso of a man, or, as in the figure of the warrior, a well-molded [?] helmet, he proceeded to make a design that completed the picture which his imagination visuallized [sic] with the pearl.\nIt is interesting, therefore, in contemplating the beautiful statuette of the warrior, that the helmet-shaped pearl was in all possibility the inspiration for the subject.\nWe do not know for what aristocrat it was made; we simply know that only a man of fine taste and great wealth could have commanded such a piece from his artisans and that the latter were among the best of the Renaissance period.\nThe best is that of a bearded Greek warrior carved from a large matrix emerald, showing fine detail in portrayal and in execution; on the head the warrior wears a gold helmet covered with the pearl and topped with a winged dragon; the bust stands on four golden snails [??] and is brightened about the [??] with rose diamonds.  The plinth is of topaz quartz carved in cameo [??] with heads of warriors and a philosopher.\nThis piece was formerly a part of the well-known Henry Walters Collection.\nLillian Pratt\nJanuary, 1945\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nArticle #5324\nA nine-paneled, hinged screen closes to form this exquisite egg of solid gold.  Surmounting it is the symbol of Christianity, a pelican feeding her blood to her young, rising gracefully from a golden nest.  The pelican is enameled in pastel tones – the wings and eyes being set with diamonds.  On each panel is a painting by Zehngraf, on ivory, showing various institutes of which the Dowager Empress Marie Feodorovna was the patroness.  A fillet of gold, with an inner rim of pearls, frames each scene.  On the reverse side, reading from left to right, the panels are inscribed as follows:\n1 – \"Zenia Institute, founded in 1894\".\n\"Nicholai Orphanage, founded 1837\".\n2 – \"Patriotic Institute, founded 1827\".\n3 – \"Smolni Institute, founded 1764\".\n4 – \"Ekaterina Institute, founded 1798\".\n5 – \"Pavlov Institute, founded 1798\".\n6 – \"St. Petersburg Orphanage of Nicholai, founded 1837\".\n\"Elizabeth Institute, founded 1808\".\nA center panel which serves as an easel for the egg when opened is chased on one side with a grouping symbolic of the arts; and on the other side with a motif suggesting knowledge.  When closed, the egg shows an elaborate design in Empire style and bears the inscription \"Visit the vineyard and you will also live, 1797-1897\".\nThe gold stand has four columns surmounted with crowned eagle heads and finished with claw feet.  Between the columns is an interesting design made up of crossed arrows and laurel leaves.  This gift, contained in its original red velvet case, was created by the celebrated court jeweler to Nicholai II, Carl Faberge, and hallmarked with his full name; the initials of his leading workmaster Michael Perchin; the number \"56\" denoting the Russian equivalent of 14 karat gold; and the device of the government assay office.\nIt was presented to the Dowager Empress by her son, Nicholai II, Easter 1897.\nMrs. J. L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nTABLE\nOval tea table of mahogany with mirror and fine silver chased mountings.  A small oval tray, with pierced marquetry can be raised or lowered by regulating a latch beneath the table.\nThe silver mountings were made by the celebrated court jeweler to Nikolai II, Karl Faberge, and are designed in his typical Roman staff and ribbon motif.  The table itself was made in Paris by Escalier De Cristal, whose name is burned in the bottom.\nFrom the personal quarters of the Tsarina Aleksandra Feodorovna in the Aleksandr Palace, Tsarskoye Selo.\nNumber 5454\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle Nos. 5523-5524\nPair of icons depicting Saint Savior and \"Our Lady of Iberia.\"  They are painted on wood in warm coloring with artistically wrought trappings of gold on silver, set with Ural stones.  The Greek symbols on either side of the halos signify Jesus Christ and Mother of God respectively.\nThey were made by the court jeweler, Karl Faberge, master craftsman and designer and are all marked with his full name beneath the Double-headed Eagle of Royal Appointment, and the figures \"88\" which denote a very high quality of Russian silver.  The icons are backed with cerise velvet and are contained in the original boxes of Holly wood, lined with silk and velvet and are also marked with the name of the court jeweler.\nThese icons were made for the last Czar, Nicholai II, and were found in his quarters in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. 5846\nIcon of hand-hammered gold on silver depicting Saint Maria, Saint Nicholas, the Wonder Worker, and Saint Alexander Nevsky.  God the Father is represented in the Heavens above.  The oval frame is mounted at the top with the Holy Dove.\nThe icon was presented to the Czarevitch Nicholai Alexandrovitch, eldest son of Alexander II, who died before his father, thus permitting his younger brother, Alexander III, to succeed to the throne.  On the back of the icon is engraved: \"To His Imperial Highness, The Sovereign Heir, Czarevitch Nicholai Alexandrovitch, in honor of his confirmation, 1859.  8th of September.  This heartfelt offering from the Master of Silversmiths, Vasily Fedotov Ilyia, made by his own hand.\"\nFrom the quarters of the Dowager Empress Marie Feodorovna.  Bears the Alexander Palace inventory no. ADM 94735 A.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A68\nExtremely rare icon pendant with gold on silver mounting.  The medallion is very delicately hand-hammered and inlaid with richly colored enamel representing the Saint Savior Enthroned.  The Greek symbol of Jesus Christ appears on either side of the halo and the opened book bears the invitation \"Come Unto Me etc.\"  The frame is composed of hundreds of pearls. On a separate medallion above is engraved the Holy Vernicle.  The back of the pendant is engraved with the symbols of Jesus Christ.\nFrom the Prie-Dieu of the Czarina Alexandra Feodorovna, wife of the last Czar, Nicholai II, in the Imperial Chapel of Feodorovna at Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. A105\nIcon of unusual shape, hand-hammered, chased silver.  Represented are Saint Nicholas in the center, Saint Alexander on the left and Saint Alexis on the right.  These were the patron saints of the last Czar, Nicholai II, his wife, Alexandra, and his son, Alexis.  In the mounting are represented two Guardian Angels holding the crown, surrounded by lovely garland effects and set with green Ural stones.\nThis icon was made by the Court Silversmith, Klebnikov, and bears his full name below the double-headed eagle of Royal Appointment.  The figures \"84\" denote the Russian equivalent of Sterling silver.\nFrom the cabinet of Nicholai II in the Alexander Palace, Tsarskoye Selo.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[double-headed eagle]\nRUSSIAN IMPERIAL TREASURES\nArticle No. H3825\nUnique cheese spoon of gold on silver in grapevine design, while a crown in relief forms the end of the handle.  Below this crown appears the coat-of-arms of Prince Yousoupoff on one side and his family monograph on the other.  It was made in England, circa 1847.  From the Yousoupoff Palace on Moika Canal in St. Petersburg.  \nThis Prince will be remembered for the prominent part he played in the assassination of Rasputin, the monk who wielded such influence over the last royal family of Russia.\nMrs. John L. Pratt\nFROM THE HAMMER COLLECTION – 682 FIFTH AVENUE – NEW YORK\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nEaster Eggs\n1. Emerald enameled egg, presented by Czar Nicolai II to his mother, The Dowager Empress Maria Feodorovna, in 1912.  The Empire design of the egg was to commemorate the 100th anniversary of the war of the fatherland against Napoleon.  The folding screen of miniatures, which fits into the egg, shows the regiments of which she was honorary Colonel-in-Chief, which regiments were active in War of 1812.  \nHeight including stand, 7\".\nDiameter, 4 ½\"\nScreen opened measures 2 ½\" x 12 ¾\"\n2. Ruby enameled egg presented by Czar Alexander III to his wife Czarina Maria Feodorovna in 1893.  Has four miniature views of the Caucasian mountainside, and their son, Grand Duke George who had to live in high altitudes due to his ill health.  \nHeight 6\" including stand\nDiameter 3 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n[On Hammer Galleries stationery, insignia of the Galleries with its double-headed eagle to the left of header; to the right, insignia with the inscription \"By appointment to His Majesty the King of Egypt]\nIMPERIAL RUSSIAN EASTER EGG\n*1896*\nPresented by the Tsar Nikolai II to his wife, the Tsarina Aleksandra Feodorovna, at Eastertide in the year of their Coronation in Moscow, the magnificent Imperial Easter Egg is rock crystal and gold inlaid with rare champleve enamel and set with gems is one of the monumental works of the illustrious Russian Court Jeweler, Karl Faberge.  One of the fabulous forty-nine jeweled Easter gifts in the form of eggs symbolic of New Life, Resurrection and Hopefulness, received by the Empresses Maria Feodorovna and Aleksandra Feodorovna at the height of the Easter Festivals, the rock crystal egg is surpassed by no other one of the artist's creations, and it is said that neither is it equaled in purity of form and adroit workmanship by any of the other jeweled eggs.\nFashioned in a block of rock crystal hollowed to remarkable thinness, banded in diamonds and translucent emerald enamel, it is surmounted with a twenty-seven carat Siberian emerald cut en cabochon and pointed.  It is mounted on a pedestal of gold inlaid with brilliant varicolored enamel wrought in a series of monograms of the recipient as the Princess Alix of Hesse-Darmstadt before her marriage, and later as Aleksandra Feodorovna, Empress of Russia.  Above these appear diamond crowns of the respective royal houses, and narrow diamond borders enframe the spheroidic steps of the pedestal which rises from a circular stepped base in rock crystal.\nWithin the egg, twelve handpainted miniatures on ivory, signed, by Zehngraf, framed in gold and controlled by the emerald at the apex, revolve on a gold columnar axis.  These, of the royal residences in Germany, England and Russia associated with the life of the Tsarina, include views of palaces in and near Darmstadt, Hesse, such as the Neue Palais at Darmstadt and Kranichstein in Hesse; Rosenau, Coburg; Balmoral and Windsor Castles and Osborne House in the British Isles; the Winter, Anitchkov and Aleksandr Palaces of Russia.\nFully hallmarked, the object bears the master's name in Russian, the Russian initials \"MP\" for Mikhail Perchin, one of Faberge's chief assistants – himself a creative artist in precious metals and a person of singular ability; the numeral \"56\" which is the Russian equivalent of fourteen karat gold, and the crossed anchors and sceptre device of the St. Petersburg assay office.\nThe overall height of the rock crystal Easter egg is 9 ¾ inches.  It is contained in the original case of velvet, lined in satin and stamped with Faberge's insignia.\nLillian T. Pratt\n[Small typescript note attached]\nNOTE: SEE PHOTOGRAPHS OF MINIATURES IN INSIDE OF CRYSTAL BALL OF RUSSIAN IMPERIAL EASTER EGG.  THE WRITING ON THE BACK OF THE PHOTOGRAPHS WHICH GIVES LOCATION OF THE RESIDENCES IS SAID TO BE THE HANDWRITING OF QUEEN MARY.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Osborne House, Isle of Wight, England, and on the right is Neues Palais, Darmstadt, Germany.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Schloss Wolfsgarten, near Darmstadt, Germany, and on the right is Windsor Castle, near London, England.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Anichkov Palace, St. Petersburg, Russia, and on the right is Winter Palace, St. Petersburg, Russia.\u003c/p\u003e","\u003cp\u003eDescription: \nDetail of two painted miniatures inside the Imperial Easter Egg with Revolving Miniatures. The location depicted on the left is Jagdschloss Kranichstein, Darmstadt, Germany, and on the right is Fortress Coburg (Veste Coburg), Germany.\u003c/p\u003e","\u003cp\u003eTranscription: \nPhotograph of the daughters of the Czar Nicholai II in a silver frame made by Faberge, the court jeweler. The blue cross signifies the order of St. Andrew. From the Alexander Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nLinen handkerchief with wide border of brown and blue elephants. Hemstitched and embroidered with monogram of Marie Feodorovna, Dowager Empress of Russia. From the Anitchkov Palace.\u003c/p\u003e","\u003cp\u003eTranscription: \nSolid gold column. Decorated with a fine wreath design in green gold with a laurel wreath carrying the suspended miniature of Nicholai II surmounted by a crown set with diamonds. Presented to the Czarina Alexandra Feodorovna on her birthday in 1907 by Nicholai the Second. Made by court jeweler Fabergé.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver plaque presented to the Dowager Empress Marie upon completion of a church built to commemorate the miraculous escape of the entire Royal Family, when the royal train was wrecked. Inventory no. 23677\u003c/p\u003e","\u003cp\u003eTranscription: \nIcon delicately painted on wood and mounted with a silver trapping set with seed pearls in Byzantine design, on a background of green enamel. \"Our Lord Jesus Christ Holding the Open Scriptures\" which read: \"The Commandment of the New Day - \"Love Thy Neighbor as Thyself\". It is backed with red velvet. It was made by the court jeweler Fabergé whose name it bears. It is marked with the figures \"88\" which denotes the highest quality of Russian silver. From the quarters of Nicholai II in the Alex. Palace, Tsarskoye Selo. Inventory no. 12-31-33.\u003c/p\u003e","\u003cp\u003eTranscription: \nSilver Teapot, bears the crown and monogram of Alexander III. Made in 1891 by Michelson of Copenhagen, Danish court jeweler. From the Gatchince Palace. No. 6136\u003c/p\u003e","\u003cp\u003eTranscription: \nHeart-shaped box, made by the famous court jeweller - Fabergé -\u003c/p\u003e","\u003cp\u003eTranscription: \n[Crown]\nMARLBOROUGH HOUSE\nS.W.1.\nDear Mrs. Pratt\nI am commanded by Queen Mary to convey to you Her Majesty's grateful thanks for the travelling clock which was a gift from Queen Victoria to Princess Alix.  The Queen very much interested to have it and touched that you should have given it to Her.  The Clock will be put among family relics.\nYou will have read of the terrible motor accident Her Majesty has been in.  I am thankful to say she is getting over the effects wonderfully well, it is amazing that the Queen was not seriously injured and indeed that no one was badly hurt.\nYrs sincerely \nConstance [?] Gaskell\nMay 27 39\u003c/p\u003e","\u003cp\u003eThis series is comprised of information about Pratt's estate after her death on July 21, 1947. The estate tax return outlines the extent of her entire estate, including the varied philanthropic bequests and funds she had arranged. Detailed inventories of the estate list her belongings by category. One of the paintings lists was annotated by a local appraiser, Virginia Clarke Taylor, denoting which paintings were \"antiques\" or not. Finally, there are many price tags from other non-Faberge purchases she made over the years. Most are from the New York department store B. Altman and Company, and detail her acquisitions of silver, lamps, fabric, vases, paintings, and other decorative items.\u003c/p\u003e\n","\u003cp\u003eThe series is divided into three subseries: Series 3.1: Tax Information, 1947; Series 3.2: Inventory, 1947, undated; Series 3.3: Other Furnishings, 1932, undated.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder 26583\nTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO \nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 149322\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nSpecial Order\nDept. 93\nOrder No. 159619\u003c/p\u003e\n","\u003cp\u003eTHIS TAG MUST BE ATTACHED TO\nMERCHANDISE WHEN DELIVERED TO\nB. ALTMAN \u0026amp; CO.\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nSALON of Antique Furniture\nAnd Works of Art\n#101/4062/D\nAntique Cork\nCut Glass\nComport [sic: Compote]\n$155.00\u003c/p\u003e","\u003cp\u003eTranscription: \nGallery of Antiques\nAnd Collectors Pieces\n#353/13122\nDescription\nSilhouette Painting on\nGlass\nPrice $65.00 [crossed through, replaced with $35.00]\nB. Altman \u0026amp; Co.\nFifth Avenue New York\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nS 1108\nFinest Milanese\n17th Century\n1 yd 31 in\nfor\n95.00 [crossed through]\n78.00 [crossed through]\u003c/p\u003e\n","\u003cp\u003e45 00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nTreasure Trove\nNo 16/640\nTerracotta Urn\nPrice 150.00 [crossed through]\n85.00\nB. Altman \u0026amp; Co.\nNew York\u003c/p\u003e\n","\u003cp\u003e[Back]\nB. Altman \u0026amp; Co. New York\n60\n25.00\nOver Treasure Trove tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/203\nBRONZE URN\nPrice 395.00 [crossed through]\n300.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] \nBack of Treasure Trove tag with B. Altman \u0026amp; Co. New York tag \n45.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 94/407\nBRONZE BUCKET\nPrice 350.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag with sticker B. Altman \u0026amp; Co. New York\n50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/14\nJADE LAMP W/ SHADE\nPrice 225.00 [crossed through]\n165 –\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 100/101\nLAPIS LAZULI LAMP \u0026amp; SHADE\nPrice 375.00 COMPLETE [crossed through]\n225.00 [crossed through]\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag no new price sticker\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/10211\nPOMPEIIAN BRONZE TRYPOD [sic]\nPrice 265.00 [crossed through]\n180.00 [crossed through]\n35.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag, Sale\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 139/12015\nPOMPEIIAN BRONZE VASE\nPrice 275.00 [crossed through]\n175.00\nB. Altman \u0026amp; Co. New York\n[Back] Treasure Trove tag [$45.00?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nBloor Darby Long Tom Vase over 100 years old\nB. Altman \u0026amp; Col. New York\n[Back] Altman Lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nOld Colebrookdale Vase made in England\nB. Altman \u0026amp; Co. New York\n[Back] Altman lamps tag\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. 13 /B – Odd\nPrice 14.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52A\nM 98\nB. ALTMAN \u0026amp; CO.\n63/2398\n[Sheff Repe ?] Candlesticks 1 Pr\nPrice [46.00?] P R\u003c/p\u003e","\u003cp\u003eTranscription: \nT 52-A\nB. ALTMAN \u0026amp; CO.\nS 93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nS93C\n191\n16\"\n11.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 97/5043\nColor\nPrice 82.50\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA4 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 2127\nPrice 70.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor 1745\nPrice 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nW5 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nSt. [?] No. 191\nColor Special\nPrice 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nA 93\nB. ALTMAN \u0026amp; CO. NEW YORK\nNo. 44718\nColor TL\nPrice 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A917\nColor 475.00 [lined through]\nPrice 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52\nR93\nB. ALTMAN \u0026amp; CO.\nNEW YORK\nNo. A922\nColor 750.00 [lined through]\nPrice 250.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT52-A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nT-52A\nB. ALTMAN \u0026amp; CO.\nC3 93\n896 TL\nD6199\nPrice 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/034F\nMade in London\nYear\nBy  Mug\nPrice 145.00 [lined through], 95.00 [lined through], 50.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7514\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 150.00 [lined through], 85.00, 42.50\n[Back]\nDEPT 75 X B\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7515\nMade In\nYear Geo III\nBy\nMustard Pot\nPrice 110.00 [lined through], 65.00 [lined through], 32.50\n[Back]\nDEPT 75 XB\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7524\nMade In London\nYear 1813\nBy\nTea Pot\nPrice 130.00 [lined through], 90.00 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7545\nMade in 1776\nYear Geo III\nBy\nBasket\nPrice 150.00 [lined through], 80.00 [?], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7547\nMade in London\nYear 1773\nBy\nSugar Basin\nPrice 120.00 [lined through], 75 [lined through], 40.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 301/7555\nMade in\nYear Geo III\nBy 1767\nPr. Candlesticks\nPrice 200.00 pr. [lined through], 120.00 [lined through], 60.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld Silver\nNo. 319/2182\nMade in\nYear\nBy Pair\nSheffield [lined through] Candlesticks\nPrice 275.00 [lined through], 200.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNEW YORK\nOld English Sheffield Plate\nNo. 321/140\nArticle Pr Adam Candlestks [sic]\nPeriod Sheffield\nPrice 425.00 [lined through], 210.00 [lined through], 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\nPrice 225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 written over \"B\"; 725 in margin]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nNo. 12/953\nLustre\n225.00 Pr.\nB. Altman \u0026amp; Co.\nNew York [7 and 725 written on front as well]\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nNo. 12/989\nCrystals\n$650.00 Pr.\nB. Altman \u0026amp; Co.\nNew York\n[Back]\nTreasure Trove\u003c/p\u003e","\u003cp\u003eTranscription: \nTreasure Trove\nNo. 97/5043\nCIG. BOX\nPrice 225.00 [lined through]\nB. Altman \u0026amp; Co.\nNew York\n[R829 written over company name at bottom]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n5203\n25.00 [lined through]; 5.40 [?] 2 Doz. [?]\nCluny \u0026amp; Bohemian Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n[company name written over with 1 Doz. [?]]\n10346\n85.00 [lined through]; 30.00\n[?]\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n1 Doz.\n10640\n28.00 [lined through]; 15.00 [?]\nBruges Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11370\n¬all\n85.00 [lined through]; 30.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n11696 1/2\n65.00 Dz. [lined through]; 24.00 Doz. [?]\nRt [?] Milan Lace\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK \n12875\n55.00 Dz. [lined through]; 18.00\nPt. [?] Milan\u003c/p\u003e","\u003cp\u003eTranscription: \nB. ALTMAN \u0026amp; CO.\nNEW YORK\n13698\n145.00 [lined through] all; 42.00\u003c/p\u003e","\u003cp\u003eTranscription: \nB. Altman \u0026amp; Co.\nNew York\n165.00 [lined through]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 150.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] B. Altman \u0026amp; Co.\nStyle\nColor\nSize\nPrice\n[Back] 145.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Miller \u0026amp; Rhoads\nRICHMOND, VA.\nNo. 393B2\nMfr. C1004 – C3004\nArticle Junior\nPrice Lamp Complete\n17.95\n[Back] W. \u0026amp; J. Sloane\n47th \u0026amp; 5th Ave\nN. Y. City\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front] Antiques\nReproductions\nDecoration\nLord \u0026amp; Taylor\nFIFTH AVENUE, NEW YORK\n[Back] CLASS E-10  \nSEA 0 \nLOT 2212\nFramed English Sampler\nPRICE $95.\nLength – Width – Height\u003c/p\u003e","\u003cp\u003eTranscription: \nOld Silver\nTray\nHall Marked\nLondon 1817\nWm. Elliott\nJ.E. CALDWELL \u0026amp; CO.\nPHILADELPHIA\u003c/p\u003e","\u003cp\u003eTranscription: \nSauce Boat\nHall Mark\nLondon 1763\nMakers\nJ. Parker \u0026amp; E. Wakelin\u003c/p\u003e","\u003cp\u003eTranscription: \nM106\nMcCutcheon's\nUpholstery Dept.\nS91\n35.00 [lined through]; 14.50\n37 over 5502over T.A.C.M.\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 236\nSize 2 7[?] x 5 \nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 236\nSize as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 237-E\nSize 2  9 x 5  4\nQual.\nPrice 86.00 [lined through]\n[Back]\nLot 237-E\nXS as \nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 243\nSize 2 10 x 5 6\nQual.\nPrice 235.00 [lined through]\n[Back]\nLot 243\nX S as \nSeason H [?]\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt 286\nSize 3 4 x 5 10\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 286\nX S as \nSeason S\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 295\nSize 2 2 x 5\nQual.\nPrice 125.00 [lined through]\n[Back]\nLot 295\nX S as\nSeason K\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D1215\nSize 9 x 11\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D. 1215\nSize as\nSeason M\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D.1234\nSize 9 x 11 5\nQual.\nPrice 3,500.00 [lined through]\n[Back]\nLot D.1234\nX S as\nSeason P\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1361\nSize 2 6 x 4\nQual.\nPrice 250.00 [lined through]\n[Back]\nLot D. 1361\nX S as\nSeason T\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. D. 1369\nSize 2 7 x 6 8\nQual.\nPrice 675.00 [lined through]\n[Back]\nLot D. 1369\nX S\nSeason W\u003c/p\u003e","\u003cp\u003eTranscription: \n1353\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\nand Richard Sibley\nEM9\u003c/p\u003e","\u003cp\u003eTranscription: \n1353B\nGeo. Silver\nPlatter\nLondon 1806\nWm. Burwash\n\u0026amp; Richard\nSibley\nRRM\u003c/p\u003e","\u003cp\u003eTranscription: \n4537\nPair\nOld Sheffield\nwine coolers\ncirca 1800\nRGG\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n307\nColor\nWidth\nPrice $28.50\n[Back]\n#427\u003c/p\u003e","\u003cp\u003eTranscription: \nKEA\nOld English\nSheffield Plate\nArticle pr. Candlesticks\nNumber 2398/L\nPeriod Circa\n1850\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\n10679\nGeo. III\n[lion \u0026amp; unicorn]\nAntique Sheffield Plate\nMade in\nENGLAND\nA.D. 1800\nBy\nWeight\n[Back]\n#10679\npr. three-light\nCandleabra [sic]\nFluted and \nGadroon border\n16 ½\"\u003c/p\u003e","\u003cp\u003eTranscription: \n301/7523\nGeo. III\nDesert [sic] Set\n18 K. + 18 F.\nPrice 340.00 [lined through]; 200.00 [lined through]; 100.00\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nN. 2886\n[Back]\nROYAL WORCESTER\u003c/p\u003e","\u003cp\u003eTranscription: \n2002\n$20.00 (b)\nGeorgian\nMA\u003c/p\u003e","\u003cp\u003eTranscription: \n[Front]\nPatt. 1244\nSize 8 10 x 11\nQual.\nPrice 1750.00 [lined through]; 500.00\n[Back]\nLot D1244\nX S as\nSeason R\u003c/p\u003e","\u003cp\u003eTranscription: \n[Tag 1 Front]\nNo. of Sale\nNo. of Rug 39032\nLength 20 feet 3 inches\nWidth 13 feet 4 inches\n[Tag 1 Back]\nTurfbaff\n[Tag 2 Front]\nSOLD\nName Pratt\nSalesman\nDate 2-26-32\u003c/p\u003e","\u003cp\u003eTranscription: \nS. \u0026amp; G. GUMP CO.\nSAN FRANCISCO, CAL.\u003c/p\u003e\n","\u003cp\u003eAntique French miniature musical watch and vanity box in the form of a butterfly. Exquisite variegated colored enamels have been imposed on the gold body.\nThis box was a gift from Louis XVI to the Chinese Emperor Chien Lung.\nFrom the collection of the late Mrs. Mabel L. Gump.\u003c/p\u003e\n","\u003cp\u003eS. \u0026amp; G. GUMP COMPANY\u003c/p\u003e","\u003cp\u003eThis series is comprised of the few clippings that were found in the collection. As none of these particular clippings were mentioned in the correspondence directly, it's possible that they did not originally belong to Pratt. The photographic copies of some of the articles were obviously made much later, but were retained as they may have been copies of articles Pratt once kept.\u003c/p\u003e","\u003cp\u003eTranscription: \nThalhimers cordially invite you to view this extraordinary exhibit of Royal Russian Treasures\u003c/p\u003e\n","\u003cp\u003eThis remarkable assemblage of Russian treasures were collected by two intrepid young Americans, Dr. Armand Hammer and his brother, Mr. Victor Hammer. It's the first important collection to come out of Russia since the Revolution. Be sure to see it. \u003c/p\u003e\n","\u003cp\u003eAll Articles are for Sale\nRoyal Crown Jeweled Objects\nIcons from the 15th Century\nAntique Fabrics and Brocades\nCopes and Chasubles\nSilver, Porcelain and Glassware\u003c/p\u003e\n","\u003cp\u003eFIFTH FLOOR\u003c/p\u003e\n","\u003cp\u003eThalhimers\u003c/p\u003e","\u003cp\u003eTranscription: \nCzarist Treasures to Be Seen In the Lobby of Jefferson Hotel\u003c/p\u003e\n","\u003cp\u003ePart of $500,000 Collection Is Removed From Thalhimer's Store Under Heavy Police Guard; Interesting Relics Attract Attention\u003c/p\u003e\n","\u003cp\u003eCzarist treasures, including personal possessions of Catherine the Great, a bracelet of \"Titiana,\" the young grand duchess murdered by the Bolshevists, and pictures of the Grand Duke Boris, \"handsomest officer of the Imperial Russian Army,\" were taken yesterday from the main collection at Thalhimer's and placed on exhibit in the lobby of the Jefferson Hotel. Although only a small portion of the 500,000 collections, which has been on exhibit at the store during the past week, and may be seen there through Thursdays, was moved to the hotel. Miss Alva Lowry, who is traveling with the exhibit, was provided police protection to ensure the safety of the relics.\n[...]\nThese, however, pale into insignificance beside the main collection, reigned over by the diamond-mounted miniatures of the last Czarevitch in its lapis lazuli Easter egg. The gold-mounted diamond-studded egg wtih its contents was the $50,000 Easter gift of the last Czar to the Czarina on Easter, 1912. \u003c/p\u003e\n","\u003cp\u003eWhen brought to The Times-Dispatch to be photographed, the $50,000 egg was guarded by Patrolman William H. Southward, who acted as escort for Miss Lowry on the trip to the Jefferson.\n[...]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK EVENING POST. TUESDAY, JANUARY 3, 1933\nRomanoff Jewels Exhibited Here\nArt treasures of former rulers of Russias on display today. (Picture on left is by Parade Studios, Inc.)\nROMANOFF GEMS, ART SHOWN HERE\nCollection of Dr. Armand Hammer Includes Ikons of 14th Century Russia\nBy AARON MARC STEIN\nThe largest collection of jewels and other personal possessions of the Romanoffs, formerly rulers of all the Russias, ever to be shown in America, has been placed on exhibition in the Georgian Room at Lord \u0026amp; Taylor's. The collection will have its private showing this afternoon and will be opened to the public tomorrow. \nIkons dating back to the fourteenth century, other sacred images in which each nimbus is incrusted with gems, furniture, porcelains, brocades and the fabulous jewels that were one of the oriental or medieval characteristics of the Russian Imperial Court, are included in the collection, formed by a young American doctor who searched village market places for relics of imperial glory. \nThe doctor was Armand Hammer, M.D. It was a very new M.D. conferred on him by the College of Physicians and Surgeons of Columbia University, and the young physician set out on an errand of adventure and mercy. He organized a relief expedition which reached Russia in 1921. Civil war had hardly ended, and in the Urals Dr. Hammer found famine sweeping the country.\n[…]\nAnother of these eggs is of lapis lazuli covered with an elaborate gold filligree. Approximately the size of an ostrich egg, it is lavishly jeweled and set with a square flat diamond into which is cut the monogram of the Empress and the date. This egg was the gift of the late Czar to his wife. When opened this egg contains a double eagle set with diamonds and a miniature portrait of the Czarevitch, done in the full round. The bust portrait of the little Prince in his sailor suit is handled in a naturalistically life-like manner. \n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nNEW YORK HERALD TRIBUNE, TUESDAY, MARCH 3, 1936\nGrand Duchess Victoria Dead; Lived as the 'Empress of Russia'\nSister of Queen Marie and Cousin of George V, Victim of Stroke Near Munich \nBy The United Press\nMUNICH, Germany, March 2.— Grand Duchess Victoria Feodorovna, wife of Grand Duke Cyril of Russia, head of the Romanoff family and self-described Czar of All the Russias, died today of an apoplectic stroke at the castle of her daughter, Princess Maria von Leiningen, in Amorbach, Lower Franconia. She was fifty-nine years old.\nThe Grand Duchess, a sister or Dowager Queen Marie of Rumania and a first cousin of the late King George V of England, will be buried in Coburg, Germany, where she and the Grand Duke have maintained a court since 1924. King Carol of Rumania and representatives of King Edward VIII and of Marie, the Queen Mother of Jugoslavia, will attend.\nTen days ago the Grand Duchess was stricken with pneumonia when she went to the bedside of her daughter, who had just given birth to a son. As soon as her condition became grave her three sisters, the Dowager Queen Marie; the Princess of Hohenlohe-Langenburg, and the Infanta Beatriz of Bourbon-Orleans, hastened to Amorbach.\nThe Grand Duke Cyril, a cousin of the late Czar Nicholas II, who was on a holiday in his retreat in Brittany, also rushed back to Germany, arriving soon before his wife's death. He telegraphed the news to the various courts of Europe. Today the court of Jugoslavia, by decree of King Peter II, ordered a month of mourning.\n[…]\u003c/p\u003e","\u003cp\u003eTranscription: \nTHE NEW YORK SUN, SATURDAY, OCTOBER 16, 1937\nANTIQUES\nFaberge Royal Craftsman\nExamples of His Work Include Silver Service and Translucent Enamels.\nBy ETHEL WALTON EVERETT.\nA sumptuous silver tea and coffee service by Carl G. Faberge, the Russian Court jeweler, made for the Grand Duchess Alexandra Josephovna, has just been put on exhibition in the Schaffer Collection of Russia Imperial Art Treasures.\nCommissioned as a silver-wedding anniversary present, it bears the initials \"A. J.\" of the Grand Duchess and engraved facsimile auto graphs, \"Olga,\" \"Vera\" and \"Dmitri.\" In addition to samovar, drip bowl and rounded, rectangular tray; coffee and tea urns, sugar container and creamer, with large oval tray; matching items include one dozen spoons, tea strainer, lemon fork, tea scoop and sugar tongs. Every piece is of extreme grace and beauty, difficult to achieve with the classical design used.\nThe collection has a comprehensive showing of Faberge's translucent enamels, with examples of his delicate tones of palest almond green, claire de lune, lustrous \"pearly white,\" lavender, and a pale, bright color exactly like the polished birchwood for which Russia is famous. The enamel is combined with chased and chiseled gold and silver, in photograph frames of various shapes, cigarette boxes, candlesticks and other pieces, many set with jewels, and the majority having his signature.\nOne of the last named is a cigarette box of heavy polished gold, with translucent enamel of pale peacock blue, having narrow gold borders, ornamented with a delicate leaf and flower design in gem-like emerald green and ruby red. Deep royal blue and pale salmon pink are used for other cigarette boxes.\nAmong the larger enameled pieces are a pair of candlesticks claire de lune, on silver, with gold tops, bases and feet, richly chiseled, and with delicate gold swags, set with jewels. The same claire de lune enamel and harmonizing swag design appear on the handle of gold seal with the crown and monogram \"TH\" of the Grand Duchess Tatiana, with six diamonds set in the green and yellow gold decoration.\nThe seals are varied in character. Bearing the crown and \"AH\" monograms of the Czar, is one with handle of plain, polished ivory, with a very simple design in the gold band which holds the dark gray agate seal. Another is an attractive little cylinder of pure white polished crystal, with engraved crown and \"NB\" initials. The ornamentation is like a guard ring, a band of small, square rubies, between two bands of tiny diamonds. \n[Image of candlestick with enamel and gold mountings. Caption:]\nOne of a pair of candlesticks by Faberge of pale blue translucent enamel on silver with gold mountings shown by Schaffer Galleries.\n[Image of silver samovar]\u003c/p\u003e","\u003cp\u003eThis series is comprised of items related to the Pratt collection that were transferred from the Curatorial department. Items found in the object records include early photographs of items from both Hammer Galleries and the Schaffer Collection, photographs of the Russian imperial family, as well as a statement of account from Hammer and the first complete list of the collection after its arrival at the museum in 1947.\u003c/p\u003e","\u003cp\u003eDescription: \nIn a publicity shot that was circulated to newspapers, Rosamond Fulmer leans on a counter behind ten imperial Easter eggs on display at Hammer Galleries. Several icons can be seen hanging on the wall to the right behind Fulmer.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver triptych icon with an engraved inscription within a laurel crown. Translated from the Russian, it reads: \"Blessing of the Preobrazhenskii Regiment. June 3rd, 1884. A new commandment I give unto you the ye love one another as I loved you. (St. John, Chapter 13, Verse 34)\".\u003c/p\u003e","\u003cp\u003eDescription: \nCover of silver triptych icon with a Greek cross surrounded by finely detailed leaves.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver triptych icon featuring paintings of the Transfiguration in the center, St. Elizabeth standing in the left side panel, and St. Sergius of Radonezh standing in the right side panel. Each panel is surrounded by an elaborate patterned border.\u003c/p\u003e","\u003cp\u003eDescription: \nTriangular silver picture frame with geometric enamel background. Central circular cut-out is bordered in pearls and features an image of Alexandra Feodorovna.\u003c/p\u003e","\u003cp\u003eDescription: \nBack of silver diptych icon. One side has an engraved inscription that indicates that it was presented to Nicholas II and Empress Alexandra by courtiers. The other side features an elaborate scroll work design and studded with ten turquoise, garnets, and pearls.\u003c/p\u003e","\u003cp\u003eDescription: \nSilver diptych icon featuring paintings of Princess St. Alexandra on the left and St. Nicholas the Miracle Worker on the right. Each painting is bordered with pearls and the top of the icon is curved like an arch.\u003c/p\u003e","\u003cp\u003eDescription: \nRock crystal parasol handle with the head of a dog etched and enameled inside the crystal ball. The base of the handle is studded with small gemstones.\u003c/p\u003e","\u003cp\u003eTranscription: \nAKRON STUDIOS\n232 EAST 42nd STREET\nNEW YORK CITY\u003c/p\u003e\n","\u003cp\u003eTO Russian Imperial Treasures\n15 W 50th St\nAtt Mr Schaefer [sic]\u003c/p\u003e\n","\u003cp\u003ePhotographs - Do Not Bend\u003c/p\u003e","\u003cp\u003eDescription: \nSmall pencil drawing of a decorative stand for the Red Cross Easter Egg. It is unknown who the artist is, but the drawing does resemble the gold stand currently used by the museum to hold the egg. The rusted imprint from a paperclip can be seen at the top left.\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eTranscription: \n[In process]\u003c/p\u003e","\u003cp\u003eDescription: \nBlack-and-white postcard featuring a single image of the Rock Crystal Easter Egg.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of 29 members of the Russian Imperial Romanov family and royal relatives from Denmark, Sweden, Norway, England, and Greece on the steps of the palace at Fredensborg, Denmark. Seven children, all dressed in white, appear in the first row, with 22 adults behind them.\u003c/p\u003e","\u003cp\u003eTranscription: \nFamily Group taken in Bernstorff, Denmark, after the death of Queen Louisa of Denmark, in 1898.\u003c/p\u003e\n","\u003cp\u003e1. Louise Princess of Sweden and Norway, wife of Crown Prince Frederick of Denmark\n2. Crown Prince Frederick of Denmark, later King Frederick VIII.\n3. Princess Ingeborg of Denmark.\n4. Queen Alexandra of England.\n5. King George of Greece.\n6. King Christian IX of Denmark.\n7. Princess Thyra of Denmark.\n8. Dowager Empress Maria Feodorovna of Russia.\n9. Prince Johann of Glucksburg (Uncle Hans).\n10. Grand Duchess Olga Alexandrovna, sister of Nicholas II.\n11. Prince Peter of Oldenburg, husband of Duchess Olga.\n12. Prince Nicholas of Greece.\n13. Empress Alexandra Feodorovna.\u003c/p\u003e\n","\u003cp\u003e[Hand drawn and numbered outlines of the heads of all the people in the photograph]\u003c/p\u003e\n","\u003cp\u003e14. Princess Victoria of England.\n15. Grand Duke Michael, brother of Nicholas II.\n16. Emperor Nicholas II of Russia.\n17. Prince Harold of Denmark.\n18. King Edward VII of England.\n19. Queen Maud of Norway.\n20. King Haakon VII of Norway.\n21. Princess Alexandrina, nee Princess of Mecklenbourg (Present Queen of Denmark).\n22. Christian, son of the Crown Prince of Denmark. (Present King of Denmark).\n23. \n24. \n25. Grand Duchess Tatiana Nlcolaievna\n26. Grand Duchess Olga Nicolaievna.\n28. Prince Aag of Denmark.\n29. Princess Dagmara of Denmark.\u003c/p\u003e","\u003cp\u003eDescription: \nGroup portrait of the Russian Imperial Romanov family on the desk of their royal yacht \"Standart\". Empress Alexandra Feodorovna sits in the center with Prince Alexei on her lap. Her four daughers, Grand Duchesses Olga, Tatiana, Maria, and Anastasia, and her husband, Emperor Nicholas II, stand behind her.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits in a high-backed chair outdoors in a garden-like setting. Wearing a large hat and formal dress, she looks at the camera directly, with one hand in her lap and the other with elbow bent and fingers touching her right cheek.\u003c/p\u003e","\u003cp\u003eDescription: \nPortait of the Emperor Nicholas II and Prince Alexei seated next to each other on the deck of the royal yacht \"Standart\". Nicholas holds a newspaper in his lap as Alexei seems to squint into the sun.\u003c/p\u003e","\u003cp\u003eDescription: \nBlurry portrait of the Empress Alexandra Feodorovna, who sits on a sofa indoors. Wearing a high-necked shirt and long skirt, she looks away from the camera towards the floor, with her hands clasped in her lap. Behind her, she is surrounded by picture frames, small vases, and flowers, on shelves that continue well above her head.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children bend down to peer at Fabergé eggs sitting on a table. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children peer into the open top of the Imperial Tsarevich Easter Egg. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé imperial eggs.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl tries on a jewelled ring as a young boy looks on. Four Fabergé eggs are on the table in front of them. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a long-handled narrow brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl smiles as a museum guard presents her with Faberge's rabbit pitcher. She holds another open Fabergé egg in her hands while another guard looks on. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children look at one another while their hands rest on a table with two Fabergé imperial eggs on it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young boy stares at Fabergé's Imperial Easter Egg with Revolving Miniatures, which is set on a table right in front of him. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl holds the vase of a Fabergé tulip in her hands while a young boy looks on. Other Fabergé pieces, including the Imperial Red Cross Easter Egg, sits on the same table behind the flower. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl opens an egg-shaped ring box which contains a jewelled ring within it. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nMuseum staffer Henrietta Near uses a short-handled wide brush to clean Fabergé flowers in an exhibition case.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl dangles a Fabergé miniature Easter egg pendant on a chain over a table while a young boy touches the egg with his index finger. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nA young girl rests her gloved hands on the edge of a display case filled with Fabergé artworks as a young boy to her left watches and smiles. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e","\u003cp\u003eDescription: \nTwo young children stare at three Fabergé eggs, including the Imperial Tsarevich Easter Egg and Imperial Easter Egg with Revolving Miniatures, which are all set on a pedestal at eye level inches away from their faces. In the 1950s and 1960s, the museum regularly set up publicity shots with children that allowed them to take a closer look at (and often touch!) the Fabergé artworks.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/virmu_repositories_2_resources_8_c01_c05_c02_c26"}},{"id":"wvmturhc_repositories_2_resources_6147_c06_c02","type":"Item","attributes":{"title":"1934-1937; Air Safety","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6147_c06_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6147_c06_c02","ref_ssm":["wvmturhc_repositories_2_resources_6147_c06_c02"],"id":"wvmturhc_repositories_2_resources_6147_c06_c02","ead_ssi":"wvmturhc_repositories_2_resources_6147","_root_":"wvmturhc_repositories_2_resources_6147","_nest_parent_":"wvmturhc_repositories_2_resources_6147_c06","parent_ssi":"wvmturhc_repositories_2_resources_6147_c06","parent_ssim":["wvmturhc_repositories_2_resources_6147","wvmturhc_repositories_2_resources_6147_c06"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6147","wvmturhc_repositories_2_resources_6147_c06"],"parent_unittitles_ssm":["Carl B. Allen Papers Regarding Early Aviation","Newspaper Articles on Various Subjects by CBA"],"parent_unittitles_tesim":["Carl B. Allen Papers Regarding Early Aviation","Newspaper Articles on Various Subjects by CBA"],"text":["Carl B. Allen Papers Regarding Early Aviation","Newspaper Articles on Various Subjects by CBA","1934-1937; Air Safety","Box 1","Folder 5b"],"title_filing_ssi":"1934-1937; Air Safety","title_ssm":["1934-1937; Air Safety"],"title_tesim":["1934-1937; Air Safety"],"unitdate_inclusive_ssm":["1934-1937"],"normalized_date_ssm":["1934/1937"],"normalized_title_ssm":["1934-1937; Air Safety"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Carl B. Allen Papers Regarding Early Aviation"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":39,"parent_access_restrict_tesm":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1934,1935,1936,1937],"containers_ssim":["Box 1","Folder 5b"],"_nest_path_":"/components#5/components#1","timestamp":"2026-05-21T01:30:35.335Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6147","ead_ssi":"wvmturhc_repositories_2_resources_6147","_root_":"wvmturhc_repositories_2_resources_6147","_nest_parent_":"wvmturhc_repositories_2_resources_6147","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6147.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/199101","title_ssm":["Carl B. Allen Papers Regarding Early Aviation"],"title_tesim":["Carl B. Allen Papers Regarding Early Aviation"],"unitdate_ssm":["1918-1971"],"unitdate_inclusive_ssm":["1918-1971"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2252","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6147"],"text":["A\u0026M 2252","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6147","Carl B. Allen Papers Regarding Early Aviation","Air Mail -- 1933-1935","Autogiros --  Development","Aeronautics","Airships","Ford Air Tour.","Inventors and inventions.","Postal service","No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. ","Contains mostly clippings regarding both general contemporary history and aviation history.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Correspondence, scrapbooks, newspaper clippings, documents, photographs and other papers of Carl B. Allen, Army Air Corps officer, aviator, and newspaper writer. Subjects include the development of the Autogiro, 1930; air mail, 1933-1935; the Howell Inquiry, 1934-1937; the Army and aviation, 1934-1936; aviation achievements, 1934-1937; George W. Carver's work at Tuskegee; South American round trip, 1936; first trans-Pacific flight, 1936; Amelia Earhart; the Ford Air Tour, 1926-1927; America First Committee; the Air Safety Board, 1936-1940 and the Glenn L. Martin Company.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board.","Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973","English"],"unitid_tesim":["A\u0026M 2252","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6147"],"normalized_title_ssm":["Carl B. Allen Papers Regarding Early Aviation"],"collection_title_tesim":["Carl B. Allen Papers Regarding Early Aviation"],"collection_ssim":["Carl B. Allen Papers Regarding Early Aviation"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Allen, Carl B."],"creator_ssim":["Allen, Carl B."],"creator_persname_ssim":["Allen, Carl B."],"creators_ssim":["Allen, Carl B."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"access_subjects_ssim":["Air Mail -- 1933-1935","Autogiros --  Development","Aeronautics","Airships","Ford Air Tour.","Inventors and inventions.","Postal service"],"access_subjects_ssm":["Air Mail -- 1933-1935","Autogiros --  Development","Aeronautics","Airships","Ford Air Tour.","Inventors and inventions.","Postal service"],"has_online_content_ssim":["false"],"extent_ssm":["6.9 Linear Feet 6 ft. 10 1/2 in. (13 document cases, 5 in. each); (5 document cases, 2 1/2 in. each); (1 large flat storage box, 2 in.); (2 flat storage boxes, 1 1/2 in. each)"],"extent_tesim":["6.9 Linear Feet 6 ft. 10 1/2 in. (13 document cases, 5 in. each); (5 document cases, 2 1/2 in. each); (1 large flat storage box, 2 in.); (2 flat storage boxes, 1 1/2 in. each)"],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e\n","\u003cp\u003eResearchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026amp; Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. \u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies.","Researchers may access digitized materials by visiting the link attached to each item or by requesting to view the materials in person by appointment or remotely by contacting the West Virginia \u0026 Regional History Center reference department at https://westvirginia.libanswers.com/wvrhc. "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Carl B. Allen Papers Regarding Early Aviation, A\u0026amp;M 2252, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Carl B. Allen Papers Regarding Early Aviation, A\u0026M 2252, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003eContains mostly clippings regarding both general contemporary history and aviation history.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Contains mostly clippings regarding both general contemporary history and aviation history."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_32e34f3d396e2e4ff3eaa7b89b6dacfb\"\u003eCorrespondence, scrapbooks, newspaper clippings, documents, photographs and other papers of Carl B. Allen, Army Air Corps officer, aviator, and newspaper writer. Subjects include the development of the Autogiro, 1930; air mail, 1933-1935; the Howell Inquiry, 1934-1937; the Army and aviation, 1934-1936; aviation achievements, 1934-1937; George W. Carver's work at Tuskegee; South American round trip, 1936; first trans-Pacific flight, 1936; Amelia Earhart; the Ford Air Tour, 1926-1927; America First Committee; the Air Safety Board, 1936-1940 and the Glenn L. Martin Company.\u003c/abstract\u003e"],"abstract_tesim":["Correspondence, scrapbooks, newspaper clippings, documents, photographs and other papers of Carl B. Allen, Army Air Corps officer, aviator, and newspaper writer. Subjects include the development of the Autogiro, 1930; air mail, 1933-1935; the Howell Inquiry, 1934-1937; the Army and aviation, 1934-1936; aviation achievements, 1934-1937; George W. Carver's work at Tuskegee; South American round trip, 1936; first trans-Pacific flight, 1936; Amelia Earhart; the Ford Air Tour, 1926-1927; America First Committee; the Air Safety Board, 1936-1940 and the Glenn L. Martin Company."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_0d443e3bbcdffbbac7e7a0a3ada7dbef\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board.","America First Committee","United States. Army. Air Corps","Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973"],"names_ssim":["West Virginia and Regional History Center","United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board.","Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973"],"corpname_ssim":["West Virginia and Regional History Center","United States. Army. Air Corps","Air Safety Board (1936-1940)","America First Committee","Glenn L. Martin Company","Tuskegee Institute","United States - Air Safety Board."],"persname_ssim":["Allen, Carl B.","Carver, George Washington, 1864?-1943","Earhart, Amelia, 1897-1937","Lindbergh, Charles A. (Charles Augustus), 1902-1974","Luce, Clare Boothe, 1903-1987","Rickenbacker, Eddie, 1890-1973"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":259,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:30:35.335Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6147_c06_c02"}},{"id":"wvmturhc_repositories_2_resources_3687_c03_c05_c41","type":"File","attributes":{"title":"1934 Campaign; Liberalism, 1937; Oil Speech, Election Fraud Data (Folder includes clippings, reports, memos, etc.)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3687_c03_c05_c41#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_3687_c03_c05_c41","ref_ssm":["wvmturhc_repositories_2_resources_3687_c03_c05_c41"],"id":"wvmturhc_repositories_2_resources_3687_c03_c05_c41","ead_ssi":"wvmturhc_repositories_2_resources_3687","_root_":"wvmturhc_repositories_2_resources_3687","_nest_parent_":"wvmturhc_repositories_2_resources_3687_c03_c05","parent_ssi":"wvmturhc_repositories_2_resources_3687_c03_c05","parent_ssim":["wvmturhc_repositories_2_resources_3687","wvmturhc_repositories_2_resources_3687_c03","wvmturhc_repositories_2_resources_3687_c03_c05"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_3687","wvmturhc_repositories_2_resources_3687_c03","wvmturhc_repositories_2_resources_3687_c03_c05"],"parent_unittitles_ssm":["Rush Dew Holt (1905-1955) Papers","Series 3. Legislative Records","Legislative Records--Miscellaneous"],"parent_unittitles_tesim":["Rush Dew Holt (1905-1955) Papers","Series 3. Legislative Records","Legislative Records--Miscellaneous"],"text":["Rush Dew Holt (1905-1955) Papers","Series 3. Legislative Records","Legislative Records--Miscellaneous","1934 Campaign; Liberalism, 1937; Oil Speech, Election Fraud Data (Folder includes clippings, reports, memos, etc.)","Box 320","Folder 2"],"title_filing_ssi":"1934 Campaign; Liberalism, 1937; Oil Speech, Election Fraud Data (Folder includes clippings, reports, memos, etc.)","title_ssm":["1934 Campaign; Liberalism, 1937; Oil Speech, Election Fraud Data (Folder includes clippings, reports, memos, etc.)"],"title_tesim":["1934 Campaign; Liberalism, 1937; Oil Speech, Election Fraud Data (Folder includes clippings, reports, memos, etc.)"],"unitdate_inclusive_ssm":["1934–1937"],"normalized_date_ssm":["1934/1937"],"normalized_title_ssm":["1934 Campaign; Liberalism, 1937; Oil Speech, Election Fraud Data (Folder includes clippings, reports, memos, etc.)"],"component_level_isim":[3],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Rush Dew Holt (1905-1955) Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":603,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1934,1935,1936,1937],"containers_ssim":["Box 320","Folder 2"],"_nest_path_":"/components#2/components#4/components#40","timestamp":"2026-05-21T01:09:46.199Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_3687","ead_ssi":"wvmturhc_repositories_2_resources_3687","_root_":"wvmturhc_repositories_2_resources_3687","_nest_parent_":"wvmturhc_repositories_2_resources_3687","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_3687.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/208740","title_ssm":["Rush Dew Holt (1905-1955) Papers"],"title_tesim":["Rush Dew Holt (1905-1955) Papers"],"unitdate_ssm":["1840-2003","1918-1955"],"unitdate_bulk_ssim":["1918-1955"],"unitdate_inclusive_ssm":["1840-2003"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687"],"text":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687","Rush Dew Holt (1905-1955) Papers","Lewis County.","West Virginia -- Politics and government","United States -- Politics and government","Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States","No special access restriction applies.","This collection is one of five (see also A\u0026M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026M 873 and A\u0026M 1701, the latter also being composed of thirteen addenda and A\u0026M 1858. ","In an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026M 873: Rush Dew Holt (1905-1955) Papers; A\u0026M 1858: Helen Holt (1913-2015) Papers; and A\u0026M 4218: Rush Dew Holt Family Papers.","Because of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate. ","For assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026 Regional History Center.    ","Rush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.","The potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.","In 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.","By the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.","By 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.","Just as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.","Although Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.","After his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements. ","During the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.","Holt died on February 8, 1955 after a long, tough campaign against cancer.","Chronological List of Events:","June 19, 1905: born","1920: graduated from high school","1920-1922: attended West Virginia University","1922-1924: attended Salem College, received a BA degree ","1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia","1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers","1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes ","1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935 ","1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old","1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway","1940: ran for renomination to the Senate, failed to win the primary election","1941: married Helen Louise Froelich","1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.","1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful  ","1945: birth of Helen Jane Holt","1948: birth of Rush Dew Holt, Jr.","1948: ran as a Democrat for the United States Senate nomination but was unsuccessful ","1948: switched political affiliation to the Republican Party ","1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes","1954: ran as a Republican for the West Virginia House of Delegates and won","February 8, 1955: death ","Sources:","Coffey, William Ellis.  Rush Dew Holt: The Boy Senator.  Dissertation, West Virginia University, 1970. ","A\u0026M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.  ","1858, 3001, 3943, 4039, 4218, 4386","Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","The collection is divided into six series as follows:","Series 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Series 2. Artifacts; 1939-1952 and undated","Includes personal and political items collected by Rush Holt.","Series 3. Legislative Records; 1920-1955 and undated","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","Series 4. Constituent Services; 1923-1954 and undated","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Series 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.    ","Series 6. Administrative Files; 1937-1940","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.   ","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Includes correspondence relating to the personal and political issues of Rush Holt's life. "," Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. "," Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others."," Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others."," Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others. "," Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1)."," For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material."," For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee"," For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee."," For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission. "," For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.","Includes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses."," Invitations represent both public and private events including graduations, weddings, and dinners, among others."," Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards."," Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5)."," Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.","Includes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices."," Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others."," Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).","Includes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled."," Types of material include coursework, examinations, and records of final grades."," An item of note is Rush Holt's high school diploma (located in box 1, folder 6).","Includes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained."," For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.","Includes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt."," Typescripts include  Facts and Figures  (numbers 1-224) and  Politics in West Virginia  (numbers 1-118). These serial publications are also partially represented by the photocopied articles.  Facts and Figures  appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously."," Copies of  The West Virginia Taxpayer , a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail."," Manuscripts by Rush Holt include  Who's Who Among the War Mongers: Merchants of Death and Their Stooges  (located in box 306, folders 1 and 2),  The British Network: A Study of Fifth Column Activities in the United States  (located in box 306, folders 3 and 4), and  The President Moves Toward War  (located in box 339, folders 4 and 5).","Includes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected."," Topics include neutrality, war propaganda, taxes, and utilities, among others."," Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others."," An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).","Includes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals."," Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions."," Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others."," Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians."," For additional photographs of Rush Holt, please see the West Virginia \u0026 Regional History Center's digitized OnView collection.","Includes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others."," Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2)."," Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's  Fantasia  in Washington, D.C., and the 1952 Republican National Convention, among others."," Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught."," The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.","Includes miscellaneous material collected by Rush Holt.","Types of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.","Topics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.","Items of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).","Includes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.","Includes personal and political items collected by Rush Holt."," Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity."," For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches."," It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.","Includes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee "," The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States."," Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others."," Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).","Includes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee."," Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states. "," Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia."," Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others."," The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.","Includes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission."," Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others."," Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.","Includes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted."," Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration."," Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts."," Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.","Includes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.","Topics represented by the material include municipal operations, education, neutrality, and immigration, among others.","Records of note include copies of the West  Virginia Legislature Journal  for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2)."," Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Includes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate. ","Because of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject. ","Topics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.","General correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter. ","Second copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not. ","Supreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting. ","There are also a few boxes of  West Virginia Taxpayer  correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the  West Virginia Taxpayer . There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications."," For an example of a constituent mail log, please see Series 6. Administrative Files."," Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.","Includes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).","Includes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent."," Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the  Agricultural Yearbook  and the  Farmer's Bulletin . Also included are requests for publications about political topics (e.g. a presidential third term)."," Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others. "," Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Includes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks."," Topics represented are a combination of personal and political interests. "," Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others."," Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.","Includes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career. "," Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.","Includes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others."," Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952)."," To see digitized copies of these Holt political cartoons, please visit the Rush Holt Political Cartoons digital collection: https://holt.lib.wvu.edu/?utf8=%E2%9C%93\u0026search_field=all_fields\u0026q.","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term. "," Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff. "," Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940."," Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence. "," Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June). "," For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292).","Ephemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.","17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935","English"],"unitid_tesim":["A\u0026M 0873","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3687"],"normalized_title_ssm":["Rush Dew Holt (1905-1955) Papers"],"collection_title_tesim":["Rush Dew Holt (1905-1955) Papers"],"collection_ssim":["Rush Dew Holt (1905-1955) Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"geogname_ssim":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"creator_ssm":["Holt, Rush Dew, 1905-1955"],"creator_ssim":["Holt, Rush Dew, 1905-1955"],"creator_persname_ssim":["Holt, Rush Dew, 1905-1955"],"creators_ssim":["Holt, Rush Dew, 1905-1955"],"places_ssim":["Lewis County.","West Virginia -- Politics and government","United States -- Politics and government"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gifts of Holt, Helen F., 1956-2016."],"access_subjects_ssim":["Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States"],"access_subjects_ssm":["Coal mining - Labor organization.","Education","Elections","Guffey Coal Act.","New Deal, 1933-1939","Politics and government.","Public utilities","Taxation","Unions.","United States - Social Security.","Social Security -- United States","Wheeler-Rayburn Holding Company Act","Isolationism -- United States -- History -- 20th Century","World War, 1939-1945","Politicians -- United States"],"has_online_content_ssim":["false"],"extent_ssm":["156.21 Linear Feet 156 ft. 2 1/2 in. (360 document cases, 5 in. each); (1 document case, 4 in.); (14 document cases, 2 1/2 in.); (1 flat storage box, 5 in.); (1 flat storage box, 3 1/2 in.); (2 flat storage boxes, 3 in. each); (3 flat storage boxes, 2 1/2 in. each); (9 flat storage boxes, 1 1/2 in. each); (\n44 photos in photograph filing cabinets)","11.7 Gigabytes 131 TIFF files, 2 PDF files"],"extent_tesim":["156.21 Linear Feet 156 ft. 2 1/2 in. (360 document cases, 5 in. each); (1 document case, 4 in.); (14 document cases, 2 1/2 in.); (1 flat storage box, 5 in.); (1 flat storage box, 3 1/2 in.); (2 flat storage boxes, 3 in. each); (3 flat storage boxes, 2 1/2 in. each); (9 flat storage boxes, 1 1/2 in. each); (\n44 photos in photograph filing cabinets)","11.7 Gigabytes 131 TIFF files, 2 PDF files"],"date_range_isim":[1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003],"accessrestrict_html_tesm":["\u003cp style=\"color: red;\"\u003e\u003cemph render=\"bold\"\u003eNo special access restriction applies.\u003c/emph\u003e\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"arrangement_html_tesm":["\u003cp\u003eThis collection is one of five (see also A\u0026amp;M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026amp;M 873 and A\u0026amp;M 1701, the latter also being composed of thirteen addenda and A\u0026amp;M 1858. \u003c/p\u003e\n","\u003cp\u003eIn an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026amp;M 873: Rush Dew Holt (1905-1955) Papers; A\u0026amp;M 1858: Helen Holt (1913-2015) Papers; and A\u0026amp;M 4218: Rush Dew Holt Family Papers.\u003c/p\u003e\n","\u003cp\u003eBecause of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate. \u003c/p\u003e\n","\u003cp\u003eFor assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026amp; Regional History Center.    \u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is one of five (see also A\u0026M 1858, 4218, 4039, and 3943) pertaining to Rush Dew Holt, Sr. and his family. The records have been gathered via multiple accruals from 1956 to 2016. Originally, these collections were divided between A\u0026M 873 and A\u0026M 1701, the latter also being composed of thirteen addenda and A\u0026M 1858. ","In an attempt to organize the collections in a more coherent fashion for patron use and to reflect the creator(s) in a more concise manner, the material was reevaluated and reorganized into the three sets of papers with distinct series and subseries: A\u0026M 873: Rush Dew Holt (1905-1955) Papers; A\u0026M 1858: Helen Holt (1913-2015) Papers; and A\u0026M 4218: Rush Dew Holt Family Papers.","Because of the 2016-2017 reorganization, the physical arrangement no longer matches the intellectual arrangement and series order. Furthermore, any box and folder citations created prior to the above-mentioned project are likely no longer accurate. ","For assistance locating material using an older citation, please ask a staff member of the West Virginia \u0026 Regional History Center.    "],"bioghist_html_tesm":["\u003cp\u003eRush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.\u003c/p\u003e\n","\u003cp\u003eThe potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.\u003c/p\u003e\n","\u003cp\u003eIn 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.\u003c/p\u003e\n","\u003cp\u003eBy the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.\u003c/p\u003e\n","\u003cp\u003eBy 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.\u003c/p\u003e\n","\u003cp\u003eJust as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.\u003c/p\u003e\n","\u003cp\u003eAlthough Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.\u003c/p\u003e\n","\u003cp\u003eAfter his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements. \u003c/p\u003e\n","\u003cp\u003eDuring the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.\u003c/p\u003e\n","\u003cp\u003eHolt died on February 8, 1955 after a long, tough campaign against cancer.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eChronological List of Events:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eJune 19, 1905: born\u003c/p\u003e\n","\u003cp\u003e1920: graduated from high school\u003c/p\u003e\n","\u003cp\u003e1920-1922: attended West Virginia University\u003c/p\u003e\n","\u003cp\u003e1922-1924: attended Salem College, received a BA degree \u003c/p\u003e\n","\u003cp\u003e1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia\u003c/p\u003e\n","\u003cp\u003e1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers\u003c/p\u003e\n","\u003cp\u003e1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes \u003c/p\u003e\n","\u003cp\u003e1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935 \u003c/p\u003e\n","\u003cp\u003e1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old\u003c/p\u003e\n","\u003cp\u003e1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway\u003c/p\u003e\n","\u003cp\u003e1940: ran for renomination to the Senate, failed to win the primary election\u003c/p\u003e\n","\u003cp\u003e1941: married Helen Louise Froelich\u003c/p\u003e\n","\u003cp\u003e1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.\u003c/p\u003e\n","\u003cp\u003e1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful  \u003c/p\u003e\n","\u003cp\u003e1945: birth of Helen Jane Holt\u003c/p\u003e\n","\u003cp\u003e1948: birth of Rush Dew Holt, Jr.\u003c/p\u003e\n","\u003cp\u003e1948: ran as a Democrat for the United States Senate nomination but was unsuccessful \u003c/p\u003e\n","\u003cp\u003e1948: switched political affiliation to the Republican Party \u003c/p\u003e\n","\u003cp\u003e1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes\u003c/p\u003e\n","\u003cp\u003e1954: ran as a Republican for the West Virginia House of Delegates and won\u003c/p\u003e\n","\u003cp\u003eFebruary 8, 1955: death \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSources:\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eCoffey, William Ellis. \u003cemph render=\"italic\"\u003eRush Dew Holt: The Boy Senator.\u003c/emph\u003e Dissertation, West Virginia University, 1970. \u003c/p\u003e\n","\u003cp\u003eA\u0026amp;M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.  \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Rush Dew Holt was born in Weston, West Virginia, on June 19, 1905 to parents, Dr. Matthew S. Holt and Chihela (Dew) Holt. From an early age, Holt displayed scholarly potential. By age three, he was able to read first-grade primers, and eventually became interested in numerous topics for which he was able to provide detailed statistics. Among these interests was politics, and by age six, Holt had decided he would become a Democrat.","The potential displayed by Holt as a child continued into his school years. At age five, he began public education in the second grade, and he skipped grades on two more occasions. He attended Weston High School, and after graduating with honors at age fourteen, Holt applied to the University of Cincinnati; however, the register rejected the application because Holt, while academically qualified, was considered too young. Not one to admit defeat, a trait that would prove to be a lifelong characteristic, Holt turned to West Virginia University where he was accepted. As the youngest member of the freshman class, Holt found it difficult to obtain full acceptance as a college student, and his academic record reflected his apparent dissatisfaction. After two years at West Virginia University, Holt transferred to Salem College where the enrollment was smaller (approximately 300 students) and where he was able to live with his uncle, Professor Samuel Dew. It was at Salem College that Holt regained his self-confidence. His academic performance improved, and he maintained a B-plus average. In addition to academics, Holt excelled on the debate team. He was the editor-in-chief of the school paper, and he managed the tennis team.","In 1924, Holt received a Bachelor of Arts Degree and qualification to teach at secondary schools. Shortly after his graduation, he was hired to teach at Bedford High School in Virginia where he taught English and history in addition to serving as the school's athletic director. After one academic year, Holt returned to Weston, West Virginia, where he took a position at St. Patrick's High School as the athletic director. Holt also coached the basketball team with abundant success, leading the team to two national tournaments for Catholic schools. During this time, Holt also taught history as a part-time instructor at Glenville Normal School and Salem College, but his fascination with athletics persisted. In addition to coaching and occasional officiating, Holt also began writing about sports. Eventually, he began to contribute columns to daily West Virginia newspapers.","By the late 1920s, Holt was attracted to the political environment, and he began to contribute to candidates who were friends of and/or who shared the views of his father. In the summer of 1928, Holt went one step further by announcing his candidacy as a Democrat for the West Virginia House of Delegates. Despite Lewis County having been predominately Republican, in addition to not having received significant party backing, Holt still obtained a higher-than-expected amount of support, losing his race by only 500 votes. Once again, however, Holt would not admit defeat. In 1930 Holt again announced his candidacy for the West Virginia House of Delegates. During the campaign, he visited locations all around Lewis County, spoke to anyone who would listen, and ensured that the grievances such as those concerning government cost, increased taxes, and the power of privately owned public utilities would all be addressed. As expected with any campaign, Holt received criticism, and those who opposed him likened the young politician to his father who they declared was a radical, a socialist, and an atheist. Despite the scornful claims, Holt, by a margin of 2,150 votes, was elected to his first public office as a Democrat to the West Virginia Legislature where he served from 1931-1935. During his years as a delegate, as promised during his campaign, Holt spoke out against corrupt practices such as government spending, an issue he addressed not even a week into the 1931 session. In addition to debating issues in the House, Holt also wrote to state supported universities, highway commissioners, and auditors in West Virginia and numerous other states to gather financial figures concerning spending, salaries, and taxes among others. Holt also began an investigation in 1931 to uncover rates, operating costs, and profits of privately and publically owned utility companies. All of these endeavors were only the first chapter in Holt's political career.","By 1934 he had gained the political support and the backing of union workers which was enough to defeat incumbent United States Senator Henry Hatfield. At age twenty-nine, Holt became the youngest person to win a United States Senate seat; however, there was immediate criticism. No sooner had the votes been tallied before a protest was filed concerning Holt's credentials: the fact that he had run for an office when he had not been of the required age. In addition to discontent within his own state, Holt also received overwhelming opposition in Washington, D.C. from Senate Republicans who threatened to object on the grounds of the constitutional age requirement. Despite the criticism, Holt's election was not overturned; however, he had to wait until he turned thirty, over five months after the Seventy-forth Congress had convened, before he could participate in senatorial proceedings.","Just as he had been active in the West Virginia Legislature, Holt did not hesitate to address both major and minor issues on Capitol Hill either. During his time in the Senate, Holt served on several committees including Education and Labor, Immigration, Mines and Mining, Naval Affairs, and Post Offices and Post Roads. He also served as a member of the United States delegation to the 1939 Interparliamentary Conference in Oslo, Norway.","Although Holt had once been referred to as President Franklin Delano Roosevelt's \"Golden Boy,\" such alliances and the policies that had formed them began to dissolve by 1936. He became estranged from fellow Democrat and West Virginian Senator Matthew Neely, and Holt ended his support for the United Mine Workers of America and the Works Progress Administration, the latter of which he claimed was corrupt. Eventually, Holt criticized the Roosevelt administration for its New Deal policies, he adamantly fought Roosevelt's attempt to alter the Supreme Court by changing the number of sitting justices from nine to twelve, and he spoke out against the proposition of allowing a presidential third term. Furthermore, as unrest began in Europe with Germany's invasion of Poland, Holt campaigned against any attempts by the administration to involve the United States in the War. The responses from constituents about Holt's actions were mixed; nevertheless, the young senator's sudden change led to his unsuccessful renomination attempt in 1940. Holt did not even make it past the primary election.","After his Senate term ended, Holt remained in Washington, D.C. and began to support himself as a lecturer and a writer of political issues, particularly neutrality for which he received the support of the America First Committee. It was also during this time that Holt met Helen Louise Froelich, a biology teacher at National Park College near Washington. They were married a year later and moved to West Virginia. The couple had two children: a daughter, Helen Jane Holt (born in 1945) and a son, Rush Dew Holt, Jr. (born in 1948). When Senator Holt's sister, Jane (Holt) Chase, died in 1952, the couple adopted her son, David. After the Holts returned to West Virginia in 1941, Holt stayed involved in politics by accepting speaking engagements. ","During the remainder of the 1940s, Holt ran several times for state offices with modest success. He was elected to the State House of Delegates in 1942 and was reelected in 1944 by write-in vote and 1946 without opposition. After a failed attempt to win the West Virginia Democratic gubernatorial nomination in 1944 and the nomination for United States Senator in 1948, Holt changed political affiliation. Despite this, his lack of success to achieve positions beyond the House of Delegates continued. In 1950, he won the Republican nomination to represent West Virginia's Third District in the United States House of Representatives but lost in the general election, and in 1952 Holt came very close to winning the race for West Virginia governor as the Republican candidate but lost to William Marland by fewer than 30,000 votes. Success returned in 1954 when Holt was elected to the West Virginia House of Delegates by the voters of Lewis County, but he was unable to finish his term due to illness.","Holt died on February 8, 1955 after a long, tough campaign against cancer.","Chronological List of Events:","June 19, 1905: born","1920: graduated from high school","1920-1922: attended West Virginia University","1922-1924: attended Salem College, received a BA degree ","1924-1925: taught English and history and served as athletic director at Bedford High School in Virginia","1925-1928: served as athletic director and basketball coach at St. Patrick's High School (Catholic school) in Weston, West Virginia; taught history as a part-time instructor at Glenville Normal School and Salem College; and contributed sport columns to daily West Virginia newspapers","1928: ran as a Democrat for the West Virginia House of Delegates, lost by 500 votes ","1930: ran as a Democrat for the West Virginia House of Delegates, won by 2,150 votes, served from 1931-1935 ","1934: ran as a Democrat for the United States Senate and won despite being only twenty-nine years old","1939: served as a member of the United States delegation to the Interparliamentary Conference in Oslo, Norway","1940: ran for renomination to the Senate, failed to win the primary election","1941: married Helen Louise Froelich","1942: ran as a Democrat for the West Virginia House of Delegates and won, reelected in 1944, 1946, and 1948, served until 1950.","1944: ran as a Democrat for the West Virginia gubernatorial nomination but was unsuccessful  ","1945: birth of Helen Jane Holt","1948: birth of Rush Dew Holt, Jr.","1948: ran as a Democrat for the United States Senate nomination but was unsuccessful ","1948: switched political affiliation to the Republican Party ","1952: ran as the Republican candidate for West Virginia Governor but lost to William Marland by fewer than 30,000 votes","1954: ran as a Republican for the West Virginia House of Delegates and won","February 8, 1955: death ","Sources:","Coffey, William Ellis.  Rush Dew Holt: The Boy Senator.  Dissertation, West Virginia University, 1970. ","A\u0026M 0873, Rush Dew Holt (1905-1955) Papers, West Virginia and Regional History Center, West Virginia University Libraries.  "],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Rush Dew Holt (1905-1955) Papers, A\u0026amp;M 0873, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Rush Dew Holt (1905-1955) Papers, A\u0026M 0873, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e1858, 3001, 3943, 4039, 4218, 4386\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["1858, 3001, 3943, 4039, 4218, 4386"],"scopecontent_html_tesm":["\u003cp\u003ePapers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.\u003c/p\u003e\n","\u003cp\u003eThe collection is divided into six series as follows:\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIncludes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 2. Artifacts; 1939-1952 and undated\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIncludes personal and political items collected by Rush Holt.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 3. Legislative Records; 1920-1955 and undated\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIncludes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 4. Constituent Services; 1923-1954 and undated\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIncludes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.\u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)\u003c/emph\u003e\u003c/p\u003e\n","\u003cp\u003eIncludes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.    \u003c/p\u003e\n","\u003cp\u003e\u003cemph render=\"bold\"\u003eSeries 6. Administrative Files; 1937-1940\u003c/emph\u003e \u003c/p\u003e\n","\u003cp\u003eIncludes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.   \u003c/p\u003e","\u003cp\u003eIncludes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.\u003c/p\u003e","\u003cp\u003eIncludes correspondence relating to the personal and political issues of Rush Holt's life. \u003c/p\u003e\n","\u003cp\u003e Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. \u003c/p\u003e\n","\u003cp\u003e Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others.\u003c/p\u003e\n","\u003cp\u003e Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others.\u003c/p\u003e\n","\u003cp\u003e Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others. \u003c/p\u003e\n","\u003cp\u003e Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1).\u003c/p\u003e\n","\u003cp\u003e For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material.\u003c/p\u003e\n","\u003cp\u003e For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee\u003c/p\u003e\n","\u003cp\u003e For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee.\u003c/p\u003e\n","\u003cp\u003e For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission. \u003c/p\u003e\n","\u003cp\u003e For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.\u003c/p\u003e","\u003cp\u003eIncludes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses.\u003c/p\u003e\n","\u003cp\u003e Invitations represent both public and private events including graduations, weddings, and dinners, among others.\u003c/p\u003e\n","\u003cp\u003e Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards.\u003c/p\u003e\n","\u003cp\u003e Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5).\u003c/p\u003e\n","\u003cp\u003e Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.\u003c/p\u003e","\u003cp\u003eIncludes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices.\u003c/p\u003e\n","\u003cp\u003e Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others.\u003c/p\u003e\n","\u003cp\u003e Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).\u003c/p\u003e","\u003cp\u003eIncludes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled.\u003c/p\u003e\n","\u003cp\u003e Types of material include coursework, examinations, and records of final grades.\u003c/p\u003e\n","\u003cp\u003e An item of note is Rush Holt's high school diploma (located in box 1, folder 6).\u003c/p\u003e","\u003cp\u003eIncludes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained.\u003c/p\u003e\n","\u003cp\u003e For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt.\u003c/p\u003e\n","\u003cp\u003e Typescripts include \u003cemph render=\"italic\"\u003eFacts and Figures\u003c/emph\u003e (numbers 1-224) and \u003cemph render=\"italic\"\u003ePolitics in West Virginia\u003c/emph\u003e (numbers 1-118). These serial publications are also partially represented by the photocopied articles. \u003cemph render=\"italic\"\u003eFacts and Figures\u003c/emph\u003e appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously.\u003c/p\u003e\n","\u003cp\u003e Copies of \u003cemph render=\"italic\"\u003eThe West Virginia Taxpayer\u003c/emph\u003e, a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail.\u003c/p\u003e\n","\u003cp\u003e Manuscripts by Rush Holt include \u003cemph render=\"italic\"\u003eWho's Who Among the War Mongers: Merchants of Death and Their Stooges\u003c/emph\u003e (located in box 306, folders 1 and 2), \u003cemph render=\"italic\"\u003eThe British Network: A Study of Fifth Column Activities in the United States\u003c/emph\u003e (located in box 306, folders 3 and 4), and \u003cemph render=\"italic\"\u003eThe President Moves Toward War\u003c/emph\u003e (located in box 339, folders 4 and 5).\u003c/p\u003e","\u003cp\u003eIncludes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected.\u003c/p\u003e\n","\u003cp\u003e Topics include neutrality, war propaganda, taxes, and utilities, among others.\u003c/p\u003e\n","\u003cp\u003e Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others.\u003c/p\u003e\n","\u003cp\u003e An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).\u003c/p\u003e","\u003cp\u003eIncludes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals.\u003c/p\u003e\n","\u003cp\u003e Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions.\u003c/p\u003e\n","\u003cp\u003e Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others.\u003c/p\u003e\n","\u003cp\u003e Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians.\u003c/p\u003e\n","\u003cp\u003e For additional photographs of Rush Holt, please see the West Virginia \u0026amp; Regional History Center's digitized OnView collection.\u003c/p\u003e","\u003cp\u003eIncludes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others.\u003c/p\u003e\n","\u003cp\u003e Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2).\u003c/p\u003e\n","\u003cp\u003e Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's \u003cemph renderrender=\"italic\"\u003eFantasia\u003c/emph\u003e in Washington, D.C., and the 1952 Republican National Convention, among others.\u003c/p\u003e\n","\u003cp\u003e Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught.\u003c/p\u003e\n","\u003cp\u003e The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.\u003c/p\u003e","\u003cp\u003eIncludes miscellaneous material collected by Rush Holt.\u003c/p\u003e\n","\u003cp\u003eTypes of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.\u003c/p\u003e\n","\u003cp\u003eTopics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.\u003c/p\u003e\n","\u003cp\u003eItems of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).\u003c/p\u003e","\u003cp\u003eIncludes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.\u003c/p\u003e","\u003cp\u003eIncludes personal and political items collected by Rush Holt.\u003c/p\u003e\n","\u003cp\u003e Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.\u003c/p\u003e\n","\u003cp\u003e For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches.\u003c/p\u003e\n","\u003cp\u003e It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee \u003c/p\u003e\n","\u003cp\u003e The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States.\u003c/p\u003e\n","\u003cp\u003e Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others.\u003c/p\u003e\n","\u003cp\u003e Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).\u003c/p\u003e","\u003cp\u003eIncludes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee.\u003c/p\u003e\n","\u003cp\u003e Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states. \u003c/p\u003e\n","\u003cp\u003e Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia.\u003c/p\u003e\n","\u003cp\u003e Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others.\u003c/p\u003e\n","\u003cp\u003e The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.\u003c/p\u003e","\u003cp\u003eIncludes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission.\u003c/p\u003e\n","\u003cp\u003e Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others.\u003c/p\u003e\n","\u003cp\u003e Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted.\u003c/p\u003e\n","\u003cp\u003e Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration.\u003c/p\u003e\n","\u003cp\u003e Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts.\u003c/p\u003e\n","\u003cp\u003e Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.\u003c/p\u003e","\u003cp\u003eIncludes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.\u003c/p\u003e\n","\u003cp\u003eTopics represented by the material include municipal operations, education, neutrality, and immigration, among others.\u003c/p\u003e\n","\u003cp\u003eRecords of note include copies of the West \u003cemph renderrender=\"italic\"\u003eVirginia Legislature Journal\u003c/emph\u003e for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2).\u003c/p\u003e\n","\u003cp\u003e Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.\u003c/p\u003e","\u003cp\u003eIncludes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.\u003c/p\u003e","\u003cp\u003eIncludes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate. \u003c/p\u003e\n","\u003cp\u003eBecause of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject. \u003c/p\u003e\n","\u003cp\u003eTopics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.\u003c/p\u003e\n","\u003cp\u003eGeneral correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter. \u003c/p\u003e\n","\u003cp\u003eSecond copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not. \u003c/p\u003e\n","\u003cp\u003eSupreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting. \u003c/p\u003e\n","\u003cp\u003eThere are also a few boxes of \u003cemph renderrender=\"italic\"\u003eWest Virginia Taxpayer\u003c/emph\u003e correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the \u003cemph render=\"italic\"\u003eWest Virginia Taxpayer\u003c/emph\u003e. There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications.\u003c/p\u003e\n","\u003cp\u003e For an example of a constituent mail log, please see Series 6. Administrative Files.\u003c/p\u003e\n","\u003cp\u003e Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.\u003c/p\u003e","\u003cp\u003eIncludes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).\u003c/p\u003e","\u003cp\u003eIncludes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent.\u003c/p\u003e\n","\u003cp\u003e Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the \u003cemph renderrender=\"italic\"\u003eAgricultural Yearbook\u003c/emph\u003e and the \u003cemph renderrender=\"italic\"\u003eFarmer's Bulletin\u003c/emph\u003e. Also included are requests for publications about political topics (e.g. a presidential third term).\u003c/p\u003e\n","\u003cp\u003e Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others. \u003c/p\u003e\n","\u003cp\u003e Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.\u003c/p\u003e","\u003cp\u003eIncludes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.\u003c/p\u003e","\u003cp\u003eIncludes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks.\u003c/p\u003e\n","\u003cp\u003e Topics represented are a combination of personal and political interests. \u003c/p\u003e\n","\u003cp\u003e Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others.\u003c/p\u003e\n","\u003cp\u003e Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.\u003c/p\u003e","\u003cp\u003eIncludes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career. \u003c/p\u003e\n","\u003cp\u003e Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.\u003c/p\u003e","\u003cp\u003eIncludes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others.\u003c/p\u003e\n","\u003cp\u003e Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952).\u003c/p\u003e\n","\u003cp\u003e To see digitized copies of these Holt political cartoons, please visit the Rush Holt Political Cartoons digital collection: https://holt.lib.wvu.edu/?utf8=%E2%9C%93\u0026amp;search_field=all_fields\u0026amp;q.\u003c/p\u003e","\u003cp\u003eIncludes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term. \u003c/p\u003e\n","\u003cp\u003e Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff. \u003c/p\u003e\n","\u003cp\u003e Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940.\u003c/p\u003e\n","\u003cp\u003e Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence. \u003c/p\u003e\n","\u003cp\u003e Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June). \u003c/p\u003e\n","\u003cp\u003e For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated) includes correspondence; invitations and cards; material representing campaign activities; and material from college courses, among other material that represents Rush Holt's personal life and political career; and ephemera collected by Rush Holt. Artifacts (1939-1952 and undated) includes personal and political items collected by Rush Holt. Legislative Records (1920-1955 and undated) includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity. Constituent Services (1923-1954 and undated) includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents providing political opinions to Holt or requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. Press and Media Activity (1925-2003 and undated) includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media. Administrative Files (1937-1940) includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.","The collection is divided into six series as follows:","Series 1. Personal and Political Papers; 1840-2000 and undated (bulk 1918-1955)","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Series 2. Artifacts; 1939-1952 and undated","Includes personal and political items collected by Rush Holt.","Series 3. Legislative Records; 1920-1955 and undated","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity.","Series 4. Constituent Services; 1923-1954 and undated","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Series 5. Press and Media Activity; 1925-2003 and undated (bulk 1925-1955)","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.    ","Series 6. Administrative Files; 1937-1940","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term.   ","Includes material related to Rush Holt's personal, family, and political life. Additional material related to his work in politics can be found in Series 3 through 6. Types of material include correspondence; invitations and cards; material representing campaign activities; material from college courses; bills for recordings, radio station receipts, and election expenditures; typescripts, newsletters, manuscripts, and photocopies of material written by Rush Holt; publications to which Rush Holt subscribed and collected; photographs that represent Rush Holt's personal life and political career; ephemera collected by Rush Holt; and election results collected by Rush Holt.","Includes correspondence relating to the personal and political issues of Rush Holt's life. "," Because of different original series of correspondence, in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. "," Personal correspondence topics include Rush Holt's marriage to Helen Louise Froelich, family matters such as births and deaths, holidays, Rush Holt's illness, and general correspondence with family and friends, among others."," Political correspondence topics include an anti-lynching bill which is represented by letters between Rush Holt and Walter White, former secretary for the National Association for the Advancement of Colored People; the United Mine Workers of America which is represented by correspondence between Rush Holt and Frank Miley, former president of the United Mine Workers of America, District 31; and the seating issue from when Rush Holt was first elected to the Senate; among others."," Other prominent correspondents/subjects of correspondence include Joe Alderson, former WPA Director in Lewis County, West Virginia; Van A. Bittner, former president of United Mine Workers Association District 12; James A. Farley, former chairman of the Democratic National Committee; and Frank Miley, former president of the United Mine Workers of America, District 31, among others. "," Items of note include political-related correspondence with Spencer Bonaventure Tracey (located in box 229, folder 7), Louise B. Mayer (located in box 229, folder 8), Walt Disney (located in box 229, folder 9), and James Cagney (located in box 229, folder 11). Other items of note include a poem titled Rejected (not Holt's) that is set in Hell and portrays President Franklin D. Roosevelt as a sinner (located in box 238, folder 3), and a letter from President Harry S. Truman (located in box 357, folder 1)."," For correspondence directly related to Rush Holt's campaigns, please see Series 1. Personal and Political Papers—Campaign Material."," For Utility Investigating Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Utility Investigating Committee"," For Government Costs Committee-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates State Government Costs Committee."," For Interstate Cooperation Commission-related correspondence, please see Series 3. Legislative Records—West Virginia House of Delegates Interstate Cooperation Commission. "," For Works Progress Administration-related correspondence, please see Series 3. Legislative Records—Works Progress Administration.","Includes invitations and cards retained by Rush Holt. Also includes a small subset of Holt's responses."," Invitations represent both public and private events including graduations, weddings, and dinners, among others."," Cards are inclusive of general greeting cards, sympathy cards for the deaths of Rush Holt's parents, and get-well cards."," Significant items include invitations to attend events at the White House (located in box 312, folder 10) and an invitation to attend the 1939 World's Fair (located in box 340, folder 5)."," Included in this series are letters and telegrams that are interleaved with cards and that possess a similar theme.","Includes material representing Rush Holt's activities during his political campaigns for West Virginia and national offices."," Types of material include broadsides, correspondence, newspaper mats, publicity releases, and speeches, among others."," Items of note include certificates of election for the West Virginia House of Delegates (located in box 369, folder 1).","Includes Rush Holt's diploma from Weston High School and material from LaSalle Extension University Law and Practical Accounting courses in which Rush Holt enrolled."," Types of material include coursework, examinations, and records of final grades."," An item of note is Rush Holt's high school diploma (located in box 1, folder 6).","Includes bills for recordings, radio station receipts, and election expenditures information that Rush Holt retained."," For the sound recordings mentioned in this material in addition to other recordings by Rush Holt, please see Series 5. Press and Media Activity--Recordings.","Includes typescripts, newsletters, manuscripts, and photocopies of newspaper articles written by Rush Holt."," Typescripts include  Facts and Figures  (numbers 1-224) and  Politics in West Virginia  (numbers 1-118). These serial publications are also partially represented by the photocopied articles.  Facts and Figures  appears to be a regular column that Holt wrote from 1947 through 1953, though perhaps not continuously."," Copies of  The West Virginia Taxpayer , a newsletter written and published by Rush Holt, are also included and span from December 1948 to November 1954. Correspondence regarding support for this publication can be found in Series 4. Constituent Services—General Constituent Mail."," Manuscripts by Rush Holt include  Who's Who Among the War Mongers: Merchants of Death and Their Stooges  (located in box 306, folders 1 and 2),  The British Network: A Study of Fifth Column Activities in the United States  (located in box 306, folders 3 and 4), and  The President Moves Toward War  (located in box 339, folders 4 and 5).","Includes publications such as magazines, newsletters, bulletins, brochures, and pamphlets, among other types of publications to which Rush Holt subscribed and collected."," Topics include neutrality, war propaganda, taxes, and utilities, among others."," Publications include Uncensored, Social Justice, Public Assistance, West Virginia utility reports, and tax publications from different states, among others."," An item of note is the photocopied section of Sherwood Anderson's Puzzled America that mentions Rush Holt (located in box 370, folder 10). A copy of the whole book is available through West Virginia University's Downtown Library (call number: E806.A652 1970).","Includes photographs that represent Rush Holt's personal life and political career. Photographs depict Rush Holt and his family, among other prominent individuals."," Personal life photographs include Rush Holt's and Helen Louise Froelich's wedding and photographs taken of Rush Holt and his family during holidays and other special occasions."," Political career photographs comprise the majority of this series and represent occasions such as sessions of the West Virginia Legislature, political conventions, and campaign events including Dwight Eisenhower's \"Whistle Stop\" presidential campaign through West Virginia (located in box 370, folder 13), among others."," Prominent individuals include James Farley, former postmaster general during the first two administrations of President Franklin D. Roosevelt (signed photograph located in box 1, folder 1); individuals involved with WCHS News, including Ron Edwards; and former Vice President John N. Garner (signed photograph located in box 370, folder 16), among other politicians."," For additional photographs of Rush Holt, please see the West Virginia \u0026 Regional History Center's digitized OnView collection.","Includes items collected by Rush Holt such as personal nameplates, political and historical ephemera, tickets to events, and personal items, among others."," Political and historical ephemera includes an \"America First\" ribbon (located in box 341, folder 2), a campaign ribbon from the 1840 Van Buren and Johnson election (located in box 341, folder 2), and a Confederate ten dollar bill (located in box 341, folder 2)."," Tickets to events are representative of commencements and sporting events in West Virginia, the premiere of Disney's  Fantasia  in Washington, D.C., and the 1952 Republican National Convention, among others."," Personal items include material from a fraternity to which Rush Holt belonged, items (pictures, cards, licenses) from his wallets, and material from a Bible class Rush Holt taught."," The wallets from which the personal pictures, cards, and licenses were removed are located in Series 2. Artifacts.","Includes miscellaneous material collected by Rush Holt.","Types of material include newspaper clippings, reports, publications, and correspondence, and election-related records, among others.","Topics include other senators (e.g., Joe Guffey of Pennsylvania and H. D. Hatfield of West Virginia), labor, railroads, and the Supreme Court, among others.","Items of note include a certificate confirming Rush Holt's initiation into the National Society of the Sons of the American Revolution (located in box 1, loose); maps that detail election results for different offices including governor, House of Delegates, etc. in West Virginia (located in box 147, folder 8); Rush Holt's diary (located in box 166, folder 1), material relating to John L. Lewis and the Congress of Industrial Organizations (located in box 151, folders 1 to 3); a list of individuals who have sat in the same Senate desk that Rush Holt did (located in box 369, folder 13); a prayer authored by Rush Holt (located in box 372, folder 7); and material relating to the Rush Holt Endowment at West Virginia University (located in box 372, folder 8).","Includes election material collected by Holt, such as facsimile abstracts of votes, primary election results, lists of voters, and more. The main geographical focus is Lewis County, WV.","Includes personal and political items collected by Rush Holt."," Items of note include a personalized \"Holt for Governor\" license plate and a senatorial campaign button (located in box 374), a \"liberty\" embroidered cloth (located in box 4), and a West Virginia state flag (located in box 4).","Includes correspondence, reports, publications, clippings, statistics, transcripts, financial records, and project records, among other miscellaneous material relative to Rush Holt's committee-based and general legislative activity."," For records of speeches delivered in the West Virginia Legislature and the United States Senate, please see Series 5. Press and Media Activity—Speeches."," It should be noted that there exists a gap in the legislative records; thus, Rush Holt's senatorial papers are not represented as completely as those from the West Virginia House of Delegates. For material pertaining to the senatorial years, please refer to the Miscellaneous section of this series, or check the Records of the U.S. Senate at the National Archives and Records Administration.","Includes correspondence, reports, and clippings bearing primarily upon Rush Holt's activities as chairman of the Utility Investigating Committee "," The material is representative of Rush Holt's interaction with and study of utility companies throughout West Virginia and the United States."," Topics include gas, electricity, fuel rates, and municipal-owned utilities, among others."," Material of note includes testimonies of utility representatives during special hearings to examine the costs of state utilities. These hearings were held in Charleston, West Virginia between February 6, 1933 and April 11, 1933 (located in box 177, folder 1 to box 180, folder 4).","Includes correspondence, statistics, reports, and transcripts relative to Rush Holt's activity with the Government Costs Committee."," Correspondence includes letters sent and received by Rush Holt regarding expenditures for West Virginia and other states. "," Statistics and reports include information sent to and gathered by Rush Holt regarding state-owned cars in West Virginia."," Institutions and departments represented include the Department of Agriculture, West Virginia University, Huntington State Hospital, the Department of Mines, and the State Road Commission, among others."," The transcript document testimonies in the February 5 to March 1, 1943 hearings to investigate the cost of state government for which Rush Holt served as chairman. Entities represented by the testimonies include the Publicity Commission, the Bureau of Negro Welfare, the Road Commission, and the Labor Department, among others.","Includes financial records requested by and maintained by Rush Holt during his time as a member of the Interstate Cooperation Commission."," Types of records include correspondence, financial and payroll statistics, and budgetary reports, among others."," Entities represented include departments of state, governmental offices of state, educational institutions (including West Virginia University), and hospitals, among others.","Includes correspondence, payroll records, project records, and other miscellaneous material relative to the activities of the Works Progress Administration that Rush Holt gathered. It should be noted that while he was not an administrator of the Works Progress Administration, Rush Holt used his legislative position to discover and draw attention to the organization that he believed had been corrupted."," Correspondence is comprised of letters to and from Rush Holt concerning the status of projects in West Virginia counties. Also included are incoming letters from around the United States relating to Holt's speeches, actions, and beliefs concerning the Works Progress Administration."," Payroll records include copies of salaries received for positions of different projects in West Virginia counties. These records include location information, project numbers, position titles, and salary amounts."," Project records include information relating to the cost of rentals, supplies, and bids, among other project expenditures.","Includes typescripts, statistics, publications, reports, and other miscellaneous records pertaining to Rush Holt's legislative activity.","Topics represented by the material include municipal operations, education, neutrality, and immigration, among others.","Records of note include copies of the West  Virginia Legislature Journal  for the 1944 first extraordinary session of the state's House of Delegates and Senate (located in box 339, folder 14), a five-year plan for West Virginia highways (located in box 294, folder 6), and annual reports written and sent to the West Virginia Public Service Commission (located in box 296, folder 2 to box 297, folder 2)."," Additional correspondence related to Holt's legislative activity, and more general political topics, can be found in Series 1. Personal and Political Papers—Correspondence and Miscellaneous.","Includes mail received by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate from constituents requesting government publications and bulletins, copies of speeches, educational material, and Rush Holt's recommendation to the United States Military or Naval Academy. In some cases, this series also includes typescript responses, many of which are generic.","Includes constituent mail received and sent by Rush Holt during his time in the West Virginia House of Delegates and the United States Senate. ","Because of different original series of correspondence (including general correspondence, second copies, and correspondence sorted by topic), in addition to maintaining this original order, the material of this series, as a whole, is not in chronological order. It should also be noted that the letters that have been sorted by topic are not a complete representation of that subject. ","Topics include World War II, neutrality, political issues (such as the Supreme Court proposed alteration, Rush Holt's age at the time of his election to the Senate, presidential third terms, etc.), state construction projects (such as roads and infrastructure), and state programs and relief efforts for issues such as the 1936 silicosis incident in West Virginia, among others.","General correspondence is arranged chronologically, then foldered by first letter of last name. It includes basic requests for material, facts, or brief opinions. Copies of typescript responses are stapled to the original constituent letter. ","Second copies correspondence is arranged chronologically, but it contains only the typescript copies of Rush Holt's responses. For some, the first copy typescript and original letter are located in general correspondence; however, others are not. ","Supreme Court correspondence is organized into two groups: Individuals for and against the proposed change. Attached to the initial letters from constituents is Rush Holt's response, and for those against the change, there are also form letters offering a publication commemorating the 150th anniversary of the first congressional meeting. ","There are also a few boxes of  West Virginia Taxpayer  correspondence that include outgoing typescript copies of letters, mostly letters of thanks and solicitation for donations/subscription to support Holt's newsletter/publication, the  West Virginia Taxpayer . There is a small amount of incoming correspondence as well. Copies of this publication can be found in Series 1. Personal and Political Papers, Publications."," For an example of a constituent mail log, please see Series 6. Administrative Files."," Additional constituent mail may also be found in Series 1. Personal and Political Papers—Correspondence.","Includes copies of correspondence between Rush Holt and constituents asking for the former's recommendation to the United States Military Academy (West Point) or Naval Academy (Annapolis).","Includes constituent letters asking for government publications and bulletins, copies of speeches, and educational material. The material is generally separated by date and state or correspondent."," Requests for government publications and bulletins include a mixture of educational and personal use requests for publications such as the  Agricultural Yearbook  and the  Farmer's Bulletin . Also included are requests for publications about political topics (e.g. a presidential third term)."," Requests for speeches include letters from constituents reflecting their opinions about Rush Holt's speeches in addition to asking for copies. Topics of speeches requested include World War II (particularly the \"Youth Faces War\" and \"Keep America Neutral\" speeches), the Works Progress Administration, the Supreme Court issue, the Conscription bill, and the Burke-Wardsworth bill, among others. "," Requests for educational material are primarily from teachers and students asking Rush Holt for material to support curriculum activities. Subjects represented include vocational school topics and issues, West Virginia and United States geography, and United States commerce, among others.","Includes original and photocopied articles from newspapers and similar publications, typescripts of press releases, pen-and-ink drawn political cartoons, transcripts of speeches, and sound recordings, among other material representing Rush Holt's involvement with the press and media.","Includes both original and photocopied articles from newspapers and similar publications retained by Rush Holt. Entire issues are also included in this series. Some clippings have been pasted into scrapbooks."," Topics represented are a combination of personal and political interests. "," Personal topics include Rush Holt's wedding to Helen Louise Froelich, the Holt family, and the Rush Holt History Conference at West Virginia University (1998-2003), among others."," Political topics include Rush Holt's campaigns and elections, the Congress of Industrial Organizations, the Works Progress Administration, and neutrality issues, among others.","Includes copies of typed press releases regarding speeches delivered by Rush Holt, or those with similar opinions, throughout his political career. "," Topics addressed include neutrality, foreign policy, social security, and the presidential third term issue, among others.","Includes pen and ink drawings by a variety of artists for political cartoons documenting news issues of the day including the West Virginia politics, President Franklin D. Roosevelt, World War II, and isolationism, among others."," Twenty-three of these cartoons were used for a campaign booklet advocating Rush Holt's candidacy for governor of West Virginia (1952)."," To see digitized copies of these Holt political cartoons, please visit the Rush Holt Political Cartoons digital collection: https://holt.lib.wvu.edu/?utf8=%E2%9C%93\u0026search_field=all_fields\u0026q.","Includes material documenting the daily office activities of Rush Holt and his staff during the former's senatorial term. "," Types of material include daily reports, lists of letters received requesting information, and records of work performed by the office staff. "," Daily reports document visits, appointments, and calls to Rush Holt's office for the periods of December 6, 1937 to December 31, 1938, the entire year of 1939, and January 3, 1940 to November 9, 1940."," Lists of letters received provide a chronological register of constituents' writings to Rush Holt between 1939 and 1940. It should be noted, however, that these records provide only basic information and do not indicate the subject of the correspondence. "," Records of work performed provide documentation of tasks completed by Rush Holt's Senate office employees. It should be noted that these records, while detailed, are limited to the first half of 1940 (January to June). "," For an example of outgoing political form letters, mass mailings, and mailing lists, see Series 4. Constituent Services—General Constituent Mail (boxes 291 and 292)."],"separatedmaterial_html_tesm":["\u003cp\u003eEphemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026amp;M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.\u003c/p\u003e\n","\u003cp\u003e17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Ephemeral items not specific to Rush Dew Holt were moved to the Printed Ephemera Collection. Several local basketball scorecards were moved to A\u0026M 4216, the Annual West Virginia State High School Basketball Tournament Programs collection.","17 reels of undated sound recordings, chiefly relating to the political career of Rush Dew Holt, were separated to the oral history collection, C432 R699-R715 (17 tapes). These tapes include some personal material as well."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_7f7aca18f594cb9e240c48f7fdefc04e\"\u003ePapers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940).\u003c/abstract\u003e"],"abstract_tesim":["Papers of Rush Dew Holt, Sr. (1905-1955) relating to his personal and political activities. Types of material include publications, clippings, correspondence, photographs, and ephemera, among others. The collection is divided into six series: Personal and Political Papers (1840-2000 and undated), Artifacts (1939-1952 and undated), Legislative Records (1920-1955 and undated), Constituent Services (1923-1954 and undated), Press and Media Activity (1925-2003 and undated), and Administrative Files (1937-1940)."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_c13cef4864374dc7a447894b02986413\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Holt, Rush Dew, 1905-1955","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"names_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital","Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"corpname_ssim":["West Virginia and Regional History Center","America First Committee","American Federation of Labor","Congress of Industrial Organizations (U.S.)","United States. National Bituminous Coal Commission","United States. National Labor Relations Board","Progressive Mine Workers of America","United Mine Workers of America","United States. National Recovery Administration","United States. Supreme Court","United States. Congress. Senate","West Virginia. Legislature","United States. Works Progress Administration","Democratic Party (U.S.)","Weston State Hospital"],"persname_ssim":["Holt, Rush Dew, 1905-1955","Bittner, Van A. (Van Amberg), 1885-1949","Black, Hugo LaFayette, 1886-1971","Coughlin, Charles E.","Edmiston, Andrew.","Farley, James A. (James Aloysius), 1888-1976","Green, William.","Holt, Helen Louise Froelich, 1913-2015","Holt, Mathew S., 1850-1939","Hopkins, Harry L. (Harry Lloyd), 1890-1946","Ickes, Harold L. (Harold LeClair), 1874-1952","Kump, Herman Guy, 1877-1962","La Follette, Robert M. (Robert Marion), 1855-1925","Neely, Matthew Mansfield, 1874-1958","Lewis, John L. (John Llewellyn), 1880-1969","Long, Huey Pierce, 1893-1935"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":938,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:09:46.199Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3687_c03_c05_c41"}},{"id":"vifgm_ftpphoto_c04_c610","type":"File","attributes":{"title":"1935 98,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_ftpphoto_c04_c610#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_ftpphoto_c04_c610#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_ftpphoto_c04_c610","ref_ssm":["vifgm_ftpphoto_c04_c610"],"id":"vifgm_ftpphoto_c04_c610","ead_ssi":"vifgm_ftpphoto","_root_":"vifgm_ftpphoto","_nest_parent_":"vifgm_ftpphoto_c04","parent_ssi":"vifgm_ftpphoto_c04","parent_ssim":["vifgm_ftpphoto","vifgm_ftpphoto_c04"],"parent_ids_ssim":["vifgm_ftpphoto","vifgm_ftpphoto_c04"],"parent_unittitles_ssm":["Federal Theatre Project photograph collection","Series 4: Microfiche,"],"parent_unittitles_tesim":["Federal Theatre Project photograph collection","Series 4: Microfiche,"],"text":["Federal Theatre Project photograph collection","Series 4: Microfiche,","1935 98,","Box 101","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\"."],"title_filing_ssi":"1935 98,","title_ssm":["1935 98,"],"title_tesim":["1935 98,"],"unitdate_other_ssim":["Circa 1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["1935 98,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3341,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"date_range_isim":[1936,1937,1938,1939],"containers_ssim":["Box 101"],"scopecontent_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e"],"scopecontent_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\"."],"_nest_path_":"/components#3/components#609","timestamp":"2026-05-21T06:42:20.730Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_ftpphoto","ead_ssi":"vifgm_ftpphoto","_root_":"vifgm_ftpphoto","_nest_parent_":"vifgm_ftpphoto","ead_source_url_ssi":"data/gmu/ftpphoto.xml","aspace_url_ssi":"http://sca.gmu.edu/finding_aids/ftpphoto.html","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205"],"text":["C0205","Federal Theatre Project photograph collection","Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits.","There are no access restrictions.","The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.","Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","This series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.","11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.","Banquo and Fleance. \"How goes the night, boy.\"","Materials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).","This series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","This series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.","This series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".","1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".","1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"","2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".","2 negatives and 2 positives.","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".","2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026 222 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".","2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".","2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".","1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".","Portraits of leads Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.","Zinc plates and mats created out of the plates to use in print production.","Matrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".","4 envelopes. 1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\". 2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". 3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\" 4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"","2 envelopes: 1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\" 2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".","3 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\". 2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\" 3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".","2 envelopes: 1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\". 2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.","Zinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"","2 envelopes: 1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88 2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"","2 envelopes: 1) Small irregularly shaped zinc plate for Excursion 2) Rectangular shaped zinc plate for Excursion","Large irregularly shaped zinc plate for The Farmers Takes a Wife","2 envelopes: 1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" 2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".","2 envelopes: 1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult 2) Zinc plate of a man","3 envelopes: 1) Zinc plate of a man, woman and boy. 2) Zinc plate of a man. 3) Zinc plate of a man.","2 envelopes: 1) Zinc plate of 2 men. 2) Zinc plate of 3 men.","2 envelopes: 1) Zinc plate of 3 men. 2) Zinc plate of a man. On the back \"Northcult\"","Zinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.","7 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\" 6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\" 7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"","3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.","5 envelopes: 1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"","Zinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"","Zinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"","4 envelopes: 1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope. 3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","4 envelopes: 1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\" 3) Copper plate for the play Post Road that was originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","Mat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".","3 envelopes: 1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\" 2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\" 3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"","7 envelopes: 1) Zinc plate that was originally inside a brown envelope marked \"Prologue\" 2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\" 3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses. 4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil) 5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\" 6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil) 7) 2 zinc plates of a man","44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.","26 mats/matrixes for Prologue to Glory. They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.","Zinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u003e\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"","3 zinc plates for Run Little Chillun","4 envelopes: 1 \u0026 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026 AL Adams\" 3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\" 4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"","5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.","5 envelopes: 1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\" 2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\" 3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\" 4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\" 5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"","4 mats","Zinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".","26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"","Zinc plate of George Bratt. Etched on the back is \"George Bratt\"","47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.","2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".","Zinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.","8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"","Zinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"","4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No. Bloom 11-50372- Sandra Katlov or Sandra Karyl\"","see Karyl, Sandra","14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.","7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.","Zinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.","Zinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"","Zinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"","Zinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"","Woodblocks with zinc (and a few copper) plates. These were used for printing.","Medium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.","Small rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.","Medium rectangular shaped woodblock for Her Majesty the Widow.","Square woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".","Medium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".","Large rectangular woodblock of a man.","Medium rectangular woodblock of a man.","Small rectangular wood block for the play \"Mikado\" with copper.","4 Medium rectangular woodblocks for \"Mikado\" with copper.","Small rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".","Square woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".","Square woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Irregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Small square woodblock for the play \"Post Road\". On back there is a \"2\".","Medium square woodblock for \"Prologue to Glory\"","Small rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock for \"Prologue to Glory\".","Large rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".","Medium rectangular woodblock for \"The Silver Cord\".","2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.","Large rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".","Small rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".","2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.","1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".","Medium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".","2 medium rectangular woodblocks of Helene Bush.","2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".","Medium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.","Medium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".","Large rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".","Small rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.","Mimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.","Two engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.","3 Mimeographs for \"The Best Cure\"","Mimeograph for Dixieland Minstrels.","Two engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".","Two engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".","Prologue to Glory- Mimeograph","2 mimeographs for Room Service. There are two other outlines used for printing as well.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\".","There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)","English\n\t\t"],"unitid_tesim":["C0205"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"access_subjects_ssm":["Actors--Photographs.","Theatre--New York--New York.","Negatives.","Photographs.","Portraits."],"has_online_content_ssim":["true"],"extent_ssm":["47.0 linear feet (112 boxes)"],"extent_tesim":["47.0 linear feet (112 boxes)"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"FTP digital collection\" href=\"http://www.aladin0.wrlc.org/gsdl/collect/ftpp/ftpp.shtml\"\u003e\u003c/extptr\u003e. There are photographs from this collection and other FTP collections in the \n                \u003cextptr type=\"simple\" show=\"new\" title=\"Federal Theatre Project collection\" href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\"\u003e\u003c/extptr\u003e There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the \n                 . There are photographs from this collection and other FTP collections in the \n                  There are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n        \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n        \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n      \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression. Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project Photographs, C0205, Special Collections and Archives, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections and Archives holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/p\u003e","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e","\u003cp\u003eThis series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003e11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.\u003c/p\u003e","\u003cp\u003eBanquo and Fleance. \"How goes the night, boy.\"\u003c/p\u003e","\u003cp\u003eMaterials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).\u003c/p\u003e","\u003cp\u003eThis series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eThis series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eThis series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026amp; 222 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".\u003c/p\u003e","\u003cp\u003e2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003ePortraits of leads Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003eThis series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e","\u003cp\u003eZinc plates and mats created out of the plates to use in print production.\u003c/p\u003e","\u003cp\u003eMatrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".\u003c/p\u003e","\u003cp\u003e4 envelopes. 1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\". 2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". 3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\" 4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\" 2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".\u003c/p\u003e","\u003cp\u003e3 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\". 2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\" 3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\". 2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.\u003c/p\u003e","\u003cp\u003eZinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88 2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Small irregularly shaped zinc plate for Excursion 2) Rectangular shaped zinc plate for Excursion\u003c/p\u003e","\u003cp\u003eLarge irregularly shaped zinc plate for The Farmers Takes a Wife\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" 2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult 2) Zinc plate of a man\u003c/p\u003e","\u003cp\u003e3 envelopes: 1) Zinc plate of a man, woman and boy. 2) Zinc plate of a man. 3) Zinc plate of a man.\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of 2 men. 2) Zinc plate of 3 men.\u003c/p\u003e","\u003cp\u003e2 envelopes: 1) Zinc plate of 3 men. 2) Zinc plate of a man. On the back \"Northcult\"\u003c/p\u003e","\u003cp\u003eZinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.\u003c/p\u003e","\u003cp\u003e7 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\" 6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\" 7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"\u003c/p\u003e","\u003cp\u003e3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.\u003c/p\u003e","\u003cp\u003e5 envelopes: 1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"\u003c/p\u003e","\u003cp\u003eZinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"\u003c/p\u003e","\u003cp\u003eZinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"\u003c/p\u003e","\u003cp\u003e4 envelopes: 1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope. 3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.\u003c/p\u003e","\u003cp\u003e4 envelopes: 1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\" 3) Copper plate for the play Post Road that was originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.\u003c/p\u003e","\u003cp\u003eMat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".\u003c/p\u003e","\u003cp\u003e3 envelopes: 1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\" 2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\" 3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"\u003c/p\u003e","\u003cp\u003e7 envelopes: 1) Zinc plate that was originally inside a brown envelope marked \"Prologue\" 2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\" 3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses. 4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil) 5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\" 6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil) 7) 2 zinc plates of a man\u003c/p\u003e","\u003cp\u003e44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.\u003c/p\u003e","\u003cp\u003e26 mats/matrixes for Prologue to Glory. They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.\u003c/p\u003e","\u003cp\u003eZinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u0026gt;\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"\u003c/p\u003e","\u003cp\u003e3 zinc plates for Run Little Chillun\u003c/p\u003e","\u003cp\u003e4 envelopes: 1 \u0026amp; 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026amp; AL Adams\" 3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\" 4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"\u003c/p\u003e","\u003cp\u003e5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.\u003c/p\u003e","\u003cp\u003e5 envelopes: 1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\" 2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\" 3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\" 4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\" 5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"\u003c/p\u003e","\u003cp\u003e4 mats\u003c/p\u003e","\u003cp\u003eZinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".\u003c/p\u003e","\u003cp\u003e26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"\u003c/p\u003e","\u003cp\u003eZinc plate of George Bratt. Etched on the back is \"George Bratt\"\u003c/p\u003e","\u003cp\u003e47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.\u003c/p\u003e","\u003cp\u003e2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".\u003c/p\u003e","\u003cp\u003eZinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.\u003c/p\u003e","\u003cp\u003e8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"\u003c/p\u003e","\u003cp\u003eZinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"\u003c/p\u003e","\u003cp\u003e4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No. Bloom 11-50372- Sandra Katlov or Sandra Karyl\"\u003c/p\u003e","\u003cp\u003esee Karyl, Sandra\u003c/p\u003e","\u003cp\u003e14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.\u003c/p\u003e","\u003cp\u003e7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.\u003c/p\u003e","\u003cp\u003eZinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.\u003c/p\u003e","\u003cp\u003eZinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"\u003c/p\u003e","\u003cp\u003eWoodblocks with zinc (and a few copper) plates. These were used for printing.\u003c/p\u003e","\u003cp\u003eMedium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.\u003c/p\u003e","\u003cp\u003eMedium rectangular shaped woodblock for Her Majesty the Widow.\u003c/p\u003e","\u003cp\u003eSquare woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".\u003c/p\u003e","\u003cp\u003eMedium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock of a man.\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of a man.\u003c/p\u003e","\u003cp\u003eSmall rectangular wood block for the play \"Mikado\" with copper.\u003c/p\u003e","\u003cp\u003e4 Medium rectangular woodblocks for \"Mikado\" with copper.\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".\u003c/p\u003e","\u003cp\u003eSquare woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".\u003c/p\u003e","\u003cp\u003eSquare woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".\u003c/p\u003e","\u003cp\u003eIrregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".\u003c/p\u003e","\u003cp\u003eSmall square woodblock for the play \"Post Road\". On back there is a \"2\".\u003c/p\u003e","\u003cp\u003eMedium square woodblock for \"Prologue to Glory\"\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"The Silver Cord\".\u003c/p\u003e","\u003cp\u003e2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.\u003c/p\u003e","\u003cp\u003e1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Helene Bush.\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.\u003c/p\u003e","\u003cp\u003eMimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTwo engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.\u003c/p\u003e","\u003cp\u003e3 Mimeographs for \"The Best Cure\"\u003c/p\u003e","\u003cp\u003eMimeograph for Dixieland Minstrels.\u003c/p\u003e","\u003cp\u003eTwo engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".\u003c/p\u003e","\u003cp\u003eTwo engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".\u003c/p\u003e","\u003cp\u003ePrologue to Glory- Mimeograph\u003c/p\u003e","\u003cp\u003e2 mimeographs for Room Service. There are two other outlines used for printing as well.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","This series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.","11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.","Banquo and Fleance. \"How goes the night, boy.\"","Materials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).","This series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","This series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.","This series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".","1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".","1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"","2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".","2 negatives and 2 positives.","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".","2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026 222 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".","2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".","2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".","1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".","Portraits of leads Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.","Zinc plates and mats created out of the plates to use in print production.","Matrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".","4 envelopes. 1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\". 2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". 3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\" 4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"","2 envelopes: 1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\" 2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".","3 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\". 2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\" 3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".","2 envelopes: 1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\". 2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.","Zinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"","2 envelopes: 1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88 2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"","2 envelopes: 1) Small irregularly shaped zinc plate for Excursion 2) Rectangular shaped zinc plate for Excursion","Large irregularly shaped zinc plate for The Farmers Takes a Wife","2 envelopes: 1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" 2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".","2 envelopes: 1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult 2) Zinc plate of a man","3 envelopes: 1) Zinc plate of a man, woman and boy. 2) Zinc plate of a man. 3) Zinc plate of a man.","2 envelopes: 1) Zinc plate of 2 men. 2) Zinc plate of 3 men.","2 envelopes: 1) Zinc plate of 3 men. 2) Zinc plate of a man. On the back \"Northcult\"","Zinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.","7 envelopes: 1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\" 6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\" 7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"","3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.","5 envelopes: 1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\" 2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\" 3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\" 4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\" 5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"","Zinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"","Zinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"","4 envelopes: 1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope. 3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","4 envelopes: 1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope. 2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\" 3) Copper plate for the play Post Road that was originally inside a large brown envelope. 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","Mat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".","3 envelopes: 1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\" 2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\" 3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"","7 envelopes: 1) Zinc plate that was originally inside a brown envelope marked \"Prologue\" 2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\" 3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses. 4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil) 5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\" 6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil) 7) 2 zinc plates of a man","44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.","26 mats/matrixes for Prologue to Glory. They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.","Zinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u003e\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"","3 zinc plates for Run Little Chillun","4 envelopes: 1 \u0026 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026 AL Adams\" 3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\" 4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"","5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.","5 envelopes: 1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\" 2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\" 3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\" 4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\" 5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"","4 mats","Zinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".","26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"","Zinc plate of George Bratt. Etched on the back is \"George Bratt\"","47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.","2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".","Zinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.","8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"","Zinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"","4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No. Bloom 11-50372- Sandra Katlov or Sandra Karyl\"","see Karyl, Sandra","14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.","7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.","Zinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.","Zinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"","Zinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"","Zinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"","Woodblocks with zinc (and a few copper) plates. These were used for printing.","Medium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.","Small rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.","Medium rectangular shaped woodblock for Her Majesty the Widow.","Square woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".","Medium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".","Large rectangular woodblock of a man.","Medium rectangular woodblock of a man.","Small rectangular wood block for the play \"Mikado\" with copper.","4 Medium rectangular woodblocks for \"Mikado\" with copper.","Small rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".","Square woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".","Square woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Irregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Small square woodblock for the play \"Post Road\". On back there is a \"2\".","Medium square woodblock for \"Prologue to Glory\"","Small rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock for \"Prologue to Glory\".","Large rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".","Medium rectangular woodblock for \"The Silver Cord\".","2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.","Large rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".","Small rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".","2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.","1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".","Medium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".","2 medium rectangular woodblocks of Helene Bush.","2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".","Medium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.","Medium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".","Large rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".","Small rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.","Mimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.","Two engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.","3 Mimeographs for \"The Best Cure\"","Mimeograph for Dixieland Minstrels.","Two engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".","Two engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".","Prologue to Glory- Mimeograph","2 mimeographs for Room Service. There are two other outlines used for printing as well."],"separatedmaterial_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\".\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials note"],"separatedmaterial_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\"."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions on personal use. Permission to publish material from the Federal Theatre Project Photographs collection must be obtained from Special Collections Research Center, George Mason University Libraries."],"abstract_html_tesm":["\u003cabstract id=\"ref2653\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"names_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections \u0026 Archives","Federal Theatre Project (U.S.)"],"language_ssim":["English\n\t\t"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3845,"online_item_count_is":48,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T06:42:20.730Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_ftpphoto_c04_c610"}},{"id":"vifgm_repositories_2_resources_326_c04_c610","type":"File","attributes":{"title":"1935 98,","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c610#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_326_c04_c610#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_326_c04_c610","ref_ssm":["vifgm_repositories_2_resources_326_c04_c610"],"id":"vifgm_repositories_2_resources_326_c04_c610","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326_c04","parent_ssi":"vifgm_repositories_2_resources_326_c04","parent_ssim":["vifgm_repositories_2_resources_326","vifgm_repositories_2_resources_326_c04"],"parent_ids_ssim":["vifgm_repositories_2_resources_326","vifgm_repositories_2_resources_326_c04"],"parent_unittitles_ssm":["Federal Theatre Project photograph collection","Series 4: Microfiche"],"parent_unittitles_tesim":["Federal Theatre Project photograph collection","Series 4: Microfiche"],"text":["Federal Theatre Project photograph collection","Series 4: Microfiche","1935 98,","box 101","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\"."],"title_filing_ssi":"1935 98, ","title_ssm":["1935 98,"],"title_tesim":["1935 98,"],"unitdate_other_ssim":["Circa 1936-1939"],"normalized_date_ssm":["1936/1939"],"normalized_title_ssm":["1935 98,"],"component_level_isim":[2],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project photograph collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":3340,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"date_range_isim":[1936,1937,1938,1939],"containers_ssim":["box 101"],"scopecontent_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\"."],"_nest_path_":"/components#3/components#609","timestamp":"2026-06-04T07:14:00.013Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_326","ead_ssi":"vifgm_repositories_2_resources_326","_root_":"vifgm_repositories_2_resources_326","_nest_parent_":"vifgm_repositories_2_resources_326","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_326.xml","title_ssm":["Federal Theatre Project photograph collection"],"title_tesim":["Federal Theatre Project photograph collection"],"unitdate_ssm":["1936-1939"],"unitdate_inclusive_ssm":["1936-1939"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0205","/repositories/2/resources/326"],"text":["C0205","/repositories/2/resources/326","Federal Theatre Project photograph collection","Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs","There are no access restrictions.","The costumes and set designs are also available as a series in the  .\nThere are photographs from this collection and other FTP collections in the  \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.","This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939","Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.","Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. ","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","This series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.","11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.","Avaialble in digital format.","Some images available in digital format.","Banquo and Fleance. \"How goes the night, boy.\"","Materials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).","This series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Some images available in digital format.","This series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.","This series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".","1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".","1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"","2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".","2 negatives and 2 positives.","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".","2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026 222 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".","2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".","2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads  \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".\n1 negative is available in digital format.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".","1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".","Portraits of leads Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.","Zinc plates and mats created out of the plates to use in print production.","Matrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".","4 envelopes. \n1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\".\n2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". \n3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\"\n4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"","2 envelopes:\n1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\"\n2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".","3 envelopes:\n1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".\n2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\"\n3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".","2 envelopes:\n1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\".\n2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.","Zinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"","2 envelopes:\n1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88\n2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"","2 envelopes:\n1) Small irregularly shaped zinc plate for Excursion\n2) Rectangular shaped zinc plate for Excursion","Large irregularly shaped zinc plate for The Farmers Takes a Wife","2 envelopes:\n1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\"\n2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".","2 envelopes:\n1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult\n2) Zinc plate of a man","3 envelopes:\n1) Zinc plate of a man, woman and boy.\n2) Zinc plate of a man.\n3) Zinc plate of a man.","2 envelopes:\n1) Zinc plate of 2 men.\n2) Zinc plate of 3 men.","2 envelopes:\n1) Zinc plate of 3 men.\n2) Zinc plate of a man. On the back \"Northcult\"","Zinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.","7 envelopes:\n1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\"\n2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\"\n3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\"\n4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\"\n5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\"\n6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\"\n7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"","3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.","5 envelopes:\n1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\"\n2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\"\n3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\"\n4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\"\n5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"","Zinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"","Zinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"","4 envelopes:\n1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope.\n2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope.\n3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope.\n 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","4 envelopes:\n1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope.\n2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\"\n3) Copper plate for the play Post Road that was originally inside a large brown envelope.\n4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","Mat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".","3 envelopes:\n1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\"\n2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\"\n3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"","7 envelopes:\n1) Zinc plate that was originally inside a brown envelope marked \"Prologue\"\n2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\"\n3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses.\n4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil)\n5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\"\n6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil)\n7) 2 zinc plates of a man","44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.","26 mats/matrixes for Prologue to Glory.  They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.","Zinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u003e\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"","3 zinc plates for Run Little Chillun","4 envelopes:\n1 \u0026 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026 AL Adams\"\n3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\"\n4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"","5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.","5 envelopes:\n1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\"\n2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\"\n3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\"\n4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\"\n5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"","4 mats","Zinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".","26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"","Zinc plate of George Bratt. Etched on the back is \"George Bratt\"","47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.","2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".","Zinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.","8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"","Zinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"","4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No.  Bloom 11-50372- Sandra Katlov or Sandra Karyl\"","see Karyl, Sandra","14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.","7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.","Zinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.","Zinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"","Zinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"","Zinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"","Woodblocks with zinc (and a few copper) plates. These were used for printing.","Medium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.","Small rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.","Medium rectangular shaped woodblock for Her Majesty the Widow.","Square woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".","Medium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".","Large rectangular woodblock of a man.","Medium rectangular woodblock of a man.","Small rectangular wood block for the play \"Mikado\" with copper.","4 Medium rectangular woodblocks for \"Mikado\" with copper.","Small rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".","Square woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".","Square woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Irregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Small square woodblock for the play \"Post Road\". On back there is a \"2\".","Medium square woodblock for \"Prologue to Glory\"","Small rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock for \"Prologue to Glory\".","Large rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".","Medium rectangular woodblock for \"The Silver Cord\".","2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.","Large rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".","Small rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".","2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.","1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".","Medium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".","2 medium rectangular woodblocks of Helene Bush.","2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".","Medium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.","Medium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".","Large rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".","Small rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.","Mimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.","Two engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.","3 Mimeographs for \"The Best Cure\"","Mimeograph for Dixieland Minstrels.","Two engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".","Two engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".","Prologue to Glory- Mimeograph","2 mimeographs for Room Service. There are two other outlines used for printing as well.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\".","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)","This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.","\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0205","/repositories/2/resources/326"],"normalized_title_ssm":["Federal Theatre Project photograph collection"],"collection_title_tesim":["Federal Theatre Project photograph collection"],"collection_ssim":["Federal Theatre Project photograph collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"acqinfo_ssim":["Donated by the Library of Congress, National Archives and Records Administration, and acquired through purchase."],"access_subjects_ssim":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"access_subjects_ssm":["Actors -- United States","Children's theater","Photography -- Negatives","Portraits","Theater -- New York (State) -- New York","Performing arts","Theater","Theater -- United States","Theater -- United States -- History -- 20th century","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["47 Linear Feet 112 boxes"],"extent_tesim":["47 Linear Feet 112 boxes"],"genreform_ssim":["Photographs"],"date_range_isim":[1936,1937,1938,1939],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe costumes and set designs are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"FTP digital collection\" show=\"new\"\u003e\u003c/extptr\u003e.\nThere are photographs from this collection and other FTP collections in the \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"Federal Theatre Project collection\" show=\"new\"\u003e\u003c/extptr\u003e\nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The costumes and set designs are also available as a series in the  .\nThere are photographs from this collection and other FTP collections in the  \nThere are also 35 mm microfiche negatives made from original Federal Theatre Project photographs in the early 1980s."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Production Photographs, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 2: Oversize Production Photographs,1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 3: Portraits, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 4: Microfiche, 1936-1939\u003c/item\u003e\n      \u003citem\u003eSeries 5: Printing Materials, 1936-1939\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized into three series. Series one is arranged alphabetically by production title, state and city; by surname; or by subject. Series two is arranged alphabetically by production title, state and city, or by subject. Series three is arranged alphabetically by surname.","Series Series 1: Production Photographs, 1936-1939 Series 2: Oversize Production Photographs,1936-1939 Series 3: Portraits, 1936-1939 Series 4: Microfiche, 1936-1939 Series 5: Printing Materials, 1936-1939"],"bioghist_html_tesm":["\u003cp\u003eOrganized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["Organized in 1935, The Federal Theatre Project flourished as the first and only federally sponsored and subsidized theater program in the United States until its end in 1939. The FTP was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). Directed by Hallie Flanagan (1880-1969), the FTP provided employment for theatrical professionals throughout the United States during the Great Depression.  Actors, playwrights, scene designers and builders, seamstresses, lighting experts, ushers, box-office men, and stagehands all found employment through the FTP.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirochete.","The Federal Theatre was noted for employing black Americans at a time when the Federal Government did not actively protect the rights of minorities. The \"Negro Theater\" (as it was called in the 1930s) was an established industry before the Depression, and it greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project photograph collections, C0205, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Monica Johnson and Joey Romeo in 2012. EAD markup completed by Monica Johnson and Joey Romeo in 2012. Finding aid updated by Robert Vay and Amanda Menjivar in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eSpecial Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["Special Collections Research Center holds the Federal Theatre Project collection, which includes numerous personal and organizational records as well as oral histories."],"scopecontent_html_tesm":["\u003cp\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. \u003c/p\u003e\n","\u003cp\u003eSeries one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e\n","\u003cp\u003eSeries two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e\n","\u003cp\u003eSeries three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.\u003c/p\u003e\n","\u003cp\u003eSeries four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e\n","\u003cp\u003eSeries five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e","\u003cp\u003eThis series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003e11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.\u003c/p\u003e","\u003cp\u003eAvaialble in digital format.\u003c/p\u003e","\u003cp\u003eSome images available in digital format.\u003c/p\u003e","\u003cp\u003eBanquo and Fleance. \"How goes the night, boy.\"\u003c/p\u003e","\u003cp\u003eMaterials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).\u003c/p\u003e","\u003cp\u003eThis series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.\u003c/p\u003e","\u003cp\u003eSome images available in digital format.\u003c/p\u003e","\u003cp\u003eThis series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.\u003c/p\u003e","\u003cp\u003eThis series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026amp; 222 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".\u003c/p\u003e","\u003cp\u003e2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads  \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".\n1 negative is available in digital format.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003ePortraits of leads Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".\u003c/p\u003e","\u003cp\u003e1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives.\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".\u003c/p\u003e","\u003cp\u003eThis series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.\u003c/p\u003e","\u003cp\u003eZinc plates and mats created out of the plates to use in print production.\u003c/p\u003e","\u003cp\u003eMatrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".\u003c/p\u003e","\u003cp\u003e4 envelopes. \n1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\".\n2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". \n3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\"\n4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\"\n2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".\u003c/p\u003e","\u003cp\u003e3 envelopes:\n1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".\n2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\"\n3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\".\n2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.\u003c/p\u003e","\u003cp\u003eZinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88\n2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Small irregularly shaped zinc plate for Excursion\n2) Rectangular shaped zinc plate for Excursion\u003c/p\u003e","\u003cp\u003eLarge irregularly shaped zinc plate for The Farmers Takes a Wife\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\"\n2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult\n2) Zinc plate of a man\u003c/p\u003e","\u003cp\u003e3 envelopes:\n1) Zinc plate of a man, woman and boy.\n2) Zinc plate of a man.\n3) Zinc plate of a man.\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Zinc plate of 2 men.\n2) Zinc plate of 3 men.\u003c/p\u003e","\u003cp\u003e2 envelopes:\n1) Zinc plate of 3 men.\n2) Zinc plate of a man. On the back \"Northcult\"\u003c/p\u003e","\u003cp\u003eZinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.\u003c/p\u003e","\u003cp\u003e7 envelopes:\n1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\"\n2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\"\n3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\"\n4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\"\n5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\"\n6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\"\n7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"\u003c/p\u003e","\u003cp\u003e3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.\u003c/p\u003e","\u003cp\u003e5 envelopes:\n1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\"\n2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\"\n3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\"\n4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\"\n5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"\u003c/p\u003e","\u003cp\u003eZinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"\u003c/p\u003e","\u003cp\u003eZinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"\u003c/p\u003e","\u003cp\u003e4 envelopes:\n1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope.\n2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope.\n3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope.\n 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.\u003c/p\u003e","\u003cp\u003e4 envelopes:\n1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope.\n2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\"\n3) Copper plate for the play Post Road that was originally inside a large brown envelope.\n4) Zinc plate for the play Post Road that was originally inside a large brown envelope.\u003c/p\u003e","\u003cp\u003eMat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".\u003c/p\u003e","\u003cp\u003e3 envelopes:\n1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\"\n2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\"\n3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"\u003c/p\u003e","\u003cp\u003e7 envelopes:\n1) Zinc plate that was originally inside a brown envelope marked \"Prologue\"\n2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\"\n3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses.\n4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil)\n5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\"\n6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil)\n7) 2 zinc plates of a man\u003c/p\u003e","\u003cp\u003e44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.\u003c/p\u003e","\u003cp\u003e26 mats/matrixes for Prologue to Glory.  They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.\u003c/p\u003e","\u003cp\u003eZinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u0026gt;\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"\u003c/p\u003e","\u003cp\u003e3 zinc plates for Run Little Chillun\u003c/p\u003e","\u003cp\u003e4 envelopes:\n1 \u0026amp; 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026amp; AL Adams\"\n3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\"\n4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"\u003c/p\u003e","\u003cp\u003e5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.\u003c/p\u003e","\u003cp\u003e5 envelopes:\n1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\"\n2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\"\n3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\"\n4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\"\n5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"\u003c/p\u003e","\u003cp\u003e4 mats\u003c/p\u003e","\u003cp\u003eZinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".\u003c/p\u003e","\u003cp\u003e26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"\u003c/p\u003e","\u003cp\u003eZinc plate of George Bratt. Etched on the back is \"George Bratt\"\u003c/p\u003e","\u003cp\u003e47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.\u003c/p\u003e","\u003cp\u003e2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".\u003c/p\u003e","\u003cp\u003eZinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.\u003c/p\u003e","\u003cp\u003e8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"\u003c/p\u003e","\u003cp\u003eZinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"\u003c/p\u003e","\u003cp\u003e4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No.  Bloom 11-50372- Sandra Katlov or Sandra Karyl\"\u003c/p\u003e","\u003cp\u003esee Karyl, Sandra\u003c/p\u003e","\u003cp\u003e14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.\u003c/p\u003e","\u003cp\u003e7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.\u003c/p\u003e","\u003cp\u003eZinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.\u003c/p\u003e","\u003cp\u003eZinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"\u003c/p\u003e","\u003cp\u003eZinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"\u003c/p\u003e","\u003cp\u003eWoodblocks with zinc (and a few copper) plates. These were used for printing.\u003c/p\u003e","\u003cp\u003eMedium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.\u003c/p\u003e","\u003cp\u003eMedium rectangular shaped woodblock for Her Majesty the Widow.\u003c/p\u003e","\u003cp\u003eSquare woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".\u003c/p\u003e","\u003cp\u003eMedium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock of a man.\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of a man.\u003c/p\u003e","\u003cp\u003eSmall rectangular wood block for the play \"Mikado\" with copper.\u003c/p\u003e","\u003cp\u003e4 Medium rectangular woodblocks for \"Mikado\" with copper.\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".\u003c/p\u003e","\u003cp\u003eSquare woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".\u003c/p\u003e","\u003cp\u003eSquare woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".\u003c/p\u003e","\u003cp\u003eIrregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".\u003c/p\u003e","\u003cp\u003eSmall square woodblock for the play \"Post Road\". On back there is a \"2\".\u003c/p\u003e","\u003cp\u003eMedium square woodblock for \"Prologue to Glory\"\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock for \"Prologue to Glory\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"The Silver Cord\".\u003c/p\u003e","\u003cp\u003e2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.\u003c/p\u003e","\u003cp\u003e1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Helene Bush.\u003c/p\u003e","\u003cp\u003e2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.\u003c/p\u003e","\u003cp\u003eMedium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".\u003c/p\u003e","\u003cp\u003eLarge rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".\u003c/p\u003e","\u003cp\u003eSmall rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.\u003c/p\u003e","\u003cp\u003eMimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eTwo engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.\u003c/p\u003e","\u003cp\u003e3 Mimeographs for \"The Best Cure\"\u003c/p\u003e","\u003cp\u003eMimeograph for Dixieland Minstrels.\u003c/p\u003e","\u003cp\u003eTwo engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".\u003c/p\u003e","\u003cp\u003eTwo engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".\u003c/p\u003e","\u003cp\u003ePrologue to Glory- Mimeograph\u003c/p\u003e","\u003cp\u003e2 mimeographs for Room Service. There are two other outlines used for printing as well.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and 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Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives. ","Series one is titled Production Photographs. The series is comprised of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops.  Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series two is titled Oversize Production Photographs. The series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Series three is titled Portraits. The series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates can be found both within folders and across folders (more than one folder with the same heading); oversize duplicates are included in series two.","Series four is titled Microfiche. The series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","Series five is titled Printing Materials. This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is dated from 1936 to 1939 and is contained in boxes 105 to 112. The series is arranged alphabetically starting with productions and then going into portraits.","This series consists of photographs and negatives relating to productions, the majority of which are scene shots and portraits of employees, but the series also includes portraits of well-known figures of the day such as Eleanor Roosevelt and the Scottsboro Boys, and prints of audiences, caravan theater, children's theater, circus, community theater presentation, marionette construction, office personnel, posters, radio performances, rehearsals, sets, behind-the-scenes techniques, vaudeville, and workshops. Included are scene and stage production shots from living newspaper productions, such as \"Triple-A Plowed Under,\" \"Injunction Granted,\" \"1935,\" \"One-Third of a Nation,\" \"Power,\" and \"Spirochete,\" as well as from the Negro, Yiddish, and Radio units. The series is dated from 1936 to 1939 and is contained in boxes 1 to 82. It is arranged alphabetically by production title, state and city; by surname; or by subject. Some of the subjects included are audience, circus, dance, marionette, publicity, set, technical, theatres, and workshops. Duplicates are included within this series; oversize duplicates are included in series two.","11 negatives with vinegar syndrome of audiences, actors, and men playing football at CCC camps.","Avaialble in digital format.","Some images available in digital format.","Banquo and Fleance. \"How goes the night, boy.\"","Materials are included for the magazine Broadway \"PIC\" and the publication Federal Theatre: \"Men Against Microbes\" (Boston, MA.), \"Crocodile\" (Phila, PA.), \"William Brodie\" (Des Moines, Iowa), \"Big Blow\" (Chicago Federal Theatre 1939), \"The Crock of Gold\" (San Francisco, California), \"The World We Live In\" (Los Angeles, California), \"Altars of Steel\" (Miami, Fla.), \"The Weavers\" (Los Angeles, California), \"Little Black Sambo\" (Chicago, Illinois), \"Hansel and Gretel\" (Los Angeles, California).","This series is comprised of photographs relating to productions, including scene shots, stage and set shots, and portraits. The series is dated from 1936 to 1939 and is contained in boxes 83 to 88. The series is arranged alphabetically by production title, state and city, or by subject. This series includes oversize duplicates from photographs contained in series one and series three.","Some images available in digital format.","This series is comprised of headshots and portraits of actors, actresses, and directors involved in Federal Theatre productions. The series includes portraits of unidentified actors and actresses from various plays, such as \"It Can't Happen Here,\" \"No More Peace,\" \"Power,\" \"Sing for Your Supper,\" \"Processional,\" etc. The series is dated from 1936 to 1939 and is contained in boxes 88 to 93. The series is arranged alphabetically by surname. Duplicates are included within this series; oversize duplicates are included in series two.","This series contains microfiche featuring a variety of subjects that are related to the Federal Theater Project. Each file contains at least one negative and one positive of each subject with most of the files having duplicates. The series is dated from 1936 to 1939 and is contained in boxes 95 to 104. It is arranged alphabetically by production title, by surname, or by subject. Some of the subjects included are actors, actresses, authors, audience, circus, dance, directors, employees, marionette, publicity, scenes, set, technical, theatres, and workshops.","2 negatives and 2 positives. 1 negative and 1 positive have writing on them, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on the envelope, it reads \"Production shots; Daly's Theatre (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"A Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"B Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"C Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"D Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"E Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"F Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"G Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"H Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"I Containers 110-11\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"J Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"K Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"L Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"M Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"N Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"O Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"P Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"R Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"S Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"T Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"U Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"V Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"W Containers 110-111\".","2 negatives and 1 positive. 1 negative has writing on it's envelope, it reads \"Y Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Z Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Unidentified Containers 110-111\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Puppet Show\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; YMCA (Wernli)\".","1 negative and 2 positives. 1 of the positives has writing on it's envelope, it reads \"Production shots; Georgia, Atlanta (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community Drama; Public School #155 (Black)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio portrait (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Woodcut-Title\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Studio pictures\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production shots; Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Celebrities\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Manuel Essman, Portrait; set designer\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Audience; Lafayette Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Christ Church House (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"German Theater\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville Unit 5B (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Majestic Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville; Jamaica Arena (Haber)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudevill Unit 3B (Helkin)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Billy Gould' studio portraits (Rose)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; studio portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Character shot; studio portraits\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Title in Yiddish\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster of Sacco and Vanzetti\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Kalagi's dog\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots Provincetown Theatre\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Dancers (Steiner)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Community drama; Pilgrim Church (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"African dance group Artef Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Opening nigh celebrities Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Native African visit Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume Shots, color positives\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. 1 negative and 1 positive have writing on their envelopes, it reads \"Costume; Production portraits\".","1 negative and 2 positives. One of the positives has writing on the envelope, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"John Brown statue and portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelope, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance director\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Run through Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; Clark, Cooper, Green, Malone, Robbins, Romano, Wilson (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's theatre (Robert)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; portraits Maxine Elliott's Theatre (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special shots for magazine (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special production shots Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elizabeth Malone and B. Reid Maxine Elliott's Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"B. Reid, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Amelia Romano and kittens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles (horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama United Methodist Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performance; audience Public school #172 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Actors on Tovarich set (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Slavonic Club (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; rehearsal; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance group; costume (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; dance (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio; cas portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jose Limon and Lily Verne, studio and dance portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers; portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater repertory (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portable' backstage Various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; backstage various parks\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs in subway (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings; maps (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; showing off Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, caricature (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Ben Hur Stables (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set Maid of Japan Hudson Guild (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exposition to the North Pole Indian, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audiences\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"May Day Festival Central Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winning Boys team; Community drama, drama contest Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; audience YMHA (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama; Christmas Show Willoughby House (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Police benefit, Christmas 1936 Mecca Temple (haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Originator Long Island City (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copies of books (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Presidents Public School #127 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, Chinese International House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama University Settlement House (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Columbus Day Pageant Jacob Schiff's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, Autumn Festival (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Garden Cinderella Willoughby House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, festival (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Festival St. Martin's Church (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Orphan Home (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's festival Fugazy's (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers (Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Public School #155 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas party (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama Hebrew Educational Alliance (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #208 (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent rising; children Elmhurst, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tents Jamaica\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters; publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; personnel Astoria, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Night parade Sunnyside, Long Island (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Ted Sandwina, Performer 212th Armory (Roberts)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Christmas Carnival Mecca temple (Black Haber, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Foundation Star Casino (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Star Casino (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience; Ridgwood Grove (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elmhurst, Long Island (Arnold).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Astoria, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; African warriors Soundview Baseball Field\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience New Rochelle (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience Stauch's Coney Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; audience E. Orange, New jersey (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wagons (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Band; backstage; audience; personnel; Hollis Long Island (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; personnel Sunnyside, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writings on their envelopes, it reads \"Performers, wild west Astoria, Long Island (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; June Lancaster, Edna Martell, Peter White Cloud\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers New Rochelle\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wild west; clowns; performer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performers; tents; audience, Sunnyside, Long Island\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Winners (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Baudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Council House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production Shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancer; production Rutgers Church House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Advent Episcopal Church\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Gingham Girl Bronx Wintergarden (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Southern play Public School #21 Woodside Long Island (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pageant Bronx Wintergarden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMHA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hebrew Orphan Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads :YWCA Harlem (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Provincetown Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Erza Stone with Gudson Guild Children Mansfield Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama contest University Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Contest Provincetown Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Lefayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Riverdale Presbyterian Church; (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rutgers Church House (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cropsey Avenue Methodist Church; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Special event Madison Square Garden (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait of Shakespeare\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Manual Training High School Annex; (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\"","2 negatives and 2 positives. One negative has writing on it's envelope that reads \"Rehearsal shots (Black)\" and one positive has writing on it's envelope that reads \"Rehearsal shots Maxine Elliott's Theatre (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Rehearsal shots (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marc Blitzstein, author (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Models\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Baldwin, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audition (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet audition Art of Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Museum Sculpture Center; (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet, Campfire Girls (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures, Mermaids (Steiner).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Mehlman, portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama East Side House (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; Orson Welles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carol King, light technician Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Devil stunts (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama critic's sign (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brazilian actors attending performance Maxine Elliott's Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes, operators with dolls (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #185 (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper interview\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German theater Yorkville Casino (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children audience Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Majestic Theatre (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \" Foreign costumes (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; production shots; Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Settlement House\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public School #124 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers California, Los Angeles (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Drama Grand Street Playhouse (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The Family Upstairs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sculptors at work\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Art class YMHA\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Museum exhibit; Museum of Modern Art (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Armory (Rappaport)\".","2 negatives and 2 positives.","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Women's Exposition Grand Central Palace\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Exhibit 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Carnival Washington Square Park (Helkin, Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5 Arts Carnival\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn Symphony and New York Civic Orchestras Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"D. Plontnikoff, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mayor LaGuardia (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity stills\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Ross, Alice Hughs (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set design\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production chart\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mother Sullivan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ticket booth Sears\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model exhibit Hotel New Yorker\".","2 negatives and 2 positives. One negative and one positive have the typed name \"New Park Room Plans\" crossed out and replaced with \"FTP- Photographic Dept Room Plans\". The other negative and positive say \"New Park Room Plans\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show 71st Armory (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit Jamaica, Long Island (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chart, supportive services (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper articles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sign painters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Flood Volunteers return (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspection department, portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Photographic staff chart (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Public Schools #135 \u0026 222 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience shots Joint Disease Hospital (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity contest Hearns Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inspectors\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, Mother Goose and Sanata Claus (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Program poster of 6 shows (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nieslen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity, toy department with WPA dwarf Hearn's Department Store (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Travel Bureau (Yayno)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"The March of Dimes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Technical sound equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Make-up\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity + Promotion staff Illinois\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Electricity, Chapter 7 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hospital staff (Black, Helkin, Waterbury Wernli)\".","2 negatives and 2 positives. One negative and one positives have writing on their envelopes, it reads \"Hershey Building (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hershey Building (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Furniture, Joe Foster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Booker T. Washington, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Design of snake skin (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Quilts (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Constutition; interior of submarine (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dog (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"East Side street scene (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"British royal barges; costume\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wright brothers (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Letter; George Washington; Benjamin Franklin; Policy of Assurance, B. Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hollis Bike Store\".","2 negative and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Alaska\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crippled Children's Hospital (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience and production\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Proscenium and stage (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Harry Hopkins, Norman Bel Geddes Manhattan Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience; street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads, \"Stage sets (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast attending aviation show; Grand Central Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hecksher Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"(Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"German (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Spanish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bercovici (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Deputy Commissioner, Police Headquarters (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballet Fedre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Assistant to George Kondolk, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster, 5 shows (Friend)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Philadelphia\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"One act experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, portraits (rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Beverly Juno Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits Lafayette Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel and stage (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots Lafayette Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid and audience shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rex Ingram (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 1 positive. One negative and the positive have writing on their envelopes, it reads \"Research, library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bernard Pate, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Elena Karam, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Canada Lee, studio and costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Howard Reid, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Boston tour\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Melody Singers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers, portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside shots of Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Newdrop High School (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New York University (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Walter Burke, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads  \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience St. Mary's Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shot (Adelphi Theatre (Arnold, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Peggy Coudray, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"William Phelps (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots; backstage; rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads: \"Orson Welles, John Houseman, portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Zoo. research\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Warehouse; portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Lafayette Theatre (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scottsboro Boys Lafayette Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance unit (Arnold, Black, Helkin, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Soyer, studio portrait (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Svo Soren, dancer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project Christ Church (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lawrence Gellert, music composer, portrait (Helkin)\".\n1 negative is available in digital format.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Chain gang Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anglo-Jewish theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance project; studio character shots (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set; production shots Willias and Majestic Theatres\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; production shots; entrance; stage set Biltmore Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vito Marcantonio, Congressman Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Norman Lloyd\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage; entrance Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience Van Guard Community Center (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume. production portraits Daly's Theatre (Monoson, Stiener)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Silver Lake, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Principals of cast Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage and production shot; Yiddish (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Yiddish unit (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage Scenes (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Buzz Windrip, portrait; Yiddish unit (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; portrait 1f leads (Black.)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brooklyn and Queen's unit Majestic Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"New Bishop George Probert, portrait, Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish unit, portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit; stage sets (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Suitcase unit Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; stage sets Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Owl's Head Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots-color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bruce Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Washington Square Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan 35th Street workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madison Square Garden (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community Drama (Waterbury)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Kelly field (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board meeting (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Central Methodist Church (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Mark's Church (Arnold)\".","1 negative and 2 positives. The negative and one positive have writing on their envelopes, it reads \"Stagehands (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop activities (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Prize winners (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wadrobe department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Personnel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Myor of New York, New York City\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"George Sklary, author, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits; stage sets (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Publicity sturt (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character portraits (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Helkin, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots Palm Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage director Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama St. Augustine's Chapel (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage Biltmore Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office staff (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Barrel Story\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots Daly's Theatre (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Touchstone Drama Guild (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Inside, outside shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Nat Carson, designer\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night; audience street scenes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Painting scene\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Visit of Ernst Toller\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frank Williamson, portrait (Steiner)\".","Portraits of leads Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Stage Set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Florida, Jacksonville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Posters\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Crampton\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Mill Hotel\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Performing; workshop\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Anniversary Green wich House (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Magical illusion, rooster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Genesis-Diagram of marionette Adam\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Silver Lake Park, Staten Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy letter (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clippings (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Exhibit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Madame Sikeliano\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Staten Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Director's conference Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; audience, sound, lights Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Smithfield, Long Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; Caravan Kelly Field (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan Prospect Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Irving High School\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Church of the Good Shepard (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Orphen Asylum (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vera Meyers, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Rubinstein, portrait (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1,000,000 ticket winner (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Academy of Music (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Academy of Music (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tent operations (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities audience- H.Hopkins, F.LaGuardia, E.Roosevelt (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots New Yorker Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jitterbugs (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Music sheet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast costume shots Botanical Gardens\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cartoon\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Illinois, Chicago/New York\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; Caravan St. Mary's Park (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Jewish Community Center (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Muhlenberg Library (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots 49th Street Theatre (Waterburg)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Jamica, Long Island (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Princess Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Cararsie (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Countess Clara Bulow, backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Yonders (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"YMCA, Hansom Place (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage workers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Infinidome\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits Majestic Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Willoughby\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"42nd Street Public Library\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #187 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Board of Education metro-politan maps (Arnold, Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shot; Living Newspaper Unit\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots Roslyn, Long Island (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; backstage; cast portraits Grand Street Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wen Talbot Choir 49th Street Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Nielsen)\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hunt's Point Palace (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; puppeteers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience YMHA (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Henry Street Settlement House; (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Public School #21 (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience; puppets and puppeteers with students Public School #45 (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Rose, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Friend, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Brenner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shaw meets Shaw backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Robert Lewis Shayon, writer-director (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Shots of slums; Living Newspaper Unit (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Statue of Liberty, inscription (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Scaffolding; slum shots (Arnold, Helin, Bielsen, W Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Rose, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Adelphi Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper opinion, heading (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set (Helkin, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Master Remey, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pardoll, stage manager (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Rose, Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Buttonhopper, cast portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Larry Fox, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edith Groome, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Man on fire escape (Rose, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Critic's poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ethel Aaron, manager, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Danton, studio portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"5-Act man (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Set details Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits: Helen Ambrose, Beatrice Hendricks, Mavish Walsh, Tommie Bissell, Virginia Daly (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio cast portrait Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait, Eugene O'Neill (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bound East of Cardiff, In the Zone, The Long Voyage Home, Moon of the Caribbees Lafayette Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Thurman Jackson with doctors and nurses (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Moon of the Caribbees production shot\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; Richard Harrison group YWCA (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #124 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMCA (Helkin)\".","1 negative and 2 positives. One positive has writing on it's envelope, it reads \"Treasury Building, Wall Street, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bay Ridge Day Nursery\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast, studio portraits; production shots (Rappaport)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jamaica Jewish Center (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Little Italy Neighborhood House (Hilkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"95 Madison Avenue (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster; diagram\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricatures (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children/toys\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage set\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Musicians an Pinocchio with children; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pinocchio, marionette girl (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Willis, Arnold Willey, studio portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jimmy Durante (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's audience Ritz Theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed MIchaels with students Adelphi College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ed Michaels with children\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"31 pictures of cast\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Baybridge Bory's Club (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, production portraits Seaman's Institute (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama; neighborhood players (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified man\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unidentified woman, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Helkin, Rose, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads\"Marquee Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ritz Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Brett Warren, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Muni Diamond, portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Depicts power (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Character shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Washington, Seattle (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Publicity shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives.","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Arnold, Cotler, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Daly's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage scenes (Helkin, Nielsen, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Edwin Cooper, studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Window display (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Henry Sherwood with sign (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Box office crowd Brooklyn Jewish Center (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"E.P. Conkle, author; studio portrait (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper article date April 15, 1865 (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bust of Abraham Lincoln Chanin Building, Herschfield Office (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"1836 lamp Dietz Company\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little boy, portraits 49th Street Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model set (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Maxine Elliott's Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume department (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Candid shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Maxine Elliott's Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Burgess Meredith (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; costume portraits (Rose, Steiner, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Joan Flicker, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Russell Conway, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets Maxine Elliott's Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge, portraits (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio touring unit; candid shots (Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, costume portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Leaving for Chicago (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Theater technique\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage model winner\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette show (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette workshop (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage models (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio clippings (Black, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Bennington College girls (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Birthday gift, WHN Pioneers of Science (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Banquet (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Radio Almanac WHN (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Indian story, Almanac players (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Irish players (Waterbury).","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait in Oils, conterence\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous; banquet\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Choir, Serenade at Eight (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WOXR, Tragedy of Man (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Group pictures (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Pioneers of Science\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Equipment\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Commander Rosendahl\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tish, CBS (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jules Verne WMCA Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WWXR (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"WHN Langdon Post Loew's State Building (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vocalists\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mutual WOR\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Epic of America WMCA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ivan Black (Horn)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Five books (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Evelyn Sherman (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Margaret Fisher (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ann Rutledge\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dorothy Wards, costume department (Randopph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Bierson, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jewish players\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"National Service Bureau Provincetown Theatre (Lowy, Randolph)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Clinton Street (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"There's a Law Against It, portrait-lawyer (Neilsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Porto Rican man, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Hallie Flanagan\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miscellaneous (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrs. Hansel, portrait; statue, Women-in-the-Making of America (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"NBC\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lafayette Theatre (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production, audience shots Adelphi Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Hebrew Educational Society (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Crotona Park (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Public School #201 (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Congress of Women City College (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping, inauguration (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait Maxine Elliott's Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Bronx Zion Temple (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots; portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Seating Capacity (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Education Alliance (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers Nora Bayes Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Indiana, Gary\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume, studio portraits (Rose)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mariontte\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Pier 16, Hoboken\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S Norden Miles Basin, canarsie (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"S.S. Roma, S.S. Queen Mary (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Washington Park\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville 4B unit; act portraits (Arnold, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville; studio portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of announcement 49th Street Theatre (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtraits of acts Heckscher Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mr. Hanlon, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan; rehearsal Pier 17, Staten Island (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Miss Safety, Nora Wheeler (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Nielsen, Steiner, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Rehearsal\"","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; Marconi, Maxim, Nobel, Watt\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Lantern slides\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Paula Lawrence (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume shots Adelphi Theatre (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads Cast Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Valerie Valaire, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets; production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Washington Square Methodist Church, (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Experimental theater\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait; publicity shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Louis Pasteur, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Illinois, Chicago\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jenner, Pare, Aetatis portraits (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville' poster (Arnold, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workshop (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette puppeteers\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Puppeteers (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Ballerina marionette\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits (Cotler, Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Haber, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience Adelphi Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Stage sets (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portrait, color positive\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots California, Los Angeles\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Majestic Theatre (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits Majestic Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio, cast portraits (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Cast portraits Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Opening night celebrities Adelphi Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Milton Ready, portrait (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Adelphi Theatre (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dancers (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Outside Lafayette Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette, audience YMHA (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"David Pinsk-author, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Morris Weissman, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Vaudeville Jamaica Arena (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"POrtrait Nora Bayes Theatre (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Receiving prize, Dance Magazine, Nora Bayes Theatre (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YWCA, Bedford Avenue (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots M.E. Church; New York, Elmhurst, (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Riverside Presbyterian Church, (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionettes\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Provincetown Playhouse (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Mrionette (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"School girls and puppets Public School #17 (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Hebrew Orphan Asylum (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Roosevelt Park (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Audience, production shots Washington Square Park (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #28 (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Children's theater Public School #155\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portrait Princess Theatre (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume pictures (Waterbury, Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jackie Cooper Hotel Warwick (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan Pier 17; New York, Staten Island (Helkin, Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Costume portraits; audience (Balery)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits (Arnold)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Copy of photographs (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Delegation Maxine Elliott's Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Fingerprints\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production; backstage\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Eleanor Eden, portrait (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portraits (Arnold, Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Colfax Sanderson, portrait (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Tamiris, Helen (Nielsen)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster St. James Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Wallingford-composer, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marcel Rousseau (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"PRoduction shots (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Little girl, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portraits; production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Studio portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Ritz Theatre (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Jack Mason, portrait\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Matt Shelvey, portrait (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Office (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Frances Everett, portrait (Steiner)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 1B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 3B (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 2B (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B (Colter)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 4B, 5B cast portraits (Cltler)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Heads of cast; J.Melino, B. Hibbitt, S. Lewis, M. Lloyd (Waterbury)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Unit 5B (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marquee (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Traveling troupe Prison; District of Columbia Washington\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Map\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caricature (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Portrait (Black)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Yiddish, cast portraits\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Crowd Shots (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Cropey Avenue Methodist Church, (Monoson)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Caravan, audience Crotona Park (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama Institute for the Blind (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Community drama YMHA Building (Wernli)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Signs\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Sewing project (Haber)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster Grand Central Station (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Poster\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Newspaper clipping\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Historical records\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Marionette (Helkin)\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Workers assembling display\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Model sets\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Dance Group\".","This series is split into three subseries: Zinc Plates and Mats, Woodblocks, and Mimeographs.This series contains zinc plates, mats, mimeographs and woodblocks that were used in the production of publications for the Federal Theater Project. The series is arranged alphabetically starting with productions and then going into portraits.","Zinc plates and mats created out of the plates to use in print production.","Matrix/Mat inside a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"9 Pine Street\", \"Zinc Plate + Matrix\".","4 envelopes. \n1) Zinc plate of Mrs. Beck. Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \"Mrs. Beck 'Alice'\".\n2) Zinc plate of \"Alice\". Was originally inside an envelope that says \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\" and in pencil \"WPA Theater\", \" 'Alice' \". \n3) Zinc plate and newsclipping for Alice in Wonderland. In a white sleeve with pencil written on it. \"Alice in Wonderland Zinc plate newsclipping\", \"Federal Theatre Elks Bldg\", \"The Journal Journal Publishing Co. Portland. Oregon\"\n4) Zinc plate inside a white sleeve with pencil written on it. \"P-11-or-P-10\", \"Alice in Wonderland\", \"NARA\", \"Zinc Plate\"","2 envelopes:\n1) Zinc plate and mat of 4 of the performers of Big Blow. In a white sleeve with pencil writing. In pencil \"Big Blow\", \"Zinc Plate and matrix\"\n2) Zinc plate, mat/matrix, and slip of paper for Sheile Sheldon. In a white sleeve with pencil writing. In pencil \"Sheile Sheldon\".","3 envelopes:\n1) Zinc plate in a white sleeve with pencil writing. In pencil \"Zinc cut\", \"No. #3\", \"Name: Mercedes Tallifero + Gladys Brooks\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".\n2) Zinc plate in white sleeve with pencil writing. In pencil \"No. #4\", \"Name: Gladys Brook\", \"Order: P-327\", \"Remarks: (1-column zinc cut)\", \"Big White Fog-ILL\"\n3) Zinc plate in white sleeve with pencil writing. In pencil \"No. #2\", \"Name: Rosalie Burnette\", \"Order: P-327\", \"Remarks: (1-column)\", \"Big White Fog ILL\".","2 envelopes:\n1) Zinc plate of a man and woman. Was original with an envelope (in bad shape) that says in pencil \"Mr. Howard\" and \"Federal Theater\" on the front. On the back in pencil it says \"Chalk Dust Cuts\".\n2) Zinc plate of a woman pointing at a chalk board and a group of men opposite her.","Zinc plate that has 4 pictures on it, 2 men and 2 women. It was originally wrapped in brown paper. In pencil \"Clarence\"","2 envelopes:\n1) Zinc plate of a group of people standing together. Originally wrapped in paper that is discoloring. In ink on one side is \"Newspaper Cut\" and \"Devry Yacht Party\". On back of plate \"Devry Yacht\" #88\n2) Zinc plate of a group of people sitting together. On back \"Devry Yacht #8H\"","2 envelopes:\n1) Small irregularly shaped zinc plate for Excursion\n2) Rectangular shaped zinc plate for Excursion","Large irregularly shaped zinc plate for The Farmers Takes a Wife","2 envelopes:\n1) 2 zinc plates and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Elks Temple\", \"Hansel + Gretel\", \"Mats Plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\"\n2) Zinc plate and a newspaper clipping from Hansel and Gretel. In a white sleeve with pencil writing. In pencil \"WPA Theatre 530 Elks Temple\", \"Hansel + Gretel\".","2 envelopes:\n1) Zinc plate of a man standing near an NBC microphone. On the back \"J.Ray[u?] and Northcult\n2) Zinc plate of a man","3 envelopes:\n1) Zinc plate of a man, woman and boy.\n2) Zinc plate of a man.\n3) Zinc plate of a man.","2 envelopes:\n1) Zinc plate of 2 men.\n2) Zinc plate of 3 men.","2 envelopes:\n1) Zinc plate of 3 men.\n2) Zinc plate of a man. On the back \"Northcult\"","Zinc plate and Matrix/Mat in a white sleeve. On the sleeve in pencil: \"Mikado\", \"Zinc plate\", \"Matrix\". 28 mats/matrixes copies for Mikado Swingcopated. 26 copies are a scene of a man and woman, one mat has \"Mikado\" imprinted on it three times, and one mat has an advertisement for \"Mikado\" imprinted on it.","7 envelopes:\n1) Zinc plate in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Milky Way\", \"Zinc Plate\"\n2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\"\n3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"John Dawson clipping + Zinc Plate\"\n4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg\", \"Milky Way\", \"John Groves clipping/zinc plate\"\n5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Frederic Murray clipping/zinc plate\"\n6) Zinc plate and newspaper clipping a white sleeve with pencil writing. In pencil: \"Milky Way\", \"Federal Theatre Elks Bldg.\", \"John Groves\", \"Frederic Murray\", \"Clipping/Zinc plate\"\n7) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre Elks Bldg.\", \"Milky Way\", \"Madge Wynne\", \"Frederic Murray\", \"Jeanne La Salle\", \"Zinc plate/clipping\"","3 zinc plates for Monesh. The were originally inside a brown envelope. 5 copies of mats/matrixes of a women, they all have \"Monesh\" written in pencil on them.","5 envelopes:\n1) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"WPA Federal Theatre Elks Temple\", \"Night Must Fall\", \"Leon Forbes\", \"Paul Zaremba\", \"Clipping + Zinc Plate\"\n2) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"John Dawson\", \"Clipping + Zinc Plate\"\n3) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Zinc plate + Clipping\"\n4) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Madge Wynne\", \"Clip/Zinc Plate\"\n5) Zinc plate and newspaper clipping in a white sleeve with pencil writing. In pencil: \"Federal Theatre\", \"Night Must Fall\", \"Leon Forbes\", \"Margaret Barney\", \"-Clipping\", \"-Zinc plate\"","Zinc plate with a group of women on it. A mat/matrix for \"O Say Can You Sing\"","Zinc plate for the play One- Third of a Nation. On the back in pencil \"1/3 of a Nation\"","4 envelopes:\n1) Zinc plate that was originally inside a small brown envelope. The zinc plate has a label on the back. \"Frances Harris Reg #171\", \"Leaning on Letty\". The brown envelope says \"Zinc cut\", \"Frances Harris\", \"171\", \"Learning on Letty\"- road shows Post Road\". The small brown envelope is inside a larger brown envelope.\n2) Zinc plate for the play Post Road. Label on the back says \"Edgar Tegner Req. #171\", \"Leaning on Letty\" They were originally inside a large brown envelope.\n3) Zinc plate for the play Post Road. Label on the back says \"Gulynn Hickman 713 Req. #171 Picture marked 'J'\". They were originally inside a large brown envelope.\n 4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","4 envelopes:\n1) Zinc plate for the play Post Road. Label with it says \"Scene Leaning on Letty\". It was originally inside a large brown envelope.\n2) Zinc plate for the play Post Road. Label on the back says \"Scene 'Leaning on Letty' 713 Req. #171 N\"\n3) Copper plate for the play Post Road that was originally inside a large brown envelope.\n4) Zinc plate for the play Post Road that was originally inside a large brown envelope.","Mat/Matrix with a scene on it. On the back in pencil: \"Scene from 'Power' Now Playing Blackstone Theatre\".","3 envelopes:\n1) Zinc plate that was originally inside a brown envelope. In pencil on front and back \"Prologue to Glory Lyle Hagan and Fanny Ella Hoag\"\n2) Zinc plate that was originally inside a brown envelope. Typed in upper left corner \"Prologue to Glory Zinc cut of Drawing # 2\"\n3) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Scene Act 2 Prologue to Glory\"","7 envelopes:\n1) Zinc plate that was originally inside a brown envelope marked \"Prologue\"\n2) Zinc plate that was originally inside a brown envelope. Written on the back of the envelope in pencil is \"Scene Act 3 Prologue to Glory\"\n3) Prologue to Glory, Zinc, Newsclipping (written on white sleeve in pencil). Of 3 young women in dresses.\n4) WPA \"Prologue to Glory\" Jeanne La Salle (Zinc Plate) [mats plates from The Oregian The preferred newspaper of the Pacific Northwest Atwater 2121] (written on white sleeve in pencil)\n5) Zinc plate that was originally inside a brown envelope. Written on the front of the envelope in pencil is \"Leon Forbes Prologue to Glory\"\n6) Zinc plate and newspaper clipping of Dan Feely, the Denny to Lean Forbes Lincoln in 'Prologue to Glory'. Federal Theatre play sponsored by Visiting Nurse Association of [Malt] County. Federal Theatre Elks Building. (written on white sleeve in pencil)\n7) 2 zinc plates of a man","44 copies of mats/matrixeswith a scene of a man and woman from Prologue to Glory printed on them. They were all originally in a large brown envelope.","26 mats/matrixes for Prologue to Glory.  They were all originally inside a medium size brown envelope. 19 copies of mats featuring advertisements for Prologue to Glory, they are the designs that are on the various wood blocks. 2 mats of a scene from Act I Scene IV, 1 mat of a scene from Act 1 Scene II, 1 mat of Lyle Hagan's character- Abe Lincoln, 2 mats of Lyle Hagan and Fannie Ellen playing Abe Lincoln and Ann Rutledge, and 1 mat of Fannie Ellen, Saudra Karyl, and Helen Howard as Anne Rutledge, Mary, and Lou Caucerou.","Zinc plate and newsclipping for Pursuit of Happiness. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. In pencil \"Mason\", \"Federal Theatre- (Elks Temp- 5/13/38)\", \"Return --\u003e\", \"Pursuit of Happiness\", and \"NAACP sponsors Sept 29\"","3 zinc plates for Run Little Chillun","4 envelopes:\n1 \u0026 2) 2 zinc plates and 2 newspaper clippings. They were originally in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg\", \"Spirochette\", and \"4 Men \u0026 AL Adams\"\n3) Zinc plate and newspaper clipping of John Dawson. They were originally in an envelope from The Journal=Journal Publishing Company Portland, Oregon. Written on the envelope \"Federal Theatre Elks Bldg 522\" and \"John Dawson\"\n4) Zinc plate and newspaper clipping. They originally were in an envelope from The Journal Journal Publishing Company Portland, Oregon. Written on envelope \"Federal Theatre Elks Bldg 522\"","5 zinc plates. Includes plates 2, 12, 3, 7, and 4. Each of there numbers are written on the back of each plate. Plate #7 was originally wrapped in white paper.","5 envelopes:\n1) Zinc plate and newspaper clipping that originally were inside an envelope with writing on it. Zinc plate is of Maxene Bowlus and Paul Zaremba. Written on the envelope: \"WPA Theatre 530 Elks Temple\" \"Timberline Tintypes\"\n2) Zinc plate and newspaper clipping of John Groves for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"WPA Theatre Elks Building\", \"Tintypes John Groves\"\n3) Zinc plate and newspaper clipping of Lelah Landon for the play Timberline Tintypes that were originally inside an envelope with writing on it. Written on the envelope: \"WPA Oregon Theatre Project\", \"Timberline Tintypes\"\n4) Zinc plate and newspaper clipping of Dan Feely for the play Timberline Tintypes that originally were inside an envelope with writing on it. Written on the envelope: \"Oregon W.P.A. Theatre 530 Elks Temple Bldg. S.W. Alder at 11th\", \"Dan Feely\", \"Tintypes\"\n5) Zinc plate for the play Timberline Tintypes that was originally inside an envelope with writing on it. The envelope has printed on it: Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". Written in pencil: \"W.P.A. Theater\", \"Timberline Tintypes\"","4 mats","Zinc plate. There are also 27 copies of mats/matrixes that all have \"George Allingham\" written in pencil on them\".","26 copies of mats/matrixes of Virginia Bolen. On some of the mats/matrixes in pencil \"Virginia Bolen\"","Zinc plate of George Bratt. Etched on the back is \"George Bratt\"","47 mats/matrixes of Helene Bush. Some of the mats have \"Helene Bush\" written in pencil on them.","2 zinc plates of Joan Croydon. Both of them have \"Joan Croydon\" written on the back of them.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Mats plates from The Oregonian The Preferred Newspaper of the Pacific Northwest Atwater 2121\". In pencil on the envelope: \"Federal Theater\" and \"John Dawson\".","Zinc plate and 21 copies of mats/matrixes of Herbert Duffy. All of the Mats/matrixes have \"Herbert Duffy\" on them.","8 copies of mats/matrixes of Lesley Dymell. All of the matrixes have \"Lesley Dymell\"","Zinc plate that were originally inside an envelope. Printed on the envelope \"Zinc cut of pictures No. Bloom 11-50372-14 Genevieve Gartner\"","4 copies of mats/matrixes of Sonia Ivanoff. One of the mats/matrixes has \"Sonia Ivanoff\" written in pencil.","Zinc plate that was originally inside an envelope. Printed on the envelope \"Zinc cut of picture No.  Bloom 11-50372- Sandra Katlov or Sandra Karyl\"","see Karyl, Sandra","14 copies of Mats/matrixes of Ted Moller. Only one of them has \"Ted Moller\" written in pencil.","7 copies of mats/matrixes, only one of them has \"Marie Pittman\" written in pencil.","Zinc plate of David Schoenholtz, there originally was a brown envelope also in the folder.","Zinc plate of G.Boward Shaw that was originally wrapped in brown paper with pencil writing on it. In pencil \"Cut of G. Boward Shaw\"","Zinc plate that was originally inside a brown sleeve with ink writing. \"#1\", \"Theo Ward (author)\" \"P-327\", \"(1-column zinc)\"","Zinc plate that was originally inside a brown envelope. Stamped in upper left corner \"Zinccut of pictures No. Bloom 11-50372-2 David Yonover\"","Woodblocks with zinc (and a few copper) plates. These were used for printing.","Medium square wood block with a scene on it. On the back in pencil: \"9 Pine Street\", \"Theatre of 4 Seasons- Roslyn- Thurs, Fri, + Sat.","Small rectangular woodblock with \"[Blauche Calluis?]\" written in pencil on the back.","Medium rectangular shaped woodblock for Her Majesty the Widow.","Square woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene W.O. McWatters + [Blauche Calluis?]\".","Medium woodblock that was originally inside of a brown envelope with pencil writing. In pencil \"Cut Her Majesty the Widow\", \"Scene Doris Underwood + W.O. MCWatters\".","Large rectangular woodblock of a man.","Medium rectangular woodblock of a man.","Small rectangular wood block for the play \"Mikado\" with copper.","4 Medium rectangular woodblocks for \"Mikado\" with copper.","Small rectangular woodblock for the play \"Mikado\" with pencil writing on the back. In pencil: \"For use on outgoing envelopes\".","Square woodblock featuring a group of women on it. On the back in pencil \"O Say Can You Sing\".","Square woodblock featuring an actor and actress for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Irregularly shaped woodblocked featuring a scene for the play \"Personal Appearance\". On the back in pencil: \"Personal Appearance\".","Small square woodblock for the play \"Post Road\". On back there is a \"2\".","Medium square woodblock for \"Prologue to Glory\"","Small rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock for \"Prologue to Glory\".","Large rectangular woodblock for \"Prologue to Glory\".","Medium rectangular woodblock with a scene from The Silver Cord on it. In pencil on back \"The Silver Cord\".","Medium rectangular woodblock for \"The Silver Cord\".","2 woodblocks that were originally in a brown envelope. In pencil on front \"2 Cuts The Silver Cord\", \"Scene Joan Croyden + Lee Carney and others [cheenn?], O'Donovan + [Su???]\" One is a medium square and the other is a small rectangle.","Large rectangular woodblock for Swing Parade, it was originally wrapped in brown paper. On the back of the block in pencil \"blue ink\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Bla[uee?] Collins introduces her chauffeur husband\".","Medium rectangular woodblock for \"Tamed and How\". It was originally inside a brown envelope with pencil writing. In pencil: \"Cut \"Tamed + How\" Scene- Chas Berre + Irene Taylor\".","Small rectangular woodblock that was originally wrapped in paper and at one point taped all together. In pencil \"George Allingham\", \"Cuts and Mats\".","2 medium rectangular woodblocks of Julie Audre. On the back of one of them in pencil \"Julie Audre\" and the edge of the other one it says \"Julie Audre\" in pencil.","1 medium rectangular woodblock of Virginia Bolen. On the back of the woodblock in pencil \"Virginia Bolen\".","Medium rectangular woodblock of Elaine Bush. On the back in pencil \"Elaine Bush\".","2 medium rectangular woodblocks of Helene Bush.","2 medium rectangular woodblocks of Blanche Collins On the backs of both of them in pencil \"Blanche Collins\".","Medium rectangular woodblock of Herbert Duffy. On back of woodblock in pencil \"Herbert Duffy\" is written twice.","Medium rectangular woodblock of Lesley Dymell. On the back of the woodblock in pencil \"Lesley Dymell\".","Large rectangular woodblock of Sonia Ivanoff. They were originally wrapped in paper and taped closed. In pencil \"Cuts + Mats Sonia Ivanoff\".","Small rectangular woodblock that was originally wrapped in paper and taped closed. In pencil \"Ted Moller\" on back.","Mimeographs of different productions and forms that were used during the existence of the Federal Theatre Project.","Two engravings on one sheet. One engraving is for Autumn Crocus and the other is for U.S. Ark.","3 Mimeographs for \"The Best Cure\"","Mimeograph for Dixieland Minstrels.","Two engraving on one sheet. One engraving says \"Federal Theatre Presents\" and the other says \"Your Playhouse of the Air\".","Two engravings on one sheet. One is for \"If Ye Break Faith\" and one is for \"Whistling in the Dark\".","Prologue to Glory- Mimeograph","2 mimeographs for Room Service. There are two other outlines used for printing as well."],"separatedmaterial_html_tesm":["\u003cp\u003e2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\".\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["2 negatives and 2 positives. One negative and one positive have writing on their envelopes, it reads \"Production shots Lafayette Theatre (Arnold)\"."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)"],"abstract_html_tesm":["\u003cabstract id=\"aspace_f5b0d867296cd5f5a7d9d818b302d6d9\" label=\"Abstract\"\u003eThis collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives.\u003c/abstract\u003e"],"abstract_tesim":["This collection consists of graphic materials relating to Federal Theatre Project productions from 1936 to 1939 across the United States, with the majority from New York City and Roslyn, New York, San Diego and San Francisco, California, and Chicago, Illinois. The collection is mostly comprised of black and white photographs ranging in size from 4x5 to 11x14 and duplicate prints, as well as a few negatives."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_306ca932fdff8272ef5beb3b37fe58f1\"\u003e\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n\u003c/physloc\u003e"],"physloc_tesim":["\nR 45, C 5, S 1 - C 6, S 7\n\n\nR 46, C 1, S 2 - S 4\n\n\nOS R 1, C 1, S 6\n"],"names_coll_ssim":["Federal Theatre Project (U.S.)"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. 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Despite a childhood bout with polio that left him on crutches from the age of seven, Hunter was a coxswain on the crew teams at both Harvard and Cambridge, where he was a Henry Fellow at Trinity Hall. He completed his medical education at Harvard Medical School.\n","\nDuring his internship and residency training at Columbia University Presbyterian Hospital in New York, Hunter began the clinical research that would lead to a dual antibiotic treatment for bacterial endocarditis, an infection of the heart's lining and valves that had previously been uniformly fatal.\n","\nHunter was Dean of the University of Virginia School of Medicine from 1953 to 1965, Chancellor for Medical Affairs from 1965 to 1970, and Vice President for Medical Affairs from 1970 to 1971. In 1970 he received the Thomas Jefferson Award, the highest honor bestowed by the University of Virginia. In 1973 he received the Raven Award for excellence in service and contribution to the University. In 1971 Hunter was named Owen R. Cheatham Professor of Science, co-founding the model Program in Human Biology and Society with Joseph Fletcher. In addition he served as President of the American Association of Medical Colleges (AAMC) and Treasurer of the Pan American Federation of Associations of Medical Schools (PAFAMS), of which he was a founder.\n","\nThomas H. Hunter was deeply interested in international medicine, arguing that health and medicine provide a uniquely powerful bridge to international understanding. In his presidential address to the AAMC in 1960, Hunter called the attention of the United States medical community to its opportunities and responsibilities in other countries. Accompanied by his wife, Anne Fulcher Hunter and their five children, Hunter spent a year teaching in Cali, Colombia as a representative of the Rockefeller Foundation. He also worked and taught in Egypt, Venezuela, Tunisia, Kenya, Cameroon, Chile, and Brazil. The Thomas H. Hunter Professorship of International Medicine was established in 1989 by the University of Virginia Medical School.\n","\nThroughout his career, Thomas H. Hunter served in an advisory capacity to numerous medical schools in the United States and was a pioneer in the field of bioethics. His life was characterized by the promulgation of scientific excellence combined with human compassion. Thomas H. Hunter died on October 23, 1997 at his home in Cismont, Virginia.\n","Processed by: Historical Collections Staff","Finding Aid by M. Alison White","\nThe Thomas Harrison Hunter Papers comprises 118 boxes of official correspondence, statistical reports, ledgers and appointment books, photographs, medals and certificates, student notebooks, conference booklets, reprints of scientific and administrative articles, microscope slides, cassettes, and videotapes.\n","\nThe Hunter Addition to the Thomas Harrison Hunter Papers consists of fourteen boxes of personal papers which complement the original collection.\n","These videos document a series of interviews with Dr. Thomas H. Hunter conducted by Dr. Edward W. Hook. The subject matter is biographical, with special emphasis on Dr. Hunter's experiences as Dean of the University of Virginia School of Medicine, Chancellor of Medical affairs, and Owen R. Cheatham Professor of Science.","Hunter describes parents, grandparents, uncles, parents' divorce, transportation of that era, family finances, and his childhood before polio.","Hunter describes effects of polio; living with his mother in Boston while receiving treatment; remarriage of mother; spending summers in Niles, Michigan; school years; classmates that became life-long friends; participating on the rowing team; not being considered \"a cripple.\"","Hunter describes \"no books, no God\"; superstition about the number 13; polio and the possible cause; polio treatment; career choices; father, mother, grandfathers, and Aunt Jesse; summers in Niles, Michigan; schools, headmasters and classmates; importance of participating on rowing team despite being disabled in that era.","\nVideo concludes with Photographs of family, friends and Dr. Hunter at various ages. Images show: Grandfather Hunter; Florence (Patchen) Hunter, grandmother; father in office, the early years before marriage; father smoking a pipe in front of a mirror; Aunt Jesse (devoted herself to 4 generations of Hunter men, never married, and lived with Dr. Hunter until her death); Hunter's mother and him as an infant; Uncle on mother's side; Hunter as an infant; Hunter and mother at approximate age of 2 l/2 - 3 years old; Hunter in wagon, about 3 years old; Barron Lake with grandfather and Aunt Jesse; Hunter on tricycle, about 4 years old; Hunter working with grandfather on farm in Niles, Michigan, about 5-6 years old; Hunter with father at about 5; Hunter with wagon and horse, which belonged to the neighbor; Uncle LeMont, father, and Hunter, first year after polio in 1922 at Barron Lake house; Hunter on crutches at the Niles, Michigan home; Class of Belmont Hill, Boston; Mother at a much later date; Hunter 9 - 11 years old; Hunter, 21 years old, an undergraduate at Harvard, about 1934.\n","Hunter describes his years at Bellmont Hill School, Boston, as the formative days of his childhood. He is very thankful for the time, events, and people of these years at this school; thought of headmasters and friends as his family; was a Monday thru Friday boarder and home on weekends; participated in rowing, tennis, golf and the football team; won prizes in French and Latin and the School Medal; learned the value of team effort; became aware of his polio and its residual damage, but accepted it and incorporated it into his life.","Hunter describes majoring in Psychology and Philosophy; financing his education through scholarships and employment; the pros and cons of Harvard University; his experiences on the honors bracket, student council, as officer of the class, as member of the Signet Society, and playing golf; his favorite courses in the fine arts.","Hunter graduated from Harvard and traveled by sea to England; was assigned a room at the Inner Court of Trinity Hall; received the Henry Fellowship for 1 year; stayed at Cambridge for 3 years; was coxswain on the rowing team; received the Henry Fellowship his second year; continued rowing in year three and received his \"blue\" (letter) on the varsity team; studied and worked all year with no exams; completed oral examinations for a week at the end of the year.","Hunter prepared for studying medicine at Harvard. Courses of study included anatomy, biochemistry, physiology, pharmacology, pathology, and organic chemistry. Students were assigned a tutor who oversaw the college, economic, and cultural life of the student. Hunter departed from Cambridge in 1938; was \"very obtuse to the menace of Hitler and war and never got the full impact of the war\" until much later; returned to Harvard to pursue medical education fall, 1938.","Hunter started Harvard Medical School fall, 1938 and graduated 1940; satisfied basic science requirements, but had limited clinical experience; had Dr. Stead, as instructor at the Boston City Hospital; rotated between 3 different hospitals; did surgical rotation at Brigham Young; worked with Dr. Gamble in the lab (this was his first move into research and lab work); co-authored a paper with Dr. Alfred Shoal on the development and method for measuring serum protein; began internship at the Presbyterian Hospital in New York, February, 1941; married in 1943.","Hunter graduated in 1940; completed internship, 1941-1944; completed residency in 1945. Dr. William Parson, Professor Emeritus, University of Virginia and Chairman of the Department of Medicine 1949-1966 joins Dr. Hunter and Dr. Hook in part 9. Both had interned at Presbyterian Hospital in New York. Parson was one year ahead of Hunter. Hunter was a \"pup\" for 3 months which involved doing procedures, testing, and lab work from the periphery. After 3 months Hunter rotated to surgery, took care of patients, did private service, worked on female and male wards. After attack on Pearl Harbor everyone went off to war. Hunter remained in the United States; married on March 7, 1943; completed residency in 1945; attended the Army Medical School, Walter Reed Hospital, and studied tropical medicine; travelled to Cost Rica where he observed poor patient care which impacted him deeply; became instructor in medicine at the College of Physicians and Surgery at Columbia University; worked with penicillin in the early days of development and manufacture; participated in human research; wrestled with ethical decisions regarding informed consent of the patient.","Hunter quickly assumed higher position and responsibilities at Columbia; received intense clinical experience during this time; described how Dr. Parson was instrumental in bringing Dr. Hunter to U.Va. as Chairman of Internal Medicine; visited UVA in 1952 and was impressed but still did not want the job; was re-invited to U.Va. to be the Dean; as Dean, built relationships with universities, medical schools, and the NIH; through relationship with the NIH and Ken Crispell, contributed to the expansion of the basic sciences buildings; regretted resisting expansion and fund raising during his years as dean; experienced hostility when he signed a document and agreed with Medicare during the Kennedy administration; traveled to South America to work and he was ousted from the deanship while away; became Chancellor in 1964; regretted not anticipating or respecting the roles of African-Americans and women in medicine, education, and leadership; worked to keep the medical school an integral part of the university.","Hunter earned a $2500.00 salary after finishing residency in 1947; decided he could not stay at the hospital; entered private practice where first annual salary was $13,000.00; traveled to South America for 6 weeks; worked in the United Fruit Company hospital where most patients were employees with various diseases and conditions; remained an instructor at Columbia, studying, investigating, and treating patients with penicillin from Pfizer; taught many nursing students; was contacted by Washington University in 1947; moved to Washington University in St. Louis in 1947 with wife, 2 children, elderly aunt and a maid; attended on the ward with no private practice; had his own lab where he could continue his work with penicillin; was promoted to Associate Professor of Medicine and Associate Dean; uncovered the synergy between penicillin and streptomycin (this discovery occurred while treating a patient).","Hunter was invited by Dr. Parsons in 1952 for job as the Dean of Medicine; though the School of Medicine was very small and poor, but had an excellent reputation for turning out reputable graduates. Hunter found the budget situation impossible to work with; was invited back to U.Va. after all candidates had been interviewed. Colgate Darden was the current president and was persuasive in convincing Hunter to come to U.Va. Hunter was attracted by the fact that the University was an old school with great assets. He viewed U.Va. as a relatively small, manageable, high quality academic setting not requiring a big administrative machine. Hunter's agenda included gaining financial support from the State Assembly, turning out more graduates on a slightly larger scale, accepting the cream-of-the-crop applicants, and providing better jobs and training. Hunter's first years were spent working with students, teaching, and being with patients. He did not come to U.Va. with aggressive ideas for building and growth.","Hunter arrived as Dean February, 1953; was 40 years old; had to work with an impossible budget; recieved a low salary; reported to the President of the University; was moved by the degree of growth and quality of the University; saw that there was a lot to be accomplished. There was a faculty of about 50-60 people and 76 students; almost all male; almost all white; from a wide geographic distribution. Hunter worked to break down the negative attitude of potential faculty recruits who saw U.Va. as poor, small, restricted, and provincial; agitated some because he did not want to build buildings, but build people; had a small lab in McKim and a grant during his first 7-10 years; worked on the chemical mechanism of penicillin on different states of organisms and antibacterial activities in other places and its effects in water, plants, and foreign bodies. Hunter's interests declined in the lab, and he became more excited by teaching. He focused on NIH, AAMC, international affairs, and ethics. This took him outside the University and has been attributed to putting the School of Medicine on the map. Hunter also had difficulties in the early years regarding racism and his \"color blindness,\" the Rose Garden affair (Medicare), and a speech he gave to a national gathering of pharmacologists blasting McCarthy.","Hunter's strongest supporters during this period were Dr. Parsons, Doug Eastwood, and Dave Smith. Hunter felt that the Dean had to balance obligation to the university and the department; emphasized a cooperative environment at the School of Medicine where people were comfortable together; did not realize how inadequate many of the facilities were and how the financial structure needed a boost from various sources; credits Ken Crispell with the vision that moved the School forward (Crispell obtained grants to construct buildings for the basic sciences); during this time was president of AAMC, served a 6 year tour at Harvard Board of Overseers, and worked with the NIH International Committee; conceded that his outside interests took up a lot of his time from the University; spent 1962-1963 in California and Colombia; became Chancellor for Medical Affairs in 1966; served as a member of the Center for Advanced Study; was involved with the Rose Garden Affair (Medicare).","Hunter temporarily re-located because of the reaction to his support of Medicare (the Rose Garden Affair); was invited by the Rockefeller Foundation and NIH to start a new international medical school program; relocated to California. The program sought to develop American-style medical schools abroad in key areas. Hunter describes the difficulties of implementing the program in Colombia; outlines reasons for its failure. Spring, 1963, Hunter suffered a collapsed lung and underwent surgery. Complications occurred and he was sent to Presbyterian Hospital in New York. Fall, 1963, Hunter, still recovering, returned to U.Va. and stepped down to become Chancellor of Medical Affairs.","Hunter discusses the separation of the School of Public Health and the School of Medicine; discusses reasons for his stepping down as Dean of the School of Medicine; became Chancellor of Medical Affairs (title was later changed to Vice President of Health Affairs with no change in responsibilities); in 1971 named Owen R. Cheatham Professor of Science; no longer required to work in the framework of the administration.","Hunter clarifies points from previous interviews and discusses future topics of conversation; gives views on retirement (retired in 1981 at the age of 68); felt that he should retire so as not to be a \"financial drain\" on the institution; realizes that his time at UVA was a period where many changes were taking place across the country and at UVA in school structures, requirements, and financial support; was a member of several prestigious societies: Center for Advanced Studies, speaker at a seminar at the Centennial Meeting Of the Massachusetts Department of Public Health, Chair of the University Wide Purpose Committee, Distinguished Service Member of AAMC, President of AAMC, UVA Senate, and a member of the American Academy of Arts and Sciences; was instrumental in starting several Medical Schools: Brown, Morehouse College; Tufts; was awarded the Thomas Jefferson Award and the Raven Society Award.","Dr. Hook clarifies date and content of the letter of resignation written by Hunter on March 24, 1964 to Dr. Edgar Shannon. It was understood that Dr. Ken Crispell, who had been serving in the position as Acting Dean would be appointed as Dean of the Medical School on the same day. Also on March 24, 1964 Shannon made Hunter Chancellor. Crispell wanted to tighten up the Medical School administration and Hunter wanted to \"branch out\" into various areas of the SChool of Medicine and University. Hunter wanted to explore the national and international aspects of medical education. Crispell sent Hunter a letter on April 3, 1964 outlining the concerns he had with vacant positions due to illness and positions vacated by faculty for various reasons. Hunter and Crispell worked together identifying and recruiting people for the various vacant positions in the basic sciences. Hook then investigates Hunter's views on God, love, marriage, homosexuality, HIV/AIDS, and prostitution.","Dr. Norman Thornton is interviewed with Hunter and recalls times when Hunter was Dean and Chancellor and the Rose Garden Affair. Thornton was a U.Va. undergraduate in 1926; graduated in 1936; served 4 years in the military; was associated with U.Va. as a student and faculty member for 29 years; gives gave his views and discusses Hunter's years as Dean, sojourn to California, illness, return to dean after illness, resignation and appointment as chancellor; notes that since the beginning Hunter did not want administrative responsibilities. Hunter delegated to department heads; had an open door policy and provided help whenever he could, considering the poor budget; did not interfere with the department heads. Prominent figures in Hunter's office were John Stacy, who was in charge of the hospital and Vincent Shay who was in charge of getting financial support for the institution. Vincent Archer and Hank Mulholland were responsible for all political aspects of getting money from Richmond. Ken Crispell is given credit for putting U.Va. on the map because of his promotion of the basic sciences and building expansions.","Harlen was the administrative assistant when Hunter was Dean in 1953. Harlin verifies the history of Hunter as dean, chancellor, and Professor Emeritus; discusses the pressure from alumni to fire Hunter over his support of Medicare; states that Hunter was a born leader; discusses Hunter's personnel interactions and budget management. The interview reviews the relationships of faculty, Dean, Vice President, and administrators at U.Va.; management styles; politics and economics; enormous changes of women rights and equality.","Interview with Dr. Robert M. Berne and Hunter. Berne was Chairman of the Physiology Department 1966-1988; Professor Emeritus in 1994; was recruited by Hunter to head the Physiology Department; was impressed by the new buildings, funding and grants available for renovations, and availability of new equipment and personnel. Most of Berne's contact was with Ken Crispell. They discuss overall lack of funding in light of inflation, researcher salaries, and decline in support from the state.","Dr. Hook and Dr. Leo S. Falk are with Dr. Hunter at his home in Cismont, VA. Dr. Hunter is in poor health, confined to his bed; is thankful for a fulfilling life; expresses a desire to be let \"out of the trap he finds himself in\"; reminisces and gives short bio of his life; cannot understand why people are delaying his death; has no interest in prolonging his existence; asks Dr. Hook to provide a morphine drip and let him peacefully slip away; discusses the topic of personal suicide, physician assisted suicide, and the legalities involved; asks Hook to \"arrange for me to be allowed to have an appropriate exit.\" Dr. Thomas Hunter died October 23, 1997.","Dr. Hook and Dr. Hunter discuss terminal illness and dying. Hunter has selected Hook to take care of medical decisions regarding his death when Hunter becomes incapable; does not want his wife to be burdened; discusses quality of life; emphasizes trust when selecting someone to make decisions regarding life support, resuscitation, withdrawing medications, etc.; felt that he was dying when he was in California; accepted it emotionally that he was dying; was not frightened by death. Hook and Hunter agree that patients with terminal illness are isolated. There should be care expanded to patients who know they do not have long to live. Today's medicine is so advanced; prolongs the biological life as long as the vital processes are going on. Lawyers and others are taking over all decisions in many cases. Jonathan Mednick, filmmaker; Margot White, producer","Interview with Dr. Hook and Hunter. Dr. Hunter is in poor health; discusses his quality of life and desire to be \"allowed to die\"; expresses feelings about Hook's refusal to assist in suicide; discusses his legacy and how he wants to be remembered after death; shares thoughts about possible suicide of father and grandfather; expresses pride in his grandson. After the interview, Hook records his own thoughts about Hunter's views on the topics of personal suicide and physician assisted suicide.","There are no restrictions","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.4","Archival Resource Key","/repositories/7/resources/115"],"normalized_title_ssm":["The Thomas Harrison Hunter papers"],"collection_title_tesim":["The Thomas Harrison Hunter papers"],"collection_ssim":["The Thomas Harrison Hunter papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["There are no restrictions"],"has_online_content_ssim":["false"],"physdesc_tesim":["Hunter main collection of career papers and assorted objects: 118 boxes, 13 cm x 39.5 cm x 26.5\n\n\nHunter addition of mainly family correspondence and memorabilia and interviews with Hunter from 1993 to 1997: 15 boxes, 14 boxes are 13 cm x 39.5 cm x 26.5 cm, 1 box is 27 cm x 33 cm x 41 cm."],"extent_ssm":["56 Linear Feet"],"extent_tesim":["56 Linear Feet"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"bioghist_html_tesm":["\u003cp\u003e\nThomas Harrison Hunter was born in Chicago on October 12, 1913. Despite a childhood bout with polio that left him on crutches from the age of seven, Hunter was a coxswain on the crew teams at both Harvard and Cambridge, where he was a Henry Fellow at Trinity Hall. He completed his medical education at Harvard Medical School.\n\u003c/p\u003e","\u003cp\u003e\nDuring his internship and residency training at Columbia University Presbyterian Hospital in New York, Hunter began the clinical research that would lead to a dual antibiotic treatment for bacterial endocarditis, an infection of the heart's lining and valves that had previously been uniformly fatal.\n\u003c/p\u003e","\u003cp\u003e\nHunter was Dean of the University of Virginia School of Medicine from 1953 to 1965, Chancellor for Medical Affairs from 1965 to 1970, and Vice President for Medical Affairs from 1970 to 1971. In 1970 he received the Thomas Jefferson Award, the highest honor bestowed by the University of Virginia. In 1973 he received the Raven Award for excellence in service and contribution to the University. In 1971 Hunter was named Owen R. Cheatham Professor of Science, co-founding the model Program in Human Biology and Society with Joseph Fletcher. In addition he served as President of the American Association of Medical Colleges (AAMC) and Treasurer of the Pan American Federation of Associations of Medical Schools (PAFAMS), of which he was a founder.\n\u003c/p\u003e","\u003cp\u003e\nThomas H. Hunter was deeply interested in international medicine, arguing that health and medicine provide a uniquely powerful bridge to international understanding. In his presidential address to the AAMC in 1960, Hunter called the attention of the United States medical community to its opportunities and responsibilities in other countries. Accompanied by his wife, Anne Fulcher Hunter and their five children, Hunter spent a year teaching in Cali, Colombia as a representative of the Rockefeller Foundation. He also worked and taught in Egypt, Venezuela, Tunisia, Kenya, Cameroon, Chile, and Brazil. The Thomas H. Hunter Professorship of International Medicine was established in 1989 by the University of Virginia Medical School.\n\u003c/p\u003e","\u003cp\u003e\nThroughout his career, Thomas H. Hunter served in an advisory capacity to numerous medical schools in the United States and was a pioneer in the field of bioethics. His life was characterized by the promulgation of scientific excellence combined with human compassion. Thomas H. Hunter died on October 23, 1997 at his home in Cismont, Virginia.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nThomas Harrison Hunter was born in Chicago on October 12, 1913. Despite a childhood bout with polio that left him on crutches from the age of seven, Hunter was a coxswain on the crew teams at both Harvard and Cambridge, where he was a Henry Fellow at Trinity Hall. He completed his medical education at Harvard Medical School.\n","\nDuring his internship and residency training at Columbia University Presbyterian Hospital in New York, Hunter began the clinical research that would lead to a dual antibiotic treatment for bacterial endocarditis, an infection of the heart's lining and valves that had previously been uniformly fatal.\n","\nHunter was Dean of the University of Virginia School of Medicine from 1953 to 1965, Chancellor for Medical Affairs from 1965 to 1970, and Vice President for Medical Affairs from 1970 to 1971. In 1970 he received the Thomas Jefferson Award, the highest honor bestowed by the University of Virginia. In 1973 he received the Raven Award for excellence in service and contribution to the University. In 1971 Hunter was named Owen R. Cheatham Professor of Science, co-founding the model Program in Human Biology and Society with Joseph Fletcher. In addition he served as President of the American Association of Medical Colleges (AAMC) and Treasurer of the Pan American Federation of Associations of Medical Schools (PAFAMS), of which he was a founder.\n","\nThomas H. Hunter was deeply interested in international medicine, arguing that health and medicine provide a uniquely powerful bridge to international understanding. In his presidential address to the AAMC in 1960, Hunter called the attention of the United States medical community to its opportunities and responsibilities in other countries. Accompanied by his wife, Anne Fulcher Hunter and their five children, Hunter spent a year teaching in Cali, Colombia as a representative of the Rockefeller Foundation. He also worked and taught in Egypt, Venezuela, Tunisia, Kenya, Cameroon, Chile, and Brazil. The Thomas H. Hunter Professorship of International Medicine was established in 1989 by the University of Virginia Medical School.\n","\nThroughout his career, Thomas H. Hunter served in an advisory capacity to numerous medical schools in the United States and was a pioneer in the field of bioethics. His life was characterized by the promulgation of scientific excellence combined with human compassion. Thomas H. Hunter died on October 23, 1997 at his home in Cismont, Virginia.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eThe Thomas Harrison Hunter Papers, MS-4, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["The Thomas Harrison Hunter Papers, MS-4, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid by M. Alison White\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Finding Aid by M. Alison White"],"scopecontent_html_tesm":["\u003cp\u003e\nThe Thomas Harrison Hunter Papers comprises 118 boxes of official correspondence, statistical reports, ledgers and appointment books, photographs, medals and certificates, student notebooks, conference booklets, reprints of scientific and administrative articles, microscope slides, cassettes, and videotapes.\n\u003c/p\u003e","\u003cp\u003e\nThe Hunter Addition to the Thomas Harrison Hunter Papers consists of fourteen boxes of personal papers which complement the original collection.\n\u003c/p\u003e","\u003cp\u003eThese videos document a series of interviews with Dr. Thomas H. Hunter conducted by Dr. Edward W. Hook. The subject matter is biographical, with special emphasis on Dr. Hunter's experiences as Dean of the University of Virginia School of Medicine, Chancellor of Medical affairs, and Owen R. Cheatham Professor of Science.\u003c/p\u003e","\u003cp\u003eHunter describes parents, grandparents, uncles, parents' divorce, transportation of that era, family finances, and his childhood before polio.\u003c/p\u003e","\u003cp\u003eHunter describes effects of polio; living with his mother in Boston while receiving treatment; remarriage of mother; spending summers in Niles, Michigan; school years; classmates that became life-long friends; participating on the rowing team; not being considered \"a cripple.\"\u003c/p\u003e","\u003cp\u003eHunter describes \"no books, no God\"; superstition about the number 13; polio and the possible cause; polio treatment; career choices; father, mother, grandfathers, and Aunt Jesse; summers in Niles, Michigan; schools, headmasters and classmates; importance of participating on rowing team despite being disabled in that era.\u003c/p\u003e","\u003cp\u003e\nVideo concludes with Photographs of family, friends and Dr. Hunter at various ages. Images show: Grandfather Hunter; Florence (Patchen) Hunter, grandmother; father in office, the early years before marriage; father smoking a pipe in front of a mirror; Aunt Jesse (devoted herself to 4 generations of Hunter men, never married, and lived with Dr. Hunter until her death); Hunter's mother and him as an infant; Uncle on mother's side; Hunter as an infant; Hunter and mother at approximate age of 2 l/2 - 3 years old; Hunter in wagon, about 3 years old; Barron Lake with grandfather and Aunt Jesse; Hunter on tricycle, about 4 years old; Hunter working with grandfather on farm in Niles, Michigan, about 5-6 years old; Hunter with father at about 5; Hunter with wagon and horse, which belonged to the neighbor; Uncle LeMont, father, and Hunter, first year after polio in 1922 at Barron Lake house; Hunter on crutches at the Niles, Michigan home; Class of Belmont Hill, Boston; Mother at a much later date; Hunter 9 - 11 years old; Hunter, 21 years old, an undergraduate at Harvard, about 1934.\n\u003c/p\u003e","\u003cp\u003eHunter describes his years at Bellmont Hill School, Boston, as the formative days of his childhood. He is very thankful for the time, events, and people of these years at this school; thought of headmasters and friends as his family; was a Monday thru Friday boarder and home on weekends; participated in rowing, tennis, golf and the football team; won prizes in French and Latin and the School Medal; learned the value of team effort; became aware of his polio and its residual damage, but accepted it and incorporated it into his life.\u003c/p\u003e","\u003cp\u003eHunter describes majoring in Psychology and Philosophy; financing his education through scholarships and employment; the pros and cons of Harvard University; his experiences on the honors bracket, student council, as officer of the class, as member of the Signet Society, and playing golf; his favorite courses in the fine arts.\u003c/p\u003e","\u003cp\u003eHunter graduated from Harvard and traveled by sea to England; was assigned a room at the Inner Court of Trinity Hall; received the Henry Fellowship for 1 year; stayed at Cambridge for 3 years; was coxswain on the rowing team; received the Henry Fellowship his second year; continued rowing in year three and received his \"blue\" (letter) on the varsity team; studied and worked all year with no exams; completed oral examinations for a week at the end of the year.\u003c/p\u003e","\u003cp\u003eHunter prepared for studying medicine at Harvard. Courses of study included anatomy, biochemistry, physiology, pharmacology, pathology, and organic chemistry. Students were assigned a tutor who oversaw the college, economic, and cultural life of the student. Hunter departed from Cambridge in 1938; was \"very obtuse to the menace of Hitler and war and never got the full impact of the war\" until much later; returned to Harvard to pursue medical education fall, 1938.\u003c/p\u003e","\u003cp\u003eHunter started Harvard Medical School fall, 1938 and graduated 1940; satisfied basic science requirements, but had limited clinical experience; had Dr. Stead, as instructor at the Boston City Hospital; rotated between 3 different hospitals; did surgical rotation at Brigham Young; worked with Dr. Gamble in the lab (this was his first move into research and lab work); co-authored a paper with Dr. Alfred Shoal on the development and method for measuring serum protein; began internship at the Presbyterian Hospital in New York, February, 1941; married in 1943.\u003c/p\u003e","\u003cp\u003eHunter graduated in 1940; completed internship, 1941-1944; completed residency in 1945. Dr. William Parson, Professor Emeritus, University of Virginia and Chairman of the Department of Medicine 1949-1966 joins Dr. Hunter and Dr. Hook in part 9. Both had interned at Presbyterian Hospital in New York. Parson was one year ahead of Hunter. Hunter was a \"pup\" for 3 months which involved doing procedures, testing, and lab work from the periphery. After 3 months Hunter rotated to surgery, took care of patients, did private service, worked on female and male wards. After attack on Pearl Harbor everyone went off to war. Hunter remained in the United States; married on March 7, 1943; completed residency in 1945; attended the Army Medical School, Walter Reed Hospital, and studied tropical medicine; travelled to Cost Rica where he observed poor patient care which impacted him deeply; became instructor in medicine at the College of Physicians and Surgery at Columbia University; worked with penicillin in the early days of development and manufacture; participated in human research; wrestled with ethical decisions regarding informed consent of the patient.\u003c/p\u003e","\u003cp\u003eHunter quickly assumed higher position and responsibilities at Columbia; received intense clinical experience during this time; described how Dr. Parson was instrumental in bringing Dr. Hunter to U.Va. as Chairman of Internal Medicine; visited UVA in 1952 and was impressed but still did not want the job; was re-invited to U.Va. to be the Dean; as Dean, built relationships with universities, medical schools, and the NIH; through relationship with the NIH and Ken Crispell, contributed to the expansion of the basic sciences buildings; regretted resisting expansion and fund raising during his years as dean; experienced hostility when he signed a document and agreed with Medicare during the Kennedy administration; traveled to South America to work and he was ousted from the deanship while away; became Chancellor in 1964; regretted not anticipating or respecting the roles of African-Americans and women in medicine, education, and leadership; worked to keep the medical school an integral part of the university.\u003c/p\u003e","\u003cp\u003eHunter earned a $2500.00 salary after finishing residency in 1947; decided he could not stay at the hospital; entered private practice where first annual salary was $13,000.00; traveled to South America for 6 weeks; worked in the United Fruit Company hospital where most patients were employees with various diseases and conditions; remained an instructor at Columbia, studying, investigating, and treating patients with penicillin from Pfizer; taught many nursing students; was contacted by Washington University in 1947; moved to Washington University in St. Louis in 1947 with wife, 2 children, elderly aunt and a maid; attended on the ward with no private practice; had his own lab where he could continue his work with penicillin; was promoted to Associate Professor of Medicine and Associate Dean; uncovered the synergy between penicillin and streptomycin (this discovery occurred while treating a patient).\u003c/p\u003e","\u003cp\u003eHunter was invited by Dr. Parsons in 1952 for job as the Dean of Medicine; though the School of Medicine was very small and poor, but had an excellent reputation for turning out reputable graduates. Hunter found the budget situation impossible to work with; was invited back to U.Va. after all candidates had been interviewed. Colgate Darden was the current president and was persuasive in convincing Hunter to come to U.Va. Hunter was attracted by the fact that the University was an old school with great assets. He viewed U.Va. as a relatively small, manageable, high quality academic setting not requiring a big administrative machine. Hunter's agenda included gaining financial support from the State Assembly, turning out more graduates on a slightly larger scale, accepting the cream-of-the-crop applicants, and providing better jobs and training. Hunter's first years were spent working with students, teaching, and being with patients. He did not come to U.Va. with aggressive ideas for building and growth.\u003c/p\u003e","\u003cp\u003eHunter arrived as Dean February, 1953; was 40 years old; had to work with an impossible budget; recieved a low salary; reported to the President of the University; was moved by the degree of growth and quality of the University; saw that there was a lot to be accomplished. There was a faculty of about 50-60 people and 76 students; almost all male; almost all white; from a wide geographic distribution. Hunter worked to break down the negative attitude of potential faculty recruits who saw U.Va. as poor, small, restricted, and provincial; agitated some because he did not want to build buildings, but build people; had a small lab in McKim and a grant during his first 7-10 years; worked on the chemical mechanism of penicillin on different states of organisms and antibacterial activities in other places and its effects in water, plants, and foreign bodies. Hunter's interests declined in the lab, and he became more excited by teaching. He focused on NIH, AAMC, international affairs, and ethics. This took him outside the University and has been attributed to putting the School of Medicine on the map. Hunter also had difficulties in the early years regarding racism and his \"color blindness,\" the Rose Garden affair (Medicare), and a speech he gave to a national gathering of pharmacologists blasting McCarthy.\u003c/p\u003e","\u003cp\u003eHunter's strongest supporters during this period were Dr. Parsons, Doug Eastwood, and Dave Smith. Hunter felt that the Dean had to balance obligation to the university and the department; emphasized a cooperative environment at the School of Medicine where people were comfortable together; did not realize how inadequate many of the facilities were and how the financial structure needed a boost from various sources; credits Ken Crispell with the vision that moved the School forward (Crispell obtained grants to construct buildings for the basic sciences); during this time was president of AAMC, served a 6 year tour at Harvard Board of Overseers, and worked with the NIH International Committee; conceded that his outside interests took up a lot of his time from the University; spent 1962-1963 in California and Colombia; became Chancellor for Medical Affairs in 1966; served as a member of the Center for Advanced Study; was involved with the Rose Garden Affair (Medicare).\u003c/p\u003e","\u003cp\u003eHunter temporarily re-located because of the reaction to his support of Medicare (the Rose Garden Affair); was invited by the Rockefeller Foundation and NIH to start a new international medical school program; relocated to California. The program sought to develop American-style medical schools abroad in key areas. Hunter describes the difficulties of implementing the program in Colombia; outlines reasons for its failure. Spring, 1963, Hunter suffered a collapsed lung and underwent surgery. Complications occurred and he was sent to Presbyterian Hospital in New York. Fall, 1963, Hunter, still recovering, returned to U.Va. and stepped down to become Chancellor of Medical Affairs.\u003c/p\u003e","\u003cp\u003eHunter discusses the separation of the School of Public Health and the School of Medicine; discusses reasons for his stepping down as Dean of the School of Medicine; became Chancellor of Medical Affairs (title was later changed to Vice President of Health Affairs with no change in responsibilities); in 1971 named Owen R. Cheatham Professor of Science; no longer required to work in the framework of the administration.\u003c/p\u003e","\u003cp\u003eHunter clarifies points from previous interviews and discusses future topics of conversation; gives views on retirement (retired in 1981 at the age of 68); felt that he should retire so as not to be a \"financial drain\" on the institution; realizes that his time at UVA was a period where many changes were taking place across the country and at UVA in school structures, requirements, and financial support; was a member of several prestigious societies: Center for Advanced Studies, speaker at a seminar at the Centennial Meeting Of the Massachusetts Department of Public Health, Chair of the University Wide Purpose Committee, Distinguished Service Member of AAMC, President of AAMC, UVA Senate, and a member of the American Academy of Arts and Sciences; was instrumental in starting several Medical Schools: Brown, Morehouse College; Tufts; was awarded the Thomas Jefferson Award and the Raven Society Award.\u003c/p\u003e","\u003cp\u003eDr. Hook clarifies date and content of the letter of resignation written by Hunter on March 24, 1964 to Dr. Edgar Shannon. It was understood that Dr. Ken Crispell, who had been serving in the position as Acting Dean would be appointed as Dean of the Medical School on the same day. Also on March 24, 1964 Shannon made Hunter Chancellor. Crispell wanted to tighten up the Medical School administration and Hunter wanted to \"branch out\" into various areas of the SChool of Medicine and University. Hunter wanted to explore the national and international aspects of medical education. Crispell sent Hunter a letter on April 3, 1964 outlining the concerns he had with vacant positions due to illness and positions vacated by faculty for various reasons. Hunter and Crispell worked together identifying and recruiting people for the various vacant positions in the basic sciences. Hook then investigates Hunter's views on God, love, marriage, homosexuality, HIV/AIDS, and prostitution.\u003c/p\u003e","\u003cp\u003eDr. Norman Thornton is interviewed with Hunter and recalls times when Hunter was Dean and Chancellor and the Rose Garden Affair. Thornton was a U.Va. undergraduate in 1926; graduated in 1936; served 4 years in the military; was associated with U.Va. as a student and faculty member for 29 years; gives gave his views and discusses Hunter's years as Dean, sojourn to California, illness, return to dean after illness, resignation and appointment as chancellor; notes that since the beginning Hunter did not want administrative responsibilities. Hunter delegated to department heads; had an open door policy and provided help whenever he could, considering the poor budget; did not interfere with the department heads. Prominent figures in Hunter's office were John Stacy, who was in charge of the hospital and Vincent Shay who was in charge of getting financial support for the institution. Vincent Archer and Hank Mulholland were responsible for all political aspects of getting money from Richmond. Ken Crispell is given credit for putting U.Va. on the map because of his promotion of the basic sciences and building expansions.\u003c/p\u003e","\u003cp\u003eHarlen was the administrative assistant when Hunter was Dean in 1953. Harlin verifies the history of Hunter as dean, chancellor, and Professor Emeritus; discusses the pressure from alumni to fire Hunter over his support of Medicare; states that Hunter was a born leader; discusses Hunter's personnel interactions and budget management. The interview reviews the relationships of faculty, Dean, Vice President, and administrators at U.Va.; management styles; politics and economics; enormous changes of women rights and equality.\u003c/p\u003e","\u003cp\u003eInterview with Dr. Robert M. Berne and Hunter. Berne was Chairman of the Physiology Department 1966-1988; Professor Emeritus in 1994; was recruited by Hunter to head the Physiology Department; was impressed by the new buildings, funding and grants available for renovations, and availability of new equipment and personnel. Most of Berne's contact was with Ken Crispell. They discuss overall lack of funding in light of inflation, researcher salaries, and decline in support from the state.\u003c/p\u003e","\u003cp\u003eDr. Hook and Dr. Leo S. Falk are with Dr. Hunter at his home in Cismont, VA. Dr. Hunter is in poor health, confined to his bed; is thankful for a fulfilling life; expresses a desire to be let \"out of the trap he finds himself in\"; reminisces and gives short bio of his life; cannot understand why people are delaying his death; has no interest in prolonging his existence; asks Dr. Hook to provide a morphine drip and let him peacefully slip away; discusses the topic of personal suicide, physician assisted suicide, and the legalities involved; asks Hook to \"arrange for me to be allowed to have an appropriate exit.\" Dr. Thomas Hunter died October 23, 1997.\u003c/p\u003e","\u003cp\u003eDr. Hook and Dr. Hunter discuss terminal illness and dying. Hunter has selected Hook to take care of medical decisions regarding his death when Hunter becomes incapable; does not want his wife to be burdened; discusses quality of life; emphasizes trust when selecting someone to make decisions regarding life support, resuscitation, withdrawing medications, etc.; felt that he was dying when he was in California; accepted it emotionally that he was dying; was not frightened by death. Hook and Hunter agree that patients with terminal illness are isolated. There should be care expanded to patients who know they do not have long to live. Today's medicine is so advanced; prolongs the biological life as long as the vital processes are going on. Lawyers and others are taking over all decisions in many cases. Jonathan Mednick, filmmaker; Margot White, producer\u003c/p\u003e","\u003cp\u003eInterview with Dr. Hook and Hunter. Dr. Hunter is in poor health; discusses his quality of life and desire to be \"allowed to die\"; expresses feelings about Hook's refusal to assist in suicide; discusses his legacy and how he wants to be remembered after death; shares thoughts about possible suicide of father and grandfather; expresses pride in his grandson. After the interview, Hook records his own thoughts about Hunter's views on the topics of personal suicide and physician assisted suicide.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["\nThe Thomas Harrison Hunter Papers comprises 118 boxes of official correspondence, statistical reports, ledgers and appointment books, photographs, medals and certificates, student notebooks, conference booklets, reprints of scientific and administrative articles, microscope slides, cassettes, and videotapes.\n","\nThe Hunter Addition to the Thomas Harrison Hunter Papers consists of fourteen boxes of personal papers which complement the original collection.\n","These videos document a series of interviews with Dr. Thomas H. Hunter conducted by Dr. Edward W. Hook. The subject matter is biographical, with special emphasis on Dr. Hunter's experiences as Dean of the University of Virginia School of Medicine, Chancellor of Medical affairs, and Owen R. Cheatham Professor of Science.","Hunter describes parents, grandparents, uncles, parents' divorce, transportation of that era, family finances, and his childhood before polio.","Hunter describes effects of polio; living with his mother in Boston while receiving treatment; remarriage of mother; spending summers in Niles, Michigan; school years; classmates that became life-long friends; participating on the rowing team; not being considered \"a cripple.\"","Hunter describes \"no books, no God\"; superstition about the number 13; polio and the possible cause; polio treatment; career choices; father, mother, grandfathers, and Aunt Jesse; summers in Niles, Michigan; schools, headmasters and classmates; importance of participating on rowing team despite being disabled in that era.","\nVideo concludes with Photographs of family, friends and Dr. Hunter at various ages. Images show: Grandfather Hunter; Florence (Patchen) Hunter, grandmother; father in office, the early years before marriage; father smoking a pipe in front of a mirror; Aunt Jesse (devoted herself to 4 generations of Hunter men, never married, and lived with Dr. Hunter until her death); Hunter's mother and him as an infant; Uncle on mother's side; Hunter as an infant; Hunter and mother at approximate age of 2 l/2 - 3 years old; Hunter in wagon, about 3 years old; Barron Lake with grandfather and Aunt Jesse; Hunter on tricycle, about 4 years old; Hunter working with grandfather on farm in Niles, Michigan, about 5-6 years old; Hunter with father at about 5; Hunter with wagon and horse, which belonged to the neighbor; Uncle LeMont, father, and Hunter, first year after polio in 1922 at Barron Lake house; Hunter on crutches at the Niles, Michigan home; Class of Belmont Hill, Boston; Mother at a much later date; Hunter 9 - 11 years old; Hunter, 21 years old, an undergraduate at Harvard, about 1934.\n","Hunter describes his years at Bellmont Hill School, Boston, as the formative days of his childhood. He is very thankful for the time, events, and people of these years at this school; thought of headmasters and friends as his family; was a Monday thru Friday boarder and home on weekends; participated in rowing, tennis, golf and the football team; won prizes in French and Latin and the School Medal; learned the value of team effort; became aware of his polio and its residual damage, but accepted it and incorporated it into his life.","Hunter describes majoring in Psychology and Philosophy; financing his education through scholarships and employment; the pros and cons of Harvard University; his experiences on the honors bracket, student council, as officer of the class, as member of the Signet Society, and playing golf; his favorite courses in the fine arts.","Hunter graduated from Harvard and traveled by sea to England; was assigned a room at the Inner Court of Trinity Hall; received the Henry Fellowship for 1 year; stayed at Cambridge for 3 years; was coxswain on the rowing team; received the Henry Fellowship his second year; continued rowing in year three and received his \"blue\" (letter) on the varsity team; studied and worked all year with no exams; completed oral examinations for a week at the end of the year.","Hunter prepared for studying medicine at Harvard. Courses of study included anatomy, biochemistry, physiology, pharmacology, pathology, and organic chemistry. Students were assigned a tutor who oversaw the college, economic, and cultural life of the student. Hunter departed from Cambridge in 1938; was \"very obtuse to the menace of Hitler and war and never got the full impact of the war\" until much later; returned to Harvard to pursue medical education fall, 1938.","Hunter started Harvard Medical School fall, 1938 and graduated 1940; satisfied basic science requirements, but had limited clinical experience; had Dr. Stead, as instructor at the Boston City Hospital; rotated between 3 different hospitals; did surgical rotation at Brigham Young; worked with Dr. Gamble in the lab (this was his first move into research and lab work); co-authored a paper with Dr. Alfred Shoal on the development and method for measuring serum protein; began internship at the Presbyterian Hospital in New York, February, 1941; married in 1943.","Hunter graduated in 1940; completed internship, 1941-1944; completed residency in 1945. Dr. William Parson, Professor Emeritus, University of Virginia and Chairman of the Department of Medicine 1949-1966 joins Dr. Hunter and Dr. Hook in part 9. Both had interned at Presbyterian Hospital in New York. Parson was one year ahead of Hunter. Hunter was a \"pup\" for 3 months which involved doing procedures, testing, and lab work from the periphery. After 3 months Hunter rotated to surgery, took care of patients, did private service, worked on female and male wards. After attack on Pearl Harbor everyone went off to war. Hunter remained in the United States; married on March 7, 1943; completed residency in 1945; attended the Army Medical School, Walter Reed Hospital, and studied tropical medicine; travelled to Cost Rica where he observed poor patient care which impacted him deeply; became instructor in medicine at the College of Physicians and Surgery at Columbia University; worked with penicillin in the early days of development and manufacture; participated in human research; wrestled with ethical decisions regarding informed consent of the patient.","Hunter quickly assumed higher position and responsibilities at Columbia; received intense clinical experience during this time; described how Dr. Parson was instrumental in bringing Dr. Hunter to U.Va. as Chairman of Internal Medicine; visited UVA in 1952 and was impressed but still did not want the job; was re-invited to U.Va. to be the Dean; as Dean, built relationships with universities, medical schools, and the NIH; through relationship with the NIH and Ken Crispell, contributed to the expansion of the basic sciences buildings; regretted resisting expansion and fund raising during his years as dean; experienced hostility when he signed a document and agreed with Medicare during the Kennedy administration; traveled to South America to work and he was ousted from the deanship while away; became Chancellor in 1964; regretted not anticipating or respecting the roles of African-Americans and women in medicine, education, and leadership; worked to keep the medical school an integral part of the university.","Hunter earned a $2500.00 salary after finishing residency in 1947; decided he could not stay at the hospital; entered private practice where first annual salary was $13,000.00; traveled to South America for 6 weeks; worked in the United Fruit Company hospital where most patients were employees with various diseases and conditions; remained an instructor at Columbia, studying, investigating, and treating patients with penicillin from Pfizer; taught many nursing students; was contacted by Washington University in 1947; moved to Washington University in St. Louis in 1947 with wife, 2 children, elderly aunt and a maid; attended on the ward with no private practice; had his own lab where he could continue his work with penicillin; was promoted to Associate Professor of Medicine and Associate Dean; uncovered the synergy between penicillin and streptomycin (this discovery occurred while treating a patient).","Hunter was invited by Dr. Parsons in 1952 for job as the Dean of Medicine; though the School of Medicine was very small and poor, but had an excellent reputation for turning out reputable graduates. Hunter found the budget situation impossible to work with; was invited back to U.Va. after all candidates had been interviewed. Colgate Darden was the current president and was persuasive in convincing Hunter to come to U.Va. Hunter was attracted by the fact that the University was an old school with great assets. He viewed U.Va. as a relatively small, manageable, high quality academic setting not requiring a big administrative machine. Hunter's agenda included gaining financial support from the State Assembly, turning out more graduates on a slightly larger scale, accepting the cream-of-the-crop applicants, and providing better jobs and training. Hunter's first years were spent working with students, teaching, and being with patients. He did not come to U.Va. with aggressive ideas for building and growth.","Hunter arrived as Dean February, 1953; was 40 years old; had to work with an impossible budget; recieved a low salary; reported to the President of the University; was moved by the degree of growth and quality of the University; saw that there was a lot to be accomplished. There was a faculty of about 50-60 people and 76 students; almost all male; almost all white; from a wide geographic distribution. Hunter worked to break down the negative attitude of potential faculty recruits who saw U.Va. as poor, small, restricted, and provincial; agitated some because he did not want to build buildings, but build people; had a small lab in McKim and a grant during his first 7-10 years; worked on the chemical mechanism of penicillin on different states of organisms and antibacterial activities in other places and its effects in water, plants, and foreign bodies. Hunter's interests declined in the lab, and he became more excited by teaching. He focused on NIH, AAMC, international affairs, and ethics. This took him outside the University and has been attributed to putting the School of Medicine on the map. Hunter also had difficulties in the early years regarding racism and his \"color blindness,\" the Rose Garden affair (Medicare), and a speech he gave to a national gathering of pharmacologists blasting McCarthy.","Hunter's strongest supporters during this period were Dr. Parsons, Doug Eastwood, and Dave Smith. Hunter felt that the Dean had to balance obligation to the university and the department; emphasized a cooperative environment at the School of Medicine where people were comfortable together; did not realize how inadequate many of the facilities were and how the financial structure needed a boost from various sources; credits Ken Crispell with the vision that moved the School forward (Crispell obtained grants to construct buildings for the basic sciences); during this time was president of AAMC, served a 6 year tour at Harvard Board of Overseers, and worked with the NIH International Committee; conceded that his outside interests took up a lot of his time from the University; spent 1962-1963 in California and Colombia; became Chancellor for Medical Affairs in 1966; served as a member of the Center for Advanced Study; was involved with the Rose Garden Affair (Medicare).","Hunter temporarily re-located because of the reaction to his support of Medicare (the Rose Garden Affair); was invited by the Rockefeller Foundation and NIH to start a new international medical school program; relocated to California. The program sought to develop American-style medical schools abroad in key areas. Hunter describes the difficulties of implementing the program in Colombia; outlines reasons for its failure. Spring, 1963, Hunter suffered a collapsed lung and underwent surgery. Complications occurred and he was sent to Presbyterian Hospital in New York. Fall, 1963, Hunter, still recovering, returned to U.Va. and stepped down to become Chancellor of Medical Affairs.","Hunter discusses the separation of the School of Public Health and the School of Medicine; discusses reasons for his stepping down as Dean of the School of Medicine; became Chancellor of Medical Affairs (title was later changed to Vice President of Health Affairs with no change in responsibilities); in 1971 named Owen R. Cheatham Professor of Science; no longer required to work in the framework of the administration.","Hunter clarifies points from previous interviews and discusses future topics of conversation; gives views on retirement (retired in 1981 at the age of 68); felt that he should retire so as not to be a \"financial drain\" on the institution; realizes that his time at UVA was a period where many changes were taking place across the country and at UVA in school structures, requirements, and financial support; was a member of several prestigious societies: Center for Advanced Studies, speaker at a seminar at the Centennial Meeting Of the Massachusetts Department of Public Health, Chair of the University Wide Purpose Committee, Distinguished Service Member of AAMC, President of AAMC, UVA Senate, and a member of the American Academy of Arts and Sciences; was instrumental in starting several Medical Schools: Brown, Morehouse College; Tufts; was awarded the Thomas Jefferson Award and the Raven Society Award.","Dr. Hook clarifies date and content of the letter of resignation written by Hunter on March 24, 1964 to Dr. Edgar Shannon. It was understood that Dr. Ken Crispell, who had been serving in the position as Acting Dean would be appointed as Dean of the Medical School on the same day. Also on March 24, 1964 Shannon made Hunter Chancellor. Crispell wanted to tighten up the Medical School administration and Hunter wanted to \"branch out\" into various areas of the SChool of Medicine and University. Hunter wanted to explore the national and international aspects of medical education. Crispell sent Hunter a letter on April 3, 1964 outlining the concerns he had with vacant positions due to illness and positions vacated by faculty for various reasons. Hunter and Crispell worked together identifying and recruiting people for the various vacant positions in the basic sciences. Hook then investigates Hunter's views on God, love, marriage, homosexuality, HIV/AIDS, and prostitution.","Dr. Norman Thornton is interviewed with Hunter and recalls times when Hunter was Dean and Chancellor and the Rose Garden Affair. Thornton was a U.Va. undergraduate in 1926; graduated in 1936; served 4 years in the military; was associated with U.Va. as a student and faculty member for 29 years; gives gave his views and discusses Hunter's years as Dean, sojourn to California, illness, return to dean after illness, resignation and appointment as chancellor; notes that since the beginning Hunter did not want administrative responsibilities. Hunter delegated to department heads; had an open door policy and provided help whenever he could, considering the poor budget; did not interfere with the department heads. Prominent figures in Hunter's office were John Stacy, who was in charge of the hospital and Vincent Shay who was in charge of getting financial support for the institution. Vincent Archer and Hank Mulholland were responsible for all political aspects of getting money from Richmond. Ken Crispell is given credit for putting U.Va. on the map because of his promotion of the basic sciences and building expansions.","Harlen was the administrative assistant when Hunter was Dean in 1953. Harlin verifies the history of Hunter as dean, chancellor, and Professor Emeritus; discusses the pressure from alumni to fire Hunter over his support of Medicare; states that Hunter was a born leader; discusses Hunter's personnel interactions and budget management. The interview reviews the relationships of faculty, Dean, Vice President, and administrators at U.Va.; management styles; politics and economics; enormous changes of women rights and equality.","Interview with Dr. Robert M. Berne and Hunter. Berne was Chairman of the Physiology Department 1966-1988; Professor Emeritus in 1994; was recruited by Hunter to head the Physiology Department; was impressed by the new buildings, funding and grants available for renovations, and availability of new equipment and personnel. Most of Berne's contact was with Ken Crispell. They discuss overall lack of funding in light of inflation, researcher salaries, and decline in support from the state.","Dr. Hook and Dr. Leo S. Falk are with Dr. Hunter at his home in Cismont, VA. Dr. Hunter is in poor health, confined to his bed; is thankful for a fulfilling life; expresses a desire to be let \"out of the trap he finds himself in\"; reminisces and gives short bio of his life; cannot understand why people are delaying his death; has no interest in prolonging his existence; asks Dr. Hook to provide a morphine drip and let him peacefully slip away; discusses the topic of personal suicide, physician assisted suicide, and the legalities involved; asks Hook to \"arrange for me to be allowed to have an appropriate exit.\" Dr. Thomas Hunter died October 23, 1997.","Dr. Hook and Dr. Hunter discuss terminal illness and dying. Hunter has selected Hook to take care of medical decisions regarding his death when Hunter becomes incapable; does not want his wife to be burdened; discusses quality of life; emphasizes trust when selecting someone to make decisions regarding life support, resuscitation, withdrawing medications, etc.; felt that he was dying when he was in California; accepted it emotionally that he was dying; was not frightened by death. Hook and Hunter agree that patients with terminal illness are isolated. There should be care expanded to patients who know they do not have long to live. Today's medicine is so advanced; prolongs the biological life as long as the vital processes are going on. Lawyers and others are taking over all decisions in many cases. Jonathan Mednick, filmmaker; Margot White, producer","Interview with Dr. Hook and Hunter. Dr. Hunter is in poor health; discusses his quality of life and desire to be \"allowed to die\"; expresses feelings about Hook's refusal to assist in suicide; discusses his legacy and how he wants to be remembered after death; shares thoughts about possible suicide of father and grandfather; expresses pride in his grandson. After the interview, Hook records his own thoughts about Hunter's views on the topics of personal suicide and physician assisted suicide."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions"],"names_ssim":["Claude Moore Health Sciences Library"],"corpname_ssim":["Claude Moore Health Sciences Library"],"language_ssim":["English"],"total_component_count_is":4038,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T23:48:36.769Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_7_resources_115_c3521_c372"}},{"id":"vircu_repositories_3_resources_585_c02_c02","type":"File","attributes":{"title":"1937-1950","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_585_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_3_resources_585_c02_c02","ref_ssm":["vircu_repositories_3_resources_585_c02_c02"],"id":"vircu_repositories_3_resources_585_c02_c02","ead_ssi":"vircu_repositories_3_resources_585","_root_":"vircu_repositories_3_resources_585","_nest_parent_":"vircu_repositories_3_resources_585_c02","parent_ssi":"vircu_repositories_3_resources_585_c02","parent_ssim":["vircu_repositories_3_resources_585","vircu_repositories_3_resources_585_c02"],"parent_ids_ssim":["vircu_repositories_3_resources_585","vircu_repositories_3_resources_585_c02"],"parent_unittitles_ssm":["Walther and Hertha Riese papers","Series 2: Correpondence"],"parent_unittitles_tesim":["Walther and Hertha Riese papers","Series 2: Correpondence"],"text":["Walther and Hertha Riese papers","Series 2: Correpondence","1937-1950","box 19","folder 2--15"],"title_filing_ssi":"1937-1950","title_ssm":["1937-1950"],"title_tesim":["1937-1950"],"unitdate_inclusive_ssm":["1937-1950"],"normalized_date_ssm":["1937/1950"],"normalized_title_ssm":["1937-1950"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Walther and Hertha Riese papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":186,"parent_access_restrict_tesm":["The collection is open for research, except for series 3, the majority of which is restricted under HIPAA. Please consult Special Collections and Archives staff for details."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950],"containers_ssim":["box 19","folder 2--15"],"_nest_path_":"/components#1/components#1","timestamp":"2026-05-21T04:33:13.264Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_3_resources_585","ead_ssi":"vircu_repositories_3_resources_585","_root_":"vircu_repositories_3_resources_585","_nest_parent_":"vircu_repositories_3_resources_585","ead_source_url_ssi":"data/oai/VCU/repositories_3_resources_585.xml","title_filing_ssi":"Riese, Walther and Hertha, papers","title_ssm":["Walther and Hertha Riese papers"],"title_tesim":["Walther and Hertha Riese papers"],"unitdate_ssm":["1898-1975"],"unitdate_bulk_ssim":["1898-1975"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["1982.03.25","/repositories/3/resources/585"],"text":["1982.03.25","/repositories/3/resources/585","Walther and Hertha Riese papers","Neuropathology","Neurology","The collection is open for research, except for series 3, the majority of which is restricted under HIPAA. Please consult Special Collections and Archives staff for details.","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Restricted?","Materials are generally arranged alphabetically and then chronologically within. 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During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.","Walther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.","In January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. ","Once in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published  The Conception of Disease  and  A History of Neurology  in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.","Walther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book  Heal the Hurt Child published  in 1962. She retired a year later. ","The papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well.","The materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. ","Series 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.","Series 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.","Series 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.","Series 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.","Series 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.","Series 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.","Series 7: Publications. Series 7 is comprised of materials published by the Rieses. ","Materials under Series 7 has been added to the General Collection, and can be searched using the library catalog.","Publications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term.","There are no restrictions.","VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981","English German French"],"unitid_tesim":["1982.03.25","/repositories/3/resources/585"],"normalized_title_ssm":["Walther and Hertha Riese papers"],"collection_title_tesim":["Walther and Hertha Riese papers"],"collection_ssim":["Walther and Hertha Riese papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated by Roland Villars in 1982."],"access_subjects_ssim":["Neuropathology","Neurology"],"access_subjects_ssm":["Neuropathology","Neurology"],"has_online_content_ssim":["false"],"extent_ssm":["15.29 Linear Feet 39 5\" document cases, 1 is legal sized\n1 records storage box"],"extent_tesim":["15.29 Linear Feet 39 5\" document cases, 1 is legal sized\n1 records storage box"],"date_range_isim":[1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research, except for series 3, the majority of which is restricted under HIPAA. 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Please consult Special Collections and Archives staff for details.","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Closed to Research Use","Restricted?"],"arrangement_html_tesm":["\u003cp\u003eMaterials are generally arranged alphabetically and then chronologically within. Exceptions are: Series 2, Correspondence, is arranged primarily chronologically, with some correspondence arranged in separate folders by subject. Series 3, Eastern State Hospital Files, are arranged with case studies arranged alphabetically first, followed by other subjects alphabetically. Series 6,Research Grants, are arranged chronologically. Series 7, Publications, are catalogued in the VCU Libraries online catalog. Please see the Separated Materials note for more information on Series 7 materials.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Materials are generally arranged alphabetically and then chronologically within. Exceptions are: Series 2, Correspondence, is arranged primarily chronologically, with some correspondence arranged in separate folders by subject. Series 3, Eastern State Hospital Files, are arranged with case studies arranged alphabetically first, followed by other subjects alphabetically. Series 6,Research Grants, are arranged chronologically. Series 7, Publications, are catalogued in the VCU Libraries online catalog. Please see the Separated Materials note for more information on Series 7 materials."],"bioghist_html_tesm":["\u003cp\u003eWalther Riese was born June 30, 1890 in Berlin, Germany to an affluent Jewish family. He studied medicine in Berlin, Strasbourg, and received his degree in 1915 from the University of Koenigsberg as part of an expedited program during World War I. After the war, he served as head of the Neuroanatomical Institute at the Frankfurt Clinic, where he shaped his ideas on holistic neurological function and treatment. During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.\u003c/p\u003e\n","\u003cp\u003eWalther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.\u003c/p\u003e\n","\u003cp\u003eIn January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. \u003c/p\u003e\n","\u003cp\u003eOnce in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published \u003ctitle\u003eThe Conception of Disease\u003c/title\u003e and \u003ctitle\u003eA History of Neurology\u003c/title\u003e in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.\u003c/p\u003e\n","\u003cp\u003eWalther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book \u003ctitle\u003eHeal the Hurt Child published\u003c/title\u003e in 1962. She retired a year later. \u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Walther Riese was born June 30, 1890 in Berlin, Germany to an affluent Jewish family. He studied medicine in Berlin, Strasbourg, and received his degree in 1915 from the University of Koenigsberg as part of an expedited program during World War I. After the war, he served as head of the Neuroanatomical Institute at the Frankfurt Clinic, where he shaped his ideas on holistic neurological function and treatment. During his tenure at the Frankfurt Clinic, he began a lifelong collaboration with neurologist and psychiatrist Kurt Goldstein.  After the end of the first World War, soldiers often returned home with illnesses caused by the war. Many German psychiatrists diagnosed these veterans with conditions that could be noted as unrelated to the traumas of war, thus relieving the German National Insurance system of fiscal responsibility for their care. Riese, however, continued to work in his patients' best interests, diagnosing them with war-related ailments and recommending treatments that treated their needs comprehensively.","Walther Riese married fellow physician Hertha Pataky in 1915. Hertha Pataky Riese was born in 1892 to a Jewish-Hungarian family. She studied in Frankfurt am Main and Berlin, obtaining her degree in 1916. After the war, she was Director of the Frankfurt Social and Sexual Counseling Center of the Federal Government for Maternal Protection, advocating for birth control and providing abortion services. Like many who were sexual health proponents in the 1920s, she promoted sterilization as a form of birth control, a view which she later abandoned. The Center provided services to both married and unwed mothers, which was unusual during this time period as most sexual health centers catered only to married women.","In January 1933, with the rise to power of the National Socialist (Nazi) Party, the Rieses found themselves imprisoned for their religious, political, and medical beliefs. Upon their release, the Rieses and their two daughters fled to Switzerland, only a few days before the German government instituted their Jewish passport system. The family then moved to France with the help of a Rockefeller Foundation research scholarship, where Walther reestablished a research program on comparative neuroanatomy at the University of Lyon. When Nazis invaded France, the family fled to Canada via Morocco, before eventually entering the United States. With a letter of reference from Goldstein and a signed affidavit from birth control advocate Margaret Sanger, Walther, who had obtained another Rockefeller Foundation scholarship, and his family secured residency status in the United States. ","Once in the United States, Walther obtained a position at the Medical College of Virginia (MCV), where he built a neuropathology lab and served as a professor of neurology and the history of medicine. Much of his research focused on the history of disease and neurology. He became a pioneer in the field of neuroethics, neurohistory, and traumatology. During his tenure at MCV, he published  The Conception of Disease  and  A History of Neurology  in the 1950s, where he described \"neuroethics,\" a new concept in medicine. In 1969, in recognition of his life's work, Riese received the honorary title of professor emeritus at Frankfurt University where he had done much of his work between the world wars. Walther Riese died in 1976 in Richmond, Virginia.","Walther's widow Hertha lived until 1981. Her career in the United States took a different path. Despite her medical qualifications, she was unable to find a suitable professional position as a physician. In 1943 she co-founded the Educational Therapy and Day Care Center in a back room of the \"colored library\" in Richmond. The center focused on \"extremely deprived\" and neglected youth, particularly African American children. The center later changed it's name to the Educational Therapy Center and, in 1948, officially became affiliated with the State Department of Mental Hygiene. Her work as director of the center culminated in the book  Heal the Hurt Child published  in 1962. She retired a year later. "],"prefercite_html_tesm":["\u003cp\u003eWalther and Hertha Riese papers, 1898-1975, Collection number 1982.03.25, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Walther and Hertha Riese papers, 1898-1975, Collection number 1982.03.25, Special Collections and Archives, Health Sciences Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThe papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The papers were originally processed in 1989. In 2019, the collection was rehoused into new acid-free boxes and a some reprocessing occured. A DACS-compliant finding aid was written as well."],"scopecontent_html_tesm":["\u003cp\u003eThe materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.\u003c/p\u003e\n","\u003cp\u003eSeries 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.\u003c/p\u003e\n","\u003cp\u003eSeries 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.\u003c/p\u003e\n","\u003cp\u003eSeries 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.\u003c/p\u003e\n","\u003cp\u003eSeries 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.\u003c/p\u003e\n","\u003cp\u003eSeries 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.\u003c/p\u003e\n","\u003cp\u003eSeries 7: Publications. Series 7 is comprised of materials published by the Rieses. \u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The materials mostly focus on Walther Riese's professional work and life after imigrating to the United States. There are also materials related to his personal life, predominantly in Series 2 and 5. Some materials of and by Hertha Pataky Riese are included, primarily in Series 4.\nThe majority of the collection materials are in English, with some in German and French. The papers are arranged into seven series. ","Series 1: Research and Writings (1939-1978, undated). Series 1 contains of the writings of Walther Riese related to his many research interests. Of particular note are his writings and research files on aphasia and neurological disorders, as well as histories of numerous medical procedures and conditions. Researchers should also consult Series 5 for more information on his research interests.","Series 2: Correspondence (1915-1975, undated. Bulk 1940-1975). Series 2 contains the correspondence of Water Riese. It covers the majority of his adult life, and includes both professional and personal correspondence. While there is some early correspondence, the majority is related to his life after moving to the United States.","Series 3: Eastern State Hospital Files (1940-1960, undated). Series 3 is comprised of case studies from Eastern State Hospital case study files. It also contains correspondence, lecture and research notes, as well as an annual report.","Series 4: Educational Therapy Center Files (1949-1968). Series 4 contains case studies from the Educational Therapy Center while it was part of the Department of Mental Hygiene, and is the bulk of the materials from Hertha Pataky Riese.","Series 5: Subject files (1912-1975). Series 5 is comprised of both research and personal files. Many of the materials relating to Walther Riese's work as a professor at MCV, historian of medicine, and with professional organizations are located in this series. Similar materials may also be found in Series 1.","Series 6: Research Grants (1954-1967). Series 6 contains grant applications and other documents related to grants received by Riese.information on grants received and applied for.","Series 7: Publications. Series 7 is comprised of materials published by the Rieses. "],"separatedmaterial_html_tesm":["\u003cp\u003eMaterials under Series 7 has been added to the General Collection, and can be searched using the library catalog.\u003c/p\u003e","\u003cp\u003ePublications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Materials under Series 7 has been added to the General Collection, and can be searched using the library catalog.","Publications in Series 7 can be searched in the VCU Libraries catalog using the \"Walther Riese Collection\" search term."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"names_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals","Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"corpname_ssim":["VCU Health Sciences Library","Medical College of Virginia -- Faculty","Virginia. Department of Mental Hygiene and Hospitals"],"persname_ssim":["Riese, Walther, 1890-1976","Riese, Hertha Pataky, 1892-1981"],"language_ssim":["English German French"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":352,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:33:13.264Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_3_resources_585_c02_c02"}},{"id":"viu_repositories_7_resources_115_c3521_c373","type":"Item","attributes":{"title":"1937-MEMORABILIA","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_7_resources_115_c3521_c373#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_7_resources_115_c3521_c373","ref_ssm":["viu_repositories_7_resources_115_c3521_c373"],"id":"viu_repositories_7_resources_115_c3521_c373","ead_ssi":"viu_repositories_7_resources_115","_root_":"viu_repositories_7_resources_115","_nest_parent_":"viu_repositories_7_resources_115_c3521","parent_ssi":"viu_repositories_7_resources_115_c3521","parent_ssim":["viu_repositories_7_resources_115","viu_repositories_7_resources_115_c3521"],"parent_ids_ssim":["viu_repositories_7_resources_115","viu_repositories_7_resources_115_c3521"],"parent_unittitles_ssm":["The Thomas Harrison Hunter papers","HUNTER ADDITION"],"parent_unittitles_tesim":["The Thomas Harrison Hunter papers","HUNTER ADDITION"],"text":["The Thomas Harrison Hunter papers","HUNTER ADDITION","1937-MEMORABILIA","box 09","folder 18"],"title_filing_ssi":"1937-MEMORABILIA","title_ssm":["1937-MEMORABILIA"],"title_tesim":["1937-MEMORABILIA"],"unitdate_inclusive_ssm":["1937-1938"],"normalized_date_ssm":["1937/1938"],"normalized_title_ssm":["1937-MEMORABILIA"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["The Thomas Harrison Hunter papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":3894,"parent_access_restrict_tesm":["There are no restrictions."],"parent_access_terms_tesm":["There are no restrictions"],"date_range_isim":[1937,1938],"containers_ssim":["box 09","folder 18"],"_nest_path_":"/components#3520/components#372","timestamp":"2026-05-20T23:48:36.769Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_7_resources_115","ead_ssi":"viu_repositories_7_resources_115","_root_":"viu_repositories_7_resources_115","_nest_parent_":"viu_repositories_7_resources_115","ead_source_url_ssi":"data/oai/UVA/repositories_7_resources_115.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/100","title_ssm":["The Thomas Harrison Hunter papers"],"title_tesim":["The Thomas Harrison Hunter papers"],"unitdate_ssm":["1934-1995"],"unitdate_inclusive_ssm":["1934-1995"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS.4","Archival Resource Key","/repositories/7/resources/115"],"text":["MS.4","Archival Resource Key","/repositories/7/resources/115","The Thomas Harrison Hunter papers","Hunter main collection of career papers and assorted objects: 118 boxes, 13 cm x 39.5 cm x 26.5\n\n\nHunter addition of mainly family correspondence and memorabilia and interviews with Hunter from 1993 to 1997: 15 boxes, 14 boxes are 13 cm x 39.5 cm x 26.5 cm, 1 box is 27 cm x 33 cm x 41 cm.","There are no restrictions.","\nThomas Harrison Hunter was born in Chicago on October 12, 1913. Despite a childhood bout with polio that left him on crutches from the age of seven, Hunter was a coxswain on the crew teams at both Harvard and Cambridge, where he was a Henry Fellow at Trinity Hall. He completed his medical education at Harvard Medical School.\n","\nDuring his internship and residency training at Columbia University Presbyterian Hospital in New York, Hunter began the clinical research that would lead to a dual antibiotic treatment for bacterial endocarditis, an infection of the heart's lining and valves that had previously been uniformly fatal.\n","\nHunter was Dean of the University of Virginia School of Medicine from 1953 to 1965, Chancellor for Medical Affairs from 1965 to 1970, and Vice President for Medical Affairs from 1970 to 1971. In 1970 he received the Thomas Jefferson Award, the highest honor bestowed by the University of Virginia. In 1973 he received the Raven Award for excellence in service and contribution to the University. In 1971 Hunter was named Owen R. Cheatham Professor of Science, co-founding the model Program in Human Biology and Society with Joseph Fletcher. In addition he served as President of the American Association of Medical Colleges (AAMC) and Treasurer of the Pan American Federation of Associations of Medical Schools (PAFAMS), of which he was a founder.\n","\nThomas H. Hunter was deeply interested in international medicine, arguing that health and medicine provide a uniquely powerful bridge to international understanding. In his presidential address to the AAMC in 1960, Hunter called the attention of the United States medical community to its opportunities and responsibilities in other countries. Accompanied by his wife, Anne Fulcher Hunter and their five children, Hunter spent a year teaching in Cali, Colombia as a representative of the Rockefeller Foundation. He also worked and taught in Egypt, Venezuela, Tunisia, Kenya, Cameroon, Chile, and Brazil. The Thomas H. Hunter Professorship of International Medicine was established in 1989 by the University of Virginia Medical School.\n","\nThroughout his career, Thomas H. Hunter served in an advisory capacity to numerous medical schools in the United States and was a pioneer in the field of bioethics. His life was characterized by the promulgation of scientific excellence combined with human compassion. Thomas H. Hunter died on October 23, 1997 at his home in Cismont, Virginia.\n","Processed by: Historical Collections Staff","Finding Aid by M. Alison White","\nThe Thomas Harrison Hunter Papers comprises 118 boxes of official correspondence, statistical reports, ledgers and appointment books, photographs, medals and certificates, student notebooks, conference booklets, reprints of scientific and administrative articles, microscope slides, cassettes, and videotapes.\n","\nThe Hunter Addition to the Thomas Harrison Hunter Papers consists of fourteen boxes of personal papers which complement the original collection.\n","These videos document a series of interviews with Dr. Thomas H. Hunter conducted by Dr. Edward W. Hook. The subject matter is biographical, with special emphasis on Dr. Hunter's experiences as Dean of the University of Virginia School of Medicine, Chancellor of Medical affairs, and Owen R. Cheatham Professor of Science.","Hunter describes parents, grandparents, uncles, parents' divorce, transportation of that era, family finances, and his childhood before polio.","Hunter describes effects of polio; living with his mother in Boston while receiving treatment; remarriage of mother; spending summers in Niles, Michigan; school years; classmates that became life-long friends; participating on the rowing team; not being considered \"a cripple.\"","Hunter describes \"no books, no God\"; superstition about the number 13; polio and the possible cause; polio treatment; career choices; father, mother, grandfathers, and Aunt Jesse; summers in Niles, Michigan; schools, headmasters and classmates; importance of participating on rowing team despite being disabled in that era.","\nVideo concludes with Photographs of family, friends and Dr. Hunter at various ages. Images show: Grandfather Hunter; Florence (Patchen) Hunter, grandmother; father in office, the early years before marriage; father smoking a pipe in front of a mirror; Aunt Jesse (devoted herself to 4 generations of Hunter men, never married, and lived with Dr. Hunter until her death); Hunter's mother and him as an infant; Uncle on mother's side; Hunter as an infant; Hunter and mother at approximate age of 2 l/2 - 3 years old; Hunter in wagon, about 3 years old; Barron Lake with grandfather and Aunt Jesse; Hunter on tricycle, about 4 years old; Hunter working with grandfather on farm in Niles, Michigan, about 5-6 years old; Hunter with father at about 5; Hunter with wagon and horse, which belonged to the neighbor; Uncle LeMont, father, and Hunter, first year after polio in 1922 at Barron Lake house; Hunter on crutches at the Niles, Michigan home; Class of Belmont Hill, Boston; Mother at a much later date; Hunter 9 - 11 years old; Hunter, 21 years old, an undergraduate at Harvard, about 1934.\n","Hunter describes his years at Bellmont Hill School, Boston, as the formative days of his childhood. He is very thankful for the time, events, and people of these years at this school; thought of headmasters and friends as his family; was a Monday thru Friday boarder and home on weekends; participated in rowing, tennis, golf and the football team; won prizes in French and Latin and the School Medal; learned the value of team effort; became aware of his polio and its residual damage, but accepted it and incorporated it into his life.","Hunter describes majoring in Psychology and Philosophy; financing his education through scholarships and employment; the pros and cons of Harvard University; his experiences on the honors bracket, student council, as officer of the class, as member of the Signet Society, and playing golf; his favorite courses in the fine arts.","Hunter graduated from Harvard and traveled by sea to England; was assigned a room at the Inner Court of Trinity Hall; received the Henry Fellowship for 1 year; stayed at Cambridge for 3 years; was coxswain on the rowing team; received the Henry Fellowship his second year; continued rowing in year three and received his \"blue\" (letter) on the varsity team; studied and worked all year with no exams; completed oral examinations for a week at the end of the year.","Hunter prepared for studying medicine at Harvard. Courses of study included anatomy, biochemistry, physiology, pharmacology, pathology, and organic chemistry. Students were assigned a tutor who oversaw the college, economic, and cultural life of the student. Hunter departed from Cambridge in 1938; was \"very obtuse to the menace of Hitler and war and never got the full impact of the war\" until much later; returned to Harvard to pursue medical education fall, 1938.","Hunter started Harvard Medical School fall, 1938 and graduated 1940; satisfied basic science requirements, but had limited clinical experience; had Dr. Stead, as instructor at the Boston City Hospital; rotated between 3 different hospitals; did surgical rotation at Brigham Young; worked with Dr. Gamble in the lab (this was his first move into research and lab work); co-authored a paper with Dr. Alfred Shoal on the development and method for measuring serum protein; began internship at the Presbyterian Hospital in New York, February, 1941; married in 1943.","Hunter graduated in 1940; completed internship, 1941-1944; completed residency in 1945. Dr. William Parson, Professor Emeritus, University of Virginia and Chairman of the Department of Medicine 1949-1966 joins Dr. Hunter and Dr. Hook in part 9. Both had interned at Presbyterian Hospital in New York. Parson was one year ahead of Hunter. Hunter was a \"pup\" for 3 months which involved doing procedures, testing, and lab work from the periphery. After 3 months Hunter rotated to surgery, took care of patients, did private service, worked on female and male wards. After attack on Pearl Harbor everyone went off to war. Hunter remained in the United States; married on March 7, 1943; completed residency in 1945; attended the Army Medical School, Walter Reed Hospital, and studied tropical medicine; travelled to Cost Rica where he observed poor patient care which impacted him deeply; became instructor in medicine at the College of Physicians and Surgery at Columbia University; worked with penicillin in the early days of development and manufacture; participated in human research; wrestled with ethical decisions regarding informed consent of the patient.","Hunter quickly assumed higher position and responsibilities at Columbia; received intense clinical experience during this time; described how Dr. Parson was instrumental in bringing Dr. Hunter to U.Va. as Chairman of Internal Medicine; visited UVA in 1952 and was impressed but still did not want the job; was re-invited to U.Va. to be the Dean; as Dean, built relationships with universities, medical schools, and the NIH; through relationship with the NIH and Ken Crispell, contributed to the expansion of the basic sciences buildings; regretted resisting expansion and fund raising during his years as dean; experienced hostility when he signed a document and agreed with Medicare during the Kennedy administration; traveled to South America to work and he was ousted from the deanship while away; became Chancellor in 1964; regretted not anticipating or respecting the roles of African-Americans and women in medicine, education, and leadership; worked to keep the medical school an integral part of the university.","Hunter earned a $2500.00 salary after finishing residency in 1947; decided he could not stay at the hospital; entered private practice where first annual salary was $13,000.00; traveled to South America for 6 weeks; worked in the United Fruit Company hospital where most patients were employees with various diseases and conditions; remained an instructor at Columbia, studying, investigating, and treating patients with penicillin from Pfizer; taught many nursing students; was contacted by Washington University in 1947; moved to Washington University in St. Louis in 1947 with wife, 2 children, elderly aunt and a maid; attended on the ward with no private practice; had his own lab where he could continue his work with penicillin; was promoted to Associate Professor of Medicine and Associate Dean; uncovered the synergy between penicillin and streptomycin (this discovery occurred while treating a patient).","Hunter was invited by Dr. Parsons in 1952 for job as the Dean of Medicine; though the School of Medicine was very small and poor, but had an excellent reputation for turning out reputable graduates. Hunter found the budget situation impossible to work with; was invited back to U.Va. after all candidates had been interviewed. Colgate Darden was the current president and was persuasive in convincing Hunter to come to U.Va. Hunter was attracted by the fact that the University was an old school with great assets. He viewed U.Va. as a relatively small, manageable, high quality academic setting not requiring a big administrative machine. Hunter's agenda included gaining financial support from the State Assembly, turning out more graduates on a slightly larger scale, accepting the cream-of-the-crop applicants, and providing better jobs and training. Hunter's first years were spent working with students, teaching, and being with patients. He did not come to U.Va. with aggressive ideas for building and growth.","Hunter arrived as Dean February, 1953; was 40 years old; had to work with an impossible budget; recieved a low salary; reported to the President of the University; was moved by the degree of growth and quality of the University; saw that there was a lot to be accomplished. There was a faculty of about 50-60 people and 76 students; almost all male; almost all white; from a wide geographic distribution. Hunter worked to break down the negative attitude of potential faculty recruits who saw U.Va. as poor, small, restricted, and provincial; agitated some because he did not want to build buildings, but build people; had a small lab in McKim and a grant during his first 7-10 years; worked on the chemical mechanism of penicillin on different states of organisms and antibacterial activities in other places and its effects in water, plants, and foreign bodies. Hunter's interests declined in the lab, and he became more excited by teaching. He focused on NIH, AAMC, international affairs, and ethics. This took him outside the University and has been attributed to putting the School of Medicine on the map. Hunter also had difficulties in the early years regarding racism and his \"color blindness,\" the Rose Garden affair (Medicare), and a speech he gave to a national gathering of pharmacologists blasting McCarthy.","Hunter's strongest supporters during this period were Dr. Parsons, Doug Eastwood, and Dave Smith. Hunter felt that the Dean had to balance obligation to the university and the department; emphasized a cooperative environment at the School of Medicine where people were comfortable together; did not realize how inadequate many of the facilities were and how the financial structure needed a boost from various sources; credits Ken Crispell with the vision that moved the School forward (Crispell obtained grants to construct buildings for the basic sciences); during this time was president of AAMC, served a 6 year tour at Harvard Board of Overseers, and worked with the NIH International Committee; conceded that his outside interests took up a lot of his time from the University; spent 1962-1963 in California and Colombia; became Chancellor for Medical Affairs in 1966; served as a member of the Center for Advanced Study; was involved with the Rose Garden Affair (Medicare).","Hunter temporarily re-located because of the reaction to his support of Medicare (the Rose Garden Affair); was invited by the Rockefeller Foundation and NIH to start a new international medical school program; relocated to California. The program sought to develop American-style medical schools abroad in key areas. Hunter describes the difficulties of implementing the program in Colombia; outlines reasons for its failure. Spring, 1963, Hunter suffered a collapsed lung and underwent surgery. Complications occurred and he was sent to Presbyterian Hospital in New York. Fall, 1963, Hunter, still recovering, returned to U.Va. and stepped down to become Chancellor of Medical Affairs.","Hunter discusses the separation of the School of Public Health and the School of Medicine; discusses reasons for his stepping down as Dean of the School of Medicine; became Chancellor of Medical Affairs (title was later changed to Vice President of Health Affairs with no change in responsibilities); in 1971 named Owen R. Cheatham Professor of Science; no longer required to work in the framework of the administration.","Hunter clarifies points from previous interviews and discusses future topics of conversation; gives views on retirement (retired in 1981 at the age of 68); felt that he should retire so as not to be a \"financial drain\" on the institution; realizes that his time at UVA was a period where many changes were taking place across the country and at UVA in school structures, requirements, and financial support; was a member of several prestigious societies: Center for Advanced Studies, speaker at a seminar at the Centennial Meeting Of the Massachusetts Department of Public Health, Chair of the University Wide Purpose Committee, Distinguished Service Member of AAMC, President of AAMC, UVA Senate, and a member of the American Academy of Arts and Sciences; was instrumental in starting several Medical Schools: Brown, Morehouse College; Tufts; was awarded the Thomas Jefferson Award and the Raven Society Award.","Dr. Hook clarifies date and content of the letter of resignation written by Hunter on March 24, 1964 to Dr. Edgar Shannon. It was understood that Dr. Ken Crispell, who had been serving in the position as Acting Dean would be appointed as Dean of the Medical School on the same day. Also on March 24, 1964 Shannon made Hunter Chancellor. Crispell wanted to tighten up the Medical School administration and Hunter wanted to \"branch out\" into various areas of the SChool of Medicine and University. Hunter wanted to explore the national and international aspects of medical education. Crispell sent Hunter a letter on April 3, 1964 outlining the concerns he had with vacant positions due to illness and positions vacated by faculty for various reasons. Hunter and Crispell worked together identifying and recruiting people for the various vacant positions in the basic sciences. Hook then investigates Hunter's views on God, love, marriage, homosexuality, HIV/AIDS, and prostitution.","Dr. Norman Thornton is interviewed with Hunter and recalls times when Hunter was Dean and Chancellor and the Rose Garden Affair. Thornton was a U.Va. undergraduate in 1926; graduated in 1936; served 4 years in the military; was associated with U.Va. as a student and faculty member for 29 years; gives gave his views and discusses Hunter's years as Dean, sojourn to California, illness, return to dean after illness, resignation and appointment as chancellor; notes that since the beginning Hunter did not want administrative responsibilities. Hunter delegated to department heads; had an open door policy and provided help whenever he could, considering the poor budget; did not interfere with the department heads. Prominent figures in Hunter's office were John Stacy, who was in charge of the hospital and Vincent Shay who was in charge of getting financial support for the institution. Vincent Archer and Hank Mulholland were responsible for all political aspects of getting money from Richmond. Ken Crispell is given credit for putting U.Va. on the map because of his promotion of the basic sciences and building expansions.","Harlen was the administrative assistant when Hunter was Dean in 1953. Harlin verifies the history of Hunter as dean, chancellor, and Professor Emeritus; discusses the pressure from alumni to fire Hunter over his support of Medicare; states that Hunter was a born leader; discusses Hunter's personnel interactions and budget management. The interview reviews the relationships of faculty, Dean, Vice President, and administrators at U.Va.; management styles; politics and economics; enormous changes of women rights and equality.","Interview with Dr. Robert M. Berne and Hunter. Berne was Chairman of the Physiology Department 1966-1988; Professor Emeritus in 1994; was recruited by Hunter to head the Physiology Department; was impressed by the new buildings, funding and grants available for renovations, and availability of new equipment and personnel. Most of Berne's contact was with Ken Crispell. They discuss overall lack of funding in light of inflation, researcher salaries, and decline in support from the state.","Dr. Hook and Dr. Leo S. Falk are with Dr. Hunter at his home in Cismont, VA. Dr. Hunter is in poor health, confined to his bed; is thankful for a fulfilling life; expresses a desire to be let \"out of the trap he finds himself in\"; reminisces and gives short bio of his life; cannot understand why people are delaying his death; has no interest in prolonging his existence; asks Dr. Hook to provide a morphine drip and let him peacefully slip away; discusses the topic of personal suicide, physician assisted suicide, and the legalities involved; asks Hook to \"arrange for me to be allowed to have an appropriate exit.\" Dr. Thomas Hunter died October 23, 1997.","Dr. Hook and Dr. Hunter discuss terminal illness and dying. Hunter has selected Hook to take care of medical decisions regarding his death when Hunter becomes incapable; does not want his wife to be burdened; discusses quality of life; emphasizes trust when selecting someone to make decisions regarding life support, resuscitation, withdrawing medications, etc.; felt that he was dying when he was in California; accepted it emotionally that he was dying; was not frightened by death. Hook and Hunter agree that patients with terminal illness are isolated. There should be care expanded to patients who know they do not have long to live. Today's medicine is so advanced; prolongs the biological life as long as the vital processes are going on. Lawyers and others are taking over all decisions in many cases. Jonathan Mednick, filmmaker; Margot White, producer","Interview with Dr. Hook and Hunter. Dr. Hunter is in poor health; discusses his quality of life and desire to be \"allowed to die\"; expresses feelings about Hook's refusal to assist in suicide; discusses his legacy and how he wants to be remembered after death; shares thoughts about possible suicide of father and grandfather; expresses pride in his grandson. After the interview, Hook records his own thoughts about Hunter's views on the topics of personal suicide and physician assisted suicide.","There are no restrictions","Claude Moore Health Sciences Library","English"],"unitid_tesim":["MS.4","Archival Resource Key","/repositories/7/resources/115"],"normalized_title_ssm":["The Thomas Harrison Hunter papers"],"collection_title_tesim":["The Thomas Harrison Hunter papers"],"collection_ssim":["The Thomas Harrison Hunter papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["There are no restrictions"],"has_online_content_ssim":["false"],"physdesc_tesim":["Hunter main collection of career papers and assorted objects: 118 boxes, 13 cm x 39.5 cm x 26.5\n\n\nHunter addition of mainly family correspondence and memorabilia and interviews with Hunter from 1993 to 1997: 15 boxes, 14 boxes are 13 cm x 39.5 cm x 26.5 cm, 1 box is 27 cm x 33 cm x 41 cm."],"extent_ssm":["56 Linear Feet"],"extent_tesim":["56 Linear Feet"],"date_range_isim":[1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["There are no restrictions."],"bioghist_html_tesm":["\u003cp\u003e\nThomas Harrison Hunter was born in Chicago on October 12, 1913. Despite a childhood bout with polio that left him on crutches from the age of seven, Hunter was a coxswain on the crew teams at both Harvard and Cambridge, where he was a Henry Fellow at Trinity Hall. He completed his medical education at Harvard Medical School.\n\u003c/p\u003e","\u003cp\u003e\nDuring his internship and residency training at Columbia University Presbyterian Hospital in New York, Hunter began the clinical research that would lead to a dual antibiotic treatment for bacterial endocarditis, an infection of the heart's lining and valves that had previously been uniformly fatal.\n\u003c/p\u003e","\u003cp\u003e\nHunter was Dean of the University of Virginia School of Medicine from 1953 to 1965, Chancellor for Medical Affairs from 1965 to 1970, and Vice President for Medical Affairs from 1970 to 1971. In 1970 he received the Thomas Jefferson Award, the highest honor bestowed by the University of Virginia. In 1973 he received the Raven Award for excellence in service and contribution to the University. In 1971 Hunter was named Owen R. Cheatham Professor of Science, co-founding the model Program in Human Biology and Society with Joseph Fletcher. In addition he served as President of the American Association of Medical Colleges (AAMC) and Treasurer of the Pan American Federation of Associations of Medical Schools (PAFAMS), of which he was a founder.\n\u003c/p\u003e","\u003cp\u003e\nThomas H. Hunter was deeply interested in international medicine, arguing that health and medicine provide a uniquely powerful bridge to international understanding. In his presidential address to the AAMC in 1960, Hunter called the attention of the United States medical community to its opportunities and responsibilities in other countries. Accompanied by his wife, Anne Fulcher Hunter and their five children, Hunter spent a year teaching in Cali, Colombia as a representative of the Rockefeller Foundation. He also worked and taught in Egypt, Venezuela, Tunisia, Kenya, Cameroon, Chile, and Brazil. The Thomas H. Hunter Professorship of International Medicine was established in 1989 by the University of Virginia Medical School.\n\u003c/p\u003e","\u003cp\u003e\nThroughout his career, Thomas H. Hunter served in an advisory capacity to numerous medical schools in the United States and was a pioneer in the field of bioethics. His life was characterized by the promulgation of scientific excellence combined with human compassion. Thomas H. Hunter died on October 23, 1997 at his home in Cismont, Virginia.\n\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["\nThomas Harrison Hunter was born in Chicago on October 12, 1913. Despite a childhood bout with polio that left him on crutches from the age of seven, Hunter was a coxswain on the crew teams at both Harvard and Cambridge, where he was a Henry Fellow at Trinity Hall. He completed his medical education at Harvard Medical School.\n","\nDuring his internship and residency training at Columbia University Presbyterian Hospital in New York, Hunter began the clinical research that would lead to a dual antibiotic treatment for bacterial endocarditis, an infection of the heart's lining and valves that had previously been uniformly fatal.\n","\nHunter was Dean of the University of Virginia School of Medicine from 1953 to 1965, Chancellor for Medical Affairs from 1965 to 1970, and Vice President for Medical Affairs from 1970 to 1971. In 1970 he received the Thomas Jefferson Award, the highest honor bestowed by the University of Virginia. In 1973 he received the Raven Award for excellence in service and contribution to the University. In 1971 Hunter was named Owen R. Cheatham Professor of Science, co-founding the model Program in Human Biology and Society with Joseph Fletcher. In addition he served as President of the American Association of Medical Colleges (AAMC) and Treasurer of the Pan American Federation of Associations of Medical Schools (PAFAMS), of which he was a founder.\n","\nThomas H. Hunter was deeply interested in international medicine, arguing that health and medicine provide a uniquely powerful bridge to international understanding. In his presidential address to the AAMC in 1960, Hunter called the attention of the United States medical community to its opportunities and responsibilities in other countries. Accompanied by his wife, Anne Fulcher Hunter and their five children, Hunter spent a year teaching in Cali, Colombia as a representative of the Rockefeller Foundation. He also worked and taught in Egypt, Venezuela, Tunisia, Kenya, Cameroon, Chile, and Brazil. The Thomas H. Hunter Professorship of International Medicine was established in 1989 by the University of Virginia Medical School.\n","\nThroughout his career, Thomas H. Hunter served in an advisory capacity to numerous medical schools in the United States and was a pioneer in the field of bioethics. His life was characterized by the promulgation of scientific excellence combined with human compassion. Thomas H. Hunter died on October 23, 1997 at his home in Cismont, Virginia.\n"],"odd_html_tesm":["\u003clist type=\"deflist\"\u003e\n      \u003cdefitem\u003e\n        \u003clabel\u003eProcessed by:\u003c/label\u003e\n        \u003citem\u003eHistorical Collections Staff\u003c/item\u003e\n      \u003c/defitem\u003e\n    \u003c/list\u003e"],"odd_heading_ssm":["General"],"odd_tesim":["Processed by: Historical Collections Staff"],"prefercite_html_tesm":["\u003cp\u003eThe Thomas Harrison Hunter Papers, MS-4, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["The Thomas Harrison Hunter Papers, MS-4, Claude Moore Health Sciences Library, Historical Collections and Services, University of Virginia"],"processinfo_html_tesm":["\u003cp\u003eFinding Aid by M. Alison White\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Finding Aid by M. Alison White"],"scopecontent_html_tesm":["\u003cp\u003e\nThe Thomas Harrison Hunter Papers comprises 118 boxes of official correspondence, statistical reports, ledgers and appointment books, photographs, medals and certificates, student notebooks, conference booklets, reprints of scientific and administrative articles, microscope slides, cassettes, and videotapes.\n\u003c/p\u003e","\u003cp\u003e\nThe Hunter Addition to the Thomas Harrison Hunter Papers consists of fourteen boxes of personal papers which complement the original collection.\n\u003c/p\u003e","\u003cp\u003eThese videos document a series of interviews with Dr. Thomas H. Hunter conducted by Dr. Edward W. Hook. The subject matter is biographical, with special emphasis on Dr. Hunter's experiences as Dean of the University of Virginia School of Medicine, Chancellor of Medical affairs, and Owen R. Cheatham Professor of Science.\u003c/p\u003e","\u003cp\u003eHunter describes parents, grandparents, uncles, parents' divorce, transportation of that era, family finances, and his childhood before polio.\u003c/p\u003e","\u003cp\u003eHunter describes effects of polio; living with his mother in Boston while receiving treatment; remarriage of mother; spending summers in Niles, Michigan; school years; classmates that became life-long friends; participating on the rowing team; not being considered \"a cripple.\"\u003c/p\u003e","\u003cp\u003eHunter describes \"no books, no God\"; superstition about the number 13; polio and the possible cause; polio treatment; career choices; father, mother, grandfathers, and Aunt Jesse; summers in Niles, Michigan; schools, headmasters and classmates; importance of participating on rowing team despite being disabled in that era.\u003c/p\u003e","\u003cp\u003e\nVideo concludes with Photographs of family, friends and Dr. Hunter at various ages. Images show: Grandfather Hunter; Florence (Patchen) Hunter, grandmother; father in office, the early years before marriage; father smoking a pipe in front of a mirror; Aunt Jesse (devoted herself to 4 generations of Hunter men, never married, and lived with Dr. Hunter until her death); Hunter's mother and him as an infant; Uncle on mother's side; Hunter as an infant; Hunter and mother at approximate age of 2 l/2 - 3 years old; Hunter in wagon, about 3 years old; Barron Lake with grandfather and Aunt Jesse; Hunter on tricycle, about 4 years old; Hunter working with grandfather on farm in Niles, Michigan, about 5-6 years old; Hunter with father at about 5; Hunter with wagon and horse, which belonged to the neighbor; Uncle LeMont, father, and Hunter, first year after polio in 1922 at Barron Lake house; Hunter on crutches at the Niles, Michigan home; Class of Belmont Hill, Boston; Mother at a much later date; Hunter 9 - 11 years old; Hunter, 21 years old, an undergraduate at Harvard, about 1934.\n\u003c/p\u003e","\u003cp\u003eHunter describes his years at Bellmont Hill School, Boston, as the formative days of his childhood. He is very thankful for the time, events, and people of these years at this school; thought of headmasters and friends as his family; was a Monday thru Friday boarder and home on weekends; participated in rowing, tennis, golf and the football team; won prizes in French and Latin and the School Medal; learned the value of team effort; became aware of his polio and its residual damage, but accepted it and incorporated it into his life.\u003c/p\u003e","\u003cp\u003eHunter describes majoring in Psychology and Philosophy; financing his education through scholarships and employment; the pros and cons of Harvard University; his experiences on the honors bracket, student council, as officer of the class, as member of the Signet Society, and playing golf; his favorite courses in the fine arts.\u003c/p\u003e","\u003cp\u003eHunter graduated from Harvard and traveled by sea to England; was assigned a room at the Inner Court of Trinity Hall; received the Henry Fellowship for 1 year; stayed at Cambridge for 3 years; was coxswain on the rowing team; received the Henry Fellowship his second year; continued rowing in year three and received his \"blue\" (letter) on the varsity team; studied and worked all year with no exams; completed oral examinations for a week at the end of the year.\u003c/p\u003e","\u003cp\u003eHunter prepared for studying medicine at Harvard. Courses of study included anatomy, biochemistry, physiology, pharmacology, pathology, and organic chemistry. Students were assigned a tutor who oversaw the college, economic, and cultural life of the student. Hunter departed from Cambridge in 1938; was \"very obtuse to the menace of Hitler and war and never got the full impact of the war\" until much later; returned to Harvard to pursue medical education fall, 1938.\u003c/p\u003e","\u003cp\u003eHunter started Harvard Medical School fall, 1938 and graduated 1940; satisfied basic science requirements, but had limited clinical experience; had Dr. Stead, as instructor at the Boston City Hospital; rotated between 3 different hospitals; did surgical rotation at Brigham Young; worked with Dr. Gamble in the lab (this was his first move into research and lab work); co-authored a paper with Dr. Alfred Shoal on the development and method for measuring serum protein; began internship at the Presbyterian Hospital in New York, February, 1941; married in 1943.\u003c/p\u003e","\u003cp\u003eHunter graduated in 1940; completed internship, 1941-1944; completed residency in 1945. Dr. William Parson, Professor Emeritus, University of Virginia and Chairman of the Department of Medicine 1949-1966 joins Dr. Hunter and Dr. Hook in part 9. Both had interned at Presbyterian Hospital in New York. Parson was one year ahead of Hunter. Hunter was a \"pup\" for 3 months which involved doing procedures, testing, and lab work from the periphery. After 3 months Hunter rotated to surgery, took care of patients, did private service, worked on female and male wards. After attack on Pearl Harbor everyone went off to war. Hunter remained in the United States; married on March 7, 1943; completed residency in 1945; attended the Army Medical School, Walter Reed Hospital, and studied tropical medicine; travelled to Cost Rica where he observed poor patient care which impacted him deeply; became instructor in medicine at the College of Physicians and Surgery at Columbia University; worked with penicillin in the early days of development and manufacture; participated in human research; wrestled with ethical decisions regarding informed consent of the patient.\u003c/p\u003e","\u003cp\u003eHunter quickly assumed higher position and responsibilities at Columbia; received intense clinical experience during this time; described how Dr. Parson was instrumental in bringing Dr. Hunter to U.Va. as Chairman of Internal Medicine; visited UVA in 1952 and was impressed but still did not want the job; was re-invited to U.Va. to be the Dean; as Dean, built relationships with universities, medical schools, and the NIH; through relationship with the NIH and Ken Crispell, contributed to the expansion of the basic sciences buildings; regretted resisting expansion and fund raising during his years as dean; experienced hostility when he signed a document and agreed with Medicare during the Kennedy administration; traveled to South America to work and he was ousted from the deanship while away; became Chancellor in 1964; regretted not anticipating or respecting the roles of African-Americans and women in medicine, education, and leadership; worked to keep the medical school an integral part of the university.\u003c/p\u003e","\u003cp\u003eHunter earned a $2500.00 salary after finishing residency in 1947; decided he could not stay at the hospital; entered private practice where first annual salary was $13,000.00; traveled to South America for 6 weeks; worked in the United Fruit Company hospital where most patients were employees with various diseases and conditions; remained an instructor at Columbia, studying, investigating, and treating patients with penicillin from Pfizer; taught many nursing students; was contacted by Washington University in 1947; moved to Washington University in St. Louis in 1947 with wife, 2 children, elderly aunt and a maid; attended on the ward with no private practice; had his own lab where he could continue his work with penicillin; was promoted to Associate Professor of Medicine and Associate Dean; uncovered the synergy between penicillin and streptomycin (this discovery occurred while treating a patient).\u003c/p\u003e","\u003cp\u003eHunter was invited by Dr. Parsons in 1952 for job as the Dean of Medicine; though the School of Medicine was very small and poor, but had an excellent reputation for turning out reputable graduates. Hunter found the budget situation impossible to work with; was invited back to U.Va. after all candidates had been interviewed. Colgate Darden was the current president and was persuasive in convincing Hunter to come to U.Va. Hunter was attracted by the fact that the University was an old school with great assets. He viewed U.Va. as a relatively small, manageable, high quality academic setting not requiring a big administrative machine. Hunter's agenda included gaining financial support from the State Assembly, turning out more graduates on a slightly larger scale, accepting the cream-of-the-crop applicants, and providing better jobs and training. Hunter's first years were spent working with students, teaching, and being with patients. He did not come to U.Va. with aggressive ideas for building and growth.\u003c/p\u003e","\u003cp\u003eHunter arrived as Dean February, 1953; was 40 years old; had to work with an impossible budget; recieved a low salary; reported to the President of the University; was moved by the degree of growth and quality of the University; saw that there was a lot to be accomplished. There was a faculty of about 50-60 people and 76 students; almost all male; almost all white; from a wide geographic distribution. Hunter worked to break down the negative attitude of potential faculty recruits who saw U.Va. as poor, small, restricted, and provincial; agitated some because he did not want to build buildings, but build people; had a small lab in McKim and a grant during his first 7-10 years; worked on the chemical mechanism of penicillin on different states of organisms and antibacterial activities in other places and its effects in water, plants, and foreign bodies. Hunter's interests declined in the lab, and he became more excited by teaching. He focused on NIH, AAMC, international affairs, and ethics. This took him outside the University and has been attributed to putting the School of Medicine on the map. Hunter also had difficulties in the early years regarding racism and his \"color blindness,\" the Rose Garden affair (Medicare), and a speech he gave to a national gathering of pharmacologists blasting McCarthy.\u003c/p\u003e","\u003cp\u003eHunter's strongest supporters during this period were Dr. Parsons, Doug Eastwood, and Dave Smith. Hunter felt that the Dean had to balance obligation to the university and the department; emphasized a cooperative environment at the School of Medicine where people were comfortable together; did not realize how inadequate many of the facilities were and how the financial structure needed a boost from various sources; credits Ken Crispell with the vision that moved the School forward (Crispell obtained grants to construct buildings for the basic sciences); during this time was president of AAMC, served a 6 year tour at Harvard Board of Overseers, and worked with the NIH International Committee; conceded that his outside interests took up a lot of his time from the University; spent 1962-1963 in California and Colombia; became Chancellor for Medical Affairs in 1966; served as a member of the Center for Advanced Study; was involved with the Rose Garden Affair (Medicare).\u003c/p\u003e","\u003cp\u003eHunter temporarily re-located because of the reaction to his support of Medicare (the Rose Garden Affair); was invited by the Rockefeller Foundation and NIH to start a new international medical school program; relocated to California. The program sought to develop American-style medical schools abroad in key areas. Hunter describes the difficulties of implementing the program in Colombia; outlines reasons for its failure. Spring, 1963, Hunter suffered a collapsed lung and underwent surgery. Complications occurred and he was sent to Presbyterian Hospital in New York. Fall, 1963, Hunter, still recovering, returned to U.Va. and stepped down to become Chancellor of Medical Affairs.\u003c/p\u003e","\u003cp\u003eHunter discusses the separation of the School of Public Health and the School of Medicine; discusses reasons for his stepping down as Dean of the School of Medicine; became Chancellor of Medical Affairs (title was later changed to Vice President of Health Affairs with no change in responsibilities); in 1971 named Owen R. Cheatham Professor of Science; no longer required to work in the framework of the administration.\u003c/p\u003e","\u003cp\u003eHunter clarifies points from previous interviews and discusses future topics of conversation; gives views on retirement (retired in 1981 at the age of 68); felt that he should retire so as not to be a \"financial drain\" on the institution; realizes that his time at UVA was a period where many changes were taking place across the country and at UVA in school structures, requirements, and financial support; was a member of several prestigious societies: Center for Advanced Studies, speaker at a seminar at the Centennial Meeting Of the Massachusetts Department of Public Health, Chair of the University Wide Purpose Committee, Distinguished Service Member of AAMC, President of AAMC, UVA Senate, and a member of the American Academy of Arts and Sciences; was instrumental in starting several Medical Schools: Brown, Morehouse College; Tufts; was awarded the Thomas Jefferson Award and the Raven Society Award.\u003c/p\u003e","\u003cp\u003eDr. Hook clarifies date and content of the letter of resignation written by Hunter on March 24, 1964 to Dr. Edgar Shannon. It was understood that Dr. Ken Crispell, who had been serving in the position as Acting Dean would be appointed as Dean of the Medical School on the same day. Also on March 24, 1964 Shannon made Hunter Chancellor. Crispell wanted to tighten up the Medical School administration and Hunter wanted to \"branch out\" into various areas of the SChool of Medicine and University. Hunter wanted to explore the national and international aspects of medical education. Crispell sent Hunter a letter on April 3, 1964 outlining the concerns he had with vacant positions due to illness and positions vacated by faculty for various reasons. Hunter and Crispell worked together identifying and recruiting people for the various vacant positions in the basic sciences. Hook then investigates Hunter's views on God, love, marriage, homosexuality, HIV/AIDS, and prostitution.\u003c/p\u003e","\u003cp\u003eDr. Norman Thornton is interviewed with Hunter and recalls times when Hunter was Dean and Chancellor and the Rose Garden Affair. Thornton was a U.Va. undergraduate in 1926; graduated in 1936; served 4 years in the military; was associated with U.Va. as a student and faculty member for 29 years; gives gave his views and discusses Hunter's years as Dean, sojourn to California, illness, return to dean after illness, resignation and appointment as chancellor; notes that since the beginning Hunter did not want administrative responsibilities. Hunter delegated to department heads; had an open door policy and provided help whenever he could, considering the poor budget; did not interfere with the department heads. Prominent figures in Hunter's office were John Stacy, who was in charge of the hospital and Vincent Shay who was in charge of getting financial support for the institution. Vincent Archer and Hank Mulholland were responsible for all political aspects of getting money from Richmond. Ken Crispell is given credit for putting U.Va. on the map because of his promotion of the basic sciences and building expansions.\u003c/p\u003e","\u003cp\u003eHarlen was the administrative assistant when Hunter was Dean in 1953. Harlin verifies the history of Hunter as dean, chancellor, and Professor Emeritus; discusses the pressure from alumni to fire Hunter over his support of Medicare; states that Hunter was a born leader; discusses Hunter's personnel interactions and budget management. The interview reviews the relationships of faculty, Dean, Vice President, and administrators at U.Va.; management styles; politics and economics; enormous changes of women rights and equality.\u003c/p\u003e","\u003cp\u003eInterview with Dr. Robert M. Berne and Hunter. Berne was Chairman of the Physiology Department 1966-1988; Professor Emeritus in 1994; was recruited by Hunter to head the Physiology Department; was impressed by the new buildings, funding and grants available for renovations, and availability of new equipment and personnel. Most of Berne's contact was with Ken Crispell. They discuss overall lack of funding in light of inflation, researcher salaries, and decline in support from the state.\u003c/p\u003e","\u003cp\u003eDr. Hook and Dr. Leo S. Falk are with Dr. Hunter at his home in Cismont, VA. Dr. Hunter is in poor health, confined to his bed; is thankful for a fulfilling life; expresses a desire to be let \"out of the trap he finds himself in\"; reminisces and gives short bio of his life; cannot understand why people are delaying his death; has no interest in prolonging his existence; asks Dr. Hook to provide a morphine drip and let him peacefully slip away; discusses the topic of personal suicide, physician assisted suicide, and the legalities involved; asks Hook to \"arrange for me to be allowed to have an appropriate exit.\" Dr. Thomas Hunter died October 23, 1997.\u003c/p\u003e","\u003cp\u003eDr. Hook and Dr. Hunter discuss terminal illness and dying. Hunter has selected Hook to take care of medical decisions regarding his death when Hunter becomes incapable; does not want his wife to be burdened; discusses quality of life; emphasizes trust when selecting someone to make decisions regarding life support, resuscitation, withdrawing medications, etc.; felt that he was dying when he was in California; accepted it emotionally that he was dying; was not frightened by death. Hook and Hunter agree that patients with terminal illness are isolated. There should be care expanded to patients who know they do not have long to live. Today's medicine is so advanced; prolongs the biological life as long as the vital processes are going on. Lawyers and others are taking over all decisions in many cases. Jonathan Mednick, filmmaker; Margot White, producer\u003c/p\u003e","\u003cp\u003eInterview with Dr. Hook and Hunter. Dr. Hunter is in poor health; discusses his quality of life and desire to be \"allowed to die\"; expresses feelings about Hook's refusal to assist in suicide; discusses his legacy and how he wants to be remembered after death; shares thoughts about possible suicide of father and grandfather; expresses pride in his grandson. After the interview, Hook records his own thoughts about Hunter's views on the topics of personal suicide and physician assisted suicide.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["\nThe Thomas Harrison Hunter Papers comprises 118 boxes of official correspondence, statistical reports, ledgers and appointment books, photographs, medals and certificates, student notebooks, conference booklets, reprints of scientific and administrative articles, microscope slides, cassettes, and videotapes.\n","\nThe Hunter Addition to the Thomas Harrison Hunter Papers consists of fourteen boxes of personal papers which complement the original collection.\n","These videos document a series of interviews with Dr. Thomas H. Hunter conducted by Dr. Edward W. Hook. The subject matter is biographical, with special emphasis on Dr. Hunter's experiences as Dean of the University of Virginia School of Medicine, Chancellor of Medical affairs, and Owen R. Cheatham Professor of Science.","Hunter describes parents, grandparents, uncles, parents' divorce, transportation of that era, family finances, and his childhood before polio.","Hunter describes effects of polio; living with his mother in Boston while receiving treatment; remarriage of mother; spending summers in Niles, Michigan; school years; classmates that became life-long friends; participating on the rowing team; not being considered \"a cripple.\"","Hunter describes \"no books, no God\"; superstition about the number 13; polio and the possible cause; polio treatment; career choices; father, mother, grandfathers, and Aunt Jesse; summers in Niles, Michigan; schools, headmasters and classmates; importance of participating on rowing team despite being disabled in that era.","\nVideo concludes with Photographs of family, friends and Dr. Hunter at various ages. Images show: Grandfather Hunter; Florence (Patchen) Hunter, grandmother; father in office, the early years before marriage; father smoking a pipe in front of a mirror; Aunt Jesse (devoted herself to 4 generations of Hunter men, never married, and lived with Dr. Hunter until her death); Hunter's mother and him as an infant; Uncle on mother's side; Hunter as an infant; Hunter and mother at approximate age of 2 l/2 - 3 years old; Hunter in wagon, about 3 years old; Barron Lake with grandfather and Aunt Jesse; Hunter on tricycle, about 4 years old; Hunter working with grandfather on farm in Niles, Michigan, about 5-6 years old; Hunter with father at about 5; Hunter with wagon and horse, which belonged to the neighbor; Uncle LeMont, father, and Hunter, first year after polio in 1922 at Barron Lake house; Hunter on crutches at the Niles, Michigan home; Class of Belmont Hill, Boston; Mother at a much later date; Hunter 9 - 11 years old; Hunter, 21 years old, an undergraduate at Harvard, about 1934.\n","Hunter describes his years at Bellmont Hill School, Boston, as the formative days of his childhood. He is very thankful for the time, events, and people of these years at this school; thought of headmasters and friends as his family; was a Monday thru Friday boarder and home on weekends; participated in rowing, tennis, golf and the football team; won prizes in French and Latin and the School Medal; learned the value of team effort; became aware of his polio and its residual damage, but accepted it and incorporated it into his life.","Hunter describes majoring in Psychology and Philosophy; financing his education through scholarships and employment; the pros and cons of Harvard University; his experiences on the honors bracket, student council, as officer of the class, as member of the Signet Society, and playing golf; his favorite courses in the fine arts.","Hunter graduated from Harvard and traveled by sea to England; was assigned a room at the Inner Court of Trinity Hall; received the Henry Fellowship for 1 year; stayed at Cambridge for 3 years; was coxswain on the rowing team; received the Henry Fellowship his second year; continued rowing in year three and received his \"blue\" (letter) on the varsity team; studied and worked all year with no exams; completed oral examinations for a week at the end of the year.","Hunter prepared for studying medicine at Harvard. Courses of study included anatomy, biochemistry, physiology, pharmacology, pathology, and organic chemistry. Students were assigned a tutor who oversaw the college, economic, and cultural life of the student. Hunter departed from Cambridge in 1938; was \"very obtuse to the menace of Hitler and war and never got the full impact of the war\" until much later; returned to Harvard to pursue medical education fall, 1938.","Hunter started Harvard Medical School fall, 1938 and graduated 1940; satisfied basic science requirements, but had limited clinical experience; had Dr. Stead, as instructor at the Boston City Hospital; rotated between 3 different hospitals; did surgical rotation at Brigham Young; worked with Dr. Gamble in the lab (this was his first move into research and lab work); co-authored a paper with Dr. Alfred Shoal on the development and method for measuring serum protein; began internship at the Presbyterian Hospital in New York, February, 1941; married in 1943.","Hunter graduated in 1940; completed internship, 1941-1944; completed residency in 1945. Dr. William Parson, Professor Emeritus, University of Virginia and Chairman of the Department of Medicine 1949-1966 joins Dr. Hunter and Dr. Hook in part 9. Both had interned at Presbyterian Hospital in New York. Parson was one year ahead of Hunter. Hunter was a \"pup\" for 3 months which involved doing procedures, testing, and lab work from the periphery. After 3 months Hunter rotated to surgery, took care of patients, did private service, worked on female and male wards. After attack on Pearl Harbor everyone went off to war. Hunter remained in the United States; married on March 7, 1943; completed residency in 1945; attended the Army Medical School, Walter Reed Hospital, and studied tropical medicine; travelled to Cost Rica where he observed poor patient care which impacted him deeply; became instructor in medicine at the College of Physicians and Surgery at Columbia University; worked with penicillin in the early days of development and manufacture; participated in human research; wrestled with ethical decisions regarding informed consent of the patient.","Hunter quickly assumed higher position and responsibilities at Columbia; received intense clinical experience during this time; described how Dr. Parson was instrumental in bringing Dr. Hunter to U.Va. as Chairman of Internal Medicine; visited UVA in 1952 and was impressed but still did not want the job; was re-invited to U.Va. to be the Dean; as Dean, built relationships with universities, medical schools, and the NIH; through relationship with the NIH and Ken Crispell, contributed to the expansion of the basic sciences buildings; regretted resisting expansion and fund raising during his years as dean; experienced hostility when he signed a document and agreed with Medicare during the Kennedy administration; traveled to South America to work and he was ousted from the deanship while away; became Chancellor in 1964; regretted not anticipating or respecting the roles of African-Americans and women in medicine, education, and leadership; worked to keep the medical school an integral part of the university.","Hunter earned a $2500.00 salary after finishing residency in 1947; decided he could not stay at the hospital; entered private practice where first annual salary was $13,000.00; traveled to South America for 6 weeks; worked in the United Fruit Company hospital where most patients were employees with various diseases and conditions; remained an instructor at Columbia, studying, investigating, and treating patients with penicillin from Pfizer; taught many nursing students; was contacted by Washington University in 1947; moved to Washington University in St. Louis in 1947 with wife, 2 children, elderly aunt and a maid; attended on the ward with no private practice; had his own lab where he could continue his work with penicillin; was promoted to Associate Professor of Medicine and Associate Dean; uncovered the synergy between penicillin and streptomycin (this discovery occurred while treating a patient).","Hunter was invited by Dr. Parsons in 1952 for job as the Dean of Medicine; though the School of Medicine was very small and poor, but had an excellent reputation for turning out reputable graduates. Hunter found the budget situation impossible to work with; was invited back to U.Va. after all candidates had been interviewed. Colgate Darden was the current president and was persuasive in convincing Hunter to come to U.Va. Hunter was attracted by the fact that the University was an old school with great assets. He viewed U.Va. as a relatively small, manageable, high quality academic setting not requiring a big administrative machine. Hunter's agenda included gaining financial support from the State Assembly, turning out more graduates on a slightly larger scale, accepting the cream-of-the-crop applicants, and providing better jobs and training. Hunter's first years were spent working with students, teaching, and being with patients. He did not come to U.Va. with aggressive ideas for building and growth.","Hunter arrived as Dean February, 1953; was 40 years old; had to work with an impossible budget; recieved a low salary; reported to the President of the University; was moved by the degree of growth and quality of the University; saw that there was a lot to be accomplished. There was a faculty of about 50-60 people and 76 students; almost all male; almost all white; from a wide geographic distribution. Hunter worked to break down the negative attitude of potential faculty recruits who saw U.Va. as poor, small, restricted, and provincial; agitated some because he did not want to build buildings, but build people; had a small lab in McKim and a grant during his first 7-10 years; worked on the chemical mechanism of penicillin on different states of organisms and antibacterial activities in other places and its effects in water, plants, and foreign bodies. Hunter's interests declined in the lab, and he became more excited by teaching. He focused on NIH, AAMC, international affairs, and ethics. This took him outside the University and has been attributed to putting the School of Medicine on the map. Hunter also had difficulties in the early years regarding racism and his \"color blindness,\" the Rose Garden affair (Medicare), and a speech he gave to a national gathering of pharmacologists blasting McCarthy.","Hunter's strongest supporters during this period were Dr. Parsons, Doug Eastwood, and Dave Smith. Hunter felt that the Dean had to balance obligation to the university and the department; emphasized a cooperative environment at the School of Medicine where people were comfortable together; did not realize how inadequate many of the facilities were and how the financial structure needed a boost from various sources; credits Ken Crispell with the vision that moved the School forward (Crispell obtained grants to construct buildings for the basic sciences); during this time was president of AAMC, served a 6 year tour at Harvard Board of Overseers, and worked with the NIH International Committee; conceded that his outside interests took up a lot of his time from the University; spent 1962-1963 in California and Colombia; became Chancellor for Medical Affairs in 1966; served as a member of the Center for Advanced Study; was involved with the Rose Garden Affair (Medicare).","Hunter temporarily re-located because of the reaction to his support of Medicare (the Rose Garden Affair); was invited by the Rockefeller Foundation and NIH to start a new international medical school program; relocated to California. The program sought to develop American-style medical schools abroad in key areas. Hunter describes the difficulties of implementing the program in Colombia; outlines reasons for its failure. Spring, 1963, Hunter suffered a collapsed lung and underwent surgery. Complications occurred and he was sent to Presbyterian Hospital in New York. Fall, 1963, Hunter, still recovering, returned to U.Va. and stepped down to become Chancellor of Medical Affairs.","Hunter discusses the separation of the School of Public Health and the School of Medicine; discusses reasons for his stepping down as Dean of the School of Medicine; became Chancellor of Medical Affairs (title was later changed to Vice President of Health Affairs with no change in responsibilities); in 1971 named Owen R. Cheatham Professor of Science; no longer required to work in the framework of the administration.","Hunter clarifies points from previous interviews and discusses future topics of conversation; gives views on retirement (retired in 1981 at the age of 68); felt that he should retire so as not to be a \"financial drain\" on the institution; realizes that his time at UVA was a period where many changes were taking place across the country and at UVA in school structures, requirements, and financial support; was a member of several prestigious societies: Center for Advanced Studies, speaker at a seminar at the Centennial Meeting Of the Massachusetts Department of Public Health, Chair of the University Wide Purpose Committee, Distinguished Service Member of AAMC, President of AAMC, UVA Senate, and a member of the American Academy of Arts and Sciences; was instrumental in starting several Medical Schools: Brown, Morehouse College; Tufts; was awarded the Thomas Jefferson Award and the Raven Society Award.","Dr. Hook clarifies date and content of the letter of resignation written by Hunter on March 24, 1964 to Dr. Edgar Shannon. It was understood that Dr. Ken Crispell, who had been serving in the position as Acting Dean would be appointed as Dean of the Medical School on the same day. Also on March 24, 1964 Shannon made Hunter Chancellor. Crispell wanted to tighten up the Medical School administration and Hunter wanted to \"branch out\" into various areas of the SChool of Medicine and University. Hunter wanted to explore the national and international aspects of medical education. Crispell sent Hunter a letter on April 3, 1964 outlining the concerns he had with vacant positions due to illness and positions vacated by faculty for various reasons. Hunter and Crispell worked together identifying and recruiting people for the various vacant positions in the basic sciences. Hook then investigates Hunter's views on God, love, marriage, homosexuality, HIV/AIDS, and prostitution.","Dr. Norman Thornton is interviewed with Hunter and recalls times when Hunter was Dean and Chancellor and the Rose Garden Affair. Thornton was a U.Va. undergraduate in 1926; graduated in 1936; served 4 years in the military; was associated with U.Va. as a student and faculty member for 29 years; gives gave his views and discusses Hunter's years as Dean, sojourn to California, illness, return to dean after illness, resignation and appointment as chancellor; notes that since the beginning Hunter did not want administrative responsibilities. Hunter delegated to department heads; had an open door policy and provided help whenever he could, considering the poor budget; did not interfere with the department heads. Prominent figures in Hunter's office were John Stacy, who was in charge of the hospital and Vincent Shay who was in charge of getting financial support for the institution. Vincent Archer and Hank Mulholland were responsible for all political aspects of getting money from Richmond. 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