{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026page=3563","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026page=3562","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026page=3564","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026page=3571"},"meta":{"pages":{"current_page":3563,"next_page":3564,"prev_page":3562,"total_pages":3571,"limit_value":10,"offset_value":35620,"total_count":35710,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_3051_c06_c03_c479","type":"File","attributes":{"title":"Yenching University - China","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c06_c03_c479#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3051_c06_c03_c479","ref_ssm":["viblbv_repositories_2_resources_3051_c06_c03_c479"],"id":"viblbv_repositories_2_resources_3051_c06_c03_c479","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051_c06_c03","parent_ssi":"viblbv_repositories_2_resources_3051_c06_c03","parent_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c06","viblbv_repositories_2_resources_3051_c06_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c06","viblbv_repositories_2_resources_3051_c06_c03"],"parent_unittitles_ssm":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files"],"parent_unittitles_tesim":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files"],"text":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files","Yenching University - China","box 50","folder 2523"],"title_filing_ssi":"Yenching University - China","title_ssm":["Yenching University - China"],"title_tesim":["Yenching University - China"],"unitdate_inclusive_ssm":["1935-1937"],"normalized_date_ssm":["1935/1937"],"normalized_title_ssm":["Yenching University - China"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2843,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1935,1936,1937],"containers_ssim":["box 50","folder 2523"],"_nest_path_":"/components#5/components#2/components#478","timestamp":"2026-05-21T02:11:33.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3051","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3051.xml","title_filing_ssi":"Burruss, Julian A., Records of the Office of the President","title_ssm":["Records of the Office of the President, Julian A. Burruss"],"title_tesim":["Records of the Office of the President, Julian A. Burruss"],"unitdate_ssm":["1906-1946"],"unitdate_inclusive_ssm":["1906-1946"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.02.08"],"text":["RG.02.08","Records of the Office of the President, Julian A. Burruss","Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President","The collection is open for research.","The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders","Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.","The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.","See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947","The materials in the collection are in English."],"unitid_tesim":["RG.02.08"],"normalized_title_ssm":["Records of the Office of the President, Julian A. Burruss"],"collection_title_tesim":["Records of the Office of the President, Julian A. Burruss"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_ssim":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"creator_corpname_ssim":["Virginia Polytechnic Institute and State University. Office of the President"],"creators_ssim":["Burruss, Julian Ashby, 1876-1947","Virginia Polytechnic Institute and State University. Office of the President"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Office of the President, Julian A. Burruss were transferred to Special Collections and University Archives in March-June 1973. Additional materials were received prior to 2000."],"access_subjects_ssim":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"access_subjects_ssm":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 52 boxes, 1 oversize folder"],"extent_tesim":["72 Cubic Feet 52 boxes, 1 oversize folder"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: Personal Correspondence and Papers, 1906-1945\u003c/item\u003e\n\u003citem\u003eSeries II: Board of Visitors, 1919-1935\u003c/item\u003e\n\u003citem\u003eSeries III: Correspondence, 1919-1944\u003c/item\u003e\n\u003citem\u003eSeries IV: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries V: Virginia State Survey, 1929-1930\u003c/item\u003e\n\u003citem\u003eSeries VI: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries VII: Defense and the War Effort, 1940-1945\u003c/item\u003e\n\u003citem\u003eOversize Folders\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders"],"bioghist_html_tesm":["\u003cp\u003eJulian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.\u003c/p\u003e\n","\u003cp\u003eOther highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.\u003c/p\u003e\n","\u003cp\u003eWhen mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=jmu/vihart00259.xml\" target=\"_new\"\u003eJulian Ashby Burruss Papers, 1904-2005, UA 0023,\u003c/a\u003e at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.\u003c/p\u003e\n","\u003cp\u003eIn addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproductions and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_99ffc4b6975dcc96ab6039abbbb6e7a7\" label=\"Abstract\"\u003eThe bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3fe84f921447fe3b159cbba915706c4b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":2949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:11:33.061Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c06_c03_c479"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c805","type":"File","attributes":{"title":"Yingling Auto Works vs. W.W. 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Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","Yingling Auto Works vs. W.W. Kinsley","Box S2/Box 47","Folder 10"],"title_filing_ssi":"Yingling Auto Works vs. W.W. Kinsley","title_ssm":["Yingling Auto Works vs. W.W. Kinsley"],"title_tesim":["Yingling Auto Works vs. W.W. Kinsley"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["Yingling Auto Works vs. W.W. Kinsley"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":985,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"containers_ssim":["Box S2/Box 47","Folder 10"],"_nest_path_":"/components#1/components#804","timestamp":"2026-05-21T00:52:04.570Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"text":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Siler Family Papers","Berkeley Springs (W. 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Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. 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(149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.\u003c/p\u003e","\u003cp\u003eThis series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.\u003c/p\u003e","\u003cp\u003eThis series includes assorted photographs of the Siler family.\u003c/p\u003e","\u003cp\u003eThis series includes ledgers for the Hammond \u0026amp; Siler and John T. Siler \u0026amp; Son businesses, assorted account books, and family bibles.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted oversize material, including blueprints, children's books, and sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Seiler family","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"names_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company","Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy","Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"corpname_ssim":["West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. House of Delegates","Montgomery Ward","American Red Cross","Sears, Roebuck and Company","Steel - Hancock Steel Company.","Great Cacapon Silica Sand Company"],"famname_ssim":["Seiler family","Campbell family","Castleman family - Genealogy","Hammond family - Genealogy","Humphries family - Genealogy","Isler family - Genealogy","Shepard family - Genealogy","Seller family - Genealogy"],"persname_ssim":["Armstrong, James D.","Castleman, Ann Rebecca Isler.","Castleman, Estelle.","Castleman, Frank A.","Castleman, Sarah Jane.","Faulkner, Charles James, 1806-1884","Hammond, Allen C.","Hammond, Cadet N.","Hotee, John.","Randolph, Emily Strother.","Rinehart, E. A.","Siler, J. Hammond Jr.","Siler, J. Hammond Sr.","Siler, Jessie Castleman.","Siler, John T.","Strother, Anne Doyne.","Van Gosen, James D.","Whisner, Samuel.","Widmyer, P. S.","Hardin, Moses"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1463,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:52:04.570Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c805"}},{"id":"viblbv_repositories_2_resources_3051_c03_c26_c34","type":"File","attributes":{"title":"YMCA","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c03_c26_c34#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3051_c03_c26_c34","ref_ssm":["viblbv_repositories_2_resources_3051_c03_c26_c34"],"id":"viblbv_repositories_2_resources_3051_c03_c26_c34","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051_c03_c26","parent_ssi":"viblbv_repositories_2_resources_3051_c03_c26","parent_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c03","viblbv_repositories_2_resources_3051_c03_c26"],"parent_ids_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c03","viblbv_repositories_2_resources_3051_c03_c26"],"parent_unittitles_ssm":["Records of the Office of the President, Julian A. Burruss","Series III: Correspondence","Subseries Z: Miscellaneous Correspondence"],"parent_unittitles_tesim":["Records of the Office of the President, Julian A. Burruss","Series III: Correspondence","Subseries Z: Miscellaneous Correspondence"],"text":["Records of the Office of the President, Julian A. Burruss","Series III: Correspondence","Subseries Z: Miscellaneous Correspondence","YMCA","box 20","folder 1418"],"title_filing_ssi":"YMCA","title_ssm":["YMCA"],"title_tesim":["YMCA"],"unitdate_inclusive_ssm":["1936-1938"],"normalized_date_ssm":["1936/1938"],"normalized_title_ssm":["YMCA"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1634,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1936,1937,1938],"containers_ssim":["box 20","folder 1418"],"_nest_path_":"/components#2/components#25/components#33","timestamp":"2026-05-21T02:11:33.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3051","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3051.xml","title_filing_ssi":"Burruss, Julian A., Records of the Office of the President","title_ssm":["Records of the Office of the President, Julian A. Burruss"],"title_tesim":["Records of the Office of the President, Julian A. Burruss"],"unitdate_ssm":["1906-1946"],"unitdate_inclusive_ssm":["1906-1946"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.02.08"],"text":["RG.02.08","Records of the Office of the President, Julian A. Burruss","Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President","The collection is open for research.","The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders","Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.","The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.","See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947","The materials in the collection are in English."],"unitid_tesim":["RG.02.08"],"normalized_title_ssm":["Records of the Office of the President, Julian A. Burruss"],"collection_title_tesim":["Records of the Office of the President, Julian A. Burruss"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_ssim":["Virginia Polytechnic Institute and State University. 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Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Office of the President, Julian A. Burruss were transferred to Special Collections and University Archives in March-June 1973. Additional materials were received prior to 2000."],"access_subjects_ssim":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"access_subjects_ssm":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 52 boxes, 1 oversize folder"],"extent_tesim":["72 Cubic Feet 52 boxes, 1 oversize folder"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: Personal Correspondence and Papers, 1906-1945\u003c/item\u003e\n\u003citem\u003eSeries II: Board of Visitors, 1919-1935\u003c/item\u003e\n\u003citem\u003eSeries III: Correspondence, 1919-1944\u003c/item\u003e\n\u003citem\u003eSeries IV: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries V: Virginia State Survey, 1929-1930\u003c/item\u003e\n\u003citem\u003eSeries VI: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries VII: Defense and the War Effort, 1940-1945\u003c/item\u003e\n\u003citem\u003eOversize Folders\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders"],"bioghist_html_tesm":["\u003cp\u003eJulian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.\u003c/p\u003e\n","\u003cp\u003eOther highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.\u003c/p\u003e\n","\u003cp\u003eWhen mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=jmu/vihart00259.xml\" target=\"_new\"\u003eJulian Ashby Burruss Papers, 1904-2005, UA 0023,\u003c/a\u003e at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.\u003c/p\u003e\n","\u003cp\u003eIn addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproductions and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_99ffc4b6975dcc96ab6039abbbb6e7a7\" label=\"Abstract\"\u003eThe bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3fe84f921447fe3b159cbba915706c4b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":2949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:11:33.061Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c03_c26_c34"}},{"id":"viblbv_repositories_2_resources_3051_c06_c03_c480","type":"File","attributes":{"title":"YMCA","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c06_c03_c480#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3051_c06_c03_c480","ref_ssm":["viblbv_repositories_2_resources_3051_c06_c03_c480"],"id":"viblbv_repositories_2_resources_3051_c06_c03_c480","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051_c06_c03","parent_ssi":"viblbv_repositories_2_resources_3051_c06_c03","parent_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c06","viblbv_repositories_2_resources_3051_c06_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c06","viblbv_repositories_2_resources_3051_c06_c03"],"parent_unittitles_ssm":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files"],"parent_unittitles_tesim":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files"],"text":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files","YMCA","box 50","folder 2524"],"title_filing_ssi":"YMCA","title_ssm":["YMCA"],"title_tesim":["YMCA"],"unitdate_inclusive_ssm":["1932-1936"],"normalized_date_ssm":["1932/1936"],"normalized_title_ssm":["YMCA"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2844,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1932,1933,1934,1935,1936],"containers_ssim":["box 50","folder 2524"],"_nest_path_":"/components#5/components#2/components#479","timestamp":"2026-05-21T02:11:33.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3051","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3051.xml","title_filing_ssi":"Burruss, Julian A., Records of the Office of the President","title_ssm":["Records of the Office of the President, Julian A. Burruss"],"title_tesim":["Records of the Office of the President, Julian A. Burruss"],"unitdate_ssm":["1906-1946"],"unitdate_inclusive_ssm":["1906-1946"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.02.08"],"text":["RG.02.08","Records of the Office of the President, Julian A. Burruss","Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President","The collection is open for research.","The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders","Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.","The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.","See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947","The materials in the collection are in English."],"unitid_tesim":["RG.02.08"],"normalized_title_ssm":["Records of the Office of the President, Julian A. Burruss"],"collection_title_tesim":["Records of the Office of the President, Julian A. Burruss"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_ssim":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"creator_corpname_ssim":["Virginia Polytechnic Institute and State University. Office of the President"],"creators_ssim":["Burruss, Julian Ashby, 1876-1947","Virginia Polytechnic Institute and State University. Office of the President"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Office of the President, Julian A. Burruss were transferred to Special Collections and University Archives in March-June 1973. Additional materials were received prior to 2000."],"access_subjects_ssim":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"access_subjects_ssm":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 52 boxes, 1 oversize folder"],"extent_tesim":["72 Cubic Feet 52 boxes, 1 oversize folder"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: Personal Correspondence and Papers, 1906-1945\u003c/item\u003e\n\u003citem\u003eSeries II: Board of Visitors, 1919-1935\u003c/item\u003e\n\u003citem\u003eSeries III: Correspondence, 1919-1944\u003c/item\u003e\n\u003citem\u003eSeries IV: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries V: Virginia State Survey, 1929-1930\u003c/item\u003e\n\u003citem\u003eSeries VI: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries VII: Defense and the War Effort, 1940-1945\u003c/item\u003e\n\u003citem\u003eOversize Folders\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders"],"bioghist_html_tesm":["\u003cp\u003eJulian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.\u003c/p\u003e\n","\u003cp\u003eOther highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.\u003c/p\u003e\n","\u003cp\u003eWhen mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=jmu/vihart00259.xml\" target=\"_new\"\u003eJulian Ashby Burruss Papers, 1904-2005, UA 0023,\u003c/a\u003e at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.\u003c/p\u003e\n","\u003cp\u003eIn addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproductions and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_99ffc4b6975dcc96ab6039abbbb6e7a7\" label=\"Abstract\"\u003eThe bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3fe84f921447fe3b159cbba915706c4b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":2949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:11:33.061Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c06_c03_c480"}},{"id":"viblbv_repositories_2_resources_3436_c03_c435","type":"File","attributes":{"title":"YMCA and Fries Theater Records (folder 1 of 4)","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3436_c03_c435#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3436_c03_c435","ref_ssm":["viblbv_repositories_2_resources_3436_c03_c435"],"id":"viblbv_repositories_2_resources_3436_c03_c435","ead_ssi":"viblbv_repositories_2_resources_3436","_root_":"viblbv_repositories_2_resources_3436","_nest_parent_":"viblbv_repositories_2_resources_3436_c03","parent_ssi":"viblbv_repositories_2_resources_3436_c03","parent_ssim":["viblbv_repositories_2_resources_3436","viblbv_repositories_2_resources_3436_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3436","viblbv_repositories_2_resources_3436_c03"],"parent_unittitles_ssm":["Fries Textile Plant Records","Series III: Financial Records"],"parent_unittitles_tesim":["Fries Textile Plant Records","Series III: Financial Records"],"text":["Fries Textile Plant Records","Series III: Financial Records","YMCA and Fries Theater Records (folder 1 of 4)","box 136","folder 13"],"title_filing_ssi":"YMCA and Fries Theater Records (folder 1 of 4)","title_ssm":["YMCA and Fries Theater Records (folder 1 of 4)"],"title_tesim":["YMCA and Fries Theater Records (folder 1 of 4)"],"unitdate_other_ssim":["1935- 1936"],"normalized_date_ssm":["1935/1936"],"normalized_title_ssm":["YMCA and Fries Theater Records (folder 1 of 4)"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Fries Textile Plant Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4332,"parent_access_restrict_tesm":["The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1935,1936],"containers_ssim":["box 136","folder 13"],"_nest_path_":"/components#2/components#434","timestamp":"2026-05-21T02:21:22.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3436","ead_ssi":"viblbv_repositories_2_resources_3436","_root_":"viblbv_repositories_2_resources_3436","_nest_parent_":"viblbv_repositories_2_resources_3436","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3436.xml","title_filing_ssi":"Fries Textile Plant Records","title_ssm":["Fries Textile Plant Records"],"title_tesim":["Fries Textile Plant Records"],"unitdate_ssm":["1900-1988"],"unitdate_inclusive_ssm":["1900-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1989.039"],"text":["Ms.1989.039","Fries Textile Plant Records","Fries (Va.)","Grayson County (Va.)","Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)","The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","Some of this collection has been digitized and is  available online .","An exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also  available online .","The collection is arranged by type of material into the following series:","Series I. Company Files Series II. Correspondence Series III. Financial Records Series IV. Personnel Records Series V. Production Materials Series VI. Legal Records Series VII. Blueprints Series VIII. Illustrations, ca. 1970s-1980s, n.d.","In 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. ","  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n   Sources: Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at  https://www.dhr.virginia.gov/historic-registers/220-5015/ .","Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007.","The guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."," The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the  National Historical Publications and Records Commission (NHPRC) .","This collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. ","  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. ","  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. ","  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. ","  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. ","  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. ","  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Note on box states \"Copyright 1978 - Viacom\"","The Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s.","Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information.","Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.1989.039"],"normalized_title_ssm":["Fries Textile Plant Records"],"collection_title_tesim":["Fries Textile Plant Records"],"collection_ssim":["Fries Textile Plant Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Fries (Va.)","Grayson County (Va.)"],"geogname_ssim":["Fries (Va.)","Grayson County (Va.)"],"creator_ssm":["Fries Textile Plant (Fries, Va.)"],"creator_ssim":["Fries Textile Plant (Fries, Va.)"],"creator_corpname_ssim":["Fries Textile Plant (Fries, Va.)"],"creators_ssim":["Fries Textile Plant (Fries, Va.)"],"places_ssim":["Fries (Va.)","Grayson County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Fries Textile Plant Records were deposited with Special Collections and University Archives in 1989. Ownership of the collection was transferred in 2016. Additional blueprints and slides were donated in December 2016 and July 2019."],"access_subjects_ssim":["Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)"],"access_subjects_ssm":["Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 190 Cubic Feet 185 boxes and 1 oversize folder"],"extent_tesim":["ca. 190 Cubic Feet 185 boxes and 1 oversize folder"],"genreform_ssim":["Textiles (visual works)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/Ms1989-039\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eAn exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/exhibits/show/the-only-game-in-town--a-selec\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online .","An exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also  available online ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Company Files\u003c/item\u003e\n\u003citem\u003eSeries II. Correspondence\u003c/item\u003e\n\u003citem\u003eSeries III. Financial Records\u003c/item\u003e\n\u003citem\u003eSeries IV. Personnel Records\u003c/item\u003e\n\u003citem\u003eSeries V. Production Materials\u003c/item\u003e\n\u003citem\u003eSeries VI. Legal Records\u003c/item\u003e\n\u003citem\u003eSeries VII. Blueprints\u003c/item\u003e\n\u003citem\u003eSeries VIII. Illustrations, ca. 1970s-1980s, n.d.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material into the following series:","Series I. Company Files Series II. Correspondence Series III. Financial Records Series IV. Personnel Records Series V. Production Materials Series VI. Legal Records Series VII. Blueprints Series VIII. Illustrations, ca. 1970s-1980s, n.d."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. \u003c/p\u003e\n","\u003cp\u003e  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n  \u003cb\u003eSources:\u003c/b\u003e\n\u003clist\u003e\n\u003citem\u003eBond, Avery, and Martha Nichols, comps. and eds. \u003ctitle render=\"italic\"\u003eA History of the Town of Fries, Virginia.\u003c/title\u003e Collinsville, VA: Collinsville Printing Company, 1977.\u003c/item\u003e\n\u003citem\u003e\"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech.\u003c/item\u003e\n\u003citem\u003eNational Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at \u003ca href=\"https://www.dhr.virginia.gov/historic-registers/220-5015/\" target=\"new\"\u003ehttps://www.dhr.virginia.gov/historic-registers/220-5015/\u003c/a\u003e.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eBond, Avery, and Martha Nichols, comps. and eds. \u003ctitle render=\"italic\"\u003eA History of the Town of Fries, Virginia.\u003c/title\u003e Collinsville, VA: Collinsville Printing Company, 1977.\u003c/item\u003e\n      \u003citem\u003e\"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech.\u003c/item\u003e\n      \u003citem\u003eNational Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007.\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["In 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. ","  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n   Sources: Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at  https://www.dhr.virginia.gov/historic-registers/220-5015/ .","Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007."],"odd_html_tesm":["\u003cp\u003eThe guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Fries Textile Plant Records, Ms1989-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Fries Textile Plant Records, Ms1989-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003e\u003cimg width=\"200\" align=\"left\" src=\"https://digitalsc.lib.vt.edu/files/original/a2eeb5148408709c99f3e268e1177900.jpg\"\u003e The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[" The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the  National Historical Publications and Records Commission (NHPRC) ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. \u003c/p\u003e\n","\u003cp\u003e  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. \u003c/p\u003e\n","\u003cp\u003e  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. \u003c/p\u003e\n","\u003cp\u003e  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. \u003c/p\u003e\n","\u003cp\u003e  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. \u003c/p\u003e\n","\u003cp\u003e  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. \u003c/p\u003e\n","\u003cp\u003e  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. ","  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. ","  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. ","  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. ","  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. ","  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. ","  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eNote on box states \"Copyright 1978 - Viacom\"\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Note on box states \"Copyright 1978 - Viacom\""],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ce4274aaed374fd7fe7666d5e569f91\"\u003eThe Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_78b3d661802d05ef5c5158a40766d436\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information."],"names_coll_ssim":["Fries Textile Plant (Fries, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5423,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3436_c03_c435"}},{"id":"viblbv_repositories_2_resources_3436_c03_c434","type":"File","attributes":{"title":"YMCA Monthly Membership Dues","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3436_c03_c434#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3436_c03_c434","ref_ssm":["viblbv_repositories_2_resources_3436_c03_c434"],"id":"viblbv_repositories_2_resources_3436_c03_c434","ead_ssi":"viblbv_repositories_2_resources_3436","_root_":"viblbv_repositories_2_resources_3436","_nest_parent_":"viblbv_repositories_2_resources_3436_c03","parent_ssi":"viblbv_repositories_2_resources_3436_c03","parent_ssim":["viblbv_repositories_2_resources_3436","viblbv_repositories_2_resources_3436_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3436","viblbv_repositories_2_resources_3436_c03"],"parent_unittitles_ssm":["Fries Textile Plant Records","Series III: Financial Records"],"parent_unittitles_tesim":["Fries Textile Plant Records","Series III: Financial Records"],"text":["Fries Textile Plant Records","Series III: Financial Records","YMCA Monthly Membership Dues","box 61"],"title_filing_ssi":"YMCA Monthly Membership Dues","title_ssm":["YMCA Monthly Membership Dues"],"title_tesim":["YMCA Monthly Membership Dues"],"unitdate_other_ssim":["1932-1937"],"normalized_date_ssm":["1932/1937"],"normalized_title_ssm":["YMCA Monthly Membership Dues"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Fries Textile Plant Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":4331,"parent_access_restrict_tesm":["The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1932,1933,1934,1935,1936,1937],"containers_ssim":["box 61"],"_nest_path_":"/components#2/components#433","timestamp":"2026-05-21T02:21:22.107Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3436","ead_ssi":"viblbv_repositories_2_resources_3436","_root_":"viblbv_repositories_2_resources_3436","_nest_parent_":"viblbv_repositories_2_resources_3436","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3436.xml","title_filing_ssi":"Fries Textile Plant Records","title_ssm":["Fries Textile Plant Records"],"title_tesim":["Fries Textile Plant Records"],"unitdate_ssm":["1900-1988"],"unitdate_inclusive_ssm":["1900-1988"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1989.039"],"text":["Ms.1989.039","Fries Textile Plant Records","Fries (Va.)","Grayson County (Va.)","Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)","The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","Some of this collection has been digitized and is  available online .","An exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also  available online .","The collection is arranged by type of material into the following series:","Series I. Company Files Series II. Correspondence Series III. Financial Records Series IV. Personnel Records Series V. Production Materials Series VI. Legal Records Series VII. Blueprints Series VIII. Illustrations, ca. 1970s-1980s, n.d.","In 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. ","  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n   Sources: Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at  https://www.dhr.virginia.gov/historic-registers/220-5015/ .","Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007.","The guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."," The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the  National Historical Publications and Records Commission (NHPRC) .","This collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. ","  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. ","  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. ","  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. ","  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. ","  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. ","  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Note on box states \"Copyright 1978 - Viacom\"","The Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s.","Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information.","Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)","The materials in the collection are in English."],"unitid_tesim":["Ms.1989.039"],"normalized_title_ssm":["Fries Textile Plant Records"],"collection_title_tesim":["Fries Textile Plant Records"],"collection_ssim":["Fries Textile Plant Records"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Fries (Va.)","Grayson County (Va.)"],"geogname_ssim":["Fries (Va.)","Grayson County (Va.)"],"creator_ssm":["Fries Textile Plant (Fries, Va.)"],"creator_ssim":["Fries Textile Plant (Fries, Va.)"],"creator_corpname_ssim":["Fries Textile Plant (Fries, Va.)"],"creators_ssim":["Fries Textile Plant (Fries, Va.)"],"places_ssim":["Fries (Va.)","Grayson County (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Fries Textile Plant Records were deposited with Special Collections and University Archives in 1989. Ownership of the collection was transferred in 2016. Additional blueprints and slides were donated in December 2016 and July 2019."],"access_subjects_ssim":["Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)"],"access_subjects_ssm":["Company towns","Local/Regional History and Appalachian South","Textile manufacturers","Textile workers","Textiles (visual works)"],"has_online_content_ssim":["false"],"extent_ssm":["ca. 190 Cubic Feet 185 boxes and 1 oversize folder"],"extent_tesim":["ca. 190 Cubic Feet 185 boxes and 1 oversize folder"],"genreform_ssim":["Textiles (visual works)"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e","\u003cp\u003eThis material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research with the exception of Boxes 50, 51, 117, 147, 148, 149, 152, 153, 154, 155, 179, and 185, which contain HIPAA-protected, sensitive, or personally identifiable information. These records are noted in the file-level description. Contact Virginia Tech Special Collections and University Archives for more information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 yers due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted under HIPAA due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted due to personally identifiable information until 50 years after the death of the individual. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information.","This material is restricted for 75 years due to personally identifiable information. Contact Special Collections for additional information."],"altformavail_html_tesm":["\u003cp\u003eSome of this collection has been digitized and is \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/Ms1989-039\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e\n","\u003cp\u003eAn exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also \u003ca target=\"_blank\" href=\"https://digitalsc.lib.vt.edu/exhibits/show/the-only-game-in-town--a-selec\"\u003eavailable online\u003c/a\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Some of this collection has been digitized and is  available online .","An exhibit, \"The Only Game In Town: A Selection from the Fries Textile Plant Records\" is also  available online ."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged by type of material into the following series:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I. Company Files\u003c/item\u003e\n\u003citem\u003eSeries II. Correspondence\u003c/item\u003e\n\u003citem\u003eSeries III. Financial Records\u003c/item\u003e\n\u003citem\u003eSeries IV. Personnel Records\u003c/item\u003e\n\u003citem\u003eSeries V. Production Materials\u003c/item\u003e\n\u003citem\u003eSeries VI. Legal Records\u003c/item\u003e\n\u003citem\u003eSeries VII. Blueprints\u003c/item\u003e\n\u003citem\u003eSeries VIII. Illustrations, ca. 1970s-1980s, n.d.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged by type of material into the following series:","Series I. Company Files Series II. Correspondence Series III. Financial Records Series IV. Personnel Records Series V. Production Materials Series VI. Legal Records Series VII. Blueprints Series VIII. Illustrations, ca. 1970s-1980s, n.d."],"bioghist_html_tesm":["\u003cp\u003eIn 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. \u003c/p\u003e\n","\u003cp\u003e  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n  \u003cb\u003eSources:\u003c/b\u003e\n\u003clist\u003e\n\u003citem\u003eBond, Avery, and Martha Nichols, comps. and eds. \u003ctitle render=\"italic\"\u003eA History of the Town of Fries, Virginia.\u003c/title\u003e Collinsville, VA: Collinsville Printing Company, 1977.\u003c/item\u003e\n\u003citem\u003e\"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech.\u003c/item\u003e\n\u003citem\u003eNational Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at \u003ca href=\"https://www.dhr.virginia.gov/historic-registers/220-5015/\" target=\"new\"\u003ehttps://www.dhr.virginia.gov/historic-registers/220-5015/\u003c/a\u003e.\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003citem\u003eBond, Avery, and Martha Nichols, comps. and eds. \u003ctitle render=\"italic\"\u003eA History of the Town of Fries, Virginia.\u003c/title\u003e Collinsville, VA: Collinsville Printing Company, 1977.\u003c/item\u003e\n      \u003citem\u003e\"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech.\u003c/item\u003e\n      \u003citem\u003eNational Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007.\u003c/item\u003e\n    \u003c/list\u003e"],"bioghist_heading_ssm":["Administrative History"],"bioghist_tesim":["In 1903, Colonel Francis Henry Fries founded the town of Fries and constructed a textile plant in Grayson County, Virginia. Fries was president of the Washington Mills Company as well as Wachovia Bank, for some time. He used his business and political connections to build a spur to a main branch of the Norfolk and Western Railroad and to construct a dam on the New River to generate power for the mill. The Washington Mills Company owned nearly every building in the town, which flourished in the early twentieth century with a population of over 1,700 in 1910. By 1929, there were four textile mills in Grayson County, and Washington Mills in Fries was the largest, employing as many as 600 people. ","  Employment at Washington Mills peaked after World War II with over 1,200 workers. For decades, the mill had cutting edge equipment and competed nationally with other textile production facilities. By the 1980s, the company faced overseas competition and the need to modernize the plant. In 1988, company leaders chose to close the plant, which at that time employed only a few hundred workers.\n  \n   Sources: Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007, available at  https://www.dhr.virginia.gov/historic-registers/220-5015/ .","Bond, Avery, and Martha Nichols, comps. and eds.  A History of the Town of Fries, Virginia.  Collinsville, VA: Collinsville Printing Company, 1977. \"Historical Background, Town of Fries, Compiled in 1953 for 50th Anniversary of Fries,\" box 34, Fries Textile Plant Records, Special Collections, Virginia Tech. National Register of Historic Places. \"Fries Boarding Houses, VDHR#220-5015,\" September 14, 2007."],"odd_html_tesm":["\u003cp\u003eThe guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Fries Textile Plant Records by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Fries Textile Plant Records, Ms1989-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Fries Textile Plant Records, Ms1989-039, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003e\u003cimg width=\"200\" align=\"left\" src=\"https://digitalsc.lib.vt.edu/files/original/a2eeb5148408709c99f3e268e1177900.jpg\"\u003e The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the \u003ca target=\"_blank\" href=\"https://www.archives.gov/nhprc\"\u003eNational Historical Publications and Records Commission (NHPRC)\u003c/a\u003e.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":[" The processing, arrangement, and description of the Fries Textile Plant Records commenced in October 2018 and completed in July 2019 as part of the project, \"They're Closing Down the Textile Mill: Creating Access to the Fries Textile Plant Records,\" funded by the  National Historical Publications and Records Commission (NHPRC) ."],"scopecontent_html_tesm":["\u003cp\u003eThis collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. \u003c/p\u003e\n","\u003cp\u003e  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. \u003c/p\u003e\n","\u003cp\u003e  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. \u003c/p\u003e\n","\u003cp\u003e  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. \u003c/p\u003e\n","\u003cp\u003e  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. \u003c/p\u003e\n","\u003cp\u003e  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. \u003c/p\u003e\n","\u003cp\u003e  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection includes correspondence, ledgers, production records, employee records, photographs, fabric samples, and other items documenting the history of the town and plant from their creation in the eary 1900s to the close of the mill in 1988. ","  Series I. Company Files and Series II. Correspondence mainly document the day-to-day running of the mill, highlighting relationships with other local and national businesses in fields such as textiles, factory machinery, coal, insurance, and construction. These records also illustrate some aspects of the lives of the mill employees. ","  Series III. Financial Records document the more quantifiable aspect of the business through invoices, pay records, and account balance books, showing the health and trajectory of the company over time. ","  Series IV. Personnel Records convey the activity of the mill by recording the number of each type of employee, how much they worked, and when, as well as some glimpses into the personal lives of the mill workers. ","  Series V. Production Materials more concretely illustrate the output of the mill through fabric samples and reports of production versus cost over time. ","  Series VI. Legal Records show how the mill grew and evolved over time in relation to the community in which it operated. ","  Series VII. Blueprints show how the mill buildings themselves were conceived, built, and changed from 1900-1974, when the last major renovations were completed.\n  \n  Series VIII. Illustrations, ca. 1970s-1980s, n.d., includes photographs from the Fries plant and town of Fries, primarily of employees and events, and one oversize drawing with images of the Washington Mills Plants in Fries, Virginia, and in North Carolina."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e","\u003cp\u003eNote on box states \"Copyright 1978 - Viacom\"\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use","Conditions Governing Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form.","Note on box states \"Copyright 1978 - Viacom\""],"abstract_html_tesm":["\u003cabstract id=\"aspace_1ce4274aaed374fd7fe7666d5e569f91\"\u003eThe Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s.\u003c/abstract\u003e"],"abstract_tesim":["The Fries Textile Plant Records includes correspondence, production data, personnel ledgers, photographs, legal and financial materials, internal reports, blueprints, and other administrative materials. The collection provides a complete history of the company's operations, from its founding at the turn of the twentieth century until its closure in the 1980s."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_78b3d661802d05ef5c5158a40766d436\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  Material is in off-site storage and requires 2-3 days notice for retrieval. The oversize folder is onsite. Please contact Special Collections and University Archives for further information."],"names_coll_ssim":["Fries Textile Plant (Fries, Va.)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Fries Textile Plant (Fries, Va.)"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":5423,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:21:22.107Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3436_c03_c434"}},{"id":"wvmturhc_repositories_2_resources_1630_c02_c05","type":"Box","attributes":{"title":"YMCA; Wheeling Park Rec. Building; Oglebay Mansion Museum; Masonic Temple; Residences and Housing; State Bank and Trust Co.; Building for American Legion, Wheeling Post No. 1 Wheeling, W. Va. [1 of 2]; Specifications for Alterations to Building for American Home Corporation; George E. Stifel Storefront -- Market St. Entrance As-Is; New Building for United Dairy Products Co. -- Specifications [1 of 2]; Wheeling Clinic and Doctor's Residence","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c02_c05#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_1630_c02_c05","ref_ssm":["wvmturhc_repositories_2_resources_1630_c02_c05"],"id":"wvmturhc_repositories_2_resources_1630_c02_c05","ead_ssi":"wvmturhc_repositories_2_resources_1630","_root_":"wvmturhc_repositories_2_resources_1630","_nest_parent_":"wvmturhc_repositories_2_resources_1630_c02","parent_ssi":"wvmturhc_repositories_2_resources_1630_c02","parent_ssim":["wvmturhc_repositories_2_resources_1630","wvmturhc_repositories_2_resources_1630_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_1630","wvmturhc_repositories_2_resources_1630_c02"],"parent_unittitles_ssm":["Faris, Faris, and Stephens, Architects, Records","Series 2. Project Records"],"parent_unittitles_tesim":["Faris, Faris, and Stephens, Architects, Records","Series 2. Project Records"],"text":["Faris, Faris, and Stephens, Architects, Records","Series 2. Project Records","YMCA; Wheeling Park Rec. Building; Oglebay Mansion Museum; Masonic Temple; Residences and Housing; State Bank and Trust Co.; Building for American Legion, Wheeling Post No. 1 Wheeling, W. Va. [1 of 2]; Specifications for Alterations to Building for American Home Corporation; George E. Stifel Storefront -- Market St. Entrance As-Is; New Building for United Dairy Products Co. -- Specifications [1 of 2]; Wheeling Clinic and Doctor's Residence","Box 374"],"title_filing_ssi":"YMCA; Wheeling Park Rec. Building; Oglebay Mansion Museum; Masonic Temple; Residences and Housing; State Bank and Trust Co.; Building for American Legion, Wheeling Post No. 1 Wheeling, W. Va. [1 of 2]; Specifications for Alterations to Building for American Home Corporation; George E. Stifel Storefront -- Market St. Entrance As-Is; New Building for United Dairy Products Co. -- Specifications [1 of 2]; Wheeling Clinic and Doctor's Residence","title_ssm":["YMCA; Wheeling Park Rec. Building; Oglebay Mansion Museum; Masonic Temple; Residences and Housing; State Bank and Trust Co.; Building for American Legion, Wheeling Post No. 1 Wheeling, W. Va. [1 of 2]; Specifications for Alterations to Building for American Home Corporation; George E. Stifel Storefront -- Market St. Entrance As-Is; New Building for United Dairy Products Co. -- Specifications [1 of 2]; Wheeling Clinic and Doctor's Residence"],"title_tesim":["YMCA; Wheeling Park Rec. Building; Oglebay Mansion Museum; Masonic Temple; Residences and Housing; State Bank and Trust Co.; Building for American Legion, Wheeling Post No. 1 Wheeling, W. Va. [1 of 2]; Specifications for Alterations to Building for American Home Corporation; George E. Stifel Storefront -- Market St. Entrance As-Is; New Building for United Dairy Products Co. -- Specifications [1 of 2]; Wheeling Clinic and Doctor's Residence"],"unitdate_inclusive_ssm":["1924-1954"],"normalized_date_ssm":["1924/1954"],"normalized_title_ssm":["YMCA; Wheeling Park Rec. Building; Oglebay Mansion Museum; Masonic Temple; Residences and Housing; State Bank and Trust Co.; Building for American Legion, Wheeling Post No. 1 Wheeling, W. Va. [1 of 2]; Specifications for Alterations to Building for American Home Corporation; George E. Stifel Storefront -- Market St. Entrance As-Is; New Building for United Dairy Products Co. -- Specifications [1 of 2]; Wheeling Clinic and Doctor's Residence"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Faris, Faris, and Stephens, Architects, Records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Box"],"level_ssim":["Box"],"sort_isi":1531,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954],"containers_ssim":["Box 374"],"_nest_path_":"/components#1/components#4","timestamp":"2026-05-21T01:34:44.690Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_1630","ead_ssi":"wvmturhc_repositories_2_resources_1630","_root_":"wvmturhc_repositories_2_resources_1630","_nest_parent_":"wvmturhc_repositories_2_resources_1630","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_1630.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/195905","title_ssm":["Faris, Faris, and Stephens, Architects, Records"],"title_tesim":["Faris, Faris, and Stephens, Architects, Records"],"unitdate_ssm":["ca. 1890-2013"],"unitdate_inclusive_ssm":["ca. 1890-2013"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630"],"text":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630","Faris, Faris, and Stephens, Architects, Records","Architects and architecture","No special access restriction applies.","Frederick Fisher Faris","Frederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026 Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026 Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026 Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.","Frederic P. Faris","Frederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.","Tracy Ralston Stephens","Tracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026 Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married.","The A\u0026M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders. \nThe A\u0026M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection.","The Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania. Series 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned. Series 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request. Series 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University. Series 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.","Includes tracings (pencil drawings) and ink on vellum drawings of plans, elevations and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.  The drawings have been arranged into subseries according to the purpose of the building or property represented. There is likely crossover between projects represented in this series and those represented in series 2.","location: Moundsville, WV","project no: 1499; architect: Faris Associates; location: 324 Main Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Flushing, Ohio","location: Wheeling, WV","architect: Stevens, W. A.","location: Wheeling, WV","vellum","architect: Faris, Frederic (nephew); location: Fifth Street and Hanover, Martins Ferry, Ohio","architect: Bates, Charles W.","project no: A-132","architect: Faris, Frederic (nephew); location: Ohio County, West Virginia","project no: 1178; architect: Faris, Frederic (nephew); location: 1129 Market Street, Wheeling, West Virginia","project no: 1227; architect: Faris, Frederic (nephew); location: 2060 National Road, Wheeling, West Virginia","location: Wheeling, WV","location: Wheeling, WV","architect: Faris, Frederic; location: Intersection of Barnesville and National Road, Wheeling, West Virginia","location: Steubenville, OH","architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","location: Wheeling, WV","blueprints","project no: 1077; architect: Faris, Frederic (nephew); location:  Nineteenth Street, Wheeling, West Virginia","project no: 1077; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","location: Akron, OH","architect: Faris, Frederic (nephew); location: North Main Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic; location: Market Street, Wheeling, West Virginia","architect: Faris, Frederick","architect: Faris, Frederick","architect: Faris, Frederick","architect: Faris, Frederick","For additional drawings see A\u0026M 3330 Series 1 Boxes 16, 65, 76, 207","For additional drawings see A\u0026M 3330 Series 1 Boxes 16, 65, 76, 207","rolled","architect: Faris, Frederick","architect: Faris, Frederick","location: St. Clairsville, OH","location: Wheeling, WV","architect: Bates, Charles W.","architect: Bates, Charles W. (?)","location: Wheeling, West Virginia","project no: 312; architect: Faris, Frederic; location: Bellaire, Ohio","architect: Faris, Frederic (nephew); location: 1196 Market Street, Wheeling, West Virginia","Bloch Brothers Tobacco Co.","architect: Faris, Franzheim, and Giesey","mounted prints","project no: 1207; architect: Faris, Frederic; location: Wheeling, West Virginia","rolled","project no: Com A 131; architect: Faris, Frederic; location: Seventeenth Street, Wheeling, West Virginia","warehouse is entirely of poured concrete construction","project no: 1078; architect: Van Alstyne, R.E.; location: Wheeling, West Virginia","rolled","rolled","rolled","location: Moundsville, WV","location: Moundsville, WV","project no: 1452; architect: Faris, Frederic; location: Hazlett Avenue, Wheeling, West Virginia","location: WV","project no: 1200; architect: Faris, Frederic (nephew); location: Ohio County, West Virginia","location: Bridgeport, OH","architect: Edward J. Wood and Son Associates; Stephens, Tracy; location: Clarksburg, West Virginia","project no: 1167; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","architect: Dayton, Albert F.; location: Marshall County, West Virginia","rolled","rolled","project no: 1439; architect: Faris, Frederic (nephew); location: WV Route 7, Marshall County, West Virginia","project no: 1002; architect: Faris, Frederic; location: Wheeling, West Virginia","location: Wheeling, WV","rolled, ink on vellum","architect: Faris, Frederic; location: Folsom, West Virginia","architect: Cellarius \u0026 Hilmer; location: Cincinnati, Ohio","architect: Dayton, Albert F.","project no: Pi-8562; architect: Faris, Frederic; location: Wheeling, West Virginia","project no: 1046; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","architect: Dayton, Albert F.","architect: Bates, Charles W.","location: West Liberty, WV","project no: 1109; architect: Faris, Frederic (nephew); location: West Liberty, West Virginia","project no: 1463; architect: Faris, Frederic (nephew); location: West Liberty, West Virginia","location: West Liberty, WV","rolled","rolled","rolled","Robert J. Bennett title block","rolled","project no: 1409; architect: Faris, Frederic; location: Wheeling, West Virginia","opened 1911, burned 1914, reopened 1915","rolled, Fred Faris with Charles Bates title block","project no: 1443; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","mounted blue prints","location: Wheeling, WV","location: Wheeling, West Virginia","architect: Bates, Charles W.","mounted blue prints","mounted blue prints","mounted blue prints","mounted blue prints","mounted blue prints","mounted blue prints","project no: 1076; architect: Faris, Frederic (nephew); location: Roney's Point, West Virginia","location: Moundsville, WV","architect: Bates, Charles W.","project no: 1288; architect: Faris, Frederic (nephew); location: Kruger Street, Elm Grove, West Virginia","rolled","architect: Faris, Frederick","architect: Faris, Frederick (?)","architect: Faris, Frederic","likely for 1929 renovation of WV State Prison","rolled","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling, WV","architect: CC Smith and Son; location: New Martinsville, West Virginia","architect: Stephens, Tracy; location: West Virginia","project no: 1127; architect: Faris, Frederic (nephew); location: Roney's Point, West Virginia","rolled","location: WV","location: WV","location: WV","rolled","Rolled","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling, WV","originally designed by Frederick F. Faris 1905","project no: WPCR-359; location: 57 Fourteenth Street, Wheeling, West Virginia","project no: 1235; architect: Faris, Frederic; location: Wheeling, West Virginia","location: Wheeling, WV","architect: Faris, Frederic; location: Wheeling, West Virginia","location: Cumberland, MD","architect: Faris, Frederic","architect: Faris, Frederic","rolled","rolled, dedicated 1918","architect: Schmertz and Erwin; location: Table Rock Lane, Wheeling, West Virginia","architect: Haag and Assoc.","project no: 1024; architect: Faris, Frederic; location: St. Clairesville, Ohio","project no: 1049; architect: Faris, Frederic (nephew); location: McMechen, West Virginia","mounted print","architect: Faris, Frederic; location: Bellaire, Ohio","architect: Faris, Frederick","architect: Faris, Frederick","architect: Faris, Frederic","architect: Faris, Frederick and Millard Fillmore Giesey (?)","location: Martin's Ferry, Ohio","location: Martin's Ferry, Ohio","mounted prints","project no: 1242; architect: Faris, Frederic (nephew); location:  Edgington Lane, Wheeling, West Virginia","location: Bellaire, OH","architect: Franzheim, Edward","architect: Franzheim, Edward","project no: 1225; architect: Faris, Frederic (nephew); location: Wetzel County, West Virginia","project no: 1237; architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic","architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic; location: 41 Fifteenth Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Woodsdale, Wheeling, West Virginia","location: Miltonsburg, OH","architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","architect: Faris, Frederic; location: North Main Street, Wheeling, West Virginia","project no: 418; architect: M.R. Johnke, W.F. McCulloch","project no: 1094; architect: Faris, Frederic (nephew); location: 745 North Main Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Wheeling, West Virginia","location: Barnesville, OH","rolled","project no: 1165; architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic; location: Wheeling, West Virginia","project no: 1053; architect: Faris, Frederic (nephew); location: Water Street, Wheeling, West Virginia","architect: Franzheim, Edward","architect: Franzheim, Edward","rolled, designed by F.F. Faris 1903-1906","project no: 1281; architect: Faris, Frederic; location: Wetzel County, West Virginia","architect: James Barbitta and Assoc.","location: West Liberty, WV","project no: 1280; architect: Faris, Frederic; location: Bethlehem, West Virginia","architect: Faris, Frederic; location: 719 North Main Street, Wheeling, West Virginia","project no: 1166; architect: Faris, Frederic (nephew); location: Cecil Place, Wheeling, West Virginia","architect: Gandee, Thomas and Sprouse","rolled, last building designed by F.F. Faris","ink on vellum","rolled","architect: Faris, Frederic; location: 36 Belmont Street, Bellaire, Ohio","architect: Engstrom and Wynn","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling,","location: Wheeling, WV","location: Wheeling, WV","location: New Martinsville, WV","project no: 1096 A; architect: Faris, Frederic (nephew); location: Hawthorne Court, Wheeling, West Virginia","rolled","rolled","architect: Franzheim, Edward","architect: Franzheim, Edward","architect: Faris, Frederic; location: Hawthorne Court, Wheeling, West Virginia","rolled, Elmhurst Mansion","architect: Hecky-Yee / The Dillon Company","architect: Faris, Frederic","architect: Bates, Charles W.","architect: Franzheim, Edward (?); location: Wheeling, WV","architect: Franzheim, Edward (?); location: Wheeling, WV","architect: Faris, Franzheim, and Giesey; location: Wheeling, WV","Theater restoration following fire","location:  1112 Market St., Wheeling, West Virginia","architect: Faris, Frederic; location: St. Clairesville, Ohio","rolled, ink on vellum","Includes drawings of mixed use spaces, unidentified drawings, maps, and other material that did not fit into other categories.","architect: Faris, Frederic (nephew); location: Martins Ferry, Ohio","location: Ohio County, West Virginia","ink on mylar","architect: Stone and Thomas","architect: Stone and Thomas","architect: Stone and Thomas","architect: Stone and Thomas","architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederick and Millard Fillmore Giesey","Includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Many boxes contain records for multiple projects.  There is likely crossover with projects represented in series 1.","Includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.","Includes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of  In Wheeling  magazine featuring an article about the city's architectural history.","Includes materials used and created in daily activities at the Faris Associates/Tracy R. Stephens, AIA, Architect firm. This is comprised of the firm's financial records from periods in the late 1940s and early 1950s; notes, drawings, and specifications for the West Virginia Independence Hall (also known as the Wheeling Custom House) and Paul M. McKay Residence projects; notes from a Civil Engineering Mechanics course taken by Frederic Faris; and the  Thirty-Third Architectural Exhibition Yearbook  (1930).","Includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.","Books included: A Treasury of Contemporary Houses; The Second Treasury of Contemporary Houses; Planning School Buildings; Planning Guide for Radiologic Installations; Housing Design; Cities of Latin America; On Hospitals; Lettering on Buildings; The Eighth Wonder; Fascinating Spirited Cincinnati; Materials for Architecture; Progressive Architecture; Architectural Construction Volume 2; American Building Art 19th Century; American Building Art 20th Century","Books included: Toward Better School Design; Restaurants, Lounges, Bars; School Planning; Airports; Music, Acoustics \u0026 Architecture; Financial Survey of Urban Housing; American Architects Directory; Specifications for a Hospital; Floodproofing Non-Residential Structures; Design Guidelines for Flood Damage Reduction; Retrofitting Flood-prone Residential Structures; Manufactured Home Installation in Flood Hazard Areas; Lighting in Architecture","Books included: Biographies on Gropius, Neutra, Mendelson, Sullivan, Niemeyer, Gaudi, Nervi, Wright, Corbusier, Aalto, and Van Der Rohe; Planning and Building the Modern Church; Minimum Property Standards; U.S. Industrial Design; Landscape Architecture; Architectural Detailing; Living Spaces; Pencil Techniques in Modern Design; Shops \u0026 Stores; Urban Landscape Design","Books included: Landscape for Living; Makers of Contemporary Architecture; Metal Plate Lithography; The New World Architecture; The Effective Architect; Early American Homes","Books included: The New Style; Classical Greece; Planning Elementary School Buildings; Schoolhouse; Planning Secondary School Buildings; The Business of Architecture; Architectural Practice; The American Courthouse; The Practical Requirements of Modern Buildings","Books included: Houses for Good Living; Decorative Ornament; School Architecture; Display; Prado Madrid; Standard Plumbing Details; Architectural Engineering; Ticket to Paradise; Railroad and Bus Terminal Station Layout; Eero Saarinen on His Work","Books included: Hospitals, Clinics, and Health Centers; Design for Modern Living; An American Synagogue for Today and Tomorrow; The Writings and Sketches of Matthew Nowicki; Modern Physics Buildings; Designs for Outdoor Living; Stained Glass for Amateurs; Your Dream Home -- How to Build It for Less than $3500; Hospital Color and Decorations; Plan Reading for Home Builders; Manual Design \u0026 Construction; Structural Shop Drafting Textbook Volume 1; Design and Construction of General Hospitals; Aluminum in Modern Architecture Volume 1 and Volume 2","Books included: Modernizing Buildings for Profit; Modern Interiors; Curtain Wall Construction; Schools; Apartments and Dormitories; Modern Architecture in Mexico; Manual of Design; Repairing and Remodeling Guide for Home Interiors; Acoustical Design; Communities for Better Living; Guide for Planning School Plants; Hospital Planning","Books included: Perspective Projection; Smaller Retail Shops; Buildings for the Elderly; With Heritage So Rich; Shops and Stores; Three Centuries of Notable American Cities; Modern Furniture; Hospitals -- Integrated Design; Doctor's Offices and Clinics; Bridges","Books included: Builders of West Virginia; Your Solar House; Industrial Architecture; Good Practice in Construction; Airport Engineering; Strength of Houses; Eliel Saarinen; Architects' Specifications -- How to Write Them; The Illustrated Encyclopedia of Knowledge; The Modern Small Hospital; Nicholson's Building Director, Volume I and Volume II","Books included: Architectural Design Collaborators 1; Architectural Design Collaborators 2; Persien 1; Masters of Modern Architecture; Building Design Handbook; Building Insulation; Foundation Engineering; Changing the Skyline; The Construction of Small Houses; Architecture for the New Theatre; The Practical Application of Acoustic Principles; School Planning Handbook; Elliot 7: Drawing Materials, Surveyors, Supplies; Standards for Schoolhouse Construction; Building Practice Manual","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Includes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","English \n.    "],"unitid_tesim":["A\u0026M 3330","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/1630"],"normalized_title_ssm":["Faris, Faris, and Stephens, Architects, Records"],"collection_title_tesim":["Faris, Faris, and Stephens, Architects, Records"],"collection_ssim":["Faris, Faris, and Stephens, Architects, Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","Stephens, Tracy R."],"creator_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","Stephens, Tracy R."],"creator_persname_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","Stephens, Tracy R."],"creators_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F.","Stephens, Tracy R."],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift from Stephens, Tracy, 1999 April 28","Gift from Stephens, Tracy, circa 2015 October 12"],"access_subjects_ssim":["Architects and architecture"],"access_subjects_ssm":["Architects and architecture"],"has_online_content_ssim":["false"],"extent_ssm":["449.67 Linear Feet 185 roll boxes, 6 in. each; 161 roll boxes, 4 in. each; 1 document case, 5 in.; 2 document cases, 2.5 in. each; 2 flat boxes, 1.5 in. each; 1 flat box, 1 in.; 13 flat boxes, 3 in. each; 2 roll boxes, 9 in. each; 3 flat boxes, 4 in. each; 4 roll boxes, 5 in. each; 3 unboxed rolls, 2.5 in. each; 1 unboxed roll, 8.5 in.; 2 unboxed rolls, 8 in. each; 2 unboxed rolls, 4.5 in. each; 232 record cartons, 15 in. each; 7 map drawers, 2 in. each"],"extent_tesim":["449.67 Linear Feet 185 roll boxes, 6 in. each; 161 roll boxes, 4 in. each; 1 document case, 5 in.; 2 document cases, 2.5 in. each; 2 flat boxes, 1.5 in. each; 1 flat box, 1 in.; 13 flat boxes, 3 in. each; 2 roll boxes, 9 in. each; 3 flat boxes, 4 in. each; 4 roll boxes, 5 in. each; 3 unboxed rolls, 2.5 in. each; 1 unboxed roll, 8.5 in.; 2 unboxed rolls, 8 in. each; 2 unboxed rolls, 4.5 in. each; 232 record cartons, 15 in. each; 7 map drawers, 2 in. each"],"date_range_isim":[1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eFrederick Fisher Faris\u003c/p\u003e\n","\u003cp\u003eFrederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026amp; Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026amp; Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026amp; Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.\u003c/p\u003e\n","\u003cp\u003eFrederic P. Faris\u003c/p\u003e\n","\u003cp\u003eFrederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.\u003c/p\u003e\n","\u003cp\u003eTracy Ralston Stephens\u003c/p\u003e\n","\u003cp\u003eTracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026amp; Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Frederick Fisher Faris","Frederick F. Faris was born in St. Clairsville, Ohio on August 1, 1870. His family moved to Wheeling, West Virginia two years later. Faris was educated in Wheeling public schools. He worked as a draftsman for Edgar Wells in the Wheeling firm of Klieves, Kraft and Company (a Wheeling architectural and building contractor company), before he left the city to work for architects in Chicago and New York City. Faris returned to Wheeling in 1892, where he entered into a partnership with Joseph Leiner forming Leiner \u0026 Faris. In 1894, Faris left that partnership and formed the partnership of Franzheim, Giesey \u0026 Faris, with Edward B. Franzheim and Millard Fillmore Geisey. Franzheim left the partnership in 1899, and the pair continued as Geisey \u0026 Faris.  In 1911, he entered private practice as F.F. Faris Architect. Faris died June 27, 1927, at 56, from complication resulting from strep throat and is buried in Wheeling's Greenwood Cemetery. Faris married Nellie Egerter Faris (1876-1973) in 1897. The couple had no children. Following his death, Faris' nephews Frederic P. Faris and Philip V. Faris took over the practice.","Frederic P. Faris","Frederic P. Faris was born February 14, 1901, in Wheeling, West Virginia. He was likely educated in Wheeling public schools. He attended Cornell University, graduating with a BA in Architecture in 1923 and an MA in Architecture in 1924.  Faris worked along with his older brother Philip Faris (1899-1974), an engineer, in his uncle's practice prior to his death. After Frederick Faris' death, the practice was styled as Faris Associates. In the early 1950s, the firm was known as Frederic Faris AIA. Faris died July 14, 1964. He is buried in Wheeling's Greenwood Cemetery. Faris married Mary Elizabeth Steinbicker in 1947. The couple had no children. The practice passed to Tracy R. Stephens.","Tracy Ralston Stephens","Tracy R. Stephens was born in Cameron, West Virginia on November 14, 1901, but lived in Western Pennsylvania prior to the family relocating to Morgantown in the late 1910s. Stephens initially attended West Virginia University, but since WVU has no architecture program he transferred to Carnegie Institute of Technology in Pittsburgh, where he completed his architecture studies. He graduated in 1930. Stephen had worked for the Clarksburg firm of Edward J. Wood \u0026 Son Licensed Architects while at Carnegie Tech. Following his graduation, he became a member of the practice where he worked from the early 1930s until World War II. He left the practice during the war to work at Fairchild Aircraft in Hagerstown, Maryland. After the war, he returned to Clarksburg and started his own practice, Tracy R. Stephens Architect in 1947. In the early 1960s, Frederic Faris persuaded Stephens to join his practice to help with an abundance of commissions with West Liberty State College (now West Liberty University) in West Liberty, West Virginia, especially the Hall of Fine Arts.  Upon the death of Frederic Faris, the architectural firm's name changed again, this time back to Faris Associates, and was comprised of Tracy Stephens, Philip Faris, and Merle Peterson (Peterson later became the West Virginia University Campus Architect). After Philip Faris retired in 1972, the firm became Tracy R. Stephens, AIA, Architect. Stephens died in Cumming, Georgia on November 4, 2003, and is buried in Cedar Grove Cemetery, Mount Morris, Pennsylvania. Stephens never married."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Faris, Faris, and Stephens, Architects, Records, A\u0026amp;M 3330, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Faris, Faris, and Stephens, Architects, Records, A\u0026M 3330, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe A\u0026amp;M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026amp;M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders.\u003clb\u003e\u003c/lb\u003e\nThe A\u0026amp;M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection.\u003c/p\u003e"],"processinfo_heading_ssm":["Additional Inventory Information"],"processinfo_tesim":["The A\u0026M 3330 Faris, Faris, and Stephens, Architects, Records card index binder (\"A\u0026M 3330 FARIS DRAWINGS--INDEX\") is a photocopied card index that includes an inventory of the architectural drawings and related documents and specifications regarding the architectural projects of Frederick Faris, Frederic Faris, and Tracy Stephens. This inventory dates to the late 1960s with subsequent updates. This binder is housed with the control folders. \nThe A\u0026M 3330 card index provides an alphabetic listing of Faris, Faris, and Stephens' individual architectural design projects. The list includes information on the project name; type of project and geographical location; type of drawings, such as tracings and prints; and correspondence and specifications, with occasional project dates and particular individuals' involvement. Also, there are notes related to the design projects, such as client and property names and subsequent property ownership. However, some projects' index cards simply list the project/building name and the legacy storage location of the related materials. This information may be useful to a researcher who is looking for details of a particular design project or as a compendium of design project materials. Please note that the locational information for drawings, files, and drawer numbers enumerated in the index is now obsolete, and the photocopied card index itself is at least partially obsolete due to the later creation of a spreadsheet inventory for the collection."],"scopecontent_html_tesm":["\u003cp\u003eThe Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.\u003clb\u003e\u003c/lb\u003e\u003clb\u003e\u003c/lb\u003eSeries 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.\u003c/p\u003e","\u003cp\u003eIncludes tracings (pencil drawings) and ink on vellum drawings of plans, elevations and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.  The drawings have been arranged into subseries according to the purpose of the building or property represented. There is likely crossover between projects represented in this series and those represented in series 2.\u003c/p\u003e","\u003cp\u003elocation: Moundsville, WV\u003c/p\u003e","\u003cp\u003eproject no: 1499; architect: Faris Associates; location: 324 Main Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Flushing, Ohio\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: Stevens, W. A.\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003evellum\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: Fifth Street and Hanover, Martins Ferry, Ohio\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W.\u003c/p\u003e","\u003cp\u003eproject no: A-132\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: Ohio County, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1178; architect: Faris, Frederic (nephew); location: 1129 Market Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1227; architect: Faris, Frederic (nephew); location: 2060 National Road, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Intersection of Barnesville and National Road, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Steubenville, OH\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003eblueprints\u003c/p\u003e","\u003cp\u003eproject no: 1077; architect: Faris, Frederic (nephew); location:  Nineteenth Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1077; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Akron, OH\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: North Main Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Market Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003eFor additional drawings see A\u0026amp;M 3330 Series 1 Boxes 16, 65, 76, 207\u003c/p\u003e","\u003cp\u003eFor additional drawings see A\u0026amp;M 3330 Series 1 Boxes 16, 65, 76, 207\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003elocation: St. Clairsville, OH\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W.\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W. (?)\u003c/p\u003e","\u003cp\u003elocation: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 312; architect: Faris, Frederic; location: Bellaire, Ohio\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: 1196 Market Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eBloch Brothers Tobacco Co.\u003c/p\u003e","\u003cp\u003earchitect: Faris, Franzheim, and Giesey\u003c/p\u003e","\u003cp\u003emounted prints\u003c/p\u003e","\u003cp\u003eproject no: 1207; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003eproject no: Com A 131; architect: Faris, Frederic; location: Seventeenth Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003ewarehouse is entirely of poured concrete construction\u003c/p\u003e","\u003cp\u003eproject no: 1078; architect: Van Alstyne, R.E.; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003elocation: Moundsville, WV\u003c/p\u003e","\u003cp\u003elocation: Moundsville, WV\u003c/p\u003e","\u003cp\u003eproject no: 1452; architect: Faris, Frederic; location: Hazlett Avenue, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: WV\u003c/p\u003e","\u003cp\u003eproject no: 1200; architect: Faris, Frederic (nephew); location: Ohio County, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Bridgeport, OH\u003c/p\u003e","\u003cp\u003earchitect: Edward J. Wood and Son Associates; Stephens, Tracy; location: Clarksburg, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1167; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Dayton, Albert F.; location: Marshall County, West Virginia\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003eproject no: 1439; architect: Faris, Frederic (nephew); location: WV Route 7, Marshall County, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1002; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003erolled, ink on vellum\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Folsom, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Cellarius \u0026amp; Hilmer; location: Cincinnati, Ohio\u003c/p\u003e","\u003cp\u003earchitect: Dayton, Albert F.\u003c/p\u003e","\u003cp\u003eproject no: Pi-8562; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1046; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Dayton, Albert F.\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W.\u003c/p\u003e","\u003cp\u003elocation: West Liberty, WV\u003c/p\u003e","\u003cp\u003eproject no: 1109; architect: Faris, Frederic (nephew); location: West Liberty, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1463; architect: Faris, Frederic (nephew); location: West Liberty, West Virginia\u003c/p\u003e","\u003cp\u003elocation: West Liberty, WV\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003eRobert J. Bennett title block\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003eproject no: 1409; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eopened 1911, burned 1914, reopened 1915\u003c/p\u003e","\u003cp\u003erolled, Fred Faris with Charles Bates title block\u003c/p\u003e","\u003cp\u003eproject no: 1443; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W.\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003emounted blue prints\u003c/p\u003e","\u003cp\u003eproject no: 1076; architect: Faris, Frederic (nephew); location: Roney's Point, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Moundsville, WV\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W.\u003c/p\u003e","\u003cp\u003eproject no: 1288; architect: Faris, Frederic (nephew); location: Kruger Street, Elm Grove, West Virginia\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick (?)\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic\u003c/p\u003e","\u003cp\u003elikely for 1929 renovation of WV State Prison\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: CC Smith and Son; location: New Martinsville, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Stephens, Tracy; location: West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1127; architect: Faris, Frederic (nephew); location: Roney's Point, West Virginia\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003elocation: WV\u003c/p\u003e","\u003cp\u003elocation: WV\u003c/p\u003e","\u003cp\u003elocation: WV\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003eRolled\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003eoriginally designed by Frederick F. Faris 1905\u003c/p\u003e","\u003cp\u003eproject no: WPCR-359; location: 57 Fourteenth Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1235; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Cumberland, MD\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled, dedicated 1918\u003c/p\u003e","\u003cp\u003earchitect: Schmertz and Erwin; location: Table Rock Lane, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Haag and Assoc.\u003c/p\u003e","\u003cp\u003eproject no: 1024; architect: Faris, Frederic; location: St. Clairesville, Ohio\u003c/p\u003e","\u003cp\u003eproject no: 1049; architect: Faris, Frederic (nephew); location: McMechen, West Virginia\u003c/p\u003e","\u003cp\u003emounted print\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Bellaire, Ohio\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick and Millard Fillmore Giesey (?)\u003c/p\u003e","\u003cp\u003elocation: Martin's Ferry, Ohio\u003c/p\u003e","\u003cp\u003elocation: Martin's Ferry, Ohio\u003c/p\u003e","\u003cp\u003emounted prints\u003c/p\u003e","\u003cp\u003eproject no: 1242; architect: Faris, Frederic (nephew); location:  Edgington Lane, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Bellaire, OH\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward\u003c/p\u003e","\u003cp\u003eproject no: 1225; architect: Faris, Frederic (nephew); location: Wetzel County, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1237; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: 41 Fifteenth Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Woodsdale, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Miltonsburg, OH\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: North Main Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 418; architect: M.R. Johnke, W.F. McCulloch\u003c/p\u003e","\u003cp\u003eproject no: 1094; architect: Faris, Frederic (nephew); location: 745 North Main Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003elocation: Barnesville, OH\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003eproject no: 1165; architect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1053; architect: Faris, Frederic (nephew); location: Water Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward\u003c/p\u003e","\u003cp\u003erolled, designed by F.F. Faris 1903-1906\u003c/p\u003e","\u003cp\u003eproject no: 1281; architect: Faris, Frederic; location: Wetzel County, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: James Barbitta and Assoc.\u003c/p\u003e","\u003cp\u003elocation: West Liberty, WV\u003c/p\u003e","\u003cp\u003eproject no: 1280; architect: Faris, Frederic; location: Bethlehem, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: 719 North Main Street, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003eproject no: 1166; architect: Faris, Frederic (nephew); location: Cecil Place, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Gandee, Thomas and Sprouse\u003c/p\u003e","\u003cp\u003erolled, last building designed by F.F. Faris\u003c/p\u003e","\u003cp\u003eink on vellum\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: 36 Belmont Street, Bellaire, Ohio\u003c/p\u003e","\u003cp\u003earchitect: Engstrom and Wynn\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling,\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: Wheeling, WV\u003c/p\u003e","\u003cp\u003elocation: New Martinsville, WV\u003c/p\u003e","\u003cp\u003eproject no: 1096 A; architect: Faris, Frederic (nephew); location: Hawthorne Court, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003erolled\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Hawthorne Court, Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003erolled, Elmhurst Mansion\u003c/p\u003e","\u003cp\u003earchitect: Hecky-Yee / The Dillon Company\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic\u003c/p\u003e","\u003cp\u003earchitect: Bates, Charles W.\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward (?); location: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: Franzheim, Edward (?); location: Wheeling, WV\u003c/p\u003e","\u003cp\u003earchitect: Faris, Franzheim, and Giesey; location: Wheeling, WV\u003c/p\u003e","\u003cp\u003eTheater restoration following fire\u003c/p\u003e","\u003cp\u003elocation:  1112 Market St., Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: St. Clairesville, Ohio\u003c/p\u003e","\u003cp\u003erolled, ink on vellum\u003c/p\u003e","\u003cp\u003eIncludes drawings of mixed use spaces, unidentified drawings, maps, and other material that did not fit into other categories.\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic (nephew); location: Martins Ferry, Ohio\u003c/p\u003e","\u003cp\u003elocation: Ohio County, West Virginia\u003c/p\u003e","\u003cp\u003eink on mylar\u003c/p\u003e","\u003cp\u003earchitect: Stone and Thomas\u003c/p\u003e","\u003cp\u003earchitect: Stone and Thomas\u003c/p\u003e","\u003cp\u003earchitect: Stone and Thomas\u003c/p\u003e","\u003cp\u003earchitect: Stone and Thomas\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederic; location: Wheeling, West Virginia\u003c/p\u003e","\u003cp\u003earchitect: Faris, Frederick and Millard Fillmore Giesey\u003c/p\u003e","\u003cp\u003eIncludes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Many boxes contain records for multiple projects.  There is likely crossover with projects represented in series 1.\u003c/p\u003e","\u003cp\u003eIncludes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.\u003c/p\u003e","\u003cp\u003eIncludes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of \u003ctitle\u003e\u003cpart\u003eIn Wheeling\u003c/part\u003e\u003c/title\u003e magazine featuring an article about the city's architectural history.\u003c/p\u003e","\u003cp\u003eIncludes materials used and created in daily activities at the Faris Associates/Tracy R. Stephens, AIA, Architect firm. This is comprised of the firm's financial records from periods in the late 1940s and early 1950s; notes, drawings, and specifications for the West Virginia Independence Hall (also known as the Wheeling Custom House) and Paul M. McKay Residence projects; notes from a Civil Engineering Mechanics course taken by Frederic Faris; and the \u003ctitle\u003e\u003cpart\u003eThirty-Third Architectural Exhibition Yearbook\u003c/part\u003e\u003c/title\u003e (1930).\u003c/p\u003e","\u003cp\u003eIncludes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.\u003c/p\u003e","\u003cp\u003eBooks included: A Treasury of Contemporary Houses; The Second Treasury of Contemporary Houses; Planning School Buildings; Planning Guide for Radiologic Installations; Housing Design; Cities of Latin America; On Hospitals; Lettering on Buildings; The Eighth Wonder; Fascinating Spirited Cincinnati; Materials for Architecture; Progressive Architecture; Architectural Construction Volume 2; American Building Art 19th Century; American Building Art 20th Century\u003c/p\u003e","\u003cp\u003eBooks included: Toward Better School Design; Restaurants, Lounges, Bars; School Planning; Airports; Music, Acoustics \u0026amp; Architecture; Financial Survey of Urban Housing; American Architects Directory; Specifications for a Hospital; Floodproofing Non-Residential Structures; Design Guidelines for Flood Damage Reduction; Retrofitting Flood-prone Residential Structures; Manufactured Home Installation in Flood Hazard Areas; Lighting in Architecture\u003c/p\u003e","\u003cp\u003eBooks included: Biographies on Gropius, Neutra, Mendelson, Sullivan, Niemeyer, Gaudi, Nervi, Wright, Corbusier, Aalto, and Van Der Rohe; Planning and Building the Modern Church; Minimum Property Standards; U.S. Industrial Design; Landscape Architecture; Architectural Detailing; Living Spaces; Pencil Techniques in Modern Design; Shops \u0026amp; Stores; Urban Landscape Design\u003c/p\u003e","\u003cp\u003eBooks included: Landscape for Living; Makers of Contemporary Architecture; Metal Plate Lithography; The New World Architecture; The Effective Architect; Early American Homes\u003c/p\u003e","\u003cp\u003eBooks included: The New Style; Classical Greece; Planning Elementary School Buildings; Schoolhouse; Planning Secondary School Buildings; The Business of Architecture; Architectural Practice; The American Courthouse; The Practical Requirements of Modern Buildings\u003c/p\u003e","\u003cp\u003eBooks included: Houses for Good Living; Decorative Ornament; School Architecture; Display; Prado Madrid; Standard Plumbing Details; Architectural Engineering; Ticket to Paradise; Railroad and Bus Terminal Station Layout; Eero Saarinen on His Work\u003c/p\u003e","\u003cp\u003eBooks included: Hospitals, Clinics, and Health Centers; Design for Modern Living; An American Synagogue for Today and Tomorrow; The Writings and Sketches of Matthew Nowicki; Modern Physics Buildings; Designs for Outdoor Living; Stained Glass for Amateurs; Your Dream Home -- How to Build It for Less than $3500; Hospital Color and Decorations; Plan Reading for Home Builders; Manual Design \u0026amp; Construction; Structural Shop Drafting Textbook Volume 1; Design and Construction of General Hospitals; Aluminum in Modern Architecture Volume 1 and Volume 2\u003c/p\u003e","\u003cp\u003eBooks included: Modernizing Buildings for Profit; Modern Interiors; Curtain Wall Construction; Schools; Apartments and Dormitories; Modern Architecture in Mexico; Manual of Design; Repairing and Remodeling Guide for Home Interiors; Acoustical Design; Communities for Better Living; Guide for Planning School Plants; Hospital Planning\u003c/p\u003e","\u003cp\u003eBooks included: Perspective Projection; Smaller Retail Shops; Buildings for the Elderly; With Heritage So Rich; Shops and Stores; Three Centuries of Notable American Cities; Modern Furniture; Hospitals -- Integrated Design; Doctor's Offices and Clinics; Bridges\u003c/p\u003e","\u003cp\u003eBooks included: Builders of West Virginia; Your Solar House; Industrial Architecture; Good Practice in Construction; Airport Engineering; Strength of Houses; Eliel Saarinen; Architects' Specifications -- How to Write Them; The Illustrated Encyclopedia of Knowledge; The Modern Small Hospital; Nicholson's Building Director, Volume I and Volume II\u003c/p\u003e","\u003cp\u003eBooks included: Architectural Design Collaborators 1; Architectural Design Collaborators 2; Persien 1; Masters of Modern Architecture; Building Design Handbook; Building Insulation; Foundation Engineering; Changing the Skyline; The Construction of Small Houses; Architecture for the New Theatre; The Practical Application of Acoustic Principles; School Planning Handbook; Elliot 7: Drawing Materials, Surveyors, Supplies; Standards for Schoolhouse Construction; Building Practice Manual\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Faris, Faris, and Stephens, Architects, Records consists of the records of approximately 300 to 350 architectural design projects dating from circa 1890 through 1990.  This collection represents the architectural design work of three prominent West Virginia architects: Frederick F. Faris (1870-1927), Federic P. Faris (1901-1964), and Tracy R. Stephens (1901-2003). \nFaris, Faris, and Stephens were collectively responsible for a broad range of architectural designs including private residences, banks, churches, schools, public housing, and recreational and industrial buildings. Additionally, these architects also designed furnishings, hardware, and signage for several of these design projects. Geographically, this collection is centered on Wheeling, but also includes projects from West Virginia's Northern Panhandle and regionally including Ohio and Pennsylvania. Series 1 consists of architectural drawings, including tracings (pencil drawings) and ink on vellum drawings of plan, elevation, and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned. Series 2 includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Rough contents list is available upon request. Series 3. Addendum of 2015 October 12 includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence, with drawings, notes, and specifications included. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University. Series 4 includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.","Includes tracings (pencil drawings) and ink on vellum drawings of plans, elevations and sections; structural, masonry, hardware, and furnishings detail drawings; structural steel drawings; construction drawings; and preliminary design sketches. There are also white prints and blueprints, often used for field measurements, as well as bound presentation set drawings for public and client perusal and approval. Additionally, there are sub-contractors' blueprints, mostly from local Wheeling ornamental and structural iron works. Lastly, there are architectural renderings for a number of projects, most in color. This series also includes original measured drawings prepared by other Wheeling architects including Charles W. Bates and Edward B. Franzheim. How these drawings became part of this collection is unclear, but they were probably loaned to Frederick F. Faris for use in remodeling projects and never returned.  The drawings have been arranged into subseries according to the purpose of the building or property represented. There is likely crossover between projects represented in this series and those represented in series 2.","location: Moundsville, WV","project no: 1499; architect: Faris Associates; location: 324 Main Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Flushing, Ohio","location: Wheeling, WV","architect: Stevens, W. A.","location: Wheeling, WV","vellum","architect: Faris, Frederic (nephew); location: Fifth Street and Hanover, Martins Ferry, Ohio","architect: Bates, Charles W.","project no: A-132","architect: Faris, Frederic (nephew); location: Ohio County, West Virginia","project no: 1178; architect: Faris, Frederic (nephew); location: 1129 Market Street, Wheeling, West Virginia","project no: 1227; architect: Faris, Frederic (nephew); location: 2060 National Road, Wheeling, West Virginia","location: Wheeling, WV","location: Wheeling, WV","architect: Faris, Frederic; location: Intersection of Barnesville and National Road, Wheeling, West Virginia","location: Steubenville, OH","architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","location: Wheeling, WV","blueprints","project no: 1077; architect: Faris, Frederic (nephew); location:  Nineteenth Street, Wheeling, West Virginia","project no: 1077; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","location: Akron, OH","architect: Faris, Frederic (nephew); location: North Main Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic; location: Market Street, Wheeling, West Virginia","architect: Faris, Frederick","architect: Faris, Frederick","architect: Faris, Frederick","architect: Faris, Frederick","For additional drawings see A\u0026M 3330 Series 1 Boxes 16, 65, 76, 207","For additional drawings see A\u0026M 3330 Series 1 Boxes 16, 65, 76, 207","rolled","architect: Faris, Frederick","architect: Faris, Frederick","location: St. Clairsville, OH","location: Wheeling, WV","architect: Bates, Charles W.","architect: Bates, Charles W. (?)","location: Wheeling, West Virginia","project no: 312; architect: Faris, Frederic; location: Bellaire, Ohio","architect: Faris, Frederic (nephew); location: 1196 Market Street, Wheeling, West Virginia","Bloch Brothers Tobacco Co.","architect: Faris, Franzheim, and Giesey","mounted prints","project no: 1207; architect: Faris, Frederic; location: Wheeling, West Virginia","rolled","project no: Com A 131; architect: Faris, Frederic; location: Seventeenth Street, Wheeling, West Virginia","warehouse is entirely of poured concrete construction","project no: 1078; architect: Van Alstyne, R.E.; location: Wheeling, West Virginia","rolled","rolled","rolled","location: Moundsville, WV","location: Moundsville, WV","project no: 1452; architect: Faris, Frederic; location: Hazlett Avenue, Wheeling, West Virginia","location: WV","project no: 1200; architect: Faris, Frederic (nephew); location: Ohio County, West Virginia","location: Bridgeport, OH","architect: Edward J. Wood and Son Associates; Stephens, Tracy; location: Clarksburg, West Virginia","project no: 1167; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","architect: Dayton, Albert F.; location: Marshall County, West Virginia","rolled","rolled","project no: 1439; architect: Faris, Frederic (nephew); location: WV Route 7, Marshall County, West Virginia","project no: 1002; architect: Faris, Frederic; location: Wheeling, West Virginia","location: Wheeling, WV","rolled, ink on vellum","architect: Faris, Frederic; location: Folsom, West Virginia","architect: Cellarius \u0026 Hilmer; location: Cincinnati, Ohio","architect: Dayton, Albert F.","project no: Pi-8562; architect: Faris, Frederic; location: Wheeling, West Virginia","project no: 1046; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","architect: Dayton, Albert F.","architect: Bates, Charles W.","location: West Liberty, WV","project no: 1109; architect: Faris, Frederic (nephew); location: West Liberty, West Virginia","project no: 1463; architect: Faris, Frederic (nephew); location: West Liberty, West Virginia","location: West Liberty, WV","rolled","rolled","rolled","Robert J. Bennett title block","rolled","project no: 1409; architect: Faris, Frederic; location: Wheeling, West Virginia","opened 1911, burned 1914, reopened 1915","rolled, Fred Faris with Charles Bates title block","project no: 1443; architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","mounted blue prints","location: Wheeling, WV","location: Wheeling, West Virginia","architect: Bates, Charles W.","mounted blue prints","mounted blue prints","mounted blue prints","mounted blue prints","mounted blue prints","mounted blue prints","project no: 1076; architect: Faris, Frederic (nephew); location: Roney's Point, West Virginia","location: Moundsville, WV","architect: Bates, Charles W.","project no: 1288; architect: Faris, Frederic (nephew); location: Kruger Street, Elm Grove, West Virginia","rolled","architect: Faris, Frederick","architect: Faris, Frederick (?)","architect: Faris, Frederic","likely for 1929 renovation of WV State Prison","rolled","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling, WV","architect: CC Smith and Son; location: New Martinsville, West Virginia","architect: Stephens, Tracy; location: West Virginia","project no: 1127; architect: Faris, Frederic (nephew); location: Roney's Point, West Virginia","rolled","location: WV","location: WV","location: WV","rolled","Rolled","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling, WV","originally designed by Frederick F. Faris 1905","project no: WPCR-359; location: 57 Fourteenth Street, Wheeling, West Virginia","project no: 1235; architect: Faris, Frederic; location: Wheeling, West Virginia","location: Wheeling, WV","architect: Faris, Frederic; location: Wheeling, West Virginia","location: Cumberland, MD","architect: Faris, Frederic","architect: Faris, Frederic","rolled","rolled, dedicated 1918","architect: Schmertz and Erwin; location: Table Rock Lane, Wheeling, West Virginia","architect: Haag and Assoc.","project no: 1024; architect: Faris, Frederic; location: St. Clairesville, Ohio","project no: 1049; architect: Faris, Frederic (nephew); location: McMechen, West Virginia","mounted print","architect: Faris, Frederic; location: Bellaire, Ohio","architect: Faris, Frederick","architect: Faris, Frederick","architect: Faris, Frederic","architect: Faris, Frederick and Millard Fillmore Giesey (?)","location: Martin's Ferry, Ohio","location: Martin's Ferry, Ohio","mounted prints","project no: 1242; architect: Faris, Frederic (nephew); location:  Edgington Lane, Wheeling, West Virginia","location: Bellaire, OH","architect: Franzheim, Edward","architect: Franzheim, Edward","project no: 1225; architect: Faris, Frederic (nephew); location: Wetzel County, West Virginia","project no: 1237; architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic","architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic; location: 41 Fifteenth Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Woodsdale, Wheeling, West Virginia","location: Miltonsburg, OH","architect: Faris, Frederic (nephew); location: Wheeling, West Virginia","architect: Faris, Frederic; location: North Main Street, Wheeling, West Virginia","project no: 418; architect: M.R. Johnke, W.F. McCulloch","project no: 1094; architect: Faris, Frederic (nephew); location: 745 North Main Street, Wheeling, West Virginia","architect: Faris, Frederic; location: Wheeling, West Virginia","location: Barnesville, OH","rolled","project no: 1165; architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederic; location: Wheeling, West Virginia","project no: 1053; architect: Faris, Frederic (nephew); location: Water Street, Wheeling, West Virginia","architect: Franzheim, Edward","architect: Franzheim, Edward","rolled, designed by F.F. Faris 1903-1906","project no: 1281; architect: Faris, Frederic; location: Wetzel County, West Virginia","architect: James Barbitta and Assoc.","location: West Liberty, WV","project no: 1280; architect: Faris, Frederic; location: Bethlehem, West Virginia","architect: Faris, Frederic; location: 719 North Main Street, Wheeling, West Virginia","project no: 1166; architect: Faris, Frederic (nephew); location: Cecil Place, Wheeling, West Virginia","architect: Gandee, Thomas and Sprouse","rolled, last building designed by F.F. Faris","ink on vellum","rolled","architect: Faris, Frederic; location: 36 Belmont Street, Bellaire, Ohio","architect: Engstrom and Wynn","location: Wheeling, WV","location: Wheeling, WV","location: Wheeling,","location: Wheeling, WV","location: Wheeling, WV","location: New Martinsville, WV","project no: 1096 A; architect: Faris, Frederic (nephew); location: Hawthorne Court, Wheeling, West Virginia","rolled","rolled","architect: Franzheim, Edward","architect: Franzheim, Edward","architect: Faris, Frederic; location: Hawthorne Court, Wheeling, West Virginia","rolled, Elmhurst Mansion","architect: Hecky-Yee / The Dillon Company","architect: Faris, Frederic","architect: Bates, Charles W.","architect: Franzheim, Edward (?); location: Wheeling, WV","architect: Franzheim, Edward (?); location: Wheeling, WV","architect: Faris, Franzheim, and Giesey; location: Wheeling, WV","Theater restoration following fire","location:  1112 Market St., Wheeling, West Virginia","architect: Faris, Frederic; location: St. Clairesville, Ohio","rolled, ink on vellum","Includes drawings of mixed use spaces, unidentified drawings, maps, and other material that did not fit into other categories.","architect: Faris, Frederic (nephew); location: Martins Ferry, Ohio","location: Ohio County, West Virginia","ink on mylar","architect: Stone and Thomas","architect: Stone and Thomas","architect: Stone and Thomas","architect: Stone and Thomas","architect: Faris, Frederic; location: Wheeling, West Virginia","architect: Faris, Frederick and Millard Fillmore Giesey","Includes textual records, such as correspondence, reports, price quotations for material and other services, specifications, contracts, prints/drawings, and other documents regarding architectural projects. Many boxes contain records for multiple projects.  There is likely crossover with projects represented in series 1.","Includes materials regarding the accomplishments of architect Tracy Stephens and commemoration of his work in Wheeling, WV. Featured projects include Alterations to the West Virginia Independence Hall and the Paul M. McKay Residence. There are also project-specific financial records spanning several years of Stephens's career; newspaper clippings featuring articles about his work, brief correspondence from the American Institute of Architects about historical research being conducted on Stephens, and materials from Frederic Faris's education at Cornell University.","Includes materials developed near the end of Stephens's career and after his death commemorating his work. This includes newspaper clippings featuring articles about Stephens and his projects in Wheeling, WV; brief correspondence from the American Institute of Architects about historical research being conducted on Stephens; and a copy of  In Wheeling  magazine featuring an article about the city's architectural history.","Includes materials used and created in daily activities at the Faris Associates/Tracy R. Stephens, AIA, Architect firm. This is comprised of the firm's financial records from periods in the late 1940s and early 1950s; notes, drawings, and specifications for the West Virginia Independence Hall (also known as the Wheeling Custom House) and Paul M. McKay Residence projects; notes from a Civil Engineering Mechanics course taken by Frederic Faris; and the  Thirty-Third Architectural Exhibition Yearbook  (1930).","Includes architectural books collected by Faris, Faris, and Stephens throughout their careers. There are guidebooks for designing various kinds of buildings, like schools, hospitals, and residences; biographies of prominent architects; and task-specific manuals for projects like floodproofing and modernizing buildings. The majority of the books were published from 1921-1991, so they demonstrate some of the ways that best practices and design choices evolved throughout the 20th century. Additionally, these books provide insight into the influences behind Faris, Faris, and Stephens's work. A list of book titles is provided in each box's scope and contents note.","Books included: A Treasury of Contemporary Houses; The Second Treasury of Contemporary Houses; Planning School Buildings; Planning Guide for Radiologic Installations; Housing Design; Cities of Latin America; On Hospitals; Lettering on Buildings; The Eighth Wonder; Fascinating Spirited Cincinnati; Materials for Architecture; Progressive Architecture; Architectural Construction Volume 2; American Building Art 19th Century; American Building Art 20th Century","Books included: Toward Better School Design; Restaurants, Lounges, Bars; School Planning; Airports; Music, Acoustics \u0026 Architecture; Financial Survey of Urban Housing; American Architects Directory; Specifications for a Hospital; Floodproofing Non-Residential Structures; Design Guidelines for Flood Damage Reduction; Retrofitting Flood-prone Residential Structures; Manufactured Home Installation in Flood Hazard Areas; Lighting in Architecture","Books included: Biographies on Gropius, Neutra, Mendelson, Sullivan, Niemeyer, Gaudi, Nervi, Wright, Corbusier, Aalto, and Van Der Rohe; Planning and Building the Modern Church; Minimum Property Standards; U.S. Industrial Design; Landscape Architecture; Architectural Detailing; Living Spaces; Pencil Techniques in Modern Design; Shops \u0026 Stores; Urban Landscape Design","Books included: Landscape for Living; Makers of Contemporary Architecture; Metal Plate Lithography; The New World Architecture; The Effective Architect; Early American Homes","Books included: The New Style; Classical Greece; Planning Elementary School Buildings; Schoolhouse; Planning Secondary School Buildings; The Business of Architecture; Architectural Practice; The American Courthouse; The Practical Requirements of Modern Buildings","Books included: Houses for Good Living; Decorative Ornament; School Architecture; Display; Prado Madrid; Standard Plumbing Details; Architectural Engineering; Ticket to Paradise; Railroad and Bus Terminal Station Layout; Eero Saarinen on His Work","Books included: Hospitals, Clinics, and Health Centers; Design for Modern Living; An American Synagogue for Today and Tomorrow; The Writings and Sketches of Matthew Nowicki; Modern Physics Buildings; Designs for Outdoor Living; Stained Glass for Amateurs; Your Dream Home -- How to Build It for Less than $3500; Hospital Color and Decorations; Plan Reading for Home Builders; Manual Design \u0026 Construction; Structural Shop Drafting Textbook Volume 1; Design and Construction of General Hospitals; Aluminum in Modern Architecture Volume 1 and Volume 2","Books included: Modernizing Buildings for Profit; Modern Interiors; Curtain Wall Construction; Schools; Apartments and Dormitories; Modern Architecture in Mexico; Manual of Design; Repairing and Remodeling Guide for Home Interiors; Acoustical Design; Communities for Better Living; Guide for Planning School Plants; Hospital Planning","Books included: Perspective Projection; Smaller Retail Shops; Buildings for the Elderly; With Heritage So Rich; Shops and Stores; Three Centuries of Notable American Cities; Modern Furniture; Hospitals -- Integrated Design; Doctor's Offices and Clinics; Bridges","Books included: Builders of West Virginia; Your Solar House; Industrial Architecture; Good Practice in Construction; Airport Engineering; Strength of Houses; Eliel Saarinen; Architects' Specifications -- How to Write Them; The Illustrated Encyclopedia of Knowledge; The Modern Small Hospital; Nicholson's Building Director, Volume I and Volume II","Books included: Architectural Design Collaborators 1; Architectural Design Collaborators 2; Persien 1; Masters of Modern Architecture; Building Design Handbook; Building Insulation; Foundation Engineering; Changing the Skyline; The Construction of Small Houses; Architecture for the New Theatre; The Practical Application of Acoustic Principles; School Planning Handbook; Elliot 7: Drawing Materials, Surveyors, Supplies; Standards for Schoolhouse Construction; Building Practice Manual"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_43c454a56dc9309e6b4ebd4fbc4147f3\"\u003eIncludes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books.\u003c/abstract\u003e"],"abstract_tesim":["Includes drawings by architects Frederick F. Faris and Frederic P. Faris of Wheeling, West Virginia, as well as Tracy R. Stephens. There are three series in the collection. Series 1 includes architectural drawings documenting public and private building projects in Wheeling and the surrounding area. Series 2 includes correspondence, reports, and other documents regarding those architectural projects. Series 3 is an addendum to the collection that includes architectural drawings and project details as well as materials regarding the accomplishments of Stephens and commemoration of his work in Wheeling, WV. Series 4 includes assorted architectural books."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_7ab2f871816bafe59a91acbb26d44ffa\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536 / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Stephens, Tracy R."],"persname_ssim":["Stephens, Tracy R.","Faris, Frederic P.","Faris, Frederick F."],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1756,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:34:44.690Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_1630_c02_c05"}},{"id":"viblbv_repositories_2_resources_3151_c27_c02","type":"Subseries","attributes":{"title":"YMCA \u0026 YWCA","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3151_c27_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eMo 2 may include Christian Science Organization.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3151_c27_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3151_c27_c02","ref_ssm":["viblbv_repositories_2_resources_3151_c27_c02"],"id":"viblbv_repositories_2_resources_3151_c27_c02","ead_ssi":"viblbv_repositories_2_resources_3151","_root_":"viblbv_repositories_2_resources_3151","_nest_parent_":"viblbv_repositories_2_resources_3151_c27","parent_ssi":"viblbv_repositories_2_resources_3151_c27","parent_ssim":["viblbv_repositories_2_resources_3151","viblbv_repositories_2_resources_3151_c27"],"parent_ids_ssim":["viblbv_repositories_2_resources_3151","viblbv_repositories_2_resources_3151_c27"],"parent_unittitles_ssm":["Virginia Tech and Local History Mounted Clippings","Organizations"],"parent_unittitles_tesim":["Virginia Tech and Local History Mounted Clippings","Organizations"],"text":["Virginia Tech and Local History Mounted Clippings","Organizations","YMCA \u0026 YWCA","Mo 2 may include Christian Science Organization."],"title_filing_ssi":"YMCA \u0026 YWCA","title_ssm":["YMCA \u0026 YWCA"],"title_tesim":["YMCA \u0026 YWCA"],"unitdate_other_ssim":["1906-1959"],"normalized_date_ssm":["1906/1959"],"normalized_title_ssm":["YMCA \u0026 YWCA"],"component_level_isim":[2],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Virginia Tech and Local History Mounted Clippings"],"has_online_content_ssim":["false"],"child_component_count_isi":1,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":193,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"scopecontent_html_tesm":["\u003cp\u003eMo 2 may include Christian Science Organization.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Mo 2 may include Christian Science Organization."],"_nest_path_":"/components#26/components#1","timestamp":"2026-05-21T02:34:55.437Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3151","ead_ssi":"viblbv_repositories_2_resources_3151","_root_":"viblbv_repositories_2_resources_3151","_nest_parent_":"viblbv_repositories_2_resources_3151","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3151.xml","title_filing_ssi":"Virginia Tech and Local History Mounted Clippings","title_ssm":["Virginia Tech and Local History Mounted Clippings"],"title_tesim":["Virginia Tech and Local History Mounted Clippings"],"unitdate_ssm":["c. 1870s-c. 1960s"],"unitdate_inclusive_ssm":["c. 1870s-c. 1960s"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["VerticalFile.006"],"text":["VerticalFile.006","Virginia Tech and Local History Mounted Clippings","Blacksburg (Va.)","Local/Regional History and Appalachian South","Montgomery County (Va.)","University History","The collection is open for research.","Mounted Clippings are arranged by subject, primarily alphabetically.","The guide to the Virginia Tech and Local History Mounted Clippings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description was completed by Special Collections staff prior to 2015. The finding aid was completed in August 2015. The re-integration of Mo56a-i, Association of Married Students was completed in October 2019.","See also Vertical Files (successors to the mounted clippings): Biographical Vertical Files Blacksburg Vertical Files Montgomery County/Christiansburg Vertical Files Record Group Vertical Files Southwest Virginia Vertical Files","In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university.","Ma may include Agricultural Conference Board and Institute Of Rural Affairs.","Ma 1 may include Agricultural Experiment Station \u0026 Field Research Stations.\nMa 1, 5, 6, 10, 11, 15, 16 may include Farmers' Institute.\nMa 3 may include Corn Day Short Course.\nMa 5, 18, 19, 29 may include Farmer'S Winter Short Course.\nMa 11, 24 may include Dairy Cattle At V.P.I.\nMa 18 may include Planters Club.\nMa 19 may include Pure-Bred Sire Campaign.\nMa 22 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.\nMa 22 may include Boys \u0026 Girls Short Course.\nMa 23 may include Virginia Aberdeen Angus Breeders' Association.\nMa 23, 24, 59, 61 may include Horticulture Club.\nMa 25, 28 may include Corn Score Card.\nMa 28 may include Dairy Science Club (American Dairy Science Association; Incl. Dairy Clubs).\nMa 30, 65 may include Hoof \u0026 Horn Club.\nMa 61 may include American Society Of Agricultural Engineers.\nMa 65 may include Little International Livestock Show.","Ma 221, 223-233, 239 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nMa 222, 224, 226-228, 259, 262, 264 may include Institute Of Rural Affairs.\nM 309 may include Alumni Gate.","MAAg 355 may include Jamestown Centennial Festival (VPI Horticulturists Plant Indian Tobacco).","MAEc 8, 264 may include Virginia Summer School For Town \u0026 Country Ministers.","MAHr 223 may include Weather.","MAIn 85, 86 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).","MAM 177, 177a, 835, 208, 230a may include Institute Of Rural Affairs.\nMAM 198, 199, 203-206, 212, 215, 251, 254-260 may include Mccormick, Cyrus Hall.\nMAM 203, 207, 211, 1957 may include Motion Picture Unit At VPI.","MAM 264 may include Atoms (Film By VPI \"Infant Giant\").","Mar O1 may include \"Pot Pourri\".","Masb 22 may include High School Science Teachers Summer Institute.\nMasb 23 may include Conservation Short Course.","MAV may include Future Farmers Of America.","Mbl may include Community Concert Association and Earthquakes.\nMbl 1a, 2, 4, 417, 472, 473, 1438, 1441, 1445, 1564, 1592, 1603 may include \"Huckleberry\".\nMbl 5, 1206-1207 may include Norfolk \u0026 Western Railroad.\nMbl 1052, 1054, 1189 may include Future Farmers Of America.","Mbl 4 may include Sham Battle.\nMbl 5 may include American Red Cross.\nMbl 9 may include \"Solitude\".","Mbl 77 may include Lakes \u0026 Ponds.","Mbl 1206 may include Lybrook Row.","Mcv may include Mall and President's Home.","Mcv 96 may include Doorways - V.P.I. Buildings.\nMcv 99 may include Lakes \u0026 Ponds.","Mcv 130 may include Buildings - R.O.T.C Building (Building 364).","Mfi 18 may include Sham Battle.\nMfi 23 may include Athletic Department (Formerly Athletic Association);  Hoof \u0026 Horn Club; and Masons.","Mfi 74 may include Freshmen.\nMfi 120, 149, 151, 157 may include Kohler Trophy.","Mcon may include Community Concert Association.","Mco 4, 7 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.","Mco 57 may include Russian Language Course.","Mda 2 may include Lynchburg Club.\nMda 29 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mde may include Accidents And Deaths.","Mde 6 may include Highty-Tighties.","Mde 28 may include Engineering, Metallurgical.","Mdev may include Agriculture \u0026 Life Sciences, College Of - Horticulture; Campus Development Plan; and \"Pre-Centennial Development Program\".","Mdev 7 may include Arboretum (Sculpture).","Med 8-12, 17 may include Mccormick, Cyrus Hall.","Me may include Engineering, College Of, and Geology.","Me 9 may include Buildings - Davidson Hall (Chemical Engineering).\nMe 12 may include Airport (Officially Opened In 1939).\nMe 72 may include Mall.","Menr may include Freshmen and Orientation.","Mext may include Branch Colleges Of VPI.","Mf 29 may include Wine Faculty Achievement Award.","Mf 360, 416 may include Buildings - Seitz Hall (Agricultural Engineering Building).","ML 1 may include Loans To Students.\nML 2, 3, 4, 5 may include Rison Bill.\nML 4 may include Engineering Experiment Station.\nML 7, 8, 9, 10 may include Bonds, V.P.I. (To Finance Building Of War Memorial Hall).","Mm may include Uniforms, Military, Armistice Day, Corps Of Cadets, and  Military Organizations.\nMm 3, 7, 7c, 15, 135 may include Highty-Tighties.\nMm 42, 43, 63, 72, 94, 105, 116, 124, 130, 132, 159, 164 may include Kohler Trophy.","Mm 14, 16 may include Inspection, Military.","Mm 21, 22, 23, 24 may include Foch Celebration.\nMM 78 may include Air R.O.T.C.\nMm 92 may include World War I and World War Ii.","M may include Armistice Day; Art, Dept. Of; Arts \u0026 Sciences, College Of [Obsolete]; Class Of (Different Years); Concerts \u0026 Plays (Not VPI); Conferences, Seminars, Workshops (Off-Campus); Conferences, Seminars, Workshops (On-Campus); Engineering Exposition; Engineering, College Of; Enrollment \u0026 Registration; Highty-Tighties; Horse Show; and Snow Battle.\nM 10, 119, 802 may include Faculty.\nM 10, 123, 171 may include Engineering Experiment Station.\nM 22, 54, 103, 104, 236, 245 may include Fires--On Campus.\nM 23, 24, 26a, 103, 104 may include Buildings - Field House (1914) (Burned).\nM 23, 31, 785, 804, 810 may include Buildings - Mcbryde Building Of Mechanic Arts (The Shops).\nM 23, 245, 805, 862 may include Trees--V.P.I. Campus.\nM 24, 26, 29, 115, 166, 170a, 195, 214, 218, 222 may include Science Club Obsolete.\nM 25, 31, 112, 118, 120 may include Maury Literary Society.\nM 26, 28, 73 may include Farmer's Winter Short Course.\nM 26, 85, 120, 511 may include Inspection, Military.\nM 29, 30, 134, 135 may include Grounds (Buildings \u0026).\nM 31, 40, 95, 99, 113, 115, 132, 215, 236, 240, 241, 242 may include Rat System.\nM 31, 46, 263 may include Gitt, William G. (\"Uncle Bill\").\nM 54, 113 may include World War I.\nM 66, 69, 70, 534 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nM 71, 738, 759 may include Masons.\nM 74, 233, 234 may include Student Volunteer Movement.\nM 77, 134, 139, 275, 369, 371 may include Course Of Study.\nM 82, 87-89, 134, 157, 226 may include Norfolk \u0026 Western Railroad.\nM 82, 125, 129, 153, 517 may include American Society Of Mechanical Engineers (Asme).\nM 93, 224, 489 may include American Society Of Agricultural Engineers.\nM 97, 107a, 113, 120, 121, 123, 131, 773, 774 may include Buildings - War Memorial Gymnasium.\nM 102, 167, 203 may include Chemical Club / Chemistry Club.\nM 109, 116, 276 may include Home Demonstration.\nM 111, 113, 133, 134, 148, 718, 722, 723, 807 may include Buildings - Miles Stadium, 1926-1964.\nM 115, 116, 135, 138, 148, 139, 785, 804, 810 may include Buildings - Patton Hall.\nM 115, 168 may include Shenandoah Valley Club.\nM 122, 182 may include Fertilizer Short Course School M 122, 182.\nM 125, 178, 240, 193 may include Athletic Department (Formerly Athletic Association).\nM 127, 138, 176, 194a, 214, 236 may include American Chemical Society (Student Affiliate).\nM 128, 222, 339, 340, 442 may include Virginia Social Science Association.\nM 130, 394, 495, 513, 514 may include American Red Cross.\nM 131, 210, 786, 810, 837 may include Buildings - Academic Buildings 1 \u0026 2.\nM 134, 148, 149, 160, 182, 184, 185, 195, 238, 273, 276, 278, 318, 331, 438, 447, 464, 465, 470, 471, 481, 498, 849 may include Airport (Officially Opened In 1939).\nM 135, 293 may include Stroubles Creek (Strubbles Creek).\nM 135, 330, 356, 398 may include Educators' Conference.\nM 136, 726, 11/1, 18, 31, 152 may include Dining Halls.\nM 138, 148, 738, 739, 755, 757, 763, 802 may include Buildings - Henderson Hall (Infirmary).\nM 140, 141, 147-149, 225, 326, 329, 508 may include Geology.\nM 140, 149, 835 may include Buildings - Power Plant.\nM 140, 312, 460 may include Rural Electrification Short Course.\nM 150, 223, 350, 382, 462, 464 may include Freshmen.\nM 151, 171, 380, 811 may include Quarries.\nM 151, 176 may include Lynchburg Club.\nM 151, 314, 516 may include Lakes \u0026 Ponds.\nM 154-1930 to M 347-1937 may include Rural Minister's Short Course.\nM 155, 455, 504, 153 may include Virginia Associated Plumbing, Heating, Contractors.\nM 157, 160, 738, 739, 802, 804, 810 may include Buildings - Saunders Hall (Dairy Science).\nM 160, 165 may include Engineering, Ceramic.\nM 161, 163, 173, 179, 189, 203, 337 (Civilian Students Union) may include Student Government Association.\nM 161, 170, 174 may include Soil Survey (Virginia).\nM 164, 165, 191, 324 may include Thanksgiving Game.\nM 173, 267, 309, 390, 433, 436, 610 may include Weather.\nM 174, 186, 187, 275, 448 may include Engineering, College Of.\nM 179a, 416 may include Noell Act.\nM 209, 709, 785, 804, 810, 825, 826, 126, 208 may include Buildings - Davidson Hall (Chemical Engineering).\nM 220, 223, 397 may include Future Farmers Of America.\nM 225, 239, 351, 458, 467 may include Home Economics, College Of (Human Resources).\nM 232, 517, 220, 224 may include Engineering, Metallurgical.\nM 235, 389 may include Engineering, Chemical.\nM 271, 886 may include Biology, Dept. Of.\nM 282a, 312 may include Out-Of-School Youth.\nM 295, 352 may include Graham Plan (Re: Athletic Aid).\nM 376, 390, 393, 394, 413, 417, 424, 714, 727, 785, 786, 804, 810, 887, 890, 891 may include Buildings - Owens Dining Hall.\nM 393, 785, 786 may include Buildings - Eggleston Hall (East Stone Dorm).\nM 397, 835a may include Institute Of Rural Affairs.\nM 407, 481 may include Sigma Xi (Honorary Faculty Research Society).\nM 443, 693 may include Treasury, V.P.I.\nM 452, 738, 739, 804, 810 may include Buildings - Holden Hall.\nM 458, 463, 468, 469, 810 may include Buildings - Hillcrest (\"Skirt Barn\").\nM 467, 483, 487, 488, 854, 223 may include Boycotts.\nM 548, 568 may include Cave Club.\nM 637, 835, 836, 837, 844 may include Buildings - Dormitories.\nM 660, 772, 773, 776, 781, 785, 786, 792, 794, 796, 796a, 804, 810, 878 may include Buildings - Williams Hall.\nM 690, 714, 731, 745, 746 may include Rad-Tech.\nM 755, 756, 763, 882, 883, 890 may include Buildings - Greenhouse (Dept. Of Horticulture).\nM 760, 761, 781, 782, 785, 791, 794, 796, 796a, 804, 810, 835, 882, 883, 886, 878, 881 may include Buildings - Randolph Hall.\nM 760, 772, 774, 835 may include Buildings - Meat \u0026 Processing Lab.\nM 780, 792, 805, 807, 824, 835 may include Buildings - Livestock \u0026 Poultry Disease Lab.\nM 785, 802, 835, 837 may include Buildings - Rasche Hall.\nM 785, 802, 879 may include Buildings - Brodie Hall and Shanks Hall (No. 4 \u0026 No. 7 Barracks United).\nM 787, 788, 794, 796, 797, 799-801, 804, 806, 810, 811, 819, 820, 823, 824, 827, 830, 832-834, 834a, 835-836 may include Buildings - Library - Carol M. Newman Library.\nM 810, 815, 868 may include Buildings - Commencement Hall (Old Commerce Hall).\nM 810, 835 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 880-887, 890, 893, 738, 739, 804, 810 may include Buildings - Robeson Hall.","M 12 may include Christmas Card V.P.I. and Class Ticket.\nM 17a may include Virginia Agricultural \u0026 Mechanical College (Vamc).\nM 20 may include Pulaski Club.\nM 22, 37 may include Buildings - Preston \u0026 Olin Buildings.\nM 23, 24 may include Septic Tank.\nM 30 may include Little International Livestock Show.\nM 55, 76 may include Hikes - Corps.","M 68, 69, 78, 109, 123, 137, 139 may include Farmers' Institute.\nM 73 may include Buildings - Alumni Building.\nM 80, 137 may include Dismissal.\nM 81, 82, 92, 129 may include American Society Of Civil Engineers.\nM 88 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\nM 94 may include Techgram.\nM 95 may include Mail Service (Campus).\nM 95, 96, 97, 108 may include Fires--Fought Off Campus.\nM 108, 155 may include May Day.\nM 115, 117 may include Buildings - University Club Building (Residence).\nM 116 may include Agriculture \u0026 Life Sciences, College Of - Horticulture.\nM 116, 117, 120 may include University Club.\nM 117-118 may include Agriculture \u0026 Life Sciences, College Of - Dairy Short Course.\nM 118 may include State Crop Pest Commission.\nM 122, 137, 154 may include Electric Meterman's Short Course.\nM 123 may include Hunt House.\nM 125 may include Agricultural Students' Honorary Council.\nM 130 may include United Daughters Of The Confederacy, 1927 Meeting At VPI.\nM 132 may include Coal.\nM 138, 139 may include Male Chorus At VPI.\nM 153 may include Publications, V.P.I.; Sham Battle; and Wine Scholarship.\nM 153, 154, 155 may include Engineer's Day.\nM 157 may include Buildings - Print Shop (Old M. E. Laboratory).","M 166, 196, 201, 218, 224 may include \"Technical Topics\" (1931-1941).\nM 167, 168, 171, 175, 188, 192, 215, 218, 231 may include Demolay Club.\nM 169 may include Industrial Surveys.\nM 170a may include Southern Collegian Magazine (1931).\nM 171 may include The Tin Horn (Co-Ed Yearbook, 1929-1931).\nM 176 may include VPI Skipper (Student Humor Magazine).\nM 179a, 180, 181 may include Landscape Design School (Short Course).\nM 180, 205 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nM 186, 225 may include American Country Life Association.\nM 188, 203 may include Chemistry, Dept. Of.\nM 189 may include Southern Colonels (Dance Orchestra).\nM 190 may include Roadside Landscaping.\nM 191 may include Lutheran Students' Association (Of America).\nM 195 may include Scorpions Club.\nM 196, 198, 219 may include Rifle Team.\nM 199 may include Prohibition Poll.\nM 203 may include Church Attendance.\nM 205 may include Lonesome Pine Club, Northern Neck Club, and Richmond Club.\nM 208 may include Pittsylvania Club.\nM 212 may include Rappahannock Valley Club and Roanoke Club.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 220 may include Athletic Department (Formerly Athletic Association).\nM 222, 231, 270 may include Depression \u0026 Recovery.\nM 223 may include Bachelor's Club.\nM 228, 239 may include Beer Licenses.\nM 230 may include American Legion.\nM 230, 231 may include Civil Works Project.\nM 230, 232, 240, 242, 285 may include Rescue Squad.\nM 231, 237, 239, 262, 276 may include Buildings - Utilities Building.\nM 234 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nM 234, 236, 236a may include Virginia Association Of International Relations.\nM 237 may include Cancer Research.\nM 241 may include Buildings - Faculty Center.\nM 241, 244, 245 may include Virginia Library Association.\nM 241, 258, 262 may include Federal Emergency Relief Administration.\nM 245 may include Fire Brigade.\nM 258, 262 may include Merchant Marine Officers Training School.\nM 262 may include Reflecting Pool.\nM 268, 275 may include Birds (Study).\nM 275 may include Aeronautical Course.\nM 278 may include Guidon.\nM 295 may include Evening Classes.","M 323 may include American Institute Of Chemical Engineers.\nM 338 may include Street Lighting.\nM 352 may include Southern Conference.\nM 356 may include Cooking For Boys.\nM 363, 365 may include Nautical Training School.\nM 363, 387 may include Virginia Educational Association.\nM 382 may include Student Identification Cards.\nM 388 may include Post-Graduate Club.\nM 390 may include Building Layouts.\nM 404 may include Cooperatives.\nM 412, 414 may include League Of Virginia Counties.\nM 417 may include Quadrangle.","M 433, 434 may include Mining Bureau.\nM 433, 449, 453, 456, 457, 458, 459, 460, 461, 465, 466, 467, 481, 488, 489, 523 may include World War Ii.\nM 438, 439, 441 may include Training Plane.\nM 438, 443, 452, 459, 470, 483, 485 may include Works Progress Administration (Wpa).\nM 443 may include Association Of College Libraries Of Southwest Virginia.\nM 452 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 481 may include Keramos and Rankine, William J. M.\nM 490 may include William \u0026 Mary, College Of.\nM 493 may include Recruiting (Military).\nM 513, 519 may include Water Shortage.\nM 520 may include American Institute Of Architects.","M 579, 585 may include Nursery School-VPI.\nM 641 may include Napoleonana Collection.\nM 658, 660, 677, 691, 693 may include Sewage Disposal Plant.","M 709 may include Buildings - R.O.T.C Building (Building 364).\nM 710, 757-760, 763, 771-772 may include Mall.\nM 723 may include Buildings - Mining Engineering Building.\nM 726, 727, 734, 735, 745, 746, 746a, 804 may include Buildings - Femoyer Hall, Monteith Hall, and Thomas Hall.\nM 735, 738, 739, 742, 755, 756, 804, 810 may include Buildings - Smyth Hall (Formerly Known As Natural Science Building).\nM 737, 741 may include Piedmont Research Laboratory (Charlottesville).\nM 738 may include Tomato Clubs.\nM 738, 739, 802, 804, 810 may include Buildings - Agnew Hall.\nM 738, 739, 804, 810 may include Buildings - Price Hall (\"Old Aggie\").\nM 746 may include Winchester Research Laboratory.\nM 752, 786, 794, 780, 781, 785 may include Buildings - Library (Old Chapel Building) (Burned).\nM 755, 756, 757 may include Buildings - Dairy Barn.\nM 757 may include Bear (Wanders Through Campus).\nM 758 may include War Memorial Chapel.\nM 773, 774 may include Radio Station - WUVT.\nM 785, 802 may include Buildings - Lane Hall.\nM 785, 804 may include Buildings - Campbell Hall (West Stone Dorm).\nM 807, 812 may include Buildings - Athletic Plant.\nM 810 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall) and Performing Arts \u0026 Communications Building (Ymca Building, 1899-1936; Old Military Building, 1937-1966; Student Personnel Building, 1966-1972).\nM 815 may include Motion Picture Unit At VPI.","M 829 may include Racial \u0026 Ethnic Minorities (Campus).\nM 835-837, 870 may include Buildings - Pamplin Hall (Commerce Hall 2).\nM 862 may include Buildings - Barns.\nM 868 no. 8 may include Cornerstone Markers (Old Commerce Hall).\nM 881 may include Computing Center.\nM 882, 883 may include Buildings - Swine Center.\nM 886 may include Agriculture \u0026 Life Sciences, College Of - Veterinary Science.\nM 890 may include Mccormick, Cyrus Hall.\nM 890, 892 may include Buildings - Norris Hall.\nM 894, 895 may include Name Change.","Mla 31 may include Colors, V.P.I. (Orange \u0026 Maroon).\nMla 88 may include \"GOBBLERS\" (nickname).","Mla 367 may include Yells-VPI.","Mo 13, 17z may include Rankine, William J. M.\nMo 15, 16 may include Student Government Association.\nMo 20z73, 23 may include Sigma Mu Sigma (National College Masonic Service Fraternity).","Mo 1 may include Lee Literary Society.","Mo 1a, 1b, 1c, 1c1, 1c2, 1d may include Maury Literary Society.","Mo 2 may include Christian Science Organization.","Mo 3 may include Fraternities \u0026 Sororities--Social.\nMo 3a may include Kappa Sigma.\nMo 3b may include Sigma Alpha.\nMo 3b, 3d may include Pi Kappa Alpha (Social Fraternity).\nMo 3c may include Alpha Phi.\nMo 3c no. 2 may include Beta Theta Pi (Social Fraternity).","Mo 4 may include Music Groups and Tech Minstrels.","Mo 4m may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mo 6 may include Apple Club; Black Diamond Club; City, County \u0026 Sectional Clubs; Lonesome Pine Club; Lynchburg Club; Northern Neck Club; Peanut Club; Pittsylvania Club; Richmond Club; Roanoke Club; and Shenandoah Valley Club.","Mo 7 may include Tech Players and Thespian Club.","Mo 8 may include Virgnia Polytechnic Societies.","Mo 11 may include Student Publications.","Mo 16 may include Honor System.","Mo 16m, 16r may include Highty-Tighties.\nMo 16p may include Kohler Trophy.\nMo 16s may include Company B, Corps Of Cadets.","Mo 17z, 31-33, 55, 56, 57, 62, 65, 66, 68, 71, 72 may include War Memorial Chapel.","Mo 17g, 17m, 17L may include Buildings - War Memorial Gymnasium.\nMo 17h, 17g may include Buildings - Alumni Building.\nMo 17s3, 17s5, 17s7 may include Buildings - Miles Stadium, 1926-1964.\nMo 17t may include V.P.I. Alumnus.\nMo 17z29 may include Campus Development Plan.\nMo 17z31 may include Victory Reunion (1946).","Mo 17z101 may include Carillon.","Mo 20 may include Fraternities--Honorary.\nMo 20c, 20f, 20t, 20v, 20w, 20x, 20z, 20z12, 20z40, 20z76, 20z96 may include Sigma Xi (Honorary Faculty Research Society).\nMo 20g, 20o, 20w, 20y, 20z, 20z40 may include Pi Delta Epsilon (Journalism Honorary).\nMo 20j, 20m, 20o, 20t, 20w, 20x, 20z, 20zl, 20z3, 20z5, 20z95, 20z19, 20z94 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nMo 20q, 20s, 20z5, 20z71 may include Alpha Kappa Psi (Professional Business Fraternity).\nMo 20z22, 20z23, 20z32, 20z9, 20z70 may include Gregory Guard.","Mo 20, 20d, 20g2, 20h, 20p, 20r, 20w, 20y, 20zl, 20z2, 20z5, 20z6 may include Phi Kappa Phi (Scholarship Honorary).\nMo 20d, 20e, 20f, 20m, 20s may include Alpha Zeta (National Agriculture Society).\nMo 20e may include Scorpions Club.\nMo 20f, 20g may include Beta Tau Epsilon (Engineering).\nMo 20f, 20p, 20z, 20zl, 20z3 may include Phi Lambda Upsilon (Chemistry Honorary).\nMo 20g, 20h, 20j, 20p, 20q, 20r, 20u, 20x, 20z, 20z2, 20z11 may include Tau Beta Pi (Engineering Honorary).\nMo 20g2 may include Theta Epsilon Theta (Research Honorary Society).\nMo 20h may include Phi Gamma Nu.\nMo 20h, 20w, 20z2, 20z6, 20z7 may include Sigma Delta Psi (Athletic Honorary).\nMo 20m, 20n, 20t, 20z, 20z3, 20z6, 20z8 may include Scabbard \u0026 Blade (Honorary Military Society).\nMo 20w, 20x, 20z1, 20z3 may include Pi Tau Sigma (National Honorary, Mechanical Engineering).\nMo 20w, 20z, 20z1 may include Eta Kappa Nu (Ee Honorary).\nMo 20z may include Keramos.\nMo 20z, z2, z3 may include Chi Epsilon (Civil Engineering Honorary).\nMo 20z1 may include Alpha Sigma Mu (Metallurgical Engineering Fraternity).","Mo 20z28, 20z29 may include Sigma Pi Sigma.\nMo 20z27 may include Phi Sigma Society (Biological Sciences Honorary).\nMo 20z48 may include Pi Omega Pi (Business Education Honorary).\nMo 20z60 may include Alpha Phi Omega (National Service Fraternity).","Mo 22 may include American Society Of Agricultural Engineers and Four-H Alumni Club.\nMo 22b, 22c, 22d, 22e, 22g may include Agronomy Club.","Mo 24 may include \"Skippers\".","Mo27 may include Dairy Science Club (American Dairy Science Association).","Mo 33 may include Chemical Club.","Mo 34 may include Industrial Arts Education Club.","Mo 35 may include Baptist Student Union, Religious Activities, and Wesley Foundation.","Mo 37 may include Engineers and Engineering Exposition.","Mo 42 may include Blacksburg Naval Reserve Research Unit.","Mo 49 may include Circle K (Student Organizatons - Service).","Mo 50 may include Apollo Club (Weightlifting Club, 1954).","Mo 52 may include Aeronautical Clubs - American Institute Of Aeronautics; American Institute Aeronautical Science; American Institute Of Aeronautics \u0026 Astronautics.","Mo 54 may include Burkhart Mining Society.","Mo 60 may include Holden Society (Student Geological Organization).","Mo 61 may include Amateur Radio Association.","Mo 64 may include Chinese Student Association.","Mo 65 may include Distributive Education, Curriculum In.","Mo 67 may include Virginia Educational Association.","Mp 7 may include Rison Bill.\nMp 54 may include Buildings - Burruss Hall.","Mp 164 may include Name Change.","Mra may include Radford University.","Mst may include Cadet Scandal and Student Unrest / Troubles / Protests.","AB may include Athletics - Track \u0026 Field.","ABB may include Athletics - Wrestling.","AF may include Scrub Football Team.\nAF 1914c may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nAF 1919s may include Silent Drill Company.\nAF 1922L may include Maury Literary Society.\nAF 1923z3 may include Monogram Club and Buildings - Field House (1914) (Burned).\nAF 1922z11 may include Dope Book (VPI - Vmi History).\nAF 1924 may include Athletic Department (Formerly Athletic Association).\nAF 1955 may include Sword (Ceremonial; VPI-VMI Game).\nAF 1959z10 may include Television (1959 Homecoming Game - A \"First\").","AG may include Athletics - Intra-Murals; Athletics - Women'S Sports; Athletics, Miscellaneous (Including \"Minor\", Unlisted Sports); and Miscellaneous Sports.","AG 1, 5 may include Athletic Department (Formerly Athletic Association).\nAG 5, 6 may include Southern Conference.\nAG 5, 6 may include Southern Intercollegiate Athletic Association.\nAG 11 may include Buildings - Miles Stadium, 1926-1964.","AT may include Athletics - Track \u0026 Field.\nAT 1900, 1903, 1920c may include Field Day.","Mu may include Buildings - University Club Building (Residence).","MW 14, 23, 34, 27, 37, 53 may include Lakes \u0026 Ponds.","W la, 7a, 7c may include American Red Cross.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university. The collection was primarily collected by library staff through the 1960s.","Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","The materials in the collection are in English."],"unitid_tesim":["VerticalFile.006"],"normalized_title_ssm":["Virginia Tech and Local History Mounted Clippings"],"collection_title_tesim":["Virginia Tech and Local History Mounted Clippings"],"collection_ssim":["Virginia Tech and Local History Mounted Clippings"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Blacksburg (Va.)"],"geogname_ssim":["Blacksburg (Va.)"],"places_ssim":["Blacksburg (Va.)"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["Newman Library staff collected materials for mounted clippings through the 1960s."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Montgomery County (Va.)","University History"],"has_online_content_ssim":["false"],"extent_ssm":["64 Cubic Feet 147 boxes"],"extent_tesim":["64 Cubic Feet 147 boxes"],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eMounted Clippings are arranged by subject, primarily alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Mounted Clippings are arranged by subject, primarily alphabetically."],"odd_html_tesm":["\u003cp\u003eThe guide to the Virginia Tech and Local History Mounted Clippings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Virginia Tech and Local History Mounted Clippings by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [number of card], Virginia Tech and Local History Mounted Clippings, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [number of card], Virginia Tech and Local History Mounted Clippings, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description was completed by Special Collections staff prior to 2015. The finding aid was completed in August 2015. The re-integration of Mo56a-i, Association of Married Students was completed in October 2019.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description was completed by Special Collections staff prior to 2015. The finding aid was completed in August 2015. The re-integration of Mo56a-i, Association of Married Students was completed in October 2019."],"relatedmaterial_html_tesm":["\u003cp\u003e\u003clist\u003e\n\u003chead\u003eSee also Vertical Files (successors to the mounted clippings):\u003c/head\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01185.xml\" target=\"_blank\"\u003eBiographical Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01042.xml\" target=\"_blank\"\u003eBlacksburg Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01043.xml\" target=\"_blank\"\u003eMontgomery County/Christiansburg Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01186.xml\" target=\"_blank\"\u003eRecord Group Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003citem\u003e\u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=vt/viblbv01044.xml\" target=\"_blank\"\u003eSouthwest Virginia Vertical Files\u003c/a\u003e\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also Vertical Files (successors to the mounted clippings): Biographical Vertical Files Blacksburg Vertical Files Montgomery County/Christiansburg Vertical Files Record Group Vertical Files Southwest Virginia Vertical Files"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university.","Ma may include Agricultural Conference Board and Institute Of Rural Affairs.","Ma 1 may include Agricultural Experiment Station \u0026 Field Research Stations.\nMa 1, 5, 6, 10, 11, 15, 16 may include Farmers' Institute.\nMa 3 may include Corn Day Short Course.\nMa 5, 18, 19, 29 may include Farmer'S Winter Short Course.\nMa 11, 24 may include Dairy Cattle At V.P.I.\nMa 18 may include Planters Club.\nMa 19 may include Pure-Bred Sire Campaign.\nMa 22 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.\nMa 22 may include Boys \u0026 Girls Short Course.\nMa 23 may include Virginia Aberdeen Angus Breeders' Association.\nMa 23, 24, 59, 61 may include Horticulture Club.\nMa 25, 28 may include Corn Score Card.\nMa 28 may include Dairy Science Club (American Dairy Science Association; Incl. Dairy Clubs).\nMa 30, 65 may include Hoof \u0026 Horn Club.\nMa 61 may include American Society Of Agricultural Engineers.\nMa 65 may include Little International Livestock Show.","Ma 221, 223-233, 239 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nMa 222, 224, 226-228, 259, 262, 264 may include Institute Of Rural Affairs.\nM 309 may include Alumni Gate.","MAAg 355 may include Jamestown Centennial Festival (VPI Horticulturists Plant Indian Tobacco).","MAEc 8, 264 may include Virginia Summer School For Town \u0026 Country Ministers.","MAHr 223 may include Weather.","MAIn 85, 86 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).","MAM 177, 177a, 835, 208, 230a may include Institute Of Rural Affairs.\nMAM 198, 199, 203-206, 212, 215, 251, 254-260 may include Mccormick, Cyrus Hall.\nMAM 203, 207, 211, 1957 may include Motion Picture Unit At VPI.","MAM 264 may include Atoms (Film By VPI \"Infant Giant\").","Mar O1 may include \"Pot Pourri\".","Masb 22 may include High School Science Teachers Summer Institute.\nMasb 23 may include Conservation Short Course.","MAV may include Future Farmers Of America.","Mbl may include Community Concert Association and Earthquakes.\nMbl 1a, 2, 4, 417, 472, 473, 1438, 1441, 1445, 1564, 1592, 1603 may include \"Huckleberry\".\nMbl 5, 1206-1207 may include Norfolk \u0026 Western Railroad.\nMbl 1052, 1054, 1189 may include Future Farmers Of America.","Mbl 4 may include Sham Battle.\nMbl 5 may include American Red Cross.\nMbl 9 may include \"Solitude\".","Mbl 77 may include Lakes \u0026 Ponds.","Mbl 1206 may include Lybrook Row.","Mcv may include Mall and President's Home.","Mcv 96 may include Doorways - V.P.I. Buildings.\nMcv 99 may include Lakes \u0026 Ponds.","Mcv 130 may include Buildings - R.O.T.C Building (Building 364).","Mfi 18 may include Sham Battle.\nMfi 23 may include Athletic Department (Formerly Athletic Association);  Hoof \u0026 Horn Club; and Masons.","Mfi 74 may include Freshmen.\nMfi 120, 149, 151, 157 may include Kohler Trophy.","Mcon may include Community Concert Association.","Mco 4, 7 may include Agriculture \u0026 Life Sciences, College Of - Poultry Science.","Mco 57 may include Russian Language Course.","Mda 2 may include Lynchburg Club.\nMda 29 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mde may include Accidents And Deaths.","Mde 6 may include Highty-Tighties.","Mde 28 may include Engineering, Metallurgical.","Mdev may include Agriculture \u0026 Life Sciences, College Of - Horticulture; Campus Development Plan; and \"Pre-Centennial Development Program\".","Mdev 7 may include Arboretum (Sculpture).","Med 8-12, 17 may include Mccormick, Cyrus Hall.","Me may include Engineering, College Of, and Geology.","Me 9 may include Buildings - Davidson Hall (Chemical Engineering).\nMe 12 may include Airport (Officially Opened In 1939).\nMe 72 may include Mall.","Menr may include Freshmen and Orientation.","Mext may include Branch Colleges Of VPI.","Mf 29 may include Wine Faculty Achievement Award.","Mf 360, 416 may include Buildings - Seitz Hall (Agricultural Engineering Building).","ML 1 may include Loans To Students.\nML 2, 3, 4, 5 may include Rison Bill.\nML 4 may include Engineering Experiment Station.\nML 7, 8, 9, 10 may include Bonds, V.P.I. (To Finance Building Of War Memorial Hall).","Mm may include Uniforms, Military, Armistice Day, Corps Of Cadets, and  Military Organizations.\nMm 3, 7, 7c, 15, 135 may include Highty-Tighties.\nMm 42, 43, 63, 72, 94, 105, 116, 124, 130, 132, 159, 164 may include Kohler Trophy.","Mm 14, 16 may include Inspection, Military.","Mm 21, 22, 23, 24 may include Foch Celebration.\nMM 78 may include Air R.O.T.C.\nMm 92 may include World War I and World War Ii.","M may include Armistice Day; Art, Dept. Of; Arts \u0026 Sciences, College Of [Obsolete]; Class Of (Different Years); Concerts \u0026 Plays (Not VPI); Conferences, Seminars, Workshops (Off-Campus); Conferences, Seminars, Workshops (On-Campus); Engineering Exposition; Engineering, College Of; Enrollment \u0026 Registration; Highty-Tighties; Horse Show; and Snow Battle.\nM 10, 119, 802 may include Faculty.\nM 10, 123, 171 may include Engineering Experiment Station.\nM 22, 54, 103, 104, 236, 245 may include Fires--On Campus.\nM 23, 24, 26a, 103, 104 may include Buildings - Field House (1914) (Burned).\nM 23, 31, 785, 804, 810 may include Buildings - Mcbryde Building Of Mechanic Arts (The Shops).\nM 23, 245, 805, 862 may include Trees--V.P.I. Campus.\nM 24, 26, 29, 115, 166, 170a, 195, 214, 218, 222 may include Science Club Obsolete.\nM 25, 31, 112, 118, 120 may include Maury Literary Society.\nM 26, 28, 73 may include Farmer's Winter Short Course.\nM 26, 85, 120, 511 may include Inspection, Military.\nM 29, 30, 134, 135 may include Grounds (Buildings \u0026).\nM 31, 40, 95, 99, 113, 115, 132, 215, 236, 240, 241, 242 may include Rat System.\nM 31, 46, 263 may include Gitt, William G. (\"Uncle Bill\").\nM 54, 113 may include World War I.\nM 66, 69, 70, 534 may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nM 71, 738, 759 may include Masons.\nM 74, 233, 234 may include Student Volunteer Movement.\nM 77, 134, 139, 275, 369, 371 may include Course Of Study.\nM 82, 87-89, 134, 157, 226 may include Norfolk \u0026 Western Railroad.\nM 82, 125, 129, 153, 517 may include American Society Of Mechanical Engineers (Asme).\nM 93, 224, 489 may include American Society Of Agricultural Engineers.\nM 97, 107a, 113, 120, 121, 123, 131, 773, 774 may include Buildings - War Memorial Gymnasium.\nM 102, 167, 203 may include Chemical Club / Chemistry Club.\nM 109, 116, 276 may include Home Demonstration.\nM 111, 113, 133, 134, 148, 718, 722, 723, 807 may include Buildings - Miles Stadium, 1926-1964.\nM 115, 116, 135, 138, 148, 139, 785, 804, 810 may include Buildings - Patton Hall.\nM 115, 168 may include Shenandoah Valley Club.\nM 122, 182 may include Fertilizer Short Course School M 122, 182.\nM 125, 178, 240, 193 may include Athletic Department (Formerly Athletic Association).\nM 127, 138, 176, 194a, 214, 236 may include American Chemical Society (Student Affiliate).\nM 128, 222, 339, 340, 442 may include Virginia Social Science Association.\nM 130, 394, 495, 513, 514 may include American Red Cross.\nM 131, 210, 786, 810, 837 may include Buildings - Academic Buildings 1 \u0026 2.\nM 134, 148, 149, 160, 182, 184, 185, 195, 238, 273, 276, 278, 318, 331, 438, 447, 464, 465, 470, 471, 481, 498, 849 may include Airport (Officially Opened In 1939).\nM 135, 293 may include Stroubles Creek (Strubbles Creek).\nM 135, 330, 356, 398 may include Educators' Conference.\nM 136, 726, 11/1, 18, 31, 152 may include Dining Halls.\nM 138, 148, 738, 739, 755, 757, 763, 802 may include Buildings - Henderson Hall (Infirmary).\nM 140, 141, 147-149, 225, 326, 329, 508 may include Geology.\nM 140, 149, 835 may include Buildings - Power Plant.\nM 140, 312, 460 may include Rural Electrification Short Course.\nM 150, 223, 350, 382, 462, 464 may include Freshmen.\nM 151, 171, 380, 811 may include Quarries.\nM 151, 176 may include Lynchburg Club.\nM 151, 314, 516 may include Lakes \u0026 Ponds.\nM 154-1930 to M 347-1937 may include Rural Minister's Short Course.\nM 155, 455, 504, 153 may include Virginia Associated Plumbing, Heating, Contractors.\nM 157, 160, 738, 739, 802, 804, 810 may include Buildings - Saunders Hall (Dairy Science).\nM 160, 165 may include Engineering, Ceramic.\nM 161, 163, 173, 179, 189, 203, 337 (Civilian Students Union) may include Student Government Association.\nM 161, 170, 174 may include Soil Survey (Virginia).\nM 164, 165, 191, 324 may include Thanksgiving Game.\nM 173, 267, 309, 390, 433, 436, 610 may include Weather.\nM 174, 186, 187, 275, 448 may include Engineering, College Of.\nM 179a, 416 may include Noell Act.\nM 209, 709, 785, 804, 810, 825, 826, 126, 208 may include Buildings - Davidson Hall (Chemical Engineering).\nM 220, 223, 397 may include Future Farmers Of America.\nM 225, 239, 351, 458, 467 may include Home Economics, College Of (Human Resources).\nM 232, 517, 220, 224 may include Engineering, Metallurgical.\nM 235, 389 may include Engineering, Chemical.\nM 271, 886 may include Biology, Dept. Of.\nM 282a, 312 may include Out-Of-School Youth.\nM 295, 352 may include Graham Plan (Re: Athletic Aid).\nM 376, 390, 393, 394, 413, 417, 424, 714, 727, 785, 786, 804, 810, 887, 890, 891 may include Buildings - Owens Dining Hall.\nM 393, 785, 786 may include Buildings - Eggleston Hall (East Stone Dorm).\nM 397, 835a may include Institute Of Rural Affairs.\nM 407, 481 may include Sigma Xi (Honorary Faculty Research Society).\nM 443, 693 may include Treasury, V.P.I.\nM 452, 738, 739, 804, 810 may include Buildings - Holden Hall.\nM 458, 463, 468, 469, 810 may include Buildings - Hillcrest (\"Skirt Barn\").\nM 467, 483, 487, 488, 854, 223 may include Boycotts.\nM 548, 568 may include Cave Club.\nM 637, 835, 836, 837, 844 may include Buildings - Dormitories.\nM 660, 772, 773, 776, 781, 785, 786, 792, 794, 796, 796a, 804, 810, 878 may include Buildings - Williams Hall.\nM 690, 714, 731, 745, 746 may include Rad-Tech.\nM 755, 756, 763, 882, 883, 890 may include Buildings - Greenhouse (Dept. Of Horticulture).\nM 760, 761, 781, 782, 785, 791, 794, 796, 796a, 804, 810, 835, 882, 883, 886, 878, 881 may include Buildings - Randolph Hall.\nM 760, 772, 774, 835 may include Buildings - Meat \u0026 Processing Lab.\nM 780, 792, 805, 807, 824, 835 may include Buildings - Livestock \u0026 Poultry Disease Lab.\nM 785, 802, 835, 837 may include Buildings - Rasche Hall.\nM 785, 802, 879 may include Buildings - Brodie Hall and Shanks Hall (No. 4 \u0026 No. 7 Barracks United).\nM 787, 788, 794, 796, 797, 799-801, 804, 806, 810, 811, 819, 820, 823, 824, 827, 830, 832-834, 834a, 835-836 may include Buildings - Library - Carol M. Newman Library.\nM 810, 815, 868 may include Buildings - Commencement Hall (Old Commerce Hall).\nM 810, 835 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 880-887, 890, 893, 738, 739, 804, 810 may include Buildings - Robeson Hall.","M 12 may include Christmas Card V.P.I. and Class Ticket.\nM 17a may include Virginia Agricultural \u0026 Mechanical College (Vamc).\nM 20 may include Pulaski Club.\nM 22, 37 may include Buildings - Preston \u0026 Olin Buildings.\nM 23, 24 may include Septic Tank.\nM 30 may include Little International Livestock Show.\nM 55, 76 may include Hikes - Corps.","M 68, 69, 78, 109, 123, 137, 139 may include Farmers' Institute.\nM 73 may include Buildings - Alumni Building.\nM 80, 137 may include Dismissal.\nM 81, 82, 92, 129 may include American Society Of Civil Engineers.\nM 88 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\nM 94 may include Techgram.\nM 95 may include Mail Service (Campus).\nM 95, 96, 97, 108 may include Fires--Fought Off Campus.\nM 108, 155 may include May Day.\nM 115, 117 may include Buildings - University Club Building (Residence).\nM 116 may include Agriculture \u0026 Life Sciences, College Of - Horticulture.\nM 116, 117, 120 may include University Club.\nM 117-118 may include Agriculture \u0026 Life Sciences, College Of - Dairy Short Course.\nM 118 may include State Crop Pest Commission.\nM 122, 137, 154 may include Electric Meterman's Short Course.\nM 123 may include Hunt House.\nM 125 may include Agricultural Students' Honorary Council.\nM 130 may include United Daughters Of The Confederacy, 1927 Meeting At VPI.\nM 132 may include Coal.\nM 138, 139 may include Male Chorus At VPI.\nM 153 may include Publications, V.P.I.; Sham Battle; and Wine Scholarship.\nM 153, 154, 155 may include Engineer's Day.\nM 157 may include Buildings - Print Shop (Old M. E. Laboratory).","M 166, 196, 201, 218, 224 may include \"Technical Topics\" (1931-1941).\nM 167, 168, 171, 175, 188, 192, 215, 218, 231 may include Demolay Club.\nM 169 may include Industrial Surveys.\nM 170a may include Southern Collegian Magazine (1931).\nM 171 may include The Tin Horn (Co-Ed Yearbook, 1929-1931).\nM 176 may include VPI Skipper (Student Humor Magazine).\nM 179a, 180, 181 may include Landscape Design School (Short Course).\nM 180, 205 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nM 186, 225 may include American Country Life Association.\nM 188, 203 may include Chemistry, Dept. Of.\nM 189 may include Southern Colonels (Dance Orchestra).\nM 190 may include Roadside Landscaping.\nM 191 may include Lutheran Students' Association (Of America).\nM 195 may include Scorpions Club.\nM 196, 198, 219 may include Rifle Team.\nM 199 may include Prohibition Poll.\nM 203 may include Church Attendance.\nM 205 may include Lonesome Pine Club, Northern Neck Club, and Richmond Club.\nM 208 may include Pittsylvania Club.\nM 212 may include Rappahannock Valley Club and Roanoke Club.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 220 may include Athletic Department (Formerly Athletic Association).\nM 222, 231, 270 may include Depression \u0026 Recovery.\nM 223 may include Bachelor's Club.\nM 228, 239 may include Beer Licenses.\nM 230 may include American Legion.\nM 230, 231 may include Civil Works Project.\nM 230, 232, 240, 242, 285 may include Rescue Squad.\nM 231, 237, 239, 262, 276 may include Buildings - Utilities Building.\nM 234 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nM 234, 236, 236a may include Virginia Association Of International Relations.\nM 237 may include Cancer Research.\nM 241 may include Buildings - Faculty Center.\nM 241, 244, 245 may include Virginia Library Association.\nM 241, 258, 262 may include Federal Emergency Relief Administration.\nM 245 may include Fire Brigade.\nM 258, 262 may include Merchant Marine Officers Training School.\nM 262 may include Reflecting Pool.\nM 268, 275 may include Birds (Study).\nM 275 may include Aeronautical Course.\nM 278 may include Guidon.\nM 295 may include Evening Classes.","M 323 may include American Institute Of Chemical Engineers.\nM 338 may include Street Lighting.\nM 352 may include Southern Conference.\nM 356 may include Cooking For Boys.\nM 363, 365 may include Nautical Training School.\nM 363, 387 may include Virginia Educational Association.\nM 382 may include Student Identification Cards.\nM 388 may include Post-Graduate Club.\nM 390 may include Building Layouts.\nM 404 may include Cooperatives.\nM 412, 414 may include League Of Virginia Counties.\nM 417 may include Quadrangle.","M 433, 434 may include Mining Bureau.\nM 433, 449, 453, 456, 457, 458, 459, 460, 461, 465, 466, 467, 481, 488, 489, 523 may include World War Ii.\nM 438, 439, 441 may include Training Plane.\nM 438, 443, 452, 459, 470, 483, 485 may include Works Progress Administration (Wpa).\nM 443 may include Association Of College Libraries Of Southwest Virginia.\nM 452 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 481 may include Keramos and Rankine, William J. M.\nM 490 may include William \u0026 Mary, College Of.\nM 493 may include Recruiting (Military).\nM 513, 519 may include Water Shortage.\nM 520 may include American Institute Of Architects.","M 579, 585 may include Nursery School-VPI.\nM 641 may include Napoleonana Collection.\nM 658, 660, 677, 691, 693 may include Sewage Disposal Plant.","M 709 may include Buildings - R.O.T.C Building (Building 364).\nM 710, 757-760, 763, 771-772 may include Mall.\nM 723 may include Buildings - Mining Engineering Building.\nM 726, 727, 734, 735, 745, 746, 746a, 804 may include Buildings - Femoyer Hall, Monteith Hall, and Thomas Hall.\nM 735, 738, 739, 742, 755, 756, 804, 810 may include Buildings - Smyth Hall (Formerly Known As Natural Science Building).\nM 737, 741 may include Piedmont Research Laboratory (Charlottesville).\nM 738 may include Tomato Clubs.\nM 738, 739, 802, 804, 810 may include Buildings - Agnew Hall.\nM 738, 739, 804, 810 may include Buildings - Price Hall (\"Old Aggie\").\nM 746 may include Winchester Research Laboratory.\nM 752, 786, 794, 780, 781, 785 may include Buildings - Library (Old Chapel Building) (Burned).\nM 755, 756, 757 may include Buildings - Dairy Barn.\nM 757 may include Bear (Wanders Through Campus).\nM 758 may include War Memorial Chapel.\nM 773, 774 may include Radio Station - WUVT.\nM 785, 802 may include Buildings - Lane Hall.\nM 785, 804 may include Buildings - Campbell Hall (West Stone Dorm).\nM 807, 812 may include Buildings - Athletic Plant.\nM 810 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall) and Performing Arts \u0026 Communications Building (Ymca Building, 1899-1936; Old Military Building, 1937-1966; Student Personnel Building, 1966-1972).\nM 815 may include Motion Picture Unit At VPI.","M 829 may include Racial \u0026 Ethnic Minorities (Campus).\nM 835-837, 870 may include Buildings - Pamplin Hall (Commerce Hall 2).\nM 862 may include Buildings - Barns.\nM 868 no. 8 may include Cornerstone Markers (Old Commerce Hall).\nM 881 may include Computing Center.\nM 882, 883 may include Buildings - Swine Center.\nM 886 may include Agriculture \u0026 Life Sciences, College Of - Veterinary Science.\nM 890 may include Mccormick, Cyrus Hall.\nM 890, 892 may include Buildings - Norris Hall.\nM 894, 895 may include Name Change.","Mla 31 may include Colors, V.P.I. (Orange \u0026 Maroon).\nMla 88 may include \"GOBBLERS\" (nickname).","Mla 367 may include Yells-VPI.","Mo 13, 17z may include Rankine, William J. M.\nMo 15, 16 may include Student Government Association.\nMo 20z73, 23 may include Sigma Mu Sigma (National College Masonic Service Fraternity).","Mo 1 may include Lee Literary Society.","Mo 1a, 1b, 1c, 1c1, 1c2, 1d may include Maury Literary Society.","Mo 2 may include Christian Science Organization.","Mo 3 may include Fraternities \u0026 Sororities--Social.\nMo 3a may include Kappa Sigma.\nMo 3b may include Sigma Alpha.\nMo 3b, 3d may include Pi Kappa Alpha (Social Fraternity).\nMo 3c may include Alpha Phi.\nMo 3c no. 2 may include Beta Theta Pi (Social Fraternity).","Mo 4 may include Music Groups and Tech Minstrels.","Mo 4m may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.","Mo 6 may include Apple Club; Black Diamond Club; City, County \u0026 Sectional Clubs; Lonesome Pine Club; Lynchburg Club; Northern Neck Club; Peanut Club; Pittsylvania Club; Richmond Club; Roanoke Club; and Shenandoah Valley Club.","Mo 7 may include Tech Players and Thespian Club.","Mo 8 may include Virgnia Polytechnic Societies.","Mo 11 may include Student Publications.","Mo 16 may include Honor System.","Mo 16m, 16r may include Highty-Tighties.\nMo 16p may include Kohler Trophy.\nMo 16s may include Company B, Corps Of Cadets.","Mo 17z, 31-33, 55, 56, 57, 62, 65, 66, 68, 71, 72 may include War Memorial Chapel.","Mo 17g, 17m, 17L may include Buildings - War Memorial Gymnasium.\nMo 17h, 17g may include Buildings - Alumni Building.\nMo 17s3, 17s5, 17s7 may include Buildings - Miles Stadium, 1926-1964.\nMo 17t may include V.P.I. Alumnus.\nMo 17z29 may include Campus Development Plan.\nMo 17z31 may include Victory Reunion (1946).","Mo 17z101 may include Carillon.","Mo 20 may include Fraternities--Honorary.\nMo 20c, 20f, 20t, 20v, 20w, 20x, 20z, 20z12, 20z40, 20z76, 20z96 may include Sigma Xi (Honorary Faculty Research Society).\nMo 20g, 20o, 20w, 20y, 20z, 20z40 may include Pi Delta Epsilon (Journalism Honorary).\nMo 20j, 20m, 20o, 20t, 20w, 20x, 20z, 20zl, 20z3, 20z5, 20z95, 20z19, 20z94 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nMo 20q, 20s, 20z5, 20z71 may include Alpha Kappa Psi (Professional Business Fraternity).\nMo 20z22, 20z23, 20z32, 20z9, 20z70 may include Gregory Guard.","Mo 20, 20d, 20g2, 20h, 20p, 20r, 20w, 20y, 20zl, 20z2, 20z5, 20z6 may include Phi Kappa Phi (Scholarship Honorary).\nMo 20d, 20e, 20f, 20m, 20s may include Alpha Zeta (National Agriculture Society).\nMo 20e may include Scorpions Club.\nMo 20f, 20g may include Beta Tau Epsilon (Engineering).\nMo 20f, 20p, 20z, 20zl, 20z3 may include Phi Lambda Upsilon (Chemistry Honorary).\nMo 20g, 20h, 20j, 20p, 20q, 20r, 20u, 20x, 20z, 20z2, 20z11 may include Tau Beta Pi (Engineering Honorary).\nMo 20g2 may include Theta Epsilon Theta (Research Honorary Society).\nMo 20h may include Phi Gamma Nu.\nMo 20h, 20w, 20z2, 20z6, 20z7 may include Sigma Delta Psi (Athletic Honorary).\nMo 20m, 20n, 20t, 20z, 20z3, 20z6, 20z8 may include Scabbard \u0026 Blade (Honorary Military Society).\nMo 20w, 20x, 20z1, 20z3 may include Pi Tau Sigma (National Honorary, Mechanical Engineering).\nMo 20w, 20z, 20z1 may include Eta Kappa Nu (Ee Honorary).\nMo 20z may include Keramos.\nMo 20z, z2, z3 may include Chi Epsilon (Civil Engineering Honorary).\nMo 20z1 may include Alpha Sigma Mu (Metallurgical Engineering Fraternity).","Mo 20z28, 20z29 may include Sigma Pi Sigma.\nMo 20z27 may include Phi Sigma Society (Biological Sciences Honorary).\nMo 20z48 may include Pi Omega Pi (Business Education Honorary).\nMo 20z60 may include Alpha Phi Omega (National Service Fraternity).","Mo 22 may include American Society Of Agricultural Engineers and Four-H Alumni Club.\nMo 22b, 22c, 22d, 22e, 22g may include Agronomy Club.","Mo 24 may include \"Skippers\".","Mo27 may include Dairy Science Club (American Dairy Science Association).","Mo 33 may include Chemical Club.","Mo 34 may include Industrial Arts Education Club.","Mo 35 may include Baptist Student Union, Religious Activities, and Wesley Foundation.","Mo 37 may include Engineers and Engineering Exposition.","Mo 42 may include Blacksburg Naval Reserve Research Unit.","Mo 49 may include Circle K (Student Organizatons - Service).","Mo 50 may include Apollo Club (Weightlifting Club, 1954).","Mo 52 may include Aeronautical Clubs - American Institute Of Aeronautics; American Institute Aeronautical Science; American Institute Of Aeronautics \u0026 Astronautics.","Mo 54 may include Burkhart Mining Society.","Mo 60 may include Holden Society (Student Geological Organization).","Mo 61 may include Amateur Radio Association.","Mo 64 may include Chinese Student Association.","Mo 65 may include Distributive Education, Curriculum In.","Mo 67 may include Virginia Educational Association.","Mp 7 may include Rison Bill.\nMp 54 may include Buildings - Burruss Hall.","Mp 164 may include Name Change.","Mra may include Radford University.","Mst may include Cadet Scandal and Student Unrest / Troubles / Protests.","AB may include Athletics - Track \u0026 Field.","ABB may include Athletics - Wrestling.","AF may include Scrub Football Team.\nAF 1914c may include Songs Of VPI Incl. Moonlight \u0026 VPI, Tech Triumph, Ut Prosim.\nAF 1919s may include Silent Drill Company.\nAF 1922L may include Maury Literary Society.\nAF 1923z3 may include Monogram Club and Buildings - Field House (1914) (Burned).\nAF 1922z11 may include Dope Book (VPI - Vmi History).\nAF 1924 may include Athletic Department (Formerly Athletic Association).\nAF 1955 may include Sword (Ceremonial; VPI-VMI Game).\nAF 1959z10 may include Television (1959 Homecoming Game - A \"First\").","AG may include Athletics - Intra-Murals; Athletics - Women'S Sports; Athletics, Miscellaneous (Including \"Minor\", Unlisted Sports); and Miscellaneous Sports.","AG 1, 5 may include Athletic Department (Formerly Athletic Association).\nAG 5, 6 may include Southern Conference.\nAG 5, 6 may include Southern Intercollegiate Athletic Association.\nAG 11 may include Buildings - Miles Stadium, 1926-1964.","AT may include Athletics - Track \u0026 Field.\nAT 1900, 1903, 1920c may include Field Day.","Mu may include Buildings - University Club Building (Residence).","MW 14, 23, 34, 27, 37, 53 may include Lakes \u0026 Ponds.","W la, 7a, 7c may include American Red Cross."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_2bfd88fb1d82a46fb92b3adac8eb3bf1\" label=\"Abstract\"\u003eIn general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university. The collection was primarily collected by library staff through the 1960s.\u003c/abstract\u003e"],"abstract_tesim":["In general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university. The collection was primarily collected by library staff through the 1960s."],"names_coll_ssim":["Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Agricultural and Mechanical College (1872-1896)","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":440,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:34:55.437Z","scopecontent_html_tesm":["\u003cp\u003eIn general, the Virginia Tech and Local History Mounted Clippings include newspaper clippings, photocopies, ephermera, unpublished and/or informal publications, and other papers relating to a specific subject area. Files in this collection relate to Virginia Tech, Blacksburg, and the activities of members of the community or university.\u003c/p\u003e","\u003cp\u003eMa may include Agricultural Conference Board and Institute Of Rural Affairs.\u003c/p\u003e","\u003cp\u003eMa 1 may include Agricultural Experiment Station \u0026amp; Field Research Stations.\nMa 1, 5, 6, 10, 11, 15, 16 may include Farmers' Institute.\nMa 3 may include Corn Day Short Course.\nMa 5, 18, 19, 29 may include Farmer'S Winter Short Course.\nMa 11, 24 may include Dairy Cattle At V.P.I.\nMa 18 may include Planters Club.\nMa 19 may include Pure-Bred Sire Campaign.\nMa 22 may include Agriculture \u0026amp; Life Sciences, College Of - Poultry Science.\nMa 22 may include Boys \u0026amp; Girls Short Course.\nMa 23 may include Virginia Aberdeen Angus Breeders' Association.\nMa 23, 24, 59, 61 may include Horticulture Club.\nMa 25, 28 may include Corn Score Card.\nMa 28 may include Dairy Science Club (American Dairy Science Association; Incl. Dairy Clubs).\nMa 30, 65 may include Hoof \u0026amp; Horn Club.\nMa 61 may include American Society Of Agricultural Engineers.\nMa 65 may include Little International Livestock Show.\u003c/p\u003e","\u003cp\u003eMa 221, 223-233, 239 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nMa 222, 224, 226-228, 259, 262, 264 may include Institute Of Rural Affairs.\nM 309 may include Alumni Gate.\u003c/p\u003e","\u003cp\u003eMAAg 355 may include Jamestown Centennial Festival (VPI Horticulturists Plant Indian Tobacco).\u003c/p\u003e","\u003cp\u003eMAEc 8, 264 may include Virginia Summer School For Town \u0026amp; Country Ministers.\u003c/p\u003e","\u003cp\u003eMAHr 223 may include Weather.\u003c/p\u003e","\u003cp\u003eMAIn 85, 86 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\u003c/p\u003e","\u003cp\u003eMAM 177, 177a, 835, 208, 230a may include Institute Of Rural Affairs.\nMAM 198, 199, 203-206, 212, 215, 251, 254-260 may include Mccormick, Cyrus Hall.\nMAM 203, 207, 211, 1957 may include Motion Picture Unit At VPI.\u003c/p\u003e","\u003cp\u003eMAM 264 may include Atoms (Film By VPI \"Infant Giant\").\u003c/p\u003e","\u003cp\u003eMar O1 may include \"Pot Pourri\".\u003c/p\u003e","\u003cp\u003eMasb 22 may include High School Science Teachers Summer Institute.\nMasb 23 may include Conservation Short Course.\u003c/p\u003e","\u003cp\u003eMAV may include Future Farmers Of America.\u003c/p\u003e","\u003cp\u003eMbl may include Community Concert Association and Earthquakes.\nMbl 1a, 2, 4, 417, 472, 473, 1438, 1441, 1445, 1564, 1592, 1603 may include \"Huckleberry\".\nMbl 5, 1206-1207 may include Norfolk \u0026amp; Western Railroad.\nMbl 1052, 1054, 1189 may include Future Farmers Of America.\u003c/p\u003e","\u003cp\u003eMbl 4 may include Sham Battle.\nMbl 5 may include American Red Cross.\nMbl 9 may include \"Solitude\".\u003c/p\u003e","\u003cp\u003eMbl 77 may include Lakes \u0026amp; Ponds.\u003c/p\u003e","\u003cp\u003eMbl 1206 may include Lybrook Row.\u003c/p\u003e","\u003cp\u003eMcv may include Mall and President's Home.\u003c/p\u003e","\u003cp\u003eMcv 96 may include Doorways - V.P.I. Buildings.\nMcv 99 may include Lakes \u0026amp; Ponds.\u003c/p\u003e","\u003cp\u003eMcv 130 may include Buildings - R.O.T.C Building (Building 364).\u003c/p\u003e","\u003cp\u003eMfi 18 may include Sham Battle.\nMfi 23 may include Athletic Department (Formerly Athletic Association);  Hoof \u0026amp; Horn Club; and Masons.\u003c/p\u003e","\u003cp\u003eMfi 74 may include Freshmen.\nMfi 120, 149, 151, 157 may include Kohler Trophy.\u003c/p\u003e","\u003cp\u003eMcon may include Community Concert Association.\u003c/p\u003e","\u003cp\u003eMco 4, 7 may include Agriculture \u0026amp; Life Sciences, College Of - Poultry Science.\u003c/p\u003e","\u003cp\u003eMco 57 may include Russian Language Course.\u003c/p\u003e","\u003cp\u003eMda 2 may include Lynchburg Club.\nMda 29 may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\u003c/p\u003e","\u003cp\u003eMde may include Accidents And Deaths.\u003c/p\u003e","\u003cp\u003eMde 6 may include Highty-Tighties.\u003c/p\u003e","\u003cp\u003eMde 28 may include Engineering, Metallurgical.\u003c/p\u003e","\u003cp\u003eMdev may include Agriculture \u0026amp; Life Sciences, College Of - Horticulture; Campus Development Plan; and \"Pre-Centennial Development Program\".\u003c/p\u003e","\u003cp\u003eMdev 7 may include Arboretum (Sculpture).\u003c/p\u003e","\u003cp\u003eMed 8-12, 17 may include Mccormick, Cyrus Hall.\u003c/p\u003e","\u003cp\u003eMe may include Engineering, College Of, and Geology.\u003c/p\u003e","\u003cp\u003eMe 9 may include Buildings - Davidson Hall (Chemical Engineering).\nMe 12 may include Airport (Officially Opened In 1939).\nMe 72 may include Mall.\u003c/p\u003e","\u003cp\u003eMenr may include Freshmen and Orientation.\u003c/p\u003e","\u003cp\u003eMext may include Branch Colleges Of VPI.\u003c/p\u003e","\u003cp\u003eMf 29 may include Wine Faculty Achievement Award.\u003c/p\u003e","\u003cp\u003eMf 360, 416 may include Buildings - Seitz Hall (Agricultural Engineering Building).\u003c/p\u003e","\u003cp\u003eML 1 may include Loans To Students.\nML 2, 3, 4, 5 may include Rison Bill.\nML 4 may include Engineering Experiment Station.\nML 7, 8, 9, 10 may include Bonds, V.P.I. (To Finance Building Of War Memorial Hall).\u003c/p\u003e","\u003cp\u003eMm may include Uniforms, Military, Armistice Day, Corps Of Cadets, and  Military Organizations.\nMm 3, 7, 7c, 15, 135 may include Highty-Tighties.\nMm 42, 43, 63, 72, 94, 105, 116, 124, 130, 132, 159, 164 may include Kohler Trophy.\u003c/p\u003e","\u003cp\u003eMm 14, 16 may include Inspection, Military.\u003c/p\u003e","\u003cp\u003eMm 21, 22, 23, 24 may include Foch Celebration.\nMM 78 may include Air R.O.T.C.\nMm 92 may include World War I and World War Ii.\u003c/p\u003e","\u003cp\u003eM may include Armistice Day; Art, Dept. Of; Arts \u0026amp; Sciences, College Of [Obsolete]; Class Of (Different Years); Concerts \u0026amp; Plays (Not VPI); Conferences, Seminars, Workshops (Off-Campus); Conferences, Seminars, Workshops (On-Campus); Engineering Exposition; Engineering, College Of; Enrollment \u0026amp; Registration; Highty-Tighties; Horse Show; and Snow Battle.\nM 10, 119, 802 may include Faculty.\nM 10, 123, 171 may include Engineering Experiment Station.\nM 22, 54, 103, 104, 236, 245 may include Fires--On Campus.\nM 23, 24, 26a, 103, 104 may include Buildings - Field House (1914) (Burned).\nM 23, 31, 785, 804, 810 may include Buildings - Mcbryde Building Of Mechanic Arts (The Shops).\nM 23, 245, 805, 862 may include Trees--V.P.I. Campus.\nM 24, 26, 29, 115, 166, 170a, 195, 214, 218, 222 may include Science Club Obsolete.\nM 25, 31, 112, 118, 120 may include Maury Literary Society.\nM 26, 28, 73 may include Farmer's Winter Short Course.\nM 26, 85, 120, 511 may include Inspection, Military.\nM 29, 30, 134, 135 may include Grounds (Buildings \u0026amp;).\nM 31, 40, 95, 99, 113, 115, 132, 215, 236, 240, 241, 242 may include Rat System.\nM 31, 46, 263 may include Gitt, William G. (\"Uncle Bill\").\nM 54, 113 may include World War I.\nM 66, 69, 70, 534 may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\nM 71, 738, 759 may include Masons.\nM 74, 233, 234 may include Student Volunteer Movement.\nM 77, 134, 139, 275, 369, 371 may include Course Of Study.\nM 82, 87-89, 134, 157, 226 may include Norfolk \u0026amp; Western Railroad.\nM 82, 125, 129, 153, 517 may include American Society Of Mechanical Engineers (Asme).\nM 93, 224, 489 may include American Society Of Agricultural Engineers.\nM 97, 107a, 113, 120, 121, 123, 131, 773, 774 may include Buildings - War Memorial Gymnasium.\nM 102, 167, 203 may include Chemical Club / Chemistry Club.\nM 109, 116, 276 may include Home Demonstration.\nM 111, 113, 133, 134, 148, 718, 722, 723, 807 may include Buildings - Miles Stadium, 1926-1964.\nM 115, 116, 135, 138, 148, 139, 785, 804, 810 may include Buildings - Patton Hall.\nM 115, 168 may include Shenandoah Valley Club.\nM 122, 182 may include Fertilizer Short Course School M 122, 182.\nM 125, 178, 240, 193 may include Athletic Department (Formerly Athletic Association).\nM 127, 138, 176, 194a, 214, 236 may include American Chemical Society (Student Affiliate).\nM 128, 222, 339, 340, 442 may include Virginia Social Science Association.\nM 130, 394, 495, 513, 514 may include American Red Cross.\nM 131, 210, 786, 810, 837 may include Buildings - Academic Buildings 1 \u0026amp; 2.\nM 134, 148, 149, 160, 182, 184, 185, 195, 238, 273, 276, 278, 318, 331, 438, 447, 464, 465, 470, 471, 481, 498, 849 may include Airport (Officially Opened In 1939).\nM 135, 293 may include Stroubles Creek (Strubbles Creek).\nM 135, 330, 356, 398 may include Educators' Conference.\nM 136, 726, 11/1, 18, 31, 152 may include Dining Halls.\nM 138, 148, 738, 739, 755, 757, 763, 802 may include Buildings - Henderson Hall (Infirmary).\nM 140, 141, 147-149, 225, 326, 329, 508 may include Geology.\nM 140, 149, 835 may include Buildings - Power Plant.\nM 140, 312, 460 may include Rural Electrification Short Course.\nM 150, 223, 350, 382, 462, 464 may include Freshmen.\nM 151, 171, 380, 811 may include Quarries.\nM 151, 176 may include Lynchburg Club.\nM 151, 314, 516 may include Lakes \u0026amp; Ponds.\nM 154-1930 to M 347-1937 may include Rural Minister's Short Course.\nM 155, 455, 504, 153 may include Virginia Associated Plumbing, Heating, Contractors.\nM 157, 160, 738, 739, 802, 804, 810 may include Buildings - Saunders Hall (Dairy Science).\nM 160, 165 may include Engineering, Ceramic.\nM 161, 163, 173, 179, 189, 203, 337 (Civilian Students Union) may include Student Government Association.\nM 161, 170, 174 may include Soil Survey (Virginia).\nM 164, 165, 191, 324 may include Thanksgiving Game.\nM 173, 267, 309, 390, 433, 436, 610 may include Weather.\nM 174, 186, 187, 275, 448 may include Engineering, College Of.\nM 179a, 416 may include Noell Act.\nM 209, 709, 785, 804, 810, 825, 826, 126, 208 may include Buildings - Davidson Hall (Chemical Engineering).\nM 220, 223, 397 may include Future Farmers Of America.\nM 225, 239, 351, 458, 467 may include Home Economics, College Of (Human Resources).\nM 232, 517, 220, 224 may include Engineering, Metallurgical.\nM 235, 389 may include Engineering, Chemical.\nM 271, 886 may include Biology, Dept. Of.\nM 282a, 312 may include Out-Of-School Youth.\nM 295, 352 may include Graham Plan (Re: Athletic Aid).\nM 376, 390, 393, 394, 413, 417, 424, 714, 727, 785, 786, 804, 810, 887, 890, 891 may include Buildings - Owens Dining Hall.\nM 393, 785, 786 may include Buildings - Eggleston Hall (East Stone Dorm).\nM 397, 835a may include Institute Of Rural Affairs.\nM 407, 481 may include Sigma Xi (Honorary Faculty Research Society).\nM 443, 693 may include Treasury, V.P.I.\nM 452, 738, 739, 804, 810 may include Buildings - Holden Hall.\nM 458, 463, 468, 469, 810 may include Buildings - Hillcrest (\"Skirt Barn\").\nM 467, 483, 487, 488, 854, 223 may include Boycotts.\nM 548, 568 may include Cave Club.\nM 637, 835, 836, 837, 844 may include Buildings - Dormitories.\nM 660, 772, 773, 776, 781, 785, 786, 792, 794, 796, 796a, 804, 810, 878 may include Buildings - Williams Hall.\nM 690, 714, 731, 745, 746 may include Rad-Tech.\nM 755, 756, 763, 882, 883, 890 may include Buildings - Greenhouse (Dept. Of Horticulture).\nM 760, 761, 781, 782, 785, 791, 794, 796, 796a, 804, 810, 835, 882, 883, 886, 878, 881 may include Buildings - Randolph Hall.\nM 760, 772, 774, 835 may include Buildings - Meat \u0026amp; Processing Lab.\nM 780, 792, 805, 807, 824, 835 may include Buildings - Livestock \u0026amp; Poultry Disease Lab.\nM 785, 802, 835, 837 may include Buildings - Rasche Hall.\nM 785, 802, 879 may include Buildings - Brodie Hall and Shanks Hall (No. 4 \u0026amp; No. 7 Barracks United).\nM 787, 788, 794, 796, 797, 799-801, 804, 806, 810, 811, 819, 820, 823, 824, 827, 830, 832-834, 834a, 835-836 may include Buildings - Library - Carol M. Newman Library.\nM 810, 815, 868 may include Buildings - Commencement Hall (Old Commerce Hall).\nM 810, 835 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 880-887, 890, 893, 738, 739, 804, 810 may include Buildings - Robeson Hall.\u003c/p\u003e","\u003cp\u003eM 12 may include Christmas Card V.P.I. and Class Ticket.\nM 17a may include Virginia Agricultural \u0026amp; Mechanical College (Vamc).\nM 20 may include Pulaski Club.\nM 22, 37 may include Buildings - Preston \u0026amp; Olin Buildings.\nM 23, 24 may include Septic Tank.\nM 30 may include Little International Livestock Show.\nM 55, 76 may include Hikes - Corps.\u003c/p\u003e","\u003cp\u003eM 68, 69, 78, 109, 123, 137, 139 may include Farmers' Institute.\nM 73 may include Buildings - Alumni Building.\nM 80, 137 may include Dismissal.\nM 81, 82, 92, 129 may include American Society Of Civil Engineers.\nM 88 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall).\nM 94 may include Techgram.\nM 95 may include Mail Service (Campus).\nM 95, 96, 97, 108 may include Fires--Fought Off Campus.\nM 108, 155 may include May Day.\nM 115, 117 may include Buildings - University Club Building (Residence).\nM 116 may include Agriculture \u0026amp; Life Sciences, College Of - Horticulture.\nM 116, 117, 120 may include University Club.\nM 117-118 may include Agriculture \u0026amp; Life Sciences, College Of - Dairy Short Course.\nM 118 may include State Crop Pest Commission.\nM 122, 137, 154 may include Electric Meterman's Short Course.\nM 123 may include Hunt House.\nM 125 may include Agricultural Students' Honorary Council.\nM 130 may include United Daughters Of The Confederacy, 1927 Meeting At VPI.\nM 132 may include Coal.\nM 138, 139 may include Male Chorus At VPI.\nM 153 may include Publications, V.P.I.; Sham Battle; and Wine Scholarship.\nM 153, 154, 155 may include Engineer's Day.\nM 157 may include Buildings - Print Shop (Old M. E. Laboratory).\u003c/p\u003e","\u003cp\u003eM 166, 196, 201, 218, 224 may include \"Technical Topics\" (1931-1941).\nM 167, 168, 171, 175, 188, 192, 215, 218, 231 may include Demolay Club.\nM 169 may include Industrial Surveys.\nM 170a may include Southern Collegian Magazine (1931).\nM 171 may include The Tin Horn (Co-Ed Yearbook, 1929-1931).\nM 176 may include VPI Skipper (Student Humor Magazine).\nM 179a, 180, 181 may include Landscape Design School (Short Course).\nM 180, 205 may include Mccormick, Cyrus Hall Centennial Celebration (1931).\nM 186, 225 may include American Country Life Association.\nM 188, 203 may include Chemistry, Dept. Of.\nM 189 may include Southern Colonels (Dance Orchestra).\nM 190 may include Roadside Landscaping.\nM 191 may include Lutheran Students' Association (Of America).\nM 195 may include Scorpions Club.\nM 196, 198, 219 may include Rifle Team.\nM 199 may include Prohibition Poll.\nM 203 may include Church Attendance.\nM 205 may include Lonesome Pine Club, Northern Neck Club, and Richmond Club.\nM 208 may include Pittsylvania Club.\nM 212 may include Rappahannock Valley Club and Roanoke Club.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 214, 216, 227 may include Swimming Pool.\nM 215, 230 may include Baptist Student Convention.\nM 220 may include Athletic Department (Formerly Athletic Association).\nM 222, 231, 270 may include Depression \u0026amp; Recovery.\nM 223 may include Bachelor's Club.\nM 228, 239 may include Beer Licenses.\nM 230 may include American Legion.\nM 230, 231 may include Civil Works Project.\nM 230, 232, 240, 242, 285 may include Rescue Squad.\nM 231, 237, 239, 262, 276 may include Buildings - Utilities Building.\nM 234 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nM 234, 236, 236a may include Virginia Association Of International Relations.\nM 237 may include Cancer Research.\nM 241 may include Buildings - Faculty Center.\nM 241, 244, 245 may include Virginia Library Association.\nM 241, 258, 262 may include Federal Emergency Relief Administration.\nM 245 may include Fire Brigade.\nM 258, 262 may include Merchant Marine Officers Training School.\nM 262 may include Reflecting Pool.\nM 268, 275 may include Birds (Study).\nM 275 may include Aeronautical Course.\nM 278 may include Guidon.\nM 295 may include Evening Classes.\u003c/p\u003e","\u003cp\u003eM 323 may include American Institute Of Chemical Engineers.\nM 338 may include Street Lighting.\nM 352 may include Southern Conference.\nM 356 may include Cooking For Boys.\nM 363, 365 may include Nautical Training School.\nM 363, 387 may include Virginia Educational Association.\nM 382 may include Student Identification Cards.\nM 388 may include Post-Graduate Club.\nM 390 may include Building Layouts.\nM 404 may include Cooperatives.\nM 412, 414 may include League Of Virginia Counties.\nM 417 may include Quadrangle.\u003c/p\u003e","\u003cp\u003eM 433, 434 may include Mining Bureau.\nM 433, 449, 453, 456, 457, 458, 459, 460, 461, 465, 466, 467, 481, 488, 489, 523 may include World War Ii.\nM 438, 439, 441 may include Training Plane.\nM 438, 443, 452, 459, 470, 483, 485 may include Works Progress Administration (Wpa).\nM 443 may include Association Of College Libraries Of Southwest Virginia.\nM 452 may include Buildings - Seitz Hall (Agricultural Engineering Building).\nM 481 may include Keramos and Rankine, William J. M.\nM 490 may include William \u0026amp; Mary, College Of.\nM 493 may include Recruiting (Military).\nM 513, 519 may include Water Shortage.\nM 520 may include American Institute Of Architects.\u003c/p\u003e","\u003cp\u003eM 579, 585 may include Nursery School-VPI.\nM 641 may include Napoleonana Collection.\nM 658, 660, 677, 691, 693 may include Sewage Disposal Plant.\u003c/p\u003e","\u003cp\u003eM 709 may include Buildings - R.O.T.C Building (Building 364).\nM 710, 757-760, 763, 771-772 may include Mall.\nM 723 may include Buildings - Mining Engineering Building.\nM 726, 727, 734, 735, 745, 746, 746a, 804 may include Buildings - Femoyer Hall, Monteith Hall, and Thomas Hall.\nM 735, 738, 739, 742, 755, 756, 804, 810 may include Buildings - Smyth Hall (Formerly Known As Natural Science Building).\nM 737, 741 may include Piedmont Research Laboratory (Charlottesville).\nM 738 may include Tomato Clubs.\nM 738, 739, 802, 804, 810 may include Buildings - Agnew Hall.\nM 738, 739, 804, 810 may include Buildings - Price Hall (\"Old Aggie\").\nM 746 may include Winchester Research Laboratory.\nM 752, 786, 794, 780, 781, 785 may include Buildings - Library (Old Chapel Building) (Burned).\nM 755, 756, 757 may include Buildings - Dairy Barn.\nM 757 may include Bear (Wanders Through Campus).\nM 758 may include War Memorial Chapel.\nM 773, 774 may include Radio Station - WUVT.\nM 785, 802 may include Buildings - Lane Hall.\nM 785, 804 may include Buildings - Campbell Hall (West Stone Dorm).\nM 807, 812 may include Buildings - Athletic Plant.\nM 810 may include Buildings - Hutcheson Hall (Formerly New Agricultural Hall) and Performing Arts \u0026amp; Communications Building (Ymca Building, 1899-1936; Old Military Building, 1937-1966; Student Personnel Building, 1966-1972).\nM 815 may include Motion Picture Unit At VPI.\u003c/p\u003e","\u003cp\u003eM 829 may include Racial \u0026amp; Ethnic Minorities (Campus).\nM 835-837, 870 may include Buildings - Pamplin Hall (Commerce Hall 2).\nM 862 may include Buildings - Barns.\nM 868 no. 8 may include Cornerstone Markers (Old Commerce Hall).\nM 881 may include Computing Center.\nM 882, 883 may include Buildings - Swine Center.\nM 886 may include Agriculture \u0026amp; Life Sciences, College Of - Veterinary Science.\nM 890 may include Mccormick, Cyrus Hall.\nM 890, 892 may include Buildings - Norris Hall.\nM 894, 895 may include Name Change.\u003c/p\u003e","\u003cp\u003eMla 31 may include Colors, V.P.I. (Orange \u0026amp; Maroon).\nMla 88 may include \"GOBBLERS\" (nickname).\u003c/p\u003e","\u003cp\u003eMla 367 may include Yells-VPI.\u003c/p\u003e","\u003cp\u003eMo 13, 17z may include Rankine, William J. M.\nMo 15, 16 may include Student Government Association.\nMo 20z73, 23 may include Sigma Mu Sigma (National College Masonic Service Fraternity).\u003c/p\u003e","\u003cp\u003eMo 1 may include Lee Literary Society.\u003c/p\u003e","\u003cp\u003eMo 1a, 1b, 1c, 1c1, 1c2, 1d may include Maury Literary Society.\u003c/p\u003e","\u003cp\u003eMo 2 may include Christian Science Organization.\u003c/p\u003e","\u003cp\u003eMo 3 may include Fraternities \u0026amp; Sororities--Social.\nMo 3a may include Kappa Sigma.\nMo 3b may include Sigma Alpha.\nMo 3b, 3d may include Pi Kappa Alpha (Social Fraternity).\nMo 3c may include Alpha Phi.\nMo 3c no. 2 may include Beta Theta Pi (Social Fraternity).\u003c/p\u003e","\u003cp\u003eMo 4 may include Music Groups and Tech Minstrels.\u003c/p\u003e","\u003cp\u003eMo 4m may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\u003c/p\u003e","\u003cp\u003eMo 6 may include Apple Club; Black Diamond Club; City, County \u0026amp; Sectional Clubs; Lonesome Pine Club; Lynchburg Club; Northern Neck Club; Peanut Club; Pittsylvania Club; Richmond Club; Roanoke Club; and Shenandoah Valley Club.\u003c/p\u003e","\u003cp\u003eMo 7 may include Tech Players and Thespian Club.\u003c/p\u003e","\u003cp\u003eMo 8 may include Virgnia Polytechnic Societies.\u003c/p\u003e","\u003cp\u003eMo 11 may include Student Publications.\u003c/p\u003e","\u003cp\u003eMo 16 may include Honor System.\u003c/p\u003e","\u003cp\u003eMo 16m, 16r may include Highty-Tighties.\nMo 16p may include Kohler Trophy.\nMo 16s may include Company B, Corps Of Cadets.\u003c/p\u003e","\u003cp\u003eMo 17z, 31-33, 55, 56, 57, 62, 65, 66, 68, 71, 72 may include War Memorial Chapel.\u003c/p\u003e","\u003cp\u003eMo 17g, 17m, 17L may include Buildings - War Memorial Gymnasium.\nMo 17h, 17g may include Buildings - Alumni Building.\nMo 17s3, 17s5, 17s7 may include Buildings - Miles Stadium, 1926-1964.\nMo 17t may include V.P.I. Alumnus.\nMo 17z29 may include Campus Development Plan.\nMo 17z31 may include Victory Reunion (1946).\u003c/p\u003e","\u003cp\u003eMo 17z101 may include Carillon.\u003c/p\u003e","\u003cp\u003eMo 20 may include Fraternities--Honorary.\nMo 20c, 20f, 20t, 20v, 20w, 20x, 20z, 20z12, 20z40, 20z76, 20z96 may include Sigma Xi (Honorary Faculty Research Society).\nMo 20g, 20o, 20w, 20y, 20z, 20z40 may include Pi Delta Epsilon (Journalism Honorary).\nMo 20j, 20m, 20o, 20t, 20w, 20x, 20z, 20zl, 20z3, 20z5, 20z95, 20z19, 20z94 may include Omicron Delta Kappa (Leadership Fraternity), Alpha Omicron Circle.\nMo 20q, 20s, 20z5, 20z71 may include Alpha Kappa Psi (Professional Business Fraternity).\nMo 20z22, 20z23, 20z32, 20z9, 20z70 may include Gregory Guard.\u003c/p\u003e","\u003cp\u003eMo 20, 20d, 20g2, 20h, 20p, 20r, 20w, 20y, 20zl, 20z2, 20z5, 20z6 may include Phi Kappa Phi (Scholarship Honorary).\nMo 20d, 20e, 20f, 20m, 20s may include Alpha Zeta (National Agriculture Society).\nMo 20e may include Scorpions Club.\nMo 20f, 20g may include Beta Tau Epsilon (Engineering).\nMo 20f, 20p, 20z, 20zl, 20z3 may include Phi Lambda Upsilon (Chemistry Honorary).\nMo 20g, 20h, 20j, 20p, 20q, 20r, 20u, 20x, 20z, 20z2, 20z11 may include Tau Beta Pi (Engineering Honorary).\nMo 20g2 may include Theta Epsilon Theta (Research Honorary Society).\nMo 20h may include Phi Gamma Nu.\nMo 20h, 20w, 20z2, 20z6, 20z7 may include Sigma Delta Psi (Athletic Honorary).\nMo 20m, 20n, 20t, 20z, 20z3, 20z6, 20z8 may include Scabbard \u0026amp; Blade (Honorary Military Society).\nMo 20w, 20x, 20z1, 20z3 may include Pi Tau Sigma (National Honorary, Mechanical Engineering).\nMo 20w, 20z, 20z1 may include Eta Kappa Nu (Ee Honorary).\nMo 20z may include Keramos.\nMo 20z, z2, z3 may include Chi Epsilon (Civil Engineering Honorary).\nMo 20z1 may include Alpha Sigma Mu (Metallurgical Engineering Fraternity).\u003c/p\u003e","\u003cp\u003eMo 20z28, 20z29 may include Sigma Pi Sigma.\nMo 20z27 may include Phi Sigma Society (Biological Sciences Honorary).\nMo 20z48 may include Pi Omega Pi (Business Education Honorary).\nMo 20z60 may include Alpha Phi Omega (National Service Fraternity).\u003c/p\u003e","\u003cp\u003eMo 22 may include American Society Of Agricultural Engineers and Four-H Alumni Club.\nMo 22b, 22c, 22d, 22e, 22g may include Agronomy Club.\u003c/p\u003e","\u003cp\u003eMo 24 may include \"Skippers\".\u003c/p\u003e","\u003cp\u003eMo27 may include Dairy Science Club (American Dairy Science Association).\u003c/p\u003e","\u003cp\u003eMo 33 may include Chemical Club.\u003c/p\u003e","\u003cp\u003eMo 34 may include Industrial Arts Education Club.\u003c/p\u003e","\u003cp\u003eMo 35 may include Baptist Student Union, Religious Activities, and Wesley Foundation.\u003c/p\u003e","\u003cp\u003eMo 37 may include Engineers and Engineering Exposition.\u003c/p\u003e","\u003cp\u003eMo 42 may include Blacksburg Naval Reserve Research Unit.\u003c/p\u003e","\u003cp\u003eMo 49 may include Circle K (Student Organizatons - Service).\u003c/p\u003e","\u003cp\u003eMo 50 may include Apollo Club (Weightlifting Club, 1954).\u003c/p\u003e","\u003cp\u003eMo 52 may include Aeronautical Clubs - American Institute Of Aeronautics; American Institute Aeronautical Science; American Institute Of Aeronautics \u0026amp; Astronautics.\u003c/p\u003e","\u003cp\u003eMo 54 may include Burkhart Mining Society.\u003c/p\u003e","\u003cp\u003eMo 60 may include Holden Society (Student Geological Organization).\u003c/p\u003e","\u003cp\u003eMo 61 may include Amateur Radio Association.\u003c/p\u003e","\u003cp\u003eMo 64 may include Chinese Student Association.\u003c/p\u003e","\u003cp\u003eMo 65 may include Distributive Education, Curriculum In.\u003c/p\u003e","\u003cp\u003eMo 67 may include Virginia Educational Association.\u003c/p\u003e","\u003cp\u003eMp 7 may include Rison Bill.\nMp 54 may include Buildings - Burruss Hall.\u003c/p\u003e","\u003cp\u003eMp 164 may include Name Change.\u003c/p\u003e","\u003cp\u003eMra may include Radford University.\u003c/p\u003e","\u003cp\u003eMst may include Cadet Scandal and Student Unrest / Troubles / Protests.\u003c/p\u003e","\u003cp\u003eAB may include Athletics - Track \u0026amp; Field.\u003c/p\u003e","\u003cp\u003eABB may include Athletics - Wrestling.\u003c/p\u003e","\u003cp\u003eAF may include Scrub Football Team.\nAF 1914c may include Songs Of VPI Incl. Moonlight \u0026amp; VPI, Tech Triumph, Ut Prosim.\nAF 1919s may include Silent Drill Company.\nAF 1922L may include Maury Literary Society.\nAF 1923z3 may include Monogram Club and Buildings - Field House (1914) (Burned).\nAF 1922z11 may include Dope Book (VPI - Vmi History).\nAF 1924 may include Athletic Department (Formerly Athletic Association).\nAF 1955 may include Sword (Ceremonial; VPI-VMI Game).\nAF 1959z10 may include Television (1959 Homecoming Game - A \"First\").\u003c/p\u003e","\u003cp\u003eAG may include Athletics - Intra-Murals; Athletics - Women'S Sports; Athletics, Miscellaneous (Including \"Minor\", Unlisted Sports); and Miscellaneous Sports.\u003c/p\u003e\n","\u003cp\u003eAG 1, 5 may include Athletic Department (Formerly Athletic Association).\nAG 5, 6 may include Southern Conference.\nAG 5, 6 may include Southern Intercollegiate Athletic Association.\nAG 11 may include Buildings - Miles Stadium, 1926-1964.\u003c/p\u003e","\u003cp\u003eAT may include Athletics - Track \u0026amp; Field.\nAT 1900, 1903, 1920c may include Field Day.\u003c/p\u003e","\u003cp\u003eMu may include Buildings - University Club Building (Residence).\u003c/p\u003e","\u003cp\u003eMW 14, 23, 34, 27, 37, 53 may include Lakes \u0026amp; Ponds.\u003c/p\u003e","\u003cp\u003eW la, 7a, 7c may include American Red Cross.\u003c/p\u003e"]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3151_c27_c02"}},{"id":"wvmturhc_repositories_2_resources_6405","type":"collection","attributes":{"title":"Yoho Family of Marshall County, West Virginia, Papers","creator":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6405#creator","type":"document_value","attributes":{"value":"Community Foundation of the Ohio Valley","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6405#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003ePapers related to the Yoho and Whipkey families, including photographs, genealogical information, clippings, vital documents, certificates, and other material. There are papers and photographs related to West Virginia Senator George N. Yoho. There are also papers related Yoho's son and to Twila Whipkey, née Yoho.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6405#breadcrumbs","type":"document_value","attributes":{"value":{"id":"wvmturhc_repositories_2_resources_6405","ead_ssi":"wvmturhc_repositories_2_resources_6405","_root_":"wvmturhc_repositories_2_resources_6405","_nest_parent_":"wvmturhc_repositories_2_resources_6405","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6405.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210311","title_ssm":["Yoho Family of Marshall County, West Virginia, Papers"],"title_tesim":["Yoho Family of Marshall County, West Virginia, Papers"],"unitdate_ssm":["ca. 1910-1994","1923-1955"],"unitdate_bulk_ssim":["1923-1955"],"unitdate_inclusive_ssm":["ca. 1910-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4324","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6405"],"text":["A\u0026M 4324","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6405","Yoho Family of Marshall County, West Virginia, Papers","Marshall County (W. Va.) --  History","Family histories.","Politicians","No special access restriction applies.","Papers related to the Yoho and Whipkey families, including photographs, genealogical information, clippings, vital documents, certificates, and other material.  There are papers and photographs related to West Virginia Senator George N. Yoho.  There are also papers related Yoho's son and to Twila Whipkey, née Yoho.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Community Foundation of the Ohio Valley","Yoho family","English"],"unitid_tesim":["A\u0026M 4324","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6405"],"normalized_title_ssm":["Yoho Family of Marshall County, West Virginia, Papers"],"collection_title_tesim":["Yoho Family of Marshall County, West Virginia, Papers"],"collection_ssim":["Yoho Family of Marshall County, West Virginia, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Marshall County (W. Va.) --  History"],"geogname_ssim":["Marshall County (W. Va.) --  History"],"creator_ssm":["Community Foundation of the Ohio Valley"],"creator_ssim":["Community Foundation of the Ohio Valley"],"creator_corpname_ssim":["Community Foundation of the Ohio Valley"],"creators_ssim":["Community Foundation of the Ohio Valley"],"places_ssim":["Marshall County (W. Va.) --  History"],"access_subjects_ssim":["Family histories.","Politicians"],"access_subjects_ssm":["Family histories.","Politicians"],"has_online_content_ssim":["false"],"extent_ssm":[".2 Linear Feet 2 in. (1 document case)"],"extent_tesim":[".2 Linear Feet 2 in. 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There are papers and photographs related to West Virginia Senator George N. Yoho.  There are also papers related Yoho's son and to Twila Whipkey, née Yoho.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Papers related to the Yoho and Whipkey families, including photographs, genealogical information, clippings, vital documents, certificates, and other material.  There are papers and photographs related to West Virginia Senator George N. Yoho.  There are also papers related Yoho's son and to Twila Whipkey, née Yoho."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a0a1268481c2f7ee9a8d461a09b01914\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Community Foundation of the Ohio Valley","Yoho family"],"corpname_ssim":["West Virginia and Regional History Center","Community Foundation of the Ohio Valley"],"names_coll_ssim":["Yoho family"],"famname_ssim":["Yoho family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:39:06.586Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6405","ead_ssi":"wvmturhc_repositories_2_resources_6405","_root_":"wvmturhc_repositories_2_resources_6405","_nest_parent_":"wvmturhc_repositories_2_resources_6405","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6405.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/210311","title_ssm":["Yoho Family of Marshall County, West Virginia, Papers"],"title_tesim":["Yoho Family of Marshall County, West Virginia, Papers"],"unitdate_ssm":["ca. 1910-1994","1923-1955"],"unitdate_bulk_ssim":["1923-1955"],"unitdate_inclusive_ssm":["ca. 1910-1994"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4324","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6405"],"text":["A\u0026M 4324","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6405","Yoho Family of Marshall County, West Virginia, Papers","Marshall County (W. Va.) --  History","Family histories.","Politicians","No special access restriction applies.","Papers related to the Yoho and Whipkey families, including photographs, genealogical information, clippings, vital documents, certificates, and other material.  There are papers and photographs related to West Virginia Senator George N. Yoho.  There are also papers related Yoho's son and to Twila Whipkey, née Yoho.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Community Foundation of the Ohio Valley","Yoho family","English"],"unitid_tesim":["A\u0026M 4324","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6405"],"normalized_title_ssm":["Yoho Family of Marshall County, West Virginia, Papers"],"collection_title_tesim":["Yoho Family of Marshall County, West Virginia, Papers"],"collection_ssim":["Yoho Family of Marshall County, West Virginia, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Marshall County (W. Va.) --  History"],"geogname_ssim":["Marshall County (W. 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There are papers and photographs related to West Virginia Senator George N. Yoho.  There are also papers related Yoho's son and to Twila Whipkey, née Yoho.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description"],"scopecontent_tesim":["Papers related to the Yoho and Whipkey families, including photographs, genealogical information, clippings, vital documents, certificates, and other material.  There are papers and photographs related to West Virginia Senator George N. Yoho.  There are also papers related Yoho's son and to Twila Whipkey, née Yoho."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_a0a1268481c2f7ee9a8d461a09b01914\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Community Foundation of the Ohio Valley","Yoho family"],"corpname_ssim":["West Virginia and Regional History Center","Community Foundation of the Ohio Valley"],"names_coll_ssim":["Yoho family"],"famname_ssim":["Yoho family"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T00:39:06.586Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6405"}},{"id":"vifgm_repositories_2_resources_331_c02_c02_c488","type":"File","attributes":{"title":"Yolanda - Yudel","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c02_c02_c488#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vifgm_repositories_2_resources_331_c02_c02_c488","ref_ssm":["vifgm_repositories_2_resources_331_c02_c02_c488"],"id":"vifgm_repositories_2_resources_331_c02_c02_c488","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331_c02_c02","parent_ssi":"vifgm_repositories_2_resources_331_c02_c02","parent_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c02","vifgm_repositories_2_resources_331_c02_c02"],"parent_ids_ssim":["vifgm_repositories_2_resources_331","vifgm_repositories_2_resources_331_c02","vifgm_repositories_2_resources_331_c02_c02"],"parent_unittitles_ssm":["Federal Theatre Project collection","Series 2: Play Service and Research Records","Subseries 2.2: Play Reader Reports"],"parent_unittitles_tesim":["Federal Theatre Project collection","Series 2: Play Service and Research Records","Subseries 2.2: Play Reader Reports"],"text":["Federal Theatre Project collection","Series 2: Play Service and Research Records","Subseries 2.2: Play Reader Reports","Yolanda - Yudel","box 104","folder 5"],"title_filing_ssi":"Yolanda  -  Yudel","title_ssm":["Yolanda - Yudel"],"title_tesim":["Yolanda - Yudel"],"unitdate_inclusive_ssm":["circa 1935-1939"],"normalized_date_ssm":["1935/1939"],"normalized_title_ssm":["Yolanda - Yudel"],"component_level_isim":[3],"repository_ssim":["George Mason University"],"collection_ssim":["Federal Theatre Project collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":643,"parent_access_restrict_tesm":["There are no access restrictions."],"parent_access_terms_tesm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"date_range_isim":[1935,1936,1937,1938,1939],"containers_ssim":["box 104","folder 5"],"scopecontent_heading_ssm":["Scope and Contents note"],"_nest_path_":"/components#1/components#1/components#487","timestamp":"2026-05-24T23:36:53.241Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vifgm_repositories_2_resources_331","ead_ssi":"vifgm_repositories_2_resources_331","_root_":"vifgm_repositories_2_resources_331","_nest_parent_":"vifgm_repositories_2_resources_331","ead_source_url_ssi":"data/oai/GMU/repositories_2_resources_331.xml","title_filing_ssi":"Federal Theatre Project collection","title_ssm":["Federal Theatre Project collection"],"title_tesim":["Federal Theatre Project collection"],"unitdate_ssm":["circa 1885-1986","1935-1939"],"unitdate_bulk_ssim":["1935-1939"],"unitdate_inclusive_ssm":["circa 1885-1986"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["C0002","/repositories/2/resources/331"],"text":["C0002","/repositories/2/resources/331","Federal Theatre Project collection","Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript","There are no access restrictions.","The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   .","Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)","The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.","Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.","The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . ","Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten.","The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2","George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)","English"],"unitid_tesim":["C0002","/repositories/2/resources/331"],"normalized_title_ssm":["Federal Theatre Project collection"],"collection_title_tesim":["Federal Theatre Project collection"],"collection_ssim":["Federal Theatre Project collection"],"repository_ssm":["George Mason University"],"repository_ssim":["George Mason University"],"creator_ssm":["Federal Theatre Project (U.S.)"],"creator_ssim":["Federal Theatre Project (U.S.)"],"creator_corpname_ssim":["Federal Theatre Project (U.S.)"],"creators_ssim":["Federal Theatre Project (U.S.)"],"access_terms_ssm":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"acqinfo_ssim":["Donated by the Library of Congress."],"access_subjects_ssim":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"access_subjects_ssm":["Children's theater","New Deal, 1933-1939","Political plays, American","Radio and theater","Theater programs","Theater -- United States","Theater","Theater -- Production and direction","Performing arts","Playscript"],"has_online_content_ssim":["false"],"extent_ssm":["185 Linear Feet 371 boxes"],"extent_tesim":["185 Linear Feet 371 boxes"],"genreform_ssim":["Playscript"],"date_range_isim":[1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986],"accessrestrict_html_tesm":["\u003cp\u003eThere are no access restrictions.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no access restrictions."],"altformavail_html_tesm":["\u003cp\u003eThe scripts are also available as a series in the \u003cextptr href=\"https://mars.gmu.edu/handle/1920/3478\" title=\"Federal Theatre Project Materials Collection\" show=\"new\"\u003e\u003c/extptr\u003e in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections  \u003cextptr href=\"http://images.gmu.edu/luna/servlet/GMUDPSdps~23~23\" title=\"available here\" show=\"new\"\u003e\u003c/extptr\u003e.\u003c/p\u003e"],"altformavail_heading_ssm":["Alternative Form Available"],"altformavail_tesim":["The scripts are also available as a series in the   in the Mason Archival Repository Service.\nThere are additional documents from this and other GMU FTP collections   ."],"arrangement_html_tesm":["\u003cp\u003eArranged into five series.\u003c/p\u003e","\u003clist type=\"ordered\"\u003e\n      \u003chead\u003eSeries\u003c/head\u003e\n      \u003citem\u003eSeries 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368)\u003c/item\u003e\n      \u003citem\u003eSeries 2: Play Service and Research Records, 1935-1939 (Boxes 5-105)\u003c/item\u003e\n      \u003citem\u003eSeries 3: Library Records, 1885-1986 (Boxes 106-306)\u003c/item\u003e\n      \u003citem\u003eSeries 4: Production Records, 193-193 (Boxes 307-363, 366-367)\u003c/item\u003e\n      \u003citem\u003eSeries 5: Costumes, circa 1935-1939 (Boxes 369-371)\u003c/item\u003e\n    \u003c/list\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Arranged into five series.","Series Series 1: Administrative Records, 1935-1939 (Boxes 1-5, 361, 365-366, 368) Series 2: Play Service and Research Records, 1935-1939 (Boxes 5-105) Series 3: Library Records, 1885-1986 (Boxes 106-306) Series 4: Production Records, 193-193 (Boxes 307-363, 366-367) Series 5: Costumes, circa 1935-1939 (Boxes 369-371)"],"bioghist_html_tesm":["\u003cp\u003eThe Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.\u003c/p\u003e\n","\u003cp\u003eLike many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.\u003c/p\u003e\n","\u003cp\u003eBut it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"\u003c/p\u003e\n","\u003cp\u003eFlanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.\u003c/p\u003e\n","\u003cp\u003eThe productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Information"],"bioghist_tesim":["The Federal Theatre Project was a division of the Works Progress Administration (WPA), which provided employment for large numbers of artists, writers, and performers during the Great Depression (1929-1939). The Federal Theatre began in 1935 and, until its end in 1939, flourished as the first and only federally sponsored and subsidized theater program in the United States. Directed by Hallie Flanagan (1880-1969), it was a way for theatrical professionals to gain employment during the Depression. Jobs were provided for many people, including actors, playwrights, scene designers, scene builders, seamstresses, lighting experts, ushers, box-office men, and stagehands.","Like many New Deal programs implemented by President Franklin D. Roosevelt, the Federal Theatre Project was intended not only to benefit its participants, but also to enrich the condition of the nation. Theater was a distinguished part of American popular culture, but the economic downturn of the Depression had bankrupted the entire theater industry. As the theater houses closed down, the nation was left without an outlet for theatrical creativity. According to Hallie Flanagan, this hurt the nation as much as it hurt the theater industry - indeed, the nation was their audience and the theater could provide entertaining distractions from the effects of Depression as well as offer commentary on present conditions.","But it was not enough to simply return to the pre-Depression concept of theater. In the first meeting with her staff Flanagan expressed her willingness to follow Roosevelt's experimental approach to public policy: \"In a changing world, a world of experiment, the stage too must experiment - with ideas, with the psychological relationship of men and women, with color and light.... The theatre must grow up.\"","Flanagan pursued her ideal of developing the relationship between the Federal Theatre and the federal government: \"Any theatre sponsored by the government of the United States should do no plays of a cheap, trivial, outworn or vulgar nature, but only such plays as the Government can stand proudly behind in a planned theatrical program, national in scope, regional in emphasis, and American in democratic attitude.\" To Flanagan, it was imperative that this new theater should be progressive and experimental, yet within a patriotic and informative framework.","The productions that best embodied Flanagan's views on theater were the Living Newspapers. These hard-hitting, poignant plays dealt with contemporary factual material, dramatizing issues such as housing, agriculture, labor, and destitution. Always ending on an upbeat note, Living Newspapers underscored the importance of hard work and morality in overcoming difficult times. Living Newspaper titles include: Triple A Plowed Under, Injunction Granted, One Third of a Nation, and Spirocheta.","The Federal Theatre was noted for employing Black Americans at a time when the Federal Government did not actively protect the rights of marginalized communities. This unit was called \"The Negro Unit,\" which at the time was a socially acceptable term used to describe people of African descent. All-Black theatre companies were an established industry before the Depression. As a result, the inclusion of this unit greatly contributed to the success of the Federal Theatre Project. Some of the most spectacular productions were put on by Black theater professionals, for example: Macbeth, Haiti, Turpentine, Run Little Chillun, and The Trial of Dr. Beck."],"prefercite_html_tesm":["\u003cp\u003eFederal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries.\u003c/p\u003e"],"prefercite_tesim":["Federal Theatre Project collection, C0002, Special Collections Research Center, George Mason University Libraries."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Special Collections Research Center staff. Reprocessed and EAD completed in 2012 by Greta Kuriger. Finding aid updated by Robert Vay in February 2023."],"relatedmaterial_html_tesm":["\u003cp\u003eThe Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.\u003c/p\u003e\n","\u003cp\u003eThe scripts are also available as a series in the \u003cextptr show=\"new\" title=\"FTP digital collection\" href=\"https://mars.gmu.edu/handle/1920/3478\"\u003e\u003c/extptr\u003e. \u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Material"],"relatedmaterial_tesim":["The Special Collections Research Center also holds the Federal Theatre Project photograph collection, the Federal Theatre Project personal papers, the Arnold Sungaard papers, and the Works Progress Administration oral histories collection.","The scripts are also available as a series in the  . "],"scopecontent_html_tesm":["\u003cp\u003eContent Warning: Some materials contain racist language and slurs, including play titles.\u003c/p\u003e\n","\u003cp\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/p\u003e\n","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e\n","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e\n","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e\n","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e\n","\u003cp\u003eSeries 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eSeries 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eAvailable in digital format.\u003c/p\u003e","\u003cp\u003eThe House Committee on Un-American Activities (HUAC)\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eMcMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.\u003c/p\u003e","\u003cp\u003eIncludes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"\u003c/p\u003e","\u003cp\u003eIssues of New Theatre (1934-1936).\u003c/p\u003e","\u003cp\u003eOversize color reprint of article from Fortune\u003c/p\u003e","\u003cp\u003eSeries 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.\u003c/p\u003e","\u003cp\u003eSubseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.\u003c/p\u003e","\u003cp\u003eContains blueprints and photographs of portable theatres\u003c/p\u003e","\u003cp\u003eSubseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.\u003c/p\u003e","\u003cp\u003eSeries 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSubseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eby John Wiley; based on an Edgar Allen Poe story (photocopy)\u003c/p\u003e","\u003cp\u003eby Beth Brown\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Francis Bosworth\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eDirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eby Virginia Yetes (photocopy)\u003c/p\u003e","\u003cp\u003eby Ruth Morris\u003c/p\u003e","\u003cp\u003eby Gladys Unger and Walter Armitage\u003c/p\u003e","\u003cp\u003eby David Arnold Balch\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby William Mahl\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Edmond Rostand\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003edirector Georgia S. Fink\u003c/p\u003e","\u003cp\u003eadapted by S.S. Weiss\u003c/p\u003e","\u003cp\u003eadapted by Ralph Chesse\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Sidney Howard\u003c/p\u003e","\u003cp\u003eby Eugene O'Neil\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Homer Little and Myla Jo Closser\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Hardie Albright\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, photocopy from February 20, 1991\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003eby Thomas Hall Rogers\u003c/p\u003e","\u003cp\u003epublished in The Catholic School Journal\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Edwin and Albert Barker\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Elmer L. Rice\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Mrs. Alexander Mathis\u003c/p\u003e","\u003cp\u003eby Vera Smirnova\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Louis Weitzenkorn\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Langston Hughes; A One-Act Play of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby Rose Franken\u003c/p\u003e","\u003cp\u003eby St. John Ervine\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Elizabeth de Vautibault\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rev. Henry N. Hudson\u003c/p\u003e","\u003cp\u003eby Rudolph Wittenberg\u003c/p\u003e","\u003cp\u003eby Laurance Moore\u003c/p\u003e","\u003cp\u003eby Margaret Brooks and Constance Wyckoff\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Yale Dramatic Association\u003c/p\u003e","\u003cp\u003eby Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy\u003c/p\u003e","\u003cp\u003eby W. H. Auden and Christopher Isherwood\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Mary Singer and Florence Zunser\u003c/p\u003e","\u003cp\u003eby Lockhart North\u003c/p\u003e","\u003cp\u003eby T. R. Arkell\u003c/p\u003e","\u003cp\u003eby Owen Davis\u003c/p\u003e","\u003cp\u003eby C. L. Anthony\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Clifford Odets\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Remo Bufano\u003c/p\u003e","\u003cp\u003eby Lester Fuller, 2 copies, 1 of which is a photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Mayo\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby Porter Emerson Brown\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby H. R. Hays\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Padriac Colum\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Herb Meadow, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Walter Hackett\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold, photocopy\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Michael Blankfort and Michael Gold\u003c/p\u003e","\u003cp\u003eby Frederick Stowers\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eby Mary Dirnberger; Dramatized from the familiar fairy tale\u003c/p\u003e","\u003cp\u003eTranscribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Albert Powels\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Alfred Lord Tennyson\u003c/p\u003e","\u003cp\u003eby Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby George S. Kaufman and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Aodh de Blacam\u003c/p\u003e","\u003cp\u003eby Belmont Ashton\u003c/p\u003e","\u003cp\u003eby Lawrence Houseman\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Walter Abbott\u003c/p\u003e","\u003cp\u003eby Anonymous\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby John W. Dunn; A play of early Oklahoma life\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Theodore Pratt, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Theodore Pratt; Dramatized from the Novel by Theodore Pratt\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Ward; A Negro Tragedy\u003c/p\u003e","\u003cp\u003eSynopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre\u003c/p\u003e","\u003cp\u003eby Charles M. Barras\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Christine Ames and Clarke Painter; A Drama. Original copyright 1932\u003c/p\u003e","\u003cp\u003eby Seymour G. Link\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Maurice Maeterlinck\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Bella and Samuel Spewaok\u003c/p\u003e","\u003cp\u003eby Robin Taylor\u003c/p\u003e","\u003cp\u003eRevision by Florence Elberta Barns\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Ruth Comfort Mitchel and Alfred Allen\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Will Cotton\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Robert Hare Powel\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Martin Flavin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Frank Wilson\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Miss Mabel Osborne\u003c/p\u003e","\u003cp\u003eby Emma Ehrlich Levinger\u003c/p\u003e","\u003cp\u003eby Irwin Shaw\u003c/p\u003e","\u003cp\u003eby Beth Brown and Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eOriginal by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby Grace Howard\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Frank L. Moss and Richard Dana\u003c/p\u003e","\u003cp\u003eby Arnold Zweig\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Robert Peele Noble\u003c/p\u003e","\u003cp\u003eby Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby Arthur Goodrich and Rose A. Palmer\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Robt. A. Bromley (revised edition)\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Zelma Bruce Tiden\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Reginald Le Borg and Theo Dierks\u003c/p\u003e","\u003cp\u003eby Estelle L. Silverman\u003c/p\u003e","\u003cp\u003eby Jules Renard\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby Rollo Wayne\u003c/p\u003e","\u003cp\u003eby George McEnlee, photocopy\u003c/p\u003e","\u003cp\u003eby George McEnlee\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg\u003c/p\u003e","\u003cp\u003eby Harold H. Clarke and Maxwell Nurnberg (revised)\u003c/p\u003e","\u003cp\u003eby German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby James Parish\u003c/p\u003e","\u003cp\u003eby Y. L. Peretz\u003c/p\u003e","\u003cp\u003eby John Woodworth, photocopy\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby John W. Dunn, photocopy\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Stanislaus Stange\u003c/p\u003e","\u003cp\u003eby sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw\u003c/p\u003e","\u003cp\u003eHedley Gordon Graham\u003c/p\u003e","\u003cp\u003eby Essex Dane\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby George Huntington Clark\u003c/p\u003e","\u003cp\u003eby H. Jack Bates; A Negro Folk Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ruth Welty and Gene Renouf\u003c/p\u003e","\u003cp\u003eby Rose Carlyn, photocopy\u003c/p\u003e","\u003cp\u003eThree by Rose Carlyn; Three by Fannie Engle\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Orrie Lashin and Milo Hastings\u003c/p\u003e","\u003cp\u003eby Gilbert Lennox\u003c/p\u003e","\u003cp\u003eby Paul Vincent Carroll\u003c/p\u003e","\u003cp\u003eby Noel Harris Houston\u003c/p\u003e","\u003cp\u003eby Gertrude Worthington Jeffries\u003c/p\u003e","\u003cp\u003eby Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby Rudolph Fisher, photocopy\u003c/p\u003e","\u003cp\u003eby A. Callen, M. Worthington, and I. Reuben, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Haserodt\u003c/p\u003e","\u003cp\u003eby Royall Tyler\u003c/p\u003e","\u003cp\u003eby M. Manisoff\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby a seventh grade in Louisville, Kentucky\u003c/p\u003e","\u003cp\u003eby Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein, 2 photocopies\u003c/p\u003e","\u003cp\u003eby Marc Blitzstein\u003c/p\u003e","\u003cp\u003eby John H. Floyd\u003c/p\u003e","\u003cp\u003eby members of the Play Bureau of the Southwest\u003c/p\u003e","\u003cp\u003eby Betty Lessler Lyman\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth, photocopy\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby John Hunter Booth\u003c/p\u003e","\u003cp\u003eby Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Gilmor Brown\u003c/p\u003e","\u003cp\u003eMarionette Division, Buffalo, N.Y.\u003c/p\u003e","\u003cp\u003eby Edgar Wallace\u003c/p\u003e","\u003cp\u003eby James Stephens\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby Walt Anderson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Laurette MacDuffie\u003c/p\u003e","\u003cp\u003eby Anna Best Joder\u003c/p\u003e","\u003cp\u003eby Elizabeth Leigh Vaughan\u003c/p\u003e","\u003cp\u003eby W. H. Auden\u003c/p\u003e","\u003cp\u003eby Joaquin Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Joaquin Miller\u003c/p\u003e","\u003cp\u003eby Ruby Lorraine Radford\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby L. W. Barrus\u003c/p\u003e","\u003cp\u003eby George Foss, photocopy\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby George Foss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby Grant Moss\u003c/p\u003e","\u003cp\u003eby George W. Cronyn\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby J. C. Furnes\u003c/p\u003e","\u003cp\u003eby Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Benn W. Levy; A Religious Comedy\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Don Farran and Ruth Stewart; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Andrew Barton\u003c/p\u003e","\u003cp\u003eby Merrill Denison\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe, arranged for marionettes by Robert Larson\u003c/p\u003e","\u003cp\u003eby Twort (?) Gilbert and Edward Rosen\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Christopher Marlowe\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby Jules Romans, English version by Harley Granville-Barker\u003c/p\u003e","\u003cp\u003eby Minnie H. Niemier\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eby Jules Romaine\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eFor the Marionette Theatre by Robert Larson\u003c/p\u003e","\u003cp\u003eby Elizabeth McFadden\u003c/p\u003e","\u003cp\u003eby Charlotte Kohler, photocopy\u003c/p\u003e","\u003cp\u003eby Joan and Michale A. Slane\u003c/p\u003e","\u003cp\u003eby Carl Glick\u003c/p\u003e","\u003cp\u003eby Rosa Carlyn\u003c/p\u003e","\u003cp\u003epublished by the National Tuberculosis Association\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby W. H. Smith\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eby Emily Percy Denison\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby S. Ansky\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Elise Jerard\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and John B. Hymer\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Ossip Dymow\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Jack Larric\u003c/p\u003e","\u003cp\u003eby Peretz Hirshbein\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Charlotte Charpenning\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby C. C. Parsons\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen\u003c/p\u003e","\u003cp\u003eby Sean O'Casey\u003c/p\u003e","\u003cp\u003eby Demetre Bohris\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent, photocopy received June 11, 1991\u003c/p\u003e","\u003cp\u003eby Kjeld Abell\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar (adaptation)\u003c/p\u003e","\u003cp\u003eby Paul Lawrence Dunbar\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby Sylvia Regan\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby G. J. Graves\u003c/p\u003e","\u003cp\u003eby Will T. Goodwin; Working Script\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Victor Wolfson\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Cervantes\u003c/p\u003e","\u003cp\u003eby Doris Troutman\u003c/p\u003e","\u003cp\u003eby Luis Quinones de Benavente\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eadapted by Maurice Jagendorf\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Frank B. Elser and Marc Connelly\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Brian Doherty\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby H. A. Archibald\u003c/p\u003e","\u003cp\u003eby Munro Leaf\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Rachel Lyman Field\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby Weldon Stone\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby John Van Antwerp\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Frank Craven\u003c/p\u003e","\u003cp\u003eby George H. Corey, photocopy\u003c/p\u003e","\u003cp\u003eby George H. Corey\u003c/p\u003e","\u003cp\u003eby E. and P. Green\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"\u003c/p\u003e","\u003cp\u003eby Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Louis Lantz\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eby Pearl S. Buck\u003c/p\u003e","\u003cp\u003eA play for boys and girls with radio participation, experiment number 1 by Berthold Brecht\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Graham Rawson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Rosenblum\u003c/p\u003e","\u003cp\u003eby Phile Higley\u003c/p\u003e","\u003cp\u003eby Myrtle L. Barger\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Ada Sterling\u003c/p\u003e","\u003cp\u003eby Eleanor Garland\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Douglas Johnson\u003c/p\u003e","\u003cp\u003eby Harriet Wedgwood, a health play for children, reprinted from Hygeia\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby Samuel Shipman and Aaron Hoffman\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Leopold L. Atlas\u003c/p\u003e","\u003cp\u003eby Beverly Hamer in the Carolina Play Book volume X, number 3\u003c/p\u003e","\u003cp\u003eby William Stevenson\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby B. K. Simkhovitch\u003c/p\u003e","\u003cp\u003eby Felix Doherty\u003c/p\u003e","\u003cp\u003eby Nando Vitali\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Ben Russak\u003c/p\u003e","\u003cp\u003eby Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Anita Loos and John Emerson\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Philo Higley\u003c/p\u003e","\u003cp\u003eby Arnold Ridley\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Aldous Huxley\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Ferenc Molnar\u003c/p\u003e","\u003cp\u003eby Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy\u003c/p\u003e","\u003cp\u003eadapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Helen Rovene Williams and George Brendan Dowell\u003c/p\u003e","\u003cp\u003eby Jacob Gordon\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby J. J. Robbins\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Leon Crozier\u003c/p\u003e","\u003cp\u003eby Paul Armstrong and Rex Beach\u003c/p\u003e","\u003cp\u003eby Paul Smith\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Lewis Beach\u003c/p\u003e","\u003cp\u003eby Kermit Love\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ridgely Torrence; A Play for the Negro Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch; A Comedy of Recent Times, photocopy\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner, Joseph Liss, Rose Siegel\u003c/p\u003e","\u003cp\u003eby Warwick F. 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O'Donnell\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eadapted by Stephen Weiss\u003c/p\u003e","\u003cp\u003eby William J. Langman, S. J.\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby William Du Bois\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Grace Dorcas Ruthenberg\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Yasha Frank\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Wilfrido Ma Guerrero\u003c/p\u003e","\u003cp\u003eby Donald Davis and Samuel Ornitz\u003c/p\u003e","\u003cp\u003eby Joseph Lehmann\u003c/p\u003e","\u003cp\u003eby Charles Prentiss\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Julius Hay\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Arthur Kober\u003c/p\u003e","\u003cp\u003eby Elizabeth Jane Astley\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby Philip Atlee and Edmund Van Zandt\u003c/p\u003e","\u003cp\u003eby David Belasco\u003c/p\u003e","\u003cp\u003eby George Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Albert Bein\u003c/p\u003e","\u003cp\u003eby Helen Clare Nelson\u003c/p\u003e","\u003cp\u003eby Barry Conners\u003c/p\u003e","\u003cp\u003eby Abram Hill, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Margaret Sperry\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Paul Vulpius\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eby Theresa Helburn\u003c/p\u003e","\u003cp\u003eadapted and translated by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eadapted by Kent Pease Hamdent High School, Hamdent, Connecticut\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Mary B. Stafford\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Howard Koch and Ben Russak\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby Gregorio Martinez Sierra\u003c/p\u003e","\u003cp\u003eby John Wiley\u003c/p\u003e","\u003cp\u003eby Harold Courlander\u003c/p\u003e","\u003cp\u003eby Sally Coulter\u003c/p\u003e","\u003cp\u003eby Herb Meadow\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Dorothy Hailpern\u003c/p\u003e","\u003cp\u003eby Michael Swift\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby Philip Barry\u003c/p\u003e","\u003cp\u003eby John Alan Haughton\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Sara E. Bower\u003c/p\u003e","\u003cp\u003eby Bertram M. Gross\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eby Edith Kunz\u003c/p\u003e","\u003cp\u003eby The Historical Project, Federal Writers Project of Minnesota\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby William Beyer\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Margaret MacNamera\u003c/p\u003e","\u003cp\u003eby Edwin Burke\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Rufus King and Milton Lazarus\u003c/p\u003e","\u003cp\u003eby Perez Hirschbaum\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe, photocopy\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Maria M. Coxe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby the Editorial Staff of the Living Newspaper\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Norman Roston\u003c/p\u003e","\u003cp\u003eby Noah Elstein, photocopy\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby Noah Elstein\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis\u003c/p\u003e","\u003cp\u003eby Raymond Reeves, photocopy\u003c/p\u003e","\u003cp\u003eby Raymond Reeves\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby John McGee\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project Los Angeles, California\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel, photocopy\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby H. L. Fishel\u003c/p\u003e","\u003cp\u003eby Martha Hodgson Ellis\u003c/p\u003e","\u003cp\u003eby David Schrieber\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby St. John G. Ervine\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Frank B. Wells; Tracking Down a Negro Legend, a Saga\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Luidmilla Vepritskaya\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby R. G. Sheriff\u003c/p\u003e","\u003cp\u003eby Warren Coleman; A Negro Comedy, 2 photocopies\u003c/p\u003e","\u003cp\u003eElmer Rice\u003c/p\u003e","\u003cp\u003eby Shakespeare\u003c/p\u003e","\u003cp\u003eby Thomas A. Langan\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby J. C. Nugent and Elliott Nugent\u003c/p\u003e","\u003cp\u003eby Edgar Slaughter\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eThe Living Newspaper Presents\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Catherine Reighard\u003c/p\u003e","\u003cp\u003eby Max M. Dill\u003c/p\u003e","\u003cp\u003eby Don Mullally\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby T. C. Robinson and Rena M. Vale, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence J. 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Beldon?\u003c/p\u003e","\u003cp\u003eby Harry King Tootle\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Ernest Chamberlain\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Moliere\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Charlotte Chorpenning\u003c/p\u003e","\u003cp\u003eby Bertram Robinson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Edward Hopter\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby George Sklar\u003c/p\u003e","\u003cp\u003eby Gilbert Laurence\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Giuseppe Giacosa\u003c/p\u003e","\u003cp\u003eby Marion Flexner and Dorothy Park Clark\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Franz Molnar\u003c/p\u003e","\u003cp\u003eby Alma Shaw\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning, photocopy\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby C. B. Chorpenning\u003c/p\u003e","\u003cp\u003eby Molka Reich of Miami Florida Project\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003etranslated from Flemish by Jacob Borut and Lola Sachs\u003c/p\u003e","\u003cp\u003eby Marc Connelly\u003c/p\u003e","\u003cp\u003eby Alexei Tolstoi\u003c/p\u003e","\u003cp\u003eby Eleanor Glendower Griffith\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Lawrence and Sylvia Martin, photocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Charles George\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby T. C. Upham\u003c/p\u003e","\u003cp\u003eby Isidore Reuben\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Charles Alan\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby John Galsworthy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park, photocopy\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park\u003c/p\u003e","\u003cp\u003eby Maud Wood Park revised by Robert Finch\u003c/p\u003e","\u003cp\u003eby Theodore Browne; An \"African Version\", photocopy\u003c/p\u003e","\u003cp\u003eby Clarence H. Talbot\u003c/p\u003e","\u003cp\u003ereprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Shakespeare; adaptation for the colored unit\u003c/p\u003e","\u003cp\u003eby William Blake\u003c/p\u003e","\u003cp\u003eby Victoria Heindel\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003eby Louis Golding and A. R. Rawlinson\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Alfred Sutro\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby John Woodworth\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Mr. Beete\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Hollister Noble and Edward R. Sammis\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Anatole France\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman and Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Earnest Andai and Lajos Balint\u003c/p\u003e","\u003cp\u003eby Federal Theatres, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Rena B. Johnson\u003c/p\u003e","\u003cp\u003eby Tom Taylor and Charles Reade\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003eby Mabel DeVries Tanner\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003erevised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul\u003c/p\u003e","\u003cp\u003eby John Le Touche\u003c/p\u003e","\u003cp\u003eby Brandon Tynan\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby H. Richard Oliver and John McCain Rimassa\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby Rose Dubin\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eBy W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu, photocopy\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby W. S. Gilbert; The Town of Titifu\u003c/p\u003e","\u003cp\u003eby Plautus; translated by Clarence P. Bill, photocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Lynn Root and Harry Clork\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby Wallace L. Waite\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003eby Dee Burque\u003c/p\u003e","\u003cp\u003eby Hans Chlumberg, photocopy\u003c/p\u003e","\u003cp\u003eby Nahum Brind\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003eby John Crosby\u003c/p\u003e","\u003cp\u003ePage has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.\u003c/p\u003e","\u003cp\u003eby John Charles Brownell\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby E. B. Ginty\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Rose Franken and Jane Lewin\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Holger Cahill\u003c/p\u003e","\u003cp\u003eby Michael Gold\u003c/p\u003e","\u003cp\u003eby J. R. Perkins\u003c/p\u003e","\u003cp\u003eby Emmet Lavery\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Denis Johnston\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Richard Maibaum\u003c/p\u003e","\u003cp\u003eby Samuel French\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Willard Weiner\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Louise Franklin Bache\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero, photocopy\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby Ramon Romero\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby T. S. Eliot\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Cecil E. Reynolds\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003efrom volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry, photocopy\u003c/p\u003e","\u003cp\u003eby Theodore Brown; Based on the Legend of John Henry\u003c/p\u003e","\u003cp\u003eby Nathalie Satz and Sergei Rosaanov\u003c/p\u003e","\u003cp\u003eby Anemone Pemberton\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper Play\u003c/p\u003e","\u003cp\u003eby students of Commonwealth College; Commonwealth College Fortnightly, photocopy\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Eleanor Flexner\u003c/p\u003e","\u003cp\u003eby Arthur Strawn and Henry Rosendahl\u003c/p\u003e","\u003cp\u003eby Talbot Jennings\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Ernest Toller\u003c/p\u003e","\u003cp\u003eby Lilian Gill\u003c/p\u003e","\u003cp\u003eby Jerome Geneson\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby George Smedley Smith and Bernard Szold\u003c/p\u003e","\u003cp\u003eby Ethel Watts Mumford and Lily Strickland\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Nathan Spiegel\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Joseph Hergesheimer\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Sid Kuller and Ray Golden\u003c/p\u003e","\u003cp\u003eby Harold Igo, photocopy\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Harold Igo\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby James Knox Millen\u003c/p\u003e","\u003cp\u003eby Denman Thompson\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eadapted for marionettes by Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Benjamin M. Kaye\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Marian Katherine Brown\u003c/p\u003e","\u003cp\u003eby Seyril Schochen\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003ea dramatization by Lulie Hard McKinley of the novel by Robert Nathan\u003c/p\u003e","\u003cp\u003eby Kenneth Webb\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003eby Arthur Arent; A Living Newspaper about Housing\u003c/p\u003e","\u003cp\u003edramatized from L. Feuchtwanger's novel by Clayton Fritchi\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Irvin Wilson Baker\u003c/p\u003e","\u003cp\u003eby Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Lillian Day and Lyon Mearson\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby John Mason Brown\u003c/p\u003e","\u003cp\u003eby Grace H. Swift, photocopy\u003c/p\u003e","\u003cp\u003eby Catherine F. Reighard\u003c/p\u003e","\u003cp\u003eby Gladys E. Murray\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Faye L. Tornquist\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Irving De W. Talmadge\u003c/p\u003e","\u003cp\u003eby Arthur Goodman\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Aristophanes\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Howard J. Green and Raymond Leslie Goldman\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003etranslation by Joan Vanderpool\u003c/p\u003e","\u003cp\u003eby Marion Holbrook\u003c/p\u003e","\u003cp\u003eby Martha B. King\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Robert Sherwood\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania\u003c/p\u003e","\u003cp\u003eby Alan Sidney\u003c/p\u003e","\u003cp\u003eafter the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget\u003c/p\u003e","\u003cp\u003eadapted by Federal Theatre Project, Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eby Sarah Neuman\u003c/p\u003e","\u003cp\u003ea Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank, photocopy\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eadapted by Yasha Frank\u003c/p\u003e","\u003cp\u003eby Frank Kintrea\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Adelaide C. Rowell\u003c/p\u003e","\u003cp\u003eby Phil Cook and McElbert Moore\u003c/p\u003e","\u003cp\u003eby Ben Bengal\u003c/p\u003e","\u003cp\u003eby A. Korneichuk\u003c/p\u003e","\u003cp\u003eby J. Liss\u003c/p\u003e","\u003cp\u003eby Margaret Naumberg\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby Alvin Kerr\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Robert Russell, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Robert Russell\u003c/p\u003e","\u003cp\u003eby Dorothy Heyward and DuBose Heyward\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eby Irving P. Kapner\u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e. By E. England suggested from the novel by Ronald Firbank of the same name \u003c/p\u003e","\u003cp\u003eContent warning: racist language/slur.\u003c/p\u003e\n","\u003cp\u003eFull title: \u003ctitle\u003ePrancing Nigger\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eby Robert Whitehand, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Robert Whitehand\u003c/p\u003e","\u003cp\u003eby Albert Maltz; Anti-Fascist Play, photocopy\u003c/p\u003e","\u003cp\u003eby Alfred Kreymborg\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson, photocopy\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Howard Lawson\u003c/p\u003e","\u003cp\u003eby John Garrett Underhill\u003c/p\u003e","\u003cp\u003eby Freidrich Wolf, photocopy\u003c/p\u003e","\u003cp\u003eby Friedrich Wolf\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Claudia Hatch, photocopy\u003c/p\u003e","\u003cp\u003eby Eldridge Lindsay\u003c/p\u003e","\u003cp\u003eby Thornton Wilder\u003c/p\u003e","\u003cp\u003eby Lawrence Langner and Armina Marshall Langner\u003c/p\u003e","\u003cp\u003eby Leonora Kaghan and Anita Phillips\u003c/p\u003e","\u003cp\u003eby Tonia Bakina\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Karel Capek\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Ferdinand Bruckner\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Bradbury Foote\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Edward Stirling, Esq.\u003c/p\u003e","\u003cp\u003eby Fred Ballard\u003c/p\u003e","\u003cp\u003eby Blanding Sloan\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby L. Resnick\u003c/p\u003e","\u003cp\u003eby Robert Sturgis, photocopy\u003c/p\u003e","\u003cp\u003eby Fritz Karinthy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life, photocopy\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby P. Washington Porter; A Tragedy of Negro Life\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Saul and Lou Lantz\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Federal Theater Project, Los Angeles\u003c/p\u003e","\u003cp\u003eby Frances Montgomery\u003c/p\u003e","\u003cp\u003eby Jan Klokog\u003c/p\u003e","\u003cp\u003eas produced by the Federal Theater Project at Omaha, Nebraska\u003c/p\u003e","\u003cp\u003eadapted for Buffalo Historical Marionette Theatre\u003c/p\u003e","\u003cp\u003eby Lee Freeson\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Richard Oliver; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eDramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Lynn Riggs\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")\u003c/p\u003e","\u003cp\u003eby John W. Dunn\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Edith Grossberg Whitesell\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy\u003c/p\u003e","\u003cp\u003eby Margaret Lesueur and Momodu Johnson; a Drama of Native Africa\u003c/p\u003e","\u003cp\u003eby Hassard Short and Maurice Henniquin\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson, photocopy\u003c/p\u003e","\u003cp\u003eby Hall Johnson\u003c/p\u003e","\u003cp\u003eLiving Newspaper, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Vildrac\u003c/p\u003e","\u003cp\u003eby Francisco Rodrigo\u003c/p\u003e","\u003cp\u003eby Leonide Andreyeff\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby Lope de Vega\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps, photocopy\u003c/p\u003e","\u003cp\u003eby Countee Cullen and Arna Bontemps\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Upton Sinclair; A Little Play for the White Collar Folks,\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Micha Hawkins\u003c/p\u003e","\u003cp\u003eThe Adventures of a Bunny\u003c/p\u003e","\u003cp\u003eby Frances Lester Warner\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Daniel Reed from Julia Peterkin's Pulitzer Prize Novel\u003c/p\u003e","\u003cp\u003eby Christobel Morley Cordell, photocopy\u003c/p\u003e","\u003cp\u003eby Richard Brinsley Sheridan\u003c/p\u003e","\u003cp\u003eby Maxwell Anderson\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Harold Whitehall\u003c/p\u003e","\u003cp\u003eby Phyllis Clare Flannery; A Farce Satire, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, photocopy\u003c/p\u003e","\u003cp\u003eby George Savage, Dramatist Guild Contest Play #60\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage, English Department, University of Washington, Seattle, Washington\u003c/p\u003e","\u003cp\u003eby George Savage\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Bertolt Brecht, translated by Keene Wallis\u003c/p\u003e","\u003cp\u003eby Leonard J. Tyle\u003c/p\u003e","\u003cp\u003eby William Evans\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby R. Edgar Moore\u003c/p\u003e","\u003cp\u003eby Florence Clothier; A Play of the Labrador Coast, photocopy\u003c/p\u003e","\u003cp\u003eby Oliver Goldsmith; The Mistakes of a Night, photocopy\u003c/p\u003e","\u003cp\u003ecompiled from Old English nativity plays by Robert Larson\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong and Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Andrews and Anne Wilson Peabody\u003c/p\u003e","\u003cp\u003eby George Kelly, version used by Negro Theatre Unit, New York City\u003c/p\u003e","\u003cp\u003eby George Kelly\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Morgan Burke\u003c/p\u003e","\u003cp\u003eby Robert K. Ryland\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Sholem Ash\u003c/p\u003e","\u003cp\u003eby Isabel Anderson (Mrs. Larz Anderson)\u003c/p\u003e","\u003cp\u003eby Fall River, photocopy\u003c/p\u003e","\u003cp\u003eby F. S. Hill\u003c/p\u003e","\u003cp\u003eby Miles Malleson\u003c/p\u003e","\u003cp\u003eby Janet Hartman and Hallie Flanagan, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller and Stephen Weiss\u003c/p\u003e","\u003cp\u003eby Sedarmee Club Madison House\u003c/p\u003e","\u003cp\u003eby Jo Basshe, photocopy\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Robert A. Bromley and Al Carthe\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence, photocopy\u003c/p\u003e","\u003cp\u003eby Joseph Lawrence\u003c/p\u003e","\u003cp\u003eby H. Leivick\u003c/p\u003e","\u003cp\u003ean ancient Japanese farce translated by Michio Itow and Louis V. Ledoux\u003c/p\u003e","\u003cp\u003eby Grace Welsh Lutgen, photocopy\u003c/p\u003e","\u003cp\u003eby J. S. Coppard\u003c/p\u003e","\u003cp\u003eby B. R. Fuller\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy\u003c/p\u003e","\u003cp\u003ethree copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard, photocopy\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby Arnold Sundgaard\u003c/p\u003e","\u003cp\u003eby James P. Judge\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Valentine Katayev (Kataev)\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Victor Victor\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy, photocopy\u003c/p\u003e","\u003cp\u003eby Robert Ardrey; A Comedy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Ward Courtney; a Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Otis Chatfield-Taylor, photocopy\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003eby Charles Irving\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Harold Robbins\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Peters and George Sklar\u003c/p\u003e","\u003cp\u003eby Robert T. Colwell and Robert A. Simon\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Paul Tripp\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Mary Manning\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Barrie and Leonia Stavis\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Henry C. Haskell\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, photocopy\u003c/p\u003e","\u003cp\u003eby Lula Vollmer\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Norman Foster and Harry Hamilton\u003c/p\u003e","\u003cp\u003eby Georgie Douglass Johnson\u003c/p\u003e","\u003cp\u003eby George Cram Cook and Susan Glaspell\u003c/p\u003e","\u003cp\u003eby C. Liberman\u003c/p\u003e","\u003cp\u003eby August Strindberg\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eFederal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Maurice Stoller\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby Katharine Clugston\u003c/p\u003e","\u003cp\u003eby David Pinski, photocopy\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinski\u003c/p\u003e","\u003cp\u003eby David Pinsky\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby David Lano\u003c/p\u003e","\u003cp\u003eVagabond Puppeteers for the Federal Theatre of Oklahoma\u003c/p\u003e","\u003cp\u003eby Shotwell Callvert, photocopy\u003c/p\u003e","\u003cp\u003eby William dorsey Blake; A Living Newspaper Play, photocopy\u003c/p\u003e","\u003cp\u003eby Anthony Armstrong\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Charles H. Hoyt\u003c/p\u003e","\u003cp\u003eby Florine Schwartz; A Play for Children, photocopy\u003c/p\u003e","\u003cp\u003eby Anna M. Lutkenhaus, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur A. Miller, photocopy\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Ivan Rowan and Martin Delman\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby Raymond Bond\u003c/p\u003e","\u003cp\u003eby William Kozlenko\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Knox Herold\u003c/p\u003e","\u003cp\u003eby Betty Smith\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Yury Olesha\u003c/p\u003e","\u003cp\u003eby Gertrude Tonkonogy, photocopy\u003c/p\u003e","\u003cp\u003eby Marita Rosler\u003c/p\u003e","\u003cp\u003eby Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith; photocopy\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby Marie Baume from the novel by Leane Zugsmith\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby William Shakespeare\u003c/p\u003e","\u003cp\u003eby James Bridie\u003c/p\u003e","\u003cp\u003eby Samuel Sayer\u003c/p\u003e","\u003cp\u003eby Robert Wallsten\u003c/p\u003e","\u003cp\u003eby Isabel Barber; A dramatist guild contest play #552\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby Isabel Barber\u003c/p\u003e","\u003cp\u003eby John Broome, photocopy\u003c/p\u003e","\u003cp\u003eby John Broome\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form, photocopy\u003c/p\u003e","\u003cp\u003eby Robinson Jeffers; A Play in Poetic Form\u003c/p\u003e","\u003cp\u003eby George Murray and David Pelts; A Living Newspaper on Pensions; photocopy\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman, photocopy\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Jules Eckert Goodman\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Remo Bufano\u003c/p\u003e","\u003cp\u003eby Stephen Spender\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison, photocopy\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Hughes Allison\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North\u003c/p\u003e","\u003cp\u003eby Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ewritten by the editorial staff of the Living Newspaper under the supervision of Arthur Arent\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003ereissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City\u003c/p\u003e","\u003cp\u003eBased on Homer and Euripides, includes photocopied program, photocopy\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eBased on Trojan Women of Euripides\u003c/p\u003e","\u003cp\u003eby Philip H. Davis\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003etranslated by Edith Hamilton\u003c/p\u003e","\u003cp\u003eby Eleanor Phelps, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes, photocopy\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Langston Hughes\u003c/p\u003e","\u003cp\u003eby Harry Sackler\u003c/p\u003e","\u003cp\u003eContent Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.\u003c/p\u003e","\u003cp\u003eby J. M. Barrie\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby McElbert Moore\u003c/p\u003e","\u003cp\u003eby H. R. Lenormand\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby Gene Stone and Jack Robinson\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby E. P. Conkle\u003c/p\u003e","\u003cp\u003eby Whitfield Cook, photocopy\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Whitfield Cook\u003c/p\u003e","\u003cp\u003eby Robert Larson\u003c/p\u003e","\u003cp\u003eJacksonville, Florida script 1939, photocopy\u003c/p\u003e","\u003cp\u003eby Anton Chekhov\u003c/p\u003e","\u003cp\u003eby Augustin Daly\u003c/p\u003e","\u003cp\u003eby Bernice McQuilken\u003c/p\u003e","\u003cp\u003eby Gene Buck\u003c/p\u003e","\u003cp\u003eby Helen Fitzgerald\u003c/p\u003e","\u003cp\u003eby Mrs. William Hyman\u003c/p\u003e","\u003cp\u003eby Charles Allen Smart\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Vincent Moran\u003c/p\u003e","\u003cp\u003eby Karl Gutzkov\u003c/p\u003e","\u003cp\u003eby Eden White; A Rollicking Comedy\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eedited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low\u003c/p\u003e","\u003cp\u003eby Ruth Fenisong\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby Marietta Fouche\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby A. E. Thomas and Jack Haussmann\u003c/p\u003e","\u003cp\u003eby I. L. Peretz\u003c/p\u003e","\u003cp\u003eby John F. Burns\u003c/p\u003e","\u003cp\u003eby Stefan Zweig\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eLiving Newspaper\u003c/p\u003e","\u003cp\u003eby Caroline C. Lovell\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby William C. de Mille\u003c/p\u003e","\u003cp\u003eby Percy Mackaye\u003c/p\u003e","\u003cp\u003eby William L. Price\u003c/p\u003e","\u003cp\u003eby Frances Gordon Strunsky\u003c/p\u003e","\u003cp\u003eby Helen Gholson Kittredge\u003c/p\u003e","\u003cp\u003eby Irving R. Kapner\u003c/p\u003e","\u003cp\u003etranslated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice, photocopy\u003c/p\u003e","\u003cp\u003eby Elmer Rice\u003c/p\u003e","\u003cp\u003eby Gerhart Hauptmann\u003c/p\u003e","\u003cp\u003eby Eugene O'Neill\u003c/p\u003e","\u003cp\u003etranslated from the Russian by Aaron Chorover\u003c/p\u003e","\u003cp\u003eby W. Alan Coutts\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby Ten Orcross\u003c/p\u003e","\u003cp\u003eby George H. Broadhurst\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Philip Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Zerner and Ben S. Gross\u003c/p\u003e","\u003cp\u003eby Albert Hackett\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby J. Sackville Martin and Carl E. Freybe\u003c/p\u003e","\u003cp\u003eby Katherine Peabody Gurling\u003c/p\u003e","\u003cp\u003eby A. Barto\u003c/p\u003e","\u003cp\u003eby John Bowaldeth\u003c/p\u003e","\u003cp\u003eby Lelia May Smith\u003c/p\u003e","\u003cp\u003eby Harry B. Smith\u003c/p\u003e","\u003cp\u003eby Converse Tyler\u003c/p\u003e","\u003cp\u003eby Lucien Chantel\u003c/p\u003e","\u003cp\u003eby John Emerson and Anita Loos\u003c/p\u003e","\u003cp\u003eby Harlan E. Glazier\u003c/p\u003e","\u003cp\u003eby Paul Green\u003c/p\u003e","\u003cp\u003eby Joseph Liss\u003c/p\u003e","\u003cp\u003eby Clemence Dane, photocopy\u003c/p\u003e","\u003cp\u003eby David Pay Robinson\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach\u003c/p\u003e","\u003cp\u003eby Marcus L. Bach (revised Chicago version)\u003c/p\u003e","\u003cp\u003eby Kenneth White\u003c/p\u003e","\u003cp\u003eby Rae Abraham\u003c/p\u003e","\u003cp\u003eby Allan Davis\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Romain Rolland\u003c/p\u003e","\u003cp\u003eby Samuel Jesse Warshawsky, photocopy\u003c/p\u003e","\u003cp\u003eby Buell R. Fuller\u003c/p\u003e","\u003cp\u003eby Virgil L. Baker\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Frederic Nirdlinger\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Charles Bruce Millholland\u003c/p\u003e","\u003cp\u003eby Edward Lynn\u003c/p\u003e","\u003cp\u003eby Josef and Karel Capek\u003c/p\u003e","\u003cp\u003eby Molly Day Thacher, photocopy\u003c/p\u003e","\u003cp\u003eby Tom Jewett\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Chase Varney\u003c/p\u003e","\u003cp\u003eby Jakob Loewenberg\u003c/p\u003e","\u003cp\u003eby Peter Arnow\u003c/p\u003e","\u003cp\u003eby Mark Reed\u003c/p\u003e","\u003cp\u003eby Ulysses S. Elam\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Bernard Shaw\u003c/p\u003e","\u003cp\u003eby Rose Carlyn\u003c/p\u003e","\u003cp\u003eby Margaret Knox and Anna M. Lufkenhaus\u003c/p\u003e","\u003cp\u003eby Dorothy L. Sayers\u003c/p\u003e","\u003cp\u003eby M. Daniel\u003c/p\u003e","\u003cp\u003eSubseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.\u003c/p\u003e","\u003cp\u003eby Howard Warwick\u003c/p\u003e","\u003cp\u003eby Gene Stafford\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery\u003c/p\u003e","\u003cp\u003eby Charles Brownell\u003c/p\u003e","\u003cp\u003eby Friedrich Wolfe\u003c/p\u003e","\u003cp\u003eby Howard Koch\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003etwo versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams, photocopy and original\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Barrie Williams\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby William MacHarg, dramatized by Harold Hartogensis\u003c/p\u003e","\u003cp\u003eby Boyd\u003c/p\u003e","\u003cp\u003eby Philip Massinger, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Ben Jonson, adapted by Leah Jonas\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Sergei Prokofiev, 5 front pages and 2 full copies\u003c/p\u003e","\u003cp\u003eby Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Richard Wright\u003c/p\u003e","\u003cp\u003eby Pauline Simmons\u003c/p\u003e","\u003cp\u003eby Marshall Davidson\u003c/p\u003e","\u003cp\u003eby Martha Foley\u003c/p\u003e","\u003cp\u003eby Dr. Charles Russell\u003c/p\u003e","\u003cp\u003eby A. Hyatt Mayor\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby David Canfield\u003c/p\u003e","\u003cp\u003eby Morris Watson\u003c/p\u003e","\u003cp\u003einterview with Martha Graham and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Pietro di Donato and Leah Plotkin\u003c/p\u003e","\u003cp\u003einterview with Estelle Liebling and Leah Plotkin\u003c/p\u003e","\u003cp\u003eby Howard Koch adapted by Lawrence Levey (photocopy and original)\u003c/p\u003e","\u003cp\u003eby Barrie and Leona Stavis, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Theodore Pezman and Donald Murray, adapted by Edward Morton\u003c/p\u003e","\u003cp\u003eby Carl Glick, adapted by Philip Ansel Roll\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Karl Barron\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eadapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eadapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Matty Cohen and B. F. Kamsler\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Joseph W. Miller\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett, first 25 pages\u003c/p\u003e","\u003cp\u003eboth by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby unknown; by Harry Goldsmith\u003c/p\u003e","\u003cp\u003eby John T. Mole\u003c/p\u003e","\u003cp\u003eby Gertrude Onnen and Phyllis Frederic; by Jeanette Despres\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Charles Crumpton, photocopy\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Lewis Meyer\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Georgia Fawcett, photocopy\u003c/p\u003e","\u003cp\u003eby Clifford Odets, adapted by Maurice Kurtz\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by Lewis W. Moyer\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby Jules Verne, adapted by George Thorp\u003c/p\u003e","\u003cp\u003eby Harold Parke Godwin; by Frederick Prokosch\u003c/p\u003e","\u003cp\u003eby Arthur McCaffery, incomplete copy - first 13 pages\u003c/p\u003e","\u003cp\u003eby Michael Davidson\u003c/p\u003e","\u003cp\u003eby Paul de Kruif\u003c/p\u003e","\u003cp\u003eby Lawrence Bearson; by Leo Fontaine\u003c/p\u003e","\u003cp\u003eby T. O. Day\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Jack Barefield, photocopy\u003c/p\u003e","\u003cp\u003eby Georgia Backus, photocopy\u003c/p\u003e","\u003cp\u003eby Maxine Schiel, photocopy\u003c/p\u003e","\u003cp\u003eby Ben Hawthorne, photocopy\u003c/p\u003e","\u003cp\u003eby John Fleming, photocopy\u003c/p\u003e","\u003cp\u003eby Arthur Arendt\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby David Lesan\u003c/p\u003e","\u003cp\u003eby William N. Robson\u003c/p\u003e","\u003cp\u003edramatization by Robert Lewis Shayon\u003c/p\u003e","\u003cp\u003eby Edward Solomon\u003c/p\u003e","\u003cp\u003eby Bucalossi\u003c/p\u003e","\u003cp\u003eby Michael William Balfe\u003c/p\u003e","\u003cp\u003eby Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Sidney Jones\u003c/p\u003e","\u003cp\u003eby Charles Lecocq\u003c/p\u003e","\u003cp\u003eby Karl W. Schulz\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby W. Vincent Wallace\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Edmond Audran\u003c/p\u003e","\u003cp\u003eby Robert Planquette\u003c/p\u003e","\u003cp\u003eby Lajos Serly\u003c/p\u003e","\u003cp\u003eby Sir William S. Gilbert and Sir Arthur Sullivan\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Donald Macfarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Lews W. Moyer, photocopy\u003c/p\u003e","\u003cp\u003eby Oscar Wilde, adapted by Charles Crumpton\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby Rose Albert Porter\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby George J. Thorp\u003c/p\u003e","\u003cp\u003eby Sylvia Altman\u003c/p\u003e","\u003cp\u003eby Sylvia Altman and Jeanette Gussin\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Charles Dickens adapted by Cecil Stevenson\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by W. M. Sutton\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Maxwell Wolodin; by Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Victor E. Smith; by John I. Mole\u003c/p\u003e","\u003cp\u003eby Lewis W. Moyer; by Michael Davidson\u003c/p\u003e","\u003cp\u003eby Will Glickman\u003c/p\u003e","\u003cp\u003eby Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Lee Fontainbleu; by Laurence U. Shloss\u003c/p\u003e","\u003cp\u003eby Edward H. Smith\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Georgia Fawcett\u003c/p\u003e","\u003cp\u003eby Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni\u003c/p\u003e","\u003cp\u003eby John I. Mole\u003c/p\u003e","\u003cp\u003eby Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman\u003c/p\u003e","\u003cp\u003eBy Herbert Lewis; by Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Bob Frank\u003c/p\u003e","\u003cp\u003eby Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer\u003c/p\u003e","\u003cp\u003eby Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams\u003c/p\u003e","\u003cp\u003eby Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Laura Z. Hobson, adapted by Lawrence Bearson\u003c/p\u003e","\u003cp\u003eby Jerome Beatty, adapted by Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Manuel Komroff, adapted by Joel Hammil\u003c/p\u003e","\u003cp\u003eby Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby George Rolland\u003c/p\u003e","\u003cp\u003eby Barrie Williams; by Brian J. Byrne\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Frank Burrill\u003c/p\u003e","\u003cp\u003eby Dean Charel\u003c/p\u003e","\u003cp\u003eby Victor E. Smith\u003c/p\u003e","\u003cp\u003eby Herb Meadow; adaptation by Joel Hammil and Leo Fontaine\u003c/p\u003e","\u003cp\u003eby A. L. Tyler\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hugh Lester\u003c/p\u003e","\u003cp\u003eby Leo Fontaine\u003c/p\u003e","\u003cp\u003eby Harold Hartogensis; by Phyllis Frederic\u003c/p\u003e","\u003cp\u003eby Benet Costa, photocopy\u003c/p\u003e","\u003cp\u003eby Jane Ashman; also includes Women as Homemakers first page\u003c/p\u003e","\u003cp\u003eby Leo Fontaine, photocopy\u003c/p\u003e","\u003cp\u003eSubseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.\u003c/p\u003e","\u003cp\u003eSeries 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eProposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley\u003c/p\u003e","\u003cp\u003eSubseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAmerican Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAccent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFestival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eClass of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms from \"Folk plays of the Carolina playmakers\"\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAbu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIn Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTen Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBlind Alley; Brothers; It Can't Happen Here; Rachel's Man\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOne-Third of a Nation; Roll Sweet Chariot; Room Service\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eBig Vaudeville Musical Revue\u003c/title\u003e (79 copies from different performances around Maine)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnnouncing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here; Liliom; The Road to Rome\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLadies of the Jury\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eVodvil Show\u003c/title\u003e (vaudeville)\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eAdalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional\u003c/title\u003e\u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes available in digital format.\u003c/p\u003e","\u003cp\u003ePrograms: \u003ctitle\u003eProfessor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eFlyers and playbills: Current productions flyer - \u003ctitle\u003eBig Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language\u003c/title\u003e (9 copies); \u003ctitle\u003eThe Bat\u003c/title\u003e (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival; \u003ctitle\u003eThe Cradle Will Rock; The Emperor's New Clothes\u003c/title\u003e (3 copies); \u003ctitle\u003eFair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe\u003c/title\u003e (4 copies); \u003ctitle\u003eIt Can't Happen Here\u003c/title\u003e (14 copies); \u003ctitle\u003eLife and Death of an American; Moving Along\u003c/title\u003e (2 copies); \u003ctitle\u003eOliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal\u003c/title\u003e (10 copies) \u003c/p\u003e\n","\u003cp\u003eBuffalo Historical Marionettes Benefit Performance is available in digital format.\u003c/p\u003e","\u003cp\u003eFlyers and playbills: \u003ctitle\u003eSing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh\u003c/title\u003e. 8.5x14\" flyers and playbills: \u003ctitle\u003eAdam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 3 to number 14\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e. Volume V number 15-17, 19-23\u003c/p\u003e","\u003cp\u003eNewspaper format program for \u003ctitle\u003ePower\u003c/title\u003e. Volume II number 1, Volume III number 1\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eCriminal at Large\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eHer Majesty the Widow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePersonal Appearance\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePost Road\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eRemember the Day\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSaturday's Children\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTamed and How\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAnother Language; The Barker; The Old Maid; There's Always Juliet\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAs Husbands Go; I Want a Policeman\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe First Mrs. Fraser\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Good Fairy\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eIt's a Wise Child\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Late Christopher Bean\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNed McCobbs Daughter\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003ePossession\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eSun Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eTea for Three\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThey Knew What They Wanted\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThree Cornered Moon\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFresh Fields\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFirst Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Boy Meets Girl; The Christmas Carol\u003c/title\u003e; Federal Theatre for Youth (overview); \u003ctitle\u003eThe First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Counsellor-At-Law; One-Third of a Nation\u003c/title\u003e; Third Annual Central Oklahoma Folk Festival;\u003c/p\u003e","\u003cp\u003eThe Living Newspaper (\u003ctitle\u003eOne-Third of a Nation\u003c/title\u003e); \u003ctitle\u003ePrelude to Spring\u003c/title\u003e; Puppet Pageant at the Philadelphia Museum of Art; \u003ctitle\u003eStepping Stars\u003c/title\u003e; Vaudeville\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eChristmas with Dickens\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAlice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eGreen Grow the Lilacs; Old Heidelberg\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ephotocopies, many with original performance dates handwritten on them - \u003ctitle\u003eAdelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps\u003c/title\u003e. Photocopies.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eAdam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are seven pieces for \u003ctitle\u003eAlison's House\u003c/title\u003e and five for \u003ctitle\u003eThe Warrior's Husband\u003c/title\u003e. Roughly each piece measures 42 inches high and 28 inches wide.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eOversize posters where each poster is a piece of a larger whole. There are three pieces for \u003ctitle\u003eBill of Divorcement\u003c/title\u003e, two for \u003ctitle\u003eBlind Alley\u003c/title\u003e, two for \u003ctitle\u003eGods of the Lightning\u003c/title\u003e, and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play \u003ctitle\u003ePursuit of Happiness\u003c/title\u003e performed at the Mayan Theatre in Los Angeles in August of 1937.\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Case of Philip Lawrence; Chalk Dust; The Cherokee Night\u003c/title\u003e; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus, \u003ctitle\u003eThe World's Greatest Circus; Class of '29\u003c/title\u003e; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939; \u003ctitle\u003eConjure Man Dies; Coriolanus; The Cradle Will Rock\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eEinmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal\u003c/title\u003e; Eugene O'Neill's One-Act Plays of the Sea\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eFair and Warmer; Fantasy 1939; Flight\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eH.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eLife and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eMacbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eNative Ground; No More Peace; Noah\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eOn the Rocks; On Top; One-Third of a Nation; Outside Looking In\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eDas Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up\u003c/title\u003e\u003c/p\u003e","\u003cp\u003e\u003ctitle\u003eThe Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eThe Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: \u003ctitle\u003eWalk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in\u003c/title\u003e\u003c/p\u003e","\u003cp\u003ePrograms, flyers, and playbills: Various plays in Yiddish; \u003ctitle\u003eThe Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)\u003c/title\u003e\u003c/p\u003e","\u003cp\u003eSubseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Willy B. Stahl and Walter C. Schad, Los Angeles, California\u003c/p\u003e","\u003cp\u003eincludes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass\u003c/p\u003e","\u003cp\u003eviolin music, arranged by M. L. Lake\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld\u003c/p\u003e","\u003cp\u003eby Alex North\u003c/p\u003e","\u003cp\u003eby Fred Miller Jr. and L. Leslie Loth\u003c/p\u003e","\u003cp\u003eby Herbert Kingsley, New York, New York\u003c/p\u003e","\u003cp\u003eincludes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California\u003c/p\u003e","\u003cp\u003emusic for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager\u003c/p\u003e","\u003cp\u003emusic for vocal lead on \"Sweet by and by\"\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, 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von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Eddison von Ottenfeld, Los Angeles, California\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003ephotocopy\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer, New York, New York\u003c/p\u003e","\u003cp\u003eviolin music \"If She Says No\"\u003c/p\u003e","\u003cp\u003emusic for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"\u003c/p\u003e","\u003cp\u003eChicago, Illinois\u003c/p\u003e","\u003cp\u003eviolin music \"Flow Gently, Sweet Afton\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Charles J. Levy\u003c/p\u003e","\u003cp\u003eincludes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"\u003c/p\u003e","\u003cp\u003eby Charles Wakefield Cadman\u003c/p\u003e","\u003cp\u003eby R. E. Austin\u003c/p\u003e","\u003cp\u003eby Irvin Cooper\u003c/p\u003e","\u003cp\u003e[Eddison von Ottenfeld] Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Meyer Rappaport and Emile Cote\u003c/p\u003e","\u003cp\u003eFrom the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof\u003c/p\u003e","\u003cp\u003eby Marshall Bartholomew\u003c/p\u003e","\u003cp\u003emusic by Genevieve Pitot, New York\u003c/p\u003e","\u003cp\u003eby F. Melius Christiansen\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Ralph Story\u003c/p\u003e","\u003cp\u003eby Paul Lincke\u003c/p\u003e","\u003cp\u003eby Mozart-Shelley\u003c/p\u003e","\u003cp\u003eby Daniel Wood and Sumner Salter\u003c/p\u003e","\u003cp\u003eErnestine Valencia, arranged by Dan J. Michaud\u003c/p\u003e","\u003cp\u003eby Edward Elgar and Arthur Fagge\u003c/p\u003e","\u003cp\u003eby J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eby Hans Bruno Meyer\u003c/p\u003e","\u003cp\u003eparaphrase for mixed voices by William Schaeffer\u003c/p\u003e","\u003cp\u003eby Ivor Tchervanow and Ralph L. Baldwin\u003c/p\u003e","\u003cp\u003eby Rimsky-Korsikoff, arranged by Jacob Schwartzdorf\u003c/p\u003e","\u003cp\u003eby May H. Brahe\u003c/p\u003e","\u003cp\u003eviolin music, by Edna R. Heard\u003c/p\u003e","\u003cp\u003ePiano music \"Party Entre Act 1-2\", Los Angeles, California\u003c/p\u003e","\u003cp\u003eby Max Hirschfeld, New York, New York\u003c/p\u003e","\u003cp\u003eby Jean Stor, New York, New York\u003c/p\u003e","\u003cp\u003eby David Sheinfeld\u003c/p\u003e","\u003cp\u003eby John Ansell\u003c/p\u003e","\u003cp\u003eThis series includes two coats and two pairs of pants created and used by the Federal Theatre Project.\u003c/p\u003e","\u003cp\u003eLong red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"\u003c/p\u003e","\u003cp\u003eA long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"\u003c/p\u003e","\u003cp\u003eTwo pairs of men's pants, one yellow, one red. Both pants stop below the knee. 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note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Contents note","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["Content Warning: Some materials contain racist language and slurs, including play titles.","The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included, as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Series 5 is titled Costumes and includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Series 1 contains correspondence, memoranda, reports, inventories, reorganization plans, briefs, and speeches relating to the background organization, policies, services, and procedures of the Federal Theatre Project (FTP). Publications featuring articles on productions and organizational activities such as Federal Theatre are included in this series. Personnel file information such as biographical and employee tests are also included as is research studies of the Civilian Conservation Corps (CCC), Federal Art Project (FAP) and the Historical Records Survey (HRS). This series is arranged alphabetically.","Available in digital format.","The House Committee on Un-American Activities (HUAC)","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","McMahon was the Regional Administrator of the WPA Art Project. This item was found with Library of Congress Federal Theatre Project materials but is not related to the FTP.","Includes: NCWC news service - Aims and achievements of drama groups discussed by speakers at conference (National Catholic Theater Conference); pages from \"Highlights of the first production conference of the NYC unit of the FT\"","Issues of New Theatre (1934-1936).","Oversize color reprint of article from Fortune","Series 2 is titled Play Service and Research Records and comprises two subseries. Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically. Subseries 2.2 is titled Play Reader Reports and contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title. Some duplicate material.","Subseries 2.1 contains research on drama, theatre technique, and theatre operations. This subseries is arranged alphabetically.","Contains blueprints and photographs of portable theatres","Subseries 2.2 contains thousands of reports completed by the Federal Theatre for possible production or inclusion in play lists. This subseries is loosely arranged alphabetically by play title.","Series 3 is titled Library Records and consists of three subseries: Playscripts, Radio scripts, and Play lists. Subseries 3.1 includes hundreds of playscripts from over 900 productions performed or considered for production from around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title. Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title. Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Subseries 3.1 includes hundreds of playscripts from productions performed around the United States. Most of the scripts are in English but some are in Yiddish or Italian. Some duplicate material. Arranged alphabetically by title.","by John Wiley; based on an Edgar Allen Poe story (photocopy)","by Beth Brown","by Elmer L. Rice","by Francis Bosworth","by Buell R. Fuller","Director Georgia S. Fink","by Virginia Yetes (photocopy)","by Ruth Morris","by Gladys Unger and Walter Armitage","by David Arnold Balch","by William Mahl","by William Mahl","by William Mahl","by Eugene O'Neill","by Eugene O'Neill","by Edmond Rostand","by Edmond Rostand","by Edmond Rostand","by Yasha Frank","director Georgia S. Fink","adapted by S.S. Weiss","adapted by Ralph Chesse","by Sidney Howard","by Sidney Howard","by Eugene O'Neil","by Homer Little and Myla Jo Closser","by Homer Little and Myla Jo Closser","by Hardie Albright","by Hardie Albright","by Thomas Hall Rogers, photocopy from February 20, 1991","by Thomas Hall Rogers, 2 photocopies","by Thomas Hall Rogers","by Thomas Hall Rogers","by Thomas Hall Rogers","published in The Catholic School Journal","by Alfred Kreymborg; published in \"How do you do sir? And other short plays\", photocopy","by Edwin and Albert Barker","by Edwin and Albert Barker","by Elmer L. Rice","by Elmer L. Rice","by Elmer L. Rice","by Talbot Jennings","by Mrs. Alexander Mathis","by Vera Smirnova","by Edwin Burke","by Louis Weitzenkorn","by George Bernard Shaw","by Langston Hughes; A One-Act Play of Negro Life, photocopy","by Eugene O'Neill","by Eugene O'Neill","by Rose Franken","by Rose Franken","by St. John Ervine","by Elizabeth de Vautibault","by Elizabeth de Vautibault","by Rev. Henry N. Hudson","by Rev. Henry N. Hudson","by Rudolph Wittenberg","by Laurance Moore","by Margaret Brooks and Constance Wyckoff","by George Bernard Shaw","by George Bernard Shaw","by Martin Flavin","by Martin Flavin","by Yale Dramatic Association","by Ben Heck and Eugene O'Heel; With a smirk at Irving Berlin and Moss Hart, photocopy","by W. H. Auden and Christopher Isherwood","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Mary Singer and Florence Zunser","by Lockhart North","by T. R. Arkell","by Owen Davis","by C. L. Anthony","by Clifford Odets","by Clifford Odets","by Clifford Odets","by Ruth Fenisong and Remo Bufano","by Lester Fuller, 2 copies, 1 of which is a photocopy","by Margaret Mayo","by Porter Emerson Brown","by Porter Emerson Brown","by H. R. Hays","by H. R. Hays","by Padriac Colum","by Padriac Colum","by Herb Meadow","by Herb Meadow, 2 photocopies","by Katharine Clugston","by Katharine Clugston","by Walter Hackett","by Maxwell Anderson","by Michael Blankfort and Michael Gold, photocopy","by Michael Blankfort and Michael Gold","by Michael Blankfort and Michael Gold","by Frederick Stowers","by Mary Dirnberger; Dramatized from the familiar fairy tale","by Mary Dirnberger; Dramatized from the familiar fairy tale","Transcribed as played by the Vagabond Puppeteers Federal Theatre of Oklahoma","by Albert Powels","by Alfred Lord Tennyson","by Alfred Lord Tennyson","by Brian J. Byrne","by George S. Kaufman and Marc Connelly","by George S. Kaufman and Marc Connelly","by Aodh de Blacam","by Belmont Ashton","by Lawrence Houseman","by Walter Abbott","by Walter Abbott","by Anonymous","by Eugene O'Neill","by Eugene O'Neill","by John W. Dunn; A play of early Oklahoma life","by John W. Dunn; A play of early Oklahoma life","by William Beyer","by Theodore Pratt, photocopy","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Theodore Pratt; Dramatized from the Novel by Theodore Pratt","by Samuel Sayer","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy, photocopy","by Theodore Ward; A Negro Tragedy","Synopsis and production notes by Betty Kessler Lyman, director, Children's Federal Theatre","by Charles M. Barras","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Christine Ames and Clarke Painter; A Drama. Original copyright 1932","by Seymour G. Link","by Martin Flavin","by Maurice Maeterlinck","by Georgia Douglas Johnson, photocopy","by Ruth Fenisong","photocopy","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Eugene O'Neill","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Bella and Samuel Spewaok","by Robin Taylor","Revision by Florence Elberta Barns","by Ruth Comfort Mitchel and Alfred Allen, photocopy","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Ruth Comfort Mitchel and Alfred Allen","by Will Cotton","by Will Cotton","by Robert Hare Powel","by Robert Hare Powel","by Emmet Lavery","by Martin Flavin","by Martin Flavin","by Ruth Fenisong","by Frank Wilson","by Frank Wilson","by Frank Wilson","by Emmet Lavery","by Miss Mabel Osborne","by Emma Ehrlich Levinger","by Irwin Shaw","by Beth Brown and Gilbert Laurence","by Leopold L. Atlas","by Leopold L. Atlas","Original by George Gill and Harold Weinstock and three revised editions by Arthur Vogel and Joseph Liss","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by Grace Howard","by George Bernard Shaw","by George Bernard Shaw","by Frank L. Moss and Richard Dana","by Frank L. Moss and Richard Dana","by Arnold Zweig","by Robert Peele Noble","by Robert Peele Noble","by Hallie Flanagan and Margaret Ellen Clifford; A play of our time; Based on a story by Whittaker Chambers, photocopy","by George Bernard Shaw","by George Bernard Shaw","by Carl Glick","by Arthur Goodrich and Rose A. Palmer","by Arthur Goodrich and Rose A. Palmer","by George Bernard Shaw","by George Bernard Shaw","by Robt. A. Bromley (revised edition)","by Zelma Bruce Tiden","by Zelma Bruce Tiden","by Peretz Hirshbein","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Reginald Le Borg and Theo Dierks","by Estelle L. Silverman","by Jules Renard","by Rollo Wayne","by Rollo Wayne","by Rollo Wayne","by George McEnlee, photocopy","by George McEnlee","by H. Leivick","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg","by Harold H. Clarke and Maxwell Nurnberg (revised)","by German List Arzubide; Adapted from a story by Anton Chekhov; Translated by Angel Flores, photocopy","by A. Barto","by James Parish","by Y. L. Peretz","by John Woodworth, photocopy","by John Woodworth","by Ruth Fenisong","by John W. Dunn, photocopy","by John W. Dunn","by Stanislaus Stange","by sixth grade class under the direction of Mrs. Eleanor Holston Brainard in New Jersey","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw, photocopy","by Charles Dickens; Dialogue arranged for Marionetts and Hand Puppets by Alma M. Shaw","Hedley Gordon Graham","by Essex Dane","by George Huntington Clark","by George Huntington Clark","by H. Jack Bates; A Negro Folk Play, photocopy","by Ruth Welty and Gene Renouf","by Rose Carlyn, photocopy","Three by Rose Carlyn; Three by Fannie Engle","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Orrie Lashin and Milo Hastings","by Gilbert Lennox","by Paul Vincent Carroll","by Noel Harris Houston","by Gertrude Worthington Jeffries","by Paul Green; Music by Kurt Weill; A Legend of American Life, photocopy","by Rudolph Fisher, photocopy","by Rudolph Fisher, photocopy","by A. Callen, M. Worthington, and I. Reuben, photocopy","by Oliver Haserodt, photocopy","by Oliver Haserodt","by Royall Tyler","by M. Manisoff","by a seventh grade in Louisville, Kentucky","by a seventh grade in Louisville, Kentucky","by Ramon de la Cruz, translated and adapted by Angel Flores and Joseph Liss","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Elmer Rice","by Marc Blitzstein, 2 photocopies","by Marc Blitzstein","by John H. Floyd","by members of the Play Bureau of the Southwest","by Betty Lessler Lyman","by John Hunter Booth","by John Hunter Booth, photocopy","by John Hunter Booth, photocopy","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by John Hunter Booth","by Historical Project, Federal Writers Project of Minnesota, Dr. Mable Ulrich director","by W. S. Gilbert","by Charles Dickens adapted by Gilmor Brown","Marionette Division, Buffalo, N.Y.","by Edgar Wallace","by James Stephens","by Walt Anderson","by Walt Anderson","by A. Barto","by A. Barto","by Laurette MacDuffie","by Anna Best Joder","by Elizabeth Leigh Vaughan","by W. H. Auden","by Joaquin Miller, photocopy","by Joaquin Miller","by Ruby Lorraine Radford","by S. Ansky","by L. W. Barrus","by George Foss, photocopy","by George Foss","by George Foss","by Grant Moss","by Grant Moss","by George W. Cronyn","by Rose Carlyn","by J. C. Furnes","by Henning Berger, translated from the original Swedish and adapted for the American stage by Frank Allen","by Eugene O'Neill","by Benn W. Levy; A Religious Comedy, photocopy","by Benn W. Levy; A Religious Comedy","by George Bernard Shaw","by George Bernard Shaw","by Elmer Rice","by Eugene O'Neill","by Eugene O'Neill","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play, photocopy","by Don Farran and Ruth Stewart; A Living Newspaper Play","by Andrew Barton","by Andrew Barton","by Andrew Barton","by Merrill Denison","by Christopher Marlowe, arranged for marionettes by Robert Larson","by Twort (?) Gilbert and Edward Rosen","by Christopher Marlowe","by Christopher Marlowe","by Moliere","by Jules Romans, English version by Harley Granville-Barker","by Minnie H. Niemier","by Lope de Vega","by Harlan E. Glazier","by David Pinski","by Fred Ballard","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","by Jules Romaine","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","For the Marionette Theatre by Robert Larson","by Elizabeth McFadden","by Charlotte Kohler, photocopy","by Joan and Michale A. Slane","by Carl Glick","by Rosa Carlyn","published by the National Tuberculosis Association","by Eugene O'Neill","by W. H. Smith","by Luis Quinones de Benavente","by Emily Percy Denison","by S. Ansky","by S. Ansky","by S. Ansky","by Arthur Goodman","by Elise Jerard","by Samuel Shipman and John B. Hymer","by Samuel Shipman and John B. Hymer","by Ossip Dymow","by Ossip Dymow","by Ossip Dymow","by Jack Larric","by Jack Larric","by Peretz Hirshbein","by Charlotte Charpenning","by Charlotte Charpenning","by Joseph Liss","by Paul Green","by Paul Green","by Paul Green","by C. C. Parsons","by Henrik Ibsen","by Henrik Ibsen","by Henrik Ibsen","by Sean O'Casey","by Demetre Bohris","by John Galsworthy","by Arthur Arent, photocopy","by Arthur Arent; The First \"Living Newspaper\"; from Educational Theatre Journal, v. 10, # 1, March 1968; Introduction by Dan Isaac, photocopy","by Arthur Arent, photocopy received June 11, 1991","by Kjeld Abell","by Paul Lawrence Dunbar (adaptation)","by Paul Lawrence Dunbar","by Sylvia Regan","by Sylvia Regan","by G. J. Graves","by G. J. Graves","by Will T. Goodwin; Working Script","by Emmet Lavery","by Emmet Lavery","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Victor Wolfson","by Bradbury Foote","by Bradbury Foote","by Cervantes","by Doris Troutman","by Luis Quinones de Benavente","adapted by Maurice Jagendorf","adapted by Maurice Jagendorf","by Irving P. Kapner","by Frank B. Elser and Marc Connelly","by Frank B. Elser and Marc Connelly","by Brian Doherty","by Brian Doherty","by Lope de Vega","by Maxwell Anderson","by H. A. Archibald","by Munro Leaf","by Paul Green","by Paul Green","by Rachel Lyman Field","by Weldon Stone","by Weldon Stone","by John Van Antwerp","by John Van Antwerp","by A. Barto","by Eugene O'Neill","by Frank Craven","by George H. Corey, photocopy","by George H. Corey","by E. and P. Green","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\"","by Emmet Lavery; \"This book is a postscript to the history of Federal Theatre as recorded by Hallie Flanagan in Arena, published in December, 1940 by Duell, Sloan and Pearce, New York. It carries on where Arena leaves off and should, consequently, be read as a companion volume to Mrs. Flanagan's book.\", photocopy","by Oscar Saul and Louis Lantz","by Oscar Saul and Louis Lantz","by Pearl S. Buck","by Pearl S. Buck","A play for boys and girls with radio participation, experiment number 1 by Berthold Brecht","by John W. Dunn","by Graham Rawson","by Graham Rawson","by Gene Stone and Jack Rosenblum","by Phile Higley","by Myrtle L. Barger","by E. P. Conkle","by Harry B. Smith","by Harry B. Smith","by Ada Sterling","by Ada Sterling","by Eleanor Garland","by Eugene O'Neill","by Eugene O'Neill","by Harry Sackler","by Georgia Douglas Johnson, photocopy","by Georgia Douglas Johnson","by Harriet Wedgwood, a health play for children, reprinted from Hygeia","by Samuel Shipman and Aaron Hoffman","by Samuel Shipman and Aaron Hoffman","by B. R. Fuller","by Leopold L. Atlas","by Beverly Hamer in the Carolina Play Book volume X, number 3","by William Stevenson","by B. K. Simkhovitch","by B. K. Simkhovitch","by B. K. Simkhovitch","by Felix Doherty","by Nando Vitali","by Ben Russak","by Ben Russak","by Ben Russak","by Charles Flato and Jack Bates. Production of the ERA Civic Theater of Boston.","by Edward Lynn","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Anita Loos and John Emerson","by Isidore Reuben","by Philo Higley","by Arnold Ridley","by Buell R. Fuller","by Aldous Huxley","photocopy","by Ferenc Molnar","by Ferenc Molnar","by Theodore Browne, based on the life and times of Harriet Tubman, a play in two acts, photocopy","adapted and translated by Lola Sachs and Klara Deppe from German of Julius Hay","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Helen Rovene Williams and George Brendan Dowell","by Jacob Gordon","by J. J. Robbins","by J. J. Robbins","by Philip Stevenson","by Leon Crozier","by Paul Armstrong and Rex Beach","by Paul Smith","by Louise Franklin Bache","by Lewis Beach","by Lewis Beach","by Lewis Beach","by Kermit Love","by Rose Carlyn","by Ridgely Torrence; A Play for the Negro Theatre, photocopy","by Howard Koch; A Comedy of Recent Times, photocopy","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Irving P. Kapner, Joseph Liss, Rose Siegel","by Warwick F. Williams","by William R. Randall","by Anna Friedman; A Roosevelt Play, photocopy","by Gertrude Worthington Jeffries, photocopy","by Gertrude Worthington Jeffries","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by F. L. Russell","by George Bernard Shaw","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Lynn Riggs","by Bernard Szold and E. P. O'Donnell","by Bernard Szold and E. P. O'Donnell","by Marc Connelly","adapted by Stephen Weiss","by William J. Langman, S. J.","by Eugene O'Neill","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by William Du Bois","by Noah Elstein","by Grace Dorcas Ruthenberg","by Harlan E. Glazier","by Yasha Frank","by Thornton Wilder","by Thornton Wilder","by Wilfrido Ma Guerrero","by Donald Davis and Samuel Ornitz","by Joseph Lehmann","by Charles Prentiss","by Julius Hay","by Julius Hay","by Arthur Kober","by Arthur Kober","by Elizabeth Jane Astley","by Philip Atlee and Edmund Van Zandt","by Philip Atlee and Edmund Van Zandt","by David Belasco","by George Bernard Shaw","by Albert Bein","by Albert Bein","by Helen Clare Nelson","by Barry Conners","by Abram Hill, photocopy","by Margaret Sperry","by Margaret Sperry","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Paul Vulpius","by Theresa Helburn","by Theresa Helburn","by Theresa Helburn","adapted and translated by Donald Fay Robinson","adapted by Kent Pease Hamdent High School, Hamdent, Connecticut","by Maxwell Anderson","by Maxwell Anderson","by Maxwell Anderson","by Mary B. Stafford","by Harlan E. Glazier","by Lee Freeson","by Howard Koch and Ben Russak","by Howard Koch and Ben Russak","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by Gregorio Martinez Sierra","by John Wiley","by Harold Courlander","by Sally Coulter","by Herb Meadow","by Dorothy Hailpern","by Dorothy Hailpern","by Michael Swift","by Philip Barry","by Philip Barry","by John Alan Haughton","by Marion Holbrook","by Joseph Liss","by Paul Green","by Sara E. Bower","by Bertram M. Gross","by Alan Sidney","by Edith Kunz","by The Historical Project, Federal Writers Project of Minnesota","by Paul Green","by Paul Green","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by William Beyer","by Margaret MacNamera","by Margaret MacNamera","by Edwin Burke","by Rufus King and Milton Lazarus","by Rufus King and Milton Lazarus","by Perez Hirschbaum","by Maria M. Coxe, photocopy","by Maria M. Coxe","by Maria M. Coxe","by Maria M. Coxe","by Paul Green","by Eugene O'Neill","by Bertolt Brecht","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper, photocopy","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by the Editorial Staff of the Living Newspaper","by Maurice Stoller","by Norman Roston","by Noah Elstein, photocopy","by Noah Elstein","by Noah Elstein","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis, photocopy","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by John C. Moffitt and Sinclair Lewis; From the novel by Sinclair Lewis","by Raymond Reeves, photocopy","by Raymond Reeves","by St. John G. Ervine","by St. John G. Ervine","by John McGee","adapted by Federal Theatre Project Los Angeles, California","by H. L. Fishel, photocopy","by H. L. Fishel, photocopy","by H. L. Fishel","by H. L. Fishel","by Martha Hodgson Ellis","by David Schrieber","by St. John G. Ervine","by St. John G. Ervine","by Frank B. Wells; Tracking Down a Negro Legend, a Saga, photocopy","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Frank B. Wells; Tracking Down a Negro Legend, a Saga","by Paul Green","by Paul Green","by Luidmilla Vepritskaya","by Alma Shaw","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by R. G. Sheriff","by Warren Coleman; A Negro Comedy, 2 photocopies","Elmer Rice","by Shakespeare","by Thomas A. Langan","by Emmet Lavery","by Ruth Fenisong","by J. C. Nugent and Elliott Nugent","by J. C. Nugent and Elliott Nugent","by Edgar Slaughter","The Living Newspaper Presents","The Living Newspaper Presents","by James Bridie","by Catherine Reighard","by Max M. Dill","by Don Mullally","by David Pinski","by T. C. Robinson and Rena M. Vale, photocopy","by T. C. Robinson and Rena M. Vale, photocopy","by Lawrence J. Bernard","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by Frances Nimmo Greene and Robert Harvey Greene","by George Scudder","by Irving Kaye Davis","by Irving Kaye Davis","by Irving Kaye Davis","by James Bridie","by James Bridie","by Sidney Howard","by Sidney Howard","by Harry King Tootle","by Harry King Tootle","by William Beyer","by William Beyer","by Oliver La Farge","by V. Beldon?","by Harry King Tootle","by Ernest Chamberlain","by Ernest Chamberlain","by Elmer Rice","by Moliere","by A. Barto","by Maurice Stoller","by Charlotte Chorpenning","by Bertram Robinson","photocopy","photocopy","photocopy","by Edward Hopter","by George Sklar","by George Sklar","by George Sklar","by George Sklar","by Gilbert Laurence","by Giuseppe Giacosa","by Giuseppe Giacosa","by Marion Flexner and Dorothy Park Clark","by Franz Molnar","by Franz Molnar","by Alma Shaw","by C. B. Chorpenning, photocopy","by C. B. Chorpenning","by C. B. Chorpenning","by C. B. Chorpenning","by Molka Reich of Miami Florida Project","translated from Flemish by Jacob Borut and Lola Sachs","translated from Flemish by Jacob Borut and Lola Sachs","by Marc Connelly","by Alexei Tolstoi","by Eleanor Glendower Griffith","by Lawrence and Sylvia Martin, photocopy","by Lawrence and Sylvia Martin, photocopy","by Howard Koch","by Howard Koch","by Howard Koch","by Thornton Wilder","by Eugene O'Neill","by Charles George","by T. C. Upham","by T. C. Upham","by Isidore Reuben","by Charles Alan","by Charles Alan","by Thornton Wilder","by John Galsworthy","by Maud Wood Park, photocopy","by Maud Wood Park","by Maud Wood Park","by Maud Wood Park revised by Robert Finch","by Theodore Browne; An \"African Version\", photocopy","by Clarence H. Talbot","reprinted from the \"Theatre Arts Monthy\" for December 1927, included in the Harvard dramatic club miracle plays","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; arranged and staged by Orson Welles; Complete Working Script, photocopy of original from April 14, 1936","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit, opened on April 14, 1936 at Lafayette Theatre, photocopy","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Shakespeare; adaptation for the colored unit","by William Blake","by Victoria Heindel","by Lee Freeson","by Louis Golding and A. R. Rawlinson","by Bernard Shaw","by Bernard Shaw","by Alfred Sutro","by John Woodworth","by John Woodworth","by Mr. Beete","by Mr. Beete","by Hollister Noble and Edward R. Sammis","by Hollister Noble and Edward R. Sammis","by Paul Green","by Anatole France","by Jules Eckert Goodman and Eckert Goodman","by Jules Eckert Goodman and Eckert Goodman","by Earnest Andai and Lajos Balint","by Federal Theatres, Los Angeles, California","by Anton Chekhov","by Rena B. Johnson","by Tom Taylor and Charles Reade","by Mabel DeVries Tanner","by Mabel DeVries Tanner","by Mabel DeVries Tanner","photocopy","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","revised draft copyright 1986, photocopy from script given to Lorraine Brown by Oscar Saul","by John Le Touche","by Brandon Tynan","by Victor Victor","by Victor Victor","by William Shakespeare","by H. Richard Oliver and John McCain Rimassa","by William Shakespeare","by Rose Dubin","by Ruth Fenisong and Samuel Sayer","By W. S. Gilbert and Arthur Sullivan. Published by Arthur W. Tams Music Library, Inc. Incomplete script with some handwritten notations.","by W. S. Gilbert; The Town of Titifu, photocopy","by W. S. Gilbert; The Town of Titifu","by W. S. Gilbert; The Town of Titifu","by Plautus; translated by Clarence P. Bill, photocopy","photocopy","by Lynn Root and Harry Clork","by Wallace L. Waite","by Wallace L. Waite","by B. R. Fuller","by Dee Burque","by Hans Chlumberg, photocopy","by Nahum Brind","by John Crosby","by John Crosby","Page has dialogue from three different bald headed men, a character called Cadwallader is named, all, and a chorus.","by John Charles Brownell","by E. B. Ginty","by E. B. Ginty","by Louise Franklin Bache","by Rose Franken and Jane Lewin","by Rose Franken and Jane Lewin","by Holger Cahill","by Holger Cahill","by Holger Cahill","by Michael Gold","by J. R. Perkins","by Emmet Lavery","by Denis Johnston","by Denis Johnston","by Eugene O'Neill","by Richard Maibaum","by Richard Maibaum","by Richard Maibaum","by Samuel French","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Willard Weiner","by Joseph Liss","by Ruth Fenisong","by Louise Franklin Bache","by Ramon Romero, photocopy","by Ramon Romero, photocopy","by Ramon Romero","by Ramon Romero","by T. S. Eliot","by T. S. Eliot","by T. S. Eliot","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Buell R. Fuller","by Muriel Fox, Marie Reed, Suzette Telenga, and Jane Whitbread; A Musical Satire, photocopy","by Cecil E. Reynolds","by Cecil E. Reynolds","by Rose Carlyn","from volume of Harvard Dramatic Club Miracle Plays edited by Donald Fay Robinson","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry, photocopy","by Theodore Brown; Based on the Legend of John Henry","by Nathalie Satz and Sergei Rosaanov","by Anemone Pemberton","photocopy","photocopy","by Maxwell Anderson","by Arthur Arent; A Living Newspaper Play, photocopy","by Arthur Arent; A Living Newspaper Play","by Arthur Arent; A Living Newspaper Play","by students of Commonwealth College; Commonwealth College Fortnightly, photocopy","by Eleanor Flexner","by Eleanor Flexner","by Arthur Strawn and Henry Rosendahl","by Talbot Jennings","by Ernest Toller","by Ernest Toller","by Lilian Gill","by Jerome Geneson","by George Smedley Smith and Bernard Szold","by George Smedley Smith and Bernard Szold","by Ethel Watts Mumford and Lily Strickland","by Elmer Rice","by Elmer Rice","by Nathan Spiegel","by Joseph Hergesheimer","by Joseph Hergesheimer","by Sid Kuller and Ray Golden","by Sid Kuller and Ray Golden","by Harold Igo, photocopy","by Harold Igo","by Harold Igo","by Bernard Shaw","by James Knox Millen","by James Knox Millen","by Denman Thompson","adapted for marionettes by Ruth Fenisong and Samuel Sayer","adapted for marionettes by Ruth Fenisong and Samuel Sayer","by Benjamin M. Kaye","by Benjamin M. Kaye","by Bernard Shaw","by Bernard Shaw","by Bernard Shaw","by Marian Katherine Brown","by Seyril Schochen","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","a dramatization by Lulie Hard McKinley of the novel by Robert Nathan","by Kenneth Webb","by Arthur Arent; A Living Newspaper about Housing, Philadelphia version, photocopy","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","by Arthur Arent; A Living Newspaper about Housing","dramatized from L. Feuchtwanger's novel by Clayton Fritchi","by Remo Bufano","by Irvin Wilson Baker","by Irvin Wilson Baker","by Irvin Wilson Baker","by Harry Hamilton","by Lillian Day and Lyon Mearson","by Lillian Day and Lyon Mearson","by Irving P. Kapner","by John Mason Brown","by Grace H. Swift, photocopy","by Catherine F. Reighard","by Gladys E. Murray","by Hughes Allison, photocopy","by Faye L. Tornquist","by Irving De W. Talmadge","by Irving De W. Talmadge","by Arthur Goodman","by Aristophanes","by Aristophanes","by Howard J. Green and Raymond Leslie Goldman","by Howard J. Green and Raymond Leslie Goldman","by Lope de Vega","translation by Joan Vanderpool","by Marion Holbrook","by Martha B. King","by Robert Sherwood","by Robert Sherwood","by Harlan E. Glazier","by members of the Marionette Group Federal Theatre Group Philadelphia, Pennsylvania","by Alan Sidney","after the novel by Charles Dickens, dramatized by Natalie Wengstern, translated from the Russian by Rose Inget","adapted by Federal Theatre Project, Omaha, Nebraska","by Sarah Neuman","a Korean Cinderella dramatized by Bernice McQuilkin (Gary, Indiana, Children's Theatre, F.T.P.) from a group of Korean Tales","adapted by Yasha Frank, photocopy","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","adapted by Yasha Frank","by Frank Kintrea","by Adelaide C. Rowell","by Adelaide C. Rowell","by Adelaide C. Rowell","by Phil Cook and McElbert Moore","by Ben Bengal","by A. Korneichuk","by J. Liss","by Margaret Naumberg","by Rose Carlyn","by Alvin Kerr","by Alvin Kerr","by Alvin Kerr","by George Kelly","by Robert Russell, photocopy","by Robert Russell","by Robert Russell","by Dorothy Heyward and DuBose Heyward","Living Newspaper, photocopy","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","Living Newspaper","by Karel Capek","by Karel Capek","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","by Irving P. Kapner","Content warning: racist language/slur.","Full title:  Prancing Nigger . By E. England suggested from the novel by Ronald Firbank of the same name ","Content warning: racist language/slur.","Full title:  Prancing Nigger .","by Robert Whitehand, photocopy","by Robert Whitehand","by Robert Whitehand","by Albert Maltz; Anti-Fascist Play, photocopy","by Alfred Kreymborg","by John Howard Lawson, photocopy","by John Howard Lawson, photocopy","by John Howard Lawson","by John Howard Lawson","by John Garrett Underhill","by Freidrich Wolf, photocopy","by Friedrich Wolf","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by E. P. Conkle","by Claudia Hatch, photocopy","by Eldridge Lindsay","by Thornton Wilder","by Lawrence Langner and Armina Marshall Langner","by Leonora Kaghan and Anita Phillips","by Tonia Bakina","by Karel Capek","by Karel Capek","by Ferdinand Bruckner","by Ferdinand Bruckner","by Bradbury Foote","by Bradbury Foote","by Bradbury Foote","by Edward Stirling, Esq.","by Edward Stirling, Esq.","by Fred Ballard","by Blanding Sloan","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by L. Resnick","by Robert Sturgis, photocopy","by Fritz Karinthy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life, photocopy","by P. Washington Porter; A Tragedy of Negro Life","by P. Washington Porter; A Tragedy of Negro Life","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz, photocopy","by Oscar Saul and Lou Lantz","by Federal Theater Project, Los Angeles","by Federal Theater Project, Los Angeles","by Frances Montgomery","by Jan Klokog","as produced by the Federal Theater Project at Omaha, Nebraska","adapted for Buffalo Historical Marionette Theatre","by Lee Freeson","photocopy","by Richard Oliver; A Living Newspaper Play, photocopy","by Charles Vildrac","by Charles Vildrac","Dramatization of a food talk written by Misses McKeown, Spencer, and Sweet. Arranged by Elizabeth Kip","by Lynn Riggs","by Lynn Riggs","by Joseph Liss","by Joseph Liss","by John W. Dunn, (title on cover reads \"Socko, Jocko, Kicko\")","by John W. Dunn","by Edith Grossberg Whitesell","by Edith Grossberg Whitesell","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa, photocopy","by Margaret Lesueur and Momodu Johnson; a Drama of Native Africa","by Hassard Short and Maurice Henniquin","by Hall Johnson, photocopy","by Hall Johnson, photocopy","by Hall Johnson","Living Newspaper, photocopy","by Charles Vildrac","by Francisco Rodrigo","by Leonide Andreyeff","by A. Barto","by Lope de Vega","by Countee Cullen and Arna Bontemps, photocopy","by Countee Cullen and Arna Bontemps","by Upton Sinclair; A Little Play for the White Collar Folks,","by Upton Sinclair; A Little Play for the White Collar Folks,","by Robert A Bromley and Al Carthe","by Robert A Bromley and Al Carthe","by Paul Green","by Maxwell Anderson","by Maxwell Anderson","by Micha Hawkins","The Adventures of a Bunny","by Frances Lester Warner","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Daniel Reed from Julia Peterkin's Pulitzer Prize Novel","by Christobel Morley Cordell, photocopy","by Richard Brinsley Sheridan","by Maxwell Anderson","by Harold Whitehall","by Harold Whitehall","by Harold Whitehall","by Phyllis Clare Flannery; A Farce Satire, photocopy","by George Savage, Dramatist Guild Contest Play #60, photocopy","by George Savage, photocopy","by George Savage, Dramatist Guild Contest Play #60","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage, English Department, University of Washington, Seattle, Washington","by George Savage","by Elmer Rice","by Elmer Rice","by Bertolt Brecht, translated by Keene Wallis","by Leonard J. Tyle","by William Evans","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by Halsey Raines and Rayness Copeland, compiled and reconstructed in collaboration with Mr. Hyman Adler","by R. Edgar Moore","by R. Edgar Moore","by Florence Clothier; A Play of the Labrador Coast, photocopy","by Oliver Goldsmith; The Mistakes of a Night, photocopy","compiled from Old English nativity plays by Robert Larson","by Ruth Fenisong and Samuel Sayer","by Andrews and Anne Wilson Peabody","by George Kelly, version used by Negro Theatre Unit, New York City","by George Kelly","by Morgan Burke","by Morgan Burke","by Robert K. Ryland","photocopy","by Howard Koch","by Howard Koch","by Sholem Ash","by Isabel Anderson (Mrs. Larz Anderson)","by Fall River, photocopy","by F. S. Hill","by Miles Malleson","by Janet Hartman and Hallie Flanagan, photocopy","by Buell R. Fuller and Stephen Weiss","by Sedarmee Club Madison House","by Jo Basshe, photocopy","by Robert A. Bromley and Al Carthe","by Robert A. Bromley and Al Carthe","by Betty Smith","by Joseph Lawrence, photocopy","by Joseph Lawrence","by H. Leivick","an ancient Japanese farce translated by Michio Itow and Louis V. Ledoux","by Grace Welsh Lutgen, photocopy","by J. S. Coppard","by B. R. Fuller","photocopy","photocopy","by Eugene Deaderick, Cyrilla P. Lindner, Max Mansbach, Lorin Raker; A Living Newspaper, photocopy","three copies, acting edition by Fulton Oursler and Lowell Brentano published by Samuel French, Inc.","by Arnold Sundgaard, photocopy","by Arnold Sundgaard, photocopy","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by Arnold Sundgaard","by James P. Judge","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Valentine Katayev (Kataev)","by Helen Fitzgerald","by Victor Victor","by Victor Victor","by Robert Ardrey; A Comedy, photocopy","by Robert Ardrey; A Comedy","by Ward Courtney; a Living Newspaper Play, photocopy","by Ward Courtney; a Living Newspaper Play, photocopy","by Otis Chatfield-Taylor, photocopy","by Charles Irving","by Charles Irving","photocopy","by Harold Robbins","by Elmer Rice","by Paul Peters and George Sklar","by Robert T. Colwell and Robert A. Simon","by Elmer Rice","by Elmer Rice","by Paul Tripp","by Mary Manning","by Mary Manning","by Barrie and Leonia Stavis","by Barrie and Leonia Stavis","by Henry C. Haskell","by Henry C. Haskell","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray","by Theodore Pezman and Donald Murray, photocopy","by Lula Vollmer","by Norman Foster and Harry Hamilton","by Norman Foster and Harry Hamilton","by Georgie Douglass Johnson","by George Cram Cook and Susan Glaspell","by C. Liberman","by August Strindberg","photocopy","Federal Theatre of Oklahoma","by Maurice Stoller","by Katharine Clugston","by Katharine Clugston","by Katharine Clugston","by David Pinski, photocopy","by David Pinski","by David Pinski","by David Pinsky","by William Shakespeare","by William Shakespeare","by William Shakespeare","by William Shakespeare","by David Lano","Vagabond Puppeteers for the Federal Theatre of Oklahoma","by Shotwell Callvert, photocopy","by William dorsey Blake; A Living Newspaper Play, photocopy","by Anthony Armstrong","by Charles H. Hoyt","by Charles H. Hoyt","by Florine Schwartz; A Play for Children, photocopy","by Anna M. Lutkenhaus, photocopy","by Arthur A. Miller, photocopy","by Ivan Rowan and Martin Delman","by Ivan Rowan and Martin Delman","by Raymond Bond","by Raymond Bond","by Raymond Bond","by William Kozlenko","by Converse Tyler","by Converse Tyler","by Converse Tyler","by Knox Herold","by Betty Smith","by Yury Olesha","by Yury Olesha","by Gertrude Tonkonogy, photocopy","by Marita Rosler","by Myrtly Mary Moss and Burke Ormsby; A play on deforestation and reforestation, first version, Seattle, photocopy","by Marie Baume from the novel by Leane Zugsmith; photocopy","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by Marie Baume from the novel by Leane Zugsmith","by William Shakespeare","by William Shakespeare","by William Shakespeare","by James Bridie","by Samuel Sayer","by Robert Wallsten","by Isabel Barber; A dramatist guild contest play #552","by Isabel Barber","by Isabel Barber","by John Broome, photocopy","by John Broome","by Ruth Fenisong","by Ruth Fenisong","by Robinson Jeffers; A Play in Poetic Form, photocopy","by Robinson Jeffers; A Play in Poetic Form","by George Murray and David Pelts; A Living Newspaper on Pensions; photocopy","by Philip Stevenson","by Rose Carlyn","by Jules Eckert Goodman, photocopy","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Jules Eckert Goodman","by Remo Bufano","by Remo Bufano","by Stephen Spender","by Hughes Allison, photocopy","by Hughes Allison, photocopy","by Hughes Allison","by Hughes Allison","by Hughes Allison","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North","by Ward Courtney; The Moon is Steel; Carnival for Bolt; North, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent, photocopy","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","written by the editorial staff of the Living Newspaper under the supervision of Arthur Arent","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","reissued, written by the editorial staff of the Living Newspaper Federal Theatre Project for New York City","Based on Homer and Euripides, includes photocopied program, photocopy","Based on Trojan Women of Euripides","Based on Trojan Women of Euripides","by Philip H. Davis","translated by Edith Hamilton","translated by Edith Hamilton","translated by Edith Hamilton","by Eleanor Phelps, photocopy","by Langston Hughes, photocopy","by Langston Hughes","by Langston Hughes","by Harry Sackler","Content Warning: racist language/slurs in text. By J. A. Smith and P. Morell, a folk drama of the Florida Pine woods, photocopy.","by J. M. Barrie","by McElbert Moore","by McElbert Moore","by H. R. Lenormand","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by Gene Stone and Jack Robinson","by A. Barto","by E. P. Conkle","by Whitfield Cook, photocopy","by Whitfield Cook","by Whitfield Cook","by Robert Larson","Jacksonville, Florida script 1939, photocopy","by Anton Chekhov","by Augustin Daly","by Bernice McQuilken","by Gene Buck","by Helen Fitzgerald","by Mrs. William Hyman","by Charles Allen Smart","by Vincent Moran","by Vincent Moran","by Karl Gutzkov","by Eden White; A Rollicking Comedy","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","edited by Alma M. Shaw; collection of five marionette plays: Chisba Ohoyo, K. P. the Tenderfoot, Socko-Jocko-Kicko, Flopsy-Topsy-Bowser, Swing Low","by Ruth Fenisong","by Marietta Fouche","by Marietta Fouche","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by A. E. Thomas and Jack Haussmann","by I. L. Peretz","by John F. Burns","by Stefan Zweig","photocopy","Living Newspaper","by Caroline C. Lovell","by William C. de Mille","by William C. de Mille","by Percy Mackaye","by William L. Price","by Frances Gordon Strunsky","by Helen Gholson Kittredge","by Irving R. Kapner","translated from the Yiddish by Julius Schmerler and Isidore Edelman, photocopy","by Elmer Rice, photocopy","by Elmer Rice","by Gerhart Hauptmann","by Eugene O'Neill","translated from the Russian by Aaron Chorover","by W. Alan Coutts","by Rose Carlyn","by Ten Orcross","by Ten Orcross","by George H. Broadhurst","by Philip Stevenson","by Philip Stevenson","by Charles Zerner and Ben S. Gross","by Albert Hackett","by J. Sackville Martin and Carl E. Freybe","by J. Sackville Martin and Carl E. Freybe","by Katherine Peabody Gurling","by A. Barto","by John Bowaldeth","by Lelia May Smith","by Harry B. Smith","by Converse Tyler","by Lucien Chantel","by John Emerson and Anita Loos","by Harlan E. Glazier","by Paul Green","by Joseph Liss","by Clemence Dane, photocopy","by David Pay Robinson","by Marcus L. Bach","by Marcus L. Bach","by Marcus L. Bach (revised Chicago version)","by Kenneth White","by Rae Abraham","by Allan Davis","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Romain Rolland","by Samuel Jesse Warshawsky, photocopy","by Buell R. Fuller","by Virgil L. Baker","by Charles Frederic Nirdlinger","by Charles Frederic Nirdlinger","by Charles Bruce Millholland","by Charles Bruce Millholland","by Edward Lynn","by Josef and Karel Capek","by Molly Day Thacher, photocopy","by Tom Jewett","by Chase Varney","by Chase Varney","by Chase Varney","by Jakob Loewenberg","by Peter Arnow","by Mark Reed","by Ulysses S. Elam","by Bernard Shaw","by Bernard Shaw","by Rose Carlyn","by Margaret Knox and Anna M. Lufkenhaus","by Dorothy L. Sayers","by M. Daniel","Subseries 3.2 includes radio scripts. Series of shows include topics such as art, children's shows, mysteries, health, music, history, and science. Arranged alphabetically by series and single broadcast title.","by Howard Warwick","by Gene Stafford","photocopy","by Arthur McCaffery","by Charles Brownell","by Friedrich Wolfe","by Howard Koch","by Leo Fontaine","two versions, one with accompanying letter from Charles Hopkins to George Gerwing requesting \"clearance for New York State of the radio script 'Crime Prevention', episode 4\"","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Barrie Williams, photocopy and original","by William MacHarg, dramatized by Barrie Williams","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Leo Fontaine","by William MacHarg, dramatized by Harold Hartogensis","by Boyd","by Philip Massinger, adapted by Leah Jonas","by Ben Jonson, adapted by Leah Jonas","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Leo Fontaine","by Sergei Prokofiev, 5 front pages and 2 full copies","by Ludwig van Beethoven, interpreted in an original dramatization by Cecil Stevenson","by Richard Wright","by Pauline Simmons","by Marshall Davidson","by Martha Foley","by Dr. Charles Russell","by A. Hyatt Mayor","by David Canfield","by David Canfield","by David Canfield","by Morris Watson","interview with Martha Graham and Leah Plotkin","interview with Pietro di Donato and Leah Plotkin","interview with Estelle Liebling and Leah Plotkin","by Howard Koch adapted by Lawrence Levey (photocopy and original)","by Barrie and Leona Stavis, adapted by Edward Morton","by Theodore Pezman and Donald Murray, adapted by Edward Morton","by Carl Glick, adapted by Philip Ansel Roll","photocopy","by Karl Barron","by Phyllis Frederic","by Phyllis Frederic","adapted by Cecil Stevenson","adapted by Charles Crumpton","by Michael Davidson","by Matty Cohen and B. F. Kamsler","by Edward H. Smith","by Lewis W. Moyer","by Lewis W. Moyer","by Joseph W. Miller","both by Jeanette Despres","by Edward H. Smith","by Georgia Fawcett, first 25 pages","both by Jeanette Despres","by Michael Davidson","by unknown; by Harry Goldsmith","by John T. Mole","by Gertrude Onnen and Phyllis Frederic; by Jeanette Despres","by Phyllis Frederic","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted by Harry Goldsmith, photocopy","by Henrik Ibsen, adapted and directed by Donald Macfarlane","by Henrik Ibsen, adapted and directed by Donald Macfarlane, photocopy","by Henrik Ibsen, adapted by Charles Crumpton, photocopy","by Henrik Ibsen, adapted by Lewis Meyer","by Henrik Ibsen, adapted by Georgia Fawcett, photocopy","by Clifford Odets, adapted by Maurice Kurtz","by Jules Verne, adapted by Lewis W. Moyer","by Jules Verne, adapted by W. M. Sutton","by Jules Verne, adapted by George Thorp","by Harold Parke Godwin; by Frederick Prokosch","by Arthur McCaffery, incomplete copy - first 13 pages","by Michael Davidson","by Paul de Kruif","by Lawrence Bearson; by Leo Fontaine","by T. O. Day","by Maxine Schiel, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by John Fleming, photocopy","by Jack Barefield, photocopy","by Georgia Backus, photocopy","by Maxine Schiel, photocopy","by Ben Hawthorne, photocopy","by John Fleming, photocopy","by Arthur Arendt","by David Lesan","by David Lesan","by William N. Robson","dramatization by Robert Lewis Shayon","by Edward Solomon","by Bucalossi","by Michael William Balfe","by Robert Planquette; by F. C. Burnand and Sir Arthur Sullivan","by Charles Lecocq","by Sidney Jones","by Sidney Jones","by Charles Lecocq","by Karl W. Schulz","by W. Vincent Wallace","by W. Vincent Wallace","by Edmond Audran","by Robert Planquette","by Edmond Audran","by Robert Planquette","by Lajos Serly","by Sir William S. Gilbert and Sir Arthur Sullivan","by Oscar Wilde, adapted by Donald Macfarlane, photocopy","by Oscar Wilde, adapted and directed by Donald MacFarlane, photocopy","by Oscar Wilde, adapted by Lews W. Moyer, photocopy","by Oscar Wilde, adapted by Charles Crumpton","by Rose Albert Porter","by Rose Albert Porter","by Rose Albert Porter","by George J. Thorp","by George J. Thorp","by George J. Thorp","by Sylvia Altman","by Sylvia Altman and Jeanette Gussin","by Charles Dickens adapted by Cecil Stevenson","by Charles Dickens adapted by Cecil Stevenson","by Victor E. Smith; by Joel Hammil","by Will Glickman","by Phyllis Frederic","by Lewis W. Moyer; by W. M. Sutton","by John I. Mole","by Victor E. Smith","by Victor E. Smith","by Maxwell Wolodin; by Edward H. Smith","by Victor E. Smith; by John I. Mole","by Lewis W. Moyer; by Michael Davidson","by Will Glickman","by Phyllis Frederic","by Lee Fontainbleu; by Laurence U. Shloss","by Edward H. Smith","by Georgia Fawcett","by Georgia Fawcett","by Georgia Fawcett","by Henrik Ibsen, adapted by Harry Goldsmith; by Carlo Goldoni","by John I. Mole","by Pietro di Donato, adapted by Lawrence Bearson; by Nelson S. Bond, adapted by Will Glickman","By Herbert Lewis; by Bob Frank","by Bob Frank","by Bob Frank","by Carlo Goldoni, adapted by Ysobel Martin; by Henrik Ibsen, adapted by Lewis Moyer","by Paul Vulpius, adapted by Barry Williams","by Captain Frederick Marryat, adapted by Lewis Moyer; by Paul Vulpius, adapted by Barry Williams","by Jacland Marmur, adapted by Victor E. Smith; by Lionel Wiggam, adapted by Margorie Hutton","by George Harmon Coxe, adapted by Victor E. Smith","by George Harmon Coxe, adapted by Victor E. Smith; by Laura Z. Hobson, adapted by Lawrence Bearson","by Laura Z. Hobson, adapted by Lawrence Bearson","by Jerome Beatty, adapted by Victor E. Smith","by Manuel Komroff, adapted by Joel Hammil","by Andreas Latzko, adapted by Lawrence Menkin and Evan Roberts","by George Rolland","by George Rolland","by Barrie Williams; by Brian J. Byrne","by Dean Charel","by Dean Charel","by Dean Charel","by Frank Burrill","by Dean Charel","by Victor E. Smith","by Herb Meadow; adaptation by Joel Hammil and Leo Fontaine","by A. L. Tyler","photocopy","by Hugh Lester","by Leo Fontaine","by Harold Hartogensis; by Phyllis Frederic","by Benet Costa, photocopy","by Jane Ashman; also includes Women as Homemakers first page","by Leo Fontaine, photocopy","Subseries 3.3 consists of play lists. These lists were created to aid play selection among the various units of the Federal Theatre. Lists are arranged alphabetically by subject categories such as children's plays, historical drama, holidays, minstrel shows, operettas, puppet plays, and vaudeville.","Series 4 is titled Production Records and consists of three subseries: Production Title File, Playbills and Programs, and Music File. Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title. Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements. Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","Subseries 4.1 includes memoranda, production bulletins, publicity, and reports relating to play productions. Each production bulletin contains some or all of the following: synopsis, director's report, set and costume designs, lighting scheme, blueprints, photographs, program, reviews, royalty information, and a script. Arranged alphabetically by title.","Proposed treatment for dramatization of the book Rebel, Priest, Prophet; background material; review by Samuel Kreiter; \"Research for McGlynn play\". Research by Edward Riley","Subseries 4.2 includes programs, heralds, handbills, and other announcements of FTP productions on different sized and colored paper. The first section of this subseries is arranged alphabetically by state in which the performance was produced and then it is arranged alphabetically by play title. The second section is arranged alphabetically by play title. There may be duplicates between the two arrangements.","American Holiday; Distant Drums; It Can't Happen Here; The Night of January 16th; Swamp Mud","The Cat and the Canary; Chalk Dust; Cradle Snatchers; The Enchanted April; Enter Madame; The Fightin' Fool; Habit; Journey's End; Kick In; Know Your Onions; Ladies of the Jury; Laff That Off; Murray Hill; Nice People; Octoroon; Old Autumn; Oliver Oliver; Outward Bound; The Pursuit of Happiness; Saturday's Children; So What; The Squall; The Telephone Exchange; This Thing Called Love; To The Ladies; Vaudeville Frolic; What Anne Brought Home","Accent on Youth; Ah, Wilderness!; The Alarm Clock; The Amazing Dr. Clitterhouse; American Holidays; Androcles and the Lion; Another Language; A Bill of Divorcement; The Bird of Paradise; The Bishop Misbehaves; The Black Crook; Black Empire; Boy Meets Girl; Brothers; Captain Brassbound's Conversion; Class of '29; Ceasar and Cleopatra; The Devil Passes; Dracula; An Enemy of the People; Excerpts from the Plays of William Shakespeare; Everyman; Excursion","Festival of Modern Dance; The First Legion; God of Vengeance; Green Grow the Lilacs; Having Wonderful Time; Hell-Bent for Heaven; High Tor; I Want a Policeman; It Might Happen To You; It Can't Happen Here; John Henry; Johnny Johnson; Judgment Day; Lady of Letters; Laff That Off; Like Falling Leaves; Machine Age; Marionette Vaudeville; Mary Stuart; Mary's Other Husband; The Merchant of Venice; The Merry Wives of Windsor; Meteor; Miss Quis; Music in Fairyland","The Nativity; Night Must Fall; The Night of January 16th; The Nineth Guest; Noah; One Sunday Afternoon; Old Autumn; Oliver, Oliver; The People's Choice; Penny Wise; Petticoat Parade; Post Road; Professor Mamlock; Purple is as Purple Does; The Pursuit of Happiness; The Queen's Husband; Ready! Aim! Fire!; Revue of Reviews; Roaring Girl; Room Service; Run, Little Chillun; The Sap; The Ship; Souvenir du Bal Musette; Squaring the Circle","The Sun Rises in the West; The \"Swing\" Mikado; To the Ladies; The Treasure; Two-A-Day; The Weavers; What a Woman Wants; Will Shakespeare; Yankel Boyla","Class of '29; Follow the Parade; 7th Heaven; The Warrior's Husband; Yankel Boyla","Programs from \"Folk plays of the Carolina playmakers\"","The Adding Machine; Androcles and the Lion; The Animal Kingdom; Behold This Dreamer; Censored; Hell Bent for Heaven; If Ye Break Faith; Invitation to Murder; It Can't Happen Here; Lady of Letters; Night Must Fall; Post Road; The Warrior's Husband","Abu Hassan, The Princess and the Pea; Accent on Youth; Americana; Anna Christie; Barbara Frietchie; The Bluebird; Blind Alley; Cellini; Class of '29; Counsellor-At-Law; The Curtain Rises; The Dark Tower; The Devil Passes; The Devil of Pisa; Double Door; Early to Rise; The Emperor Jones; Fancy That; The Field God; The First Legion; Good-Bye Again; The Great Barrington; Haiti; Help Yourself; Hollywood Extra; The House of Fear","In Abraham's Bosom; In Praise of Husbands; It Can't Happen Here; Jericho; Just Like That; Laburnum Grove; Liliom; Macbeth; Mad Hopes; March Hares; Men Must Fight; Mississippi Rainbow; A Moral Entertainment; No More Frontier; No More Ladies; Noah; One-Third of a Nation; The Sabine Women; The Shannons of Broadway; She Passed Through Lorraine; The Solitaire Man; Snowdrop and the Seven Dwarfs; Spread Eagle; Tamed and How; The Tavern","Ten Minute Alibi; Tons of Money; The Trial of Mary Dugan; The Very Great Man; The Wasp's Nest; Whistling in the Dark; The Wisdom Tooth; The World We Live In; The Would-Be Gentleman; Wuthering Heights","The Girl of the Golden West; It Can't Happen Here; 16 Headline Acts of Vaudeville","Anna Christie; Boy Meets Girl; By Candlelight; Fly Away Home; The Last Enemy; Mary the Third; One More Spring","Hamlet; Hell's Holler Revue; It Can't Happen Here; Spirochete; Lightnin'; Street Scene; Triple A Plowed Under","The Deluge; It Can't Happen Here; Sis Hopkins; They Knew What They Wanted","Blind Alley; Brothers; It Can't Happen Here; Rachel's Man","One-Third of a Nation; Roll Sweet Chariot; Room Service","Big Vaudeville Musical Revue  (79 copies from different performances around Maine)","Announcing Her Confession; Chalk Dust; A Christmas Carol; The Goose Hangs High; The Idiot; It Can't Happen Here; The Mad Hopes; Swanee Minstrels; Vaudeville; What Would You Do","It Can't Happen Here; Liliom; The Road to Rome","Ladies of the Jury","It Can't Happen Here","Vodvil Show  (vaudeville)","It Can't Happen Here","Programs:  Adalante; Americanism and National Defense Program; The Bad Man; Backwash; The Ballad of Davy Crockett; Be Seated; Buffalo Historical Marionettes; The Case of Philip Lawrence; Chalk Dust; The Cherokee Night; Children's Autumn Festival; The Children's Holiday Festival; Clap Hands; Class of '29; Community Drama Spring Tournament; Criminal at Large; The Dance of Death; Dance Program for Young Folk; Doctor Faustus (The Tragical History of); Easter Festival for Children; The Eternal Prodigal; Eugene O'Neill's One Act Plays of the Sea; Hansel and Gretel and String Fever; A Hero is Born; How Long Brethren?; Holy Night; Horse Play; It Can't Happen Here; Jefferson Davis; Life and Death of an American; The Lights O' London; Love in Humble Life; Lucy Stone; Macbeth; Machine Age; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Murder in the Cathedral; Native Ground; Noah; On the Rocks; The Path of Flowers; Pinocchio; Processional","Buffalo Historical Marionettes available in digital format.","Programs:  Professor Mamlock; Power; Revolt of the Beavers; Seemans Ballade; She Stoops to Conquer; The Show-Off; Showing Off; The Silver Cord; Stars on Strings; Sweet Land; The Sun and I; The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tons of Money; Trial by Jury; The Trial of Doctor Beck; Turpentine; Twelfth Night; Varieties of 1939; A Woman of Destiny; Williamsville's Old Home Day; Young Tramps","Flyers and playbills: Current productions flyer -  Big Blow, Prologue to Glory, One-Third of a Nation, On the Rocks; Another Language  (9 copies);  The Bat  (3 copies); Buffalo Historical Marionettes Benefit Performance; Children's Autumn Festival;  The Cradle Will Rock; The Emperor's New Clothes  (3 copies);  Fair and Warmer; Flight; Horse Eats Hat; Horse Play; How Long Brethren?; Iolanthe  (4 copies);  It Can't Happen Here  (14 copies);  Life and Death of an American; Moving Along  (2 copies);  Oliver Twist The Path of Flowers; The Perfect Alibi; Power; Processional; Professor Mamlock; Swing It; School for Scandal  (10 copies) ","Buffalo Historical Marionettes Benefit Performance is available in digital format.","Flyers and playbills:  Sing for Your Supper; Tom Thumb Circus; Tons of Money; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Varieties of 1938; Varieties of 1939; Vaudeville; Walk Together Chillun; We Live and Laugh . 8.5x14\" flyers and playbills:  Adam and Eva; All American Minstrels; Ask Dad; Awake and Sing; The Barker; Bassa Moona; Circus; The Emperor's New Clothes; H.M.S. Pinafore; Haiti; Mikado; The Perfect Alibi; Revolt of the Beavers; Sun-Up; Vaudeville; A Woman of Destiny","Newspaper format program for  One-Third of a Nation . Volume V number 3 to number 14","Newspaper format program for  One-Third of a Nation . Volume V number 15-17, 19-23","Newspaper format program for  Power . Volume II number 1, Volume III number 1","Criminal at Large","Her Majesty the Widow","Personal Appearance","Post Road","Remember the Day","Saturday's Children","Tamed and How","Another Language; The Barker; The Old Maid; There's Always Juliet","As Husbands Go; I Want a Policeman","The First Mrs. Fraser","The Good Fairy","It's a Wise Child","The Late Christopher Bean","Ned McCobbs Daughter","Possession","Sun Up","Tea for Three","They Knew What They Wanted","Three Cornered Moon","Fresh Fields","First Lady; The Garden Circus; Heavenly Bound; Heidi; Outward Bound; Sherlock Holmes - A Study in Scarlet; The Silver Thread; Three One Act Plays - A Rocky Mount, The Valiant, The Flattering World; The Unseen and Another Beginning","The Bad Man; Boy Meets Girl; The Christmas Carol ; Federal Theatre for Youth (overview);  The First Legion; It Can't Happen Here; Noah; Robin Hood; The Trial of Mary Dugan; Triple A Plowed Under","Alice in Wonderland; Counsellor-At-Law; One-Third of a Nation ; Third Annual Central Oklahoma Folk Festival;","The Living Newspaper ( One-Third of a Nation );  Prelude to Spring ; Puppet Pageant at the Philadelphia Museum of Art;  Stepping Stars ; Vaudeville","Christmas with Dickens","Alice in Wonderland; Black Empire; Brer Rabbit and the Tar Baby; Counsellor-at-Law; Is Zat So; It Can't Happen Here; The Pursuit of Happiness; See How They Run; Stevedore","Green Grow the Lilacs; Old Heidelberg","photocopies, many with original performance dates handwritten on them -  Adelante; Battle Hymn; Beyond the Horizon; Big Blow; Black Empire; Both Your Houses; Children's Autumn Festival; Class of '29; The Cradle Will Rock; Dance of Death; The Devil Passes; Doctor Faustus; The Emperor's New Clothes; Fantasy 1939; Frankie and Johnny; Fly Away Home; Green Grow the Lilacs; Hell Bent Fer Heaven; Help Yourself; Horse Eats Hat; How Long Brethren?; A Doris Humphrey-Charles Weidman Dance Program; It Can't Happen Here; Johnny Johnson; Judgment Day; The Lonely Man; The Long Voyage Home; Madame X; The Man in the Tree; The Merchant of Venice; The Milky Way; Night Must Fall; O Say Can You Sing; One Sunday Afternoon; One-Third of a Nation; Outward Bound; Pinocchio; Power; Prologue to Glory; The Pursuit of Happiness; Ready! Aim! Fire!; Redemption; The Revolt of the Beavers; Sing For Your Supper; Six Characters in Search of an Author; Spirochete; The Story of Ferdinand; The Sun and I; The Sun Rises in the West; Swing Parade; The Taming of the Shrew; Trojan Incident; Twelfth Night; The Twilight of the Theatre; When Knighthood was in Flower; The Young Choreographers Laboratory; Young Tramps . Photocopies.","Adam and Eva; Adelante; The All-American Minstrels; Androcles and the Lion; Another Language; Ask Dad; Awake and Sing","Oversize posters where each poster is a piece of a larger whole. There are seven pieces for  Alison's House  and five for  The Warrior's Husband . Roughly each piece measures 42 inches high and 28 inches wide.","The Bad Man; Backwash; The Ballad of Davy Crockett; The Barker; Bassa Moona; The Bat; Battle Hymn; Be Seated; Big Blow","Oversize posters where each poster is a piece of a larger whole. There are three pieces for  Bill of Divorcement , two for  Blind Alley , two for  Gods of the Lightning , and one unknown. Roughly each piece measures 42 inches high and 28 inches wide. A smaller poster (22 inches high and 14 inches wide) is included for the play  Pursuit of Happiness  performed at the Mayan Theatre in Los Angeles in August of 1937.","The Case of Philip Lawrence; Chalk Dust; The Cherokee Night ; Circus - All New Acts Circus, Circus Fans' Night, Federal Theatre's Great 3 Ring Circus, W.P.A. Federal Circus, W.P.A. 3 Ring Circus,  The World's Greatest Circus; Class of '29 ; Community Drama Spring Tournament 1938; Community Drama Spring Tournament 1939;  Conjure Man Dies; Coriolanus; The Cradle Will Rock","The Dance of Death; A Dance Program for Young Folk; Doctor Faustus (The Tragical History of)","Einmal Mensch; The Emperor's New Clothes; An Enemy of the People; The Eternal Prodigal ; Eugene O'Neill's One-Act Plays of the Sea","Fair and Warmer; Fantasy 1939; Flight","H.M.S. Pinafore; Haiti; Hansel and Gretel and String Fever; Help Yourself; A Hero is Born; Holy Night; Horse Eats Hat; Horse Play; How Long Brethern","The Idle Inn; In Heaven and Earth; Injunction Granted!; Iolanthe; It Can't Happen Here","Life and Death of an American; The Lights O' London; Live Dolls on the Moon; Die Lokalbahn; Love in Humble Life; Lucy Stone","Macbeth; Machine Age; The Mikado; Mississippi Rainbow; Mr. Jiggins of Jigginstown; Moving Along; Murder in the Cathedral","Native Ground; No More Peace; Noah","On the Rocks; On Top; One-Third of a Nation; Outside Looking In","The Path of Flowers; Patience; The Perfect Alibi; The Pinocchio; The Pirates of Penzance; Power; Processional; Professor Mamlock; Prologue to Glory","Das Schlossgespenst der Meister Napoleons; School for Scandal; Seemanns Ballade; She Stoops to Conquer; The Show-Off; Showing Off; Sing for your Supper; Stars on Strings; Sweet Land; Swing It; Swing Mikado; The Sun and I; Sun-Up","The Tailor Becomes a Store Keeper; Taking the Air; Tobias and the Angel; Tom Thumb Circus; Treasure Hunt; Treasure Island; Trial by Jury; The Trial of Dr. Beck; Trojan Incident; Turpentine; Two Plays by Paul Green (Unto Such Glory, Hymn to the Rising Sun); Twelfth Night","The Variety Theatre (playbill); Vaudeville (126 flyers for different vaudeville shows and locations in New York City)","Programs, flyers, and playbills:  Walk Together Chillun; We Live and Laugh; A Woman of Destiny; The World we Live in","Programs, flyers, and playbills: Various plays in Yiddish;  The Young Choreographers Laboratory; Young Tramps; Der Zerbrochene Krug (The Broken Jug)","Subseries 4.3 includes manuscript scores and parts for multiple Federal Theatre productions. Resource material used for reference purposes for play productions and Federal Theatre units and regions throughout the United States consists of mostly printed music and is found under \"miscellaneous\". Chiefly arranged alphabetically by title and then according to standard orchestral instrument order. Some duplicates.","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","by Edna Rosalyne Heard, Los Angeles, California","includes music for piano, guitar, bassoon, violin 1, violin 2, trumpet 1, trumpet 2, tromone 1, drums, organ, cello, bass, by Edna Rosalyne Heard, Los Angeles, California","by Willy B. Stahl and Walter C. Schad, Los Angeles, California","includes music for piano, violin, male voices, bassoon, clarinet, trumpet, and bass","violin music, arranged by M. L. Lake","by Eddison von Ottenfeld","by Eddison von Ottenfeld","by Alex North","by Fred Miller Jr. and L. Leslie Loth","by Herbert Kingsley, New York, New York","includes music for \"I'm Happy About the Whole Thing\" by Harry Warren, and \"It's Never too Late\" by Carmen Lombardo and John Jacob Loeb. Los Angeles, California","music for \"It's No Fun\" by Charles Newman, Murray Mencher, and Milton Ager","music for vocal lead on \"Sweet by and by\"","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","by Eddison von Ottenfeld, Los Angeles, California","photocopy","photocopy","photocopy","photocopy","photocopy","photocopy","by Hans Bruno Meyer, New York, New York","violin music \"If She Says No\"","music for violin includes \"Alla Polacca de la Serenade Op. 8\", \"Moment Musical\", \"Marche all Turca\"","Chicago, Illinois","violin music \"Flow Gently, Sweet Afton\", Los Angeles, California","by Charles J. Levy","includes \"The Fortune Teller\"; \"That's Why Darkies Were Born\"; \"Smoke Gets in Your Eyes\"; \"Prohibition\"; \"The Barber of Seville\"; \"Three Lyric Pieces\"; miscellaneous violin and trombone; Avono Suite \"Largo\"","by Charles Wakefield Cadman","by R. E. Austin","by Irvin Cooper","[Eddison von Ottenfeld] Los Angeles, California","by Meyer Rappaport and Emile Cote","From the Metro-Goldwyn-Mayer production \"Ice Follies of 1939\", composed by Daniele Amfitheatrof","by Marshall Bartholomew","music by Genevieve Pitot, New York","by F. Melius Christiansen","by Paul Lincke","by Ralph Story","by Paul Lincke","by Mozart-Shelley","by Daniel Wood and Sumner Salter","Ernestine Valencia, arranged by Dan J. Michaud","by Edward Elgar and Arthur Fagge","by J. L. Molloy, arranged by N. Clifford Page. Stamped on cover \"Federal Project #1 Inspection Department\"","by Hans Bruno Meyer","by Hans Bruno Meyer","paraphrase for mixed voices by William Schaeffer","by Ivor Tchervanow and Ralph L. Baldwin","by Rimsky-Korsikoff, arranged by Jacob Schwartzdorf","by May H. Brahe","violin music, by Edna R. Heard","Piano music \"Party Entre Act 1-2\", Los Angeles, California","by Max Hirschfeld, New York, New York","by Jean Stor, New York, New York","by David Sheinfeld","by John Ansell","This series includes two coats and two pairs of pants created and used by the Federal Theatre Project.","Long red coat with black and gold striping, metal snap buttons, and hook enclosures. A gold crown is featured on the chest and back. The Inside label reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\"","A long coat, colored a black/brown with a single row of maroon buttons. The coat is trimmed with orange and green flower decoration along the collar, hem, cuffs, and buttons. A label inside the coat reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" Handwritten on the label is \"Bob Webber (Matt)\" and \"White Iolantia.\"","Two pairs of men's pants, one yellow, one red. Both pants stop below the knee. Both pants have a label that reads: \"Property of Theatre Workshop Costume Unit Drama Department Emergency Relief Bureau.\" In the waist band of the yellow pant the name Don Chiles is handwritten."],"userestrict_html_tesm":["\u003cp\u003eThe copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/).\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["The copyright and related rights status of this collection have not been evaluated (See http://rightsstatements.org/vocab/CNE/1.0/)."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0f4707cda45d410e12f09ae2a350510a\" label=\"Abstract\"\u003eThe Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies.\u003c/abstract\u003e"],"abstract_tesim":["The Federal Theatre Project collection contains administrative records, play service and research records, library records, production records, and costumes created or collected by the Federal Theatre Project from 1935 to 1939. A few items in the collection were created before or after this time period but directly relate to the 1930s material. This collection consists of original materials with some duplicates and photocopies."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d65479dc2ffe44debbb5af464a6479da\"\u003e\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2\u003c/physloc\u003e"],"physloc_tesim":["\nR 1, C 8, S 6 - C 9, S 7\n\nR 2, C 1, S 1 - C 8, S 3\nOS R 7, C 1, S1\nOS R 3, C 5, S 5 - S 6\nMap Case 9.1, 11.1, 11.3-11.5, 21.2"],"names_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"corpname_ssim":["George Mason University. Libraries. Special Collections Research Center","Federal Theatre Project (U.S.)"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3180,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-24T23:36:53.241Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vifgm_repositories_2_resources_331_c02_c02_c488"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"Alexandria Library","value":"Alexandria Library","hits":269},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Alexandria+Library"}},{"attributes":{"label":"College of William and Mary","value":"College of William and Mary","hits":4426},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=College+of+William+and+Mary"}},{"attributes":{"label":"Edgar Cayce Foundation","value":"Edgar Cayce Foundation","hits":43},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Edgar+Cayce+Foundation"}},{"attributes":{"label":"Fairfax County Public Library","value":"Fairfax County Public Library","hits":85},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Fairfax+County+Public+Library"}},{"attributes":{"label":"George Mason University","value":"George Mason University","hits":6453},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=George+Mason+University"}},{"attributes":{"label":"Hampden-Sydney College","value":"Hampden-Sydney College","hits":98},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Hampden-Sydney+College"}},{"attributes":{"label":"James Madison University","value":"James Madison University","hits":1023},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=James+Madison+University"}},{"attributes":{"label":"Library of Virginia","value":"Library of Virginia","hits":27},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Library+of+Virginia"}},{"attributes":{"label":"Longwood University","value":"Longwood University","hits":165},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Longwood+University"}},{"attributes":{"label":"Old Dominion University","value":"Old Dominion University","hits":846},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Old+Dominion+University"}},{"attributes":{"label":"Randolph-Macon College","value":"Randolph-Macon College","hits":13},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1936\u0026f%5Brepository%5D%5B%5D=Randolph-Macon+College"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1936"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"\"Brother Rat\" collection","value":"\"Brother Rat\" collection","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22Brother+Rat%22+collection\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"\"Glass Ceilings:  Highlights from the International Archive of Women in Architecture Center,\" selected exhibit panels","value":"\"Glass 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Kendall Journal\" Newspaper regarding Kendall Family Genealogy","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=%22The+Kendall+Journal%22+Newspaper+regarding+Kendall+Family+Genealogy\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"4-H Club (Chesterfield County, Va.) minute books","value":"4-H Club (Chesterfield County, Va.) minute books","hits":2},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Club+%28Chesterfield+County%2C+Va.%29+minute+books\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"4-H Project, West Virginia Flowers and Trees and Other Records","value":"4-H Project, West Virginia Flowers and Trees and Other Records","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=4-H+Project%2C+West+Virginia+Flowers+and+Trees+and+Other+Records\u0026f%5Bdate_range%5D%5B%5D=1936"}},{"attributes":{"label":"A. 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