{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=2830","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=2829","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=2831","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1934\u0026page=2853"},"meta":{"pages":{"current_page":2830,"next_page":2831,"prev_page":2829,"total_pages":2853,"limit_value":10,"offset_value":28290,"total_count":28525,"first_page?":false,"last_page?":false}},"data":[{"id":"viblbv_repositories_2_resources_1298_c01_c03_c36","type":"File","attributes":{"title":"Woolwine, W. D.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1298_c01_c03_c36#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_1298_c01_c03_c36","ref_ssm":["viblbv_repositories_2_resources_1298_c01_c03_c36"],"id":"viblbv_repositories_2_resources_1298_c01_c03_c36","ead_ssi":"viblbv_repositories_2_resources_1298","_root_":"viblbv_repositories_2_resources_1298","_nest_parent_":"viblbv_repositories_2_resources_1298_c01_c03","parent_ssi":"viblbv_repositories_2_resources_1298_c01_c03","parent_ssim":["viblbv_repositories_2_resources_1298","viblbv_repositories_2_resources_1298_c01","viblbv_repositories_2_resources_1298_c01_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_1298","viblbv_repositories_2_resources_1298_c01","viblbv_repositories_2_resources_1298_c01_c03"],"parent_unittitles_ssm":["Farrier Family Papers","Wooden Cabinet Files","Drawer 2, Farrier and Farrier alphabetical files, E-Z"],"parent_unittitles_tesim":["Farrier Family Papers","Wooden Cabinet Files","Drawer 2, Farrier and Farrier alphabetical files, E-Z"],"text":["Farrier Family Papers","Wooden Cabinet Files","Drawer 2, Farrier and Farrier alphabetical files, E-Z","Woolwine, W. D.","box 2"],"title_filing_ssi":"Woolwine, W. D.","title_ssm":["Woolwine, W. D."],"title_tesim":["Woolwine, W. D."],"unitdate_inclusive_ssm":["November 1926-November 1938"],"normalized_date_ssm":["1926/1938"],"normalized_title_ssm":["Woolwine, W. D."],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Farrier Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":64,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["Permission to publish material from Farrier Family Papers must be obtained from Special Collections and University Archives, Virginia Tech. Since this collection includes legal files, the ability to publish materials may be limited or restricted. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938],"containers_ssim":["box 2"],"_nest_path_":"/components#0/components#2/components#35","timestamp":"2026-05-21T02:24:17.029Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_1298","ead_ssi":"viblbv_repositories_2_resources_1298","_root_":"viblbv_repositories_2_resources_1298","_nest_parent_":"viblbv_repositories_2_resources_1298","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_1298.xml","title_filing_ssi":"Farrier Family Papers","title_ssm":["Farrier Family Papers"],"title_tesim":["Farrier Family Papers"],"unitdate_ssm":["1894-1972"],"unitdate_inclusive_ssm":["1894-1972"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["Ms.1974.011"],"text":["Ms.1974.011","Farrier Family Papers","Bland County (Va.)","Floyd County (Va.)","Giles County (Va.)","Local/Regional History and Appalachian South","Railroad","The collection is open for research.","The collection is in its original order from the time of its donation. Series are based on original order and descriptions.","Martin Pence Farrier (1869-1946) and his son, Andrew Lewis Farrier (1895-1972) were lawyers in Pearisburg, Giles County, Virginia. Their law firm represented some of the most important industries in Southwest Virginia, including the Norfolk and Western Railway Company, Appalachian Power Company, and several coal and lumber interests. ","M. P. Farrier was a clerk for Giles County, Virginia as early as 1894. He qualified to practice law on February 1, 1904, and then formed a partnership with Judge Martin Williams (1858-1934), which lasted until January 1, 1920. Farrier represented Giles and Bland counties in the Virginia House of Delegates from 1922 through 1923. In March 1923, he became Commissioner of Accounts for Giles County. The Williams and Farrier law firm reformed from January 1, 1924 thru July 1, 1934, when Farrier was appointed Trial Justice of Giles County. During this time period, M. P. Farrier also served as Treasurer of Bland County Lumber Company and Vice-President and member of the Board of Directors of Buchanan Coal Land Corp. ","A. L. Farrier served during World War I. He studied law under his father and qualified to practice in December 1938. A. L. and M. P. Farrier joined in a legal partnership on January 1, 1939. The partnership lasted until M. P. Farrier's death in 1946, and A. L. continued to practice law until his death in 1972.","Both men are buried in Birchlawn Burial Park in Pearisburg, Virginia.","The guide to the Farrier Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ ).","The collection is in its original order from the time of donation. Several set of files were rehoused in new boxes in 2011. The finding aid is from existing inventories and research done at the time of donation in 1974. Some descriptive information was added in 2013 and 2014. In 2017-2018, efforts were made to clean up the inventory, which had previously identified the materials as \"Box #\" with a date. Boxes were given titles based on the general contents included and the existing dates. In 2021, additional description was completed, including expanded Biographical Note, added Separated Materials note, updated and new inventory scope notes and box titles, and series imposed based upon 1974 descriptions.","The collection includes files from the firm of Williams and Farrier, later Farrier and Farrier. Materials include copies of deeds, title searches, land transactions, estate matters, loan contracts, divorce suits, small claims collection suits, ledgers, and correspondence. Additional details of some files are included in the original inventories, available on request.","Two series of files from a wooden cabinet. The first set deals mainly with land and estate matters, mostly from the early 1940s. The second set concerns estates. Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier and of Martin Williams and M. P. Farrier.","Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier.","Typed and hand written material concerning land transactions between Welford W. Dowdy and Virginia Dowdy Broadwell, Clarence Sarver, et al, and Everett Scott, Riley Warden and A. B. Allen, Henry Dalton and J.F. Rushbrook, Hallie Porterfield Stower and F. R. Parr and a title to the Mountain View Subdivision in Pearisburg, Va.","Farrier and Farrier negotiate several land transactions between Giles County land owners and the USDA Forest Service. Owners are trying to capitalize on the high demand for lumber resulting from its new usage in World War II.","Slight material concerning debts and taxes of the Little Stony Game and Fish Preserve, and a statement declaring M. P. Farrier trustee of the Preserve. See Federal Forest Service file concerning sale of the Preserve.","Various wills, presumably written by A. L. Farrier, for the following people: John H. Givens; Erastus E. Cook; Walter Gauties; James M. Dillard; Ada S. Lambert; Vance S. Lambert; William T. Doyle; Grace J. Kirk; G. A. Kessinger; and John Hundley Eller.","Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier.","An association of southwest Virginia businessmen, including M. P. Farrier, F. E. and W. B. Snidow, Martin Williams, and other prominent Giles County men, established for the purpose of exploiting coal and gas deposits in the area. The company does not appear to have done well. File contains mostly handwritten statements concerning debts and assets.","Substantial correspondence with Bancroft-Whitney Co. concerning the purchases of law books by M. P. and A. L. Farrier.","When the Bland County Lumber Co. went bankrupt some time after 1936, a commissioner was appointed to investigate the company's liabilities and assets. Material in this file consists mainly of M. P. Farrier's handwritten answers to a series of questions put to him by the commissioner. Farrier gives detailed information concerning land holdings and company debts. See related Bland Lumber Co. files (Bland County Lumber Co. v. Mrs. A. A. Strange and Bland Lumber Company Maps).","In his capacity as County Commissioner of Accounts, M. P. Farrier reviewed the accounts submitted by the administrator for the following estates: M. E. Gooch; A. J. Straley; O. S. Dillow; J. A. Stafford; W. E. P. Lucus; W. B. Staffoed; A. J. Smith; I. W. Peters; W. L. Price; J. A. Gusler; C. W. Shannon; L. A. Ritter; C. W. Straley; J. A. Bane; G. M. Henderson; and C. W. Meredith. He likewise reviewed the accounts submitted by guardians for the following people: A. J. Smith; W. O. Smith; M. L. Collins; M. W. Runions. January 1928-January 1938.","Similar to the above for following estates: J. W. T. Henderson; J. D. French; J. W. Stafford; E. G. Sarver; M. S. Woodyard; J. R. Emmons; M. T. Barger; W. A. Johnson; E. S. Johnson; J. F. Jewel; and John Brill. Also for guardians of M. L. Collins; Dewey and Almoa Daves; Margaret McNeely; George Akers, and Lewis Rowe. May 1934-November 1939.","M. P. Farrier, as Commissioner of Accounts for Giles County, reviews the statements of Minnie F. Davis, guardian for Leonard A. French, a minor.","Similar to above files for following estates: G. G. Lindsey; S. K. Bane; J. E. Tripton; M. G. J. Snidow; G. T. Fuller; P. N. Southern; J. H. Spangler; J. R. Johnston; A. E. Dunford; M. W. Mallory; Edward Lowe; Fount Johnson; J. T. S. Hoge; R. L. Elmore; J. W. Turner; J. M. Ratcliff; J. M. Farley; J. M. Givens. Likewise for the guardians of Donald and Arthur Stafford; M. L. Collins; Frank and Mary L. Johnston; L. B. and M. W. Bowen; O. B. Snidow; A. E. Epling; trusteeship over Harry J. James. April 1936-October 1940.","Similar to the above for the following estates: L. S. McElroth; E. B. French; M.E. Mottesheard; D. F. Hale; S. C. Overstreet; F. W. Williams; P. J. Muncy; S. D. Lucas; L. J. Smith; Albert Hutchinson; Sylvester Snodgrass; H. W. Morris; S. T. Pack; C. L. Simpkins; G. H. Dennis; W. B. Knight; I. P. Thompson; G. A. Shumate; Tom Smith; W. S. Dean; J. W. Turner; Frances Williams; N. E. Buckland; A. J. Straley; F. L. Johnston; J. L. Straley; and B. S. Huffman. Also for guardians of Robert Croy; Ernest Robertson; Fay, Louise, Irene and Johnston Smith; Brackett Porterfield; Rhoda E. Eplling; Llwellyn and Mary T. Johnson; Lula Porterfield; M. E. Stafford; Ilean and Crackett Straley; L. A. French; and Larry Woodyard. Wills of J. A. Adair and W. F. Webb. December 1922-April 1933.","Similar to above for the following estates: W. D. Ratcliff; E. S. Ratcliff; J. W. Meredith; L. M. Whittaker; A. J. Straley; J. E. Carson; F. H. Stafford; J. S. Eaton; E. J. Morris; H. H. Smith; S. K. Woods; Joshua Radford; A. W. Snidow; G. G. Lindsey; P. B. Wimmer and O. L. Williams. Also for guardians of Goodlow Straley, Johnson Smith, and I. S. Vaught. April 1937-January 1939.","Similar to above for the following estates: G. W. Nowlin; L. M. Thompson; J. D. Mann; A. B. hare; Sallie Hambrick; R. A. Pauley; S. V. White; A. D. Collins; A. P. Saunders; J. R. Emmons; Annie Dickinson; W. H. Thomas; J. M. Wright; C. B. Williams; G. L. Bane; W. T. Kirk; Louise Jarvis; S. L. Buckland; H. W. Mann; B. F. Riddle; M. F. Cooper; R. V. Wheeler; J. J. Topsail; G. G. Lindsey. Also for the guardians of Louis and O. P. Ferrell and Polly Ann and J. A. Eppley. September 1938-October 1943.","Similar to the above for the following estates: E. L. Buchanan; E. E. Montgomery; J. T. Bishop; M. A. Muncy; J. H. Duncan; Gertude Fisher; W. H. Reynolds; C. H. Wimmer; C. E. Cooper; B. M. Johnston; H. H. Wolfe; O. B. Quick; L. C. Williams; and Nannie Gordon. All material in this file is handwritten indicating that the statements are not final drafts. Also, about half have uncashed check to F. E. Snidow attached, indicating they were not recorded by the county clerk. September 1942-May 1945.","M. P. Farrier acting for the interest of the E. S. Dennis heirs, disposes of the property and real estate of E. S. Dennis in an attempt to satisfy the debts of the deceased. Extensive correspondence between Farrier and the two heirs. September 1921-February 1925.","Statements of claim against Dennis estate. March 1922-January 1930.","Office files of M. P. Farrier (abbreviated MPF).","Present are the receipts showing land taxes paid by J. D. Foote for 1916-1919. Majority of the material consists of deeds showing the extensive land holdings of Foote in Giles County.","Present are two receipts for a burial blot near Pearisburg, a Christmas card and Valentine card from his wife, and two letters from an acquaintance in Richmond.","MPF was a member of the county committee which investigated the prospect of establishing a county budget. The committee felt that a budget was unnecessary since the county's revenue was large enough to afford the freedom of action provided by a non-budget system. A detail statement of all assessed real estate and property in Giles County is presented, as well as a statement of yearly county expenditures. Files also contain a copy of the  Pearisburg Virginian , dated April 1, 1920, which has a series of articles and editorials concerning a county board for road improvement.","Some correspondence, but most material consists of copies of bills MPF wanted presented to the General Assembly. Bills concern: condemnation of private land; collection of taxes and levies; construction and maintenance of division fences; grants of public land; a new charter for the town of Narrows; terms of court for Giles County; sentencing felony convictions; right of land ownership; awarding and dissolving of injunctions; bonding of committees; certificates of acknowledgement; and regulation of judgments.","MPF was the patron of several bills before the General Assembly on the following subjects: partnerships, sale of estate property and dissolution injunctions. Copies of numerous other bills are included, received by MPF as a member of the General Assembly.","Extensive correspondence between Layman and MPF concerning cases on which they worked together. Layman, attorney from New Castle, seems to have collaborated with Farrier throughout their extensive careers.","MPF aided in the revision of the Pulaski and Giles Mutual Insurance Co. by-laws. He was also a policy holder.","Two notes and two contracts signed by Porterfield. Contracts concern the purchase of sheep and horses by Porterfield from MPF.","Present are deeds, loans, and contracts executed by MPF for Porterfield. There is also a statement of accounts for the estate of G. T. Porterfield.","Several drafts of petitions, bills, and resolutions presented to the Virginia Assembly concerning improvement, construction, and maintenance of public roads in Giles County.","MPF attempted to aid E. S. Ratcliff in his efforts to obtain full insurance benefits from the U. S. Veterans Bureau owing from his son's death. Mrs. Landona E. Ratcliff was receiving monthly check as a beneficiary of her son. Upon her death, E. S. Ratcliff sought to transfer the benefits to himself acting as administrator of his wife's estate.","Incorporation papers for the bank are present as well as several collection cases handled by MPF. In one incident, it appears A. L. Farrier resigned as cashier when his books came up $450 short during an audit. In another, Martin Williams, MPF, and A. L. Farrier were investigated by a state commission to determine their relationship to three lumber companies who borrowed heavily from the bank before folding.","Correspondence between Governor Trinkle and MPF concerning various bills before the General Assembly. The question of building a new system of public roads in Virginia seems to be a much-discussed issue.","MPF accepts a position as title examiner. Except for three letters between Farrier and company representatives, the majority of the material consists of blank forms.","Copies of wills: K. R. and N. L. Shumate; J. L. Harris; A. S. and J. W. Miller; B. L. Hale; L. L. Teel; Nannie Gordon; J. M. and M. J. Tuggle; C. E. Sonner; M. C. Bolton; E. J. Draper; A. L. Caldwell; and E. A. Keister.","Acting as guardian, MPF controlled a small amount of money belonging to each girl, from which he paid for items like schoolbooks, clothes, medicine, etc. until the girls came of age.","Office files of M. P. Farrier (abbreviated MPF).","Williams and Farrier and Farrier handle various matters for several churches in Giles County. Most common is the buying, selling, and granting of church land.","Office files from Farrier and Farrier (abbreviated F\u0026F), mostly from M. P. Farrier (abbreviated MPF).","Blank forms for incorporation of companies.","Materials concern MPF's sale of Brown's interest in land to pay off debt to the First National Bank of Pearisburg and Sinking Valley Creek Bank. See also Horton, E. W. v. Ellen E. Taylor, et al folder.","MPF represented Snidow who sold land he held in trust to pay off the owner's (Lula Gusler) debts. The remaining funds were distributed to Henry Gusler and other heirs.","Files from the offices of Martin Williams and M. P. Farrier (abbreviated MPF). Subjects range from Appalachian Electric Power Co. to Norfolk \u0026 Western, in rough alphabetical order.","Abstracts for land parcels in Giles County bought by Appalachian Electric Power Co.","IRS requests for detailed statement of 1917-1918; income tax reports from the company, June 1921-January 1922. Income tax reports for 1921 and 1923, December 1920-December 1923. Notes concerning asses and liabilities of the company, December 1919-June 1924.","Statements of shipments by the company, November 1919-December 1920. Claim against Strange Mining Co. seeking compensation for converting to war production and re-converting following World War I, November 1922. Materials concerning business operations, January 1920-January 1922.","Williams and Farrier correspondence as representation for the company, in particular land sales, timber and mineral rights, and contracts, January 1924-October 1927. IRS requests for tax reports, March 1922-June 1925.","File suggests either MPF or Williams served as trial judge.","File contains a deed between Dunn and J. H. Jervis, but makes no mention of Williams.","Bland County matters, March-October 1926. Tazewell matters, April 1927-September 1929. Suit v. I. P. King, March 1927-June 1929. Foreclosure suits, land sales, farm loan applications, title abstracts, detailed loan applications, April 1917-November 1929.","Files from the offices of Martin Williams and M. P. Farrier (abbreviated MPF). Subjects range from Norfolk \u0026 Western to Waddle, et al.","Include title searches conducted by attorneys in regard to loan and insurance applications, also in regard to land transactions.","Most files concern loan contracts and land transactions.","With a few exceptions, most of the material in this box concerns loan contracts and land transactions.","Includes material found loose at the front of the box. Consists of deeds, abstracts, court briefs, contracts, and correspondence connected to the work of Andrew L. Farrier.","Material found loose at the front of the box. Work by Williams \u0026 Farrier or Martin P. Farrier, including deeds, title abstracts, cancelled checks, and a report on improving Mountain Lake. There are also papers concerning the estate of Percy H. Brown.","Material deals mainly with land sales.","Includes Mr. and Mrs. J. L. Jennelle; Mr. and Mrs. W. C. Jennings; Mr. and Mrs. Mirent L. Johnson; Mr. and Mrs. Shuler J. Johnston; Mr. and Mrs. James M. Jones; Mrs. Marie S. Journell; and Mr. and Mrs. Roy H. Journell.","Includes Carrie A. McGuire; Robert L. Meredith; Cloyd C. Morris; C. P. Martin; Edward K. McCoy; Lacy W. Moore; S. A. Martin; Mid-State Homes, Inc.; Earnest H. Lang; W. W. Lafon; and Hattie E. Miller.","Includes Okley Albert; John Peery; J. Maurice Payne: Clarence Pfeifer; Ernest G. Porterfield; Ira ELmer Price; Miller C. Porterfield; James W. Perkins; Jottie M. Pennington; A. C. Pyrtle; W. C. Price; Pauline S. Phlegar; Olonzo C. Proffitt; Bill Pillion; Grayson D. Pettrey; James W. Price; Aldon B. Porterfield; Sidney L. Peeters; H. R. Price; and William D. Parcell.","Includes Basil Radford, et al; T. S. Robertson; C. O. Rogers; Ernest B. Radford; Alice F. Runion; Donald L. Ray, et al; Thomas E. Robertson; Alice M. Ragsdale; and Dallas M. Ross.","Includes L. K. Smith; Dexter Stevers; Harvey C. Snidow; John L. Stafford; W. D. Sanders; H. G. Smith; Veda S. Smith; N. E. Short; Bertie Saunders; Elizabeth Snidow Payne; Darcie C. Shelor; Douglas E. Shorter; Hattie L. Sadler; Cecil M. Surratt; Billy B. St. Clair; G. H. Gerrell; C. R. Smith; W. S. Smith; John S. St. Clair; Sidney M. Scott; R. C. Stafford; C. P. Scott; F. W. Smith; L. M. Smith; R. G. Simon; A. H. Spangler; H. P. Smith; P. L. Stephens; J. J. Snidow; Sallie Stanley; M. L. Spangler; C. R. Spangler; C. M. Smith; and George Stevens.","Includes Maps and deeds for John F. Woodyard; Clarence H. Sadler; Muriel T. Wilson; Everett N. Williams, July-November 1970; and items for O. F. Vaught; Martin Viars; Kenneth P. Young.","Includes H. M. and J. A. Gusler; Sarah G. and L. A. Blevins; and William E. Going.","Includes Gladys M. and S. K. Johnston; Sterling R. and Eddie Johnson; William G. Johnston; Robert F. and Edna W. Johnston; and W. T. and Lucy H. Jamison.","Includes C. P. Logan; Earl B. Lucas; Luther Lucas; C. W. and L. K. Long Mason; C. A. Lucas; St. Paul's Lutheran Church (Newport); James D. Lafon; L. L. and J. Doak Lucas; Minor Lafon; and Wilbur W. Lafon.","Includes Billy Gene McCall; W. F. McCall; Joseph F. McGuire; Lucy P. McGuire; Bessie Phlegar McDonald; Robert H. McCall; and E. D. McClanahan.","Includes John J. Miller; Virgil Meadows; C. F. and Edward F. Mahaffey; J. R. Morris; J. L. Morris; and Campbell and Melvin D. Mutter.","Includes Janey B. Reel; S. D. Rickman; Calla M. Roy; and Charles G. Robertson.","Includes A. E. Shumate, Jr.; J. E. Sutphin; Leland G. Smith; J. B. Stanley; C. G. Sarver; James H. Sartin; W. A. Stiff; G. M. Scott; Frank B. Strader, Jr.; W. D. Sanders; Clarence Shortt; and Floyd A. Scott.","Includes Mrs. Grace. S. Williams; Vera B. and Randolph J. Wilburn; Nola J. Woods; William E. Williams; Charles C. Weaver; John F. Woodyard; Williams-Jamison Funeral Home; and John Lee Wilson.","Includes Kile C. Williams, March 1967, and A. P. Martin, May 1968.","Primarily includes small claim collection suits.","Includes Allen F. Eaton v. E. F. Conger; Eline's, Inc. v. L. E. Munsey; Gibson Candy Co. v. James A. Woods and Lucas; Giles County Motor Co. v. B. H. Taylor; and Lockwood Embree Sales Corp. v. Virginia Garage.","Includes Rich Creek Hardware Co. v. L. M. Cooper, September 1926-November 1929; Radford Sales Corp. v. W. A. Fletcher, May-June 1930; Rocky Gap Merchantile Co. v. W. G. Kitts, July-October 1930; Rocky Gap Merchantile Co. v. B. H. Barnett, July-October 1930; Catelberg Nation Jewelry Co. v. Mrs. Carrie Rowe, September-October 1932; and Rountree's Furniture Co. v. W. N. Hurley, April-May 1933.","Includes J. E. Shcrader v. J. H. Pruett; J. C. Shelton v. M. T. McArthur; Seidman Neckware Co. v. H. B. Shelton Co.; J. L. Sibold v. T. L. Litchford; and Spiegel v. Burman Blankenship.","Includes S. E. Stafford v. H. D. Sands; F. P. Snidow and Co. v. Floyd Kissinger; Shelton and Shelton v. Thompson and Taylor; Shelton and Shelton v. B. H. Taylor; Shelton and Shelton v. W. B. Snidow; Dr. S. A. Tuck v. Robert Jones; St. Clair v. Gordon; and St. Luke's Hospital v. George Chapman, dec'd.","Includes O. K. Caps v. Wolf Creek Merchantile Co.; Witten, T. F. v. D. M. St. Clair; Warlick Piano Rooms v. J. H., E. N., and Marshal Williams; Bluefield Plate Glass v. J. L. Warren; Montgomery Ward and Co. v. H. W. Williams; and  National Biscuit Co. v. Bob's Place.","Primarily small claim suits and court cases handled by Walker Williams.","Includes P. F. Ball; Lewis Bowles; J. H. Brown; Buchanan Coal Land Corp. to Kingston Coal Co.; Clarence Brooks, et al to W. J. Brooks; T. W. Kerr to J. W. Bailey, et al; J. L Breeding to V. M. Breeding; G. O. Beckner; and J. A. D. Bales to J. S. Andrews.","Includes Caldwell Sites Co.; Sidney Chewning; W. Caudill; Eliza Comer v. W. A. Comer; Mitchell Caudle; D. E. Conley; Mrs. Arch Caldwell; S. L. Creath; Lula Carter; Athrus Chambers; W. H. Calhoun; O. H. Cunningham; Cudahy Brothers Co.; Frank D. Claypool; Dode G. Caldwell; Henry Campbell; C. I. T. Corporation; and Constantine L. Cametas.","Includes John Draper; Frank S. Demsky; R. Frank Debusk; C. W. Dunford; Carey Dunn; Frank S. Douthat; and Bessie E. Douthat.","Includes J. W. Flannagan; Rocky Gap Flooring Co.; Hoge Hunter; Will Fuller; Farmers Exchange, Inc.; Federal Land Bank of Baltimore; Marvin Farley; Mrs. J. H. Fry; Everette Fletcher; Fidelity and Deposit Co. of Maryland; Theo. R. Ferrell; Harper N. Frei; and George E. L. Fletcher.","Includes G. M. Hodge; Jack Harrell; Wilbur and Kemper Hale; Ransom B. Houchins; Frank Harless; H. F. Harless; and Beulah Holland.","Includes H. S. Edmunds; I. G. Reed; J. W. Cunningham; Standard Oil Co.; A. Ray Johnston; R. King Johnston; Emory Johnston; John Jarney; Robert A. Johnston; Mrs. Earl G. Johnson; and Mrs. Lucy Johnston.","Includes Cleo Lucas; Mrs. W. K. Leech; W. K. Lucas; Lon Link; Guy Lucas; D. O. Lawrence; and Larkin Co., Inc.","Includes J. C. Meadows; Montgomery Ward; Norton General Hospital v. E. E. Martin; Paul Martin; E. J. and Talma Martin; Harry Martin; Lee Moyer; D. H. Martin; Virginia Munsey; Cora Kerr, et al, and William Mills; Mrs. Clyde Martin; Bernard Mason; W. H. Malcom; F. E. Martin; Ann Meadows; W. S. Meadows; C. M. McClung and Co.; Merchantile Adjuster Publishing Co.; E. R. McLear; Jack Martin; Mr. and Mrs. W. W. Mallory; Woody Nolen; A. J. Nackley; J. A. Newberry; Josie Perdue; A. J. Porterfield; Virgil Pennington; W. H. Quam; John H. Painter; Roy Richardson (Gov. G. C. Peery); C. A. Payson; Pure Oil Co.; S. L. and E. N. Peters; Walter Prunty; K. M. Messer v. J. C. Perdue; W. D. Pearson; Star Amusement Co.; N. F. and M. B. Rowland; Ira Reed and the Rich Creek Supply Co.; Hugh N. Rakes; W. C. Rose and Co.; J. E. Robertson, et al; Mrs. T. F. Richardson; and Tom Rock.","Includes Roy Caudill Sadler; St. Elizabeth's General Hospital v. H. H. Smallwood; Star Amusement Co.; George Sayers; Mrs. W. C. St. Clair; Robert Snider; George C. Spangler; B. H. Taylor: Ottomar Strange; W. E. Snider; E. E. Snidow; Snow Church Directory Co.; W. A. Snidow, et al; H. M. Smith; J. T. Snidow; C. P., J. W., and P. F. Shrader; Maggie Songer, et al; and Simon Solins v. P. W. Strother.","Material also concerns the Town of Pearisburg and the law firm of Williams and Williams.","Includes J. W. Turner; Spear and Co. v. S. A. Thompson; Young v. B. J. Thompson; Howe, Cora and Medie Tabor; B. M. Teel v. Joe Troitino; W. A. Thornhill; Theodore T. Thomas; and University of Virginia.","Includes W. R. Williamson; Julia Woodyard; L. C. Williams; Walker A. Williams, I. E. Williams; Roy Witten; Charles Wilkenson; Claude Williams; George W. Wheeler; Mrs. Margaret Williamson; Harrison Woodyard; Martin Williams; J. W. Williams; W. F. Wright; J. W. Walker and Son; Roberta Shamson v. T. B. Shannon; John Walker; A. C. Williams; R. H. Woods v. J. E. Webb; Lewis Wall; F. H. Woods; Donald Williams and S. S. Williams; Fred Wells; L. C. Woodyard; Everette Wolf; Homer Wilson; J. H. Walker, Susie J. Walker; and J. J. Wicker.","Includes copies of title abstracts.","Includes title abstracts, loan contract, land sales, and a few court cases.","Includes land transactions, loan contracts, and a few claim suits in rough alphabetical order.","Includes S. J., J. H., and D. H. Walker; Harvey B. Wilson, et al to C. V. Wilson; D. W. Sanders to Ernest Hilton; Harry M. Douthat; Pearisburg Methodist Church; Morton King; Jack Turner; Noble D. Porterfield to T. M. Smith; C. B. Gilliam to the First Methodist Church of Pearisburg; J. L. Morris; and E. H. Dillon, et al to R. C. Dillon.","Includes contracts, court cases, land sales, collection suits, and court briefs.","Includes Hazel B. Keffer; Roy Dunford; G. W. Nowlin; J. W. Hale; W. H. Nickels; N \u0026 W Railway Co. annual passes; S. B. Nelson; Radford Finance Corp.; and A. K. Hylto.","Includse C. J. Presby (Prealey?); H. H. Powell; Martin Williams; Leonard Freeman; W. D. Payne; B. W. Porterfield; O. K. Phleager; Bank of Pocahontas; L. L. Prescott; J. P. Price; J. B. Pulliam; J. H. Price; Pulaski Grocery Co.; Pearisburg Virginian; Cleopatra Porterfield; Personal Services, Inc; Mrs. W. L. Piper; A. J. Porterfield; Mrs. W. P. Poindexter; R. F. Pritchard; Princeton Motor Co.; Pembroke Mutual Telephone  Co.; A. M. Pyne; First National Bank of Peterstown; Mattie Spangler; Sarah Ella Porterfield; Carrie Page; S. A., J. M., and R. W. Patteson; G. H. Parent Co.; Walter M. Perdue; and C. W. Peek and Co.","Includes Southeastern Finance Co.; T. G. Porterfield; Office rent receipts for M. P. Farrier; Roundtree Corp. v. W. N. Hurley; Richmond Office Supply Co.; Rawls-Dickson Candy Co.; Chas. S. Roller, Jr.; Mrs. Lacy Riggs; B. S. Ratcliff; A. W. Robertson; The Repass Adjustment Bureau; Frank Turner Shop; Richmond Adjustment Bureau; the Roanoke Hardware Co.; Roanoke Photo Finishing Co.; Miss Mary Rogers; Bruce Rader; W. H., H. M., and W. P. Reynolds; T. J. Pearson; Hugh Reid; Chief of delinquent tax section for Com. of Virginia; J. P. Royall; Harry H. Roberts; Ronceverte Small Loan Co.; and R. D. Rowley.","Includes Kate A. Simpson; A. E., E. J., and J. L. Straley; Atlee L. Smith; F. H. Stansill; Southwest Loan and Discount Co., Inc.; H. P. Sartin; D. C. Spangler; and Thomas B. Stanley.","Includes E. E. Sarver from Isaac Williams; M. L. and F. S. Williams; J. C. Williams v. Commercial Credit Co.; W. G. Williams; S. S., G. L., and C. B. Williams; and Donald L. and C. K. Williams.","Contents are similar to Box 36.","Includes deeds, correspondence, small claim collection, damage suits with a few land sales, divorce suits, and contract disputes.","The majority of material deals with small claim collection and damage suits, but there are also a few land sales, divorce suits, and contract disputes. (Material that was not in file folders have been arranged alphabetically in file folders.)","Includes record of expenses kept by A. L. Farrier.","Includes six checkbooks containing stubs and blank checks, which show outlays and deposits of Williams and Farrier and Farrier and Farrier law firms.","Includes list of collection cases handled by Martin Williams.","Includes list of cases and fees received.","Includes only one incomplete entry concerning a stock holder's meeting.","Includes collection suits, fees for services, and disbursement of funds.","Includes court suits, deeds, collection suits, court briefs, negatives, checks, and correspondence.","Includes personal accounts and fees received.","Includes expense, personal, and cash accounts.","Records concerning the settlement of the following estates: F. E. Dunkler; W. R. Powell, E. S. Denins; H. L. Eaton; and A. J. Hardwick.","Records kept by M. P. Farrier, admin. for estate.","Accounts kept in regard to timber operations on the land of J. J. Cole.","A statement of receipts and disbursements for the estate, agreed to by J. M. St. Clair, guardian, and recorded by M. P. Farrier.","Includes collections and disbursements, fees received, and estate settlement of the M. P. Farrier estate.","Includes deeds, correspondence, contracts, court suits, and materials pertaining to estate settlements and other legal matters.","Includes list of collection suits handled by Williams and Farrier.","Includes records of money and fees received, estate and court cases settled, and money disbursements.","Includes records of an unnamed estate with heirs G. W. Meredith, Lacy Meredith, and Helen E. Hendrickson.","Includes list of collection suits handled by Williams and Farrier.","Includes correspondence, court suits, contracts, records of receipts and disbursements, and general records concerning the settlement of Honaker and Feeney receivership of M. P. Farrier.","Includes three sets of letters from unmarked letter boxes in rough alphabetical order within each set.","Includes letters between M. P. Farrier and the heirs of the G. A. Shumate Estate.","Includes company's incorporation charter and stockholder's meetings, kept by M. P. Farrier, who was company secretary.","Includes record of incorporation and stockholder's meetings.","Includes check stubs and cancelled checks.","Inside cover is labeled Peters Mountain Mining Co., Narrows, Va., 1917. The title page and index have been cut out, however. On an inside page, in front of the few pages of records, is the title Crockett Mining Company), 1918. A few pages of records follow, with wages page and expenses incurred.","Includes deposit slips, notes, and records concerning the settlement of the estate in a box.","Records concern the Big Stony Railway Co., Bland County Lumber Co., the Camp Mfg. Co., the Flat Top Manganese Mines, E. S. Sufferin, and the Strange Mining Co.","Includes list of collection suits handled by M. P. Farrier.","Includes records for a lumber company, possibly Bland Lumber Co. [Index and title pages are missing.]","Includes only one suit for Walker A. Williams.","Records kept on numerous companies, individual and organizations concerning income from property or merchandise sold, expenses paid out, and payments and collections on outstanding debts.","Receipts and disbursements recorded by the receivers, Bernard Mason and M. P. Farrier, in the settlement of company's affairs.","Includes fees received by Farrier and statements of his personal finances.","Includes clients, court suits, land sales, etc., divided into six letter boxes and arranged alphabetically within each box.","The following publications (and additional titles) have been separated from the collection, and some are cataloged in the University Libraries:","South Eastern Reporter American and English Encyclopaedia of Law Cyclopaedia of Law Procedures American Jurisprudence  and  American Jurisprudence - Legal Forms Virginia Reports  and  Virginia Reports Annotated Ruling Case Law Pomeroy's Equity Jurisprudence Gregory's Forms Opinions of the Attorney General American Law Report South Eastern Digest Acts of Assembly Virginia State Bar Association Virginia and West Virginia Digest","Permission to publish material from Farrier Family Papers must be obtained from Special Collections and University Archives, Virginia Tech. Since this collection includes legal files, the ability to publish materials may be limited or restricted. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Appalachian Power Company","Norfolk and Western Railway Company (1896-1982)","Farrier family","Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946","The materials in the collection are in English."],"unitid_tesim":["Ms.1974.011"],"normalized_title_ssm":["Farrier Family Papers"],"collection_title_tesim":["Farrier Family Papers"],"collection_ssim":["Farrier Family Papers"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"geogname_ssm":["Bland County (Va.)","Floyd County (Va.)","Giles County (Va.)"],"geogname_ssim":["Bland County (Va.)","Floyd County (Va.)","Giles County (Va.)"],"creator_ssm":["Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946","Farrier family"],"creator_ssim":["Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946","Farrier family"],"creator_persname_ssim":["Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946"],"creator_famname_ssim":["Farrier family"],"creators_ssim":["Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946","Farrier family"],"places_ssim":["Bland County (Va.)","Floyd County (Va.)","Giles County (Va.)"],"access_terms_ssm":["Permission to publish material from Farrier Family Papers must be obtained from Special Collections and University Archives, Virginia Tech. Since this collection includes legal files, the ability to publish materials may be limited or restricted. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Farrier Family Papers were donated to the University Libraries in 1974."],"access_subjects_ssim":["Local/Regional History and Appalachian South","Railroad"],"access_subjects_ssm":["Local/Regional History and Appalachian South","Railroad"],"has_online_content_ssim":["false"],"extent_ssm":["77 Cubic Feet 55 boxes"],"extent_tesim":["77 Cubic Feet 55 boxes"],"date_range_isim":[1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is in its original order from the time of its donation. Series are based on original order and descriptions.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is in its original order from the time of its donation. Series are based on original order and descriptions."],"bioghist_html_tesm":["\u003cp\u003eMartin Pence Farrier (1869-1946) and his son, Andrew Lewis Farrier (1895-1972) were lawyers in Pearisburg, Giles County, Virginia. Their law firm represented some of the most important industries in Southwest Virginia, including the Norfolk and Western Railway Company, Appalachian Power Company, and several coal and lumber interests. \u003c/p\u003e\n","\u003cp\u003eM. P. Farrier was a clerk for Giles County, Virginia as early as 1894. He qualified to practice law on February 1, 1904, and then formed a partnership with Judge Martin Williams (1858-1934), which lasted until January 1, 1920. Farrier represented Giles and Bland counties in the Virginia House of Delegates from 1922 through 1923. In March 1923, he became Commissioner of Accounts for Giles County. The Williams and Farrier law firm reformed from January 1, 1924 thru July 1, 1934, when Farrier was appointed Trial Justice of Giles County. During this time period, M. P. Farrier also served as Treasurer of Bland County Lumber Company and Vice-President and member of the Board of Directors of Buchanan Coal Land Corp. \u003c/p\u003e\n","\u003cp\u003eA. L. Farrier served during World War I. He studied law under his father and qualified to practice in December 1938. A. L. and M. P. Farrier joined in a legal partnership on January 1, 1939. The partnership lasted until M. P. Farrier's death in 1946, and A. L. continued to practice law until his death in 1972.\u003c/p\u003e\n","\u003cp\u003eBoth men are buried in Birchlawn Burial Park in Pearisburg, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Martin Pence Farrier (1869-1946) and his son, Andrew Lewis Farrier (1895-1972) were lawyers in Pearisburg, Giles County, Virginia. Their law firm represented some of the most important industries in Southwest Virginia, including the Norfolk and Western Railway Company, Appalachian Power Company, and several coal and lumber interests. ","M. P. Farrier was a clerk for Giles County, Virginia as early as 1894. He qualified to practice law on February 1, 1904, and then formed a partnership with Judge Martin Williams (1858-1934), which lasted until January 1, 1920. Farrier represented Giles and Bland counties in the Virginia House of Delegates from 1922 through 1923. In March 1923, he became Commissioner of Accounts for Giles County. The Williams and Farrier law firm reformed from January 1, 1924 thru July 1, 1934, when Farrier was appointed Trial Justice of Giles County. During this time period, M. P. Farrier also served as Treasurer of Bland County Lumber Company and Vice-President and member of the Board of Directors of Buchanan Coal Land Corp. ","A. L. Farrier served during World War I. He studied law under his father and qualified to practice in December 1938. A. L. and M. P. Farrier joined in a legal partnership on January 1, 1939. The partnership lasted until M. P. Farrier's death in 1946, and A. L. continued to practice law until his death in 1972.","Both men are buried in Birchlawn Burial Park in Pearisburg, Virginia."],"odd_html_tesm":["\u003cp\u003eThe guide to the Farrier Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-work/public-domain/cc0/\"\u003ehttps://creativecommons.org/share-your-work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Farrier Family Papers by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your-work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Farrier Family Papers, Ms1974-011, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Farrier Family Papers, Ms1974-011, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe collection is in its original order from the time of donation. Several set of files were rehoused in new boxes in 2011. The finding aid is from existing inventories and research done at the time of donation in 1974. Some descriptive information was added in 2013 and 2014. In 2017-2018, efforts were made to clean up the inventory, which had previously identified the materials as \"Box #\" with a date. Boxes were given titles based on the general contents included and the existing dates. In 2021, additional description was completed, including expanded Biographical Note, added Separated Materials note, updated and new inventory scope notes and box titles, and series imposed based upon 1974 descriptions.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection is in its original order from the time of donation. Several set of files were rehoused in new boxes in 2011. The finding aid is from existing inventories and research done at the time of donation in 1974. Some descriptive information was added in 2013 and 2014. In 2017-2018, efforts were made to clean up the inventory, which had previously identified the materials as \"Box #\" with a date. Boxes were given titles based on the general contents included and the existing dates. In 2021, additional description was completed, including expanded Biographical Note, added Separated Materials note, updated and new inventory scope notes and box titles, and series imposed based upon 1974 descriptions."],"scopecontent_html_tesm":["\u003cp\u003eThe collection includes files from the firm of Williams and Farrier, later Farrier and Farrier. Materials include copies of deeds, title searches, land transactions, estate matters, loan contracts, divorce suits, small claims collection suits, ledgers, and correspondence. Additional details of some files are included in the original inventories, available on request.\u003c/p\u003e","\u003cp\u003eTwo series of files from a wooden cabinet. The first set deals mainly with land and estate matters, mostly from the early 1940s. The second set concerns estates. Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier and of Martin Williams and M. P. Farrier.\u003c/p\u003e","\u003cp\u003eFiles are from the office of Pearisburg attorneys, M. P. and A. L. Farrier.\u003c/p\u003e","\u003cp\u003eTyped and hand written material concerning land transactions between Welford W. Dowdy and Virginia Dowdy Broadwell, Clarence Sarver, et al, and Everett Scott, Riley Warden and A. B. Allen, Henry Dalton and J.F. Rushbrook, Hallie Porterfield Stower and F. R. Parr and a title to the Mountain View Subdivision in Pearisburg, Va.\u003c/p\u003e","\u003cp\u003eFarrier and Farrier negotiate several land transactions between Giles County land owners and the USDA Forest Service. Owners are trying to capitalize on the high demand for lumber resulting from its new usage in World War II.\u003c/p\u003e","\u003cp\u003eSlight material concerning debts and taxes of the Little Stony Game and Fish Preserve, and a statement declaring M. P. Farrier trustee of the Preserve. See Federal Forest Service file concerning sale of the Preserve.\u003c/p\u003e","\u003cp\u003eVarious wills, presumably written by A. L. Farrier, for the following people: John H. Givens; Erastus E. Cook; Walter Gauties; James M. Dillard; Ada S. Lambert; Vance S. Lambert; William T. Doyle; Grace J. Kirk; G. A. Kessinger; and John Hundley Eller.\u003c/p\u003e","\u003cp\u003eFiles are from the office of Pearisburg attorneys, M. P. and A. L. Farrier.\u003c/p\u003e","\u003cp\u003eAn association of southwest Virginia businessmen, including M. P. Farrier, F. E. and W. B. Snidow, Martin Williams, and other prominent Giles County men, established for the purpose of exploiting coal and gas deposits in the area. The company does not appear to have done well. File contains mostly handwritten statements concerning debts and assets.\u003c/p\u003e","\u003cp\u003eSubstantial correspondence with Bancroft-Whitney Co. concerning the purchases of law books by M. P. and A. L. Farrier.\u003c/p\u003e","\u003cp\u003eWhen the Bland County Lumber Co. went bankrupt some time after 1936, a commissioner was appointed to investigate the company's liabilities and assets. Material in this file consists mainly of M. P. Farrier's handwritten answers to a series of questions put to him by the commissioner. Farrier gives detailed information concerning land holdings and company debts. See related Bland Lumber Co. files (Bland County Lumber Co. v. Mrs. A. A. Strange and Bland Lumber Company Maps).\u003c/p\u003e","\u003cp\u003eIn his capacity as County Commissioner of Accounts, M. P. Farrier reviewed the accounts submitted by the administrator for the following estates: M. E. Gooch; A. J. Straley; O. S. Dillow; J. A. Stafford; W. E. P. Lucus; W. B. Staffoed; A. J. Smith; I. W. Peters; W. L. Price; J. A. Gusler; C. W. Shannon; L. A. Ritter; C. W. Straley; J. A. Bane; G. M. Henderson; and C. W. Meredith. He likewise reviewed the accounts submitted by guardians for the following people: A. J. Smith; W. O. Smith; M. L. Collins; M. W. Runions. January 1928-January 1938.\u003c/p\u003e\n","\u003cp\u003eSimilar to the above for following estates: J. W. T. Henderson; J. D. French; J. W. Stafford; E. G. Sarver; M. S. Woodyard; J. R. Emmons; M. T. Barger; W. A. Johnson; E. S. Johnson; J. F. Jewel; and John Brill. Also for guardians of M. L. Collins; Dewey and Almoa Daves; Margaret McNeely; George Akers, and Lewis Rowe. May 1934-November 1939.\u003c/p\u003e","\u003cp\u003eM. P. Farrier, as Commissioner of Accounts for Giles County, reviews the statements of Minnie F. Davis, guardian for Leonard A. French, a minor.\u003c/p\u003e","\u003cp\u003eSimilar to above files for following estates: G. G. Lindsey; S. K. Bane; J. E. Tripton; M. G. J. Snidow; G. T. Fuller; P. N. Southern; J. H. Spangler; J. R. Johnston; A. E. Dunford; M. W. Mallory; Edward Lowe; Fount Johnson; J. T. S. Hoge; R. L. Elmore; J. W. Turner; J. M. Ratcliff; J. M. Farley; J. M. Givens. Likewise for the guardians of Donald and Arthur Stafford; M. L. Collins; Frank and Mary L. Johnston; L. B. and M. W. Bowen; O. B. Snidow; A. E. Epling; trusteeship over Harry J. James. April 1936-October 1940.\u003c/p\u003e\n","\u003cp\u003eSimilar to the above for the following estates: L. S. McElroth; E. B. French; M.E. Mottesheard; D. F. Hale; S. C. Overstreet; F. W. Williams; P. J. Muncy; S. D. Lucas; L. J. Smith; Albert Hutchinson; Sylvester Snodgrass; H. W. Morris; S. T. Pack; C. L. Simpkins; G. H. Dennis; W. B. Knight; I. P. Thompson; G. A. Shumate; Tom Smith; W. S. Dean; J. W. Turner; Frances Williams; N. E. Buckland; A. J. Straley; F. L. Johnston; J. L. Straley; and B. S. Huffman. Also for guardians of Robert Croy; Ernest Robertson; Fay, Louise, Irene and Johnston Smith; Brackett Porterfield; Rhoda E. Eplling; Llwellyn and Mary T. Johnson; Lula Porterfield; M. E. Stafford; Ilean and Crackett Straley; L. A. French; and Larry Woodyard. Wills of J. A. Adair and W. F. Webb. December 1922-April 1933.\u003c/p\u003e\n","\u003cp\u003eSimilar to above for the following estates: W. D. Ratcliff; E. S. Ratcliff; J. W. Meredith; L. M. Whittaker; A. J. Straley; J. E. Carson; F. H. Stafford; J. S. Eaton; E. J. Morris; H. H. Smith; S. K. Woods; Joshua Radford; A. W. Snidow; G. G. Lindsey; P. B. Wimmer and O. L. Williams. Also for guardians of Goodlow Straley, Johnson Smith, and I. S. Vaught. April 1937-January 1939.\u003c/p\u003e\n","\u003cp\u003eSimilar to above for the following estates: G. W. Nowlin; L. M. Thompson; J. D. Mann; A. B. hare; Sallie Hambrick; R. A. Pauley; S. V. White; A. D. Collins; A. P. Saunders; J. R. Emmons; Annie Dickinson; W. H. Thomas; J. M. Wright; C. B. Williams; G. L. Bane; W. T. Kirk; Louise Jarvis; S. L. Buckland; H. W. Mann; B. F. Riddle; M. F. Cooper; R. V. Wheeler; J. J. Topsail; G. G. Lindsey. Also for the guardians of Louis and O. P. Ferrell and Polly Ann and J. A. Eppley. September 1938-October 1943.\u003c/p\u003e\n","\u003cp\u003eSimilar to the above for the following estates: E. L. Buchanan; E. E. Montgomery; J. T. Bishop; M. A. Muncy; J. H. Duncan; Gertude Fisher; W. H. Reynolds; C. H. Wimmer; C. E. Cooper; B. M. Johnston; H. H. Wolfe; O. B. Quick; L. C. Williams; and Nannie Gordon. All material in this file is handwritten indicating that the statements are not final drafts. Also, about half have uncashed check to F. E. Snidow attached, indicating they were not recorded by the county clerk. September 1942-May 1945.\u003c/p\u003e","\u003cp\u003eM. P. Farrier acting for the interest of the E. S. Dennis heirs, disposes of the property and real estate of E. S. Dennis in an attempt to satisfy the debts of the deceased. Extensive correspondence between Farrier and the two heirs. September 1921-February 1925.\u003c/p\u003e\n","\u003cp\u003eStatements of claim against Dennis estate. March 1922-January 1930.\u003c/p\u003e","\u003cp\u003eOffice files of M. P. Farrier (abbreviated MPF).\u003c/p\u003e","\u003cp\u003ePresent are the receipts showing land taxes paid by J. D. Foote for 1916-1919. Majority of the material consists of deeds showing the extensive land holdings of Foote in Giles County.\u003c/p\u003e","\u003cp\u003ePresent are two receipts for a burial blot near Pearisburg, a Christmas card and Valentine card from his wife, and two letters from an acquaintance in Richmond.\u003c/p\u003e","\u003cp\u003eMPF was a member of the county committee which investigated the prospect of establishing a county budget. The committee felt that a budget was unnecessary since the county's revenue was large enough to afford the freedom of action provided by a non-budget system. A detail statement of all assessed real estate and property in Giles County is presented, as well as a statement of yearly county expenditures. Files also contain a copy of the \u003ctitle render=\"italic\"\u003ePearisburg Virginian\u003c/title\u003e, dated April 1, 1920, which has a series of articles and editorials concerning a county board for road improvement.\u003c/p\u003e","\u003cp\u003eSome correspondence, but most material consists of copies of bills MPF wanted presented to the General Assembly. Bills concern: condemnation of private land; collection of taxes and levies; construction and maintenance of division fences; grants of public land; a new charter for the town of Narrows; terms of court for Giles County; sentencing felony convictions; right of land ownership; awarding and dissolving of injunctions; bonding of committees; certificates of acknowledgement; and regulation of judgments.\u003c/p\u003e","\u003cp\u003eMPF was the patron of several bills before the General Assembly on the following subjects: partnerships, sale of estate property and dissolution injunctions. Copies of numerous other bills are included, received by MPF as a member of the General Assembly.\u003c/p\u003e","\u003cp\u003eExtensive correspondence between Layman and MPF concerning cases on which they worked together. Layman, attorney from New Castle, seems to have collaborated with Farrier throughout their extensive careers.\u003c/p\u003e","\u003cp\u003eMPF aided in the revision of the Pulaski and Giles Mutual Insurance Co. by-laws. He was also a policy holder.\u003c/p\u003e","\u003cp\u003eTwo notes and two contracts signed by Porterfield. Contracts concern the purchase of sheep and horses by Porterfield from MPF.\u003c/p\u003e","\u003cp\u003ePresent are deeds, loans, and contracts executed by MPF for Porterfield. There is also a statement of accounts for the estate of G. T. Porterfield.\u003c/p\u003e","\u003cp\u003eSeveral drafts of petitions, bills, and resolutions presented to the Virginia Assembly concerning improvement, construction, and maintenance of public roads in Giles County.\u003c/p\u003e","\u003cp\u003eMPF attempted to aid E. S. Ratcliff in his efforts to obtain full insurance benefits from the U. S. Veterans Bureau owing from his son's death. Mrs. Landona E. Ratcliff was receiving monthly check as a beneficiary of her son. Upon her death, E. S. Ratcliff sought to transfer the benefits to himself acting as administrator of his wife's estate.\u003c/p\u003e","\u003cp\u003eIncorporation papers for the bank are present as well as several collection cases handled by MPF. In one incident, it appears A. L. Farrier resigned as cashier when his books came up $450 short during an audit. In another, Martin Williams, MPF, and A. L. Farrier were investigated by a state commission to determine their relationship to three lumber companies who borrowed heavily from the bank before folding.\u003c/p\u003e","\u003cp\u003eCorrespondence between Governor Trinkle and MPF concerning various bills before the General Assembly. The question of building a new system of public roads in Virginia seems to be a much-discussed issue.\u003c/p\u003e","\u003cp\u003eMPF accepts a position as title examiner. Except for three letters between Farrier and company representatives, the majority of the material consists of blank forms.\u003c/p\u003e","\u003cp\u003eCopies of wills: K. R. and N. L. Shumate; J. L. Harris; A. S. and J. W. Miller; B. L. Hale; L. L. Teel; Nannie Gordon; J. M. and M. J. Tuggle; C. E. Sonner; M. C. Bolton; E. J. Draper; A. L. Caldwell; and E. A. Keister.\u003c/p\u003e","\u003cp\u003eActing as guardian, MPF controlled a small amount of money belonging to each girl, from which he paid for items like schoolbooks, clothes, medicine, etc. until the girls came of age.\u003c/p\u003e","\u003cp\u003eOffice files of M. P. Farrier (abbreviated MPF).\u003c/p\u003e","\u003cp\u003eWilliams and Farrier and Farrier handle various matters for several churches in Giles County. Most common is the buying, selling, and granting of church land.\u003c/p\u003e","\u003cp\u003eOffice files from Farrier and Farrier (abbreviated F\u0026amp;F), mostly from M. P. Farrier (abbreviated MPF).\u003c/p\u003e","\u003cp\u003eBlank forms for incorporation of companies.\u003c/p\u003e","\u003cp\u003eMaterials concern MPF's sale of Brown's interest in land to pay off debt to the First National Bank of Pearisburg and Sinking Valley Creek Bank. See also Horton, E. W. v. Ellen E. Taylor, et al folder.\u003c/p\u003e","\u003cp\u003eMPF represented Snidow who sold land he held in trust to pay off the owner's (Lula Gusler) debts. The remaining funds were distributed to Henry Gusler and other heirs.\u003c/p\u003e","\u003cp\u003eFiles from the offices of Martin Williams and M. P. Farrier (abbreviated MPF). Subjects range from Appalachian Electric Power Co. to Norfolk \u0026amp; Western, in rough alphabetical order.\u003c/p\u003e","\u003cp\u003eAbstracts for land parcels in Giles County bought by Appalachian Electric Power Co.\u003c/p\u003e","\u003cp\u003eIRS requests for detailed statement of 1917-1918; income tax reports from the company, June 1921-January 1922. Income tax reports for 1921 and 1923, December 1920-December 1923. Notes concerning asses and liabilities of the company, December 1919-June 1924.\u003c/p\u003e\n","\u003cp\u003eStatements of shipments by the company, November 1919-December 1920. Claim against Strange Mining Co. seeking compensation for converting to war production and re-converting following World War I, November 1922. Materials concerning business operations, January 1920-January 1922.\u003c/p\u003e","\u003cp\u003eWilliams and Farrier correspondence as representation for the company, in particular land sales, timber and mineral rights, and contracts, January 1924-October 1927. IRS requests for tax reports, March 1922-June 1925.\u003c/p\u003e","\u003cp\u003eFile suggests either MPF or Williams served as trial judge.\u003c/p\u003e","\u003cp\u003eFile contains a deed between Dunn and J. H. Jervis, but makes no mention of Williams.\u003c/p\u003e","\u003cp\u003eBland County matters, March-October 1926. Tazewell matters, April 1927-September 1929. Suit v. I. P. King, March 1927-June 1929. Foreclosure suits, land sales, farm loan applications, title abstracts, detailed loan applications, April 1917-November 1929.\u003c/p\u003e","\u003cp\u003eFiles from the offices of Martin Williams and M. P. Farrier (abbreviated MPF). Subjects range from Norfolk \u0026amp; Western to Waddle, et al.\u003c/p\u003e","\u003cp\u003eInclude title searches conducted by attorneys in regard to loan and insurance applications, also in regard to land transactions.\u003c/p\u003e","\u003cp\u003eMost files concern loan contracts and land transactions.\u003c/p\u003e","\u003cp\u003eWith a few exceptions, most of the material in this box concerns loan contracts and land transactions.\u003c/p\u003e","\u003cp\u003eIncludes material found loose at the front of the box. Consists of deeds, abstracts, court briefs, contracts, and correspondence connected to the work of Andrew L. Farrier.\u003c/p\u003e","\u003cp\u003eMaterial found loose at the front of the box. Work by Williams \u0026amp; Farrier or Martin P. Farrier, including deeds, title abstracts, cancelled checks, and a report on improving Mountain Lake. There are also papers concerning the estate of Percy H. Brown.\u003c/p\u003e","\u003cp\u003eMaterial deals mainly with land sales.\u003c/p\u003e","\u003cp\u003eIncludes Mr. and Mrs. J. L. Jennelle; Mr. and Mrs. W. C. Jennings; Mr. and Mrs. Mirent L. Johnson; Mr. and Mrs. Shuler J. Johnston; Mr. and Mrs. James M. Jones; Mrs. Marie S. Journell; and Mr. and Mrs. Roy H. Journell.\u003c/p\u003e","\u003cp\u003eIncludes Carrie A. McGuire; Robert L. Meredith; Cloyd C. Morris; C. P. Martin; Edward K. McCoy; Lacy W. Moore; S. A. Martin; Mid-State Homes, Inc.; Earnest H. Lang; W. W. Lafon; and Hattie E. Miller.\u003c/p\u003e","\u003cp\u003eIncludes Okley Albert; John Peery; J. Maurice Payne: Clarence Pfeifer; Ernest G. Porterfield; Ira ELmer Price; Miller C. Porterfield; James W. Perkins; Jottie M. Pennington; A. C. Pyrtle; W. C. Price; Pauline S. Phlegar; Olonzo C. Proffitt; Bill Pillion; Grayson D. Pettrey; James W. Price; Aldon B. Porterfield; Sidney L. Peeters; H. R. Price; and William D. Parcell.\u003c/p\u003e","\u003cp\u003eIncludes Basil Radford, et al; T. S. Robertson; C. O. Rogers; Ernest B. Radford; Alice F. Runion; Donald L. Ray, et al; Thomas E. Robertson; Alice M. Ragsdale; and Dallas M. Ross.\u003c/p\u003e","\u003cp\u003eIncludes L. K. Smith; Dexter Stevers; Harvey C. Snidow; John L. Stafford; W. D. Sanders; H. G. Smith; Veda S. Smith; N. E. Short; Bertie Saunders; Elizabeth Snidow Payne; Darcie C. Shelor; Douglas E. Shorter; Hattie L. Sadler; Cecil M. Surratt; Billy B. St. Clair; G. H. Gerrell; C. R. Smith; W. S. Smith; John S. St. Clair; Sidney M. Scott; R. C. Stafford; C. P. Scott; F. W. Smith; L. M. Smith; R. G. Simon; A. H. Spangler; H. P. Smith; P. L. Stephens; J. J. Snidow; Sallie Stanley; M. L. Spangler; C. R. Spangler; C. M. Smith; and George Stevens.\u003c/p\u003e","\u003cp\u003eIncludes Maps and deeds for John F. Woodyard; Clarence H. Sadler; Muriel T. Wilson; Everett N. Williams, July-November 1970; and items for O. F. Vaught; Martin Viars; Kenneth P. Young.\u003c/p\u003e","\u003cp\u003eIncludes H. M. and J. A. Gusler; Sarah G. and L. A. Blevins; and William E. Going.\u003c/p\u003e","\u003cp\u003eIncludes Gladys M. and S. K. Johnston; Sterling R. and Eddie Johnson; William G. Johnston; Robert F. and Edna W. Johnston; and W. T. and Lucy H. Jamison.\u003c/p\u003e","\u003cp\u003eIncludes C. P. Logan; Earl B. Lucas; Luther Lucas; C. W. and L. K. Long Mason; C. A. Lucas; St. Paul's Lutheran Church (Newport); James D. Lafon; L. L. and J. Doak Lucas; Minor Lafon; and Wilbur W. Lafon.\u003c/p\u003e","\u003cp\u003eIncludes Billy Gene McCall; W. F. McCall; Joseph F. McGuire; Lucy P. McGuire; Bessie Phlegar McDonald; Robert H. McCall; and E. D. McClanahan.\u003c/p\u003e","\u003cp\u003eIncludes John J. Miller; Virgil Meadows; C. F. and Edward F. Mahaffey; J. R. Morris; J. L. Morris; and Campbell and Melvin D. Mutter.\u003c/p\u003e","\u003cp\u003eIncludes Janey B. Reel; S. D. Rickman; Calla M. Roy; and Charles G. Robertson.\u003c/p\u003e","\u003cp\u003eIncludes A. E. Shumate, Jr.; J. E. Sutphin; Leland G. Smith; J. B. Stanley; C. G. Sarver; James H. Sartin; W. A. Stiff; G. M. Scott; Frank B. Strader, Jr.; W. D. Sanders; Clarence Shortt; and Floyd A. Scott.\u003c/p\u003e","\u003cp\u003eIncludes Mrs. Grace. S. Williams; Vera B. and Randolph J. Wilburn; Nola J. Woods; William E. Williams; Charles C. Weaver; John F. Woodyard; Williams-Jamison Funeral Home; and John Lee Wilson.\u003c/p\u003e","\u003cp\u003eIncludes Kile C. Williams, March 1967, and A. P. Martin, May 1968.\u003c/p\u003e","\u003cp\u003ePrimarily includes small claim collection suits.\u003c/p\u003e","\u003cp\u003eIncludes Allen F. Eaton v. E. F. Conger; Eline's, Inc. v. L. E. Munsey; Gibson Candy Co. v. James A. Woods and Lucas; Giles County Motor Co. v. B. H. Taylor; and Lockwood Embree Sales Corp. v. Virginia Garage.\u003c/p\u003e","\u003cp\u003eIncludes Rich Creek Hardware Co. v. L. M. Cooper, September 1926-November 1929; Radford Sales Corp. v. W. A. Fletcher, May-June 1930; Rocky Gap Merchantile Co. v. W. G. Kitts, July-October 1930; Rocky Gap Merchantile Co. v. B. H. Barnett, July-October 1930; Catelberg Nation Jewelry Co. v. Mrs. Carrie Rowe, September-October 1932; and Rountree's Furniture Co. v. W. N. Hurley, April-May 1933.\u003c/p\u003e","\u003cp\u003eIncludes J. E. Shcrader v. J. H. Pruett; J. C. Shelton v. M. T. McArthur; Seidman Neckware Co. v. H. B. Shelton Co.; J. L. Sibold v. T. L. Litchford; and Spiegel v. Burman Blankenship.\u003c/p\u003e","\u003cp\u003eIncludes S. E. Stafford v. H. D. Sands; F. P. Snidow and Co. v. Floyd Kissinger; Shelton and Shelton v. Thompson and Taylor; Shelton and Shelton v. B. H. Taylor; Shelton and Shelton v. W. B. Snidow; Dr. S. A. Tuck v. Robert Jones; St. Clair v. Gordon; and St. Luke's Hospital v. George Chapman, dec'd.\u003c/p\u003e","\u003cp\u003eIncludes O. K. Caps v. Wolf Creek Merchantile Co.; Witten, T. F. v. D. M. St. Clair; Warlick Piano Rooms v. J. H., E. N., and Marshal Williams; Bluefield Plate Glass v. J. L. Warren; Montgomery Ward and Co. v. H. W. Williams; and  National Biscuit Co. v. Bob's Place.\u003c/p\u003e","\u003cp\u003ePrimarily small claim suits and court cases handled by Walker Williams.\u003c/p\u003e","\u003cp\u003eIncludes P. F. Ball; Lewis Bowles; J. H. Brown; Buchanan Coal Land Corp. to Kingston Coal Co.; Clarence Brooks, et al to W. J. Brooks; T. W. Kerr to J. W. Bailey, et al; J. L Breeding to V. M. Breeding; G. O. Beckner; and J. A. D. Bales to J. S. Andrews.\u003c/p\u003e","\u003cp\u003eIncludes Caldwell Sites Co.; Sidney Chewning; W. Caudill; Eliza Comer v. W. A. Comer; Mitchell Caudle; D. E. Conley; Mrs. Arch Caldwell; S. L. Creath; Lula Carter; Athrus Chambers; W. H. Calhoun; O. H. Cunningham; Cudahy Brothers Co.; Frank D. Claypool; Dode G. Caldwell; Henry Campbell; C. I. T. Corporation; and Constantine L. Cametas.\u003c/p\u003e","\u003cp\u003eIncludes John Draper; Frank S. Demsky; R. Frank Debusk; C. W. Dunford; Carey Dunn; Frank S. Douthat; and Bessie E. Douthat.\u003c/p\u003e","\u003cp\u003eIncludes J. W. Flannagan; Rocky Gap Flooring Co.; Hoge Hunter; Will Fuller; Farmers Exchange, Inc.; Federal Land Bank of Baltimore; Marvin Farley; Mrs. J. H. Fry; Everette Fletcher; Fidelity and Deposit Co. of Maryland; Theo. R. Ferrell; Harper N. Frei; and George E. L. Fletcher.\u003c/p\u003e","\u003cp\u003eIncludes G. M. Hodge; Jack Harrell; Wilbur and Kemper Hale; Ransom B. Houchins; Frank Harless; H. F. Harless; and Beulah Holland.\u003c/p\u003e","\u003cp\u003eIncludes H. S. Edmunds; I. G. Reed; J. W. Cunningham; Standard Oil Co.; A. Ray Johnston; R. King Johnston; Emory Johnston; John Jarney; Robert A. Johnston; Mrs. Earl G. Johnson; and Mrs. Lucy Johnston.\u003c/p\u003e","\u003cp\u003eIncludes Cleo Lucas; Mrs. W. K. Leech; W. K. Lucas; Lon Link; Guy Lucas; D. O. Lawrence; and Larkin Co., Inc.\u003c/p\u003e","\u003cp\u003eIncludes J. C. Meadows; Montgomery Ward; Norton General Hospital v. E. E. Martin; Paul Martin; E. J. and Talma Martin; Harry Martin; Lee Moyer; D. H. Martin; Virginia Munsey; Cora Kerr, et al, and William Mills; Mrs. Clyde Martin; Bernard Mason; W. H. Malcom; F. E. Martin; Ann Meadows; W. S. Meadows; C. M. McClung and Co.; Merchantile Adjuster Publishing Co.; E. R. McLear; Jack Martin; Mr. and Mrs. W. W. Mallory; Woody Nolen; A. J. Nackley; J. A. Newberry; Josie Perdue; A. J. Porterfield; Virgil Pennington; W. H. Quam; John H. Painter; Roy Richardson (Gov. G. C. Peery); C. A. Payson; Pure Oil Co.; S. L. and E. N. Peters; Walter Prunty; K. M. Messer v. J. C. Perdue; W. D. Pearson; Star Amusement Co.; N. F. and M. B. Rowland; Ira Reed and the Rich Creek Supply Co.; Hugh N. Rakes; W. C. Rose and Co.; J. E. Robertson, et al; Mrs. T. F. Richardson; and Tom Rock.\u003c/p\u003e","\u003cp\u003eIncludes Roy Caudill Sadler; St. Elizabeth's General Hospital v. H. H. Smallwood; Star Amusement Co.; George Sayers; Mrs. W. C. St. Clair; Robert Snider; George C. Spangler; B. H. Taylor: Ottomar Strange; W. E. Snider; E. E. Snidow; Snow Church Directory Co.; W. A. Snidow, et al; H. M. Smith; J. T. Snidow; C. P., J. W., and P. F. Shrader; Maggie Songer, et al; and Simon Solins v. P. W. Strother.\u003c/p\u003e","\u003cp\u003eMaterial also concerns the Town of Pearisburg and the law firm of Williams and Williams.\u003c/p\u003e","\u003cp\u003eIncludes J. W. Turner; Spear and Co. v. S. A. Thompson; Young v. B. J. Thompson; Howe, Cora and Medie Tabor; B. M. Teel v. Joe Troitino; W. A. Thornhill; Theodore T. Thomas; and University of Virginia.\u003c/p\u003e","\u003cp\u003eIncludes W. R. Williamson; Julia Woodyard; L. C. Williams; Walker A. Williams, I. E. Williams; Roy Witten; Charles Wilkenson; Claude Williams; George W. Wheeler; Mrs. Margaret Williamson; Harrison Woodyard; Martin Williams; J. W. Williams; W. F. Wright; J. W. Walker and Son; Roberta Shamson v. T. B. Shannon; John Walker; A. C. Williams; R. H. Woods v. J. E. Webb; Lewis Wall; F. H. Woods; Donald Williams and S. S. Williams; Fred Wells; L. C. Woodyard; Everette Wolf; Homer Wilson; J. H. Walker, Susie J. Walker; and J. J. Wicker.\u003c/p\u003e","\u003cp\u003eIncludes copies of title abstracts.\u003c/p\u003e","\u003cp\u003eIncludes title abstracts, loan contract, land sales, and a few court cases.\u003c/p\u003e","\u003cp\u003eIncludes land transactions, loan contracts, and a few claim suits in rough alphabetical order.\u003c/p\u003e","\u003cp\u003eIncludes S. J., J. H., and D. H. Walker; Harvey B. Wilson, et al to C. V. Wilson; D. W. Sanders to Ernest Hilton; Harry M. Douthat; Pearisburg Methodist Church; Morton King; Jack Turner; Noble D. Porterfield to T. M. Smith; C. B. Gilliam to the First Methodist Church of Pearisburg; J. L. Morris; and E. H. Dillon, et al to R. C. Dillon.\u003c/p\u003e","\u003cp\u003eIncludes contracts, court cases, land sales, collection suits, and court briefs.\u003c/p\u003e","\u003cp\u003eIncludes Hazel B. Keffer; Roy Dunford; G. W. Nowlin; J. W. Hale; W. H. Nickels; N \u0026amp; W Railway Co. annual passes; S. B. Nelson; Radford Finance Corp.; and A. K. Hylto.\u003c/p\u003e","\u003cp\u003eIncludse C. J. Presby (Prealey?); H. H. Powell; Martin Williams; Leonard Freeman; W. D. Payne; B. W. Porterfield; O. K. Phleager; Bank of Pocahontas; L. L. Prescott; J. P. Price; J. B. Pulliam; J. H. Price; Pulaski Grocery Co.; Pearisburg Virginian; Cleopatra Porterfield; Personal Services, Inc; Mrs. W. L. Piper; A. J. Porterfield; Mrs. W. P. Poindexter; R. F. Pritchard; Princeton Motor Co.; Pembroke Mutual Telephone  Co.; A. M. Pyne; First National Bank of Peterstown; Mattie Spangler; Sarah Ella Porterfield; Carrie Page; S. A., J. M., and R. W. Patteson; G. H. Parent Co.; Walter M. Perdue; and C. W. Peek and Co.\u003c/p\u003e","\u003cp\u003eIncludes Southeastern Finance Co.; T. G. Porterfield; Office rent receipts for M. P. Farrier; Roundtree Corp. v. W. N. Hurley; Richmond Office Supply Co.; Rawls-Dickson Candy Co.; Chas. S. Roller, Jr.; Mrs. Lacy Riggs; B. S. Ratcliff; A. W. Robertson; The Repass Adjustment Bureau; Frank Turner Shop; Richmond Adjustment Bureau; the Roanoke Hardware Co.; Roanoke Photo Finishing Co.; Miss Mary Rogers; Bruce Rader; W. H., H. M., and W. P. Reynolds; T. J. Pearson; Hugh Reid; Chief of delinquent tax section for Com. of Virginia; J. P. Royall; Harry H. Roberts; Ronceverte Small Loan Co.; and R. D. Rowley.\u003c/p\u003e","\u003cp\u003eIncludes Kate A. Simpson; A. E., E. J., and J. L. Straley; Atlee L. Smith; F. H. Stansill; Southwest Loan and Discount Co., Inc.; H. P. Sartin; D. C. Spangler; and Thomas B. Stanley.\u003c/p\u003e","\u003cp\u003eIncludes E. E. Sarver from Isaac Williams; M. L. and F. S. Williams; J. C. Williams v. Commercial Credit Co.; W. G. Williams; S. S., G. L., and C. B. Williams; and Donald L. and C. K. Williams.\u003c/p\u003e","\u003cp\u003eContents are similar to Box 36.\u003c/p\u003e","\u003cp\u003eIncludes deeds, correspondence, small claim collection, damage suits with a few land sales, divorce suits, and contract disputes.\u003c/p\u003e","\u003cp\u003eThe majority of material deals with small claim collection and damage suits, but there are also a few land sales, divorce suits, and contract disputes. (Material that was not in file folders have been arranged alphabetically in file folders.)\u003c/p\u003e","\u003cp\u003eIncludes record of expenses kept by A. L. Farrier.\u003c/p\u003e","\u003cp\u003eIncludes six checkbooks containing stubs and blank checks, which show outlays and deposits of Williams and Farrier and Farrier and Farrier law firms.\u003c/p\u003e","\u003cp\u003eIncludes list of collection cases handled by Martin Williams.\u003c/p\u003e","\u003cp\u003eIncludes list of cases and fees received.\u003c/p\u003e","\u003cp\u003eIncludes only one incomplete entry concerning a stock holder's meeting.\u003c/p\u003e","\u003cp\u003eIncludes collection suits, fees for services, and disbursement of funds.\u003c/p\u003e","\u003cp\u003eIncludes court suits, deeds, collection suits, court briefs, negatives, checks, and correspondence.\u003c/p\u003e","\u003cp\u003eIncludes personal accounts and fees received.\u003c/p\u003e","\u003cp\u003eIncludes expense, personal, and cash accounts.\u003c/p\u003e","\u003cp\u003eRecords concerning the settlement of the following estates: F. E. Dunkler; W. R. Powell, E. S. Denins; H. L. Eaton; and A. J. Hardwick.\u003c/p\u003e","\u003cp\u003eRecords kept by M. P. Farrier, admin. for estate.\u003c/p\u003e","\u003cp\u003eAccounts kept in regard to timber operations on the land of J. J. Cole.\u003c/p\u003e","\u003cp\u003eA statement of receipts and disbursements for the estate, agreed to by J. M. St. Clair, guardian, and recorded by M. P. Farrier.\u003c/p\u003e","\u003cp\u003eIncludes collections and disbursements, fees received, and estate settlement of the M. P. Farrier estate.\u003c/p\u003e","\u003cp\u003eIncludes deeds, correspondence, contracts, court suits, and materials pertaining to estate settlements and other legal matters.\u003c/p\u003e","\u003cp\u003eIncludes list of collection suits handled by Williams and Farrier.\u003c/p\u003e","\u003cp\u003eIncludes records of money and fees received, estate and court cases settled, and money disbursements.\u003c/p\u003e","\u003cp\u003eIncludes records of an unnamed estate with heirs G. W. Meredith, Lacy Meredith, and Helen E. Hendrickson.\u003c/p\u003e","\u003cp\u003eIncludes list of collection suits handled by Williams and Farrier.\u003c/p\u003e","\u003cp\u003eIncludes correspondence, court suits, contracts, records of receipts and disbursements, and general records concerning the settlement of Honaker and Feeney receivership of M. P. Farrier.\u003c/p\u003e","\u003cp\u003eIncludes three sets of letters from unmarked letter boxes in rough alphabetical order within each set.\u003c/p\u003e","\u003cp\u003eIncludes letters between M. P. Farrier and the heirs of the G. A. Shumate Estate.\u003c/p\u003e","\u003cp\u003eIncludes company's incorporation charter and stockholder's meetings, kept by M. P. Farrier, who was company secretary.\u003c/p\u003e","\u003cp\u003eIncludes record of incorporation and stockholder's meetings.\u003c/p\u003e","\u003cp\u003eIncludes check stubs and cancelled checks.\u003c/p\u003e","\u003cp\u003eInside cover is labeled Peters Mountain Mining Co., Narrows, Va., 1917. The title page and index have been cut out, however. On an inside page, in front of the few pages of records, is the title Crockett Mining Company), 1918. A few pages of records follow, with wages page and expenses incurred.\u003c/p\u003e","\u003cp\u003eIncludes deposit slips, notes, and records concerning the settlement of the estate in a box.\u003c/p\u003e","\u003cp\u003eRecords concern the Big Stony Railway Co., Bland County Lumber Co., the Camp Mfg. Co., the Flat Top Manganese Mines, E. S. Sufferin, and the Strange Mining Co.\u003c/p\u003e","\u003cp\u003eIncludes list of collection suits handled by M. P. Farrier.\u003c/p\u003e","\u003cp\u003eIncludes records for a lumber company, possibly Bland Lumber Co. [Index and title pages are missing.]\u003c/p\u003e","\u003cp\u003eIncludes only one suit for Walker A. Williams.\u003c/p\u003e","\u003cp\u003eRecords kept on numerous companies, individual and organizations concerning income from property or merchandise sold, expenses paid out, and payments and collections on outstanding debts.\u003c/p\u003e","\u003cp\u003eReceipts and disbursements recorded by the receivers, Bernard Mason and M. P. Farrier, in the settlement of company's affairs.\u003c/p\u003e","\u003cp\u003eIncludes fees received by Farrier and statements of his personal finances.\u003c/p\u003e","\u003cp\u003eIncludes clients, court suits, land sales, etc., divided into six letter boxes and arranged alphabetically within each box.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Contents","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content","Scope and Content"],"scopecontent_tesim":["The collection includes files from the firm of Williams and Farrier, later Farrier and Farrier. Materials include copies of deeds, title searches, land transactions, estate matters, loan contracts, divorce suits, small claims collection suits, ledgers, and correspondence. Additional details of some files are included in the original inventories, available on request.","Two series of files from a wooden cabinet. The first set deals mainly with land and estate matters, mostly from the early 1940s. The second set concerns estates. Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier and of Martin Williams and M. P. Farrier.","Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier.","Typed and hand written material concerning land transactions between Welford W. Dowdy and Virginia Dowdy Broadwell, Clarence Sarver, et al, and Everett Scott, Riley Warden and A. B. Allen, Henry Dalton and J.F. Rushbrook, Hallie Porterfield Stower and F. R. Parr and a title to the Mountain View Subdivision in Pearisburg, Va.","Farrier and Farrier negotiate several land transactions between Giles County land owners and the USDA Forest Service. Owners are trying to capitalize on the high demand for lumber resulting from its new usage in World War II.","Slight material concerning debts and taxes of the Little Stony Game and Fish Preserve, and a statement declaring M. P. Farrier trustee of the Preserve. See Federal Forest Service file concerning sale of the Preserve.","Various wills, presumably written by A. L. Farrier, for the following people: John H. Givens; Erastus E. Cook; Walter Gauties; James M. Dillard; Ada S. Lambert; Vance S. Lambert; William T. Doyle; Grace J. Kirk; G. A. Kessinger; and John Hundley Eller.","Files are from the office of Pearisburg attorneys, M. P. and A. L. Farrier.","An association of southwest Virginia businessmen, including M. P. Farrier, F. E. and W. B. Snidow, Martin Williams, and other prominent Giles County men, established for the purpose of exploiting coal and gas deposits in the area. The company does not appear to have done well. File contains mostly handwritten statements concerning debts and assets.","Substantial correspondence with Bancroft-Whitney Co. concerning the purchases of law books by M. P. and A. L. Farrier.","When the Bland County Lumber Co. went bankrupt some time after 1936, a commissioner was appointed to investigate the company's liabilities and assets. Material in this file consists mainly of M. P. Farrier's handwritten answers to a series of questions put to him by the commissioner. Farrier gives detailed information concerning land holdings and company debts. See related Bland Lumber Co. files (Bland County Lumber Co. v. Mrs. A. A. Strange and Bland Lumber Company Maps).","In his capacity as County Commissioner of Accounts, M. P. Farrier reviewed the accounts submitted by the administrator for the following estates: M. E. Gooch; A. J. Straley; O. S. Dillow; J. A. Stafford; W. E. P. Lucus; W. B. Staffoed; A. J. Smith; I. W. Peters; W. L. Price; J. A. Gusler; C. W. Shannon; L. A. Ritter; C. W. Straley; J. A. Bane; G. M. Henderson; and C. W. Meredith. He likewise reviewed the accounts submitted by guardians for the following people: A. J. Smith; W. O. Smith; M. L. Collins; M. W. Runions. January 1928-January 1938.","Similar to the above for following estates: J. W. T. Henderson; J. D. French; J. W. Stafford; E. G. Sarver; M. S. Woodyard; J. R. Emmons; M. T. Barger; W. A. Johnson; E. S. Johnson; J. F. Jewel; and John Brill. Also for guardians of M. L. Collins; Dewey and Almoa Daves; Margaret McNeely; George Akers, and Lewis Rowe. May 1934-November 1939.","M. P. Farrier, as Commissioner of Accounts for Giles County, reviews the statements of Minnie F. Davis, guardian for Leonard A. French, a minor.","Similar to above files for following estates: G. G. Lindsey; S. K. Bane; J. E. Tripton; M. G. J. Snidow; G. T. Fuller; P. N. Southern; J. H. Spangler; J. R. Johnston; A. E. Dunford; M. W. Mallory; Edward Lowe; Fount Johnson; J. T. S. Hoge; R. L. Elmore; J. W. Turner; J. M. Ratcliff; J. M. Farley; J. M. Givens. Likewise for the guardians of Donald and Arthur Stafford; M. L. Collins; Frank and Mary L. Johnston; L. B. and M. W. Bowen; O. B. Snidow; A. E. Epling; trusteeship over Harry J. James. April 1936-October 1940.","Similar to the above for the following estates: L. S. McElroth; E. B. French; M.E. Mottesheard; D. F. Hale; S. C. Overstreet; F. W. Williams; P. J. Muncy; S. D. Lucas; L. J. Smith; Albert Hutchinson; Sylvester Snodgrass; H. W. Morris; S. T. Pack; C. L. Simpkins; G. H. Dennis; W. B. Knight; I. P. Thompson; G. A. Shumate; Tom Smith; W. S. Dean; J. W. Turner; Frances Williams; N. E. Buckland; A. J. Straley; F. L. Johnston; J. L. Straley; and B. S. Huffman. Also for guardians of Robert Croy; Ernest Robertson; Fay, Louise, Irene and Johnston Smith; Brackett Porterfield; Rhoda E. Eplling; Llwellyn and Mary T. Johnson; Lula Porterfield; M. E. Stafford; Ilean and Crackett Straley; L. A. French; and Larry Woodyard. Wills of J. A. Adair and W. F. Webb. December 1922-April 1933.","Similar to above for the following estates: W. D. Ratcliff; E. S. Ratcliff; J. W. Meredith; L. M. Whittaker; A. J. Straley; J. E. Carson; F. H. Stafford; J. S. Eaton; E. J. Morris; H. H. Smith; S. K. Woods; Joshua Radford; A. W. Snidow; G. G. Lindsey; P. B. Wimmer and O. L. Williams. Also for guardians of Goodlow Straley, Johnson Smith, and I. S. Vaught. April 1937-January 1939.","Similar to above for the following estates: G. W. Nowlin; L. M. Thompson; J. D. Mann; A. B. hare; Sallie Hambrick; R. A. Pauley; S. V. White; A. D. Collins; A. P. Saunders; J. R. Emmons; Annie Dickinson; W. H. Thomas; J. M. Wright; C. B. Williams; G. L. Bane; W. T. Kirk; Louise Jarvis; S. L. Buckland; H. W. Mann; B. F. Riddle; M. F. Cooper; R. V. Wheeler; J. J. Topsail; G. G. Lindsey. Also for the guardians of Louis and O. P. Ferrell and Polly Ann and J. A. Eppley. September 1938-October 1943.","Similar to the above for the following estates: E. L. Buchanan; E. E. Montgomery; J. T. Bishop; M. A. Muncy; J. H. Duncan; Gertude Fisher; W. H. Reynolds; C. H. Wimmer; C. E. Cooper; B. M. Johnston; H. H. Wolfe; O. B. Quick; L. C. Williams; and Nannie Gordon. All material in this file is handwritten indicating that the statements are not final drafts. Also, about half have uncashed check to F. E. Snidow attached, indicating they were not recorded by the county clerk. September 1942-May 1945.","M. P. Farrier acting for the interest of the E. S. Dennis heirs, disposes of the property and real estate of E. S. Dennis in an attempt to satisfy the debts of the deceased. Extensive correspondence between Farrier and the two heirs. September 1921-February 1925.","Statements of claim against Dennis estate. March 1922-January 1930.","Office files of M. P. Farrier (abbreviated MPF).","Present are the receipts showing land taxes paid by J. D. Foote for 1916-1919. Majority of the material consists of deeds showing the extensive land holdings of Foote in Giles County.","Present are two receipts for a burial blot near Pearisburg, a Christmas card and Valentine card from his wife, and two letters from an acquaintance in Richmond.","MPF was a member of the county committee which investigated the prospect of establishing a county budget. The committee felt that a budget was unnecessary since the county's revenue was large enough to afford the freedom of action provided by a non-budget system. A detail statement of all assessed real estate and property in Giles County is presented, as well as a statement of yearly county expenditures. Files also contain a copy of the  Pearisburg Virginian , dated April 1, 1920, which has a series of articles and editorials concerning a county board for road improvement.","Some correspondence, but most material consists of copies of bills MPF wanted presented to the General Assembly. Bills concern: condemnation of private land; collection of taxes and levies; construction and maintenance of division fences; grants of public land; a new charter for the town of Narrows; terms of court for Giles County; sentencing felony convictions; right of land ownership; awarding and dissolving of injunctions; bonding of committees; certificates of acknowledgement; and regulation of judgments.","MPF was the patron of several bills before the General Assembly on the following subjects: partnerships, sale of estate property and dissolution injunctions. Copies of numerous other bills are included, received by MPF as a member of the General Assembly.","Extensive correspondence between Layman and MPF concerning cases on which they worked together. Layman, attorney from New Castle, seems to have collaborated with Farrier throughout their extensive careers.","MPF aided in the revision of the Pulaski and Giles Mutual Insurance Co. by-laws. He was also a policy holder.","Two notes and two contracts signed by Porterfield. Contracts concern the purchase of sheep and horses by Porterfield from MPF.","Present are deeds, loans, and contracts executed by MPF for Porterfield. There is also a statement of accounts for the estate of G. T. Porterfield.","Several drafts of petitions, bills, and resolutions presented to the Virginia Assembly concerning improvement, construction, and maintenance of public roads in Giles County.","MPF attempted to aid E. S. Ratcliff in his efforts to obtain full insurance benefits from the U. S. Veterans Bureau owing from his son's death. Mrs. Landona E. Ratcliff was receiving monthly check as a beneficiary of her son. Upon her death, E. S. Ratcliff sought to transfer the benefits to himself acting as administrator of his wife's estate.","Incorporation papers for the bank are present as well as several collection cases handled by MPF. In one incident, it appears A. L. Farrier resigned as cashier when his books came up $450 short during an audit. In another, Martin Williams, MPF, and A. L. Farrier were investigated by a state commission to determine their relationship to three lumber companies who borrowed heavily from the bank before folding.","Correspondence between Governor Trinkle and MPF concerning various bills before the General Assembly. The question of building a new system of public roads in Virginia seems to be a much-discussed issue.","MPF accepts a position as title examiner. Except for three letters between Farrier and company representatives, the majority of the material consists of blank forms.","Copies of wills: K. R. and N. L. Shumate; J. L. Harris; A. S. and J. W. Miller; B. L. Hale; L. L. Teel; Nannie Gordon; J. M. and M. J. Tuggle; C. E. Sonner; M. C. Bolton; E. J. Draper; A. L. Caldwell; and E. A. Keister.","Acting as guardian, MPF controlled a small amount of money belonging to each girl, from which he paid for items like schoolbooks, clothes, medicine, etc. until the girls came of age.","Office files of M. P. Farrier (abbreviated MPF).","Williams and Farrier and Farrier handle various matters for several churches in Giles County. Most common is the buying, selling, and granting of church land.","Office files from Farrier and Farrier (abbreviated F\u0026F), mostly from M. P. Farrier (abbreviated MPF).","Blank forms for incorporation of companies.","Materials concern MPF's sale of Brown's interest in land to pay off debt to the First National Bank of Pearisburg and Sinking Valley Creek Bank. See also Horton, E. W. v. Ellen E. Taylor, et al folder.","MPF represented Snidow who sold land he held in trust to pay off the owner's (Lula Gusler) debts. The remaining funds were distributed to Henry Gusler and other heirs.","Files from the offices of Martin Williams and M. P. Farrier (abbreviated MPF). Subjects range from Appalachian Electric Power Co. to Norfolk \u0026 Western, in rough alphabetical order.","Abstracts for land parcels in Giles County bought by Appalachian Electric Power Co.","IRS requests for detailed statement of 1917-1918; income tax reports from the company, June 1921-January 1922. Income tax reports for 1921 and 1923, December 1920-December 1923. Notes concerning asses and liabilities of the company, December 1919-June 1924.","Statements of shipments by the company, November 1919-December 1920. Claim against Strange Mining Co. seeking compensation for converting to war production and re-converting following World War I, November 1922. Materials concerning business operations, January 1920-January 1922.","Williams and Farrier correspondence as representation for the company, in particular land sales, timber and mineral rights, and contracts, January 1924-October 1927. IRS requests for tax reports, March 1922-June 1925.","File suggests either MPF or Williams served as trial judge.","File contains a deed between Dunn and J. H. Jervis, but makes no mention of Williams.","Bland County matters, March-October 1926. Tazewell matters, April 1927-September 1929. Suit v. I. P. King, March 1927-June 1929. Foreclosure suits, land sales, farm loan applications, title abstracts, detailed loan applications, April 1917-November 1929.","Files from the offices of Martin Williams and M. P. Farrier (abbreviated MPF). Subjects range from Norfolk \u0026 Western to Waddle, et al.","Include title searches conducted by attorneys in regard to loan and insurance applications, also in regard to land transactions.","Most files concern loan contracts and land transactions.","With a few exceptions, most of the material in this box concerns loan contracts and land transactions.","Includes material found loose at the front of the box. Consists of deeds, abstracts, court briefs, contracts, and correspondence connected to the work of Andrew L. Farrier.","Material found loose at the front of the box. Work by Williams \u0026 Farrier or Martin P. Farrier, including deeds, title abstracts, cancelled checks, and a report on improving Mountain Lake. There are also papers concerning the estate of Percy H. Brown.","Material deals mainly with land sales.","Includes Mr. and Mrs. J. L. Jennelle; Mr. and Mrs. W. C. Jennings; Mr. and Mrs. Mirent L. Johnson; Mr. and Mrs. Shuler J. Johnston; Mr. and Mrs. James M. Jones; Mrs. Marie S. Journell; and Mr. and Mrs. Roy H. Journell.","Includes Carrie A. McGuire; Robert L. Meredith; Cloyd C. Morris; C. P. Martin; Edward K. McCoy; Lacy W. Moore; S. A. Martin; Mid-State Homes, Inc.; Earnest H. Lang; W. W. Lafon; and Hattie E. Miller.","Includes Okley Albert; John Peery; J. Maurice Payne: Clarence Pfeifer; Ernest G. Porterfield; Ira ELmer Price; Miller C. Porterfield; James W. Perkins; Jottie M. Pennington; A. C. Pyrtle; W. C. Price; Pauline S. Phlegar; Olonzo C. Proffitt; Bill Pillion; Grayson D. Pettrey; James W. Price; Aldon B. Porterfield; Sidney L. Peeters; H. R. Price; and William D. Parcell.","Includes Basil Radford, et al; T. S. Robertson; C. O. Rogers; Ernest B. Radford; Alice F. Runion; Donald L. Ray, et al; Thomas E. Robertson; Alice M. Ragsdale; and Dallas M. Ross.","Includes L. K. Smith; Dexter Stevers; Harvey C. Snidow; John L. Stafford; W. D. Sanders; H. G. Smith; Veda S. Smith; N. E. Short; Bertie Saunders; Elizabeth Snidow Payne; Darcie C. Shelor; Douglas E. Shorter; Hattie L. Sadler; Cecil M. Surratt; Billy B. St. Clair; G. H. Gerrell; C. R. Smith; W. S. Smith; John S. St. Clair; Sidney M. Scott; R. C. Stafford; C. P. Scott; F. W. Smith; L. M. Smith; R. G. Simon; A. H. Spangler; H. P. Smith; P. L. Stephens; J. J. Snidow; Sallie Stanley; M. L. Spangler; C. R. Spangler; C. M. Smith; and George Stevens.","Includes Maps and deeds for John F. Woodyard; Clarence H. Sadler; Muriel T. Wilson; Everett N. Williams, July-November 1970; and items for O. F. Vaught; Martin Viars; Kenneth P. Young.","Includes H. M. and J. A. Gusler; Sarah G. and L. A. Blevins; and William E. Going.","Includes Gladys M. and S. K. Johnston; Sterling R. and Eddie Johnson; William G. Johnston; Robert F. and Edna W. Johnston; and W. T. and Lucy H. Jamison.","Includes C. P. Logan; Earl B. Lucas; Luther Lucas; C. W. and L. K. Long Mason; C. A. Lucas; St. Paul's Lutheran Church (Newport); James D. Lafon; L. L. and J. Doak Lucas; Minor Lafon; and Wilbur W. Lafon.","Includes Billy Gene McCall; W. F. McCall; Joseph F. McGuire; Lucy P. McGuire; Bessie Phlegar McDonald; Robert H. McCall; and E. D. McClanahan.","Includes John J. Miller; Virgil Meadows; C. F. and Edward F. Mahaffey; J. R. Morris; J. L. Morris; and Campbell and Melvin D. Mutter.","Includes Janey B. Reel; S. D. Rickman; Calla M. Roy; and Charles G. Robertson.","Includes A. E. Shumate, Jr.; J. E. Sutphin; Leland G. Smith; J. B. Stanley; C. G. Sarver; James H. Sartin; W. A. Stiff; G. M. Scott; Frank B. Strader, Jr.; W. D. Sanders; Clarence Shortt; and Floyd A. Scott.","Includes Mrs. Grace. S. Williams; Vera B. and Randolph J. Wilburn; Nola J. Woods; William E. Williams; Charles C. Weaver; John F. Woodyard; Williams-Jamison Funeral Home; and John Lee Wilson.","Includes Kile C. Williams, March 1967, and A. P. Martin, May 1968.","Primarily includes small claim collection suits.","Includes Allen F. Eaton v. E. F. Conger; Eline's, Inc. v. L. E. Munsey; Gibson Candy Co. v. James A. Woods and Lucas; Giles County Motor Co. v. B. H. Taylor; and Lockwood Embree Sales Corp. v. Virginia Garage.","Includes Rich Creek Hardware Co. v. L. M. Cooper, September 1926-November 1929; Radford Sales Corp. v. W. A. Fletcher, May-June 1930; Rocky Gap Merchantile Co. v. W. G. Kitts, July-October 1930; Rocky Gap Merchantile Co. v. B. H. Barnett, July-October 1930; Catelberg Nation Jewelry Co. v. Mrs. Carrie Rowe, September-October 1932; and Rountree's Furniture Co. v. W. N. Hurley, April-May 1933.","Includes J. E. Shcrader v. J. H. Pruett; J. C. Shelton v. M. T. McArthur; Seidman Neckware Co. v. H. B. Shelton Co.; J. L. Sibold v. T. L. Litchford; and Spiegel v. Burman Blankenship.","Includes S. E. Stafford v. H. D. Sands; F. P. Snidow and Co. v. Floyd Kissinger; Shelton and Shelton v. Thompson and Taylor; Shelton and Shelton v. B. H. Taylor; Shelton and Shelton v. W. B. Snidow; Dr. S. A. Tuck v. Robert Jones; St. Clair v. Gordon; and St. Luke's Hospital v. George Chapman, dec'd.","Includes O. K. Caps v. Wolf Creek Merchantile Co.; Witten, T. F. v. D. M. St. Clair; Warlick Piano Rooms v. J. H., E. N., and Marshal Williams; Bluefield Plate Glass v. J. L. Warren; Montgomery Ward and Co. v. H. W. Williams; and  National Biscuit Co. v. Bob's Place.","Primarily small claim suits and court cases handled by Walker Williams.","Includes P. F. Ball; Lewis Bowles; J. H. Brown; Buchanan Coal Land Corp. to Kingston Coal Co.; Clarence Brooks, et al to W. J. Brooks; T. W. Kerr to J. W. Bailey, et al; J. L Breeding to V. M. Breeding; G. O. Beckner; and J. A. D. Bales to J. S. Andrews.","Includes Caldwell Sites Co.; Sidney Chewning; W. Caudill; Eliza Comer v. W. A. Comer; Mitchell Caudle; D. E. Conley; Mrs. Arch Caldwell; S. L. Creath; Lula Carter; Athrus Chambers; W. H. Calhoun; O. H. Cunningham; Cudahy Brothers Co.; Frank D. Claypool; Dode G. Caldwell; Henry Campbell; C. I. T. Corporation; and Constantine L. Cametas.","Includes John Draper; Frank S. Demsky; R. Frank Debusk; C. W. Dunford; Carey Dunn; Frank S. Douthat; and Bessie E. Douthat.","Includes J. W. Flannagan; Rocky Gap Flooring Co.; Hoge Hunter; Will Fuller; Farmers Exchange, Inc.; Federal Land Bank of Baltimore; Marvin Farley; Mrs. J. H. Fry; Everette Fletcher; Fidelity and Deposit Co. of Maryland; Theo. R. Ferrell; Harper N. Frei; and George E. L. Fletcher.","Includes G. M. Hodge; Jack Harrell; Wilbur and Kemper Hale; Ransom B. Houchins; Frank Harless; H. F. Harless; and Beulah Holland.","Includes H. S. Edmunds; I. G. Reed; J. W. Cunningham; Standard Oil Co.; A. Ray Johnston; R. King Johnston; Emory Johnston; John Jarney; Robert A. Johnston; Mrs. Earl G. Johnson; and Mrs. Lucy Johnston.","Includes Cleo Lucas; Mrs. W. K. Leech; W. K. Lucas; Lon Link; Guy Lucas; D. O. Lawrence; and Larkin Co., Inc.","Includes J. C. Meadows; Montgomery Ward; Norton General Hospital v. E. E. Martin; Paul Martin; E. J. and Talma Martin; Harry Martin; Lee Moyer; D. H. Martin; Virginia Munsey; Cora Kerr, et al, and William Mills; Mrs. Clyde Martin; Bernard Mason; W. H. Malcom; F. E. Martin; Ann Meadows; W. S. Meadows; C. M. McClung and Co.; Merchantile Adjuster Publishing Co.; E. R. McLear; Jack Martin; Mr. and Mrs. W. W. Mallory; Woody Nolen; A. J. Nackley; J. A. Newberry; Josie Perdue; A. J. Porterfield; Virgil Pennington; W. H. Quam; John H. Painter; Roy Richardson (Gov. G. C. Peery); C. A. Payson; Pure Oil Co.; S. L. and E. N. Peters; Walter Prunty; K. M. Messer v. J. C. Perdue; W. D. Pearson; Star Amusement Co.; N. F. and M. B. Rowland; Ira Reed and the Rich Creek Supply Co.; Hugh N. Rakes; W. C. Rose and Co.; J. E. Robertson, et al; Mrs. T. F. Richardson; and Tom Rock.","Includes Roy Caudill Sadler; St. Elizabeth's General Hospital v. H. H. Smallwood; Star Amusement Co.; George Sayers; Mrs. W. C. St. Clair; Robert Snider; George C. Spangler; B. H. Taylor: Ottomar Strange; W. E. Snider; E. E. Snidow; Snow Church Directory Co.; W. A. Snidow, et al; H. M. Smith; J. T. Snidow; C. P., J. W., and P. F. Shrader; Maggie Songer, et al; and Simon Solins v. P. W. Strother.","Material also concerns the Town of Pearisburg and the law firm of Williams and Williams.","Includes J. W. Turner; Spear and Co. v. S. A. Thompson; Young v. B. J. Thompson; Howe, Cora and Medie Tabor; B. M. Teel v. Joe Troitino; W. A. Thornhill; Theodore T. Thomas; and University of Virginia.","Includes W. R. Williamson; Julia Woodyard; L. C. Williams; Walker A. Williams, I. E. Williams; Roy Witten; Charles Wilkenson; Claude Williams; George W. Wheeler; Mrs. Margaret Williamson; Harrison Woodyard; Martin Williams; J. W. Williams; W. F. Wright; J. W. Walker and Son; Roberta Shamson v. T. B. Shannon; John Walker; A. C. Williams; R. H. Woods v. J. E. Webb; Lewis Wall; F. H. Woods; Donald Williams and S. S. Williams; Fred Wells; L. C. Woodyard; Everette Wolf; Homer Wilson; J. H. Walker, Susie J. Walker; and J. J. Wicker.","Includes copies of title abstracts.","Includes title abstracts, loan contract, land sales, and a few court cases.","Includes land transactions, loan contracts, and a few claim suits in rough alphabetical order.","Includes S. J., J. H., and D. H. Walker; Harvey B. Wilson, et al to C. V. Wilson; D. W. Sanders to Ernest Hilton; Harry M. Douthat; Pearisburg Methodist Church; Morton King; Jack Turner; Noble D. Porterfield to T. M. Smith; C. B. Gilliam to the First Methodist Church of Pearisburg; J. L. Morris; and E. H. Dillon, et al to R. C. Dillon.","Includes contracts, court cases, land sales, collection suits, and court briefs.","Includes Hazel B. Keffer; Roy Dunford; G. W. Nowlin; J. W. Hale; W. H. Nickels; N \u0026 W Railway Co. annual passes; S. B. Nelson; Radford Finance Corp.; and A. K. Hylto.","Includse C. J. Presby (Prealey?); H. H. Powell; Martin Williams; Leonard Freeman; W. D. Payne; B. W. Porterfield; O. K. Phleager; Bank of Pocahontas; L. L. Prescott; J. P. Price; J. B. Pulliam; J. H. Price; Pulaski Grocery Co.; Pearisburg Virginian; Cleopatra Porterfield; Personal Services, Inc; Mrs. W. L. Piper; A. J. Porterfield; Mrs. W. P. Poindexter; R. F. Pritchard; Princeton Motor Co.; Pembroke Mutual Telephone  Co.; A. M. Pyne; First National Bank of Peterstown; Mattie Spangler; Sarah Ella Porterfield; Carrie Page; S. A., J. M., and R. W. Patteson; G. H. Parent Co.; Walter M. Perdue; and C. W. Peek and Co.","Includes Southeastern Finance Co.; T. G. Porterfield; Office rent receipts for M. P. Farrier; Roundtree Corp. v. W. N. Hurley; Richmond Office Supply Co.; Rawls-Dickson Candy Co.; Chas. S. Roller, Jr.; Mrs. Lacy Riggs; B. S. Ratcliff; A. W. Robertson; The Repass Adjustment Bureau; Frank Turner Shop; Richmond Adjustment Bureau; the Roanoke Hardware Co.; Roanoke Photo Finishing Co.; Miss Mary Rogers; Bruce Rader; W. H., H. M., and W. P. Reynolds; T. J. Pearson; Hugh Reid; Chief of delinquent tax section for Com. of Virginia; J. P. Royall; Harry H. Roberts; Ronceverte Small Loan Co.; and R. D. Rowley.","Includes Kate A. Simpson; A. E., E. J., and J. L. Straley; Atlee L. Smith; F. H. Stansill; Southwest Loan and Discount Co., Inc.; H. P. Sartin; D. C. Spangler; and Thomas B. Stanley.","Includes E. E. Sarver from Isaac Williams; M. L. and F. S. Williams; J. C. Williams v. Commercial Credit Co.; W. G. Williams; S. S., G. L., and C. B. Williams; and Donald L. and C. K. Williams.","Contents are similar to Box 36.","Includes deeds, correspondence, small claim collection, damage suits with a few land sales, divorce suits, and contract disputes.","The majority of material deals with small claim collection and damage suits, but there are also a few land sales, divorce suits, and contract disputes. (Material that was not in file folders have been arranged alphabetically in file folders.)","Includes record of expenses kept by A. L. Farrier.","Includes six checkbooks containing stubs and blank checks, which show outlays and deposits of Williams and Farrier and Farrier and Farrier law firms.","Includes list of collection cases handled by Martin Williams.","Includes list of cases and fees received.","Includes only one incomplete entry concerning a stock holder's meeting.","Includes collection suits, fees for services, and disbursement of funds.","Includes court suits, deeds, collection suits, court briefs, negatives, checks, and correspondence.","Includes personal accounts and fees received.","Includes expense, personal, and cash accounts.","Records concerning the settlement of the following estates: F. E. Dunkler; W. R. Powell, E. S. Denins; H. L. Eaton; and A. J. Hardwick.","Records kept by M. P. Farrier, admin. for estate.","Accounts kept in regard to timber operations on the land of J. J. Cole.","A statement of receipts and disbursements for the estate, agreed to by J. M. St. Clair, guardian, and recorded by M. P. Farrier.","Includes collections and disbursements, fees received, and estate settlement of the M. P. Farrier estate.","Includes deeds, correspondence, contracts, court suits, and materials pertaining to estate settlements and other legal matters.","Includes list of collection suits handled by Williams and Farrier.","Includes records of money and fees received, estate and court cases settled, and money disbursements.","Includes records of an unnamed estate with heirs G. W. Meredith, Lacy Meredith, and Helen E. Hendrickson.","Includes list of collection suits handled by Williams and Farrier.","Includes correspondence, court suits, contracts, records of receipts and disbursements, and general records concerning the settlement of Honaker and Feeney receivership of M. P. Farrier.","Includes three sets of letters from unmarked letter boxes in rough alphabetical order within each set.","Includes letters between M. P. Farrier and the heirs of the G. A. Shumate Estate.","Includes company's incorporation charter and stockholder's meetings, kept by M. P. Farrier, who was company secretary.","Includes record of incorporation and stockholder's meetings.","Includes check stubs and cancelled checks.","Inside cover is labeled Peters Mountain Mining Co., Narrows, Va., 1917. The title page and index have been cut out, however. On an inside page, in front of the few pages of records, is the title Crockett Mining Company), 1918. A few pages of records follow, with wages page and expenses incurred.","Includes deposit slips, notes, and records concerning the settlement of the estate in a box.","Records concern the Big Stony Railway Co., Bland County Lumber Co., the Camp Mfg. Co., the Flat Top Manganese Mines, E. S. Sufferin, and the Strange Mining Co.","Includes list of collection suits handled by M. P. Farrier.","Includes records for a lumber company, possibly Bland Lumber Co. [Index and title pages are missing.]","Includes only one suit for Walker A. Williams.","Records kept on numerous companies, individual and organizations concerning income from property or merchandise sold, expenses paid out, and payments and collections on outstanding debts.","Receipts and disbursements recorded by the receivers, Bernard Mason and M. P. Farrier, in the settlement of company's affairs.","Includes fees received by Farrier and statements of his personal finances.","Includes clients, court suits, land sales, etc., divided into six letter boxes and arranged alphabetically within each box."],"separatedmaterial_html_tesm":["\u003cp\u003eThe following publications (and additional titles) have been separated from the collection, and some are cataloged in the University Libraries:\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eSouth Eastern Reporter\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eAmerican and English Encyclopaedia of Law\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eCyclopaedia of Law Procedures\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eAmerican Jurisprudence\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eAmerican Jurisprudence - Legal Forms\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eVirginia Reports\u003c/title\u003e and \u003ctitle render=\"italic\"\u003eVirginia Reports Annotated\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eRuling Case Law\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003ePomeroy's Equity Jurisprudence\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eGregory's Forms\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eOpinions of the Attorney General\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eAmerican Law Report\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eSouth Eastern Digest\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eActs of Assembly\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eVirginia State Bar Association\u003c/title\u003e\u003c/item\u003e\n\u003citem\u003e\u003ctitle render=\"italic\"\u003eVirginia and West Virginia Digest\u003c/title\u003e\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["The following publications (and additional titles) have been separated from the collection, and some are cataloged in the University Libraries:","South Eastern Reporter American and English Encyclopaedia of Law Cyclopaedia of Law Procedures American Jurisprudence  and  American Jurisprudence - Legal Forms Virginia Reports  and  Virginia Reports Annotated Ruling Case Law Pomeroy's Equity Jurisprudence Gregory's Forms Opinions of the Attorney General American Law Report South Eastern Digest Acts of Assembly Virginia State Bar Association Virginia and West Virginia Digest"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish material from Farrier Family Papers must be obtained from Special Collections and University Archives, Virginia Tech. Since this collection includes legal files, the ability to publish materials may be limited or restricted. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproduction and Use"],"userestrict_tesim":["Permission to publish material from Farrier Family Papers must be obtained from Special Collections and University Archives, Virginia Tech. Since this collection includes legal files, the ability to publish materials may be limited or restricted. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_518a50713ff17a8f2c2e4389292c7dc2\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Appalachian Power Company","Norfolk and Western Railway Company (1896-1982)","Farrier family","Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Appalachian Power Company","Norfolk and Western Railway Company (1896-1982)","Farrier family","Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Appalachian Power Company","Norfolk and Western Railway Company (1896-1982)"],"famname_ssim":["Farrier family"],"persname_ssim":["Farrier, Andrew L., 1895-1972","Farrier, Martin P., 1869-1946"],"language_ssim":["The materials in the collection are in English."],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1945,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:24:17.029Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_1298_c01_c03_c36"}},{"id":"viu_repositories_3_resources_509_c02_c10","type":"Item","attributes":{"title":"Wool yarn twist tester","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_509_c02_c10#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_509_c02_c10","ref_ssm":["viu_repositories_3_resources_509_c02_c10"],"id":"viu_repositories_3_resources_509_c02_c10","ead_ssi":"viu_repositories_3_resources_509","_root_":"viu_repositories_3_resources_509","_nest_parent_":"viu_repositories_3_resources_509_c02","parent_ssi":"viu_repositories_3_resources_509_c02","parent_ssim":["viu_repositories_3_resources_509","viu_repositories_3_resources_509_c02"],"parent_ids_ssim":["viu_repositories_3_resources_509","viu_repositories_3_resources_509_c02"],"parent_unittitles_ssm":["Charlottesville Woolen Mills records","Miscellaneous"],"parent_unittitles_tesim":["Charlottesville Woolen Mills records","Miscellaneous"],"text":["Charlottesville Woolen Mills records","Miscellaneous","Wool yarn twist tester","box 8"],"title_filing_ssi":"Wool yarn twist tester","title_ssm":["Wool yarn twist tester"],"title_tesim":["Wool yarn twist tester"],"unitdate_bulk_ssim":["1868-1952"],"normalized_title_ssm":["Wool yarn twist tester"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Charlottesville Woolen Mills records"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":149,"parent_access_restrict_tesm":["The collection is open for research use."],"parent_access_terms_tesm":["\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en"],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"containers_ssim":["box 8"],"_nest_path_":"/components#1/components#9","timestamp":"2026-05-21T14:33:53.584Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_509","ead_ssi":"viu_repositories_3_resources_509","_root_":"viu_repositories_3_resources_509","_nest_parent_":"viu_repositories_3_resources_509","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_509.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/447","title_filing_ssi":"Charlottesville Woolen Mills records","title_ssm":["Charlottesville Woolen Mills records"],"title_tesim":["Charlottesville Woolen Mills records"],"unitdate_ssm":["1868-1956"],"unitdate_inclusive_ssm":["1868-1956"],"level_ssm":["collection"],"level_ssim":["File","Collection"],"unitid_ssm":["MSS 16353","Archival Resource Key","/repositories/3/resources/509"],"text":["MSS 16353","Archival Resource Key","/repositories/3/resources/509","Charlottesville Woolen Mills records","Industries -- Virginia","Textile industry","Wool fabrics","Textile workers","Supervisors, Industrial","Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)","The collection is open for research use.","This collection is organized into two series: Business records and Miscellaenous materials. \nSeries 1:","Business Records, 1868-1956 (20.63 cubic feet). This series is arranged at the file and item level and chronologically. In order to maintain original order, the titles of each item begin with the names of the individual administrative departments to which they belong.\nBecause they all fall under the category of business records, one series by that name suffices for the purposes of this record.","This series contains 125 business ledgers that have been numbered sequentially, and other paperwork and material that directly related to the business dealings of the Charlottesville Woolen Mills. This includes loose legal documents, correspondence, newspaper clipping, or materials from the ledgers themselves, all part of the greater business records of the Charlottesville Woolen Mills.","Board of Directors and Stockholders:\nLedgers 1-12,\nLoose materials in minute books,\n\"Comparison of yearly earnings\",\nStock sales register, and\nLoose Materials in Stock Ledgers","Executive:\nLedger 13, and\nCorrespondence","Financial:\nLedgers 14-26","Superintendent:\nLedgers 27-71","Sales:\nLedgers 72-75","Labor:\nLedgers 76-118, and\nLoose materials in timebooks","Production:\nLedgers 119-125","Legal and Property:\nAbstract of title: Shadwell Dam, Virginia,\nTrademark patent,\nData re. Sale to C + O RR Co of Shadwell Property, and\nBlueprint of \"property to be acquired from Charlottesville woolen mills near Shadwell, VA\"","Series 2:","Miscellaneous, ~1913-1933 (3.75 cubic feet). This series is arranged first chronoligically according to the dates provided. The materials in this series vary from tools used in the factory to samples used for sales. The date range is a rough estimate based on what dates are provided. Some artifacts have no dates attributed to them and may have been created prior to 1913. The fabric samples dated from 1913 to 1933 are themselves arranged numerically according to their respective pattern numbers. The tin advert sign was made in Philadelphia, PA.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.","The Charlottesville Woolen Mills factory was incorporated in 1868 by H.C. Marchant and was located in the southeastern part of Charlottesville, VA.","From the 1830s until it's seizure by the Confederate governement in 1861, the building operated as a combination wool, cotton, flour and lumber mill, and later also included a blacksmith's shop, corn mill, grist mill, plaster mill, and a store selling dry goods. During this time the land was sold a number of times until 1960, when the company was reorganized as the Charlottesville Manufacturing Company, with John A. Marchant, his son. Henry Clay Marchant, John Wood, H. L. Anderson, T. J. Wertenbaker, and John C. Patterson operating a joint stock company. The textile plant provided wool uniforms for the soldiers of the Confederacy during the Civil War. A second reorganization in 1964 made Henry Clay Marchant the sole owner. Following the destruction of the mill during the Civil War and after the war had ended, the factory was rebuilt, and, on December 18, 1868, Charlottesville Woolen Mills was chartered \"for the manufacture, purchase and sale of woolen, cotton, silk and other fabrics ...\"","The plant went on to provide high quality textiles used by Brooks Brothers clothiers, uniforms for the cadets of West Point, and police officers in New York, Philadelphia, Chicago, and Los Angeles. At one point 90 percent of the country's military schools, including the U.S. Military Academy at West Point, purchased uniforms made here. Coffin makers in Atlanta and Burlington, N.C., also used the soft cloth to line caskets.","Charlottesvills Woolen Mills survived the Great Depression of the 1930s mainly because of its uniform contracts. It experienced its greatest prosperity manufacturing uniforms for soldiers during World War I and II. During the height of World War II a work force of about 400 people was producing 15,000 yards of uniform cloth a month.","In 1959 Charlottesville Woolen Mills was bought by Kent Manufacturing Company, of Philadelphia. The introduction of synthetic fabrics in the late 1950s led to a decrease in demand for wool. In 1962 Kent Manufacturing Company dissolved the Charlottesville Woolen Mills.","Sources:","Maurer, David. \"Woolen Mills wove a tight community.\" The Daily Progress, http://www.dailyprogress.com/lifestyles/woolen-mills-wove-a-tight-community/article_467a3534-5d1b-5f83-abdb-f1a170eb0396.html. 28 Aug. 2011.","Delesline, Nate. \"Historic Woolen Mills under contract for sale.\" The Daily Progress, http://www.dailyprogress.com/news/historic-woolen-mills-under-contract-for-sale/article_7512bd70-b082-11e3-9f64-0017a43b2370.html. 20 March 2014.","Dailty Progress Staff. \"Labor dispute at Woolen Mills leads to worker strike.\" The Daily Progress, http://www.dailyprogress.com/125yearsofprogress/labor-dispute-at-woolen-mills-leads-to-worker-strike/article_49c5dff0-ec7d-11e6-9604-4f40db426882.html. 6 Feb. 2017.","Gianniny, Jr., Allan, Compiler. \"Charlottesville Woolen Mills Chronology.\" Historic Woolen Mills, http://historicwoolenmills.org/chronology.html. Accessed 19 Feb. 2018.","Britton, Rick. \"The Charlottesville Woolen Mills, Clothing a Nation.\" Historic Woolen Mills, http://historicwoolenmills.org/Charlottesville.html. 2006.","Poindexter, Harry Edward. \"A History of the Charlottesville Woolen Mills.\" Thesis (M.A.), University of Virginia, 1955.","Daily Progress Staff. \"City's Oldest Industry is Regaining Health.\" The Daily Progress Charlottesville Bicentennial Edition, vol. 72, no. 89, 1962, p. 58.","Sandbeck, Peter. A History of the Charlottesville Woolen Mills.Nichols Student Papers, University of Virginia School of Architecture, 1975.","Charlottesville Woolen Mills, Charlottesville, VA. \nBusiness records, 1868-1956. Incorporated 1868 by H.C. Marchant; operated until 1962.","This collection is comprised of ledgers, papers, artifacts, a map, and a panoramic photograph. It is divided into two series: Business Records and Miscellaneous. The first series, Business Records contains ledgers and business related paperwork, such as correspondence and legal documetns. The second series, Miscellaneous, contains the remaining artifacts and materials not directly associated with the business dealings of the Charlottesville Woolen Mills.","A list of names located within this collection:\nMr. George R.B. Michie,\nMr. Edward Van Wagenen,\nMr. P.M. Greene,\nMr. John S. White,\nMr. Rigby,\nW. Erskine Buford,\nFred L. Watson,\nArchibald Lammey,\nHenry J. Wilkinson,\nGeorge W. Sommers,\nCharles H. Dickinson, Jr.,\nDonal G. Chester,\nGeorge T. Huff,\nAustin Kilham,\nClark E. Lindsay,\nDr. John R. Morris, Jr.,\nHerbert J. Smith, Jr.,\nDuryee Van Wagenen,\nH.A. Dinwiddie,\nL.T. Hankel,\nJohn H. Robinson","The tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.","\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en","Albert and Shirley Small Special Collections Library","English"],"unitid_tesim":["MSS 16353","Archival Resource Key","/repositories/3/resources/509"],"normalized_title_ssm":["Charlottesville Woolen Mills records"],"collection_title_tesim":["Charlottesville Woolen Mills records"],"collection_ssim":["Charlottesville Woolen Mills records"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"access_terms_ssm":["The tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.","\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en"],"acqinfo_ssim":["Donated by the American Textile History Museum, 16 May 2017."],"access_subjects_ssim":["Industries -- Virginia","Textile industry","Wool fabrics","Textile workers","Supervisors, Industrial","Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)"],"access_subjects_ssm":["Industries -- Virginia","Textile industry","Wool fabrics","Textile workers","Supervisors, Industrial","Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)"],"has_online_content_ssim":["false"],"extent_ssm":["24.38 Cubic Feet 81 volumes,\n3 cubic foot boxes, \n4 document boxes,\n5 oversized flat boxes,\n4 oversized folders\n1 odd sized artifact box,\n2 artifacts"],"extent_tesim":["24.38 Cubic Feet 81 volumes,\n3 cubic foot boxes, \n4 document boxes,\n5 oversized flat boxes,\n4 oversized folders\n1 odd sized artifact box,\n2 artifacts"],"genreform_ssim":["Business records","Ledgers (account books)","Correspondence","Shop signs","Plats (maps)"],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized into two series: Business records and Miscellaenous materials. \nSeries 1:\u003c/p\u003e\n","\u003cp\u003eBusiness Records, 1868-1956 (20.63 cubic feet). This series is arranged at the file and item level and chronologically. In order to maintain original order, the titles of each item begin with the names of the individual administrative departments to which they belong.\nBecause they all fall under the category of business records, one series by that name suffices for the purposes of this record.\u003c/p\u003e\n","\u003cp\u003eThis series contains 125 business ledgers that have been numbered sequentially, and other paperwork and material that directly related to the business dealings of the Charlottesville Woolen Mills. This includes loose legal documents, correspondence, newspaper clipping, or materials from the ledgers themselves, all part of the greater business records of the Charlottesville Woolen Mills.\u003c/p\u003e\n","\u003cp\u003eBoard of Directors and Stockholders:\nLedgers 1-12,\nLoose materials in minute books,\n\"Comparison of yearly earnings\",\nStock sales register, and\nLoose Materials in Stock Ledgers\u003c/p\u003e\n","\u003cp\u003eExecutive:\nLedger 13, and\nCorrespondence\u003c/p\u003e\n","\u003cp\u003eFinancial:\nLedgers 14-26\u003c/p\u003e\n","\u003cp\u003eSuperintendent:\nLedgers 27-71\u003c/p\u003e\n","\u003cp\u003eSales:\nLedgers 72-75\u003c/p\u003e\n","\u003cp\u003eLabor:\nLedgers 76-118, and\nLoose materials in timebooks\u003c/p\u003e\n","\u003cp\u003eProduction:\nLedgers 119-125\u003c/p\u003e\n","\u003cp\u003eLegal and Property:\nAbstract of title: Shadwell Dam, Virginia,\nTrademark patent,\nData re. Sale to C + O RR Co of Shadwell Property, and\nBlueprint of \"property to be acquired from Charlottesville woolen mills near Shadwell, VA\"\u003c/p\u003e\n","\u003cp\u003eSeries 2:\u003c/p\u003e\n","\u003cp\u003eMiscellaneous, ~1913-1933 (3.75 cubic feet). This series is arranged first chronoligically according to the dates provided. The materials in this series vary from tools used in the factory to samples used for sales. The date range is a rough estimate based on what dates are provided. Some artifacts have no dates attributed to them and may have been created prior to 1913. The fabric samples dated from 1913 to 1933 are themselves arranged numerically according to their respective pattern numbers. The tin advert sign was made in Philadelphia, PA.\u003c/p\u003e","\u003cp\u003eThe fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.\u003c/p\u003e","\u003cp\u003eThe fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["This collection is organized into two series: Business records and Miscellaenous materials. \nSeries 1:","Business Records, 1868-1956 (20.63 cubic feet). This series is arranged at the file and item level and chronologically. In order to maintain original order, the titles of each item begin with the names of the individual administrative departments to which they belong.\nBecause they all fall under the category of business records, one series by that name suffices for the purposes of this record.","This series contains 125 business ledgers that have been numbered sequentially, and other paperwork and material that directly related to the business dealings of the Charlottesville Woolen Mills. This includes loose legal documents, correspondence, newspaper clipping, or materials from the ledgers themselves, all part of the greater business records of the Charlottesville Woolen Mills.","Board of Directors and Stockholders:\nLedgers 1-12,\nLoose materials in minute books,\n\"Comparison of yearly earnings\",\nStock sales register, and\nLoose Materials in Stock Ledgers","Executive:\nLedger 13, and\nCorrespondence","Financial:\nLedgers 14-26","Superintendent:\nLedgers 27-71","Sales:\nLedgers 72-75","Labor:\nLedgers 76-118, and\nLoose materials in timebooks","Production:\nLedgers 119-125","Legal and Property:\nAbstract of title: Shadwell Dam, Virginia,\nTrademark patent,\nData re. Sale to C + O RR Co of Shadwell Property, and\nBlueprint of \"property to be acquired from Charlottesville woolen mills near Shadwell, VA\"","Series 2:","Miscellaneous, ~1913-1933 (3.75 cubic feet). This series is arranged first chronoligically according to the dates provided. The materials in this series vary from tools used in the factory to samples used for sales. The date range is a rough estimate based on what dates are provided. Some artifacts have no dates attributed to them and may have been created prior to 1913. The fabric samples dated from 1913 to 1933 are themselves arranged numerically according to their respective pattern numbers. The tin advert sign was made in Philadelphia, PA.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample.","The fabric samples are arranged by numbers that correspond to specific fabric patterns. The numbers are located on the front of the paper covers of each sample."],"bioghist_html_tesm":["\u003cp\u003eThe Charlottesville Woolen Mills factory was incorporated in 1868 by H.C. Marchant and was located in the southeastern part of Charlottesville, VA.\u003c/p\u003e\n","\u003cp\u003eFrom the 1830s until it's seizure by the Confederate governement in 1861, the building operated as a combination wool, cotton, flour and lumber mill, and later also included a blacksmith's shop, corn mill, grist mill, plaster mill, and a store selling dry goods. During this time the land was sold a number of times until 1960, when the company was reorganized as the Charlottesville Manufacturing Company, with John A. Marchant, his son. Henry Clay Marchant, John Wood, H. L. Anderson, T. J. Wertenbaker, and John C. Patterson operating a joint stock company. The textile plant provided wool uniforms for the soldiers of the Confederacy during the Civil War. A second reorganization in 1964 made Henry Clay Marchant the sole owner. Following the destruction of the mill during the Civil War and after the war had ended, the factory was rebuilt, and, on December 18, 1868, Charlottesville Woolen Mills was chartered \"for the manufacture, purchase and sale of woolen, cotton, silk and other fabrics ...\"\u003c/p\u003e\n","\u003cp\u003eThe plant went on to provide high quality textiles used by Brooks Brothers clothiers, uniforms for the cadets of West Point, and police officers in New York, Philadelphia, Chicago, and Los Angeles. At one point 90 percent of the country's military schools, including the U.S. Military Academy at West Point, purchased uniforms made here. Coffin makers in Atlanta and Burlington, N.C., also used the soft cloth to line caskets.\u003c/p\u003e\n","\u003cp\u003eCharlottesvills Woolen Mills survived the Great Depression of the 1930s mainly because of its uniform contracts. It experienced its greatest prosperity manufacturing uniforms for soldiers during World War I and II. During the height of World War II a work force of about 400 people was producing 15,000 yards of uniform cloth a month.\u003c/p\u003e\n","\u003cp\u003eIn 1959 Charlottesville Woolen Mills was bought by Kent Manufacturing Company, of Philadelphia. The introduction of synthetic fabrics in the late 1950s led to a decrease in demand for wool. In 1962 Kent Manufacturing Company dissolved the Charlottesville Woolen Mills.\u003c/p\u003e\n","\u003cp\u003eSources:\u003c/p\u003e\n","\u003cp\u003eMaurer, David. \"Woolen Mills wove a tight community.\" The Daily Progress, http://www.dailyprogress.com/lifestyles/woolen-mills-wove-a-tight-community/article_467a3534-5d1b-5f83-abdb-f1a170eb0396.html. 28 Aug. 2011.\u003c/p\u003e\n","\u003cp\u003eDelesline, Nate. \"Historic Woolen Mills under contract for sale.\" The Daily Progress, http://www.dailyprogress.com/news/historic-woolen-mills-under-contract-for-sale/article_7512bd70-b082-11e3-9f64-0017a43b2370.html. 20 March 2014.\u003c/p\u003e\n","\u003cp\u003eDailty Progress Staff. \"Labor dispute at Woolen Mills leads to worker strike.\" The Daily Progress, http://www.dailyprogress.com/125yearsofprogress/labor-dispute-at-woolen-mills-leads-to-worker-strike/article_49c5dff0-ec7d-11e6-9604-4f40db426882.html. 6 Feb. 2017.\u003c/p\u003e\n","\u003cp\u003eGianniny, Jr., Allan, Compiler. \"Charlottesville Woolen Mills Chronology.\" Historic Woolen Mills, http://historicwoolenmills.org/chronology.html. Accessed 19 Feb. 2018.\u003c/p\u003e\n","\u003cp\u003eBritton, Rick. \"The Charlottesville Woolen Mills, Clothing a Nation.\" Historic Woolen Mills, http://historicwoolenmills.org/Charlottesville.html. 2006.\u003c/p\u003e\n","\u003cp\u003ePoindexter, Harry Edward. \"A History of the Charlottesville Woolen Mills.\" Thesis (M.A.), University of Virginia, 1955.\u003c/p\u003e\n","\u003cp\u003eDaily Progress Staff. \"City's Oldest Industry is Regaining Health.\" The Daily Progress Charlottesville Bicentennial Edition, vol. 72, no. 89, 1962, p. 58.\u003c/p\u003e\n","\u003cp\u003eSandbeck, Peter. A History of the Charlottesville Woolen Mills.Nichols Student Papers, University of Virginia School of Architecture, 1975.\u003c/p\u003e"],"bioghist_heading_ssm":["Historical Note"],"bioghist_tesim":["The Charlottesville Woolen Mills factory was incorporated in 1868 by H.C. Marchant and was located in the southeastern part of Charlottesville, VA.","From the 1830s until it's seizure by the Confederate governement in 1861, the building operated as a combination wool, cotton, flour and lumber mill, and later also included a blacksmith's shop, corn mill, grist mill, plaster mill, and a store selling dry goods. During this time the land was sold a number of times until 1960, when the company was reorganized as the Charlottesville Manufacturing Company, with John A. Marchant, his son. Henry Clay Marchant, John Wood, H. L. Anderson, T. J. Wertenbaker, and John C. Patterson operating a joint stock company. The textile plant provided wool uniforms for the soldiers of the Confederacy during the Civil War. A second reorganization in 1964 made Henry Clay Marchant the sole owner. Following the destruction of the mill during the Civil War and after the war had ended, the factory was rebuilt, and, on December 18, 1868, Charlottesville Woolen Mills was chartered \"for the manufacture, purchase and sale of woolen, cotton, silk and other fabrics ...\"","The plant went on to provide high quality textiles used by Brooks Brothers clothiers, uniforms for the cadets of West Point, and police officers in New York, Philadelphia, Chicago, and Los Angeles. At one point 90 percent of the country's military schools, including the U.S. Military Academy at West Point, purchased uniforms made here. Coffin makers in Atlanta and Burlington, N.C., also used the soft cloth to line caskets.","Charlottesvills Woolen Mills survived the Great Depression of the 1930s mainly because of its uniform contracts. It experienced its greatest prosperity manufacturing uniforms for soldiers during World War I and II. During the height of World War II a work force of about 400 people was producing 15,000 yards of uniform cloth a month.","In 1959 Charlottesville Woolen Mills was bought by Kent Manufacturing Company, of Philadelphia. The introduction of synthetic fabrics in the late 1950s led to a decrease in demand for wool. In 1962 Kent Manufacturing Company dissolved the Charlottesville Woolen Mills.","Sources:","Maurer, David. \"Woolen Mills wove a tight community.\" The Daily Progress, http://www.dailyprogress.com/lifestyles/woolen-mills-wove-a-tight-community/article_467a3534-5d1b-5f83-abdb-f1a170eb0396.html. 28 Aug. 2011.","Delesline, Nate. \"Historic Woolen Mills under contract for sale.\" The Daily Progress, http://www.dailyprogress.com/news/historic-woolen-mills-under-contract-for-sale/article_7512bd70-b082-11e3-9f64-0017a43b2370.html. 20 March 2014.","Dailty Progress Staff. \"Labor dispute at Woolen Mills leads to worker strike.\" The Daily Progress, http://www.dailyprogress.com/125yearsofprogress/labor-dispute-at-woolen-mills-leads-to-worker-strike/article_49c5dff0-ec7d-11e6-9604-4f40db426882.html. 6 Feb. 2017.","Gianniny, Jr., Allan, Compiler. \"Charlottesville Woolen Mills Chronology.\" Historic Woolen Mills, http://historicwoolenmills.org/chronology.html. Accessed 19 Feb. 2018.","Britton, Rick. \"The Charlottesville Woolen Mills, Clothing a Nation.\" Historic Woolen Mills, http://historicwoolenmills.org/Charlottesville.html. 2006.","Poindexter, Harry Edward. \"A History of the Charlottesville Woolen Mills.\" Thesis (M.A.), University of Virginia, 1955.","Daily Progress Staff. \"City's Oldest Industry is Regaining Health.\" The Daily Progress Charlottesville Bicentennial Edition, vol. 72, no. 89, 1962, p. 58.","Sandbeck, Peter. A History of the Charlottesville Woolen Mills.Nichols Student Papers, University of Virginia School of Architecture, 1975."],"prefercite_html_tesm":["\u003cp\u003eMSS 16353 Charlottesville Woolen Mills Records, Albert and Shirley Small Special Collections Library, University of Virginia\u003c/p\u003e"],"prefercite_tesim":["MSS 16353 Charlottesville Woolen Mills Records, Albert and Shirley Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eCharlottesville Woolen Mills, Charlottesville, VA. \nBusiness records, 1868-1956. Incorporated 1868 by H.C. Marchant; operated until 1962.\u003c/p\u003e\n","\u003cp\u003eThis collection is comprised of ledgers, papers, artifacts, a map, and a panoramic photograph. It is divided into two series: Business Records and Miscellaneous. The first series, Business Records contains ledgers and business related paperwork, such as correspondence and legal documetns. The second series, Miscellaneous, contains the remaining artifacts and materials not directly associated with the business dealings of the Charlottesville Woolen Mills.\u003c/p\u003e\n","\u003cp\u003eA list of names located within this collection:\nMr. George R.B. Michie,\nMr. Edward Van Wagenen,\nMr. P.M. Greene,\nMr. John S. White,\nMr. Rigby,\nW. Erskine Buford,\nFred L. Watson,\nArchibald Lammey,\nHenry J. Wilkinson,\nGeorge W. Sommers,\nCharles H. Dickinson, Jr.,\nDonal G. Chester,\nGeorge T. Huff,\nAustin Kilham,\nClark E. Lindsay,\nDr. John R. Morris, Jr.,\nHerbert J. Smith, Jr.,\nDuryee Van Wagenen,\nH.A. Dinwiddie,\nL.T. Hankel,\nJohn H. Robinson\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Charlottesville Woolen Mills, Charlottesville, VA. \nBusiness records, 1868-1956. Incorporated 1868 by H.C. Marchant; operated until 1962.","This collection is comprised of ledgers, papers, artifacts, a map, and a panoramic photograph. It is divided into two series: Business Records and Miscellaneous. The first series, Business Records contains ledgers and business related paperwork, such as correspondence and legal documetns. The second series, Miscellaneous, contains the remaining artifacts and materials not directly associated with the business dealings of the Charlottesville Woolen Mills.","A list of names located within this collection:\nMr. George R.B. Michie,\nMr. Edward Van Wagenen,\nMr. P.M. Greene,\nMr. John S. White,\nMr. Rigby,\nW. Erskine Buford,\nFred L. Watson,\nArchibald Lammey,\nHenry J. Wilkinson,\nGeorge W. Sommers,\nCharles H. Dickinson, Jr.,\nDonal G. Chester,\nGeorge T. Huff,\nAustin Kilham,\nClark E. Lindsay,\nDr. John R. Morris, Jr.,\nHerbert J. Smith, Jr.,\nDuryee Van Wagenen,\nH.A. Dinwiddie,\nL.T. Hankel,\nJohn H. Robinson"],"userestrict_html_tesm":["\u003cp\u003eThe tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.\u003c/p\u003e","\u003cp\u003e\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" \u003c/p\u003e\n","\u003cp\u003ePlease refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use","Copyright"],"userestrict_tesim":["The tin advert sign is in poor condition and should not be handled. The sign is housed in a box with a tray so that lifting the tray with its handles will negate any need for touching the item itself.","\"The library has not investigated the copyright status of these materials, and some or all may be protected by copyright. Users are responsible for making their own determinations about copyright status of these materials.\" ","Please refer to:\nhttp://rightsstatements.org/page/CNE/1.0/?language=en"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":149,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T14:33:53.584Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_509_c02_c10"}},{"id":"viur_repositories_4_resources_14_c07","type":"File","attributes":{"title":"Work","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_14_c07#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eFile 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the Boston American.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_14_c07#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_14_c07","ref_ssm":["viur_repositories_4_resources_14_c07"],"id":"viur_repositories_4_resources_14_c07","ead_ssi":"viur_repositories_4_resources_14","_root_":"viur_repositories_4_resources_14","_nest_parent_":"viur_repositories_4_resources_14","parent_ssi":"viur_repositories_4_resources_14","parent_ssim":["viur_repositories_4_resources_14"],"parent_ids_ssim":["viur_repositories_4_resources_14"],"parent_unittitles_ssm":["Harleigh Bridges Schultz Collection"],"parent_unittitles_tesim":["Harleigh Bridges Schultz Collection"],"text":["Harleigh Bridges Schultz Collection","Work","box 1 MS-28","folder 7","File 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the  Boston American ."],"title_filing_ssi":"Work","title_ssm":["Work"],"title_tesim":["Work"],"unitdate_inclusive_ssm":["1923-1942"],"normalized_date_ssm":["1923/1942"],"normalized_title_ssm":["Work"],"component_level_isim":[1],"repository_ssim":["University of Richmond"],"collection_ssim":["Harleigh Bridges Schultz Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":7,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942],"containers_ssim":["box 1 MS-28","folder 7"],"scopecontent_html_tesm":["\u003cp\u003eFile 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["File 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the  Boston American ."],"_nest_path_":"/components#6","timestamp":"2026-05-21T04:07:44.300Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_14","ead_ssi":"viur_repositories_4_resources_14","_root_":"viur_repositories_4_resources_14","_nest_parent_":"viur_repositories_4_resources_14","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_14.xml","title_ssm":["Harleigh Bridges Schultz Collection"],"title_tesim":["Harleigh Bridges Schultz Collection"],"unitdate_ssm":["1876-1991"],"unitdate_inclusive_ssm":["1876-1991"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-28","/repositories/4/resources/14"],"text":["MS-28","/repositories/4/resources/14","Harleigh Bridges Schultz Collection","University of Richmond -- History","Clippings","Personal correspondence","Photographs","The materials were arranged in one series, roughly chronologically. Dates for undated items have been estimated based on context.","Harleigh Bridges Schultz was born at 515 E. Marshall St, Richmond, Virginia on October 12, 1883. Schultz's paternal grandparents, Augustus Frederick Schultz and Hanna Ernestine von Sauermann, immigrated to Virginia from Prussia with their children when Harleigh Schultz's father, August F. Schultz II, was a small child. A. F. Schultz II married Annie Hoomes Bridges, of Gloucester, Virginia and had five children: Bernard F. Schultz, Harleigh B. Schultz, Mary Maude Schultz (who married Walter McLelland), Annie Louise Schultz (who was called by her middle name), and August Gwynne Schultz.","This collection indicates that Schultz attended Richmond Public Schools and then Richmond College, now the University of Richmond, from which he graduated in 1904. While at the college, he achieved high marks and was an editor on the  Collegian  student newspaper. After school, Schultz worked as a reporter on the  Richmond Evening Journal  for one year, according to his niece, Evelyn McLelland Boschen, and then moved to Massachusetts to work as a reporter for the  Worcester Telegram .  Shortly after, on March 7, 1906, Schultz married Natalie Salandri, whose father also worked at the newspaper. Harleigh and Natalie's children were Francis A. Schultz (who died of an illness in 1925 at the age of 17), Robert H. Schultz, and Eleanor L. Schultz. A 1921 news clipping in the collection indicated that at that time, the family lived in Martha's Vineyard, Massachusetts, and Schultz was principal of the West Tisbury School there. A 1926 letter addressed to Natalie shows that Schultz was also an officer for the Redland District Chamber of Commerce in Homestead, Florida for an undetermined period. In addition, Schultz's niece wrote that he worked as a reporter for the  Boston American  for 15 years, as a sports editor, motion picture critic, and city editor, though the letters in the collection that were written on  Boston American  letterhead span only from October 1927 to May 1934.","On November 26, 1930, Schultz informed his sister, Louise, that he and Natalie were separated and planning to divorce. A news clipping in the collection announces Schultz's marriage to \nAlice G. Falvey of Boston on June 30, 1932. Harleigh and Alice Schultz moved to Hollywood in 1934 in the hopes of finding a new job and life there. The first letters they sent from California to the Schultz family indicate that they were happy with the new location and had made friends with film star Mary Pickford. Schultz's first job in California was in the publicity department at R. K. O., but he moved to work for the Metro-Goldwyn-Mayer Corporation in 1935, where he stayed until his retirement in 1956. During that time, Schultz became the Publicity Chairman and served on MGM's board of governors. Harleigh Schultz died on October 22, 1958, and was buried in North Hollywood. Mary Pickford, his friend of 24 years, handled arrangements for his funeral.","The materials in this collection were removed from a three-ring binder labeled Middle Peninsula Planning District Commission. The papers were arranged and put in acid-free folders. Those that were in a fragile condition were placed in mylar sleeves, and several newspaper clippings were photocopied. Where possible, the copies are kept with the original. Two documents, copies of the  Collegian , the Richmond College newspaper, were removed to oversized storage. ","Processed by Ashley Vavra.","This collection began as a scrapbook of papers related to Harleigh Bridges Schultz. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs.","File 1, Biography, contains a two-page biography of Harleigh Schultz that was written by his niece, Evelyn M. McLelland Boschen, in 1991. This document provides an overview of Schultz's family history and career.","File 2, Childhood Education, begins in 1891, when Harleigh Schultz was in third grade. It includes several certificates of merit from Richmond Public Schools, report cards from Richmond High School, and two copies of the program for the Richmond High School Commencement Ceremony on June 13, 1901, in which Schultz gave an oration entitled \"Dignity of Labor.\" Also included are two maps of Europe that he apparently drew from memory. The series ends with a photocopy of an article about the commencement ceremony in the  Richmond Dispatch .","File 3, Richmond College, contains a report card from Richmond College, which was stuck onto a page from the  Fifth Annual Studio Club News , which Schultz edited at MGM. The report includes a note: \"Note on final Examination paper- Your son has been one of our very best students, and has made an admirable record, signed Prof. F. W. Boatwright.\" Other reports follow, as well as an empty envelope addressed to Harleigh Schultz's father, on which is noted \"Letter of praise from Boatwright […]\". Two documents have been removed to oversized storage: copies of the  Collegian , the Richmond College student newspaper, which Schultz edited, with handwritten notes. Photocopies of the first and last pages, those with Schultz's notes, have been made and included with the collection. This is followed by news clippings regarding the 1904 commencement, a newspaper photo of the class of 1903-04, and a 1937 news clipping about the college.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the  Boston American  or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the  Boston American  or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","File 6, Family, spans the largest time span, though several items are undated. It begins with a photocopy of a photograph of August F. Schultz and Hanna Ernestine von Sauermann, Harleigh's paternal grandparents. Several pages of photocopies of photographs follow, including pictures of Harleigh's parents, Harleigh's sons, and other relatives. Notes to identify the people in the images were written by a relative. This series also includes a photocopy of Harleigh Schultz's Delayed Certificate of Birth, issued in 1942 and witnessed by his sister Maude Schultz McLelland. A marriage notice and obituaries for Harleigh's parents are included, as are notices of Harleigh's marriages and death. A hand-drawn coat of arms labeled with the name Schultz is also included in this series.","File 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the  Boston American .","File 8, Other News, begins with an article from 1926 regarding a hurricane that hit Miami, Florida. A handwritten note in the margins says \"Uncle Harleigh there at this time.\" The second item is a collage of clippings from the  Gloucester-Mathews Gazette-Journal  from July 1942, regarding local sailors lost at sea. Harleigh Schultz, whose mother's family was from Gloucester, contributed a memorial poem to the journal. The last item in this series is an article called \"The Soul Diary of Florence Nightingale Revealed by Author,\" which discusses Nightingale's reasons for deciding not to marry.","File 9, Photographs, includes several photos of Harleigh Schultz at various ages, his second wife, Alice, and himself with his son, Robert. Several photos appear to have been taken at MGM Studios, including one of Harleigh Schultz standing with Mr. Mayer and one of MGM's Board of Governors. Several of the photos are of famous people, particularly movie stars. Included in this series are signed photos of Cecil B. DeMille, Clark Gable, Van Johnson (addressed to Maude McLelland), Jean Harlow (addressed to Louise Schultz), Walter Pidgeon, and an unsigned photo of Esther Williams. The series concludes with a photo of the fountain near Harleigh's grave and a 1961 newspaper clipping with a picture of Mary Pickford after she received an honorary degree from Middlebury College.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection began as a scrapbook of papers related to Harleigh Bridges Schultz, 1883-1958. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs. Items of note include a two-page biography written by his niece, Evelyn Boschen, and signed photos of Cecil DeMille, Clark Gable, Van Johnson, Jean Harlow, and Walter Pidgeon.","University of Richmond ","Metro-Goldwyn-Mayer","Schultz Family","Schultz, Harleigh B. (Harleigh Bridges), 1883-1958","English"],"unitid_tesim":["MS-28","/repositories/4/resources/14"],"normalized_title_ssm":["Harleigh Bridges Schultz Collection"],"collection_title_tesim":["Harleigh Bridges Schultz Collection"],"collection_ssim":["Harleigh Bridges Schultz Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Schultz Family"],"creator_ssim":["Schultz Family"],"creator_famname_ssim":["Schultz Family"],"creators_ssim":["Schultz Family"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Donated by Gwynne R. Litchfield, September 2014."],"access_subjects_ssim":["University of Richmond -- History","Clippings","Personal correspondence","Photographs"],"access_subjects_ssm":["University of Richmond -- History","Clippings","Personal correspondence","Photographs"],"has_online_content_ssim":["false"],"extent_ssm":["1  Linear Feet"],"extent_tesim":["1  Linear Feet"],"genreform_ssim":["Clippings","Personal correspondence","Photographs"],"date_range_isim":[1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991],"arrangement_html_tesm":["\u003cp\u003eThe materials were arranged in one series, roughly chronologically. Dates for undated items have been estimated based on context.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The materials were arranged in one series, roughly chronologically. Dates for undated items have been estimated based on context."],"bioghist_html_tesm":["\u003cp\u003eHarleigh Bridges Schultz was born at 515 E. Marshall St, Richmond, Virginia on October 12, 1883. Schultz's paternal grandparents, Augustus Frederick Schultz and Hanna Ernestine von Sauermann, immigrated to Virginia from Prussia with their children when Harleigh Schultz's father, August F. Schultz II, was a small child. A. F. Schultz II married Annie Hoomes Bridges, of Gloucester, Virginia and had five children: Bernard F. Schultz, Harleigh B. Schultz, Mary Maude Schultz (who married Walter McLelland), Annie Louise Schultz (who was called by her middle name), and August Gwynne Schultz.\u003c/p\u003e\n","\u003cp\u003eThis collection indicates that Schultz attended Richmond Public Schools and then Richmond College, now the University of Richmond, from which he graduated in 1904. While at the college, he achieved high marks and was an editor on the \u003cemph render=\"italics\"\u003eCollegian\u003c/emph\u003e student newspaper. After school, Schultz worked as a reporter on the \u003cemph render=\"italics\"\u003eRichmond Evening Journal\u003c/emph\u003e for one year, according to his niece, Evelyn McLelland Boschen, and then moved to Massachusetts to work as a reporter for the \u003cemph render=\"italics\"\u003eWorcester Telegram\u003c/emph\u003e.  Shortly after, on March 7, 1906, Schultz married Natalie Salandri, whose father also worked at the newspaper. Harleigh and Natalie's children were Francis A. Schultz (who died of an illness in 1925 at the age of 17), Robert H. Schultz, and Eleanor L. Schultz. A 1921 news clipping in the collection indicated that at that time, the family lived in Martha's Vineyard, Massachusetts, and Schultz was principal of the West Tisbury School there. A 1926 letter addressed to Natalie shows that Schultz was also an officer for the Redland District Chamber of Commerce in Homestead, Florida for an undetermined period. In addition, Schultz's niece wrote that he worked as a reporter for the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e for 15 years, as a sports editor, motion picture critic, and city editor, though the letters in the collection that were written on \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e letterhead span only from October 1927 to May 1934.\u003c/p\u003e\n","\u003cp\u003eOn November 26, 1930, Schultz informed his sister, Louise, that he and Natalie were separated and planning to divorce. A news clipping in the collection announces Schultz's marriage to \nAlice G. Falvey of Boston on June 30, 1932. Harleigh and Alice Schultz moved to Hollywood in 1934 in the hopes of finding a new job and life there. The first letters they sent from California to the Schultz family indicate that they were happy with the new location and had made friends with film star Mary Pickford. Schultz's first job in California was in the publicity department at R. K. O., but he moved to work for the Metro-Goldwyn-Mayer Corporation in 1935, where he stayed until his retirement in 1956. During that time, Schultz became the Publicity Chairman and served on MGM's board of governors. Harleigh Schultz died on October 22, 1958, and was buried in North Hollywood. Mary Pickford, his friend of 24 years, handled arrangements for his funeral.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Harleigh Bridges Schultz was born at 515 E. Marshall St, Richmond, Virginia on October 12, 1883. Schultz's paternal grandparents, Augustus Frederick Schultz and Hanna Ernestine von Sauermann, immigrated to Virginia from Prussia with their children when Harleigh Schultz's father, August F. Schultz II, was a small child. A. F. Schultz II married Annie Hoomes Bridges, of Gloucester, Virginia and had five children: Bernard F. Schultz, Harleigh B. Schultz, Mary Maude Schultz (who married Walter McLelland), Annie Louise Schultz (who was called by her middle name), and August Gwynne Schultz.","This collection indicates that Schultz attended Richmond Public Schools and then Richmond College, now the University of Richmond, from which he graduated in 1904. While at the college, he achieved high marks and was an editor on the  Collegian  student newspaper. After school, Schultz worked as a reporter on the  Richmond Evening Journal  for one year, according to his niece, Evelyn McLelland Boschen, and then moved to Massachusetts to work as a reporter for the  Worcester Telegram .  Shortly after, on March 7, 1906, Schultz married Natalie Salandri, whose father also worked at the newspaper. Harleigh and Natalie's children were Francis A. Schultz (who died of an illness in 1925 at the age of 17), Robert H. Schultz, and Eleanor L. Schultz. A 1921 news clipping in the collection indicated that at that time, the family lived in Martha's Vineyard, Massachusetts, and Schultz was principal of the West Tisbury School there. A 1926 letter addressed to Natalie shows that Schultz was also an officer for the Redland District Chamber of Commerce in Homestead, Florida for an undetermined period. In addition, Schultz's niece wrote that he worked as a reporter for the  Boston American  for 15 years, as a sports editor, motion picture critic, and city editor, though the letters in the collection that were written on  Boston American  letterhead span only from October 1927 to May 1934.","On November 26, 1930, Schultz informed his sister, Louise, that he and Natalie were separated and planning to divorce. A news clipping in the collection announces Schultz's marriage to \nAlice G. Falvey of Boston on June 30, 1932. Harleigh and Alice Schultz moved to Hollywood in 1934 in the hopes of finding a new job and life there. The first letters they sent from California to the Schultz family indicate that they were happy with the new location and had made friends with film star Mary Pickford. Schultz's first job in California was in the publicity department at R. K. O., but he moved to work for the Metro-Goldwyn-Mayer Corporation in 1935, where he stayed until his retirement in 1956. During that time, Schultz became the Publicity Chairman and served on MGM's board of governors. Harleigh Schultz died on October 22, 1958, and was buried in North Hollywood. Mary Pickford, his friend of 24 years, handled arrangements for his funeral."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-28, Harleigh Bridges Schultz Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-28, Harleigh Bridges Schultz Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe materials in this collection were removed from a three-ring binder labeled Middle Peninsula Planning District Commission. The papers were arranged and put in acid-free folders. Those that were in a fragile condition were placed in mylar sleeves, and several newspaper clippings were photocopied. Where possible, the copies are kept with the original. Two documents, copies of the \u003cemph render=\"italics\"\u003eCollegian\u003c/emph\u003e, the Richmond College newspaper, were removed to oversized storage. \u003c/p\u003e","\u003cp\u003eProcessed by Ashley Vavra.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The materials in this collection were removed from a three-ring binder labeled Middle Peninsula Planning District Commission. The papers were arranged and put in acid-free folders. Those that were in a fragile condition were placed in mylar sleeves, and several newspaper clippings were photocopied. Where possible, the copies are kept with the original. Two documents, copies of the  Collegian , the Richmond College newspaper, were removed to oversized storage. ","Processed by Ashley Vavra."],"scopecontent_html_tesm":["\u003cp\u003eThis collection began as a scrapbook of papers related to Harleigh Bridges Schultz. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs.\u003c/p\u003e","\u003cp\u003eFile 1, Biography, contains a two-page biography of Harleigh Schultz that was written by his niece, Evelyn M. McLelland Boschen, in 1991. This document provides an overview of Schultz's family history and career.\u003c/p\u003e","\u003cp\u003eFile 2, Childhood Education, begins in 1891, when Harleigh Schultz was in third grade. It includes several certificates of merit from Richmond Public Schools, report cards from Richmond High School, and two copies of the program for the Richmond High School Commencement Ceremony on June 13, 1901, in which Schultz gave an oration entitled \"Dignity of Labor.\" Also included are two maps of Europe that he apparently drew from memory. The series ends with a photocopy of an article about the commencement ceremony in the \u003cemph render=\"italics\"\u003eRichmond Dispatch\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eFile 3, Richmond College, contains a report card from Richmond College, which was stuck onto a page from the \u003cemph render=\"italics\"\u003eFifth Annual Studio Club News\u003c/emph\u003e, which Schultz edited at MGM. The report includes a note: \"Note on final Examination paper- Your son has been one of our very best students, and has made an admirable record, signed Prof. F. W. Boatwright.\" Other reports follow, as well as an empty envelope addressed to Harleigh Schultz's father, on which is noted \"Letter of praise from Boatwright […]\". Two documents have been removed to oversized storage: copies of the \u003cemph render=\"italics\"\u003eCollegian\u003c/emph\u003e, the Richmond College student newspaper, which Schultz edited, with handwritten notes. Photocopies of the first and last pages, those with Schultz's notes, have been made and included with the collection. This is followed by news clippings regarding the 1904 commencement, a newspaper photo of the class of 1903-04, and a 1937 news clipping about the college.\u003c/p\u003e","\u003cp\u003eFiles 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.\u003c/p\u003e","\u003cp\u003eFiles 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.\u003c/p\u003e","\u003cp\u003eFile 6, Family, spans the largest time span, though several items are undated. It begins with a photocopy of a photograph of August F. Schultz and Hanna Ernestine von Sauermann, Harleigh's paternal grandparents. Several pages of photocopies of photographs follow, including pictures of Harleigh's parents, Harleigh's sons, and other relatives. Notes to identify the people in the images were written by a relative. This series also includes a photocopy of Harleigh Schultz's Delayed Certificate of Birth, issued in 1942 and witnessed by his sister Maude Schultz McLelland. A marriage notice and obituaries for Harleigh's parents are included, as are notices of Harleigh's marriages and death. A hand-drawn coat of arms labeled with the name Schultz is also included in this series.\u003c/p\u003e","\u003cp\u003eFile 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the \u003cemph render=\"italics\"\u003eBoston American\u003c/emph\u003e.\u003c/p\u003e","\u003cp\u003eFile 8, Other News, begins with an article from 1926 regarding a hurricane that hit Miami, Florida. A handwritten note in the margins says \"Uncle Harleigh there at this time.\" The second item is a collage of clippings from the \u003cemph render=\"italics\"\u003eGloucester-Mathews Gazette-Journal\u003c/emph\u003e from July 1942, regarding local sailors lost at sea. Harleigh Schultz, whose mother's family was from Gloucester, contributed a memorial poem to the journal. The last item in this series is an article called \"The Soul Diary of Florence Nightingale Revealed by Author,\" which discusses Nightingale's reasons for deciding not to marry.\u003c/p\u003e","\u003cp\u003eFile 9, Photographs, includes several photos of Harleigh Schultz at various ages, his second wife, Alice, and himself with his son, Robert. Several photos appear to have been taken at MGM Studios, including one of Harleigh Schultz standing with Mr. Mayer and one of MGM's Board of Governors. Several of the photos are of famous people, particularly movie stars. Included in this series are signed photos of Cecil B. DeMille, Clark Gable, Van Johnson (addressed to Maude McLelland), Jean Harlow (addressed to Louise Schultz), Walter Pidgeon, and an unsigned photo of Esther Williams. The series concludes with a photo of the fountain near Harleigh's grave and a 1961 newspaper clipping with a picture of Mary Pickford after she received an honorary degree from Middlebury College.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection began as a scrapbook of papers related to Harleigh Bridges Schultz. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs.","File 1, Biography, contains a two-page biography of Harleigh Schultz that was written by his niece, Evelyn M. McLelland Boschen, in 1991. This document provides an overview of Schultz's family history and career.","File 2, Childhood Education, begins in 1891, when Harleigh Schultz was in third grade. It includes several certificates of merit from Richmond Public Schools, report cards from Richmond High School, and two copies of the program for the Richmond High School Commencement Ceremony on June 13, 1901, in which Schultz gave an oration entitled \"Dignity of Labor.\" Also included are two maps of Europe that he apparently drew from memory. The series ends with a photocopy of an article about the commencement ceremony in the  Richmond Dispatch .","File 3, Richmond College, contains a report card from Richmond College, which was stuck onto a page from the  Fifth Annual Studio Club News , which Schultz edited at MGM. The report includes a note: \"Note on final Examination paper- Your son has been one of our very best students, and has made an admirable record, signed Prof. F. W. Boatwright.\" Other reports follow, as well as an empty envelope addressed to Harleigh Schultz's father, on which is noted \"Letter of praise from Boatwright […]\". Two documents have been removed to oversized storage: copies of the  Collegian , the Richmond College student newspaper, which Schultz edited, with handwritten notes. Photocopies of the first and last pages, those with Schultz's notes, have been made and included with the collection. This is followed by news clippings regarding the 1904 commencement, a newspaper photo of the class of 1903-04, and a 1937 news clipping about the college.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the  Boston American  or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","Files 4 and 5, Correspondence, contain two folders of correspondence. Most of these letters were written by Harleigh Schultz, his first wife Natalie, or his second wife Alice, to Harleigh's sisters Louise and Maude or other relatives. The letters are mostly type-written on company letterhead from the  Boston American  or the Metro-Goldwyn-Mayer Corporation.  For the most part, these letters consist of kind words for Schultz's relatives, as well as news about the family.","File 6, Family, spans the largest time span, though several items are undated. It begins with a photocopy of a photograph of August F. Schultz and Hanna Ernestine von Sauermann, Harleigh's paternal grandparents. Several pages of photocopies of photographs follow, including pictures of Harleigh's parents, Harleigh's sons, and other relatives. Notes to identify the people in the images were written by a relative. This series also includes a photocopy of Harleigh Schultz's Delayed Certificate of Birth, issued in 1942 and witnessed by his sister Maude Schultz McLelland. A marriage notice and obituaries for Harleigh's parents are included, as are notices of Harleigh's marriages and death. A hand-drawn coat of arms labeled with the name Schultz is also included in this series.","File 7, Work, includes clippings of newspaper articles written by Harleigh Schultz, along with two of his business cards from his time with the  Boston American .","File 8, Other News, begins with an article from 1926 regarding a hurricane that hit Miami, Florida. A handwritten note in the margins says \"Uncle Harleigh there at this time.\" The second item is a collage of clippings from the  Gloucester-Mathews Gazette-Journal  from July 1942, regarding local sailors lost at sea. Harleigh Schultz, whose mother's family was from Gloucester, contributed a memorial poem to the journal. The last item in this series is an article called \"The Soul Diary of Florence Nightingale Revealed by Author,\" which discusses Nightingale's reasons for deciding not to marry.","File 9, Photographs, includes several photos of Harleigh Schultz at various ages, his second wife, Alice, and himself with his son, Robert. Several photos appear to have been taken at MGM Studios, including one of Harleigh Schultz standing with Mr. Mayer and one of MGM's Board of Governors. Several of the photos are of famous people, particularly movie stars. Included in this series are signed photos of Cecil B. DeMille, Clark Gable, Van Johnson (addressed to Maude McLelland), Jean Harlow (addressed to Louise Schultz), Walter Pidgeon, and an unsigned photo of Esther Williams. The series concludes with a photo of the fountain near Harleigh's grave and a 1961 newspaper clipping with a picture of Mary Pickford after she received an honorary degree from Middlebury College."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_MS-28\"\u003eThis collection began as a scrapbook of papers related to Harleigh Bridges Schultz, 1883-1958. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs. Items of note include a two-page biography written by his niece, Evelyn Boschen, and signed photos of Cecil DeMille, Clark Gable, Van Johnson, Jean Harlow, and Walter Pidgeon.\u003c/abstract\u003e"],"abstract_tesim":["This collection began as a scrapbook of papers related to Harleigh Bridges Schultz, 1883-1958. It contains some of his school records, newspaper clippings about his life and death, newspaper articles that he wrote during his career as a newspaper man, letters, and photographs. Items of note include a two-page biography written by his niece, Evelyn Boschen, and signed photos of Cecil DeMille, Clark Gable, Van Johnson, Jean Harlow, and Walter Pidgeon."],"names_coll_ssim":["Metro-Goldwyn-Mayer","Schultz Family","Schultz, Harleigh B. (Harleigh Bridges), 1883-1958"],"names_ssim":["University of Richmond ","Metro-Goldwyn-Mayer","Schultz Family","Schultz, Harleigh B. (Harleigh Bridges), 1883-1958"],"corpname_ssim":["University of Richmond ","Metro-Goldwyn-Mayer"],"famname_ssim":["Schultz Family"],"persname_ssim":["Schultz, Harleigh B. (Harleigh Bridges), 1883-1958"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":9,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:07:44.300Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_14_c07"}},{"id":"viu_repositories_3_resources_940_c04_c16","type":"File","attributes":{"title":"Work Applications, etc.","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_940_c04_c16#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_940_c04_c16","ref_ssm":["viu_repositories_3_resources_940_c04_c16"],"id":"viu_repositories_3_resources_940_c04_c16","ead_ssi":"viu_repositories_3_resources_940","_root_":"viu_repositories_3_resources_940","_nest_parent_":"viu_repositories_3_resources_940_c04","parent_ssi":"viu_repositories_3_resources_940_c04","parent_ssim":["viu_repositories_3_resources_940","viu_repositories_3_resources_940_c04"],"parent_ids_ssim":["viu_repositories_3_resources_940","viu_repositories_3_resources_940_c04"],"parent_unittitles_ssm":["William S. Kibler papers","Literary Work, School, and other Personal Papers"],"parent_unittitles_tesim":["William S. Kibler papers","Literary Work, School, and other Personal Papers"],"text":["William S. Kibler papers","Literary Work, School, and other Personal Papers","Work Applications, etc.","box 92","folder 9"],"title_filing_ssi":"Work Applications, etc.","title_ssm":["Work Applications, etc."],"title_tesim":["Work Applications, etc."],"unitdate_bulk_ssim":["1932-1946, 1955"],"normalized_title_ssm":["Work Applications, etc."],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["William S. Kibler papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":151,"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955],"containers_ssim":["box 92","folder 9"],"_nest_path_":"/components#3/components#15","timestamp":"2026-05-20T23:57:17.807Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_940","ead_ssi":"viu_repositories_3_resources_940","_root_":"viu_repositories_3_resources_940","_nest_parent_":"viu_repositories_3_resources_940","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_940.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/838","title_filing_ssi":"Kibler, William S., papers","title_ssm":["William S. Kibler papers"],"title_tesim":["William S. Kibler papers"],"unitdate_ssm":["1925-2002"],"unitdate_inclusive_ssm":["1925-2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15270","Archival Resource Key","/repositories/3/resources/940"],"text":["MSS 15270","Archival Resource Key","/repositories/3/resources/940","William S. Kibler papers","High school teachers - Virginia- Stanley","Stanley (Va.) - History","World War, 1939-1945 -- Personal narratives, American","Travel","Gay men, White","diaries","This collection is organized in five series: Series I:  Diaries (Boxes 1-60); Series II: Travel Journals and Manuscripts (Boxes 61-68); Series III: Slides, Postcards, and Photographs (Boxes 69-87); Series IV: Literary Work and School Papers (Boxes 88-92); and Series V: Correspondence and Military Records (Boxes 93-103).","William Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.","In 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School.","The collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.","These are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.","Military papers include Entertainment, Miscellaneous Writings, and Records.","There are no restrictions.","Albert and Shirley Small Special Collections Library","Kibler, William S. (William S. Kibler), 1911-2002","English"],"unitid_tesim":["MSS 15270","Archival Resource Key","/repositories/3/resources/940"],"normalized_title_ssm":["William S. Kibler papers"],"collection_title_tesim":["William S. 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That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.\u003c/p\u003e\n","\u003cp\u003eIn 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.","In 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School."],"prefercite_html_tesm":["\u003cp\u003eWilliam S. Kibler papers, MSS 15270, Special Collections, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e"],"prefercite_tesim":["William S. Kibler papers, MSS 15270, Special Collections, University of Virginia Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.\u003c/p\u003e","\u003cp\u003eThese are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.\u003c/p\u003e","\u003cp\u003eMilitary papers include Entertainment, Miscellaneous Writings, and Records.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.","These are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.","Military papers include Entertainment, Miscellaneous Writings, and Records."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"names_ssim":["Albert and Shirley Small Special Collections Library","Kibler, William S. (William S. 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During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include  The Waggon and the Star  (1922),  The Unrisen Morrow  (1926),  The Black Moon  (1929),  Spider Architect  (1937),  From Invisible Mountains  (1943),  Himself and I  (1950), and  Nightingales on the Moon  (1952).","Leitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. ","After completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to  Harper's Monthly , the  New York Herald , and the  New York Evening Post . In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"","In 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology  Lyric Virginia Today  in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. ","Leitch died on 20 August 1954 in Virginia Beach, Virginia.","Barbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg.","The collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable.","The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. ","Series 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. ","Series 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. ","The series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. ","Series 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. ","Series 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members.","There are no restrictions.","VCU James Branch Cabell Library","Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives","English \n,        German \n.    "],"unitid_tesim":["M 52","/repositories/5/resources/267"],"normalized_title_ssm":["Mary Sinton Leitch papers"],"collection_title_tesim":["Mary Sinton Leitch papers"],"collection_ssim":["Mary Sinton Leitch papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Leitch, Mary Sinton, 1876-1954"],"creator_ssim":["Leitch, Mary Sinton, 1876-1954"],"creator_persname_ssim":["Leitch, Mary Sinton, 1876-1954"],"creators_ssim":["Leitch, Mary Sinton, 1876-1954"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["Donated to VCU by Emma Gray Trigg November, 1968."],"access_subjects_ssim":["Authors, American -- Virginia","Poets, American -- Virginia"],"access_subjects_ssm":["Authors, American -- Virginia","Poets, American -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["1.88 Linear Feet"],"extent_tesim":["1.88 Linear Feet"],"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Access Restriction"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into four series: Series 1: Short Stories, 1929, 1947, undated, Series 2: Poetry, 1936, 1943, undated, Series 3: Correspondence, 1939-1954, 1968, and Series 4: Project Files and Subject Files, 1931-1954.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into four series: Series 1: Short Stories, 1929, 1947, undated, Series 2: Poetry, 1936, 1943, undated, Series 3: Correspondence, 1939-1954, 1968, and Series 4: Project Files and Subject Files, 1931-1954."],"bioghist_html_tesm":["\u003cp\u003eMary Sinton Lewis Leitch (1876-1954) was a prominent regional poet and fiction writer from Lynnhaven, Virginia, and a founding member of the Poetry Society of Virginia. During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include \u003ctitle\u003eThe Waggon and the Star\u003c/title\u003e (1922), \u003ctitle\u003eThe Unrisen Morrow\u003c/title\u003e (1926), \u003ctitle\u003eThe Black Moon\u003c/title\u003e (1929), \u003ctitle\u003eSpider Architect\u003c/title\u003e (1937), \u003ctitle\u003eFrom Invisible Mountains\u003c/title\u003e (1943), \u003ctitle\u003eHimself and I\u003c/title\u003e (1950), and \u003ctitle\u003eNightingales on the Moon\u003c/title\u003e (1952).\u003c/p\u003e\n","\u003cp\u003eLeitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. \u003c/p\u003e\n","\u003cp\u003eAfter completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to \u003ctitle\u003eHarper's Monthly\u003c/title\u003e, the \u003ctitle\u003eNew York Herald\u003c/title\u003e, and the\u003ctitle\u003e New York Evening Post\u003c/title\u003e. In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"\u003c/p\u003e\n","\u003cp\u003eIn 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology \u003ctitle\u003eLyric Virginia Today\u003c/title\u003e in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. \u003c/p\u003e\n","\u003cp\u003eLeitch died on 20 August 1954 in Virginia Beach, Virginia.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Mary Sinton Lewis Leitch (1876-1954) was a prominent regional poet and fiction writer from Lynnhaven, Virginia, and a founding member of the Poetry Society of Virginia. During her career, she published seven poetry collections and sold original plays to regional performing arts theaters.  Her published works include  The Waggon and the Star  (1922),  The Unrisen Morrow  (1926),  The Black Moon  (1929),  Spider Architect  (1937),  From Invisible Mountains  (1943),  Himself and I  (1950), and  Nightingales on the Moon  (1952).","Leitch was born 8 September 1876 in New York City, the daughter of Carlton Thomas and Nancy Dunlap McKeen Lewis. She received her early education in private preparatory schools, later attending Smith College and Columbia University and schools in France and Germany. ","After completing her academic education, Leitch returned to New York City, where she served as an inspector of women's prisons. While working as an inspector, Leitch became a contributing editor to  Harper's Monthly , the  New York Herald , and the  New York Evening Post . In 1907, Leitch left her professional positions to travel for an extended period, after which she married John David Leitch in 1907 and relocated to Lynnhaven, Virginia. Upon moving to Virginia, Leitch began her writing career. Leitch wrote the majority of her works in her Lynnhaven home, which she referred to in her works and correspondence as \"Wycherley.\"","In 1923, Leitch became a founding member of the Poetry Society of Virginia, serving as its president in 1933 and co-president from 1944 to1945. She served as the editor for the poetry anthology  Lyric Virginia Today  in 1932, leaving the same year to focus on writing poetry and short stories. Leitch published seven collective works of her poetry between 1922 and 1952. Additionally, Leitch submitted her writings throughout her career to various publishing houses, journals, and performing arts theaters to varying degrees of success. During this process, Leitch became professionally acquainted with prominent writers, journalists, and illustrators such as J.J. Lankes and Robert Frost, and Louis Jaffe. ","Leitch died on 20 August 1954 in Virginia Beach, Virginia."],"custodhist_html_tesm":["\u003cp\u003eBarbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Barbara Murphy, granddaughter of Mary Sinton Leitch, gave the papers to Roberta Cornelius, a faculty member at Randolph-Macon Women's College. When Cornelius retired in 1968, she gave the collection to Emma Gray Trigg."],"prefercite_html_tesm":["\u003cp\u003eMary Sinton Leitch papers, Collection # M 52, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Mary Sinton Leitch papers, Collection # M 52, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"processinfo_html_tesm":["\u003cp\u003eThe collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The collection was initially processed in 1984 and revised in 1990. The collection was reprocessed in 2022 and the finding aid written to current standards. Files were rehoused, relabled, and condensed where applicable."],"scopecontent_html_tesm":["\u003cp\u003eThe Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. \u003c/p\u003e\n","\u003cp\u003eSeries 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. \u003c/p\u003e\n","\u003cp\u003eSeries 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. \u003c/p\u003e\n","\u003cp\u003eThe series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. \u003c/p\u003e\n","\u003cp\u003eSeries 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. \u003c/p\u003e\n","\u003cp\u003eSeries 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The Mary Sinton Leitch papers, 1929-1954, 1968 is a collection of her personal works and papers. The papers consist primarily of early drafts of Leitch's writing, draft publications, and correspondence with poets and publishers. This collection provides a unique look into Leitch's creative process and her career as a woman writer in central Virginia during the early and mid 20th century. ","Series 1: Stage Plays and Short Stories contains multiple working drafts of Leitch's works of fiction. The printed drafts include annotations and working notes. Some plays, such as The Black Moon and The Unwilling Conspirator, include multiple drafts at various stages of Leitch's creative process. ","Series 2: Poetry and Songs make up the bulk of the collection, including typed copies of Leitch's poetry, workbooks of poetry drafts and concepts, and poetry publication proofs. This series contains both published and unpublished poems, organized in alphabetical order by title. Some drafts include notes, corrections, and general annotations. Also included are workbooks and scratch books used by Leitch to workshop poems. These workbooks contain a partially-complete paste-up and a proof book of Leitch's poetry compilation From Invisible Mountains, both of which have some editorial annotations. ","The series includes a small number of songs that Leitch wrote and published herself or in collaboration with other songwriters. These songs are all finalized publications free of annotation. ","Series 3: Correspondence encompasses Leitch's professional and personal correspondence regarding her works of poetry and fiction with publishers and professional peers. The majority of the correspondence pertains to Leitch submittingher works for publication. Leitch corresponded with other contemporary poets, and she expressed her admiration, requested advice, or planned social engagements. Individuals Leitch corresponded with include poets Robert Frost,  T. S. Eliot, Archibald Rutledge, and illustrator J. J. Lankes. ","Series 4:  Project Files and Subject Files is composed of Leitch's personal files related to publishing, professional and amateur reviews of her works, and research pertaining to her career as a writer. Some examples of the files included in this series are a workbook of submissions made to publishers, paste-up books of reviews of her poetry, and contact sheets for Virginia Poetry Society members."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","Poetry Society of Virginia","Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","Poetry Society of Virginia"],"persname_ssim":["Leitch, Mary Sinton, 1876-1954","Leitch, Mary Sinton, 1876-1954 -- Archives"],"language_ssim":["English \n,        German \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":92,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:41:36.823Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_267_c02_c03_c04"}},{"id":"viw_repositories_2_resources_8527_c13_c641","type":"Item","attributes":{"title":"Workers, Austin, Texas vicinity","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c641#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viw_repositories_2_resources_8527_c13_c641","ref_ssm":["viw_repositories_2_resources_8527_c13_c641"],"id":"viw_repositories_2_resources_8527_c13_c641","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527_c13","parent_ssi":"viw_repositories_2_resources_8527_c13","parent_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c13"],"parent_ids_ssim":["viw_repositories_2_resources_8527","viw_repositories_2_resources_8527_c13"],"parent_unittitles_ssm":["Carl A. \"Pappy\" Fehr papers","Series 13: Photographs"],"parent_unittitles_tesim":["Carl A. \"Pappy\" Fehr papers","Series 13: Photographs"],"text":["Carl A. \"Pappy\" Fehr papers","Series 13: Photographs","Workers, Austin, Texas vicinity","Box 49"],"title_filing_ssi":"Workers, Austin, Texas vicinity","title_ssm":["Workers, Austin, Texas vicinity"],"title_tesim":["Workers, Austin, Texas vicinity"],"unitdate_inclusive_ssm":["1925-1935"],"normalized_date_ssm":["1925/1935"],"normalized_title_ssm":["Workers, Austin, Texas vicinity"],"component_level_isim":[2],"repository_ssim":["College of William and Mary"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":971,"parent_access_restrict_tesm":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"containers_ssim":["Box 49"],"_nest_path_":"/components#12/components#640","timestamp":"2026-05-20T22:52:45.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e","\u003cp\u003eSubseries is arranged by date and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:","Arrangement"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e","\u003cp\u003eThis series includes concert programs representing Dr. Fehr's directorship of William \u0026amp; Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026amp; Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.\u003c/p\u003e","\u003cp\u003eThe Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.\u003c/p\u003e","\u003cp\u003eThis series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.\u003c/p\u003e","\u003cp\u003eThis series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.\u003c/p\u003e","\u003cp\u003eThis series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.\u003c/p\u003e","\u003cp\u003eThis series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.\u003c/p\u003e","\u003cp\u003eOne poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"\u003c/p\u003e","\u003cp\u003eThis series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.\u003c/p\u003e","\u003cp\u003eScope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970\u003c/p\u003e","\u003cp\u003eThis is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.\u003c/p\u003e","\u003cp\u003eThis series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.\u003c/p\u003e","\u003cp\u003eInstrumental Parts Accompaniments Correspondence and Publications\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eThe correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.\u003c/p\u003e","\u003cp\u003eThe photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"\u003c/p\u003e","\u003cp\u003ePasted onto the back of this mounting is a black and white picture of an unidentified young woman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThere are two copies of this item.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in robes, W. Warren Sprouse, Director\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, Wren Building (possible duplicate)\u003c/p\u003e","\u003cp\u003eVirginia All East Chorus, Highland Springs, Virginia\u003c/p\u003e","\u003cp\u003eColored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Choir with Dr. Fehr 1962\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eBlack and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eColor photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.\u003c/p\u003e","\u003cp\u003eOne color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s (Black and white on paper.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr conducting a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970's. Black and White.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choral Group members rehearsing at the piano, 1970s\u003c/p\u003e","\u003cp\u003eBlack and White photo of Carl A. Fehr with William and Mary Chorus\u003c/p\u003e","\u003cp\u003eDr. Fehr with the Alumni Choir in performance, 1983; color photo\u003c/p\u003e","\u003cp\u003eAustin High School Glee Club in Candlelight performance, Christmas 1944\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Roal Theater\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memeber Barbara Blum 1951\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026amp; Shirley Thompson\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in June 1954. Photographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.\u003c/p\u003e","\u003cp\u003ePhotographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003ePhotographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eColor photo of the Common Glory Choir from the 1950s in Colonial dress.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir ( Developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eOfficial Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eDr. Fehr with Common Glory Choir cast members from the 1950s.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eA reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.\u003c/p\u003e","\u003cp\u003eBlack and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Graduation\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1940s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eNote on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"\u003c/p\u003e","\u003cp\u003emarked as a duplicate; large version in Box #1\u003c/p\u003e","\u003cp\u003eTeachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eMarked as William and Mary cover. Von Stubell Studio, Williamsburg, Va\u003c/p\u003e","\u003cp\u003eThe Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eA side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr, Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; front and side view\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Carl A. Fehr, Director\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThw William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eAutographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"\u003c/p\u003e","\u003cp\u003eNote on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952\u003c/p\u003e","\u003cp\u003eFifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe Wiliam and Mary Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Wren Chapel, 1955\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir , Christmas Concert, 1955\u003c/p\u003e","\u003cp\u003eNews Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Concert in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Procession on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing at a special ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eChoral Performance at the Yorktown Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir inperformance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir during the Boston Trip; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, Christmas\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Graduation Procession\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation Ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring Choir Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir directed by Dr. Fehr in the Wren Chapel\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance in the Wren Building\u003c/p\u003e","\u003cp\u003eScope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals. Official Photograph , The Common Glory\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scenes\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scene\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eDr. Fehr rehearsing the William and Mary Choir\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eDr. Fehr opening a gift from the William and Mary Choir before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members (women) at exterior of back of Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance .\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus Christmas Concert with Dr. Fehr directing.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus informal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation in Wren Courtyard\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir-male members only- in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eAnne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.\u003c/p\u003e","\u003cp\u003eJoan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information\u003c/p\u003e","\u003cp\u003eWilliam and Mary formal ceremony at the Wren Building\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eView of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952\u003c/p\u003e","\u003cp\u003eCeremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, in performance in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eScope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir in Danville, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam R. Heins when he was in Elementary School playing the Tuba. Class of 1966.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eDr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003edate on front is May 1971\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with candles\u003c/p\u003e","\u003cp\u003ePhotograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003ePhotos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDisplay of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate\u003c/p\u003e","\u003cp\u003eDr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in Graduation Procession with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir soloist in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance; Dr. Fehr conducting\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance (note on back indicates men in The Messiah.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eSoloist performs with the William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral group in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eDr. Fehr with William and Mary Choir members waiting to perform duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with  Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026amp; white duplicate\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir member in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members studying music. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr with Choir member. Photograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003eDr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eChoral Group Rehearsal with Dr. Fehr. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003eNote on back: Kymmell\u003c/p\u003e","\u003cp\u003eString section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003ePicture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben\u003c/p\u003e","\u003cp\u003eNote on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"\u003c/p\u003e","\u003cp\u003eNote on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones\u003c/p\u003e","\u003cp\u003eNote on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"\u003c/p\u003e","\u003cp\u003eNote: To Pappy - with much love and gratitude always. Kathy\"\u003c/p\u003e","\u003cp\u003eDr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003esmaller duplicate included\u003c/p\u003e","\u003cp\u003eNote on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026amp;M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas\u003c/p\u003e","\u003cp\u003eduplicate included; photo by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003eNotation on back: News Release Bureau, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eDr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eStamped on back \"Jan 21 1957\"\u003c/p\u003e","\u003cp\u003ePhotographer: Von Dubell Studio, Williamsburg, VA\u003c/p\u003e","\u003cp\u003euplicate included\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ecolor photo\u003c/p\u003e","\u003cp\u003eDr. Fehr with Ann Lond (?) in DawnVe, VA\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, Va; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; duplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, photographer; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White\u003c/p\u003e","\u003cp\u003eHumorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; small copy included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams for 1971 Brochure\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer duplicate included\u003c/p\u003e","\u003cp\u003edate on back \"1-9-53\"? duplicate included\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with military officials at the ceremony during which W\u0026amp;M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania\u003c/p\u003e","\u003cp\u003eScope and Contents W\u0026amp;M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.\u003c/p\u003e","\u003cp\u003esmall duplicate included\u003c/p\u003e","\u003cp\u003eMounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal, Austin Daily Tribune\u003c/p\u003e","\u003cp\u003eDuplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eCandlelight performance; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eLeft to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal; Austin Daily Tribune\u003c/p\u003e","\u003cp\u003ePhot by Dan Weisser\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"\u003c/p\u003e","\u003cp\u003eBlack and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.\u003c/p\u003e","\u003cp\u003ePhoto with signed Brochure from the Annual Dinner Meeting in Williamsburg\u003c/p\u003e","\u003cp\u003eThis series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e3 records\u003c/p\u003e","\u003cp\u003e3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn\u003c/p\u003e","\u003cp\u003eTwo albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.\u003c/p\u003e","\u003cp\u003eTwo copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual\u003c/p\u003e","\u003cp\u003eTwo copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster\u003c/p\u003e","\u003cp\u003eTwo copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater\u003c/p\u003e\n","\u003cp\u003eThis phonographic record has been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune\u003c/p\u003e","\u003cp\u003eTwo copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr\u003c/p\u003e","\u003cp\u003e2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr\u003c/p\u003e","\u003cp\u003eNorthrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.\u003c/p\u003e","\u003cp\u003eNorthrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026amp; fond memories. Bill 9-27-'79.\"\u003c/p\u003e","\u003cp\u003eSide 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn\u003c/p\u003e","\u003cp\u003eSide 1 no. 8P-0944 Side 2 8P-0944\u003c/p\u003e","\u003cp\u003eThe following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)\u003c/p\u003e","\u003cp\u003eBox also includes CDs of digitized reels\u003c/p\u003e","\u003cp\u003eDigitized on CD\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eThe contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.\u003c/p\u003e","\u003cp\u003e1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel\u003c/p\u003e","\u003cp\u003eFirst full box of Compact Disks\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003eScope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(1 CD)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)\u003c/p\u003e","\u003cp\u003eTrack 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet\u003c/p\u003e","\u003cp\u003e(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner\u003c/p\u003e","\u003cp\u003e(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody\u003c/p\u003e","\u003cp\u003eReels 1-3\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc\u003c/p\u003e","\u003cp\u003eReels 1-2 (2CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You\u003c/p\u003e","\u003cp\u003e(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel\u003c/p\u003e","\u003cp\u003eThis series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eThe artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.\u003c/p\u003e","\u003cp\u003eBlack metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.\u003c/p\u003e","\u003cp\u003eTooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28\u003c/p\u003e","\u003cp\u003eWooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29\u003c/p\u003e","\u003cp\u003eWalnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30\u003c/p\u003e","\u003cp\u003eLarge neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.\u003c/p\u003e","\u003cp\u003eClear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.\u003c/p\u003e","\u003cp\u003eMetal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.\u003c/p\u003e","\u003cp\u003eWig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.\u003c/p\u003e","\u003cp\u003eHand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.\u003c/p\u003e","\u003cp\u003eFigure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.\u003c/p\u003e","\u003cp\u003eEmpty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.\u003c/p\u003e","\u003cp\u003eWooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.\u003c/p\u003e","\u003cp\u003e93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.\u003c/p\u003e","\u003cp\u003eCardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.\u003c/p\u003e","\u003cp\u003eWalnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.\u003c/p\u003e","\u003cp\u003e13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.\u003c/p\u003e","\u003cp\u003eCut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.\u003c/p\u003e","\u003cp\u003e14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.\u003c/p\u003e","\u003cp\u003e5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.\u003c/p\u003e","\u003cp\u003eScope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38\u003c/p\u003e","\u003cp\u003e\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32\u003c/p\u003e","\u003cp\u003eBlack morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34\u003c/p\u003e","\u003cp\u003eTwo items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.\u003c/p\u003e","\u003cp\u003eCarl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.\u003c/p\u003e","\u003cp\u003eCotrell \u0026amp; Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.\u003c/p\u003e","\u003cp\u003eBowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.\u003c/p\u003e","\u003cp\u003eOff-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35\u003c/p\u003e","\u003cp\u003eBlack tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36\u003c/p\u003e","\u003cp\u003eStriped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37\u003c/p\u003e","\u003cp\u003eScope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.\u003c/p\u003e","\u003cp\u003eOne black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.\u003c/p\u003e","\u003cp\u003eOne paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.\u003c/p\u003e","\u003cp\u003eOne wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.\u003c/p\u003e","\u003cp\u003eOne vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026amp;M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.\u003c/p\u003e","\u003cp\u003eScope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026amp; Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01\u003c/p\u003e","\u003cp\u003eWatercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.\u003c/p\u003e","\u003cp\u003ePortrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23\u003c/p\u003e","\u003cp\u003eChoir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31\u003c/p\u003e","\u003cp\u003eThe series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"\u003c/p\u003e","\u003cp\u003eW \u0026amp; M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935],"containers_ssim":["Box 49"],"_nest_path_":"/components#12/components#641","timestamp":"2026-05-20T22:52:45.698Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_8527","ead_ssi":"viw_repositories_2_resources_8527","_root_":"viw_repositories_2_resources_8527","_nest_parent_":"viw_repositories_2_resources_8527","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_8527.xml","title_filing_ssi":"Carl A. \"Pappy\" Fehr papers","title_ssm":["Carl A. \"Pappy\" Fehr papers"],"title_tesim":["Carl A. \"Pappy\" Fehr papers"],"unitdate_ssm":["1907-2012","1945-1974"],"unitdate_bulk_ssim":["1945-1974"],"unitdate_inclusive_ssm":["1907-2012"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["UA 6.017","/repositories/2/resources/8527"],"text":["UA 6.017","/repositories/2/resources/8527","Carl A. \"Pappy\" Fehr papers","College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings","The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically.","Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.","Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.","See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)","The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.","Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A.","English"],"unitid_tesim":["UA 6.017","/repositories/2/resources/8527"],"normalized_title_ssm":["Carl A. \"Pappy\" Fehr papers"],"collection_title_tesim":["Carl A. \"Pappy\" Fehr papers"],"collection_ssim":["Carl A. \"Pappy\" Fehr papers"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"creator_ssm":["Fehr, Carl A.","Dept. of Music"],"creator_ssim":["Fehr, Carl A.","Dept. of Music"],"creator_persname_ssim":["Fehr, Carl A."],"creator_corpname_ssim":["Dept. of Music"],"creators_ssim":["Fehr, Carl A.","Dept. of Music"],"access_terms_ssm":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Acc. 2003.1 received 2/20/2003 from Thomas Terry (class of 1974); Acc. 2007.010, 7 cubic feet, received 5/31/2007 from Thomas Terry; Acc. 2007.65, 1 box of music scores, received from G. Lindsey Florence (class of 1967) 9/7/2007; Acc. 2008.08 received 1/18/2008 from Mark '77 and Ann (Spielman) '75 Woolley. Acquisition information for material received after 7/13/2009 is available by consulting a Special Collections Research Center staff member."],"access_subjects_ssim":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"access_subjects_ssm":["College of William and Mary--Students","Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"has_online_content_ssim":["false"],"extent_ssm":["66.00 Linear Feet"],"extent_tesim":["66.00 Linear Feet"],"genreform_ssim":["Correspondence","Negatives","Photographs","Programs","Scrapbooks","Sound Recordings"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access:"],"accessrestrict_tesim":["The collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.\u003c/p\u003e","\u003cp\u003eSubseries is arranged by date and then alphabetically.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement of Materials:","Arrangement"],"arrangement_tesim":["The collection is arranged into the following series: Series 1: Concert Programs, 1943-1977; Series 2: Choral Program Statements, circa 1955-1974; Series 3: Choral Program Management, 1946-1974; Series 4: Spring Choir, 1964-1974; Series 5: Choir Activities, 1945-1991; Series 6: Publicity Materials, 1947-1991; Series 7: Department of Music, circa 1950-1974; Series 8: Biographical and Professional Material, 1907-1993; Series 9: News Clippings, 1940-1983; Series 10: Sheet Music, circa 1884-1970; Series 11: Publications, circa 1960-1974; Series 12: Correspondence, 1945-1993; Series 13: Photographs, 1925-1985; Series 14: Audio Recordings, 1946-1983; Series 15: Artifacts, circa 1950-1996; Series 16: Scrapbooks, 1945-1983.","Subseries is arranged by date and then alphabetically."],"bioghist_html_tesm":["\u003cp\u003eDr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta.\u003c/p\u003e\n","\u003cp\u003e Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Information:"],"bioghist_tesim":["Dr. Carl A. Fehr earned degrees from the University of Texas including a Bachelor of Arts in German and French (1928) and a Masters in Psychology and Sociology (1930). In 1942, he received a Masters in Music and Music Education from the University of Michigan and in 1950, a Doctorate in Music and Music Education from Columbia University. He joined the College of William and Mary faculty as an Assistant Professor of Music in 1945, becoming Associate Professor in 1951, rising to Chancellor Professor in 1971, and receiving emeritus status upon retirement in 1974. Integral to Dr. Fehr's faculty duties was his directorship of the College's choir and chorus. Under Dr. Fehr's professional management the choral program gained many new student members and achieved national recognition through such media programs as radio and television broadcasts and phonograph recordings. In 1970, the Choir received the George Washington Honor Medal of the Freedom Foundation of Valley Forge. The Choir also appeared at such national events as the 1965 World's Fair's Virginia Day. Under Dr. Fehr's directorship Choir members selected for the Spring Tour program made a total of 27 tours over the years to such cites as New York, Boston, and Atlanta."," Prior to joining the College of William and Mary faculty, Dr. Fehr held several teaching posts in his native Austin, Texas. He served as teacher and organist at the St. Paul's Lutheran Church School (1931-1933) and as music instructor in the Austin public schools (1933-1945). In 1933, Dr. Fehr married fellow Texan Alice Theresa Knippa, who was later employed for many years as a secretary in the College's Physics Department. Although the Fehrs had no children, Dr. Fehr became a surrogate father figure to many of his students, who addressed him as \"Pappy.\" Dr. Fehr set high choral performance standards, often enhancing performances with such visual effects as aesthetically arranged choral groupings. Members of the William and Mary Choir and Chorus took pride in memorized, polished performances of varied, often complex, musical programs. Their fellowship, alumni groups, reunions and special celebrations for Dr. and Mrs. Fehr attest to their esprit de corps. For some students, however, the rigors of academic achievement conflicted with the choral program's demanding rehearsal and performance schedules. As the student culture changed during the mid-1960s, heightened social awareness also elicited some criticism of such stock folk songs as those in the Stephen Foster repertoire. Further information about this individual or organization may be available in the Special Collections Research Center Wiki: http://scdbwiki.swem.wm.edu/wiki/index.php/Carl A. Fehr."],"prefercite_html_tesm":["\u003cp\u003eCarl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Carl A. \"Pappy\" Fehr papers, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eCollection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information:"],"processinfo_tesim":["Collection processed by Donna Dodenhoff in 2006-2007. The 2007 accessions of sheet music were processed by Fred Gibbs from July-October 2007. Acc. 2011.479-482 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in July 2011. Acc. 2012.298 accessioned and minimally processed by Steven Bookman, University Archives Specialist, in August 2012."],"relatedmaterial_html_tesm":["\u003cp\u003eSee the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials:"],"relatedmaterial_tesim":["See the William and Mary Choir Alumni Reunion Photo Album (UA 7.016) from 1983. Material related to The Common Glory and The Founders is available in the Jamestown Corporation Records (Mss. 77 C73)"],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e\n","\u003cp\u003e Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. \u003c/p\u003e","\u003cp\u003eThis series includes concert programs representing Dr. Fehr's directorship of William \u0026amp; Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026amp; Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.\u003c/p\u003e","\u003cp\u003eThe Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.\u003c/p\u003e","\u003cp\u003eThis series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.\u003c/p\u003e","\u003cp\u003eThis series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.\u003c/p\u003e","\u003cp\u003eThis series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.\u003c/p\u003e","\u003cp\u003eThis series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.\u003c/p\u003e","\u003cp\u003eOne poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"\u003c/p\u003e","\u003cp\u003eThis series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.\u003c/p\u003e","\u003cp\u003eScope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970\u003c/p\u003e","\u003cp\u003eThis is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.\u003c/p\u003e","\u003cp\u003eThis series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.\u003c/p\u003e","\u003cp\u003eInstrumental Parts Accompaniments Correspondence and Publications\u003c/p\u003e","\u003cp\u003eThis series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.\u003c/p\u003e","\u003cp\u003eThe correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.\u003c/p\u003e","\u003cp\u003eThe photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"\u003c/p\u003e","\u003cp\u003ePasted onto the back of this mounting is a black and white picture of an unidentified young woman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir at The Governor's Palace in Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThere are two copies of this item.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Chapel in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in robes, W. Warren Sprouse, Director\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, Wren Building (possible duplicate)\u003c/p\u003e","\u003cp\u003eVirginia All East Chorus, Highland Springs, Virginia\u003c/p\u003e","\u003cp\u003eColored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir, with Dr. Fehr\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack \u0026amp; White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Choir with Dr. Fehr 1962\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eBlack and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included\u003c/p\u003e","\u003cp\u003eColor Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eBlack and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eColor photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.\u003c/p\u003e","\u003cp\u003eOne color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s (Black and white on paper.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr conducting a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing a vocal performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, 1970's. Black and White.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.\u003c/p\u003e","\u003cp\u003eBlack and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choral Group members rehearsing at the piano, 1970s\u003c/p\u003e","\u003cp\u003eBlack and White photo of Carl A. Fehr with William and Mary Chorus\u003c/p\u003e","\u003cp\u003eDr. Fehr with the Alumni Choir in performance, 1983; color photo\u003c/p\u003e","\u003cp\u003eAustin High School Glee Club in Candlelight performance, Christmas 1944\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Roal Theater\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memeber Barbara Blum 1951\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026amp; Shirley Thompson\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in June 1954. Photographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.\u003c/p\u003e","\u003cp\u003ePhotographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003ePhotographer: Jack White\u003c/p\u003e","\u003cp\u003eThe Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026amp; Mary, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eColor photo of the Common Glory Choir from the 1950s in Colonial dress.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial Williamsburg.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir (developed June 22 1957) duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir ( Developed June 22, 1957) duplicate included\u003c/p\u003e","\u003cp\u003eOfficial Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eDr. Fehr with Common Glory Choir cast members from the 1950s.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029\u003c/p\u003e","\u003cp\u003eThe Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included\u003c/p\u003e","\u003cp\u003eA reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.\u003c/p\u003e","\u003cp\u003eBlack and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Graduation\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1940s\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA\u003c/p\u003e","\u003cp\u003eNote on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"\u003c/p\u003e","\u003cp\u003emarked as a duplicate; large version in Box #1\u003c/p\u003e","\u003cp\u003eTeachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eMarked as William and Mary cover. Von Stubell Studio, Williamsburg, Va\u003c/p\u003e","\u003cp\u003eThe Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.\u003c/p\u003e","\u003cp\u003eA side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr, Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; front and side view\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Carl A. Fehr, Director\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia\u003c/p\u003e","\u003cp\u003eThw William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eAutographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"\u003c/p\u003e","\u003cp\u003eNote on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952\u003c/p\u003e","\u003cp\u003eFifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe Wiliam and Mary Chorus in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire in the Wren Chapel, 1955\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir , Christmas Concert, 1955\u003c/p\u003e","\u003cp\u003eNews Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Concert in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Procession on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing at a special ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing with Dr. Fehr\u003c/p\u003e","\u003cp\u003eChoral Performance at the Yorktown Celebration\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir inperformance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir during the Boston Trip; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, Christmas\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr in the Spring of 1959\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Graduation Procession\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation Ceremony\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Formal Attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Spring Choir Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on Spring Tour\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir on tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour. Photo by Saunders Miller.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir directed by Dr. Fehr in the Wren Chapel\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in the Wren Building with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir with Dr. Fehr in the Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in performance in the Wren Building\u003c/p\u003e","\u003cp\u003eScope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals. Official Photograph , The Common Glory\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsals with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scenes\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members behind the scene\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members building sets. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in rehearsal\u003c/p\u003e","\u003cp\u003eDr. Fehr rehearsing the William and Mary Choir\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr before a performance\u003c/p\u003e","\u003cp\u003eDr. Fehr opening a gift from the William and Mary Choir before a performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members (women) at exterior of back of Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir members in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing, directed by Dr. Fehr duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance, directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance directed by Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance .\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus Christmas Concert with Dr. Fehr directing.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus informal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in Wren Building\u003c/p\u003e","\u003cp\u003eWilliam and Mary Graduation in Wren Courtyard\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren chapel\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance in the Wren Building duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas candlelight performance in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir-male members only- in formal attire\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eAnne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.\u003c/p\u003e","\u003cp\u003eJoan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information\u003c/p\u003e","\u003cp\u003eWilliam and Mary formal ceremony at the Wren Building\u003c/p\u003e","\u003cp\u003eNew York, New York\u003c/p\u003e","\u003cp\u003eView of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952\u003c/p\u003e","\u003cp\u003eCeremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, in performance in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten\u003c/p\u003e","\u003cp\u003eScope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"\u003c/p\u003e","\u003cp\u003eThe William and Mary Tour Choir in Danville, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam R. Heins when he was in Elementary School playing the Tuba. Class of 1966.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eDr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003edate on front is May 1971\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with candles\u003c/p\u003e","\u003cp\u003ePhotograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003ePhotos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser\u003c/p\u003e","\u003cp\u003eWilliam and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in the Wren Building\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967\u003c/p\u003e","\u003cp\u003eScope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDisplay of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate\u003c/p\u003e","\u003cp\u003eDr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.\u003c/p\u003e","\u003cp\u003eDr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir in Graduation Procession with Dr. Fehr\u003c/p\u003e","\u003cp\u003eWilliam and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral Group in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir soloist in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance; Dr. Fehr conducting\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir waiting to perform. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in performance. Photographer: Allan E. White\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance (note on back indicates men in The Messiah.)\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben\u003c/p\u003e","\u003cp\u003eThe Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in performance with Dr. Fehr\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eSoloist performs with the William and Mary Choir in candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choral group in Candlelight performance\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eDr. Fehr with William and Mary Choir members waiting to perform duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with  Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr.\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included\u003c/p\u003e","\u003cp\u003eThe William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026amp; white duplicate\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir member in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members in rehearsal. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members studying music. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003eDr. Fehr with Choir member. Photograph by Alan Wohlleben\u003c/p\u003e","\u003cp\u003eDr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir members during rehearsal. Photographer: Alan Wohlleben\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eChoral Group Rehearsal with Dr. Fehr. Photography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003ePhotography by Mike Lang\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003eStamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003ePhotography by Michael Lang\u003c/p\u003e","\u003cp\u003eNote on back: Kymmell\u003c/p\u003e","\u003cp\u003eString section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.\u003c/p\u003e","\u003cp\u003eThe William and Mary Choir and Orchestra in performance, directed by Dr. Fehr\u003c/p\u003e","\u003cp\u003ePicture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben\u003c/p\u003e","\u003cp\u003eNote on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"\u003c/p\u003e","\u003cp\u003eNote on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones\u003c/p\u003e","\u003cp\u003eNote on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"\u003c/p\u003e","\u003cp\u003eNote: To Pappy - with much love and gratitude always. Kathy\"\u003c/p\u003e","\u003cp\u003eDr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003esmaller duplicate included\u003c/p\u003e","\u003cp\u003eNote on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026amp;M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas\u003c/p\u003e","\u003cp\u003eduplicate included; photo by Neal Douglass, Austin, TX\u003c/p\u003e","\u003cp\u003eNotation on back: News Release Bureau, College of William and Mary, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eDr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA\u003c/p\u003e","\u003cp\u003eStamped on back \"Jan 21 1957\"\u003c/p\u003e","\u003cp\u003ePhotographer: Von Dubell Studio, Williamsburg, VA\u003c/p\u003e","\u003cp\u003euplicate included\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr\u003c/p\u003e","\u003cp\u003eOde to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003ePhoto by Saunders Miller\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ecolor photo\u003c/p\u003e","\u003cp\u003eDr. Fehr with Ann Lond (?) in DawnVe, VA\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, Va; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams, Williamsburg, VA; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; duplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, photographer; duplicate included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White\u003c/p\u003e","\u003cp\u003eHumorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams; small copy included\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003ePhotographer: Thomas L. Williams for 1971 Brochure\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams\u003c/p\u003e","\u003cp\u003eDr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eThomas L. Williams, Photographer duplicate included\u003c/p\u003e","\u003cp\u003edate on back \"1-9-53\"? duplicate included\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with military officials at the ceremony during which W\u0026amp;M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania\u003c/p\u003e","\u003cp\u003eScope and Contents W\u0026amp;M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003ePhoto by Mike Long\u003c/p\u003e","\u003cp\u003eCarl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.\u003c/p\u003e","\u003cp\u003esmall duplicate included\u003c/p\u003e","\u003cp\u003eMounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass, Austin, Texas\u003c/p\u003e","\u003cp\u003ePhoto by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal, Austin Daily Tribune\u003c/p\u003e","\u003cp\u003eDuplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eCandlelight performance; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eduplicate included\u003c/p\u003e","\u003cp\u003eLeft to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass\u003c/p\u003e","\u003cp\u003ePhoto by Alfred Rosenthal; Austin Daily Tribune\u003c/p\u003e","\u003cp\u003ePhot by Dan Weisser\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"\u003c/p\u003e","\u003cp\u003eAutographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"\u003c/p\u003e","\u003cp\u003eBlack and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.\u003c/p\u003e","\u003cp\u003ePhoto with signed Brochure from the Annual Dinner Meeting in Williamsburg\u003c/p\u003e","\u003cp\u003eThis series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.\u003c/p\u003e","\u003cp\u003e3 records\u003c/p\u003e","\u003cp\u003e3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn\u003c/p\u003e","\u003cp\u003eTwo albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.\u003c/p\u003e","\u003cp\u003eTwo copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual\u003c/p\u003e","\u003cp\u003eTwo copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster\u003c/p\u003e","\u003cp\u003eTwo copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater\u003c/p\u003e\n","\u003cp\u003eThis phonographic record has been digitized. At least 72 hours advanced notice required for access.\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms\u003c/p\u003e","\u003cp\u003eTwo copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune\u003c/p\u003e","\u003cp\u003eTwo copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr\u003c/p\u003e","\u003cp\u003e2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr\u003c/p\u003e","\u003cp\u003eNorthrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.\u003c/p\u003e","\u003cp\u003eNorthrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026amp; fond memories. Bill 9-27-'79.\"\u003c/p\u003e","\u003cp\u003eSide 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn\u003c/p\u003e","\u003cp\u003eSide 1 no. 8P-0944 Side 2 8P-0944\u003c/p\u003e","\u003cp\u003eThe following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)\u003c/p\u003e","\u003cp\u003eBox also includes CDs of digitized reels\u003c/p\u003e","\u003cp\u003eDigitized on CD\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eDigitized on CDs.\u003c/p\u003e","\u003cp\u003eThe contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.\u003c/p\u003e","\u003cp\u003e1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel\u003c/p\u003e","\u003cp\u003eFirst full box of Compact Disks\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003eScope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(3 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(4 CDs)\u003c/p\u003e","\u003cp\u003e(1 CD)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)\u003c/p\u003e","\u003cp\u003eTrack 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet\u003c/p\u003e","\u003cp\u003e(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner\u003c/p\u003e","\u003cp\u003e(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater\u003c/p\u003e","\u003cp\u003eReels 1-3 (3 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003e(2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody\u003c/p\u003e","\u003cp\u003eReels 1-3\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc\u003c/p\u003e","\u003cp\u003eReels 1-2 (2CDs)\u003c/p\u003e","\u003cp\u003eReels 1-2 (2 CDs)\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz\u003c/p\u003e","\u003cp\u003eCD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975\u003c/p\u003e","\u003cp\u003eCD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You\u003c/p\u003e","\u003cp\u003e(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces\u003c/p\u003e","\u003cp\u003eCD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel\u003c/p\u003e","\u003cp\u003eThis series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eOne audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.\u003c/p\u003e","\u003cp\u003eThe artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.\u003c/p\u003e","\u003cp\u003eTin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.\u003c/p\u003e","\u003cp\u003eBlack metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.\u003c/p\u003e","\u003cp\u003eTooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28\u003c/p\u003e","\u003cp\u003eWooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29\u003c/p\u003e","\u003cp\u003eWalnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30\u003c/p\u003e","\u003cp\u003eLarge neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.\u003c/p\u003e","\u003cp\u003eClear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.\u003c/p\u003e","\u003cp\u003eMetal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.\u003c/p\u003e","\u003cp\u003eWig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.\u003c/p\u003e","\u003cp\u003eHand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.\u003c/p\u003e","\u003cp\u003eFigure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.\u003c/p\u003e","\u003cp\u003eEmpty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.\u003c/p\u003e","\u003cp\u003eWooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.\u003c/p\u003e","\u003cp\u003e93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.\u003c/p\u003e","\u003cp\u003eCardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.\u003c/p\u003e","\u003cp\u003eWalnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.\u003c/p\u003e","\u003cp\u003e13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.\u003c/p\u003e","\u003cp\u003eCut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.\u003c/p\u003e","\u003cp\u003eBlocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.\u003c/p\u003e","\u003cp\u003e14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.\u003c/p\u003e","\u003cp\u003e5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.\u003c/p\u003e","\u003cp\u003eScope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.\u003c/p\u003e","\u003cp\u003eWilliam and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38\u003c/p\u003e","\u003cp\u003e\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32\u003c/p\u003e","\u003cp\u003eBlack morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34\u003c/p\u003e","\u003cp\u003eTwo items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.\u003c/p\u003e","\u003cp\u003eCarl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.\u003c/p\u003e","\u003cp\u003eCotrell \u0026amp; Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.\u003c/p\u003e","\u003cp\u003eBowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.\u003c/p\u003e","\u003cp\u003eOff-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35\u003c/p\u003e","\u003cp\u003eBlack tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36\u003c/p\u003e","\u003cp\u003eStriped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37\u003c/p\u003e","\u003cp\u003eScope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.\u003c/p\u003e","\u003cp\u003eOne black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.\u003c/p\u003e","\u003cp\u003eOne paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.\u003c/p\u003e","\u003cp\u003eOne wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.\u003c/p\u003e","\u003cp\u003eOne vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026amp;M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.\u003c/p\u003e","\u003cp\u003eRubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.\u003c/p\u003e","\u003cp\u003eRubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.\u003c/p\u003e","\u003cp\u003eSmall rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.\u003c/p\u003e","\u003cp\u003eScope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026amp; Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01\u003c/p\u003e","\u003cp\u003eWatercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.\u003c/p\u003e","\u003cp\u003ePortrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23\u003c/p\u003e","\u003cp\u003eChoir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31\u003c/p\u003e","\u003cp\u003eThe series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"\u003c/p\u003e","\u003cp\u003eW \u0026amp; M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and 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Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains materials related to Dr. Carl A. Fehr's career as a music professor as well as his direction of William and Mary's choral program, The Common Glory, the Founders summer pageants and the Williamsburg Baptist Church choir. In addition to his reflections on choral direction and discipline, the collection includes extensive materials on Dr. Fehr's professional management of the College's choral program, a series of published choral programs, a collection of choral music, his teaching notes and curricula, correspondence, professional awards and memberships, as well as his dissertation and other academic credentials. The choral program is also extensively represented in Choir and Chorus communications, activities, group photographs, scrapbooks and publicity during the years of Dr. Fehr's directorship. In addition to the regular academic year choral program, the Choir's annual spring tours, special guest appearances and national broadcast performances are documented in correspondence, news clippings, photographs, scrapbooks, and audio recordings. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings."," Among the artifacts contained in the collection are Dr. Fehr's formal concert attire and other textiles as well as a miniature stage and figures used to arrange choral groupings. Personal memorabilia include material from Austin, Texas, where Dr. Fehr served as choral director in the Austin public school system before coming to William and Mary. ","This series includes concert programs representing Dr. Fehr's directorship of William \u0026 Mary's choral program; The Common Glory and The Founders outdoor summer pageants; and the Williamsburg Baptist Church choir. The series includes William \u0026 Mary choral programs of the regular academic year, as well as programs for special event and guest performances. In addition to correspondence and other records pertaining to choral media performances, the series also includes an inventory of concert programs tape recorded between 1949 and 1973.","The Choral Program Statements series consists of Dr. Fehr's formal and informal statements of the place of a choral program in a liberal arts college; standards governing choral member selection, appearance, and conduct; and admittance and dismissal procedures, as well as Dr. Fehr's communications on these matters with choral members and others.","This series contains materials on Dr. Fehr's professional management of the choral program, including his directorial and production notes, a concert planning notebook, and his reflections on concert program logistics, as well as a series of blueprints for staging concert performances. The series also contains student applications, auditions, rehearsal schedules, and concert tickets lists for special guests, as well as documents pertaining to choral business matters.","This series includes choral records such as choir and chorus rosters and directories and a series of spring choir tour journals.","This series documents Choir/Chorus activities, such as the annual Choir banquet. It includes Choir/Chorus communications, such as bulletins and Choir alumni newsletters. Also included are special choral events including the \"Fehr-well Fest,\" the concert celebrating Dr. Fehr's retirement, materials related to the celebration of the Fehrs' 50th wedding anniversary, the 1965 World's Fair concert, and Staying Connected: The Carl Fehr Project, an event organized to bring Choir alumni together to rehouse the Carl A. \"Pappy\" Fehr Papers.","This series includes Choir/Chorus publicity and promotional materials including brochures, posters, postcards, and magazine articles featuring Dr. Fehr and the choral program.","One poster used by the choir that says \"Don't Worry if it Sounds Bad: It's Contemporary.\"","This series includes Music Department documents collected over the course of Dr. Fehr's faculty appointment. The series also includes information on the department's history, Dr. Fehr's instructional materials, class schedules and exams, as well as documentation of the student assistant program and the Fehr Music Scholarship program. The series also includes Dr. Fehr's philosophy of teaching and his policy on classroom discipline, as well as his documents on music theory and practice.","This series includes Dr. Fehr's professional qualifications and performance evaluations, employment applications, awards and honors, academic records, and a copy of his Ph.D. dissertation. Also includes is biographical material including an oral history interview conducted with Dr. Fehr by the College of William and Mary in 1975-1976. The series includes some material from his Texas years as well.","Scope and Contents Certificate of Membership in American Choral Directors Association Wisdom Award of Honor Conferred on Dr. Carl A. Fehr by The Wisdom Society, 1970 Alice Knippa Fehr's Certificate of Baptism Carl A. Fehr's Certificate of Baptism, 1907 Austin High School Diploma, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, Alice Knippa Fehr Bachelor of Arts Diploma, University of Texas, 1928 Masters of Arts Diploma, University of Texas, 1930 Austin High School Diploma, Carl A. Fehr Columbia University Doctor of Education Diploma, Carl A. Fehr, December 1950 Concordia Teachers College Diploma, Carl A. Fehr, 1931 Certificate of appreciation to Carl A. Fehr from the Williamsburg Baptist Church, May 1968 (mounted) Certificate of appreciation to Carl A. Fehr, Two Thousand Men of Achievement diploma, London, February 1973 Certificate of merit from the Dictionary of International Biography, vol. ix, August 1972 Certificate of appreciation, Virginia State Bar, May 1959 Black and white sketch of Dr. Carl A. Fehr adapted from a photograph, 1960s Water color sketch of Dr. Carl A. Fehr in a clown suit, 1960s Choir and Chorus formal document of congratulations to Dr. Carl A. Fehr for excellence in directing the choral program, 1945-1970","This is a series of news clippings focusing on Dr. Fehr's career, William and Mary choral members, concert publicity, and critical reviews.","This series is composed of collected sheet music organized by type and including a variety of sheet music. Box 2 holds organ studies and organ anthologies; Box 3 and 4 are entirely organ anthologies; Box 5-7 holds organ sheet music; Box 7-9 holds vocal music; Box 10 includes Christmas Choral Programs as well as religious, secular, and hand-copied music; Box 11 holds correspondence, concert programs, and Christmas music; Boxes 12-17 include a variety of music related to William and Mary, Christmas, The Common Glory, and many others.","Instrumental Parts Accompaniments Correspondence and Publications","This series includes Dr. Fehr's collection of published materials related to areas of personal interest other than music, such as technology topics and a collection of William and Mary student body literature dating from the 1960s and 1970s.","The correspondence series dates from the years of Dr. Fehr's career at William and Mary (1945-1974) as well as his retirement years. Included in the series is William and Mary interdepartmental correspondence, colleague correspondence, correspondence with choral members, parties outside the university community, and other correspondents.","The photographs series visually documents the College of William and Mary choral program from 1945 through 1974, as well as alumni choral events during Dr. Fehr's retirement years. The series documents separately The Common Glory program, the William and Mary choral program by decade, portraits of Dr. Fehr, family and friends (1920s-1980s), and Dr. Fehr's career with the public school system in Austin, Texas. In addition to color and black and white photographs, a small number of color slides and photographic negatives can also be found in this series. Note that each photograph was given an individual number that begins with the letters \"FP.\"","Pasted onto the back of this mounting is a black and white picture of an unidentified young woman","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","The Common Glory Choir at The Governor's Palace in Colonial Williamsburg","There are two copies of this item.","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in the Chapel in the Wren Building","William and Mary Choir in robes, W. Warren Sprouse, Director","William and Mary Choir in performance","William and Mary Choir, Wren Building (possible duplicate)","Virginia All East Chorus, Highland Springs, Virginia","Colored photo of William and Mary Choir in formal attire in Wren Building, with Dr. Fehr","William and Mary Choir in performance, with Dr. Fehr","William and Mary Choir, with Dr. Fehr","Color Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1959-1960. Photographer - Thomas L. Williams","Black \u0026 White Photo of the William and Mary Choir, 1960-1961. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1960. Photographer - Thomas L. Williams. Possible duplicate","Color Photo of the William and Mary Choir, 1961. Photographer - Thomas L. Williams, '61","Color Photo of the William and Mary Choir, 1962. Photographer - Thomas L. Williams. '62","Color Photo of the William and Mary Choir, 1962-1963. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Choir with Dr. Fehr 1962","Color Photo of the William and Mary Chorus, 1962-1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Chorus, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1963-1964. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1964-1965. Photographer - Thomas L. Williams","Black and White Photo of the William and Mary Chorus, 1964-1965. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1965-1966. Photographer - Thomas L. Williams; duplicate copy available","Color Photo of the William and Mary Choir on Virginia Day at the World's Fair in Queens, New York, May 13, 1965.","Color Photo of the William and Mary Chorus, 1965-1966. Photographer - Thomas L. Williams Duplicate copy available","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Duplicate copy included","Color Photo of the William and Mary Chorus, 1966-1967. Photographer - Thomas L. Williams Higher quality available in FP 236","Color Photo of the William and Mary Choir, 1966-1967. Photographer - Thomas L. Williams Higher quality than similar shot in FP 220.2","Color Photo of the William and Mary Chorus, 1967-1968. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Choir, 1967-1968. Photographer - Thomas L. Williams","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams. Photo taken in Sunken Garden. multiple duplicates available including black and white 8x10","Color Photo of the William and Mary Choir, 1968-1969. Photographer - Thomas L. Williams Duplicate included","Color Photo of the William and Mary Chorus, 1969-1970. Photographer - Thomas L. Williams","The William and Mary Choir in formal attire at the Wren Building, with Dr. Fehr, 1969-1970; Photographer: Thomas L Williams Duplicate Included","William and Mary Chorus in formal attire, with Dr. Fehr. Photographer: Thomas L Williams","William and Mary Chorus in formal attire, with Dr. Fehr. 1969 - 1970. Photographer: Thomas L. Williams.","Black and White photo of  the William and Mary Choir in formal attire in Wren Building, with Dr. Fehr, 1960s","The William and Mary Choir with Dr. Fehr at the Wren Building, 1969-1970. Photographer: Thomas L. Williams.","Color photo of the William and Mary Choir with Dr. Fehr in front of Jefferson Hall, 1970-1971. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on campus with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Chorus in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire on Campus with Dr. Fehr, 1970-1971. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire in front of Swem with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The William and Mary Chorus in formal attire in front of the Wren Building with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","The Charter Day Convocation and Parents Day, Saturday February 13, 1971. Rector Ernest Goodrich, Chancellor Professor W. Melville Jones, Dr. Fehr and President Davis Y. Paschall, February 13, 1971 Duplicate Included.","The William and Mary Choir in formal attire by the sundial in front of the Swem Library, with Dr. Fehr. Photographer: Thomas L. Williams. Duplicate Included.","William and Mary Chorus in formal attire in front of Swem Library, 1972-1973 (color, matted with caption); Photographer: Thomas L Williams. Duplicate noted on back.","One color photograph of the William and Mary Choir on tour at the party of a William and Mary alum in April 1973. Some of the students identified include Tom Terry, Cabot Wade, and Keith Savage. An envelope identifying some of the people in the photograph is included.","William and Mary Chorus in formal attire in front of The Wren Building with Dr. Fehr, 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Black and white copy and duplicate included.","William and Mary Chorus in formal attire 1973-1974 (color, matted with caption); Photographer: Thomas L Williams. Duplicate included","William and Mary Choir in formal attire in front of Swem Library with Dr. Fehr, 1970's (black and white on board.)","The William and Mary Choir in performance, 1970s (Black and white on paper.","Black and white photo of Dr. Fehr conducting a vocal performance, 1970s.","Black and white photo of Dr. Fehr directing a vocal performance, 1970s.","The William and Mary Choir in performance, 1970s.","The William and Mary Choir in performance, 1970's. Black and White.","The William and Mary Choral Group in rehearsal directed by Dr. Fehr, 1970s.","Black and white photo of Dr. Fehr directing the William and mary Choral Group in rehearsal, 1970s.","The William and Mary Choir rehearsing, with Dr. Fehr (center, back riser) 1970s","William and Mary Choral Group members rehearsing at the piano, 1970s","Black and White photo of Carl A. Fehr with William and Mary Chorus","Dr. Fehr with the Alumni Choir in performance, 1983; color photo","Austin High School Glee Club in Candlelight performance, Christmas 1944","Scope and Contents The William and Mary Male Musical Group with string instruments, 1901. Handwritten notations on back \" Front Row - (left to right) Elizabeth Tyler Miller- 1. Alfred Hart Miler (Capt. MLH) College of William and Mary Williamsburg Virginia, 1901 2. ? 3. John Arthur Hundley ( an irristible wanderer) 4. ? 5. \"Shorty\" Corbett Back Row 6. J.M. Dummoriut ( Dairy Farms) 7. Marvin Burton (Dentist) 8. George Joluison 9. Oscar Shumaker 10. Abraham B. Marchiant 11. E. Stanley Brinkley (Superintendent of Norfolk Schools) 12. J. W. Gossman","The Common Glory Choir in the Roal Theater","The Common Glory Choir cast memeber Barbara Blum 1951","The Common Glory Choir cast memebrs : Suzanne Roberts, Frances Amon, Barbara Blum, Lillian Baker \u0026 Shirley Thompson","The Common Glory Choir in June 1954. Photographer: Jack White","The Common Glory Choir in 1954; Sticker on back \"The Common Glory Williamsburg Va.\" James Mays.","Photographer: Douglas B. Green II","Photographer: Jack White","The Common Glory \"Wagon\" Summer 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir \"Wagon\" 1954. Photographer: Jack White, 316 Monroe Hall, College of William \u0026 Mary, Williamsburg, VA.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Color photo of the Common Glory Choir from the 1950s in Colonial dress.","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial Williamsburg.","The Common Glory Choir (developed June 22, 1957) duplicate included","The Common Glory Choir (developed June 22 1957) duplicate included","The Common Glory Choir ( Developed June 22, 1957) duplicate included","Official Photograph of The Common Glory Choir in Colonial Dress; Photographer Jack White.","The Common Glory Choir in Colonial dress from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s in Colonial dress. Photographer: Douglas B. Green II","The Common Glory Choir from the 1950s. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; Colonial Dress.  Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","Dr. Fehr with Common Glory Choir cast members from the 1950s.","duplicate included","The Common Glory Choir from the 1950s; assembled in \"C G \" formation. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in the Summer of 1967. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","The Common Glory Choir in Colonial Dress. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029","The Common Glory Choir from the 1950s; taken at the Governor's Palace in Colonial Williamsburg. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 duplicate included","A reproduction of  a sketch of the Common Glory Choir; undated. Signed by H. Day.","Black and White photograph of the College Mace; presented to William and Mary by alumni and students on February 8, 1923. Photographer Thomas L. Williams, 119 Matoaka Court, Williamsburg VA. Box 2222, Phone CA 9-2029 Stamped by the NEWS BUREAU College of William and Mary, Williamsburg, Virginia","The William and Mary Choir, Spring 1946; 1945-1946 School Year. Photographer: Von Dubell Studio Williamsburg, Virginia","The William and Mary Choir, Graduation","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1945-1946.","The William and Mary Choir in the Wren Chapel, 1940s","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir in the Wren Chapel, 1945-1946. Photo Service, 207 Griffin Ave., Williamsburg, VA","The William and Mary Choir Spring 1946. Von Dubell Studios Williamsburg, VA","The William and Mary Choir in the Wren Chapel 1946. Von Dubell Studios Williamsburg, VA","Note on back dated May 15, 1947, from Marilyn. \"To my favorite pappy - next to my own. Thanks for such an enjoyable year. Don't forget that Austin and San Antonio aren't too far apart. Good luck this summer -\"","marked as a duplicate; large version in Box #1","Teachers College Chorus, Columbia University, Fall 1949. Photo by Elvira Kohl.","The William and Mary Choir with Dr. Fehr and a costumed musician. Photographer: Colonial Williasmburg Photograph by Thomas L. Williams.","The Library on the right and flanking it Rogers Hall and the Marshall-Wythe Building. Von Dubell Studios, Williamsburg, VA","Marked as William and Mary cover. Von Stubell Studio, Williamsburg, Va","The Brafferton Building on the campus of William and Mary. Thomas L. Williams, Colonial Williamsburg; Williamsburg, Virginia","The William and Mary Choir in the balcony of the Wren Chapel, 1940s. Von Stubell Studio, Williamsburg, VA.","A side view of the William and Mary Choir in the Wren Chapel. Photo Service, 207 Griffin Ave. Williamsburg, Va.","The William and Mary Choir in performance with Dr, Fehr","The William and Mary Concert Choir; From the studio of Douglas B. Greeen II; 761 Scotland Street; Williamsbrug, Virginia","The William and Mary Choir in the Wren Chapel; Von Dubell Stdios, Williamsburg, VA","The William and Mary Choir in the Wren Chapel; front and side view","The William and Mary Girls Chorus in formal attire","The William and Mary Choir, Carl A. Fehr, Director","The William and Mary Choir in the Wren Chapel; W. Warren Sprouse, Director, 1950","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance; From the studio of Douglas B. Green II; 781 Scotland Street; Williamsburg, Virginia","Thw William and Mary Choir in rehearsal","Autographed picture of Anne with note. \" Pappy - Thanks so much for all that you have done for me.\"","Note on back \" To the \"sweetest\" Pappy with thanks for everything. Much Love.\" Jackie (Jones) Myers. June 1952","Fifth Annual Virginia All-West Chorus; Martinsville, Virginia. Remsen Studios, Box 296, Martinsville, Virginia","The William and Mary Choir in formal attire","The William and Mary Choir in the Wren Chapel","The Wiliam and Mary Chorus in formal attire","The William and Mary Choir in the Wren Chapel","The William and Mary Choir in formal attire in the Wren Building. Jack White, 316 Monroe Hall, College of William and Mary, Williamsburg, VA","The William and Mary Choir in formal attire","The William and Mary Choir in front of the Wren Building for the Marshall-Wythe-Blackstrong Celebration","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir in Formal Attire in the Spring of 1954 duplicate included","The William and Mary Choir in Formal Attire in the Wren Chapel, 1955","The William and Mary Choir , Christmas Concert, 1955","News Bureau release: Scholars - At the College of William and Mary in Virginia where Phi Beta Kappa was founded, new initiates of the honorary scholastic society pause on the steps of the College's Phi Beta Kappa Hall for a chat with John C. Kerby-Miller (left) of Newport News, an alumnus of the University of California. Among the 13 William and Mary students who were initiated during the Spring ceremonies were (left to right) Robert Gilliland Forrest of Norfolk, Virginia; Jane Courtney Kesler of Virginia Beach, Virginia; Robert Wallace Stevens of Norfolk, Virginia; and Mary Ann Lyman of Longmeadow, Massachusetts. duplicate included","The William and Mary Choir in Formal Attire","The William and Mary Choir in the Wren Building with Dr. Fehr in the Spring of 1954","The William and Mary Choir in Formal Attire with Dr. Fehr, 1956-57","The William and Mary Choir in Concert in the Wren Building duplicate included","The William and Mary Choir in Formal Procession on campus","The William and Mary Choir performing at a special ceremony","The William and Mary Choir performing with Dr. Fehr","The William and Mary Choir performing with Dr. Fehr","Choral Performance at the Yorktown Celebration","The William and Mary Choir rehearsing with dr. Fehr in a wooded area on campus","The William and Mary Choir in rehearsal","The William and Mary Choir in a Candlelight performance with Dr. Fehr duplicate included","The William and Mary Choir in performance directed by Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir inperformance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir iChristmas Party with Dr. Fehr (front left, standing)","The William and Mary Choir during the Boston Trip; photo by Saunders Miller","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with dr. Fehr; photo by Saunders Miller","The William and Mary Chorus in Performance","The William and Mary Choir in performance, Christmas","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance with Dr. Fehr in the Spring of 1959","The William and Mary Choir in performance","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in Graduation Procession","William and Mary Graduation Ceremony","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. duplicate in smaller size","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr","The William and Mary Choir with Dr. Fehr. Photographer Thomas L. Williams","The William and Mary Choir in Candlelight Performance. Photograoher Charles G. Kagey, Colonial Williamsburg","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance. Photographer- Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance. Photographer - Peter Vance Clark","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","The William and Mary Choir in Candlelight Performance","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","The William and Mary Choir in Formal Attire","The William and Mary Choir on Spring Choir Tour; Photo by Saunders Miller.","The William and Mary Choir Spring Choir Tour","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir in Candlelight Performance. Photo by Saunders Miller.","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on Spring Tour","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir on tour. Photo by Saunders Miller.","The William and Mary Choir rehearsing. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir on Spring Tour. Photo by Saunders Miller.","William and Mary Choir members on Spring Tour, in rehearsal. Photo by Jack White.","William and Mary Choir on Spring Tour, in rehearsal with Dr. Fehr. duplicate included","William and Mary Choir with Dr. Fehr","William and Mary Choir in formal attire in the Wren Building with Dr. Fehr","William and Mary Choir directed by Dr. Fehr in the Wren Chapel","William and Mary Choir in formal attire in the Wren Chapel with Dr. Fehr","William and Mary Choir in the Wren Building with Dr. Fehr","William and Mary Choir in formal attire with Dr. Fehr in the Wren Building duplicate included","William and Mary Choir with Dr. Fehr in the Wren Building","William and Mary Choir in performance in the Wren Building","Scope and Contents William and Mary Choir in formal attire in the Wren Building noted as \"duplicate\"","William and Mary Choir in formal attire","William and Mary Choir in rehearsals. Official Photograph , The Common Glory","William and Mary Choir in rehearsals with Dr. Fehr","William and Mary Choir in rehearsal with Dr. Fehr","William and Mary Choir members behind the scenes","William and Mary Choir members behind the scene","The William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir members building sets. Photo by Saunders Miller","William and Mary Choir in rehearsal","Dr. Fehr rehearsing the William and Mary Choir","The William and Mary Choir rehearsing with Dr. Fehr before a performance","The William and Mary Choir rehearsing with Dr. Fehr before a performance","Dr. Fehr opening a gift from the William and Mary Choir before a performance","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in Performance","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in formal attire with Dr. Fehr duplicate included","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir members (women) at exterior of back of Wren Building duplicate included","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir members in formal attire with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir performing, directed by Dr. Fehr","The William and Mary Choir performing, directed by Dr. Fehr duplicate included","The William and Mary Choir in performance","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr","Dr. Fehr directing the William and Mary Choir during a recording session. Photo by Saunders Miller","The William and Mary Choir in formal attire with Dr. Fehr","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in performance","The William and Mary Choir in performance, directed by Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in performance, directed by Dr. Fehr.","The William and Mary Choir in performance directed by Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in candlelight performance .","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus Christmas Concert with Dr. Fehr directing.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Chorus informal attire.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus in formal attire Dr. Fehr. duplicate included","The William and Mary Choir in formal attire","The William and Mary Chorus in formal attire. duplicate included","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr.","The William and Mary Choir in performance duplicate included","The William and Mary Choir in performance with Dr. Fehr. Photo by Peter Vance Clark","The William and Mary Choir in Christmas performance","The William and Mary Choir in performance in Wren Choir Loft. Photo by Von Dubell Studio.","The William and Mary Choir in performance","The William and Mary Choir in performance in Wren Building","William and Mary Graduation in Wren Courtyard","The William and Mary Choir in formal attire with Dr. Fehr in the Wren Building.","The William and Mary Choir with Dr. Fehr in the Wren chapel","The William and Mary Choir in performance with Dr. Fehr. Photo by Thomas L. Williams","The William and Mary Chorus in formal attire with Dr. Fehr","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Chapel; photograph by Jack White duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Wren Building. Photograph by Jack White. duplicate included","The William and Mary Choir waiting to perform","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building","The William and Mary Choir in candlelight performance in the Wren Building duplicate included","The William and Mary Choir in performance in the Wren Building. Photograph by Photo Service.","The William and Mary Choir in performance in the Wren Building duplicate included","The William and Mary Chorus in the Wren Building","The William and Mary Choir in Christmas candlelight performance in the Wren Building","The William and Mary Chorus in the Wren Building","The William and Mary Chorus in the Wren Building. Noteation on Back: \"The Chorus (number two of two)\"","The William and Mary Chorus in the Wren Building","The William and Mary Choir-male members only- in formal attire","The William and Mary Choir in formal attire.","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Scope and Contents The William and Mary Choir in candlelight performance; select ensemble to be featured in \"Laudate Dominum\" by Mozart","The William and Mary Choir in performance with Dr. Fehr","Anne Myers, Statesville, N.C. Soloist in \"hear Ye, Israel, \" Mendelssohn.","Joan Roger. La Follette, Tenn. Soloist in \"Let Us Break Bread Togerther.\" Second photo - full length, not duplicate but same information","William and Mary formal ceremony at the Wren Building","New York, New York","View of a burning building on the Campus of the College of William and Mary; possibly the fire in Phi Beta Kappa Hall in 1952","Ceremony at Phi Beta Kappa Hall on the College of William and Mary. Photographer: Thomas L. Williams","The rebuilt Phi Beta Kappa Hall on the campus of the College of William and Mary. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, in performance in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Girls Chorus with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in Christmas 1960 performance. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as black and white duplicate","The William and Mary Girls Chorus in formal attire with Dr. Carl A. Fehr. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Chorus in formal attire in the Wren Building.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in graduation procession.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in inauguration procession of Dr. Davis Y. Paschall, President of William and Mary. Photographer: Thomas L. Williams. Photo from the Library of Carl A. Fehr","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chrus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director, Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus in performance with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir in formal attire with Dr. Carl A. Fehr, Director. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams.","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire in the Sunken garden. Photographer: Thomas L. Williams. noted as black and white duplicates (2)","The William and Mary Tour Choir with Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Carl A. Fehr, Director, in the Wren Chapel. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in formal attire in Boston.","The William and Mary Choir with Dr. Carl A. Fehr, Director, in Boston.","The William and Mary Choir performing The Messiah with  Dr. Carl A. Fehr, Director. Photographer: Robert E. Gatten","The William and Mary Choir, Dr. Carl A. Fehr, Director, in formal attire. Photographer: Thomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire .Photographer: Thomas L. Williams. several matted duplicates in Box 2","The William and Mary Choir performing The Messiah, under the direction of Dr. Carl A. Fehr. Photographer: Robert E. Gatten","The William and Mary Choir performing on Chate Day, Saturday February 12, 1966.  Photographer: Robert E. Gatten","Scope and Contents Chorus performing at the Matoaka Amphitheatre after William and Mary Graduation. Notation on back: \"To Pappy: For a Happy Birthday!! from \"Schue\" Lynwood Shumata\"","The William and Mary Tour Choir in Danville, Virginia.","William R. Heins when he was in Elementary School playing the Tuba. Class of 1966.","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams duplicate included","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photograph by Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams","The William and Mary Choir, Christmas 1967. Photographer: David Koenig","The William and Mary Choir, Christmas 1967. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir television coverage, Christmas 1967. Photographer: David Koenig","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped Septemeber 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","Dr. Fehrwatching television monitor of the William and Mary Choir television coverage, Christmas 1967. Photo stamped September 1967","The William and Mary Choir Candlelight Performance, Christmas 1967. Photographer: Charles G. Kagey, Colonial Williamsburg duplicate included","The William and Mary Chorus in formal attire in the Dodge Room. Photographer: Thomas L. Williams. marked as a duplicate","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. marked as a duplicate","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams.","Scope and Contents The William and Mary Chorus with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams. multiple duplicates available in legal size with mat and black and white","The William and Mary Chorus rehearsing with Dr. Fehr. Photographer: Alan WohllebenThomas L. Williams.","The William and Mary Chorus with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire at the back of the wren Building. Photographer: Thomas L. Williams. marked as a black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire. duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams.","The William and Mary Chorus in formal attire with Dr. Fehr. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams. duplicate included","The William and Mary Chorus with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire in Swem Library. duplicate included","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams duplicate included","date on front is May 1971","The William and Mary Choir with candles","Photograph by Alan Wohlleben","Photos of negatives from a William and Mary Choir Performance. Note on back reads: \"Dr. Fehr I couldn't find the other negatives that you wanteed. I am in the process of moving to an apartment; I think I just misplaced them. When I find them I print them up. Weke's and Jim Rees's pictures see you later (alligator) Michael .....","The William and Mary Choir with Dr. Fehr in the Wren Building in formal attire. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams","William and Mary Formal ceremony with the William and Mary Choir. Photo by Susan Lohwasser","William and Mary Formal ceremony with the William and Mary Choir. Photo by Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire in the Wren Building","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Peter Vance Clark.","The William and Mary Choir with Dr. Fehr in formal attire.","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams copy of FP 264.10","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams Similar copies to FP 264.14 and FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams possible copy of FP 264.13 and similar to FP 264.15","The William and Mary Choir with Dr. Fehr in formal attire. Photographer: Thomas L. Williams","The William and Mary Choir with Dr. Fehr in rehearsal. Date on front of photo indicates December 1967","Scope and Contents The William and Mary Choir rehearsing \"The Messiah\" with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Choir rehearsing with Dr. Fehr. Photographer: Thomas L. Williams","Display of Album cover and record of the long playing album, \"William and Mary Choir, Williamsburg, Virginia . Dr. Carl A. Fehr, Director.\" Photographer : W. N. Schill Studio. Album produced by RCA Victor.","William and Mary Choir in formal attire behind the Wren Building with Dr. Fehr Black and White duplicate","Dr. Fehr (left) receiving a 25th Anniversary Plaque from a choir member. Photographer: Thomas L. Williams, Williamsburg, Virginia.","Dr. Fehr center) with his wife during the 25th Anniversary celebration as Director of the William and Mary Choral groups. Photographer: Thomas L. Williams, Williamsburg, Virginia. duplicate included","William and Mary Choir in formal attire in the Sunken Garden with Dr. Fehr. Photographer: Thomas L. Williamsn","William and Mary Choir in Graduation Procession with Dr. Fehr","William and Mary Chorus in formal attire with Dr, Fehr in front of Barrett Hall. Photographer: Thomas L. Williams Black and White duplicate","The William and Mary Choir with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Chorus with Dr. Fehr in formal attire in front of the Wren Building. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir with Dr. Fehr in formal attire by the sundal in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate and color duplicate, no mat","The William and Mary Chorus with Dr. Fehr in formal attire in front of Swem Library. Photographer: Thomas L. Williams black and white duplicate","The William and Mary Choir in performance with Dr. Fehr at the Charter Day Convocation at Phi Beta Kappa Auditorium. Library. Photographer: Thomas L. Williams duplicate included","The William and Mary Choral Group in performance. Photographer: Alan Wohlleben.","The William and Mary Chorus in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir soloist in performance. Photographer: Allan E. White","The William and Mary Choir in performance. Photographer: Alan Wohlleben.","The William and Mary Choir in performance with Dr. Fehr. Photographer: Allan E. White","duplicate included","The William and Mary Choi and Orchestra (foreground) in performance with Dr. Fehr. Photographer: Alan Wohlleben.","The William and Mary Choir in performance. Photographer: Mike Lang","Dr. Fehr directing the William and Mary Choral Groups. Photographer: Mike Lang","The William and Mary Choir and Orchestra in performance; Dr. Fehr conducting","The William and Mary Choir waiting to perform. Photographer: Alan Wohlleben","The William and Mary Chorus in performance. Photographer: Allan E. White","The William and Mary Choir in performance (note on back indicates men in The Messiah.)","The William and Mary Choir and Chorus waiting to perform.. Photographer:  Alan Wohlleben","The Wililam and Mary Choir in performance with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in performance with Dr. Fehr","The William and Mary Choir in candlelight performance","The William and Mary Choir in candlelight performance","Soloist performs with the William and Mary Choir in candlelight performance","The William and Mary Choral group in Candlelight performance","The William and Mary Choir member waiting to perform. Photographer: Alan Wohlleben.","Dr. Fehr with William and Mary Choir members waiting to perform duplicate included","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with  Dr. Fehr.","The William and Mary Choir in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams","The William and Mary Choir in formal attire with Dr. Fehr at the Wren Building.","The William and Mary Chorus in formal attire with Dr. Fehr.","The William and Mary Chorus in formal attire with Dr. Fehr in the Sunken Garden. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with Dr. Fehr. Photographer: Thomas L. Williams duplicate included","The William and Mary Chorus in formal attire with  Dr. Fehr. Photographer: Thomas L. Williams (color) includes Black \u0026 white duplicate","William and Mary Choir member in rehearsal. Photography by Mike Lang","William and Mary Choir members in rehearsal. Photography by Mike Lang","William and Mary Choir members studying music. Photography by Mike Lang","Dr. Fehr with Choir member. Photograph by Alan Wohlleben","Dr. Fehr with choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","William and Mary Choir members during rehearsal. Photographer: Alan Wohlleben","duplicate included","duplicate included","Photography by Mike Lang","Choral Group Rehearsal with Dr. Fehr. Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Photography by Mike Lang","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Stamped on back: \"Colonial Echo;\" note on back \"- Ed Offley\"","Photography by Michael Lang","Photography by Michael Lang","Note on back: Kymmell","String section of William and Mary Orchestra in performance; Photgraph by Alan Wohlleben.","The William and Mary Choir and Orchestra in performance, directed by Dr. Fehr","Picture of Dr. Fehr in formal attire at a William and Mary reception; photograph by Alan  Wohlleben","Note on back: \"To Pappy, Lots of Love---Virginia Carr Gingie\"","Note on back: \"Dearest Pappy, You have truly brought to me the thrill and challenge of music. I hope that I can spread that enthusiasm to my students. You set many wonderful traditions that I will treasure; and whereever I go I will always be a \"Fehr\"student, indebted to you for guiding my career in teaching. Love always, Kathleen (S.E.!) Jones","Note on back: \" To Pappy, Who has given me so much......his time, his patience; his wealth of knowledge, musical and personal; his shoulder; his tissues.. not to mention the guidance and friendship received from him by everyone, and given in such a way that each is made to feel singular and important. How can I thank you, Pappy, for two wonderful years in Choir except to give my love in return for all the unselfish caring you have given me? It's a tiney gift, but you can keep it forever. Kathy (I also owe you for 1/2 a box of tissues, 42 pictures, 2 tapes, 2 keys, and an incalculable amount of wear to your \"wet paint\" cushions.)\"","Note: To Pappy - with much love and gratitude always. Kathy\"","Dr. Fehr conducting the Alumni Choir for a capacity crowd; Photographer Thomas L. Williams","duplicate included","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass, Austin, TX","Photo by Neal Douglass","smaller duplicate included","Note on back: \"To the best \"scouts\" in the world - may Texas beat A\u0026M next year! Care Edward 12/1/31\" Boone Photo Company, Austin Texas","duplicate included; photo by Neal Douglass, Austin, TX","Notation on back: News Release Bureau, College of William and Mary, Williamsburg, VA","duplicate included","duplicate included","duplicate included","Dr. Fehr with The Common Glory cast; Robert Luartis, Kathryn Gray, John Warner, Bill Kerr, Glenn Branch","duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA","Stamped on back \"Jan 21 1957\"","Photographer: Von Dubell Studio, Williamsburg, VA","uplicate included","Ode to the Virginian Voyage. Norfolk Symphony Composer Schenkman with Dr. Fehr","Ode to the Virginian Voyage. Edgar Schenkman, Norfolk Symphony Conductor (left); Randall Thompson, Compser(center) with Dr. Fehr. several duplicate included","Photo by Saunders Miller","Photo by Saunders Miller","duplicate included","color photo","Dr. Fehr with Ann Lond (?) in DawnVe, VA","Photographer: Thomas L. Williams, Williamsburg, Va; duplicate included","Photographer: Thomas L. Williams, Williamsburg, VA; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Photographer: Thomas L. Williams; duplicate included","Thomas L. Williams, photographer; duplicate included","Photographer: Thomas L. Williams","Thomas L. Williams, Photographer","Dr. Carl A. Fehr at the podium, in performance, with pianist; photo by John White","Humorous sketch of Dr. Carl A. Fehr with caption \"Y'all know thet ah stress neatness! Y'all must look nice, people,\" Signed  \"Tweet 1962\"","Photographer: Thomas L. Williams; small copy included","Photographer: Thomas L. Williams","Photographer: Thomas L. Williams for 1971 Brochure","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce, January 1971 duplicate included","Dr. Carl A. Fehr (l.) with General W. C. Westmoreland (r.), at presentation of Drumbeater Award to Dr. Fehr by the Williamsburg Chamber of Commerce;  Photographer: Thomas L. Williams","Dr. Carl A. Fehr (l.) with Thomas Wood (r.) at Williamsburg Chamber of Commerce presentation of the Drumbeater Award to Dr. Fehr","duplicate included","Thomas L. Williams, Photographer duplicate included","date on back \"1-9-53\"? duplicate included","Carl A. Fehr with military officials at the ceremony during which W\u0026M Choir receives George Washington Freedom Medal from the Freedom Foundation, Valley Forge, Pennsylvania","Scope and Contents W\u0026M Choir on stage at official ceremony for receiving the George Washington Freedom Medal from the Freedom Foundation","Photo by Mike Long","Photo by Mike Long","Carl A. Fehr with Mr. and Mrs. Robert Kreiling, taken at the home of Mr. and Mrs. C. Warren Smith, Jr. in York, Pennsylvania, on Saturday evening April 20, 1974 after the concert at York College.","small duplicate included","Mounted photo of a scenic view of French rural landscape, vineyard by John Fehr, Dr. Fehr's nephew, April 1973. Gift at Christmas 1973.","duplicate included","duplicate included","Photo by Neal Douglass, Austin, Texas","Photo by Neal Douglass","duplicate included","duplicate included","Photo by Alfred Rosenthal, Austin Daily Tribune","Duplicate included","duplicate included","duplicate included","Candlelight performance; photo by Neal Douglass","duplicate included","duplicate included","duplicate included","Left to Right: Bill Chandler, Mary Va. Bussey, Bettie George, Joe Lane; photo by Neal Douglass","Photo by Alfred Rosenthal; Austin Daily Tribune","Phot by Dan Weisser","Autographed picture (to Dr. Fehr) of Roger Wagner; \" Best wished and kind regards to my old friend Carl Fehr.\"","Autographed picture (to Dr. Fehr) of Roger Wagner; \" To my old friend Carl Fehr who taught me all I know about choral direction.\"","Black and white photographs of Dr. Fehr, his wife, and the William and Mary Choir on tour.","Photo with signed Brochure from the Annual Dinner Meeting in Williamsburg","This series includes a collection of reel-to-reel tape recordings of William and Mary Choir/Chorus concert performances conducted by Dr. Fehr between 1947 and 1973. The reel-to-reel tapes were reformatted for access and preservation purposes to data discs and CD Audio discs in 2006-2007. The collection also includes phonograph albums of William and Mary choral performances (1940s-1960s), \"The Common Glory\" (1957), and a miscellaneous collection of phonograph records, such as recordings for vocal exercises and recordings of All-State and Northrop High School choral performances. The audio recordings were reformatted from their original reel-to-reel audiotape and LP formats and CDs are available for purchase. Contact the Special Collections Research Center (spcoll@wm.edu, 757-221-3090) to request a list of available recordings.","3 records","3 copies.\nSide 1: A Slumber Song of the Madonna. Sung by Anne Howard Dunn\nSide 2: Come Unto Him from The Messiah, Handel. Sung by Anne Howard Dunn","Two albums. Photograph of the Wren Building on the cover. 4 Record Set Record 1, Side 1 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 1, Side 2 I Wonder as I Wander, arr. Niles-Horton (Ann Howard Dunn, Soloist) Record 2, Side 1 Dry Bones, Gearhart Record 2, Side 2 Ol' Man River, Jerome Kern (Warren Sprouse, Soloist) Record 3, Side 1 Sicut Cervus, Palestrina Record 3, Side 2 A Mighty Fortress is our God, Luther (arr. Meuller) Record 4, Side 1 Madame Jeanette, Murray Record 4, Side 2 Kde su Kravy Moje, Slovak folk tune, arr. Schimmerling.","Two copies of album. 4 Record Set Record 1, Side 1 The Creation: Part 1, Richter Record 2, Side 2 Alma Mater, James Southall Wilson William and Mary Hymn, Jeanne Rose Record 2, Side 1 The Creation, Part 2, Richter The Lord's Prayer, Wilson Record 2, Side 2 Go 'Way From My Window, Niles (Soloist Shirley May Thompson) Record 3, Side 1 My Lord, What Mornin', spiritual Record 3, Side 2 Agnus Dei, Pergolesi Record 4, Side 1 I Got Rhythm, Gershwin Etude For Chorus, Wihtol Record 4, Side 2 Skip to My Lou, arr. Wilson Ezekiel Saw de Wheel, Spiritual","Two copies. Sung by The Choir of \"The Common Glory,\" 1953 Side 1 Music from \"The Common Glory\" (A Musical Synopsis), Special Narration by Allen R. Matthews. Side 2 In These Delightful Peasant Groves, Purcell Let go, Why Do You Stay Me, Bennett Miserere Mei, Byrd Yonder! Yonder, folk melody Ballad of Brotherhood, J. Wagner","Two copies. Side 1 Missa Brevis, Zoltan Kodaly Side 2 Missa Brevis, Zoltan Kodaly Miserere Mei, William Byrd Come, Soothing Death, J.S. Bach The Silver Swan, Orlando Gibbons Let Go, Why Do You Stay Me, John Bennet Yonder! Yonder, Russian folk melody In These Delightful, Pleasant Groves, Henry Purcell When Day is Done, Robert Katcher Ballad of Brotherhood, Joseph Wagner","Two copies. Side 1 Te Deum, Verdi Hodie Christus Natus Est, Sweelinck Psalm of Praise, Chase (William Gatling, Soloist) Exultate Deo, Poulenc Side 2 For Everything There is a Season, Rozsa Listen to the Angels Shoutin', Negro Spiritual Sinner Please, Don't Let this Harvest Pass, Negro Spiritual (Joyce Gwaltney, Soloist) 'Dis Train, Negro Folk Song Oh Lemuel, Foster","Two copies. The photograph on the cover was taken at the Jefferson Hotel in Richmond, Virginia. The photograph was taken in the fall of 1953 when the Choir was in Richmond to perform for an association of Virginia teachers (according to Lavinia Phillips '57, to SCRC staff on 5/2/2011). Side 1 Alma Mater William and Mary Hymn Miserere Mei, Byrd Crucifixus, Lotti Come, Soothing Death, Bach Side 2 Nightfall in Sky, Robertson Shenandoah, arr. Bartholomew Yonder! Yonder! Folk Melody, (William T. Gatling, Jr. Soloist). Ballad of Brotherhood, J. Wagner, (Lavinia Pretz, Soloist).","Two copies. Side 1 Christ Lag in Todesbanden, Cantata No. 4, Bach Wondrous Love, Southern Folk-Hymn Gloria in Excelsis, Jolley Side 2 Mass in G Major, Poulenc The Last Words of David, Thompson Madame Jeanette, Murray Poor Wayfaring Stranger, White Spiritual Hear the Singing, Berger","Two copies. Side 1 William and Mary Hymn, The William and Mary Choir Side 2 Alma Mater, The William and Mary Choir","Two copies. Side 1 Mass in G, Schubert Benedictus, Liszt Side 2 Te Deum, Kodaly Exultate Deo, Scarlatti Waltzing Mathilda, Australian song Go 'Way From my Window, Niles Elijah Rock, traditional spiritual.","Two copies. Side 1 Te Deum, Verdi Quatre Motets pour le Temps de Noel, Poulene Mary's Boy Child, Spiritual Side 2 Shenandoah, traditional Greensleeves, English folk song Someone's in the Kitchen with Dinah, American folk song I Got Rhythm, Gershwin Regina Coeli from \"Cavalleria Rusticana,\" Mascagni Chorus and Finale from \"Die Mestersinger von Nurnberg,\" Wagner Coronation Scene from \"Boris Godunov,\" Mussorgsky","Two copies. Side 1 Serenity, Ives At the Cry of the First Bird, Fletcher To Saint Cecilia, Dello Joio Chanson Epique, Ravel Side 2 He's Gone Away, Southern Mountain Song Laughing Song, George Selections from Porgy and Bess, Gershwin Hosanna, Lockwood Carol of the Drum, Czech Carol","Two copies. Side 1 A Canticle of Christmas, Giannini (Eugene Galusha, soloist, and Sue Sager and Carolyn Washer, Accompanists) Side 2 The Holly and the Ivy, Traditional carol The Twelve Days of Christmas, Old English Song Choral Fantasy on Old Carols, Holst The Angels and The Shepherds, Kodaly (The William and Mary Chorus) The March of the Wise Men, Gaul Silent Night, Holy Night, Gruber (Sue Sanger, Accompanist)","Two copies. Side 1 Rejoice, Beloved Christians, Buxtehude Misericordias Domini For Double Choir, Durante Come, Soothing Death, Bach Side 2 Holy Radiant Light, Gretchaninoff Brazilian Psalm, Berger Prelude, Schuman Bim-Bam, A Folk Song Every Night When the Sun Goes In, Appalachian Folk Song (Phyllis Atwood, Soloist) Oh, Dear! What Can the Matter Be? Kubik The William and Mary Hymn and Alma Mater","This phonographic record has been digitized. At least 72 hours advanced notice required for access.","Two copies. Side 1 Jesu, Joy of Man's Desiring, Bach Lord Most Holy, Davis Gloria, Poulenc Side 2 Jehovah, Hear Our Prayer, Nelson What Child is This, English tune Der Abend, Brahms Naechtens, Brahms Zum Schluss, Brahms Selections from Showboat, Kern Tee Roo (in mountain style), American Folk-Song Sketch Lullaby, Brahms","Two copies. Side 1 Psalm 100, Schuetz Agnus Dei, Pergolesi Sicut Cervus, Palestrina Exultate Deo, Pelestrina In the Beginning, Copland, Dorothy Tudor, Soloist Side 2 Fragments from the Mass: Diemer Kyrie, Gloria, Credo, Sanctus, Agnus Dei Ave Maria, Kodaly Peace Come to Me, Murray, The William and Mary Chorus, (Jane Anne Bruer, accompanist) Go, Down Death, Scott (Bongos played by Michaelle Hatcher) Dry Bones, arr. Gearhart Lorena, Webster Seeing Nellie Home, Fletcher Aura Lee, Poulton De Animal a-Comin', Negro Spiritual Stonewall Jackson's Way, Confederate Tune","Two copies. This album is a recording of the Parents Day concert. Side 1 Cantate Domino, Lodivico da Viadana Ave Maria, Tomas Luis da Victoria Exaltabo Te, Domine G.P. da Palestrina No Man Liveth to Himself, Heinrich Schuetz The Heart Replies, Harry Robert Wilson Sea Charm, Frederick Piket Valse, Ernst Toch Side 2 Cantate Domino, Hans Leo Hassler Peace Comes to Me, Lyn Murray Jack and Jill, J. Michael Diack Horos Tou Zalongu, Greek folk song Catulli Carmina, Carl Orff A Jubilant Song, Norman Dello Joio The William and Mary Hymn and Alma Mater, arr. by Carl. A. Fehr","2 copies. Sue Sager Accompanist Side 1Messe de Minuit Midnight Mass for Christmas based on French Carols: Charpentier Kyrie Gloria Credo Sanctus Agnus Dei Side 2 Carol of the New Prince, Sitton Balulalow, Chapman Kolyada, Anonymous, Russian Fantasia on O Little Town of Bethlehem, McCollin Lo, How a Rose E'er Blooming, Praetorius A New Christmas Morning, Hallelujah, MacGimsey The Holy Infant's Lullaby, Dello Joio A Christmas Carol Sequence, Arr. Fehr","Northrop High School concert, including concert choir, advanced girls' choir, swing choir, and madrigal singers.","Northrop High School Advanced Treble Choir and Charisma Choir. Dedication on back of album reads: To Pappy, With affection \u0026 fond memories. Bill 9-27-'79.\"","Side 1 The William and Mary Fight Song, arr. Varner The William and Mary Alma Mater Side 2 The William and Mary Victor March, arr. Varner The William and Mary Hymn","Side 1 no. 8P-0944 Side 2 8P-0944","The following reel-to-reel audiotapes were reformatted to digital audio. The quality of these audio recordings varies. In some cases, the audio was copied from the phonograph album to reel-to-reel audiotapes by the donor then digitized by the repository. In these cases the recording digitized directly from the phonograph album generally provides a superior audio source. 1971 Christmas Concert, A Festival of Music, Reels 1-2 1971 William and Mary Choir, Tour Choir, 1971 1972 Tour Choir (2 CDs) 1972 April 17, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 5-6, 1972 (2 CDs) 1972 William and Mary Choir and Chorus, May 6, 1972 (2 CDs) 1972 William and Mary Chior, Choir Banquet, May 9, 1972, Reels 1-3 (3 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles, Christmas Concert, 1972 (2 CDs) 1972 William and Mary Choir, Chorus, and Instrumental Ensembles,Christmas Concert, 1972 1973 April 28, 1973 (2 CDs) 1973 May 8, 1973, Reels 1-3 1973 Spring 1973 (2 CDs) 1973 Unknown, 1973, Reel 1 1973 William and Mary Choir and Chorus with College-Community Symphony Orchestra, Christmas Concert, Reels 1-2 1974 April 19, 1974 (2 CDs) 1974 William and Mary Choir and Chorus, May 1, 1974, Reel 1 1974 William and Mary Choir and Chorus, May 3, 1974, Reels 1-2 1974 Fehr-Well Fest, Rehearsal, May 4, 1974 (2 CDs) 1974 Fehr-Well Fest, May 4, 1974 (3 CDs) 1974 Fehr-Well Fest, May 6, 1974 (2 CDs) 1976 Unknown, 1976 1983 June 11, 1983 (2 CDs)","Box also includes CDs of digitized reels","Digitized on CD","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","Digitized on CDs.","The contents of this series are the digitized reel-to-reel audiotapes of sub-series 2 in both Data Disc and Compact Disc form.","1953 Spring Concert, Girls Chorus (2 CDs) 1953 May 18, 1953 1953 The Common Glory Choir, August 24, 1953 (3 CDs) First half of box are Data Disks, second half of box are Compact Disks starting from Sub-Series 2 Reel to Reel","First full box of Compact Disks","(3 CDs)","(4 CDs)","Scope and Contents Reel 1 of 4 Track 1: America the Beautiful / arr. Fehr Track 2: Jubilate Deo / Gabrieli Track 3: Benedictus / Liszt Track 4: Komm, Jesu, Komm (Motet for double choir) / Bach Track 5: Evensong at 12:30 / Haydn Track 6: Eloquence / Haydn Reel 2 of 4 Track 1: Eloquence / Haydn Track 2: Evensong / Haydn Track 3: God's Trombones: Poems by James Weldon Johnson based upon American Negro Folk Sermons. I. Opening: A Prayer, II. The Creation, III. Go Down Death, IV. The Judgement Day, V. Closing: A Prayer / arr. Roy Ringwald (with narration) Track 4: Tee Roo / Kubik Reel 3 of 4 Track 1: Didn't My Lord Deliver Daniel--Spiritual / Gottlieb Track 2: The Silver Moon is Shining / Italian Folk Tune Track 3: Tee Roo / Kubik Track 4: Regina Coeli from \"Cavalleria Rusticana\" / Mascagni (soloist) Track 5: Chorus and Finale from \"Die Meistersinger von Nurnberg\" / Wagner Reel 4 of 4 Track 1: Coronation Scene from \"Boris Godounov\" / Moussorgsky (soloist) Track 2: Alleluia Encore Track 3: Dis Train--Spiritual / Jester Hairston Track 4: I Got Rhythm / Gershwin Track 5: Flurry, William and Mary Hymn, Alma Mater / arr. Fehr","(2 CDs)","(4 CDs)","(3 CDs)","(4 CDs)","(4 CDs)","(4 CDs)","(1 CD)","(2 CDs)","(2 CDs)","Reels 1-2 (2 CDs)","Reels 1-3 (3 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Announcement Track 3: Chichester Psalms: Movement I / Bernstein Track 4: Chichester Psalms: Movement II / Bernstein Track 5: Chichester Psalms: Movement III / Bernstein Track 6: Stabat Mater / Dohnanyi Track 7: Roll Jordan Roll / Spiritual CD 2 of 4 Track 1: Stabat Mater / Dohnanyi Track 2: Stabat Mater / Dohnanyi Track 3: Barbara Allen / English Folk Song Track 4: Roll Jordan Roll / Spiritual Track 5: Announcement Track 6: Seeing Nellie Home (Gentlemen's Choir) CD 3 of 4 Track 1: Announcement Track 2: St. Louis Blues Track 3: Misa Criolla / Ramirez Track 4: The Fantasticks / Schmidt CD 4 of 4 Track 1: Annoucement Track 2: Fehr Remarks Track 3: The Choral Fantasia / Beethoven Track 4: Elegisher Gesang - Elegy / Beethoven Track 5: Fehr Remarks Track 6: Acknowledgment of Seniors Track 7: Hallelujah from \"The Mount of Olives\" / Beethoven Track 8: Flurry/Hymn/Alma Mater / arr. Fehr","CD 1 of 3 Track 1: America, the Beautiful / Fehr Track 2: Dixit Maria / Hassler Track 3: O Saviour Rend the Skies in Twain / Brahms Track 4: Chichester Psalms: Movement I / Bernstein Track 5: Chichester Psalms: Movement II / Bernstein CD 2 of 3 Track 1: Misa Criolla: Kyrie/Gloria/Credo / Ramirez Track 2: Misa Criolla: Sanctus / Ramirez Track 3: Misa Criolla: Agnus Dei / Ramirez Track 4: Barbara Allen / English Folk Song Track 5: Roll Jordan Roll / Spiritual Track 6: Seeing Nellie Home (Gentlemen's Choir) Track 7: St. Louis Blues CD 3 of 3 Track 1: The Choral Fantasia / Beethoven Track 2: Elegisher Gesang - Elegy / Beethoven Track 3: Hallelujah from the \"Mount of Olives\" / Beethoven","CD 1 of 3 Track 1: Pinkham Track 2: Pinkham Track 3: Pinkham Track 4: Pfautsch Track 5: Martinu Track 6: Kodaly Track 7: Mechem Track 8: Mechem Track 9: Mechem Track 10: Mechem CD 2 of 3 Track 1: Traditional French Track 2: Old English Song Track 3: French Carol Track 4: MacGimsey Track 5: Traditional English Track 6: Setting of Old Russian Chant Track 7: English Carol Track 8: Walton CD 3 of 3 Track 1: Jolley/Fehr","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Now Thank We All Our God Track 3: Sweet Little Jesus Boy Track 4: Oh! Lemuel Track 5: Clap Yo' Hands Track 6: The Patriotic Sequence","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\" / Pinkham Track 7: Schicksalslied / Brahms Track 8: Schicksalslied / Brahms CD 2 of 3 Track 1: Schicksalslied / Brahms Track 2: San Sereni / Puerto Ricaon Singing Game Track 3: He's Got The Whole World In His Hands / Spiritual Track 4: Song of the Russian Plains / Knipper Track 5: March and Chorus from \"Carmen\" / Bizet Track 6: Bridal Chorus from \"Lohengrin\" / Wagner CD 3 of 3 Track 1: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 2: Sweet Little Jesus Boy/Clap Yo' Hands/Oh! Lemuel Track 3: The Patriotic Sequence Track 4: Flurry/Hymn/Alma Mater","CD 1 od 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Lord Have Mercy Track 6: Unidentified Track 7: Unidentified Track 8: Schicksalslied / Brahms Track 9: Schicksalslied / Brahms CD 2 of 2 Track 1: Nursery Rhymes / Hunter (Womens Chorus) Track 2: Nursery Rhymes / Hunter (Womens Chorus) Track 3: Selections from the Music Man (Womens Chorus) Track 4: March and Chorus from \"Carmen\" / Bizet Track 5: Bridal Chorus from \"Lohengrin\" / Wagner Track 6: Polovetzian Dance and Chorus from \"Prince Igor\" / Borodin Track 7: (Introduction of next song) Track 8: San Sereni / Puerto Rican Singing Game Track 9: (Introduction of next song) Track 10: Song of the Russian Plains / Knipper Track 11: (Introduction of next song) Track 12: Clap Yo' Hands","(2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Unidentified Piece Track 6: Unidentified Piece Track 7: Unidentified Piece CD 2 of 2 Track 1: Schicksalslied / Brahms Track 2: Schicksalslied / Brahms Track 3: Nursery Rhymes / Hunter (Women's Chorus) Track 4: Nursery Rhymes / Hunter (Women's Chorus) Track 5: Selections from the Music Man / Willson (Women's Chorus)","Track 1: America, the Beautiful / arr. Fehr Track 2: O Sing to the Lord / Schuetz Track 3: Ecce Vidimus Eum / Palestrina Track 4: Regina Coeli / Mozart Track 5: Have Ye Not Known?/Ye Shall Have a Song (from The Peaceable Kingdom) / Thompson Track 6: Gloria in Excelsis Deo from the \"Christmas Cantata\"/ Pinkham Track 7: Schicksalslied / Brahms Track 8: San Sereni / Puerto Ricaon Singing Game Track 9: He's Got The Whole World In His Hands / Spiritual Track 10: Song of the Russian Plains / Knipper Track 11: March and Chorus from \"Carmen\" / Bizet","(1 of 3 CDs) CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner","(2 of 3 CDs 1 duplicate) CD 2 of 3 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 4: Valse / Toch Track 5: Go Down Death / Scott Track 6: A Jubilant Song / Dello Joio Track 7: Long Time Ago Track 8: Dem Bones / Spiritual Track 9: Song of the Russian Plains Track 10: Clap Yo' Hands / Gershwin Track 11: Flurry/Hymn/Alma Mater","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Sing Unto God / Fetler Track 3: Ave Maria / Bruckner Track 4: Christus Factus Est Pro Nobis Obendiens / Bruckner Track 5: Virga Jesse Floruit / Bruckner Track 6: Locus Iste a Deo Factus Est / Bruckner Track 7: In the Beginning / Copland CD 2 of 3 Track 1: Te Deum for Double Choir Track 2: Horos Tou Zalongu / Greek Folk Dance Track 3: Koom Bah Yah / African Spiritual Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Valse / Toch Track 6: Go Down Death CD 3 of 3 Track 1: A Jubilant Song / Dello Joio Track 2: Long Time Ago / Hairston, Jester (Added song; not in program) Track 3: Dem Bones / Spiritual (Added song; not in program) Track 4: Song of the Russian Plains / Knipper (Added song; not in program) Track 5: Clap Yo' Hands / Gershwin (Added song; not in program) Track 6: Flurry/Hymn/Alma Mater (Added song; not in program)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer Track 5: How Excellent Thy Name, Hallelujah from Saul / Handel Track 6: Te Deum for Double Choir / Verdi Track 7: Open Thy Heart / Bizet Track 8: Jack and Jill, Diack Track 9: Preludes to Eternity / Liszt CD 2 of 2 (Disk labeled Reel 2 of 2 contains duplicate of 1 of 2)","CD 1 of 4 Track 1: America, the Beautiful Track 2: In the Beginning / Copland Track 3: Laudi Alla Vergine Maria / Verdi Track 4: Fragments from the Mass / Diemer CD 2 of 4 Track 1: How Excellent Thy Name, Hallelujah from Saul / Handel Track 2: Te Deum for Double Choir / Verdi Track 3: Open Thy Heart / Bizet Track 4: Jack and Jill, Diack Track 5: Preludes to Eternity / Liszt CD 3 of 4 Track 1: Horos Tou Zalongu / Greek Folk Dance Track 2: Koom Bah Yah / African Spiritual Track 3: Valse / Toch Track 4: Adagietto from L'Arlesienne Suite No 1 / Bizet Track 5: Mary's Boy Child / Spiritual Track 6: Dem Bones / Spiritual CD 4 of 4 Track 1: Jubilant Song / Dello Joio Track 2: Flurry/Hymn/Alma Mater","Reels 1-3 (3 CDs)","(2 CDs)","(2 CDs)","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei CD 2 of 4 Track 1: Gloria / Poulenc Track 2: Der Abend/Naechtens/Zum Schluss / Brahms CD 3 of 4 Track 1: Sea Charm / Piket Track 2: Shenandoah / Traditional Chantey Track 3: Buffalo Gals / American Folk Song Track 4: It Is Good to Be Merry / Berger CD 4 of 4 Track 1: Jesus, Jesus Rest Your Head / American Carol Track 2: Sourwood Mountain / American Mountain Song Track 3: Someone's in the Kitchen with Dinah / American Folk Song Track 4: Chester / Billings Track 5: Alleluia / Old German Melody","Reels 1-3","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Agnus Dei (?) Track 6: Gloria: Gloria/Laudamus Te/Domine Deus/Domine fili unigenit / Poulenc Track 7: Gloria: Dominus Deus, Agnus Dei / Poulenc Track 8: Gloria: Qui sedes ad dexteram Patris / Poulenc CD 2 is not in the box.","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Psalm 100 / Schuetz Track 3: Ave Maria / Victoria Track 4: No Man Liveth to Himself / Schuetz Track 5: Awake the Trumpet's Lofty Sound from Samson / Handel Track 6: We Hurry with Tired, Unfaltering Footsteps / Bach Track 7: Laetatus Sum from the Latin Bible, Psalm 121 / Porpora Track 8: Gloria: Gloria/Laudamus Te / Poulenc Track 9: Gloria: Domine Deus / Poulenc Track 10: Gloria: Domine fili Unigenite/Dominus Deus/Agnus Dei / Poulenc Track 11: Gloria: Qui sedes ad dexteram Patris / Poulenc","Reels 1-2 (2CDs)","Reels 1-2 (2 CDs)","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz Track 5: Schicksalslied / Brahms Track 6: To Saint Cecilia / Dello Joio CD 2 of 2 Track 1: Tell Me Where is Fancy Bred / Phillips Track 2: Go 'Way From My Window / Niles Track 3: Nightfall in Skye / Roberton Track 4: Great Day / arr. Martin Track 5: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart, Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 6: Sourwood Mountain / American Folksong Track 7: Bye Bye Blues / Fred Hamm, Dave Bennett, Bert Lown, and Chauncey Gray Track 8: A Mighty Fortress is Our God / Martin Luther Track 9: Lullabye / Brahms Track 10: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 1 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Schuetz","CD 1 of 3 Track 1: America, the Beautiful / arr. Fehr Track 2: Jauchzet dem Herrn / Pachabel Track 3: Misericordias Domini / Durante Track 4: Song of Praise / Scheutz Track 5: Cantante Domino / Hassler Track 6: My Spirit, Be Joyful from Cantata No 146 / Bach Track 7: Ave Maria / Poulenc Track 8: Pueri Hebraeorum for Double Chorus / Thompson Track 9: Schicksalslied / Brahms CD 2 of 3 Track 1: To Saint Cecilia / Dello Joio Track 2: Come Ye Sons of Art / Purcell CD 3 of 3 Track 1: Songs of the Old South: Camp Town Ladies, Old Black Joe, O Lemuel, Swanee River, Oh Susanna, I Dream of Jeanie, Beautiful Dreamer, Long Live the Merry Heart / Foster, arr. Fehr Track 2: Songs of the Old South (continued): Long Live the Merry Heart (continued), Ring Ring the Banjo, My Old Kentucky Home / Foster, arr. Fehr Track 3: Pappy talking about Choir / Fehr Track 4: The Lord Bless You and Keep You; A Mighty Fortress is Our God / John Rutter; Martin Luther Track 5: Lullaby/ Brahms Track 6: William and Mary Hymn and Alma Mater / arr. Fehr","CD 1 of 2 Track 1: Pappy Talking / Fehr Track 2: Gloria Patri / Greatorex Track 3: Sicut Cervus / Palestrina Track 4: Madame Jeanette / Murray Track 5: Alleluia / Thompson CD 2 of 2 Track 1: Pappy Talking / Fehr Track 2: Alleluia / Thompson Track 3: A Mighty Fortress is Our God / arr. Mueller Track 4: Hallelujah from \"The Mount of Olives\" / Beethoven Track 5: William and Mary Hymn and Alma Mater / arr. Fehr Track 6: The Eyes of Texas / Sinclair","CD 1 of 4 Track 1: America, the Beautiful / arr. Fehr Track 2: Pappy talking about program line-up Track 3: Jauchzet dem Herrn / Pachabel Track 4: Misericordias Domini / Durante Track 5: Song of Praise / Scheutz Track 6: Cantante Domino / Hassler Track 7: My Spirit, Be Joyful from Cantata No 146 / Bach Track 8: Ave Maria / Poulenc Track 9: Pueri Hebraeorum for Double Chorus / Thompson Track 10: Pappy introducing To Saint Cecilia / Fehr Track 11: Intro to Saint Cecilia / Tracey Russell Track 12: To Saint Cecilia / Dello Joio CD 2 of 4 Track 1: Member of Chorus introducing two pieces Track 2: Medley of the musical Oliver Track 3: Hey Look Me over from the musical Wildcat Track 4: Songs of the Old South / Foster Track 5: Songs of the Old South, continued / Foster Track 6: Encore: Go'way from my window / Niles Track 7: Encore: Great Day / arr. Martin CD 3 of 4 Track 1: Pappy introducing Tracey Russell Track 2: Unidentified Piano Pieces / Russell Track 3: Pappy introducing the Alumni Choir Track 4: Sicut Cervuz (Alumni Choir) / Palestrina Track 5: Madame Jeanette (Alumni Choir) / Murray Track 6: Alleluia (Alumni Choir) / Thompson Track 7: A Mighty Fortress is Our God / arr. Mueller Track 8: Hallelujah from \"The Mount of Olives\" / Beethoven Track 9: Dr. Donald Truesdell, Chair of Music speaking Track 10: Agamemnon \"Aggie\" Vissos, class of 1975, chair of reunion committee CD 4 of 4 Track 1: Dennis Cogle, class of 1949, introducing Wilford Kale Track 2: Agamemnon \"Aggie Vassos, class of 1975 Track 3: For Alice Fehr We Made the Tray for You (1974 Choir) Track 4: Alice Fehr accepting the tray Track 5: Agamemnon \"Aggie\" Vassos, class of 1975 Track 6: Forsake Me Not / Ieryle Track 7: Keith Savage, class of 1975, introducing Pappy Track 8: Pappy acknowledging those involved with organizing Fehr Fest Track 9: Flurry/Hymn/Alma Mater / arr. Fehr Track 10: Agamemnon \"Aggie\" Vassos, class of 1975 Track 11: Agamemnon \"Aggie\" Vassos, class of 1975","CD 1 of 4 Track 1: Old One Hundred (Doxology) Track 2: Grace / Shelburne Track 3: Head table introductions Track 4: Tribute to Dr. Fehr by Al Haak Track 5: William and Mary President Address / Thomas A. Graves, Jr. Track 6: Pappy Fehr presenting senior awards Track 7: Unidentified female senior speaking Track 8: Next year's Choir President Address / Ann Spielman Track 9: Introduction to choir awards / Fehr CD 2 of 4 Track 1: Fehr presenting awards to choir members Track 2: Keith Savage tribute to Alice Fehr Track 3: Musical tribute to Alice Fehr based on \"America, the Beautiful\"/ arr. Fehr and choir members Track 4: Alice Fehr thanking the choir Track 5: Fehr acknowledging Kathy Moriarity, accompianist and choir officers Track 6: Keith Savage introducing officers by name and remembering 1973-1974 year Track 7: Jane Koenig's special gag awards CD 3 of 4 Track 1: Jane Koenig's special gag awards, continued Track 2: Keith Savage organizing parody of a concert Track 3: Choir singing parody/changing words of \"America the Beautiful\", \"To Saint Cecilia\" \"Happy Birthday\" for someone, \"Songs of the Old South\" medley, encores: \"Bye Bye Blues\" \"Go Away from my Window\" \"A Mighty Fortress is our Fehr\"/ soloists, Jane Koenig and Kevin Walters CD 4 of 4 Track 1: continuation of \"A Mighty Fortress is Our Fehr\" Track 2: Poem about Pappy / Anne Woolley Track 3: Gift Presentation (possibly of quilt held in SCRC) / Keith Savage Track 4: Remarks from Pappy (not mic'ed; difficult to hear) Track 5: Lord Bless You and Keep You","(Choir Alumni Dennis and Jean Cogle's Daughter) CD 1 of 1 Track 1: Prenuptial Music Track 2: Prelude No 1 (We Pray Now to the Holy Spirit) / Buxtehude Track 3: Unknown Track 4: Unknown Track 5: Rhosymedre / Hymn Track 6: Unknown Track 7: Jesu, Joy of Man's Desiring / Bach Track 8: Bell Track 9: Trumpet Voluntary / Purcell Track 10: Water Music Medley / Handel Track 11: Wedding March / Wagner Various other pieces","CD 1 of 2 Track 1: America, the Beautiful / arr. Fehr Track 2: Ave Maria / Victoria Track 3: Hallelujah from \"The Mount of Olives\" / Beethoven Track 4: Now Thank Wel","This series contains audio cassette tapes of concerts by the William and Mary Choir from 1972-1973.","One audio cassette tape of the Christmas Concert featuring the William and Mary Choir, with director Carl A. Fehr.","One audio cassette tape of the Spring Tour of the William and Mary Choir, with director Carl A. Fehr.","The artifact series includes Dr. Fehr's performance attire, items used to plan stage performances, and humorous props to reinforce Dr. Fehr's disciplinary rules. This series also includes the surviving large plastic bus banner used to identify the Choir on its annual spring tour.","Tin Tray with Image of William and Mary Choir College Year 1954-1955. Tray measures 4.69 in. (height) x 6.625 in. (width) x 0.375 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6777 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.01.","Tin Tray with Image of William and Mary Choir College Year Unknown. Tray measures 4.69 in. (height) x 6.63 in. (width) x 0.38 in. (depth). In good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6778 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.02.","Black metal trivet with saying, \"WHEN YOU ARE AS GREAT AS I AM IT IS DIFFICULT TO BE HUMBLE.\" Trivet measures 4.88 in. (height) x 4.88 in. (width) x 0.38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6779 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.03.","Tooled leather rectangle with handle used to protect paper. 12.75 in. (length) x 9.125 in (width) x 1 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6827 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 1. UA2003.001.28","Wooden shield-shaped plaque with brass plate and brass lyre. Plate reads: PRESENTED TO CARL A. FEHR 1945-1970 FOR OUTSTANDING WORK IN CHORAL MUSIC AT WILLIAM AND MARY Nu Sigma (Greek letters) CHAPTER Phi Mu Alpha (Greek letters) SINFONIA. Label on back: MARK'S TROPHY CENTER Hampton, Va. 11.75 in. (length) x 9.75 in. (width) x 2.5 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6828 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.29","Walnut plaque with rounded cut-out corners with black plate and brass letters. Plate reads: AMERICAN CHORAL DIRECTORS ASSOCIATION in MEMORY AND APPRECIATION CARL FEHR Charter Member presented at the 1996 SOUTHERN DIVISION CONVENTION MARCH 1,1996 NORFOLK, VIRGINIA. Sticker on back: GENUINE WALNUT Barhill MADE IN THE U.S.A. 10.125 in. (length) x 8 in. (width) x .875 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6829 .Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Box 2. UA2003.001.30","Large neon orange comb with jagged teeth embossed with \"Rat Fink Comb\". used in rehearsal antics. Comb measures 1.75 in. (height) x 8 in. (width) x 0.13 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6780 . Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.04.","Clear Handled Hairbrush, undated. Used in rehearsal antics. Hairbrush measures 1.13 in. (height) x 8.13 in. (width) x 1.25 in. (depth). In good condition with stained bristles. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6781 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.05.","Metal proofs of medals given to students. In good condition. Images available. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6782 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 3. UA2003.001.06.","Wig with short, curly light brown hair. Hair length approximately 2 to 4 inches. Nylon mesh cap with black tag printed with: MADE IN HONG KONG. Worn by Pappy during rehearsals to demonstrate short hair rule for men and remind members of the importance of neatness. Wig measures 4.5 in. (height) x 7.5 in. (width) x 12 in. (length). Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/3843/6231. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 4. UA2003.001.07.","Hand puppet of Pappy in gown with glasses, tie, and jacket. Undated. Used for entertainment. Puppet measures 11.75 in. (height) x 7 in. (width) x 2.5 in. (depth). In good condition with some soil and stains. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6791 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.08.","Figure made of bent pipe cleaners with pom pom feet and felt hands and shoes. Head has long, fine orange hair and body has a sign that says, \"Keep America Beautiful, Get a Haircut!!!\" Used for decorative purposes. Doll measures 10 in. (height) x 4.5 in. (width) x 3 in. (depth). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6792 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.09.","Empty wine bottle with white, purple and grey label imprinted with, \"SLY FOX BRAND 100% PURE AMERICAN Grape Wine 14% ALCOHOL BY VOLUME BOTTLED BY VIRGINIA WINE CELLARS NORTH GARDEN, VA.\" Embossed in glass bottle, \"4/5 QUART\" Used for refreshment purposes. Bottle measures 11.25 in. (height) x 3 in. (width) x 9.88 in. (circumference). In good condition with some soil. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6793. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.10.","Wooden paddle with Greek letters Phi, Mu, Alpha carved into wood. Signatures (front) : \"Howard L. Church, Ed Doe, Peter J. Wilhousky, Raymond, Burrows, Theodore Passaris, Arthur Kronenberger '49, Robert A. Brighton, REDER, Ernest E. Harris, Walter O. Dahlin, Robert D. Nesbitt, Charles C. Taylor, Ralph Whitworth, Howard Armstrong, George Boma, Robby Lowry, Herbert T. Norris.\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6794 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11. (back)Signatures on back: \"Harry R. Wilson, Joe Wilson, Al Pustir, Charles Raustond, Karl D. Kostoff,John C. Snowden, James Dillard, George E. Yokum, Harold B. Leelty, Frederick E. Bieler, Dan Grant, Julian (?), Howard (?) '49, George Wilcox, '49, Howard Edgar '49, Curt Drake '49, Leonard (?) '49, Bruno Laskko '49, Clarence Gander '49, Clyde (?) '49, Stephen F(?) '49, Ronald Hodges, Kenneth Schultz '49, Robert Hawkins '49, Wm Del. Wait '49,Robert H. Emery '49, James B. (?)\" A memento. Paddle measures 12 in. (height) x 4 in. (width) x .38 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6795 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 5. UA2003.001.11.","93 Cardboard cutouts stapled onto a small wooden cube. 48 Male Figures (Black), 48 Female Figures (Black, White and Red. Used for stage arrangement. Figures measure 4 in. (height) x 1 in. (width). Heights vary slightly. In good condition some figures have been bent and repaired with Scotch tape. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6798. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.14.","Cardboard people cutouts on wood platform. Used for stage arrangement. In good condition with some soiled and bent figures. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6797. Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6, 7, 8. UA2003.001.13.","Walnut director's baton with silver band engraved, \"CARL A. FEHR 4-25-70.\" Used for musical direction. Baton measures 20 in. (length). In good condition with some tarnish. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6796 Gift of Thomas Terry, Class of 1974. Located in Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.12.","13.125 in. length of quarter-round moulding, painted black used for holding accompanist's sheet music. Stick measures .5 in. (height) x 20.375 in. (width) x .5 in. (depth). In good condition with some gouges and chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6806 . Gift of Thomas terry, Class of 1974. Located in the Carl Fehr Papers UA Series 16, Box 6. UA2003.001.17.","Cut to a point on one end and to a wedge on another. Stamped in red ink with a property label: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185. Used for propping grand piano's wing (lid) in order to keep it lower and improve accompanist's sight. Known as \"the short stick.\" Prop measures 13.125 in. (height) x .75 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6807. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 6. UA2003.001.18","Blocks for simulating risers in order to aid in stage layout. 68 small, unfinished cube-shaped blocks used as bases for cardboard figures. 26 Brown and 12 Black blocks for simulating or propping up model risers. Produced for Dr. Fehr by Tom Madsen. Blocks measure68 UNFINISHED 1 x 1 x .375 AND .625 (length) x .625 (width) x.75 (depth); 15 BROWN 3.125 in. (length) x 1.5 in. (width) x .5 (depth); 5 BROWN 3.75 (length) x 1.375 (width)x 1 (depth); 6 BROWN 3.125 (length) x 1.5 (width) x 1.5 (depth); 6 BLACK 3.375 in. (length) 1 in. (width) x .5 in. (depth); 4 BLACK 3 in. (lenght) x 1 in. (width) x 1 in. (depth); 2 BLACK 3.125 in. (length) x 1.5 in. (width) x 1 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6799. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Series 15, Box 7.UA2003.001.15.","Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced for Dr. Fehr by Tom Madsen. Used for stage arrangement. Blocks measure 6 BLACK 2.375 in (length) x 4.375 in. (width) x 1.5 (depth); 4 GRAY 4.5 in. (length) x 3 in. (width) x 1.5 in. (depth). Blocks in good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6800 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.16.","14 Blocks for simulating risers in order to aid in stage layout. Half-inch blocks of wood of three different widths laminated together in order to form model risers of three different heights Produced fo Dr. Fehr by Tom Madsen. Used in stage arrangements. Blocks measure 8 BROWN 3.25 in. (length) x 4.375 in. (width) x 1.5 in. (depth); 6 WHITE 3.25 in (lenth) x 4.375 in. (width) x 1.5 in. (depth). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6801 Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 8. UA2003.001.27.","5 Four of the shirts are size 32 and one is a size 30. The names Lynn Irvin (Lynne Ellen Irvin, BS '75) and Kandice Kahl (Kandice E. Kahl, BS '73) are legible on the inside collar of two of the shirts; the other names are illegible. Ruffled Collar and cuffs, pearlized buttons. Full length sleeves. Used as costume. Shirts measure 24 in. (length) x 15 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6811 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA 6.017), Box 9. UA2003.001.20.","Scope and Contents Men's dress shirt, 15.5\" Collar 34\" Sleeve. Shirt buttoned up with two buttons in back. Removable-style collar (not attached). Stamp on front of shirt reading \"10 55 4907 32 I 152 34 ALL COTTON WPL 8489\" and a union stamp. Used as costume. Shirt measures 18 in. x 32 in. (width). In fair condition with some soil and stains. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6809 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6810 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 9. UA2003.001.19.","William and Mary Choir vinyl banner. One of two banners put on Greyhound buses for Choir tours. \"THE WILLIAM AND MARY CHOIR\" in hand-painted red, while \"WILLIAMSBURG, VA\" followed in black. Banner was duct-taped to bus. 22 in. (width) x 216 in. (height). Back of banner features star pattern. In fair condition, with paint chips missing from several letters, visible wrinkling, and minor patched tears. A hole was cut from the bottom of the banner to fit over the rear wheel of the bus, which measures 32 in. (width) and 4.5 in (height). Gift of Thomas Terry, Class of 1974. Located in the Carl A. Fehr Papers (UA6.017) Series 15, Box 10. UA 2003.001.38","\"Manufactured by the Capital Flag Company, Austin, Texas\" imprinted on the binding. Red, white, blue state flag of Texas. Two grommets for hanging. Texas was Pappy's home state. 35 1/2 in. (width) x 22 1/2 in. (height). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6830 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017) Series 15, Box 11. UA2003.001.32","Black morning jacket. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6835 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12. UA2003.001.34","Two items: Dark blue tuxedo jacket with satin lapels (UA2003.001.33a) and dark blue tuxedo trousers with satin leg stripes (UA2003.001.33b). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6833 ,http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6832 . Image of trousers http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6834 . Located in the Carl Fehr Papers (UA6.017), Series 15, Box 12.","Carl A. \"Pappy\" Fehr's Mortarboard cap. Part of his academic Regalia. Black and green velvet. Size 7. Used for academic regalia. Mortarboard measures 9.5 in. (length) x 9.5 in.(width). In fair condition, somewhat bent at the edges. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6815 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.24.","Cotrell \u0026 Leonard brand. \"CAF\" embroidered in collar. Black polyester and velvet. Used for academic regalia. In fair condition however it is frayed and faded with seams coming apart in some places. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6816 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA6.017 Box 13. UA2003.001.25.","Bowtie used for Academic Regalia. Bowtie measures 12.75 in. (length) x 3.25 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6817 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 13. UA2003.001.26.","Off-white tuxedo shirt; Arrow brand, \"New Nassau\" style. 15 1/2 x 33 collar. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6836. Gift of Thomas Terry, Class of 1974. Located in Carol Fehr Papers (UA6.017), Series 15, Box 14. UA2003.001.35","Black tuxedo trousers with satin leg stripes. \"Genuine Tropical 'North Cool'\" Includes identification numbers, three sets: C16679 X5784  2835. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6837 . http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6838 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.36","Striped charcoal gray and black morning trousers. Image avalible at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6839, http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6840 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.37","Scope and Contents Exotica-brand men's tuxedo shirt, 15 1/2\" Collar 33\" Sleeves. Wing Collar. Stains on right and left shoulders. Used as costume. Shirt measures 32.5 in. (length) x 17 in. (width). In fair condition with some soil and stains.  Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6812 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Box 14. UA2003.001.21.","One black cardboard cutout replica of a grand piano that was used by Carl A. \"Pappy\" Fehr, director of the William and Mary Choir, to help design how the choir would appear on stage. The piano was painted black and there are three legs, with each leg glued to to the main body of the piano. Piano measures 4in. x 6 3/4 in. The piano is in fair condition with some chips in the paint. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6802 It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.479.01.","One paper drawing depicting Carl A. \"Pappy\" Fehr, with a baton in his right hand, directing the William and Mary Choirs. The figure is attached to a wooden block and held together by a staple. Dr. Fehr is featured in a black tuxedo. The figure was used by Dr. Fehr to help design how the choir would appear on stage during performances. Figure measures 3/4in. x 2 3/4 in. Stand is 3/4in. x .5in The figure is in good condition. Images available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6803. http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6804 . It was donated by Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. UA 2011.480.01.","One wooden ink stamp that was used by the Women's Glee Club at the College of William and Mary. The stamp once belonged to Carl A. \"Pappy\" Fehr, director of the William and Mary Choirs.The top half of the stamp features a black handle made of wood with the word \"Front\" written in white. The bottom half of the stamp is made of wood with a metal nameplate attached to the wood. There is a yellow piece of paper with \"WOMEN'S GLEE CLUB\" written in black that is placed in the nameplate. Stamp measures 2 3/4in. x 2 5/8 in. The stamp is in fair condition with some rust and a bent top border for the nameplate. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6808 . It was donated by Thomas Terry, Class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.481.01.","One vial containing some soil that was taken from the ground in Austin, Texas by Carl A. \"Pappy\" Fehr while the William and Mary Choir was at a performance there. There is a piece of tape wrapped around the vial with \"Sacred Soil from Austin, Texas\" written across it in red and black ink.. Vial measures 3 in. (length) x 1 in. (width). The vial is in good condition but the label is starting to fade. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6805. Gift of Thomas Terry, class of 1974 and a former secretary of the William and Mary Choir. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.482.1.","Rubber stamp with wooden handle and stamped sample as lable. Stamp reads: THE WILLIAM AND MARY CHORUS WILLIAMSBURG, VIRGINIA (treble clef) . Handle imprinted with RAY BROWN WILLIAMSBURG, VA. Used for office purposes. Stamp measures 3.125 in (length) x 2 in. (width) x 1.125 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6823 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.1.","Small rubber stamp with wooden round wooden handle. Rubber reads in script: Library of Carl A. Fehr. Used for office purposes. Stamp measures 3 (length) x1.5 in. (width) x.75 in. (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6825 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.6.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: \" W \u0026M Alumni CHOIR REUNION JUNE 10-12, 1983.\" Measures 2.5 in. (length) x 2.125 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6822 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.5.","Rubber stamp with wooden handle and stamped label. Rubber stamp reads: WILLIAM AND MARY CHOIR WILLIAMSBURG, VIRGINIA 23185 with large eighth note. Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.25 (length) x1.875 (width) x 1.125 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6826.Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.2.","Rubber stamp with wooden handle and stamped lable. Stamp reads: VIA AIR MAIL. Handle imprinted with SOSSCO AT RICHMOND, VA. Measures 2.875 (length) x1.875 (width) x.625 (depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6824 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.9.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA 23185 Handle reads: SOSSCO AT RICHMOND, VA. Measures 3in. (length) x3in.(width)x1in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6818. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.3.","Rubber stamp with wood handle and stamped label. Stamp reads: DR. CARL A. FEHR DEPARTMENT OF MUSIC COLLEGE AND MARY WILLIAMSBURG, VIRGINIA Printed on handle: SOSSCO AT RICHMOND, VA. Measures 3.125in.(length)x2.5in.(width)x1in.(depth). Images avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6821 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.4.","Small rubber stamp with wooden handle. Rubber reads: CARL A. FEHR. Measures 1.5in.(length)x1in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6820 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.7.","Small rubber stamp with wooden handle. Rubber reads: \"FEHR\" Measures 1.5in.(length)x.5in.(width)x.5in.(depth). Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6819 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Box 15. UA2011.686.8.","Scope and Contents Cotton patchwork quilt with 72 signature panels, each with an embroidered signature of a student in the 1973-1974 Choir. Each student embroidered their own signature or obtained help if less skilled in needlework. Signature blocks use 5 different fabric patterns: orange floral, light blue floral, medium blue floral, yellow solid, and green solid. Center green block embroidered in light yellow \"College of William \u0026 Mary\" in a circle around an embroidered gold eighth note with \"the choir\" embroidered in green over top. Lower right corner green panel has \"to Pappy from the Choir 1973-74\" embroidered in light green, gold, and light yellow. Backed with a pink and purple floral cream cotton cloth. Ann Spielman Woolley (Class of 1974) organized the project and created quilt, using a sewing machine on top of a box because she did not have a sewing table. Quilt measures 53.125\" (width) x 65\" (height)  x .75\" (depth). Excellent condition. Gift of Mark and Ann Woolley. UA 2008.008.01","Watercolor of the choir standing on the yard-side (East side) steps of the Wren building. The glass covering the painting reads \"Carl A. Fehr\" and was taken from Dr. Fehr's office window. Painting covered in wax paper to make image clearer (according to Tom Terry). Green matting and light-colored wooden frame. Window measures 25.5 in (length) x 15.5 in (width). In fair condition with some bubbling of the wax paper. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6813. Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers UA2003.001.22.","Portrait of Carl A. \"Pappy\" Fehr in blue mononchrome (medium uncertain) on canvas. Silver-painted, wooden frame. Ann Chancellor created the portrait, with Fehr in concert as the choir director. Portrait was presented to Fehr on April 1, 1970 to commemorate his 25th anniversary of leading the choir. Back of frame signed in pencil, \"To Pappy Fehr from T. Thorne 1970.\" See page 8 of Fehr's 25th Anniversary scrapbook for more about the portrait presentation. Portrait measures 36 in. (length) x 28.5 in. (width). In good condition. Image available at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6814 . Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers. UA 2003.001.23","Choir and Chorus postcards presented by Carl Fehr in 1992. Wooden frame. Collection titled and inscribed on top: \"The William and Mary Choir and Chorus 1954-1974. 'The Choir was our image maker in song that inspired so many on campus, throughout Virginia, and states beyond - all under the direction of the beloved Dr. Carl A. (Pappy) Fehr.' President Davis Y. Pascall.\" Hand written on back: Karen McCluney 11/92 S Dan Olson Nov. 92. According to Tom Terry '74, \"Pappy had these postcards made from the official choir pictures, and he used them for promotional things, They were in the letters that he would send to the freshmen, welcoming them to the College, He used them for publicity when we would go on tour, sending them to, say, churches ahead of our arrival for promotional purposes. His wife worked for a company here in Williamsburg that made poostcards. ...Maybe Miller Photography, I'm not sure of the company name. Pappy had boxes and boxes of these. I have boxes and boxes of these. He went through them after he retired; went through and gave a wad of them to the Alumni Association. At the Alumni House they made one of these to put on their wall, and then they made one also for Pappy, So there shoud be one of these also in the Alumni House.\" 37.125 in. (height) x 25.25 in. (width) x .75 in. (depth). Good condition. Image avaliable at http://scrcdigital.swem.wm.edu/scripto/transcribe/4030/6831 .Gift of Thomas Terry, Class of 1974. Located in the Carl Fehr Papers (UA6.017), Series 15, Oversize. UA 2003.001.31","The series contains scrapbooks compiled by choral members documenting their annual activities and special events (1945-1983), as well as a leather-bound compilation of choral member testimonials to Dr. Fehr on his retirement from William and Mary inscribed \"To Pappy from his Children.\"","W \u0026 M Choir Scrapbook primarily newspaper articles about The Choir and The Common Glory."],"userestrict_html_tesm":["\u003cp\u003eBefore reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use:"],"userestrict_tesim":["Before reproducing or quoting from any materials, in whole or in part, permission must be obtained from the Special Collections Research Center, and the holder of the copyright, if not Swem Library."],"names_coll_ssim":["Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"names_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music","Fehr, Carl A."],"corpname_ssim":["Special Collections Research Center","Dept. of Music","Choir and Chorus","College of William and Mary--Alumni and alumnae","College of William and Mary. Dept. of Music"],"persname_ssim":["Fehr, Carl A."],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":2260,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-20T22:52:45.698Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_8527_c13_c642"}},{"id":"vircu_repositories_5_resources_279_c11_c38","type":"Item","attributes":{"title":"Workers Lists,","breadcrumbs":{"id":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_279_c11_c38#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"vircu_repositories_5_resources_279_c11_c38","ref_ssm":["vircu_repositories_5_resources_279_c11_c38"],"id":"vircu_repositories_5_resources_279_c11_c38","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279_c11","parent_ssi":"vircu_repositories_5_resources_279_c11","parent_ssim":["vircu_repositories_5_resources_279","vircu_repositories_5_resources_279_c11"],"parent_ids_ssim":["vircu_repositories_5_resources_279","vircu_repositories_5_resources_279_c11"],"parent_unittitles_ssm":["Adele Goodman Clark papers","Series XI: National Reemployment Service"],"parent_unittitles_tesim":["Adele Goodman Clark papers","Series XI: National Reemployment Service"],"text":["Adele Goodman Clark papers","Series XI: National Reemployment Service","Workers Lists,","box 158"],"title_filing_ssi":"Workers Lists,","title_ssm":["Workers Lists,"],"title_tesim":["Workers Lists,"],"unitdate_other_ssim":["1933-1934"],"normalized_date_ssm":["1933/1934"],"normalized_title_ssm":["Workers Lists,"],"component_level_isim":[2],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"collection_ssim":["Adele Goodman Clark papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["Item"],"level_ssim":["Item"],"sort_isi":2402,"parent_access_restrict_tesm":["Collection is open to research."],"parent_access_terms_tesm":["There are no restrictions."],"date_range_isim":[1933,1934],"containers_ssim":["box 158"],"_nest_path_":"/components#10/components#37","timestamp":"2026-05-21T04:37:44.566Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"vircu_repositories_5_resources_279","ead_ssi":"vircu_repositories_5_resources_279","_root_":"vircu_repositories_5_resources_279","_nest_parent_":"vircu_repositories_5_resources_279","ead_source_url_ssi":"data/oai/VCU/repositories_5_resources_279.xml","title_filing_ssi":"Clark, Adele Goodman, papers","title_ssm":["Adele Goodman Clark papers"],"title_tesim":["Adele Goodman Clark papers"],"unitdate_ssm":["1849-1978"],"unitdate_inclusive_ssm":["1849-1978"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["M 9","/repositories/5/resources/279"],"text":["M 9","/repositories/5/resources/279","Adele Goodman Clark papers","Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond","Collection is open to research.","Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)","A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","Teacher of Organization and Parliamentary Law at Suffrage School","Chairman, Committee on Uniform Laws Concerning Women, Chicago, ILL","Chairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York","The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","Relationship: Adèle Clark's cousins.","Relationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"","Relationship: Father of Adèle Clarke.","Relationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.","Relationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"","Relationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.","Relationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"","Relationship: Maternal uncle to Adèle Clark.","Relationship: Maternal aunt of Adèle Clark.","Relationship: Cousin related to the Clarke family.","Relationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"","Relationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.","Relationship: Sister of Robert Ions.","Relationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"","Relationship: Adèle Clark's cousin.","Relationship: Adèle Clark's cousin.","Relationship: Sister of Alice Dooley and Mary Dooley Jones.","Relationship: friend of Adèle, became a priest in the Episcopal Church.","Relationship: Estelle Goodman Clark's brother.","Relationship: Adèle's cousin, son of Cely and Robert Ions.","Relationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.","Relationship: Cousin of Alice Dooley.","Relationship: Daughter of Josephine and Henry Houston.","Relationship: Sister of Alice Dooley and Josephine Dooley Houston.","[merged with the restored Academy in the spring of 1930]","[grew out of the Atelier and later merged with the Academy]","Includes children's art work, art club material, instructional material; Japanese print.","Two labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026 Wright Architects \u0026 Engineers, Richmond, Virginia.\"","Various institutions to Benjamin Franklin Dew Jr., 1930s-1940s.","Entitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"","Capitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.","Depicts status of women's suffrage (framed and fragile).","Suffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.","All with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.","Large flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.","(includes items on women's suffrage; voting habits; a  Richmond News-Leader,  Suffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the  Richmond Times-Dispatch,   November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of  Richmond Times-Dispatch,   January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.","Majority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.","Two different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy.","There are no restrictions.","VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives","English"],"unitid_tesim":["M 9","/repositories/5/resources/279"],"normalized_title_ssm":["Adele Goodman Clark papers"],"collection_title_tesim":["Adele Goodman Clark papers"],"collection_ssim":["Adele Goodman Clark papers"],"repository_ssm":["Virginia Commonwealth University, Cabell Library"],"repository_ssim":["Virginia Commonwealth University, Cabell Library"],"creator_ssm":["Clark, Adèle, 1882-1983"],"creator_ssim":["Clark, Adèle, 1882-1983"],"creator_persname_ssim":["Clark, Adèle, 1882-1983"],"creators_ssim":["Clark, Adèle, 1882-1983"],"access_terms_ssm":["There are no restrictions."],"access_subjects_ssim":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"access_subjects_ssm":["Women -- Suffrage -- Virginia -- Richmond","Art -- 20th century -- Virginia -- Richmond","Women civic leaders -- Virginia -- Richmond"],"has_online_content_ssim":["false"],"extent_ssm":["128 Linear Feet"],"extent_tesim":["128 Linear Feet"],"date_range_isim":[1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Restrictions on Access"],"accessrestrict_tesim":["Collection is open to research."],"arrangement_html_tesm":["\u003cp\u003eSeries I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["Series I--Correspondence and Family Materials (n.d., 1849-1971) ; Series II--Business/Civic Organization Correspondence (n.d., 1903-1971) ; Series III--Equal Suffrage League of Virginia (ESLV) (n.d., 1892-1926) ; Series IV: Richmond League of Women Voters (n.d., 1920- 1978) ; Series V--Virginia League of Women Voters (VLWV) (n.d., 1915-1967) ; Series VI--The League of Women Voters of Virginia (n.d., 1945-1970) ; Series VII--The National League of Women Voters (n.d., 1919-1947) ; Series VIII--League of Women Voters (n.d., 1946-1976) ; Series IX--Commission on Simplification of State and Local Government (n.d., 1921- 1927) ; Series X--Liberal Arts College for Women Commission (n.d., 1918-1938) ; Series XI--National Reemployment Service (n.d., 1925-1938) ; Series XII--Lila Meade Valentine memorial Association (n.d., 1921-1936) ; Series XIII--Religious Materials ; Series XIV--Art (n.d., 1850-1971) ; Series XV--Ephemera and Photographs (n.d., ca. 1850 - ca. 1970)"],"bioghist_html_tesm":["\u003cp\u003eA founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.\u003c/p\u003e\n","\u003cp\u003eThe second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*\u003c/p\u003e\n","\u003cp\u003eClark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.\u003c/p\u003e\n","\u003cp\u003eAfter passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.\u003c/p\u003e\n","\u003cp\u003eSelected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.\u003c/p\u003e\n","\u003cp\u003eIn addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.\u003c/p\u003e\n","\u003cp\u003eClark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.\u003c/p\u003e\n","\u003cp\u003eDuring the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.\u003c/p\u003e\n","\u003cp\u003eIn the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.\u003c/p\u003e\n","\u003cp\u003eClark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.\u003c/p\u003e\n","\u003cp\u003eClark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"\u003c/p\u003e\n","\u003cp\u003eAdèle Clark died at the age of 100 on June 5, 1983.\u003c/p\u003e\n","\u003cp\u003e[Information from newspaper accounts and the Adèle Goodman Clark Papers.]\u003c/p\u003e","\u003cp\u003eTeacher of Organization and Parliamentary Law at Suffrage School\u003c/p\u003e","\u003cp\u003eChairman, Committee on Uniform Laws Concerning Women, Chicago, ILL\u003c/p\u003e","\u003cp\u003eChairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["A founding member of the Virginia suffrage movement and a prominent supporter of the arts in Virginia, Adèle Goodman Clark (1882-1983) exemplified the influential role civically active women played in the major social reform movements of the twentieth century. Calling politics and art her \"creative spirits\", Clark was involved in a number of reform initiatives throughout her century of life that championed the rights of women and promoted the arts.","The second oldest daughter of Robert Clark (1832?-1906) and Estelle Goodman Clark (1847-1937), Adèle was born in Montgomery, Alabama on September 27, 1882. Before moving permanently to Richmond, the Clark family lived in New Orleans, LA, as well as the small town of Pass Christian, MS. It was in a one room school house in the latter town that Adèle developed a fondness for the arts. After her family moved to Richmond in 1894, Adèle enrolled in the Virginia Randolph Ellett School (now St. Catherine's). Adèle also studied art with Lilly M. Logan, who ran the art school at the Art Club of Richmond. In 1906 she was awarded a scholarship to the New York School of Fine and Applied Arts (the Chase School of Art), where she studied under Kenneth Hays Miller, Douglas Cannal, William M. Chase, and Robert Henri, leader of the \"Ash Can\" school of painting. Upon her return to Richmond, Clark began a teaching career at the Art Club of Richmond. It was here that Adèle began her long association and friendship with acclaimed Virginia artist, Nora Houston. When the Art Club of Richmond was dissolved in 1917, the women went on to establish The Atelier. Under their direction this private art studio, located adjacent to Clark's Chamberlayne Avenue residence, became a training ground for such noted Virginia artists as Edmund Archer, Eleanor Fry and Theresa Pollack (founder of the VCU School of the Arts). Two years later they founded the Virginia League of Fine Arts and Handicrafts, where they both held the title of artistic director. During this period, they participated in a fundraising campaign for the resurrection of the old Academy of Sciences and Fine Arts. Their goal became a reality in 1930 when the new Richmond Academy of Arts, forerunner to the Virginia Museum of Fine Arts, was established on Capitol Street.*","Clark's interest in the suffrage movement began in 1909 when she was asked by novelist Ellen Glasgow to sign a petition calling for Virginia women to gain voting privileges. On November 27th of that year Clark, along with eighteen other civic-minded women, held a preliminary meeting to discuss the establishment of a state-wide suffrage organization. At this first meeting of what would become the Equal Suffrage League of Virginia, Clark was elected secretary, a position she held for one year. She later helped direct legislative initiatives, organized suffrage rallies and went on speaking tours that helped establish new League chapters throughout the state. Clark also served for several years as chair of the ratification committee and head of the Equal Suffrage League lobby to the Virginia General Assembly.","After passage of the Nineteenth Amendment in 1920 (which was ratified by Virginia in 1952), the Equal Suffrage League of Virginia was transformed into the Virginia League of Women Voters (VLWV). For nearly two decades Clark played a major role in the VLWV.","Selected as the VLWV's first chair in 1920, Clark became president one year later. She held this position for eighteen years (nonconsecutively). Her work in the VLWV involved constant study of legislation involving social issues and governmental efficiency and administration. In 1924, Clark was elected to the board of the National League of Women Voters (NLWV) as Director of the Third Region. The region included Washington, D.C., Virginia, and six other southern states. The following year she was elected Second Vice President of the NLWV, in which capacity she served until the Spring of 1928. During that period Clark traveled to conventions in twenty-four states on speaking tours. Along with other officers of the NLWV she helped resolve league organizational problems.","In addition to her work for the VLWV and NLWV, Clark also served on two important state government commissions. In 1922, Governor E. Lee Trinkle appointed her to the Commission on the Simplification of State and Local Government, on which she served for two years as secretary of the Commission. In addition to performing the editorial and clerical work of the Commission, Clark also authored several of the chapters of the Commission's final report (January 1924) to the Virginia General Assembly. Four years later, Governor Harry F. Byrd, Jr. appointed Clark to the Liberal Arts College for Women Commission, on which she also served as secretary. The nine member Commission studied the feasibility of establishing a new liberal arts college for women in Virginia. The second report of the Commission (January 1930), which contained the \"set-up\" of the proposed college [now Mary Washington College?], was the product of research conducted by Clark with the assistance of Commission advisors.","Clark's strong commitment to higher education was exemplified in several other ways. From March - September, 1926, she served as the Social Director of women students at the College of William and Mary. She was also instrumental in the establishment of citizenship courses for women through the University of Virginia's Extension Division. The courses were designed to educate women about the intricacies of governmental institutions.","During the New Deal era, Clark distinguished herself in two important agencies. In 1933, she was selected as a field supervisor for the National Reemployment Service (NRS). Along with the state reemployment director and other field staff, she assisted in the organization of local reemployment offices throughout Virginia. After stepping down as field supervisor for the NRS, Clark became the Virginia Arts Project Director of the Work Projects Administration (WPA). This particular branch of the WPA was created to provide employment opportunities for artists in Virginia. In addition to producing murals for public buildings, artists employed by the WPA executed hundreds of paintings that were then distributed to local and state tax-supported institutions for display. One major accomplishment during Clark's tenure at the WPA was the establishment of new art galleries, such as the Southwest Virginia Museum at Big Stone Gap.","In the later years of her life, Adèle Clark remained active in the Richmond community. After converting to Roman Catholicism in 1942, Clark utilized her political experience as a member of the Richmond Diocesan Council of Catholic Women (RDCCW). From 1949 to 1959 she served as the chair of the RDCCW's Legislative Committee. Clark also continued to speak out against a number of issues affecting women, such as the passage of the Equal Rights Amendment and abortion.","Clark remained an active supporter of the Richmond art community. From 1941 to 1964 she was a member of the Virginia Arts Commission. The Commission helped to produce many of the murals and portraits displayed in state government buildings that depict the history of Virginia. Moreover, Clark's dedication to the teaching of art did not wane in these later years. She taught art to both the young and old in hospitals, schools and church classrooms. She also continued to enjoy creating her own artworks. Clark's paintings, mostly portraits and landscapes, have been exhibited in several states. One of her paintings, \"The Cherry Tree\", is in the permanent collection of the Virginia Museum of Fine Arts.","Clark had a unique perspective on the influence of art on her political ideology. She once stated, \"I've always tried to combine my interest in art with my interest in government. I think we ought to have more of the creative and imaginative in politics.\"","Adèle Clark died at the age of 100 on June 5, 1983.","[Information from newspaper accounts and the Adèle Goodman Clark Papers.]","Teacher of Organization and Parliamentary Law at Suffrage School","Chairman, Committee on Uniform Laws Concerning Women, Chicago, ILL","Chairman of the Committee on International Cooperation to Prevent War, of the NLWV, Miss Morgan was also President of the Colony Club of New York"],"prefercite_html_tesm":["\u003cp\u003eAdele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA.\u003c/p\u003e"],"prefercite_tesim":["Adele Goodman Clark papers, Collection # M 9, Special Collections and Archives, James Branch Cabell Library, Virginia Commonwealth University, Richmond, VA."],"scopecontent_html_tesm":["\u003cp\u003eThe Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.\u003c/p\u003e\n","\u003cp\u003eThe collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman\u003c/p\u003e\n","\u003cp\u003eWilloughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).\u003c/p\u003e\n","\u003cp\u003eThe collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.\u003c/p\u003e\n","\u003cp\u003eWhile the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.\u003c/p\u003e\n","\u003cp\u003eThe suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.\u003c/p\u003e\n","\u003cp\u003eThe bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.\u003c/p\u003e\n","\u003cp\u003eThe records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.\u003c/p\u003e\n","\u003cp\u003eDocumentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.\u003c/p\u003e\n","\u003cp\u003eClark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.\u003c/p\u003e\n","\u003cp\u003eThe collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.\u003c/p\u003e\n","\u003cp\u003eThe fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.\u003c/p\u003e\n","\u003cp\u003eThe final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.\u003c/p\u003e\n","\u003cp\u003eSignificant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.\u003c/p\u003e\n","\u003cp\u003eSpecial Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousins.\u003c/p\u003e","\u003cp\u003eRelationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"\u003c/p\u003e","\u003cp\u003eRelationship: Father of Adèle Clarke.\u003c/p\u003e","\u003cp\u003eRelationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.\u003c/p\u003e","\u003cp\u003eRelationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.\u003c/p\u003e","\u003cp\u003eRelationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"\u003c/p\u003e","\u003cp\u003eRelationship: Maternal uncle to Adèle Clark.\u003c/p\u003e","\u003cp\u003eRelationship: Maternal aunt of Adèle Clark.\u003c/p\u003e","\u003cp\u003eRelationship: Cousin related to the Clarke family.\u003c/p\u003e","\u003cp\u003eRelationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Robert Ions.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousin.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle Clark's cousin.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Alice Dooley and Mary Dooley Jones.\u003c/p\u003e","\u003cp\u003eRelationship: friend of Adèle, became a priest in the Episcopal Church.\u003c/p\u003e","\u003cp\u003eRelationship: Estelle Goodman Clark's brother.\u003c/p\u003e","\u003cp\u003eRelationship: Adèle's cousin, son of Cely and Robert Ions.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.\u003c/p\u003e","\u003cp\u003eRelationship: Cousin of Alice Dooley.\u003c/p\u003e","\u003cp\u003eRelationship: Daughter of Josephine and Henry Houston.\u003c/p\u003e","\u003cp\u003eRelationship: Sister of Alice Dooley and Josephine Dooley Houston.\u003c/p\u003e","\u003cp\u003e[merged with the restored Academy in the spring of 1930]\u003c/p\u003e","\u003cp\u003e[grew out of the Atelier and later merged with the Academy]\u003c/p\u003e","\u003cp\u003eIncludes children's art work, art club material, instructional material; Japanese print.\u003c/p\u003e","\u003cp\u003eTwo labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026amp; Wright Architects \u0026amp; Engineers, Richmond, Virginia.\"\u003c/p\u003e","\u003cp\u003eVarious institutions to Benjamin Franklin Dew Jr., 1930s-1940s.\u003c/p\u003e","\u003cp\u003eEntitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"\u003c/p\u003e","\u003cp\u003eCapitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.\u003c/p\u003e","\u003cp\u003eDepicts status of women's suffrage (framed and fragile).\u003c/p\u003e","\u003cp\u003eSuffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.\u003c/p\u003e","\u003cp\u003eAll with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.\u003c/p\u003e","\u003cp\u003eLarge flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.\u003c/p\u003e","\u003cp\u003e(includes items on women's suffrage; voting habits; a \u003ctitle render=\"italic\"\u003eRichmond News-Leader, \u003c/title\u003eSuffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the \u003ctitle render=\"italic\"\u003eRichmond Times-Dispatch, \u003c/title\u003e November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of \u003ctitle render=\"italic\"\u003eRichmond Times-Dispatch, \u003c/title\u003e January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.\u003c/p\u003e","\u003cp\u003eMajority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.\u003c/p\u003e","\u003cp\u003eTwo different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Adèle Goodman Clark papers document the life and activities of Miss Clark (1882-1983) throughout her adult life, as well as those of her closest friends and relatives. Miss Clark was a member of a small group of civically active Richmond women whose names appear throughout the collection. Of particular note are members of Clark's family, Edith Clark Cowles, Willoughby Ions, and friends Roberta Wellford, Lila Meade Valentine, Lucy Randolph Mason, Ida Mae Thompson, Eudora W. Ramsay Richardson, Nora Houston and Josephine Houston. A list and chart describing the family relationships follows the Series Description and Arrangement, which specifically details the arrangement of the collection and highlights areas of particular significance within each series.","The collection is comprised of five major components, each with its own depth of coverage, usually dependent upon the length of Clark's involvement. The first major component of the collection contains materials pertaining to the Clark and Houston families with their multiple activities, responsibilities and affiliations. The documents in this section include the personal correspondence of Adèle Clark, Nora Houston, and members of both the Clark and Houston families. Correspondence from Estelle Goodman Clark, Cely \"Nainaine\" Ions, and Estelle Adèle Goodman","Willoughby Ions provide a richly detailed account of the more significant events within the Clark-Ions family. Also included is personal, business, and legal correspondence between members of the Goodman family, predating the Civil War, and personal correspondence to Clark and Nora Houston from close friends and associates such as Cornelia Adair, T. Bowyer Campbell, Mary Elizabeth Pidgeon and Roberta Wellford. Additional family information is provided by legal and real estate correspondence, biographical sketches, family and genealogical histories, composition books, diaries, journals, and poetry by various members of the Clark and Houston families. Some items of significance include handwritten memoranda and notes, poems, short stories and other fictional material written by Adèle Clark during her lifetime. The Virginia Historical Society holds additional Clark family materials (see Appendices).","The collection also includes correspondence from businesses and civic organizations with which Clark, Edith Clark Cowles, and the Dooley/Houston family were affiliated during their lifetimes. A list of the more significant organizations includes the Virginia Society for Crippled Children and Handicapped Adults, Commission of Inter-Racial (or Interracial) Cooperation, Woodrow Wilson Foundation, National Consumers League, and Social Science Research Council-Committee on Public Administration. There is also correspondence from prominent local and state government officials that further document the political activities and biases of these women. Brochures, memoranda and publications from these organizations are scattered throughout the collection.","While the family correspondence provides information about Clark's early years, the greatest significance of the collection lies in its documentation of the activities of the suffrage movement, both locally and nationally. The collection is particularly strong in its representation of correspondence, reports, memoranda and publications reflecting the sentiments and political positions of both the pro- and anti- suffrage movement from 1913 until the passage of the Nineteenth Amendment in 1920. A large portion of this segment also documents the actions of the post-suffragists in their work through the national, state and local chapters of the League of Women Voters (LWV). Clark's considerable role of participation in the Virginia League of Women Voters (VLWV) in the first two decades of the organization provides an abundant amount of material chronicling the many social and political issues in which local and national LWV members were engaged. Although the documentation of the activities of the LWV continues well into the 1970s, the collection is not as strong for the later years as it is for the earlier period.","The suffrage materials, the second and largest component in the collection, are composed of documentation of the Equal Suffrage League of Virginia (ESLV), Richmond League of Women Voters, the VLWV, and the reorganized League of Women Voters of Virginia (LWVV). The ESLV materials includes correspondence, committee and financial memoranda, convention material, notes, reports and miscellaneous literature. There is a large quantity of outgoing correspondence created by the corresponding secretaries of the ESLV which pertains to the efforts of organizing local suffrage chapters throughout the state and between officers of the ESLV, state and national government officials. Also included is correspondence between ESLV President, Lila Meade Valentine, and women of significance within the suffrage movement including Carrie Chapman Catt, Anna Howard Shaw, Maud Wood Park and Kate Gordon. While there is a substantial amount of correspondence generated by the central office of the ESLV, between 1909-1912 there are some major gaps. A portion of this documentation for the early history of the ESLV can be found at the Library of Virginia (see Appendices). Throughout its eleven year existence, the ESLV compiled an enormous amount of literature on the suffrage movement published by the National American Women Suffrage Association (NAWSA), and other organizations. Materials generated by the movement and represented in this portion of the collection include petitions, photographs, enrollment cards, posters, suffrage maps, sashes and other ephemeral items. Additional publications have not been indexed but are available for research.","The bulk of the materials of the remaining suffrage organizations represented in the collection fall within a fourteen year time frame, 1920-1934, and includes President/Executive Secretary correspondence, bulletins, circulars, committee memoranda, and financial statements as well as records relating to the Virginia Cookery Book, the Governor's Ball and the citizenship courses sponsored by the VLWV. Clark also corresponded with the President of the NLWV and other officers in the national organization. The significant correspondents include Maud Wood Park, Belle Sherwin, Katherine Ludington, and Gertrude Ely. Incoming correspondence from prominent Virginia women such as Faith Morgan, Roberta Wellford, Mary Elizabeth Pidgeon, Kate Waller Barrett, Mrs. John L. Lewis of Lynchburg, Mrs. John H. Lewis of Ashland, and Mrs C.E. [Jessie] Townsend of Norfolk can be found in both the President/Executive Correspondence files and the Board of Directors/Executive Committee/Standing Committees file of the VLWV.","The records of the VLWV document in great detail the legislative agenda over a fourteen year period. The VLWV materials contain correspondence, circulars, memoranda questionnaires and reports pertaining to the Children's Code Commission, Virginia Women's Council Legislative Chairman of State Organizations and other major committees of the VLWV; revealing which major pieces of legislation were of utmost concern to Clark and the VLWV. Like its predecessor, the VLWV collected a wide variety of literature from state, national and international organizations which championed a spectrum of causes of interest to Clark and her associates. These organizations include the League of Nations Association, National Council for the Prevention of War, National Women's Trade Union League of America, and Southern Council of Women and Children in Industry.","Documentation of the NLWV (1920-1945) and the later reorganized League of Woman Voters of Virginia (1946-presents) includes correspondence and memoranda produced by Clark as Second Vice President in charge of Legislation and Law Enforcement and Third Regional Director for the NLWV. In addition to correspondence, memoranda, minutes, notes and reports there are materials detailing her involvement in nationally sponsored speaking tours throughout several regions of the United States. Items from the national office consist of mimeographed Adèle Goodman Clark correspondence and memoranda, reports, press releases and various publications created by the major standing committees and departments of the NLWV. Clark's activity in both the state and national leagues diminished to a great extent after 1934. Records of the latter local, state and national organizations primarily consists of bulletins, newsletters, and other literature published and distributed by the organizations.","Clark was very involved in the commemoration of the contributions of Lila Meade Valentine to the suffrage movement. The collection contains the organizational records of the Lila Meade Valentine Memorial Association (1921-1937), which was established to raise money for a memorial tablet dedicated to Mrs. Valentine to be placed in the Capitol Building in Richmond. Much of the material consists of correspondence and memoranda between the association's chairperson, Adèle Clark and the individuals who contributed to the memorial fund. There is also correspondence between Clark and the sculptor chosen to produce the memorial tablet. Other material includes financial data, contributors lists, minutes, notes and reports documenting the association's fundraising activities.","The collection of materials related to state and national politics comprises the third major section of the Clark Papers. These materials include correspondence, memoranda, minutes, reports, statistical data, and literature generated by or related to the work of the Commission on the Simplification of State and Local Government (1921-1927) and the Liberal Arts College Commission (1918, 1929-1933). Material pertaining to both of these government commissions highlight the research and information gathering work undertaken by Clark and the members of these commissions before presentation of the final reports to the Virginia General Assembly. The collection also contains the annotated drafts and proofs of the reports in various stages of development. Correspondence, notes, reports and travel vouchers highlight Clark's duties as a NRS Field Supervisor and her involvement with the National Reemployment Service (1925-1937). Correspondence between Clark and the State Reemployment Director reveal the types of reemployment projects in which the NRS was actively engaged throughout the state. In addition, correspondence between Clark and other field staff demonstrate the extent to which Clark participated in managing local reemployment offices during her tenure with the NRS. Published reports, speeches, manuals, newspaper clippings and other ephemeral materials are also included.","The fourth area of interest of Adèle's, as reflected in the collection, was religion. Included here are the organizational records and personal items documenting the religious activities of Clark, Nora Houston, and several members of the Houston family. It should be noted that Clark was baptized and confirmed in the Episcopal Church and later became a devout Roman Catholic after Nora Houston's death in 1942. Included is correspondence between both women and various religious organizations, church leaflets, pamphlets and prayerbooks, periodicals and other items of a religious nature. Some of the organizations with which Clark and Houston corresponded include the Catholic Woman's Club, National Council of Catholic Women, National Conference on Christians and Jews, and Catholic Daughters of America. Beth Ahabah Museum and Archives holds other materials of a religious nature relating to the Goodman family.","The final component of the collection, second in size only to that of the suffrage and voting rights material, is that of art, particularly art in Virginia. An artist by training, Adèle Clark worked ceaselessly for increased public awareness of the traditions and richness of art within the Commonwealth. To this end, the collection documents the contributions of Clark and her colleagues in the following endeavors: the Art Club of Richmond, Atelier, Virginia League of Fine Arts and Handicrafts, Richmond Academy of Arts, Virginia Arts Commission, and Works Project Administration-Federal Arts Project. In addition to containing the correspondence relating to the operations of these organizations, the records also contain memoranda, minutes and reports of committees, and materials on exhibitions sponsored by these organizations. Of particular significance are the records of the Academy Committee of the Art Club that document the committee's role in attempting to resurrect the arts academy. Materials relating to the WPA and the Virginia Arts Commission emphasize Clark's substantial role in making the public a more active player in the promotion of the arts. Clark's monthly and narrative reports on several WPA art galleries, as well as data on the Index of American Design, provide a detailed account of the variety of art projects the WPA underwrote in Virginia.","The collection also contains a range of art and art school publications, art supply advertisements, catalogs, exhibition bulletins and notices from local and national art institutions. A small number of drawings, sketches and miscellaneous artwork created by Adèle Clark, Nora Houston and other artists are also represented. Some of the more notable pieces include Clark's original lithograph \"Richmond Market at Christmas\", copies of Nora Houston's house sketches and artwork produced by children of various ages. Lastly there are numerous kinds of illustrations and reproductions that Clark and Houston utilized in their art classes.","Significant portions of the collection are in fragile condition, particularly newspaper clippings and photographs. Reference copies of the photographs are available for use. A large portion of the clippings have been photocopied and the process will continue as time and staff permit.","Special Collections has also purchased suffrage and related materials. Please ask a staffmember for information about these supporting items.","Relationship: Adèle Clark's cousins.","Relationship: Mother of Adèle Clark. Nicknames include \"Dree,\" \"Muzzie,\" and \"Pouncey.\"","Relationship: Father of Adèle Clarke.","Relationship: Father of Julius D. Cowles who was married to Adèle Clark's sister Edith.","Relationship: Older sister to Adèle Clarke, married to Julius \"Jules\" D. Cowles, her nicknames include \"Baby,\" \"Deetie,\" and \"Binn.\"","Relationship: Adèle Clarke's neice, daughter of Edith and Julius Cowles, married to James Cox.","Relationship: Younger sister of Adèle Clarke, married to G. Frank Dew, her nicknames include \"Trudie,\" Trudee,\" and \"Teedee.\"","Relationship: Maternal uncle to Adèle Clark.","Relationship: Maternal aunt of Adèle Clark.","Relationship: Cousin related to the Clarke family.","Relationship: Maternal aunt of Adèle Clarke and her godmother, married to Robert Ions. Also nicknamed \"Nainaine.\"","Relationship: Adèle's cousin, daughter of Cely and Robert Ions. She went by the name Willoughby.","Relationship: Sister of Robert Ions.","Relationship: Adèle Clarke's uncle, married to Cecile \"Cely\" Goodman Ions. Nicknames include \"Godpa\" and \"Berto.\"","Relationship: Adèle Clark's cousin.","Relationship: Adèle Clark's cousin.","Relationship: Sister of Alice Dooley and Mary Dooley Jones.","Relationship: friend of Adèle, became a priest in the Episcopal Church.","Relationship: Estelle Goodman Clark's brother.","Relationship: Adèle's cousin, son of Cely and Robert Ions.","Relationship: Sister of Josephine Dooley Houston and Mary Dooley Jones.","Relationship: Cousin of Alice Dooley.","Relationship: Daughter of Josephine and Henry Houston.","Relationship: Sister of Alice Dooley and Josephine Dooley Houston.","[merged with the restored Academy in the spring of 1930]","[grew out of the Atelier and later merged with the Academy]","Includes children's art work, art club material, instructional material; Japanese print.","Two labeled \"Class Room Building--State Teacher's College, Farmville, Virginia--Frank F. Stone Architect, Roanoke, Virginia, July 10, 1944\"; a third blue print labeled \"Improvements to Employees Cottage as suggested by Art Commission, May 5, 1944\"; fourth labeled \"Temporary Employee Cottage, Division of the Budget, March 29, 1944\";drawing for inscription of building \"Julian H. Burruss Hall\" labeled \"Teaching and Admin. Building, Va. Polytechnic Inst., Blacksburg, VA - Carneal, Johnston \u0026 Wright Architects \u0026 Engineers, Richmond, Virginia.\"","Various institutions to Benjamin Franklin Dew Jr., 1930s-1940s.","Entitled \"Proposed Store For Mr. S.W. Farran - Designed by W.R. Snapp, 1107 Penn St. N.E.\"","Capitol Area of Richmond, undated; Map of Richmond and Environs, Department of Public Works, 1923; Drawn map of Richmond's North Side.","Depicts status of women's suffrage (framed and fragile).","Suffrage era map - \"The Woman Voter and the next President of the United States\" - showing which states women can vote and which ones women cannot vote.","All with heading of the Virginia League of Woman Voters and labeled as follows: Congressional Districts Organized; Counties having some form of organization; Counties and cities holding citizenship schools; Virginia League of Women voters organized November 10, 1920; Number of Leagues organized; and one unlabeled.","Large flyer on which states have compulsory school attendance, 1921; map of Virginia by Virginia Department of Agriculture and Immigration; a chart compiled by Lucia R. Maxwell on International Socialism 1922-1923, showing various woman's organizations; poster of Anchor Line Twin Screw Geared Turbine Steamer named the \"California\"; Centennial Memorial of United States--Declaration of Independence, published by Baltimore and Ohio Railroad; Victory Liberty Loan poster; anti-war poster; poster of mechanized man and horse; Virginia Society for Human Life poster; League of Women Voters poster \"Vote\" (2 posters); sheet music: \"Votes for Women\" - Suffrage Rallying Song.","(includes items on women's suffrage; voting habits; a  Richmond News-Leader,  Suffrage Supplement, and an article on paintings at Richmond Woman's Club; an article by Adèle Clark; several pages of the  Richmond Times-Dispatch,   November 2, 1933 about the Community Fund; Atlanta Journal, June 12, 1919 article on U.S. Senate passing suffrage amendment; front page of  Richmond Times-Dispatch,   January 1, 1929, article on what Virginia leaders would like to see in 1929, includes article by Adèle Clark.","Majority of the photographs are from the Equal Suffrage League or Virginia League of Women Voters' events. All of these photographs have been reproduced and can be found elsewhere in Series XVII.","Two different posters on the prevention of war; a Department of the Interior, Bureau of Education poster entitled \"How and Why to Stand Correctly\" 1918; a draft version of a poster by the Equal Suffrage League with typewritten history of suffrage in Virginia and the printed finished copy."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e"],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["There are no restrictions."],"names_coll_ssim":["League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983 -- Archives"],"names_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives","Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"corpname_ssim":["VCU James Branch Cabell Library","League of Women Voters of the Richmond Metropolitan Area (Va.) -- Archives","Equal Suffrage League of Virginia -- Archives"],"persname_ssim":["Clark, Adèle, 1882-1983","Clark, Adèle, 1882-1983 -- Archives"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":3079,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:37:44.566Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/vircu_repositories_5_resources_279_c11_c38"}},{"id":"viblbv_repositories_2_resources_3051_c06_c03_c98","type":"File","attributes":{"title":"Working Budget","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c06_c03_c98#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viblbv_repositories_2_resources_3051_c06_c03_c98","ref_ssm":["viblbv_repositories_2_resources_3051_c06_c03_c98"],"id":"viblbv_repositories_2_resources_3051_c06_c03_c98","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051_c06_c03","parent_ssi":"viblbv_repositories_2_resources_3051_c06_c03","parent_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c06","viblbv_repositories_2_resources_3051_c06_c03"],"parent_ids_ssim":["viblbv_repositories_2_resources_3051","viblbv_repositories_2_resources_3051_c06","viblbv_repositories_2_resources_3051_c06_c03"],"parent_unittitles_ssm":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files"],"parent_unittitles_tesim":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files"],"text":["Records of the Office of the President, Julian A. Burruss","Series VI: Subject Files","Subseries C: Subject Files","Working Budget","box 39","folder 2139"],"title_filing_ssi":"Working Budget","title_ssm":["Working Budget"],"title_tesim":["Working Budget"],"unitdate_inclusive_ssm":["1933-1934"],"normalized_date_ssm":["1933/1934"],"normalized_title_ssm":["Working Budget"],"component_level_isim":[3],"repository_ssim":["Virginia Polytechnic Institute and State University"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":2426,"parent_access_restrict_tesm":["The collection is open for research."],"parent_access_terms_tesm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: http://bit.ly/scuareproduction. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: http://bit.ly/scuapublication. Please contact Special Collections and University Archives (specref@vt.edu or 540-231-6308) if you need assistance with forms or to submit a completed form."],"date_range_isim":[1933,1934],"containers_ssim":["box 39","folder 2139"],"_nest_path_":"/components#5/components#2/components#97","timestamp":"2026-05-21T02:11:33.061Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viblbv_repositories_2_resources_3051","ead_ssi":"viblbv_repositories_2_resources_3051","_root_":"viblbv_repositories_2_resources_3051","_nest_parent_":"viblbv_repositories_2_resources_3051","ead_source_url_ssi":"data/oai/VT/repositories_2_resources_3051.xml","title_filing_ssi":"Burruss, Julian A., Records of the Office of the President","title_ssm":["Records of the Office of the President, Julian A. Burruss"],"title_tesim":["Records of the Office of the President, Julian A. Burruss"],"unitdate_ssm":["1906-1946"],"unitdate_inclusive_ssm":["1906-1946"],"level_ssm":["collection"],"level_ssim":["Record Group","Collection"],"unitid_ssm":["RG.02.08"],"text":["RG.02.08","Records of the Office of the President, Julian A. Burruss","Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President","The collection is open for research.","The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders","Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.","The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ ).","The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.","See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.","This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.","The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form.","The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.","Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.","Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947","The materials in the collection are in English."],"unitid_tesim":["RG.02.08"],"normalized_title_ssm":["Records of the Office of the President, Julian A. Burruss"],"collection_title_tesim":["Records of the Office of the President, Julian A. Burruss"],"collection_ssim":["Records of the Office of the President, Julian A. Burruss"],"repository_ssm":["Virginia Polytechnic Institute and State University"],"repository_ssim":["Virginia Polytechnic Institute and State University"],"creator_ssm":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_ssim":["Virginia Polytechnic Institute and State University. Office of the President","Burruss, Julian Ashby, 1876-1947"],"creator_persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"creator_corpname_ssim":["Virginia Polytechnic Institute and State University. Office of the President"],"creators_ssim":["Burruss, Julian Ashby, 1876-1947","Virginia Polytechnic Institute and State University. Office of the President"],"access_terms_ssm":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"acqinfo_ssim":["The Records of the Office of the President, Julian A. Burruss were transferred to Special Collections and University Archives in March-June 1973. Additional materials were received prior to 2000."],"access_subjects_ssim":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"access_subjects_ssm":["Faculty and staff","University History","University Archives","Women -- History","Record Group 2 - Office of the President"],"has_online_content_ssim":["false"],"extent_ssm":["72 Cubic Feet 52 boxes, 1 oversize folder"],"extent_tesim":["72 Cubic Feet 52 boxes, 1 oversize folder"],"date_range_isim":[1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research."],"arrangement_html_tesm":["\u003cp\u003eThe collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.\u003c/p\u003e\n","\u003cp\u003e\u003clist\u003e\n\u003citem\u003eSeries I: Personal Correspondence and Papers, 1906-1945\u003c/item\u003e\n\u003citem\u003eSeries II: Board of Visitors, 1919-1935\u003c/item\u003e\n\u003citem\u003eSeries III: Correspondence, 1919-1944\u003c/item\u003e\n\u003citem\u003eSeries IV: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries V: Virginia State Survey, 1929-1930\u003c/item\u003e\n\u003citem\u003eSeries VI: Subject Files\u003c/item\u003e\n\u003citem\u003eSeries VII: Defense and the War Effort, 1940-1945\u003c/item\u003e\n\u003citem\u003eOversize Folders\u003c/item\u003e\n\u003c/list\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The collection is arranged into seven series, plus oversize materials. Within each series or subseries, folders are arranged in alphabetical order by folder title.","Series I: Personal Correspondence and Papers, 1906-1945 Series II: Board of Visitors, 1919-1935 Series III: Correspondence, 1919-1944 Series IV: Subject Files Series V: Virginia State Survey, 1929-1930 Series VI: Subject Files Series VII: Defense and the War Effort, 1940-1945 Oversize Folders"],"bioghist_html_tesm":["\u003cp\u003eJulian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.\u003c/p\u003e\n","\u003cp\u003eOther highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.\u003c/p\u003e\n","\u003cp\u003eWhen mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical Note"],"bioghist_tesim":["Julian Ashby Burruss was born in Richmond, Virginia in 1876. He was the first alumnus-President, having graduated with honors in civil engineering from VPI in 1898. A hallmark of his long tenure in the presidency was a major administrative reorganization, which included: abolishing four deanships; broadening the scope and authority of the Deans of Agriculture and Engineering; establishing post of Dean of the College; abolishing College surgeon office and hiring full-time health officer; establishing office of business manager; placing directors of Agriculture Experiment Station and Extension Services under Dean of Agriculture; abolishing Registrar office; and placing athletic activities directly under control of college authorities.","Other highlights of Burruss' administration included: establishment of Engineering Experiment Station, 1921, and Engineering Extension Division, 1923; admittance of women to all departments, except military, 1921; founding of Future Farmers of Virginia, which became Future Farmers of America; first Ph.D. awarded; Radford State Teachers College merged with VPI and became Radford College, the Women's Division of VPI.","When mounting pressures and advancing age began to take a toll on Burruss, the Board of Visitors granted him a six-month leave of absence on 4 January 1945, and named John Hutcheson, Director of the Agriculture Extension Service, as Executive Assistant to the President. On 10 January 1945, Burruss suffered a fractured vertebrae in an automobile accident, so on 12 January, the Rector of the Board requested that Hutcheson assume the duties of the presidency immediately. At the Board meeting on 15 May, Burruss was elected \"President Emeritus\" and the search for a new president began. Burruss died two years later."],"odd_html_tesm":["\u003cp\u003eThe guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 (\u003ca href=\"https://creativecommons.org/share-your-%20work/public-domain/cc0/\" target=\"_blank\"\u003ehttps://creativecommons.org/share-your- work/public-domain/cc0/\u003c/a\u003e).\u003c/p\u003e"],"odd_heading_ssm":["Rights Statement for Archival Description"],"odd_tesim":["The guide to the Records of the Office of the President, Julian A. Burruss by Special Collections and University Archives, Virginia Tech, is licensed under a CC0 ( https://creativecommons.org/share-your- work/public-domain/cc0/ )."],"prefercite_html_tesm":["\u003cp\u003eResearchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va.\u003c/p\u003e"],"prefercite_tesim":["Researchers wishing to cite this collection should include the following information: [identification of item], [box], [folder], Records of the Office of the President, Julian A. Burruss, RG 2/8, Special Collections and University Archives, Virginia Tech, Blacksburg, Va."],"processinfo_html_tesm":["\u003cp\u003eThe processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The processing, arrangement, and description of the Records of the Office of the President, Julian A. Burruss commenced in July 2005 and was completed in May 2006. The collection was previously processed by Digital Library and Archives staff."],"relatedmaterial_html_tesm":["\u003cp\u003eSee also the \u003ca href=\"https://ead.lib.virginia.edu/vivaxtf/view?docId=jmu/vihart00259.xml\" target=\"_new\"\u003eJulian Ashby Burruss Papers, 1904-2005, UA 0023,\u003c/a\u003e at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Archival Materials"],"relatedmaterial_tesim":["See also the  Julian Ashby Burruss Papers, 1904-2005, UA 0023,  at Special Collections, Carrier Library, James Madison University, Harrisonburg, VA."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.\u003c/p\u003e\n","\u003cp\u003eThe collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.\u003c/p\u003e\n","\u003cp\u003eIn addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["This collection contains mostly correspondence, including with the Board of Visitors (1919-1928) and with faculty (1919-1946). Some of the material in this collection pre-dates the beginning of Burruss' presidency.","The collection also contains lecture notes and writings (1906-1922, 1930-1931); reports to Board of Trustees of the State Normal School for Women at Harrisonburg (1908-1919); Virginia Agricultural Experiment Station financial reports (1910-1921); minutes of Normal School Board (1915-1917); payrolls (1918-1921); applications for faculty positions (1920-22); budget materials (1920-1924, 1926/1927-1928/1929, 1941-1942); reports of various committees (1921-1925); invoices and insurance policies (1923-1924); contracts (1925-1946); departmental reports (1928); library annual reports (1935/1936-1936/1937); academic reports (1935-1940); Virginia Academy of Science Planning Committee material (1940); items relating to the Radford-VPI merger (1943-1944); reports of Treasurer to Department of Interior and Agriculture on income from fund derived for Land Grant Act of 1862 or from land grants made in lieu of 1862 grant; Public Works Administration records relating to buildings constructed on campus using PWA funds.","In addition to titles, some folder entries include information about topics covered in the folder. Please note, these are highlights and not exhaustive lists of subjects contained in the file."],"userestrict_html_tesm":["\u003cp\u003eThe copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. \u003c/p\u003e\n","\u003cp\u003eReproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form: \u003ca href=\"http://bit.ly/scuareproduction\" target=\"_blank\"\u003ehttp://bit.ly/scuareproduction\u003c/a\u003e. Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form: \u003ca href=\"http://bit.ly/scuapublication\" target=\"_blank\"\u003ehttp://bit.ly/scuapublication\u003c/a\u003e. Please contact Special Collections and University Archives (\u003ca href=\"mailto:specref@vt.edu\"\u003especref@vt.edu\u003c/a\u003e or 540-231-6308) if you need assistance with forms or to submit a completed form.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Reproductions and Use"],"userestrict_tesim":["The copyright status of this collection is unknown. Copyright restrictions may apply. Contact Special Collections and University Archives for assistance in determining the use of these materials. ","Reproduction or digitization of materials for personal or research use can be requested using our reproduction/digitization form:  http://bit.ly/scuareproduction . Reproduction or digitization of materials for publication or exhibit use can be requested using our publication/exhibition form:  http://bit.ly/scuapublication . Please contact Special Collections and University Archives ( specref@vt.edu  or 540-231-6308) if you need assistance with forms or to submit a completed form."],"abstract_html_tesm":["\u003cabstract id=\"aspace_99ffc4b6975dcc96ab6039abbbb6e7a7\" label=\"Abstract\"\u003eThe bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports.\u003c/abstract\u003e"],"abstract_tesim":["The bulk of the collection contains correspondence concerning Julian Ashby Burruss' tenure as president of Virginia Polytechnic Institute, as well as lecture notes, reports to the Board of Trustees of the State Normal School, and Experiment Station reports."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_3fe84f921447fe3b159cbba915706c4b\"\u003e\u003cemph render=\"bold\"\u003ePlease note:\u003c/emph\u003e This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information.\u003c/physloc\u003e"],"physloc_tesim":["Please note:  This collection is in off-site storage and requires 2-3 days notice for retrieval. Please contact Special Collections and University Archives for more information."],"names_coll_ssim":["Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"names_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)","Burruss, Julian Ashby, 1876-1947"],"corpname_ssim":["Special Collections and University Archives, Virginia Tech","Virginia Polytechnic Institute and State University. Office of the President","Virginia Agricultural and Mechanical College and Polytechnic Institute (1896-1944)","Virginia Polytechnic Institute (1944-1970)"],"persname_ssim":["Burruss, Julian Ashby, 1876-1947"],"language_ssim":["The materials in the collection are in English."],"total_component_count_is":2949,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T02:11:33.061Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viblbv_repositories_2_resources_3051_c06_c03_c98"}},{"id":"viu_repositories_3_resources_724_c10_c29","type":"File","attributes":{"title":"Work Notes during the Congress of Industrial Organization period, kept by W. Jett Lauck","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_724_c10_c29#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_724_c10_c29","ref_ssm":["viu_repositories_3_resources_724_c10_c29"],"id":"viu_repositories_3_resources_724_c10_c29","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724_c10","parent_ssi":"viu_repositories_3_resources_724_c10","parent_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c10"],"parent_ids_ssim":["viu_repositories_3_resources_724","viu_repositories_3_resources_724_c10"],"parent_unittitles_ssm":["W. Jett Lauck papers","Dockets and Other Records of Work by W. Jett Lauck"],"parent_unittitles_tesim":["W. Jett Lauck papers","Dockets and Other Records of Work by W. Jett Lauck"],"text":["W. Jett Lauck papers","Dockets and Other Records of Work by W. Jett Lauck","Work Notes during the Congress of Industrial Organization period, kept by W. Jett Lauck","box 215","folder 6"],"title_filing_ssi":"Work Notes during the Congress of Industrial Organization period, kept by W. Jett Lauck","title_ssm":["Work Notes during the Congress of Industrial Organization period, kept by W. Jett Lauck"],"title_tesim":["Work Notes during the Congress of Industrial Organization period, kept by W. Jett Lauck"],"unitdate_inclusive_ssm":["circa 1934-1937"],"normalized_date_ssm":["1934/1937"],"normalized_title_ssm":["Work Notes during the Congress of Industrial Organization period, kept by W. Jett Lauck"],"component_level_isim":[2],"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["W. Jett Lauck papers"],"extent_ssm":["1 folder(s)"],"extent_tesim":["1 folder(s)"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":1918,"parent_access_restrict_tesm":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241."],"date_range_isim":[1934,1935,1936,1937],"containers_ssim":["box 215","folder 6"],"_nest_path_":"/components#9/components#28","timestamp":"2026-05-20T23:56:56.558Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_724","ead_ssi":"viu_repositories_3_resources_724","_root_":"viu_repositories_3_resources_724","_nest_parent_":"viu_repositories_3_resources_724","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_724.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/105255","title_filing_ssi":"Lauck, W. Jett, papers","title_ssm":["W. Jett Lauck papers"],"title_tesim":["W. Jett Lauck papers"],"unitdate_ssm":["circa 1900-1952"],"unitdate_inclusive_ssm":["circa 1900-1952"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"text":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724","W. Jett Lauck papers","Lewis, John L. (John Llewellyn), 1880-1969","World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics","Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742.","There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.","William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.","The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.","Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.","See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).","The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).","Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.","Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949","English"],"unitid_tesim":["MSS 4742","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/724"],"normalized_title_ssm":["W. Jett Lauck papers"],"collection_title_tesim":["W. Jett Lauck papers"],"collection_ssim":["W. Jett Lauck papers"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Lewis, John L. (John Llewellyn), 1880-1969"],"geogname_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"creator_ssm":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creator_persname_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"creators_ssim":["Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"places_ssim":["Lewis, John L. (John Llewellyn), 1880-1969"],"acqinfo_ssim":["The largest group of W. Jett Lauck papers was given to University of Virginia Law Library by Charles Chase, Washington, D.C. in April 1954 and then transferred from the Law Library to the University of Virginia Special Collections Library on March 23, 1973 and October 7, 1974. The second accession (formerly MSS 4742-a) was given to the Special Collections Library on October 31, 1979, by Charles Chase, with Peter B. Lauck and Eleanor M. Lauck, Annapolis, Maryland, as the donors of record. The last accession (formerly MSS 4742-b)was given to the Libary on 2012 by Peter B. Lauck and Eleanor M. Lauck."],"access_subjects_ssim":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"access_subjects_ssm":["World War, 1939-1945","New Deal, 1933-1939","Depressions - 1929","United Mine Workers of America","Labor unions","American Association for Economic Freedom","Anthracite coal--Pennsylvania","Railroads -- History","Railroads","Electric railroads","World War, 1914-1918","Economics"],"has_online_content_ssim":["false"],"extent_ssm":["212 Cubic Feet"],"extent_tesim":["212 Cubic Feet"],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952],"accessrestrict_html_tesm":["\u003cp\u003eWork diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.\u003c/p\u003e","\u003cp\u003eStudent grades were removed from the file and placed in the control folder box for MSS 4742.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access","Conditions Governing Access"],"accessrestrict_tesim":["Work diaries used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date in Boxes 216-219. Due to their fragile condition, access to the original diaries is restricted. Researchers should use the diaries on microfilm M-1239-1241.","Student grades were removed from the file and placed in the control folder box for MSS 4742."],"arrangement_html_tesm":["\u003cp\u003eThere are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. \u003c/p\u003e\n","\u003cp\u003eAn Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).\u003c/p\u003e","\u003cp\u003eLauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by last name of authors or speakers with subjects noted, if appropriate.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement","Arrangement","Arrangement"],"arrangement_tesim":["There are fifteen series in this collection. The two largest series are the Cases and Topical series. The majority of series have at least two subseries. Lauck had created two earlier indexes to his files and they were used to shape the current re-organization of the collection, particularly concerning the case files. Some of the decisions concerning arrangement were made due to the difficulties of completing the processing of the W. Jett Lauck papers during the Pandemic of 2020-2021. ","An Outline of the Arrangement is as follows: Series 1) Correspondence (Boxes 1-16); Series 2) American Association for Economic Freedom (Boxes 17-37 and Card files boxes 1-12); Series 3) National War Labor Board (Boxes 38-56); Series 4) Congress of Industrial Organizations (Boxes 57-67); Series 5) Commission on Industrial Relations (Boxes 68-72); Series 6) Articles, Memoranda, and Speeches by W. Jett Lauck (Boxes 73-91) with Subseries A) Work created by W. Jett Lauck for use by himself (Boxes 73-91), Subseries B) Work created by W. Jett Lauck for other people to use (Boxes 82-88), and Subseries C) Banking Monograph by W. Jett Lauck (Boxes 89-91); Series 7) Pennsylvania Anthracite Coal Commission (Boxes 92-103); Series 8) Cases (Boxes 104-204) with  Subseries A) Railroad (Boxes 104-146), Subseries B) General (Boxes 147-169), and Subseries C) Coal (Boxes 170-204); Series 9) Arbitrations (Boxes 205-211); Series 10) Dockets and Other Records of Work by W. Jett Lauck (Boxes 212-219); Series 11) Personal, Financial and Miscellany Papers (Boxes 220-233) with Subseries A) Financial Correspondence and Files (Boxes 220-225), Subseries B) Bureau of Applied Economics (Boxes 225-226), Subseries C) College Notes and School Papers (Boxes 227-230), and Subseries D) Notes, Notebooks, Photographs, Post cards and Miscellany (Boxes 230-233); Series 12) The National Recovery Act and National Recovery Administration (Boxes 234-241) with Subseries A) General Files (Boxes 234-238) and Subseries B) National Recovery Administration Codes (Boxes 238-241); Series 13) Oversize Scrapbook Volumes of Newspaper Clippings and News clippings Files with Subseries A) Scrapbooks (Boxes 242-252) and Subseries B) News clipping Files (Boxes 253-257); Series 14) Topical Files with Subseries A) Coal (Boxes 258-270), Subseries B) Railroad (Boxes 271-287), and Subseries C) General A-Z (Boxes 288-389); and Series 15) Printed Material and Works by Others (Boxes 389-399) with Subseries A) Printed Material (Boxes 389-396) and Subseries B) Works by Others (Boxes 397-399).","Lauck often marked his newspapers and other periodical materials according to subject matter. These clippings are arranged according to his original categorical markings, where possible. Where no markings are discernable, they have been artificially sorted into Lauck's categories or other appropriate topical divisions. They are arranged alphabetically by subject with dedicated, separate folders for subjects with large amounts of material. (Brackets [] denote subtopics or linked topics). Files chiefly consist of news clippings but occasionally there is other printed material or charts, etc.","Arranged alphabetically by last name of authors or speakers with subjects noted, if appropriate."],"bioghist_html_tesm":["\u003cp\u003eWilliam Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.\u003c/p\u003e\n","\u003cp\u003eLauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. \u003c/p\u003e\n","\u003cp\u003eLauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. \u003c/p\u003e\n","\u003cp\u003eDuring a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. \u003c/p\u003e\n","\u003cp\u003eLauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"\u003c/p\u003e\n","\u003cp\u003e\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.\u003c/p\u003e","\u003cp\u003e\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]\u003c/p\u003e\n","\u003cp\u003eThe CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.\u003c/p\u003e\n","\u003cp\u003eIn its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia \u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations\u003c/p\u003e","\u003cp\u003eThe Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.\u003c/p\u003e","\u003cp\u003eTimothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .\u003c/p\u003e","\u003cp\u003eThe Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.\u003c/p\u003e","\u003cp\u003eThis case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.\u003c/p\u003e","\u003cp\u003eThe Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.\u003c/p\u003e","\u003cp\u003eThis case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.\u003c/p\u003e","\u003cp\u003eThe Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.\u003c/p\u003e","\u003cp\u003eThe Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.\u003c/p\u003e","\u003cp\u003eSome 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.\u003c/p\u003e","\u003cp\u003eThis case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.\u003c/p\u003e","\u003cp\u003eThe Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.\u003c/p\u003e","\u003cp\u003ePujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.\u003c/p\u003e","\u003cp\u003eEugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.\u003c/p\u003e","\u003cp\u003eThis committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.\u003c/p\u003e","\u003cp\u003eP.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical","Biographical / Historical"],"bioghist_tesim":["William Jett Lauck, an American economist and statistician, whose work expertise and experience was both broad and varied, was born on August 2, 1879, in Keyser, West Virginia, to William Blackford Lauck, a railway official, and Emma Eltinge (Spengler) Lauck. He attended Keyser High School and Washington and Lee University (Bachelor of Arts, 1903), becoming a Fellow in the department of political economy at the University of Chicago, 1903-1906. Lauck was an associate professor of economics and political science at Washington and Lee University, 1905-1908, until he entered government service in 1908. That same year, he was married to Eleanor Moore Dunlap of Lexington, Virginia, and they had three children, William Jett Lauck, Jr., Eleanor Moore Lauck and Peter Blackford Lauck. Lauck belonged to the Cosmos and Chevy Chase clubs and was a member of Phi Beta Kappa, Kappa Sigma, and Theta Nu Epsilon.","Lauck joining the United States Immigration Commission in 1908-1909, where he designed a survey of immigration for the Commission. Lauck was the chief examiner for the Tariff Board, 1910-1911. The U.S. Commission on Industrial Relations hired Lauck in 1913-1915 as a managerial expert and consulting statistician to design their investigation into industrial problems in the United States. He was an economic advisor on the Canadian Commission on Economic Development, 1916. Lauck joined the U.S. National War Labor Board in 1918 as Secretary. ","Lauck also took part in the national movement for banking reform and the establishment of the Federal Reserve banking system1911-1912. As an expert on railway economics, he represented the Brotherhoods of Locomotive Firemen and Engineers in their demands for wage increases during a series of arbitrations from 1912-1919, the Western freight weight case, 1915, and also represented the railroad unions in several high-profile national railroad arbitrations in the early twenties. Lauck functioned as the economic advisor for presidential candidate James B. Cox in 1920 and 1924. In 1926, Lauck devised a settlement to end the Passaic New Jersey textile strike. ","During a large part of his career, W. Jett Lauck acted as an economic advisor to John L. Lewis and the United Mine Workers, the Committee on Industrial Organization, the United Automobile Workers and other union organizations, in arbitrations and cases, 1919-1939. He was an investigator for the U.S. Coal Commission, 1923 and economist for the Grain Marketing Company, Chicago, 1924-1925. Lauck assisted on the legislative drafting committee for the National Recovery Act in 1933 and as an expert advisor to the Senate Finance Committee on the revision of the National Recovery Act in 1935. He was also a member of various special boards, and a labor advisor to the Coal Section of the National Recovery Act, 1933-1935. He was also often a government expert witness, as seen in his work for the House of Representatives Special Committee on Government Competition with Private Business, 1933. Lauck served as Chairman of the Pennsylvania Anthracite Industry Coal Commission, 1937. ","Lauck was Vice President of the organization American Association for Economic Freedom. He was also an author or co-author of many books and other publications, including \"The Causes of the Panic of 1893\" (1905); \"The Immigration Problem\" with Johann Wolfgang Jenks (1911); \"Conditions of Labor in American Industries\" with Edgar Sydenstricker (1917); \"The Industrial Code\" with C.S. Watts (1923); Political and Industrial Democracy, 1776-1926\" (1926); and \"The New Industrial Revolution and Wages\" (1929) and Editor of \"British War Experience Series.\"","\"W. Jett Lauck: Biography of a Reformer\" by Carmen Brissette Grayson is a 1975 University of Virginia dissertation that covers the early part of Lauck's career up until the Depression.","\"The Congress of Industrial Organizations (CIO) was a federation of unions that organized workers in industrial unions in the United States and Canada from 1935 to 1955. Created in 1935 by John L. Lewis, who was a part of the United Mine Workers (UMW), it was originally called the Committee for Industrial Organization but changed its name in 1938 when it broke away from the American Federation of Labor.[1] It also changed names because it was not successful with organizing unskilled workers with the AFL.[2]","The CIO supported Franklin D. Roosevelt and the New Deal Coalition, and was open to African Americans. Both the CIO and its rival the AFL grew rapidly during the Great Depression. The rivalry for dominance was bitter and sometimes violent. The CIO (Congress for Industrial Organization) was founded on November 9, 1935, by eight international unions belonging to the American Federation of Labor.","In its statement of purpose, the CIO said it had formed to encourage the AFL to organize workers in mass production industries along industrial union lines. The CIO failed to change AFL policy from within. On September 10, 1936, the AFL suspended all 10 CIO unions (two more had joined in the previous year). In 1938, these unions formed the Congress of Industrial Organizations as a rival labor federation. The Taft-Hartley Act of 1947 required union leaders to swear that they were not Communists. Many CIO leaders refused to obey that requirement, later found unconstitutional. In 1955, the CIO rejoined the AFL, forming the new entity known as the American Federation of Labor-Congress of Industrial Organizations (AFL-CIO).\" This summary was taken directly from Wikipedia ","https://en.wikipedia.org/wiki/Congress_of_Industrial_Organizations","The Wage Reduction Case was brought by William S. Carter, President of the Brotherhood of Locomotive Firemen and Enginemen, originally against the Atlanta, Birmingham, and Atlantic Railway Company, before the United States Railroad Labor Board, but it eventually became a much larger case involving other Brotherhoods and Unions concerning railroad workers and wages.","Timothy Shea was the Acting President of the Brotherhood of Locomotive Firemen and Enginemen between 1919-1922 .","The Six Hour Day Case was also referred to as the 30 Hour Week in the press and in supporting materials. The work was undertaken by Lauck for David B. Robertson, President of the Brotherhood of Locomotive Firemen and Enginemen.","This case was brought by the Brotherhood of Locomotive Firemen and Enginemen demanding that a fireman (helper) be employed on all types of power used in railroad service for safety, including diesel and streamline trains.","The Railway Wage Reduction Case of 1938 was presented before the Emergency Board by W. Jett Lauck on behalf of the Railway Labor Executives' Association.","This case was a call for amendment to the Tariff Act of 1922. Lauck represented a group of domestic manufacturers, including the Glass Containers Association of America, in putting together an argument for an increase in tariffs on imported glass bottles. It is important to note that Lauck did not represent industry in opposition to labor. The Glass Bottles Blowers Association submitted a brief agreeing with the domestic manufacturers, —but only in opposition to foreign goods making American industry and labor obsolete.","The Grain Marketing Company was created to jointly market the product of three grain companies: Armour Grain Company, Rosenbaum Grain Corporation, and Rosenbaum Brothers. W. Jett Lauck served as Director of Appraisals for this venture, preparing a large report on the valuation of the Grain Marketing Company's properties. This report was reproduced in many, slightly altered formats for different purposes, people, and groups, and these variants are the subject of many folders in the case, which contain significant overlap.","The Agricultural Adjustment Administration implemented a new tax on paper towels. The reason given was that they competed with typical cotton towels. W. Jett Lauck advised the Paper Towel Manufacturers Association and prepared their case before the Agricultural Adjustment Administration and Congress.","Some 16,000 textile workers participated in the strike, centered in Passaic, New Jersey and initially organized as the \"United Front Committee\" by the Workers (Communist Party) before being transferred to the leadership of the American Federation of Labor. W. Jett Lauck served as a consulting economist to the strikers, chairman of the Plenary Committee (also known as The Citizens Committee or the Lauck Committee) representing the strikers and overseeing transition to the American Federation of Labor, economist for the National Committee for Passaic Relief and Defense, and member of the Temporary Committee for Establishment of American Standards of Life for Textile Workers, as well as participated in the case on the floor of the Senate and in Senate Committees.","This case was between the Franklin Division of the Franklin Typothetae of Chicago and a collection of unions, namely: the Chicago Typographical Union No. 16, Chicago Printing Pressmen's Union No. 3, Franklin Union No. 4, and Bookbinders' and Paper Cutters' Union No. 8 regarding a cut in wages. W. Jett Lauck represented the unions and prepared their case alongside Arthur Sturgis.","The Guffey-Snyder Act was officially known as the Bituminous Coal Conservation Act of 1935. This law was passed as part of the New Deal and created the Bituminous Coal Commission to set the price of coal. It was ruled unconstitutional and was replaced by the Guffey-Vinson Act in 1937.","Pujo Committe named after the chairman of the Banking and Currency Committee, Representative A. Pujo of Louisiana.","Eugene Meyer was Governor of the Federal Reserve Board and J.W. Pole was Comptroller of the Currency in 1932.","This committee was chaired by Congressman Joseph B. Shannon, (1867-1943), a Democrat from Kansas City, Missouri.","P.J. Morrin was the general president of the International Association of Bridge, Structural, and Iron Workers; Jett Lauck was the economic advisor for the same organization."],"originalsloc_html_tesm":["\u003cp\u003eThe original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.\u003c/p\u003e","\u003cp\u003eThe original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals","Existence and Location of Originals","Existence and Location of Originals"],"originalsloc_tesim":["The original letters from Franklin D. Roosevelt to W. Jett Lauck were transferred to the UVA Special Collections Franklin D. Roosevelt papers, on February 6, 2005.","The original letters from Upton Sinclair to W. Jett Lauck were transferred to the UVA Special Collections Upton Sinclair papers on February 6, 2005.","The original letters from William H. Taft to W. Jett Lauck were transferred to the UVA Special Collections William H. Taft papers on February 6, 2005."],"processinfo_html_tesm":["\u003cp\u003eManuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.\u003c/p\u003e","\u003cp\u003eOnly two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.\u003c/p\u003e","\u003cp\u003eOriginally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.\u003c/p\u003e","\u003cp\u003ePhysical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eMost dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThe index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information","Processing Information","Processing Information","Processing Information"],"processinfo_tesim":["Manuscript student assistants who worked on the W. Jett Lauck papers for at least one semester include Jacob M. Baker, Shannon Lee, Jacob T. Shaw, and Emily Shipman.","Only two copies of identical duplicates having no annotations were kept. Duplicates were compared and only two were kept of each unique document or publication.  News clippings were only copied if used by Lauck in a case or arbitration, contained an article or other work by him, or information pertaining to his work and career. Others were sorted and arranged by topcs that he had written on the clipping; those with no obvious relevance were discarded. Ledgers and scrapbooks were rehoused in acid free cubic boxes or phase boxes created by the Preservation staff.","Originally the papers were organized with the help of a University of Virginia history seminar sometime between their transfer to Special Collections from the Law Library and 1973, producing a large paper finding aid consisting of the list of the file folder headings. Folders were replaced near the end of the 1990's but some folder headings were lost or corrupted. In 2018, the papers were re-organized into series based on several early indexes created by the office of W. Jett Lauck. Folder headings were corrected based on the indexes, the original paper finding aid, and Lauck's notations on the tops of his documents. Headings were altered on the folders when possible to match the finding aid but only some of the folders were replaced due to constraints of time and money.","Physical processing work was complicated by constant student assistant turn-over and the interruption of the Pandemic of 2020-2021, which prevented onsite work for almost six months and allowed only several onsite short stints per week  the rest of the time. The finding aid is as accurate as these conditions have permitted but there may well be inconsistencies. If such errors are discovered, we welcome researcher input.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","Most dockets were found together and left as a series. Occasionally dockets were found with their related papers. In those cases, the dockets remain in the their related individual series and were not moved to the Docket series. At this point it is impossible to be sure of the original order by W. Jett Lauck.","The index for this case shows that the supporting materials are incomplete. Some materials may have not survived or others may be present in the collection but their direct connection to this particular case has been lost."],"relatedmaterial_html_tesm":["\u003cp\u003eSee related material in Box 9 under John L. Lewis.\u003c/p\u003e","\u003cp\u003eSee also Press Releases: Philip Murray Opening Statement and Final Argument.\u003c/p\u003e","\u003cp\u003eSee related materials in MSS 4742 Box 192.\u003c/p\u003e","\u003cp\u003eSee also James Couzens files in MSS 4742, Box 308.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders).\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["See related material in Box 9 under John L. Lewis.","See also Press Releases: Philip Murray Opening Statement and Final Argument.","See related materials in MSS 4742 Box 192.","See also James Couzens files in MSS 4742, Box 308.","Profiteering files include: Exhibits (2 folders); Food Products; Flour; General; and Industrial Establishment (2 folders)."],"scopecontent_html_tesm":["\u003cp\u003eThe W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.\u003c/p\u003e\n","\u003cp\u003eOther manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.\u003c/p\u003e\n","\u003cp\u003eThe largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.\u003c/p\u003e\n","\u003cp\u003eHis correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.\u003c/p\u003e","\u003cp\u003eThis series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.\u003c/p\u003e","\u003cp\u003eCorrespondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.\u003c/p\u003e","\u003cp\u003eCorrespondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026amp; Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.\u003c/p\u003e","\u003cp\u003eTopics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).\u003c/p\u003e","\u003cp\u003eCorrespondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.\u003c/p\u003e","\u003cp\u003eCorrespondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.\u003c/p\u003e","\u003cp\u003eScope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.\u003c/p\u003e","\u003cp\u003eThese include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.\u003c/p\u003e","\u003cp\u003eCorrespondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.\u003c/p\u003e","\u003cp\u003eCorrespondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.\u003c/p\u003e","\u003cp\u003eCorrespondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.\u003c/p\u003e","\u003cp\u003eIncludes leases, workman's compensation insurance, correspondence, and unemployment compensation.\u003c/p\u003e","\u003cp\u003eThese include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"\u003c/p\u003e","\u003cp\u003eThese include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.\u003c/p\u003e","\u003cp\u003eThese titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"\u003c/p\u003e\n","\u003cp\u003eThe \"Post-War Reconstruction Bill\" is foldered separately.\u003c/p\u003e","\u003cp\u003eIncluded are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].\u003c/p\u003e","\u003cp\u003eIncluded are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.\u003c/p\u003e","\u003cp\u003eThese include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eIncludes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.\u003c/p\u003e","\u003cp\u003eClippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.\u003c/p\u003e","\u003cp\u003eIncluded are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.\u003c/p\u003e","\u003cp\u003eTopics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.\u003c/p\u003e","\u003cp\u003eSubjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.\u003c/p\u003e","\u003cp\u003eAccording to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.\u003c/p\u003e\n","\u003cp\u003ehttps://en.wikipedia.org/wiki/Commission_on_Industrial_Relations\u003c/p\u003e","\u003cp\u003eThese include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"\u003c/p\u003e","\u003cp\u003eIncludes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).\u003c/p\u003e","\u003cp\u003eIncludes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).\u003c/p\u003e","\u003cp\u003eIncludes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).\u003c/p\u003e","\u003cp\u003eIncludes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).\u003c/p\u003e","\u003cp\u003eIncludes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).\u003c/p\u003e","\u003cp\u003eIncludes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).\u003c/p\u003e","\u003cp\u003eIncludes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).\u003c/p\u003e","\u003cp\u003eIncludes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).\u003c/p\u003e","\u003cp\u003eIncludes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).\u003c/p\u003e","\u003cp\u003eIncludes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).\u003c/p\u003e","\u003cp\u003eIncludes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).\u003c/p\u003e","\u003cp\u003eIncludes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).\u003c/p\u003e","\u003cp\u003eIncludes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).\u003c/p\u003e","\u003cp\u003eIncludes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.\u003c/p\u003e","\u003cp\u003eSubjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.\u003c/p\u003e","\u003cp\u003eSubjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"\u003c/p\u003e","\u003cp\u003eSubjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"\u003c/p\u003e","\u003cp\u003eA checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"\u003c/p\u003e\n","\u003cp\u003eNext ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"\u003c/p\u003e\n","\u003cp\u003eThe next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.\u003c/p\u003e\n","\u003cp\u003eThe final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"\u003c/p\u003e","\u003cp\u003eWhile some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.\u003c/p\u003e\n","\u003cp\u003eThe United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").\u003c/p\u003e\n","\u003cp\u003eFor reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).\u003c/p\u003e","\u003cp\u003eReports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eReports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"\u003c/p\u003e","\u003cp\u003eThese include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).\u003c/p\u003e","\u003cp\u003eProposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.\u003c/p\u003e","\u003cp\u003eFiles included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.\u003c/p\u003e","\u003cp\u003eReports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"\u003c/p\u003e","\u003cp\u003eReports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"\u003c/p\u003e","\u003cp\u003eThese exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"\u003c/p\u003e","\u003cp\u003eThe volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"\u003c/p\u003e","\u003cp\u003eIncludes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.\u003c/p\u003e","\u003cp\u003eW. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.\u003c/p\u003e","\u003cp\u003eNote that all exhibits were presented before the United States Railroad Labor Board.\u003c/p\u003e","\u003cp\u003eExhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"\u003c/p\u003e","\u003cp\u003eExhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"\u003c/p\u003e","\u003cp\u003eThese include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"\u003c/p\u003e","\u003cp\u003eThe Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.\u003c/p\u003e","\u003cp\u003eExhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"\u003c/p\u003e","\u003cp\u003eThis file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.\u003c/p\u003e","\u003cp\u003eThese charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"\u003c/p\u003e","\u003cp\u003eCharts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"\u003c/p\u003e","\u003cp\u003eExhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"\u003c/p\u003e","\u003cp\u003eExhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"\u003c/p\u003e","\u003cp\u003eMorgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.\u003c/p\u003e","\u003cp\u003eThese include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).\u003c/p\u003e","\u003cp\u003eTables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"\u003c/p\u003e","\u003cp\u003eW. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.\u003c/p\u003e","\u003cp\u003eThere are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).\u003c/p\u003e","\u003cp\u003eThese include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.\u003c/p\u003e","\u003cp\u003eFiles include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.\u003c/p\u003e","\u003cp\u003eFiles include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).\u003c/p\u003e","\u003cp\u003eThere were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.\u003c/p\u003e","\u003cp\u003eIncludes news about the Bituminous Coal Commission.\u003c/p\u003e","\u003cp\u003eThis includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"\u003c/p\u003e","\u003cp\u003eFiles pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.\u003c/p\u003e","\u003cp\u003eMass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"\u003c/p\u003e\n","\u003cp\u003eSome dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.\u003c/p\u003e","\u003cp\u003eLetters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.\u003c/p\u003e","\u003cp\u003eThese three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.\u003c/p\u003e","\u003cp\u003eThe two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.\u003c/p\u003e","\u003cp\u003eItems include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.\u003c/p\u003e","\u003cp\u003eThe History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.\u003c/p\u003e","\u003cp\u003eThe unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.\u003c/p\u003e","\u003cp\u003eThese exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.\u003c/p\u003e","\u003cp\u003eMemoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.\u003c/p\u003e","\u003cp\u003ePress Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.\u003c/p\u003e","\u003cp\u003eMorrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.\u003c/p\u003e","\u003cp\u003eIncludes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.\u003c/p\u003e","\u003cp\u003eStatements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.\u003c/p\u003e","\u003cp\u003eThe reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.\u003c/p\u003e","\u003cp\u003eThe Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.\u003c/p\u003e","\u003cp\u003eStatistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.\u003c/p\u003e","\u003cp\u003eNote: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.\u003c/p\u003e","\u003cp\u003eLauck also referred to this as the Mahon Case, after President William D. Mahon.\u003c/p\u003e","\u003cp\u003eFile includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan\u003c/p\u003e","\u003cp\u003eThese include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"\u003c/p\u003e","\u003cp\u003eAll the years but 1933-1935 have an index in the front of the folder.\u003c/p\u003e","\u003cp\u003eThese \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.\u003c/p\u003e","\u003cp\u003eFile includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).\u003c/p\u003e","\u003cp\u003eThe 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.\u003c/p\u003e","\u003cp\u003eThe Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.\u003c/p\u003e\n","\u003cp\u003eOne of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. \u003c/p\u003e","\u003cp\u003eFile includes Monthly Statements, Proofs of Notices, Subscribers and Sales.\u003c/p\u003e","\u003cp\u003eFile includes Correspondence, Papers, and Table of Contents.\u003c/p\u003e","\u003cp\u003eLauck taught a course on the History of the Labor Movement at the American University.\u003c/p\u003e","\u003cp\u003eThe Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.\u003c/p\u003e","\u003cp\u003eThese College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.\u003c/p\u003e","\u003cp\u003eMuch of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.\u003c/p\u003e","\u003cp\u003eThese photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eThese photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.\u003c/p\u003e","\u003cp\u003eThis file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.\u003c/p\u003e","\u003cp\u003eThis folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17\u003c/p\u003e","\u003cp\u003eTopics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.\u003c/p\u003e","\u003cp\u003eTopics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.\u003c/p\u003e","\u003cp\u003eTopics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.\u003c/p\u003e","\u003cp\u003eSee also, Strikes, U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.\u003c/p\u003e","\u003cp\u003eTopics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.\u003c/p\u003e","\u003cp\u003eTopics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.\u003c/p\u003e","\u003cp\u003eTopics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.\u003c/p\u003e","\u003cp\u003eTopics include Industrial Divide, Industry, Inflation/Deflation, and Israel.\u003c/p\u003e","\u003cp\u003eJapan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).\u003c/p\u003e","\u003cp\u003eTopics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.\u003c/p\u003e","\u003cp\u003eTopics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.\u003c/p\u003e","\u003cp\u003eTopics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.\u003c/p\u003e","\u003cp\u003eTopics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.\u003c/p\u003e","\u003cp\u003eFor more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.\u003c/p\u003e","\u003cp\u003eFile contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.\u003c/p\u003e","\u003cp\u003eTopics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.\u003c/p\u003e","\u003cp\u003eTopics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.\u003c/p\u003e","\u003cp\u003eSee also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.\u003c/p\u003e","\u003cp\u003eTopics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.\u003c/p\u003e","\u003cp\u003eSee also S—San Francisco Conference and World Government.\u003c/p\u003e","\u003cp\u003eTopics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].\u003c/p\u003e","\u003cp\u003eThis file includes agendas, correspondence, reports, membership, and the tentative program.\u003c/p\u003e","\u003cp\u003eTopics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.\u003c/p\u003e","\u003cp\u003eThis file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.\u003c/p\u003e","\u003cp\u003eIncludes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"\u003c/p\u003e","\u003cp\u003eThe Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.\u003c/p\u003e","\u003cp\u003eThese news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.\u003c/p\u003e","\u003cp\u003ePublications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.\u003c/p\u003e","\u003cp\u003eLauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.\u003c/p\u003e","\u003cp\u003eFiles include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.\u003c/p\u003e","\u003cp\u003eIncludes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).\u003c/p\u003e","\u003cp\u003eBanking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.\u003c/p\u003e","\u003cp\u003eIncludes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.\u003c/p\u003e","\u003cp\u003eCigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).\u003c/p\u003e","\u003cp\u003eThese include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).\u003c/p\u003e","\u003cp\u003eThese include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).\u003c/p\u003e","\u003cp\u003eThese files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).\u003c/p\u003e","\u003cp\u003eThese files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).\u003c/p\u003e","\u003cp\u003eConstitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).\u003c/p\u003e","\u003cp\u003eMaterial includes the labor and production costs of cotton, silk and wool goods before and after World War I.\u003c/p\u003e","\u003cp\u003eFiles include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).\u003c/p\u003e","\u003cp\u003eMemoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.\u003c/p\u003e","\u003cp\u003eThese include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.\u003c/p\u003e","\u003cp\u003eThis opinion was given by the General Counsel of the Federal Reserve Board.\u003c/p\u003e","\u003cp\u003eThese files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.\u003c/p\u003e","\u003cp\u003eThese House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).\u003c/p\u003e","\u003cp\u003eIncludes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"\u003c/p\u003e","\u003cp\u003eIncludes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)\u003c/p\u003e","\u003cp\u003eThe topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.\u003c/p\u003e","\u003cp\u003eThe topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.\u003c/p\u003e","\u003cp\u003eTwo of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.\u003c/p\u003e","\u003cp\u003eCompanies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.\u003c/p\u003e","\u003cp\u003eFiles include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.\u003c/p\u003e","\u003cp\u003eLabor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).\u003c/p\u003e","\u003cp\u003eAdditional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.\u003c/p\u003e","\u003cp\u003eInterstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"\u003c/p\u003e","\u003cp\u003eAdditional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.\u003c/p\u003e","\u003cp\u003eAdditional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.\u003c/p\u003e","\u003cp\u003eJourneymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.\u003c/p\u003e","\u003cp\u003eAdditional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.\u003c/p\u003e","\u003cp\u003eThe Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).\u003c/p\u003e","\u003cp\u003eLiving Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"\u003c/p\u003e","\u003cp\u003eThese documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.\u003c/p\u003e","\u003cp\u003eMitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.\u003c/p\u003e","\u003cp\u003eLiterature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.\u003c/p\u003e","\u003cp\u003eItems include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.\u003c/p\u003e","\u003cp\u003eThese files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.\u003c/p\u003e","\u003cp\u003eThese bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.\u003c/p\u003e","\u003cp\u003eFiles include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.\u003c/p\u003e","\u003cp\u003eApparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"\u003c/p\u003e\n","\u003cp\u003eIncludes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.\u003c/p\u003e","\u003cp\u003eIncludes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.\u003c/p\u003e","\u003cp\u003eIncludes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.\u003c/p\u003e","\u003cp\u003eIncludes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.\u003c/p\u003e","\u003cp\u003eThese files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.\u003c/p\u003e","\u003cp\u003eProfiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.\u003c/p\u003e","\u003cp\u003eProfiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).\u003c/p\u003e","\u003cp\u003eProfiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.\u003c/p\u003e","\u003cp\u003eIncludes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.\u003c/p\u003e","\u003cp\u003eFiles include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.\u003c/p\u003e","\u003cp\u003eRussia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".\u003c/p\u003e","\u003cp\u003eFiles include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.\u003c/p\u003e","\u003cp\u003eFiles include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.\u003c/p\u003e","\u003cp\u003eFiles include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.\u003c/p\u003e","\u003cp\u003eThis file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"\u003c/p\u003e","\u003cp\u003eThe file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.\u003c/p\u003e","\u003cp\u003eReports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.\u003c/p\u003e","\u003cp\u003eFiles for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.\u003c/p\u003e","\u003cp\u003eFiles include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.\u003c/p\u003e","\u003cp\u003eSocialism files include; \"What it is and what it is not\" and History in the United States.\u003c/p\u003e","\u003cp\u003eFiles include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.\u003c/p\u003e","\u003cp\u003eFiles include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.\u003c/p\u003e","\u003cp\u003eFiles include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"\u003c/p\u003e","\u003cp\u003eFiles include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.\u003c/p\u003e","\u003cp\u003eFiles include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).\u003c/p\u003e","\u003cp\u003eFiles include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.\u003c/p\u003e","\u003cp\u003eTopics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).\u003c/p\u003e","\u003cp\u003eFile includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.\u003c/p\u003e","\u003cp\u003eTopics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.\u003c/p\u003e","\u003cp\u003eFiles include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.\u003c/p\u003e","\u003cp\u003eFiles include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"\u003c/p\u003e","\u003cp\u003eFiles include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).\u003c/p\u003e","\u003cp\u003eTaxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.\u003c/p\u003e","\u003cp\u003eFiles include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.\u003c/p\u003e","\u003cp\u003eTopics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"\u003c/p\u003e","\u003cp\u003eFiles include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.\u003c/p\u003e","\u003cp\u003eWage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).\u003c/p\u003e","\u003cp\u003eWage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.\u003c/p\u003e","\u003cp\u003eTopics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.\u003c/p\u003e","\u003cp\u003eMaterials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.\u003c/p\u003e","\u003cp\u003eTitles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).\u003c/p\u003e","\u003cp\u003eTitles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).\u003c/p\u003e","\u003cp\u003eTitles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).\u003c/p\u003e","\u003cp\u003eTitles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).\u003c/p\u003e","\u003cp\u003eTitles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).\u003c/p\u003e","\u003cp\u003eIncludes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).\u003c/p\u003e","\u003cp\u003eIncludes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).\u003c/p\u003e","\u003cp\u003eIncludes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).\u003c/p\u003e","\u003cp\u003eIncludes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).\u003c/p\u003e","\u003cp\u003eIncludes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).\u003c/p\u003e","\u003cp\u003eIncludes Samuel Brodbelt with a letter to Lauck, February 1, 1940.\u003c/p\u003e","\u003cp\u003eIncludes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).\u003c/p\u003e","\u003cp\u003eIncludes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).\u003c/p\u003e","\u003cp\u003eIncludes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).\u003c/p\u003e","\u003cp\u003eIncludes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).\u003c/p\u003e","\u003cp\u003eIncludes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).\u003c/p\u003e","\u003cp\u003eIncludes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).\u003c/p\u003e","\u003cp\u003eIncludes samples of his articles with a biographical summary up to 1933.\u003c/p\u003e","\u003cp\u003eIncludes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).\u003c/p\u003e","\u003cp\u003eIncludes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).\u003c/p\u003e","\u003cp\u003eIncludes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).\u003c/p\u003e","\u003cp\u003eIncludes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).\u003c/p\u003e","\u003cp\u003eIncludes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated).\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The W. Jett Lauck collection consists of his professional, business and personal papers as an economist, statistician and government consultant on immigration, banking, railroads, coal, and unemployment problems as well as other facets of labor in the United States. Included are correspondence, scrapbooks of news clippings reflecting his activities, labor reports and studies, drafts of congressional bills, legal briefs, and other material concerning labor problems in the United States from its formative World War I years until 1949. They begin with his association with the progressive labor codes of the Taft-Walsh Labor Relations Commission and continue with the Railway Labor Act of 1926; the fight to gain recognition of labor's right to collective bargaining \"through representatives of their own choosing\" under the National Industrial Recovery Act in 1933; the incorporation of its principles in the National Labor Relations Act; and further activity in defense of this act.","Other manuscripts deal with studies of government competition with private business, the American Association for Economic Freedom, the New York Power Authority; branch, chain, and group banking, drafts of speeches, and work diary accounts of activities and meetings with prominent congressional and labor leaders on labor problems and legislation.","The largest portions of the W. Jett Lauck papers deal with cases and arbitrations, chiefly railroad and coal related, his work on various boards and commission and topical files.","His correspondence with individuals heading organizations interested in labor and industrial relations was wide-spread, just as it was with political figures, educators, and labor leaders.\n Among the public figures with whom he corresponded are Bernard Baruch, Homer S. Cummings, Clarence A. Dystra, John T. Flynn, Guy M. Gillette, Leon Henderson, Herbert Hoover, Hugh S. Johnson, Jesse Jones, William S. Knudsen, Robert M. Fa Follette, Jr., Franklin K. Lane, John L. Lewis,  H.C. Lodge, Jr., William G. McAdoo, James M. Mead, Francis P. Miller, Henry Morgenthau, Karl E. Mundt, Donald Nelson, Judge Ferdinand Pecora, Frances Perkins, Gifford Pinchot, James H. Price, Franklin D. Roosevelt, E.R. Stettinius, Jr., Robert F. Wagner, David I. Walsh, Burton K. Wheeler, and Woodrow Wilson.\nThe educators include Hardy Dillard, Edward C. Elliot, Frank Graham, J.W. Jenks, Richard R. Mead, Lewis Tyree, Harry F. Ward, H.B. Wells, and Ray Lyman Wilbur; and the labor leaders Jacob Baker, Solomon Barkin, Van A. Bittner, Sophia Carey, David Dubinsky, P.T. Fagan, John P. Frey, William Green, Sydney Hillman, Earl E. Houck, Thomas Kennedy, Donald MacMillan, and A.O. Wharton.","This series consists chiefly of correspondence but also includes typescripts of speeches by individuals, and financial and other information about organizations.","Correspondents include:  E. Abbott, Louis Adamic, Adrian Adelman, Sara M. Addison, Joseph Agor, Helen Alfred, Fred H. Allen, Irving B. Altman (editor of \"Dynamic America\"), Aluminum Workers of America, Amalgamated Association of Street and Electric Railway Employees, American Association for Labor Legislation, American Association for Social Security, American Council, American Council on Public Affairs, American Farm Bureau Federation, American Guernsey Cattle Club, American Institute for Economic Research, The American Legion, American Political Science Association, American Sugar Cane League, Americana Corporation concerning Lauck's article on United Mine Workers of America, Thomas R. Amlie, Dr. James W. Angell, Charles P. Anson, \"Atlantic Monthly,\" Paul H. Appleby, Leon Ardzrooni (about the death of Thorstein Veblen), Mr. O.M. Armstrong, and Robert W. Arthur.","Correspondents include: Jacob Baker, Kent Baker, Bank of the Manhattan Company, Mary Barclay, A. K. Barnes, Joseph L. Barnett, Gerald Barradas, Barron's (The National Financial Weekly), John Barth, Mrs. Everett Boughton, Mrs. Robert Bennett Bean, Grant L. Bell, William H. Bell, Harold F. Berg, Nelson N. Berry, S. D. Berry, Jacob Billikoph, Margaret G. B. Blachley, James E. Black, Honorable William Harman Black,  Amy Blankenhorn, Heber Blankenhorn, Dr. Thomas C. Blaisdell, Jr., Ellis P. Block, John A. Bohn, E.W.G. Boogher, Book-of-The-Month Club, Inc., Judge Julian F. Bouchelle, Basil Nicholas Helenagoras Bousios, Fenton Bradford, C. Daniel Bremer, Samuel Bristol, G.L. Broaddus, St. Claire Brookes, The Brookings Institution, Herbert Bruce Brougham, E. Kirk Brown, Law Offices of Brown and Brown, H. Russel Brand, Carl P. Brannin, Selig C. Brez, P.F. Brissenden, Professor Leslie Buckler, Raymond Leslie Buell, John Bullock, Bureau of Agricultural Economics, Bureau of Applied Economics, The Bureau of National Affairs, Harold B. Butler, John E. Burton, J.C. Byars, Herman B. Byer, and Reverend James A. Byrnes.","Correspondents include: [Cadle], Jessie L. Campbell, R. Granville Campbell, The Capital News Company,Sophia Carey, Harry J. Carman, J.D. Carneal and Sons Inc.,  Caroline County Library Committee, M.D. Carrel, Samuel McCrea Cavert, The Chesapeake and Ohio Railway Company, The Chesapeake and Potomac Telephone Company, Mrs. Charlotte Chrestien, The Christian Science Publishing Society, Citizens' Council for Total Defense, Brice Claggett, V.M. Clapp, Clark, Dodge and Company, Brokers, Evans Clark, Victor S. Clark, W. A. Clark, Pauline Clarke, J. William Claudy, Thompson Clayton, Dr. Rudolph A. Clemen, Walt Clyde, The Clerk of the Stafford Court House, E.J. Coil, Kenneth Colegrove, George P. Comer, Department of Commerce, Commodity Research Bureau, Inc., Common Council for American Unity, Ellen Commons, Congressional Intelligence, Inc., Consolidated Vultee American Aircraft Corporation, Dr. P. S. Constantinople, W. Dewey Cooke, Edward L. Corbett, James Corbett, John M. Corbett, Council Against Intolerance in America, Council of Young Southerners, Frederick C. Croxton, Cosmos Club, Morgan Cunningham, and Curles Neck Dairy.","Correspondents include: Oscar H. Darter, Henry David, Elmer Davis, Shelby Cullom Davis, William H. Davis, Len De Caux, Kenneth de Courcy, De Jarnette State Sanatorium, Lud Denny, United States Department of Commerce, Marshall E. Dimock (U.S. DoJ), District Unemployment Compensation Board, Edward J. Donohue, Frank P. Douglass, Law Offices of Drain and Weaver, David Dubinsky, Allan Dunlap, Arthur Dunn, Robert W. Dunn, and C. A. Dykstra.","Correspondents include: Joseph B. Eastman, Economic Policy Committee, C. Vernon Eddy, J. A. Efpokito, Gerald Egan, Electric Home and Farm Authority, and Charles T. Estes.","Correspondents include: P. T. Fagan, Reverend Richard M. Fagley, Ruth Ansell Farley, The Farmers and Merchants State Bank, The Federal Council of the Churches of Christ in America, Federal Works Progress Administration for the Commonwealth of Pennsylvania, First Bancredit Corporation, First National Bank of Boston, The First National Bank of Keyser, Fjell Line of Great Lakes Transatlantic, Inc., Ralph Fleharty, R. D. Fleming, Courtney Fletcher, Duncan U. Fletcher, M. S. Flint, Frank H. Fljozdal, Fitzgerald Flourney, Hon. Edward J. Flynn, John T. Flynn, Foley, Food Research Institute of Stanford University, B.C. Forbes (Forbes Magazine), R. D. Forbes, Forbes and Myers, Foreign Policy Association, Clark Forman, Fortune, The Forum, Major B. Foster, Founders General Corporation, Mrs. M. N. Fox, Jerome Frank, Frank Brothers, Lafayette Franklin, Franklin Press, Franklin Simon Company, T. McCall Frazier, Free Lance-Star, W. R. Freeman, Paul Comly French, John P. Frey, Elisha M. Friedman, Ruth Friedson, and R. S. Fritter.","Correspondents include: Domenico Gagliardo, George B. Galloway, O. Max Gardner, Honorable Leslie C. Garnett, William Edward Garnett, Stanley Garrison, H. Dymoke Gasson, Paul W. Gates, Gayle Motor Company, Theodore Geiger, Phyliss Geisler, General Elevator Co., General Motors Corporation, Alfred Giardino, Clinton S. Golden, Clem Goodman, Henry J. Goodman \u0026 Co., C. O'Connor Goolrick, John T. Goolrick, Mary K. Gorman, Frank P. Graham, Sally Nelson Gravatt, Walter C. Graves Jr., H. A. Gray, Lanier Gray, H. B. Greybill, Myra Moore Griffith, J. Cleveland Grigsby, Sarah Groomes, Guthrie Lithograph Company, and Walter B. Guy.","Correspondents include: Ernst Haberstadt, Max Haleff, Ford P. Hall, Fred W. Hall, F. S. Hall, Edward W. Hamilton, H. E. Hamilton, Hampden-Sydney College, Hugh S. Hanna, Charles Hansel, William Hard, Harper and Brothers, Emma Harris, Owen Harris, Harvard College Library, Leon Henderson, S.J Henry, Warren F. Hickernell, R. G. Hilldrup, Otto Hillsman and Co., Mary W. Hillyer, S. H. Hines Company, David Hirsh and Son, H. C. Holdridge, Hoover War Library, Herbert Hoover, Harry L. Hopkins, Welly K. Hopkins, Dr. W. E. Hotchkiss, Curtis Hubbard, J.S. Hughes, W. A. Hull, and Thomas Lomax Hunter.","Correspondents include: Major William W. Inglis, Institute of American Meat Packers, Institute of World Economics, International Bank, International Statistical Bureau, Inc., Interstate Bankers Corporation, Investment Bankers Association of America, and Irving Trust Company.","Correspondents include: Gardner Jackson, Meyer Jacobstein, Jjell Lines, Thomas Jefferson (typescript copy of letter, June 11, 1807, concerning newspapers and histories), J. M. Johnson, Honorable Jessie Jones, Roberts W. Jones, N.Y. Journal of Commerce, and The Jury Commission.","Correspondents include: Evelyn Kane, Kappa Sigma House Association, Inc., Augustine B. Kelley, Leon H. Keyserling, Susan M. Kingsbury, Dr. George E. Kingsley, Richard Kirby, John H. Klingenfeld, and Oscar Koppel.","Correspondents include: LABOR, Ladies' Garment Workers Union, (William H. Lamar), Sophia J. Lammers, H. Lamson, Richard V. Lancaster, Thomas Larkin III, Joseph P. Lash, David Lasser, Howard Lee, Joseph N. Leinbach, Albert H. Levene, Robert E. Levine, Charles T. Libby, David E. Lilienthal, The Lincoln National Bank of Washington, Ernest K. Lindley, Geo. W. Linkins, Co., Irving Lipkowitz, Henry T. Lipman, Thomas E. Lodge, Stephen M. Loebl, Norman Lombard, W. C. Looker, Jr., Edward Lynch, and Barrow Lyons.","Topics include: American Legion Convention (1945); Committee for Industrial Organization Procedure and Policy (1935-1936); C.I.O. A.F.L. (1940); Congressman Martin and Mr. MacDougall (1939 March 3); Farmington Conference- War Time Organization Planned by the Administration (1939); Fixation of Coal Prices, Memos Relative to (1939); Fortune Magazine's Conferences or Round Tables (1939); Income Tax Returns of Lewis, J. L. (1940-1941); The Inner Circle (1942 Feb 11); Inter-American Bank (1940); Lindberg on \"Preparedness\" (1940); Missouri Pacific Bonds (1941-1942); National Defense to Post-War Planning (1942-1945); Oil and Gas on a Basis of Equality with Coal (1939); A Plan for Economic Democracy - Article written by Major Holdridge (1939); A Plan for Solving the Economic Crisis by Dr. R.H. Von Liedtke (1937-1941); \"Prohibiting\" Strikes for the Emergency Period (1940); James L. Simpson \"Plan for Maintenance of Economic Balance and Security\" (1940);  The Townsend Plan and Mr. Ivan Towanski (1942); Union Shop and Mr. Leland Olds (1941 November 14); United Mine Workers Suggested Program (1934-1935); War Against Unemployment and Poverty (1940 January 10); Threatened  Competition of Natural Gas with Coal (1944 December 5); and Big Inch Pipe Lines and the Rural Electrification Administration (1946 January 14).","Correspondents include: Bishop Francis J. McConnell, William MacDonald, Ernst D. MacDougall, Donald MacMillan, W. C. MacQuown, R. A. Magowan, Edward C. Maguire, Elizabeth M. Maher, Mason Manghum, Maxwell J. Mangold, Bank of the Manhattan Company, Basil Manly, L. C. Marshall, Thomas O. Marvin, Maryland and District of Columbia Industrial Union Council, Maryland Title and Investment Company, Lucy Randolph Mason, Massachusetts Mutual Life Insurance Company, The Bank of Mathews, Inc., Honorable Maury Maverick, Herbert Mazo, Charles McCarthy, Summerfield A. McCarteney, Bishop Francis J. McConnell, Wm. P. McGinn, Edw. F. McGrady, McGraw-Hill Publishing Company-Inc., Ernest D. McIver, Dr. Archibald McLeish, Thomas P. McTigue, Honorable James M. Mead, Richard R. Mead, Royal D. Mead, D. J. Meserole, Eugene Meyer, Jr.,  Francis Pickens Miller, Francis Trevelyan Miller, Ward B. Miller, H. A. Millis, The Milwaukee Journal, Mine Official's Union of America, John J. Minor, George Minnigerode, William Mitch, Wesley C. Mitchell, R. C. L. Moncure, Jr., Monroe and Berry, C. D. Montague, Jean Montgomery, Monthly Labor Review, Robert Morey, Charles S. Morgan, H. W. Morgan, Marie Morris, J. H. Muirhead, Honorable Karl E. Mundt, and Gorham Munson.","Correspondents include: William R. Nagel, Leonard Nairn, Dr. Philip Curtin Nash, Nash Floor Service, A. Nash Tailoring Company, Natalie, Inc., The Nation, The National Association for the Advancement of Colored People, National Association of Manufacturers, National Association of Retired Federal Employees, The National Bank, National Bank of Orange, National Bank of the Republic, National Bank of Washington, National Bituminous Coal Commission, National Broadcasting Company, Inc., National Bureau of Economic Research, National Catholic Welfare Conference, National Child Labor Committee, National Citizen's Council For Defense, The National City Bank of New York, National Cold Steam Company, National Consumers' League, National Council for Prevention of War, National Defense Mediation Board, National Electric Light Association, The National Encyclopedia, National Labor Relations Board, National Lawyers Guild, National Life Insurance Company, National Planning Association, National Resources Planning Board, National Policy Committee, National Press Club, National Recovery Administration, National Resources Board, National Sharecroppers Week, National Window and Office Cleaning Company, National Women's Trade Union League of America, Nation's Business, Nation's Commerce, J. S. Naylor, Donald Nelson, New America, The New Republic, Newsweek, W. S. Newton, The New York Times, George W. Norris, Cecil C. North, The Northern Neck Mutual Fire Association of Virginia, Claudian B. Northrop, and Harold Bernard November.","Correspondents include: Charlton Ogburn, William F. Ogburn, J. G. Ohsol, Joseph C. O'Mahoney, Organization Committee of Social Union, Inc., Mary O'Shaughnessy, William Owen, and John W. Owens.","Correspondents include: Pabst Post-War Employment Awards, A. H. Packard, C. C. Packard, Florence E. Parker, The Parker Corporation, Julius H. Parmelee, Col. Samuel Pascoe, Leo Pavolsky, M. W. Paxton, Jr., Walter Phipes, George Curtis Peck, Ferdinand Pecora, William R. Pendergast, Willis Pepoon, Fred W. Perkins, Thomas W. Perry, Charles E. Persons, Samuel B. Pettengill, Julius I. Peyser, L. W. H. Peyton, David A. Pine, David W. Pipes Jr., Fort Pipes, W. G. Pitero, P.M., Justine Wise Polier, Shad Polier, Wm. T. Powers, Richard T. Pratt, Prentice-Hall, Inc., Evelyn Preston, Harry B. Price, James H. Price, Provisional Committee Toward A Democratic Peace, and Public Affairs Committee.","Correspondents include: Railway Age, Ransdell Inc., Mervyn Rathborne, Stephen Rauschenbush, Carl Raushenbush, The Readers Club, Philip M. Riefkin, Charles S. Robb, James Robb, Newell W. Roberts, D. B. Robertson, Mr. Robey, John M. Robinson, Leland Rex Robinson, Josephine Roche, Rockbridge National Bank, John D. Rockefeller, Jr., Harry L. Rogers, Paul V. Rogers, William N. Rogers, Henry Romeike, Incorporated, Samuel Romer, Walter A. Romer, Leon H. Rouse (with William Green),  Rouss Library, Frances Rowe, and Harold J. Ruttenberg.","Correspondents include: Russell Sage, Lewis D. Sampson, Samuel L. Samuel, Dr. David J. Saposs, Saturday Evening Post, Marshall Schaffer, D. M. Schnapper, L. B. Schnapper, Joseph Schneider, G. Luther Schnur, James T. Shotwell, H. L. Schuh, Montgomery Schuyler, Louis J. Schwab, Henry Herman Schwartz, Ray Scott, Charles Scribner's Sons, Seaboard Air Line Railway Company, Joel Seidman, Shaw-Walker, Chester Shepard, Chester Sheppard, R. T. Shields, Silcox Memorial Fund, Simmons-Boardman Publishing Corporation, Sidney Simon, Richard C. Simonson, John F. Sinclair, Anthony Wayne Smith, C. Archer Smith, Edwin S. Smith, Nelson Lee Smith, S. Granville Smith, Vernon D. Smith, Bernard A. Smyth, H. M. Snead, Jr., Social Union, Inc., The Society for the Advancement of Management, Inc., John E. W. Sohl, L. W. Sorrell, Southern Conference for Human Welfare, Southern Maryland Trust Company, Mr. Sovey, Alexander Spencer, Sphere, R. B. Spindle, George L. Sprague, Saint Albans, Margaret S. Stables, William H. Stafford, Stafford County, Standard Oil Company, Stanford University Library, Louis Stark, State Loan Company, State Teachers College, Henry M. Stephenson, STEEL, Steel Workers Organizing Committee, A. A. Steele, Jean Stephenson, Jos. G. Stephenson, Boris Stern, Harold Stern, E. R. Stettinius, W. M. Steuart, Harry H. Stockfeld, W. L. Stoddard, Benjamin Stolberg, Irving Stone, N. L. Stone, William T. Stone, Chas. G. Stott and Co., Inc., Paul A. Strachan, David Strain, Ralph Strathmore, Nathan Straus, John Studebaker, Ralph G. Sucher, Arthur E. Suffern, Superintendent of Documents (Government Printing Office), Elmer Swack, Paul E. Switzer, Alois P. Swoboda, and Mr. Sydenstricker.","Correspondents include: Ivan Tarnowsky, Tax Policy League, Ordway Tead, Tennessee Valley Authority (Representative Noble J. Gregory), Percy Tetlow, Dorothy Thompson, TIME MAGAZINE, Daniel J. Tobin, John H. Tolan, The Travelers Insurance Company, Beverly Tucker, Henry Saint George Tucker, Earl R. Turner, and The Twentieth Century Fund.","Correspondents include: Alfred P. Wagner, Gordon Wagner, Robert F. Wagner, Thomas C. G. Wagner, J. Forest Walker, Allan E. Walker and Company, George A. Wallace, J. Raymond Walsh, August G. Walters, James N. Walton, James P. Warburg, Dr. Harry E. Ward, R. D. Ward, Ward and Paul, Caroline F. Ware, A.L. Warthen, Charles Washington, Washington and Lee University, \"Washington Post,\" James R. Wason, Elton Watkins, Ralph J. Watkins, Claude S. Watts, Marie Watts, Charles F. Weaver, H. B. Wells, (George) P. West, A. O. Wharton, Ross Wheat, Burton K. Wheeler, William M. Wherry, Hugh A. White, Ralph J. White, W. A. White, T. Y. Wickham, Dorothy G. Wiehl, Dr. Ray Lyman Wilbur, Allan H. Willett, Williams Company, Willis and Willis, Corwin Willson, J. Alfred Wilner, Elsie Cobb Wilson, D. O. Wilson, H. Hazen Wilson, Nelson Wilson, The H. W. Wilson Company, John G. Winant, J. Wise, James Waterman Wise, S. S. Wise, William P. Witherow, J. S. Withrow, Nathan Witt, Laurence C. Witten, Benedict Wolf, World Fellowship, Inc., World Study Tours, and Thomas H. Wright.","Scope note for correspondence files. There has been no attempt to make an exhaustive list of the correspondents in each folder. Most letters were routine correspondence from people seeking information about the group; copies of their publications, speeches, and other educational materials; questions about membership in the group from interested individuals; requests for individuals to become sponsors, members or leaders in the group; leaders of other like-minded organizations; union leadership (often about the lack of funds available to support the American Association for Economic Freedom); or people wanting information about pertinent upcoming legislative bills. Attention on the lists of correspondence is focused particularly on political and public figures, editors, and the legislative and social issues of the day.","These include: American Committee for Protection of Foreign Born; American Council on Public Affairs; Atlantic Charter League; J.M. Artman, editor of \"The American Citizen\"; Representative Thomas R. Amlie; Thurman Arnold, Department of Justice (concerning Frank B. Kellogg statement about the anti-trust Sherman Act); and John B. Abel.","Correspondents include: Alfred L. Bernheim, The Labor Bureau; A.A. Berle banking proposal; Rabbi Barnett R. Brickner, Social Justice Commission; Kent Baker, editor of \"Sphere\" with article sent to him by Lauck, \"Industrial Reconstruction\" attached; David Burdett (conventional economics versus social economics); and G.P. Bronisch, Loyal Americans of German Descent","Correspondents and topics include: Lauck memorandum to Charles H. Chase, (in light of the prospect of a lengthy war and its impact on social and economic reform) informing him of his decision to drastically reduce expenditures by having only one employee to maintain the office (1942); \"Strife and the Worker\" proofs by John F. Cronin; Helen A. Cole, \"The Liberal Worker\"; W.S. Clement and his \"The Ben Franklin Plan\"; Ben V. Cohen, National Power Policy Committee; and the Council for Social Action, Ferry L. Platt, Jr. concerning farm issues.","Correspondents and topics include: Dr. Paul H. Douglas, University of Chicago; Hardy C. Dillard, Institute of Public Affairs, including a letter from John L. Newcomb; Frederic A. Delano, Chairman National Resources Advisory Committee; and a letter to John Dewey.","Correspondents and topics include: Arthur Eggleston, San Francisco Chronicle; Peter Edson, NEA Service; A.E. Edwards concerning the Wagner Labor Relations Act; J.G. Frain; and Charles Flato.","Correspondents and topics include: Alfred C. Gaunt, including \"Smaller Business Lifts Its Eyes\"; Toshi Go, Foreign Affairs Association of Japan; and A.E. Grassby, Winnipeg, Manitoba.","Correspondents and topics include:  Hubert Herring; Sidney Hillman; Fred S. Hall concerning the Industrial Expansion Act (multiple letters); B.W. Huebsch, The Viking Press,  and his concern over the pamphlet \"A New Social Order\"; S.L. Hoover and his question about the Keller Bill and the Association; John Edgar Hoover; and F.J. Hall, editor of \"The United States News\" about numbers of unemployed and other issues (multiple letters).","Correspondents and topics include: Meyer Jacobstein about the Reconstruction Act; and Paul Kellogg.","Correspondence includes: letters to Robert M. LaFollette, Jr.; League for Abundance: League for Industrial Democracy; Harold Loeb; and Dr. Jack Levin.","Correspondents and topics include: secretary of Attorney General Frank Murphy; Darwin J. Meserole, National Unemployment League; Francis P. Miller; Emily Fogg Mead; Homer L. Mead; Lewis E. Meyers; Judge Julian W. Mack; Bishop Francis J. McConnell; George F. Milton, editor \"The Chattanooga News\"; Senator James M. Mead; and letter to Archibald MacLeish, Librarian of Congress.","Correspondents and topics include: Bishop Francis J. McConnell; James W. Miller; Vito Marcantonio; Otto Mayer; Robert E. Mathews concerning the \"sit down strike\" by investment bankers and industrialists in May 1940; and Henry Morgenthau, Jr., letter to.","Correspondence includes: \"The New Republic\"; Douglas Newman, Secretary of the Barradas League; Dr. C.A. Norman; memorandum concerning Senator Norris' presidential qualifications; and Representative Mary T. Norton.","Correspondents and topics include: William Owen; Ernest Minor Patterson; Representative Claude Pepper; Justice Justine Wise Polier; and Jacob S. Potofsky.","Correspondents and topics include: Judge Samuel I. Rosenman; Representative Robert L. Ramsay; Right Reverend Msgr. John A. Ryan.","Correspondents and topics include: John Saxton; Guy Emery Shipler; Edwin S. Smith; William Simkin; B.M. Schnapper concerning the history of the Wagner Act; Ray Scott concerning the \"Fundamental Significance of our Present Day Labor Movement\"; and Porter Sargent.","Correspondents and topics include: Ordway Tead, Harper and Brothers; and Dr. Robert H. Tucker.","Correspondents and topics include: an appreciation of Frank P. Walsh upon his death on May 2, 1939; Matthew Woll, American Federation of Labor; Thomas H. Wright, New America; Harry F. Ward; and Nathan Witt; and N.A. Zonorich.","Includes leases, workman's compensation insurance, correspondence, and unemployment compensation.","These include: \"Policies and Objectives of the American Association of Economic Freedom,\" \"Shrinkages and Hoardings of Purchasing Power Accentuate Current Business Recession,\" \"Hoardings-Taxes Proposed to Stimulate Flow of Credit and Goods and Revival of Business,\" \"Approaches Toward a Concerted Program of Fundamental Economic Reconstruction in the United States,\" various drafts of suggestions for the programs, principles and objectives of the organization, \"Sugar Control,\" \"American Labor's Broadcast to Great Britain,\" \"American Economic Situation of 1937-1938,\" \"Unemployment Insurance,\" \"Industrial Espionage,\" \"Bank-Holding Companies,\" several on social service foundations, \"Economic Freedom in America,\" \"Industrial Reconstruction Act of 1939\" press release draft, \"Capitalism in Crisis,\" \"Prospective Labor Surpluses,\" \"Increased Man Hour Productivity and Technological Unemployment,\" monopoly, and \"Petroleum Quota Controls.\"","These include: participation in management, monopoly, the \"Industrial Reconstruction Act of 1939,\" \"Leaders on the No. 1 Problem,\" \"Federal Administrative Court Bill,\" \"Occupational Groupings,\" \"National Labor Relations Act and Board,\" \"Full Employment Bill,\" \"Senator Claude Pepper,\" \"Senator Lewis B. Schellenbach,\" and starting a American Association of Economic Freedom Bulletin.\"","These include: \"Threatened Crucial Developments,\" \"Anti-democratic philosophies,\" \"Churchill's anticipations, 1932-1939,\" \"Mussolini,\" \"Hitlerism and Nazism,\" \"Profits of Leading Corporations, 1936-1939,\" notes on People's Lobby Conference, and Ickes [speech] on business sabotage of defense.","These titles include: \"Can Unemployment be Ended?\"; \"Challenge to American Democracy\"; \"Civil Liberties and the National Labor Relations Board\"; \"Cure by Shock,\" \"Democracy and Economic Planning\"; \"Economic Reconstruction\"; \"Fundamental Significance of Our Present Day Labor Movement\"; \"Next Step in Democratization\"; \"A New Magna Carta\" \"A New Social Order\"; \"Preparedness for Peace,\"  \"Problems of the National Labor Relations Board.\"","The \"Post-War Reconstruction Bill\" is foldered separately.","Included are: \"Thirty Million Jobs\" by Arthur Dunn; Roundtable: \"Labor's role in Post-War Reconstruction\"; \"Freedom from Want\" by Mr. Walton; \"Nineteenth Century Prophecy of Order\" by Harry Frease; \"The Moral Issue\" by Lowell Mellett; \"A Banking System for Capital and Capital Credit\" by A.A. Berle, Jr.; \"Suggested Housing Program for National Defense Purposes\" by the Congress of Industrial Organizations; and \"A Primer of Current Economics\" [1933].","Included are: Fight for Freedom, Friends of Democracy, and the Gillette Resolution.","These include memoranda, news clippings, an article by George B. Galloway on \"The Imperative of Planning,\" replies, and a speech by W. Jett Lauck.","Includes separate folders on news clippings, some containing criticisms and investigations; problems of the board; and the testimony of John L. Lewis.","Clippings include Wendell Willkie, democracy versus absolutism, banker opinion, national debt, U.S. Attorney General, pump priming the economy, monopolies, religion and democracy, communism, and capitalism and democracy.","Included are: Peace Conditions; People's Congress for Democracy and Peace; Plenty for All League; People's Lobby; Pressure Groups, Attitudes of; Pension Plan – \"Uncle Fred's Automatic Pension Plan\"; Progressives, Conference of; Social Union; Tax-Exempt Bonds; Women in Trade Unions; and Young Democrats.","Topics include: Conferences; Corporation Notes and Memoranda; Kennedy Statement on General Motors Inquiry; Production Costs by T.C. Gordon Wagner; Ratio of Pay Rolls to Returns to Stockholder;Salaries of Officials; and Annual Reports to the Securities and Exchange Commission, 1935 and 1937.","Subjects include: Agreements; Decisions; the Willard E.Hotchkiss Decision in Tar Barrel Case; Negotiations for New Agreements; News clippings; Publications; Report of Homer Martin to the International Executive Board; and a Statement Submitted to Roosevelt by Union Representation.","According to Wikipedia, \"The Commission on Industrial Relations (also known as the Walsh Commission) was a commission created by the U.S. Congress on August 23, 1912 to scrutinize US labor law. The commission studied work conditions throughout the industrial United States between 1913 and 1915. The Chairman was Frank P. Walsh, a labor lawyer and activist from Kansas City, Missouri.","https://en.wikipedia.org/wiki/Commission_on_Industrial_Relations","These include: \"Foreign Competition After the War,\" \"The Artificial Dye Industry in the War,\" and \"Business and the War.\"","Includes: \"Secretary Kennedy Gives Union Views on How Hard-Coal Freight Rates Affect Miner\" (December 15, 1933); \"The N.R.A. and Collective Bargaining\" Catholic Welfare Council (September 17, 1934); address before the National Conference on Economic Security (November 14, 1934); and \"Organized Labor and the N.R.A.\" Catholic Conference, Harrisburg, Pennsylvania (November 27, 1934).","Includes: Statement concerning the Wagner-Lewis Economic Security Bill before the Senate Committee on Finance (February 21, 1935); Commencement Address (June 3, 1935); \"Education and the Parochial School System\" (August 19, 1935); \"The Trade Union and Recovery\" (Labor Day, 1935); and \"Unemployment Insurance, Old Age Pensions, and Housing Legislation\" at the White House Conference on Economic Security (December 30, 1935).","Includes: Labor Day address (September 1937); article \"The United Mine Workers of America\" for the \"American Encyclopedia\" (December 2, 1938); address to the Pennsylvania Utilities Commission on the Competition of Natural Gas (April 1940); and a request for Lauck to send his analysis and recommendations concerning a letter from A.J. Altmeyer, Chairman of the Social Security Board, and two other enclosures pertaining to the Associated Gas and Electric Company, New York City (1942 March 27 and 1943 January 23).","Includes: a radio speech supporting Hoover in the election (1928); and a statement at the Hearing on a Code for the Bituminous Coal Mining Industry before the National Recovery Administration (1933 August 10).","Includes: \"Labor and the National Recovery Administration\" at the Meeting of the American Academy of Political Science, Philadelphia (1934 January 6); \"Labor's Part in Industrial Recovery\" at the San Francisco Commonwealth Club luncheon (1934 October 4); Speech for the International Labor Conference, not delivered (1934 October); and a radio address \"The Employee in the Changing World\" under the auspices of the Intercollegiate Council (1934 December 7).","Includes: Statement by Lewis before National Recovery Administration Hearings on Employment Provisions of Codes of Fair Competition (1935 January 30); \"The American Federation of Labor and the National Recovery Administration\" prepared for the \"Annals,\" Philadelphia but never delivered (1935 March 11-12); The United Mine Workers of America and the National Recovery Act\" Madison Square Gardens (1935 March-May 23); and Statement of Approval for the Wagner Housing Bill in the \"United Mine Workers Journal\" (1935 June 1).","Includes: \"The Case for Industrial Unionism\" (November 12, 1935); radio address \"The Future of Organized Labor\" (November 28, 1935); and article for \"Liberty Magazine\" on industrial unionism (1935 December 20).","Includes: a speech on Industrial Unionism before the Cleveland Auto Council (January 19, 1936); \"The Teacher and His Relation to Labor\" for the American Federation of Teachers Convention (June 19, 1936); a radio address \"Industrial Democracy in Steel\" (July 6, 1936); and an article \"Through Organization Industrial Democracy Dawns for Sleeping Car Porters\" celebrating the eleventh anniversary of the organization (July 15, 1936).","Includes: a political campaign statement about [Alf M.] Landon (August 1, [1936]); the draft of a Radio Address on Steel Organization (August 11, 1936); article \"Labor Looks at Education\" (August 17, 1936) appearing in the October 36 issue of \"The Teacher\"; article \"Towards Industrial Democracy\" (August 24, 1936) in appearing in the October 1936 issue of \"Current History\"; and two speeches supporting Franklin D. Roosevelt for President (August 18 and September 19, 1936).","Includes: radio address \"Labor and the Future\" (September 3, 1936); \"Horizontal Versus Vertical Unionism\" in \"Wharton School Magazine,\" University of Pennsylvania (September 8, 1936); an article for the \"The National Young Democrat\" on the Social Security Act (September 1936); and a radio address \"Roosevelt and the Future\" (October 18, 1936).","Includes: article \"The Next Four Years\" for the \"The Nation\" (November 4, 1936); an article \"Committee for Industrial Organization and Economic Recovery\" for the \"Business Review of New York  University\"(November 17, 1936); \"the Future of American Labor\" in \"The American Spectator\" (November 19, 1936); articles on \"The Next Four Years in Labor\" in \"The New Republic\" (November 25 and December 9, 1936); \"The Future of Wages\" for the \"Cleveland News\" Symposium (December 7, 1936); \"Organized Labor and the Student Union\" (December 23, 1936); \"The Need of the Hour for American Labor\" for the \"Progressive Salesman Magazine\" (December 24, 1936); radio address \"Adapting Union Methods to Current Changes- Industrial Unionism\" (December 31, 1936); and an unpublished article written for \"Redbook\" (1936).","Includes: \"The Meaning of Industrial Unionism\" for the \"Christian Front\" (January 13, 1937); \"The Struggle for Industrial Democracy\" for \"Common Sense\" (March 1937); an address delivered at an Anti-Nazi Mass Meeting in Madison Square Gardens (March 15, 1937); article \"The Origin and Objectives of the C.I.O.\"  for the \"San Francisco Chronicle\" (May 11, 1937); and a radio address \"Labor and Supreme Court\" (May 14, 1937).","Includes: \"Technology and Labor\" in \"Massachusetts Institute of Technology Engineering News\" (September 3, 1937); Labor Day address \"Labor and the Nation\" (September 3, 1937); \"Progress of Committee for Industrial Organization\" in the \"Wharton Review\" (October 21, 1937); \"Effect of Moderate and Gradual Wage Increases on Prices and Living Costs\" in \"The Annalist\" (November 12, 1937) a reply to an article by A.T. Shurick on July 30, 1937; and the [Steel Workers Organizing Committee] address \"The Deplorable and Indefensible Attitude of Big Business (December 13, 1937).","Includes: Address for British Broadcasting Corporation \"Struggle of Labor in America\" (March 15, 1938); \"Labor and the Law\" (April 14, 1938); \"Organized Labor and the Future of Democracy\" published in the \"St. Louis Post Dispatch\" (December 11, 1938).","Includes: Statement for Survey Associates (January 3, 1939); and \"Labor Looks South\" in \"Virginia Quarterly Review\" (Autumn 1939).","Includes: article on \"What Does Labor Want?\" (February 29, 1940); \"The Heritage of American Youth\" (March 1940); \"Obligations of American Citizenship\" (April 3, 1940); \"Foreword\" to Mr. Thomas' Testimony before the Temporary National Economic Committee (May 23, 1940); and a Labor Day Speech (August 29, 1940).","Includes: Extension of Library Service to Union for City and State Employees (May 28, 1941); Statement to be issued by Lewis on the Decision of the National Mediation Board on Union Shops (November 13, 1941); and \"The New Solid South\" (December 17, 1941).","Includes: Testimony of Mr. Steinbugler (March 2, 1935); the \"Most Impressive Point Developed by the Hearings\" (March 2, 1935); untitled Memorandum (July 30, 1936); \"Report on the Progress of the Hearing on the Coordination of Minimum Prices before the Bituminous Coal Division (September 16, 1939); \"Proposed Labor Policy for the War Period,\" various memoranda (September 11-November 13, 1939); an analysis of Professor Green's Proposal about pricing and distributing manufactured products (June 3, 1940); and Notes on the Last Ten Years (January-May, 1940).","Includes: Reply to A.T. Shurick suggestions on taxing (November 29, 1940); Response to the foreword of Walt Clyde's book on \"Owner Capitalism\" (December 4, 1940); suggestions about the National Economic Conference (December 12, 1940); Response to W.C. Graves, Jr. (December 23, 1940); Letter about the Raw Materials National Council (December 27, 1940); Memorandum on Fred G. Clark and the American Economic Foundation (February 20, 1941); H.S. Avery to Edward O'Neal and John L.Lewis on agriculture and farm prices (September 8, 1941); Conrad K. Grieb on need for social reconstruction (October 23, 1941); Letters from Alexander Spencer (October 30 and November 26, 1941); and a manuscript of Albert H. Levene (November 30, 1941).","Includes: Memorandum about Post War Depression (January 7, 1942); a response to S. Ferguson, President of the Hartford Electric Light Company about his proposals about deferred wages (January 13, 1942); W.A Hutton, M.D.  letter on post-war finances (January 14, 1942); Thomas Kennedy request for a study on the Cost of Living (January 16, 1942); Request for a response to the document by L.C. Christian on \"How Must We Finance the War?\" (February 3, 1942); a request for a response to a treatise on our financial system by August Walters (February 5-March 18, 1942); additional R.L. Greene communications (February 12,1942); and H.W. Bailey on labor self-determination (March 9, 1942).","Includes: Digest of the Salient Points of a Report on \"Manpower Policy and Labor Relations in the British Coal Industry\" (January 5, 1943); a Leo Chabert document on financing the war (April 4, 1943); and memoranda about an executive conference of the Natural Resources Board at Farmington Country Club, Charlottesville, Virginia, previously held around 1939.","Subjects include the National Recovery Administration, \"Amalgamation of the Two Enginemen's Brotherhoods,\" \"Russian Recognition and the New Deal,\" \"Future Policies of the National Recovery Administration,\" Six-Hour Day of the Railroads, \"Two Men on the Head End of all Railroad Trains,\" and Housing.","Subjects include \"Benefits of Trade Unionism,\" \"Forbes\" article, \"Limit on Weekly Work Hours,\" a letter to Professor Gordon, and \"Labor Movement and the Future of America\"","Subjects include planks for the Republican Platform, Anti-Strike Legislation, a Rejoinder to the Remarks of Fred Gurley, and \"Recommendations to the Board of Investigation and Research\"","A checklist of article titles can be found in the first folder. Titles in the order of the list   include: \"Economics and Christianity\"; \"The Mysterious Soul of the Steel Corporation\"; \"The Anthracite  Operators Should Concede the Check-off\" July 13, 1923; \"Industrial Principles and Not Machinery Are Important\"; \"The So-Called Check-off and Its Significance\"; \"The Report of the Coal Commission on the Anthracite Industry\"; \"The Purchasing Power of Wheat and Cotton\"; \"Private Cars and the Coal Problem\"; \"Mr. McAdoo's Political Availability\"; and \"No More Pre-war Standards of Wages and Working Conditions.\"","Next ten article titles include: \"The Radical - His Significance at Present\"; \"The Soft Coal Problem Again to the Front\"; \"Labor Banks and Their Ultimate Significance\"; \"Political Democracy Must be Supplemented by Industrial Democracy\"; \"Oil and the Southern Pacific\"; \"The Purchasing Power of the Farmer's Dollar\"; \"The Truth is Never Unpardonable\"; \"Private Cars and the Coal Problem\"; \"The Unique Financial Position of the Pullman Company\"; and \"Another Manifestation of the Soul of the Steel Corporation.\"","The next ten article titles include: \"Sugar and the Flexible Tariff Provision\"; \"Conflict or Arbitration\"; \"The Threatened Boomerang\"; \"Cooperation for Mutual Benefit or Profit?\"; \"Secret Police or Conviction for Crime\"; \"Chairman Butler Emits and Omits\"; National Cooperative Grain Marketing Realized\"; \"The Anthracite Operators Should Concede the Check-off\" (possible duplicate); \"Regulation of the Anthracite Monopoly\" September 1 , 1923; \"Why Not Action on Anthracite?\" September 11, 1923; and \"Can a Living Wage Be Paid to Unskilled Labor?\" October 30, 1923.","The next ten article titles include: \"The Failure of Industrial Arbitration\" October 30, 1923; \"Significant Labor Developments During the Coming Year\" October 30, 1923; \"A Dramatic Migration\" concerning African Americans, October 30, 1923; \"Unprotected Pullman Passengers\" October 30, 1923; \"The New Immigration and Its Significance\" November 2, 1923; \"The Probability of Railroad Legislation\" February 7, 1924; \"The Industrial Magna Carta\" February 23, 1924; \"Land Grants to Western Railroads\" February 23, 1924; \"Increased Efficiency of Labor\" February 23, 1924; and \"Real Industrial Statemanship February 25, 1924.\"","The next ten article titles include: \"Some Other Matters of Record\" June 2, 1924; \"The Verdict from Kansas\" August 7, 1924; \"A Real Test for the Tariff Commission\" August 14, 1924; \"A Billion and a Half Railroad Merger\" August 16, 1924; \"Common Sense\" August 19, 1924; \"President Gompers and a Labor Party\" August 19, 1924; \"A Significant Precedent in Financing Farmers Cooperative Enterprises\"; \"Back to the Declaration of Independence\" August 21, 1924; \"A Costly Labor Policy\" August 23, 1924; and \"Brass Tacks, The Red Flag, and the Constitution\" August 23, 1924.","The final group of articles include: \"Industrial Democracy - Our Greatest Problem\" August 27, 1924; \"The Passing of the Money Gods\"; \"The Conference Board Reports on Taxation in Wisconsin\"; \"The Railroad Labor Board\"; \"The Farmer and the Tariff\"; \"Visible and Invisible Tax Burdens\"; \"The Most Helpful Farm Movement\"; \"Radicals and God's Fools\"; \"Militant Friends Needed\"; \"The Unconscious Cruelty of Success\" October 24, 1924; and \"Another Orgy of Railroad Finance.\"","While some chapters have no individual date, they likely all come from drafts in 1931 or 1932. It is unclear which version belongs to each draft, and equally unclear which versions the explanatory note references. Chapter VII is largely missing. The name of the book may have eventually changed to \"The Need for a Unified Banking System.\"","W. Jett Lauck was chairman of the Pennsylvania Anthracite Coal Commission, responsible for investigating the state of the anthracite industry and the coal bootlegging situation in Pennsylvania, as well as recommending action.","The United States Anthracite Coal Commission is a different and separate entity than the Pennsylvania Anthracite Coal Commission over which Lauck presided (see also, \"United Mine Workers of America before the U.S. Anthracite Coal Commission\").","For reference, the Ad Interim Report was a report made halfway through the Commission's studies; the Final Report was the last official report of the Commission and contains recommendations; the Complete Report was a compendium of all of the Commission's work and reports (over 500 pages).","Reports include \"Anthracite Lands and Deposits,\" \"Anthracite Royalties,\" and \"Control of the Anthracite Industry.\"","Reports include \"Financial Operations of Anthracite Companies\" and \"Monopolistic Nature of the Anthracite Industry.\"","These include \"Award of the Anthracite Coal Strike Commission: Subsequent Agreements, and Resolutions of Board of Conciliation\" (July 1, 1936); \"A Labor Case With Merit: Editorial Comment on the Case of the Anthracite Mine Workers\" (1920); and \"Labor Information Bulletin,\" U.S. Bureau of Labor Statistics (February 1937).","Proposed Bills include the Anthracite Coal Industry Act; the Anthracite Public Authority Bill; the Cooperative Marketing Bill; the Pennsylvania Anthracite Commission; and Suggestions and Opinions.","Files included under Rates contain, the 1933 Freight Rate Case Excerpts and Statistics; Charts and Tables; General Information (see also Anthracite Institute Statistical Data, Maps, and Drawings, Anthracite Producers Statistical Data, Maps, and Drawings); the Interstate Commerce Commission Data; \"Intrastate Rates on Anthracite in Pennsylvania\"; and Rate Fixation in 1915.","Reports include: \"Combination in the Anthracite Industry,\" \"Comparison of Earnings and Wage Rates in the Anthracite and Bituminous Mines of Pennsylvania,\" \"Exhibits of the Anthracite Operators in Reply to Exhibits Presented by the Anthracite Mine Workers,\" \"Irregularity of Employment in the Anthracite Industry,\" \"Occupation Hazard of Anthracite Miners,\" \"Profits of Anthracite Operators,\" and \"The Relationship Between Rates of Pay and Earnings and the Cost of Living in the Anthracite Industry of Pennsylvania.\"","Reports include: \"Reply of the Anthracite Operators to the Demands of the Anthracite Mine Workers,\" \"The Sanction for a Living Wage: A Compilation of Data From Official and Authoritative Sources,\" \"Summary, Analysis, and Statement,\" \"The Trade Union as the Basis for Collective Bargaining: A Compilation of Sanctions and Experiences,\" \"Trade Unions,\" and \"Wholesale and Retail Prices of Anthracite Coal 1913-1920.\"","These exhibits include \"Changes in Cost of Living in the United States, 1913-1922,\" \"A Just and Reasonable Wage,\" and \"Monthly Earnings of Sectionmen.\"","The volume includes exhibits on \"Harmful Effects of Low Wages Upon Health and Morals,\" \"The So-called Law of Supply and Demand,\" \"The Just and Reasonable Wage,\" \"Changes in the Cost of Living in the United States, 1913-1922,\" \"Probable Course of Prices,\" \"Comparison of Prices and Living Costs,\" \"Monthly Earnings of Section Men,\" and \"Monthly Earnings of Section Men – Basic Tables.\"","Includes the following files: Briefs; Construction and Repair of Railroad Equipment; Correspondence on Leasing Out Repair Roads; Minutes of the Philadelphia Hearing; Petition to the Interstate Commerce Commission; Press - Clippings concerning Outside Repair; Press Release Originals; General Electric and Westinghouse; Labor Costs; Louisville to Nashville Railroad; and Miscellaneous.","W. Jett Lauck has also referred to this case as \"the Shopman's Case\" or the \"B.M. Jewell Case.\" Jewell was the President of the Railway Employees division of the American Federation of Labor.","Note that all exhibits were presented before the United States Railroad Labor Board.","Exhibit 11a includes the section \"Financial Mismanagement of the LeHigh Valley Railroad Company\" and Exhibit 12 includes the \"Summary.\"","Exhibit tTitles include: \"Occupation Hazard of Railway Shopmen\"; \"Punitive Overtime\"; \"Industrial Relation on Railroads prior to 1917\"; \"Standardization\"; \"The Recognition of Human Standards in Industry\"; \"The Unity of the American Railway Systems\"; \"Human Standards and Railroad Policy\"; \"Seniority Rules of the National Agreements\"; \"The Sanction of the Eight Hour Day\"; \"The Work of the Railway Carmen,\" and \"The Development of Collective Bargaining on a National Basis.\"","These include: \"Pending Railway Legislation\"; \"The Present Railroad Labor Problem\"; \"The Future Policy as to the Railroads\"; \"Compulsory Arbitration\"; \"Labor Adjustment Boards of the Railroad Administration\"; \"The Reasonableness of the Requests of Locomotive Firemen\"; \"Time and One-Half For Overtime\"; and \"Compulsory Arbitration.\"","The Sleeping Car Conductors Case files consist of several successive cases arranged in this finding aid roughly in the chronological order in which they occurred.","Exhibits include \"An Adequate Basic Wage,\" \"Earnings of Sleeping Car Conductors compared with Changes in the Cost of Living,\" \"Various Factors Indicating Rising Standards of Living in the United States Since 1914,\" \"Compensation of Sleeping Car Conductors compared with other Expenses and Revenue of the Pullman Company,\" and \"General Trend of Wages, 1913-1918, as Compared with Earnings of Sleeping Car Conductors.\"","Exhibits include \"Increased Productive Efficiency of Sleeping Car Conductors and Financial Administration of the Pullman Company,\" \"Increased Labor Productivity,\" and \"Standards of Wage Determination.\"","This file includes information and statistics on Besler Steam Power Trains; the Comparative Costs of Operation; Locomotives in Service; Diesels in Switching Service; Earnings Per Hour; Freight Cars; and General Statistics.","These charts include: \"Anthracite Combination,\" \"The Seven Departments of the Anthracite Industry,\" \"Interlocking Directorates Showing Working Control of Anthracite Operating Companies,\" and \"Profits of Anthracite Combination.\"","Charts include \"Affiliations of Railroads and Banking Houses,\" \"New York Bank Control of Railroads and Railroad Equipment Companies,\" \"New York Bank Control of Coal Mining Companies and Coal Railroads,\" and \"The Geographical Spread of New York Railroad Control.\"","Exhibits include \"Employment and Compensation of Railroad Employees\"; \"Cost of Living\"; \"Methods of Reporting Wage and Hour Data\"; and \"Increasing Output per Worker and Decreasing Wage Cost Per Unit of Output.\"","Exhibits include: \"Trend of Railway Operating Revenues and Total Compensation\"; \"The Rising Tide of Recovery A Survey of the Leading Business Indices\"; \"Labor Movement Supports Railway Workers in Resisting a Wage Cut\"; \"Squandering the Maintenance Dollar\"; \"Financial Mismanagement through Banker Control of Railroads\"; \"Training and Skill of Track and Roadway Section Men\"; \"Average Hourly Earnings in Railroads and Other Industries\"; and \"Estimated Money Share of Individual Railroads in the Proposed 15 Per Cent Pay Reduction.\"","Morgan's statements include those on wages; postwar economic conditions, developments, and private bankers' constructive services; and interference and control in corporate managements.","These include \"Cost of Living is Increasing,\" \"The Railroad Plea of Poverty,\" \"Labor Versus Materials and Interest,\" and \"The Railroads versus the Public Interest\" (printed).","Tables include \"Dividend Performance of Anthracite Railroads and Trunk Lines Compared,\" \"Percentage Relationships of Dividends Paid on Stock Dividends to Total Compensation Paid Employees,\" and \"Distribution of Capital Resources.\"","W. Jett Lauck was employed by the John G. Paton Company of New York City to study the report of the Tariff Commission of 1928 as to the costs of production in the maple sugar industry in the United States and in Canada. He then gave his conclusions on the report to the company and as testimony before the Tariff Commission itself.","There are excerpts from the following: the Tariff Commission Stenographer's Minutes (June 1927), Hearings before the House Committee on Ways and Means (January 1929), Hearings before the Senate Finance Committee (June 1929), Debates in the U.S. Senate (January 1930), Remarks of the Honorable Ernest W. Gibson (February 1930), the Roodenburg Report (November 1930), George H. Burr and Company Report (March 1931), R.G. Dun and Company Report (undated), Cary Maple Sugar Company Federal Income Tax Returns (1921-1930), and Cary Testimony (undated).","These include: Agricultural Adjustment Act and Amendment, House Resolution 9439, Orders from the President and National Recovery Administrator, Regulation 81, Regulation 82, and Secretary of Agriculture Regulations.","Files include the following folders: News clippings; Comparison of Lauck and Mahon Agreements; Final Agreement; General; Hanna Memorandum; Insurance; Saint Louis Public Service Company Union Plan for Cooperation; and Saint Louis Public Service Company Operating Notes.","Files include Pamphlets on Public Utilities, Press on Public Utilities, Press on Governor Roosevelt and Power Utilities, [Union?], and a Report addressed to Frank P. Walsh (1864-1939).","There were two hearings before the United States Tariff Commission related to an investigation into the costs of sugar production. After the January hearings (January 15-24, 1924), other briefs were filed. There was a call for another hearing to be held in March (March 27-28, 1924) after which it was decided that all parties had until April 10th  to file more briefs in connection with the hearings. W. Jett Lauck coordinated and prepared documents for many of the parties involved. He also served as a witness for the Hawaiian Sugar Planters Association.","Includes news about the Bituminous Coal Commission.","This includes the \"Report, Findings and Award of the United States Anthracite Coal Commission of 1920.\"","Files pertaining to Wages include: Wage Demands; Wage Rates of Employees Other Than Contract Miners; Wages, Earnings and Work Conditions in General; Wages in Various Industries 1914 to 1920; and Wages in Various Industries and Occupations: A Summary of Wage Movements 1914-1920.","Mass strikes in both the anthracite and bituminous coal industries in 1922 led to a standstill in production. When the miners and operators failed to reach any agreements, the government abandoned its hands-off approach and attempted to set up commissions to arbitrate the cases. After several failed attempts, both an Anthracite and Bituminous Coal Commission were established to not only arbitrate the current situation, but to investigate its origins in the general history and conditions of the coal industries. W. Jett Lauck was involved with the United Mine Workers of America in both cases to varying degrees. Material is separated into Anthracite and Bituminous, with common material labelled \"General.\"","Some dates are corroborated by list of case exhibits. Where corroboration is not possible, no date has been inferred. Classification as \"exhibit\" is applied based either on inclusion in a numbered list of exhibits or Lauck's handwritten filing directions.","Letters are presumably from W. Jett Lauck to the \"New York Times\" Managing Editor and to the President, regarding the establishment of an Arbitration Board.","These three memoranda are to Mr. Lewis, July 8, 1922; one concerning the production of the Central Competitive Field, April 27, 1922; and a third showing the financial connections of the Boston Financial Group and Secretary Mellon.","The two press releases include a letter to the President regarding Arbitration, July 15, 1922, and the UMWA Statement about Mr. Murray's Speech,  April 22, 1922.","Items include a \"Journal\" Communication sent to every member of Congress, 1922; a Letter to Officers and Members, May 25, 1922; and the UMWA Wage Scale Committee proposed wage scale, February 14, 1922.","The History of the Development of the Anthracite Coal Combination contains five sections: Section 1, Early History of Anthracite Consolidations and Combinations; Section 2, Consummation of the Anthracite Combination, 1896; Section 3, Methods by Which Railroads Have Discriminated in Favor of Their Allied Coal Companies and Favored Clients; Section 4, The Influence of the Combination Upon Freight Rates, Shipping Allotments, and Prices; and Section 5, Present Situation as Regards Ownership and Control.","The unnumbered exhibits include \"The Coal Controversy\" May 1922 and Geological Survey, Weekly Report on the Production of Bituminous Coal, Anthracite, and Beehive Coke, February 11, 1922.","These exhibits include: Exhibit 6: Seasonal Fluctuations in Production and Transportation, June 15, 1921; Exhibit 7: Production, Capacity, Men Employed, Mine Price Per Ton, and Days Lost, 1922, undated; Exhibit 12: Fluctuation in Employment and Earnings of Bituminous Mine Workers, undated; Exhibit 14: Effect of Price Changes Upon Purchasing Power, 1920; Exhibit 16: Chart Showing Production from Union and Non-Union Districts, March 16,  1922.","Memoranda include \"Complete Unionization Would be the Greatest Factor in Stabilization of Soft Coal Industry\" June 19, 1922, several other miscellaneous undated memoranda for Lewis, plus one on the Earnings of Bituminous Mine Workers for a \"Baltimore Sun\" Article, March 17, 1922.","Press Releases include: Capital Investment and Profit of Bituminous Coal Mine Operators, June 1, 1922; Letter From Ellis Searles to Secretary Hoover, February 8, 1922; Letter Submitting Explanatory and Statistical Material Supporting the Preliminary Report of the Commission on Investment and Profit in Soft Coal Mining, July 6, 1922; and Press Release: Russell Sage Foundation Report on \"The Coal Miners' Insecurity\" April 16, 1922.","Morrow's statements were made before the Committee on Labor, April 25, 1922 and before the Interstate Commerce Commission in the Hearing on Railroad Rates, Fares, and Charges, January 19, 1922.","Includes Memoranda and Opening Statement on behalf of Anthracite Mine Workers and Research Material and Data.","Statements concern the Request of Anthracite Operators for a Modification of the Wage Scale, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Typescript and Print copies.","The reply concerns the request of Operators for modification of the Wage Scale, and was by John L. Lewis, etc. on behalf of the United Mine Workers, before the Anthracite Board of Reference, George Rublee and Frank Morrison, Proofs and Print copies.","The Anthracite Freight Rate Case files may be part of the previous group but were placed in a separate divider created by the office of Lauck.","Statistics include four categories: General; Anthracite Coal Carrying Railroads, Typed Originals and Carbons; Financial Performance of Coal Companies (clippings and other statistics),Earnings, and Profit; and Salaries of Operator officials, exceeding $10,000 per year.","Note: an assigned car is a rail car specifically designated for the use of a particular shipper, or, in the case of private cars, for the use of a particular railroad for a specific customer.","Lauck also referred to this as the Mahon Case, after President William D. Mahon.","File includes the Opinion of the Majority of the Arbitration Board, Dissenting Opinion, and a Report on a Proposed Pension Plan","These include: \"Discipline and Education of Locomotive Engineers and Firemen and Standardization of Wages\"; \"Progress Made in Electrification of Railroads and Economics Effected Thereby\"; \"The Railway Dollar, What Became of it in 1913\"; \"Revenue Gains by Representative Western Railroads Available to Compensate Locomotive Engineers and Firemen For Increased Work and Productive Efficiency, 1890-1913\"; The Rise and Fall of Mechanical Stokers\"; \"Miscellaneous Statements in Rebuttal to Exhibits Presented by the Railroads\"; \"Opposition of Railroads to Enactment of Federal Hours of Service Law and Efforts of Federal Government to Enforce Same.\"","All the years but 1933-1935 have an index in the front of the folder.","These \"diaries\" were used to keep a record of Lauck's activities on behalf of a number of organizations, arranged by date.","File includes Lauck's Civil Service record (1945) and National War Labor Board service (1918).","The 1911 blueprint \"General Plan\" of the property was prepared by Thomas Meehan and Sons, Mt. Airy, Philadelphia, Landscape Architects, for Francis T.A. Junkin, Lexington, Virginia. The \"Map of Mulberry Hill, Lexington, Virginia,\" 1926, with surrounding properties, was done by R.E. Witt, Certified Land Surveyor.For a typed description of the property by R.E. Witt and a note by W. Jett Lauck, see Box 224 Folder 4.","The Bureau of Applied Economics, Inc. was a \"private, independent, scientific organization, established in 1914 for the purpose of doing research and analytical work in the field of industrial, commercial, banking and general economic activities\" according to one of its brochures. It was located in Washington, D.C. \"where the governmental departments, commissions and other organzations with their specialists, archives and unrivaled library facilites render such research more effective and productive than any other city in America\" according to a page from an unknown directory. Hugh S. Hanna was the Director and W. Jett Lauck was listed as both the Chairman of the Advisory Board and the specialist for money and banking.","One of the chief functions of the Bureau of Applied Econonics was to create publications about importand current issues in the field of labor conditions and industrial relations. These were intended to be brief (50-75 pages) but authoritative and written by a specialist in the subject so that anyone interested in the subject could have access to the gist of all the information in one place and for a low cost. ","File includes Monthly Statements, Proofs of Notices, Subscribers and Sales.","File includes Correspondence, Papers, and Table of Contents.","Lauck taught a course on the History of the Labor Movement at the American University.","The Notes chiefly include Political Science, Sociology, Labor vs Capital, Economics, Constitutional Law, American Government, and Agriculture.","These College Notes are chiefly concerned with the Reciprocity Concept and the Chicago Conference with sections on Cuba and Hawaii; Distribution; Receiverships; Sociology and Tariffs; and Printed Material.","Much of this material is fragmentary or incomplete and it possibly has some material of W. Jett Lauck mixed in.","These photographs include the \"Funeral Procession of Stephen Horvath, McKees Rocks, Pennsylvania, August 14, 1909. Photographs are mostly unidentified and some do not include W. Jett Lauck.","These photographs are mostly unidentified and undated but does includes William Harmon Black and Major Miller Taylor. and his wife.","This file consists of seven oversize photographs, including a Staff Conference; the Immigration Commission, Washington D.C. (1907); three photographs of Lauck with the same two  unidentified men; W.D. Mahon; A.A. Mitten; Earl E. Houck; an unidentified man; and an unidentified hearing.","This folder includes four oversize photographs  of Public Code Hearings on Bituminous Coal Industry, 1933 August 9; Cigar Manufacturing Industry AAA Code Hearing, 1933 November 22;  Structural Steel and  Iron Fabricating Industry N.R.A. Hearing, 1933 October 30; and Anthracite Coal Industry, NRA Code Hearing, William H. Davis Deputy Administrator, Washington, D.C., 1933 November 17","Topics include Agriculture and Farms, Airlines and Aviation, Argentina, Atlantic Charter—Poland*, Atomic Energy and Weapons (see also, J—Japan), Australia, and the Automobile Industry.","Topics include Bank Fraud, Banking and Bankers, Baruch Report, Big Three, Bretton Woods Agreement—International Monetary Fund, British Elections 1945, British Labor Party, British Labor Reports and the Second World War and Budget.","Topics include Cartels, Chamber of Commerce, Canada, Capital/Capitalism, Charter [U.N.] (see also, S—San Francisco Conference), Chemical Warfare, Cherry Blossoms—Washington D.C., China, The Church (see also, Religion and Faith), Churchill, Winston (see also, People), Comintern, Communist Party, Congress, Cost of Living, and Cuba.","See also, Strikes, U—United Mine Workers.","Topics include Debt, Defense, Deflation, Democracy, Democratic Party, The Depression, Diplomacy, Disease, Driving [Winter], and Dumbarton Oaks Conference.","Topics include Economic Bill of Rights, Economic Development [Committee], Economic Policy (see also, B—Bretton Woods Agreement, Post-War Reconstruction), Economic Rights, Economy of War, Employment (see also, U—Unemployment), Electric Workers, Electricity, and Excess Capacity.","Topics include Farms, Fear, Flooding, Food [Costs] [Rations] [Shortages], Food as Weapon, Foreign Policy, Freedoms, France, Franco, and Full Employment America.","Topics include General Motors [Strike] (see also, Strikes), Germany, G.I. Bill, Gold Standard, Government in Business, Grain Marketing, Great Britain, Growth of Democracy, Hapsburgs, and Hatch-Burton-Ball Bill.","Topics include Industrial Divide, Industry, Inflation/Deflation, and Israel.","Japan [and the Atomic Bomb], Jefferson [And the Declaration of Independence], The Jewish People [in Nazi Germany], Jobs as a Property Right, and Kipling, Rudyard (see also, People).","Topics include Labor [and War], Latin America, League of Nations (see also, World Government), Legal Aid Societies, Lend-Lease, Liberalism, and the Lima Conference, Liquor Problem, and Living Wage.","Topics include Magna Carta, Massachusetts Academy, Meat Industry (see also, Strikes), Middle Class, Monetary Reform, Morale [Poor], and Moving Pictures.","Topics include National Association of Manufacturers, National Income, National Interest, \"New Era\" 31*, New York State Industrial Survey Commission 28*, New York Transit Strike, Office of Price Administration, and Oil.","Topics include Pacifists, Packing Houses, Thomas Paine,  Palestine, Pan-American Union, Patents, Peace, Pennsylvania Labor Act, Philanthropy, Poland, Political Minorities, Population [United States] 1940, Power, The Press, Price Controls, Prisoners of War, Production, Profit-Sharing, Profiteering, Public Service, and Pump-Priming the Economy.","For more clippings on people see also: C—Churchill, K—Kipling, P—Paine, R—Roosevelt, Rural Electrification Administration [Harry Slattery], S—Stalin, and T—Truman.","File contains topics such as: Post-War Deflation, Post-War Europe, and United States Labor, Industry, and the Economy.","Topics include: Race and Racial Strife, Radar, Railways and Railroads, Reciprocity – British Agreement, Reconstruction Finance Corporation, Reconversion [and Wages] (see also, Post-War Reconstruction), Re-employment (see also, Post-War Reconstruction), Republican Party, Republican Record, Right Wing Reaction, Roosevelt, Rural Electrification Administration [Harry Slattery], Russians who Fought for Germany in World War II.","Topics include: San Francisco Conference (see also, United Nations), Savings, Sherman Act, Social Security, Socialism, Socialized Medicine, South America, The South [and Politics], The South [and Poll Tax Ban], Southern Revolt, Soviet Union/Russia, Spain, St. Lawrence Seaway, Stalin, Subsidy, Sugar, Supreme Court, Packing the Supreme Court, and Syria.","See also, Coal, G-H—General Motors [Strike], M—Meat Industry, N-O—New York Transit Strike, Steel, and U—United Mine Workers.","Topics include: Tariff Bill, Taxes, Textiles, Third Political Party, Totalitarian States, Troops, Truman [Report], Trusteeships; Unemployment, (see also, E—Employment), Unions, United Kingdom [Britain], United Mine Workers (see also, Coal), Unity, National\nVirginia, and Virginia Budget Efficiency.","See also S—San Francisco Conference and World Government.","Topics include: Wage Central, Wages, Wagner Health Bill, Wall Street, War, War Aims, War and Capital, War Contracts Settlement, War Cost, War Crimes, War Labor Board, War Production Board, Work Week, World Bank, and World War II [Battles].","This file includes agendas, correspondence, reports, membership, and the tentative program.","Topics include: American Mining Congress Declaration of Policy, \tdisagreements over the NRA code, gasoline and coal, new processes, and the right to strike.","This file includes an \"Investigation of Paint Creek Coal Fields of West Virginia,\" \"The Truth about Coal River Collieries,\" \"West Virginia Coal Fields\" (Senator Kenyon), Colorado Coal Fields, and a List of West Virginia Coal Fields.","Includes Houde Engineering Company Memorandum submitted to the National Labor Relations Board, the Hunt Memorandum outlining the Study of Competing Fuels, Lauck's review of \"The Coal Industry\" by Glen L. Parker, the Keller Bill for the Mississippi Valley on the Relative Importance of Fuels, \"Oil-Coal Mixtures as Industrial Fuel\" by J.E. Hedrick, and the Coal Cost of Producing Electricity, by J. Leonard Matt in the \"New York Herald Tribune.\"","The Railroads Financial History material was used in preparation of exhibits for the Brotherhood of Locomotive Firemen and Enginemen Case and updated for use in later cases involving railroads.","These news clippings include: British railway strike, credit, Thomas Dew Cuyler article on 1922 strike, Henry Ford's railroad, Gould System, Inadequacies of Railroad Management, Mergers, Nickle Plate Deal, Receiverships and Foreclosure Sales During 1920, and Railroad Retirement Act of 1937.","Publications include: Decisions, Dockets, Announcements, Lawsuits, Orders, and Reports.","Lauck was on staff as an economist and one of the stockholders for this enterprise. Some stationery has the name \"The Gallatin Institute of Applied Economics\" in the header.","Files include Memoranda from I.A. Rice to W. Jett Lauck, Recommendations, and Rent Law.","Includes a bill on the guaranty of bank deposits legislation and the Glass-Steagall Act (printed).","Banking files include Credit Facilities of the Country, Federal Reserve Board Legal Opinion on Bank Centralization (printed), News clippings, Reform, and the United Labor Bank and Trust Company Dissolution.","Includes files on British wage controversy and the coal industry during World War II, coal industry problems, and the British Coal Mines Act.","Cigar Manufacturing Code of Fair Competition files include Amendments proposed by Abraham Goldbloom and Jett Lauck, including Revisions made by Conference on October 20, 1933; Briefs and Statements (1933); Codes (1933-1934); and Profits and Statistical Data (circa 1929-1933).","These include: Table of Contents, Agents of Concentration and Railroads; Cotton Mills (director); Public Utilities (directors); Concentration of control of Financial and Industrial Resources; Public Utilities (securities), Public Utilities (affiliations), and Public Utilities (summary and tables).","These include: Summary of Banker Control in American Industry; Concentration of Financial Control of Industry; Concentration of Control of the Iron Ore Mining Industry; Report on Public Utilities; Concentration and Control of Money and Credit; Industrials (directors), Agents of Concentration, Coal (statistics), Iron and Steel Report (summary), Industrials (report), Railroads (statistics), Cotton Industry, Coal and Iron Mining; and Concentration of Control of Various Industries (iron, coal, water).","These files include the Bill by Colonel W.G. Williams (1946); an Inquiry by the Federal Power Commission Control (June 27, 1945); and the Memoranda of Colonel W.G. Williams, 1945-1946).","These files include: Miscellaneous, including charts - W. G. Williams (1945-1946); Gas and Oil Pipelines, including a proposed letter from Admiral Stuart to President John L. Lewis (October 16, 1944); and the United States Department of the Interior report of Investigations (July 1945).","Constitutional Amendment files include: Action by Organizations (1936-1937); Articles and News clippings (1935-1939); Bills, including those proposed by Benson, Costigan, Ford, Gray, Maas, and Marcantonio (1935-1937); Challenges to the Authority of the Supreme Court to Declare Legislative Acts Unconstitutional, Notes and Memoranda by W. Jett Lauck, Donald R. Richberg, Merle D. Vincent and Henry [Warrum] (1935-1936); and Correspondence and Memoranda about the New York and Washington, D.C. Meetings (1936).","Constitutional Amendment files include: Detroit Conference (1937); History and Comments (1936?); National Committee and Reports from Henry T. Hunt (1936); National Conference about (1936-1937); Recommendations and Suggestions made by President Roosevelt for a Bill to \"Pack the Supreme Court\" (1937); and Speeches by David J. Lewis and Daniel C. Roper (1935).","Material includes the labor and production costs of cotton, silk and wool goods before and after World War I.","Files include a Memorandum on Major Berry and Conference Plans (1935 November, undated); News (1936-1937); Press Releases (1936-1937); and Summaries and Reports (1936 June-July).","Memoranda topics include the Austrian state railways, the book \"Railroad Melons, Rates, and Wages\"; the suggestions of Baltimore and Ohio Railroad Vice-President Tatnall for railroad improvements; the Cincinnati Southern Railway; and Cooperatives.","These include speeches and statements of Governor Earle, Chief Justice Hughes, British House of Commons, Secretary of State Hull, Secretary Ickes, Robert H. Jackson, Governor Frank Murphy, Senator Norris, Secretary Frances Perkins, Burton K. Wheeler, and Wendell L. Wilkie.","This opinion was given by the General Counsel of the Federal Reserve Board.","These files include the first through third versions introduced in the 72nd Congress in 1932, S. 3215, S. 4115, and S. 4412.","These House bills include: H.R. 7250 (a bill creating national mortgage banks); H.R. 7620 (a bill to create Federal Home Loan Banks); H.R. 11340 (a bill to require national banking associations to furnish bonds to protect depositors against loss of deposits); H.R. 11422 (a bill to regulate the value of money, and for other purposes); and H.R. 12280 (an act to create Federal Home Loan Banks).","Includes an article by Lauck, \"America's New Immigrants\" and reviews of his book with Jeremiah Jenks, \"The Immigration Problem. A Study of American Immigration Conditions and Needs.\"","Includes a Memorandum from Lucius E. Wilson and Research concerning the cotton industry (1890-1912), economic consumption, 1890-1914,  prepared by Frances P. Valiant, centers of population (1914), prices (1914), tendencies in real wages (1900-1913), and wages and prices  (1912-1914)","The topics include: Agriculture; Anti-Strike Bill; Book Reviews; Bituminous Coal; Child Labor Law; Civil Service Employment, Reclassification and Retirement; Federal Employment; Federal Coal Commission; and Foreign Industry and Labor.","The topics Include: Health; Housing; Immigration; Industrial Accidents; Labor Mobility; Milk Bill; National Industrial Conference; New Jersey Chamber of Commerce; Public Health Service; Punitive Overtime; Racial Question, Commission on (\"Negro Wage Earners\"); Seaman's Act Revision in Merchant Marine Bill; Soldiers' Adjusted Compensation Legislation; Steamship Business Training; and United States Steel Corporation Pension Fund.","Two of these files focus on Employee Representation - Efficiency through Cooperation, and include \"A Report on Workers' Participation in Management\" with an appendix, by W. J. Lauck, March 1921.","Companies include: Bethlehem Steel Company, Endicott Johnson and Company, Goodyear Tire and Rubber Company, International Harvester Company, Midvale Steel and Ordnance Company, Standard Oil Company of New Jersey, and General.","Files include: Distribution of Output of Industry; Foreign Trade; General; Labor; Mass Production and Distribution; Production and Stock Market; and Prosperity.","Labor topics in these files include: Labor and Churches (1922-1937); Labor and Industrial Policy during World War I, Memoranda on (1917-1918); Labor Gazette Program (undated); General material (1914-1920); Labor in Great Britain (1918-1937); Labor Injunctions (1927-1932); Labor Insurance (1928); Labor Legislation and Politics (1928); Labor Organizations (1910-1929); Labor Policies (1928); and Labor Problems (1919).","Additional Unemployment topics include: Joint Committee on Unemployment; Press; Social Effects of Unemployment, Statistics; and the Wagner Bills.","Interstate Commerce Commission files include: Decision on Freight Rates in Anthracite Case; Five Per Cent Case; Hearing on Rates on Grain, etc.; Operating and Wage Statistics; and Petition concerning the \"Inefficiency of Railroad Employees.\"","Additional Interstate Commerce Commission files include: Rules on Locomotive Inspection; Rules of Practice; Rules governing Classification of Steam Railway Employees; and Seasonal Variation of Railway Operating Income.","Additional files include: Labor Conditions, including mining accidents; Manufacturers; and Monthly Production of Pig Iron in the United States.","Journeymen Stone Cutters of America files include: Affidavits and Letters on Indiana Situation; Agreements; Amalgamation (Knoxville Wage Scale); Arts and Crafts Industry - Mr. M. W. Mitchell; Bloomington and Bedford Names and Local Vote; Cast Stone Industry Code; Limestone Code; Limestone Code Statement for Hearings and Suggested Complaint to the National Labor Board; the Marble Manufacturing Code, President Mitchell; Press Releases and Miscellaneous; the Sandstone Code and Statement by M.W. Mitchell, President of the Journeymen Stone Cutters' Association of North America.","Additional Labor Costs files include: Bituminous Mine Workers; Book Paper Industry; Canned Salmon; Canned Vegetable Industry; Coal; Construction; Copper Production and Sale; Cotton Industry; Cotton, Silk, and Wood Goods Production Before and After World War I; and Fertilizer Industry.","Additional Labor Costs files include: Hide and Tanning Industries; Leather and Shoe Industries; Pig Iron; Railroads, including Eastern, Operating, Southern, and Western; Relation to Prices; Shoe Industry; Steel Production in the United States; Sugar Profiteering; Summary; Various Industries; and Women's Muslin Underwear Industry.","The Living Wage subtopics include: The Case for a Living Wage; Cost; Cost of Rearing Children; Department of Labor; Effects; Fair Labor Standards Act (Bills, Interpretations, Regulations, etc.); Farmers; and General Press (1 of 2 folders).","Living Wage subtopics include: General Press (2 of 2 folders); Harmful Effects of Low Wages; Lauck Statements; Miscellaneous; National War Labor Board; Practicability (2 folders); Request for a Ruling from the United States Railroad Labor Board on the Living Wage;  \"Sanction for a Living Wage\"? Quotation Verification Work for Lauck's book with that title; Statement of the National War Labor Conference; and an Undated Essay on \"The Just and Reasonable Wage.\"","These documents include the Charter, Constitution, General Plans of Work, Explanation and Comment, Outline of Organization and Scope of Work at the Outset, By-Laws, Suggestions and Notes on Separate Trust Fund, and an article \"Employee Ownership\" by Thomas E. Mitten.","Mitten Management topics include: Labor Cooperation in Australia; Organized Labor in New Orleans; Personal News clippings; Press; and Strikes in Philadelphia and Buffalo.","Literature includes the New York Advertising Club Plan, Memoranda and Principles, etc., which also includes articles by Fred Brenckman and Isador Teitelbaum.","Items include the Conscription of Property Senate Bill 1579 and Consumer Division of Defense, Labor, and Steel.","These files include a report of the Iron Ore Committee, a copy of the \"National Natural Resources Act,\" and the Report of the Planning Committee for Mineral Policy.","These bills include the Bill for Stabilization and Conservation of Natural Gas and Petroleum and the Cole Bill (H.R. 7372) Petroleum Conservation Act.","Files include General; a Brief; Mr. McGinn's Statement; General Producers Company, Mr. Taylor and John L. Lewis; and Sinclair Company - Maintenance of Retail Prices.","Apparently Lauck used his work with the Philadelphia Rapid Transit Company as a basis for his book, \"Political and Industrial Democracy, 1776-1926.\"","Includes files on the following companies: Baltimore and Ohio Railroad; Bank of Italy; Boston Consolidated Gas Company; Chicago Surface Lines; Colorado Fuel and Iron Company Plan; Columbia Conserve Company; Comparison of Fundamentals; Comparative Plans; Dennison Manufacturing Company; Dutchess Bleachery; Employee Representation and the Union (PRT); Employee Stock Ownership (PRT); Endicott-Johnson Company (PRT); Filene; Ford Motor Company; International Harvester Company; Investment Bankers and Cooperative Plans; Louisville Railway Company; Loyal Legion of Loggers and Lumbermen; and Milwaukee Electric Power and Light Company.","Includes files on the following companies: \tNash Tailoring Company; New Cooperative Plan; Packard Piano Company; Pennsylvania Railroad; Peoples Gaslight and Coke Company; Philadelphia Convention; Printz-Biederman Company; Southern Railway; Standard Oil Company; Summary with 1939 clipping; and Union Recognition Case.","Includes news clippings about the Electric Bond and Share Company, Power Authority of New York and others.","Includes a speech by Frank P. Walsh before the  Public Ownership League of America and a Research Bulletin on the Potomac Electric Power Company of Washington.","These files include ones for Analysis, Bradstreet's, Dun's, General, and Government Control of Prices.","Profiteering files include those on: Address of the President; Agricultural Supplies; Articles by W. Jett Lauck and others (2 folders); Banks; Memorandum to Judge W.H. Black; Building Material; Coal; and Copper.","Profiteering files include: Corporate Earnings and Government Revenues (3 folders); and Corporations, Profits of (3 folders).","Profiteering files include: Industries, various, (3 folders); Manly, Basil M. - Survey of American Industrial Conditions; Meat Packing; Metal Trades; Miscellaneous Industries; 1921; Petroleum; Post War Profits; and Press Statements (2 folders).","Profiteering files include: Railroads During and After the War (American); Railroad Equipment; Shoes and Clothing; Speeches in Congress; Steel;  Sugar; Summary; and War Contracts.","Includes the following filers: the Chicago Memorandum; Pending Work file; press release about the need for co-ordination of transportation facilities; press or news clippings; and railroad employee insurance.","Files include a draft of a letter to President Roosevelt and a memorandum on Russia from Lauck.","Russia or Soviet Union files include: \"The Red Trade Menace\"; Research by Dunlap; Social and Economic Conditions, chiefly clippings, including concessions, the cotton case, credit, political and propaganda (2 folders); and Trade Mission.","Files include: \"The Agricultural Situation in the United States\"; \"Labor Banking Movement in the United States, Analysis of\"; \"Membership of Labor Unions\"; and \"Report of the Negro in Industry\".","Files include: Proposal for Cotton Purchase from the United States (3 folders); \"Recent Shifts in Industry\"; \"Report of the Railroad Situation in the U.S.\"; Research – Miscellaneous; and Tariffs.","Files include: Anderson, Paul E. – Reports and Memoranda; Ballantine's Report [on Transportation by Waterway as Related to Competition with the Rail Carriers in the United States]; Commodity Studies, including livestock, potash, green coffee, grains, and rubber; Correspondence; and Department of Commerce Outline.","Files include: Digest of Hearings and Reports; Electric Generation Capacity, U.S.A.; Extent of Railway Operations; News clippings, including article from \"The New Republic\"; Notes and Outline; and Panama Canal Traffic effect upon Railroad Rates.","This file includes a Railway Labor Executives' Policy statement, statement of the Baltimore Association of Commerce, and a paper about the  \"Effect of the Proposed Great Lakes-Saint Lawrence Deep Waterway on the Coal Industry.\"","The file includes articles by Lester Velie (\"Lean Years for the Rails\"), Harold D. Kootz (\"The Railroad Crisis\"), and one about new types of equipment; a speech by Harry S. Truman on railroad financing; a memorandum about railroads serving the Great Lakes ports; and a memorandum to Robertson about the position of Western railroad presidents concerning the waterway prior to 1933-1934.","Reports include: \"Analysis of its effects upon railroad and coalmining industries\" by W. Jett Lauck; \"Coordination of Transportation Agencies\" [by W. Jett Lauck?]; Report of Railroad Coordinator's Freight Traffic Report, including freight rate increases and petroleum pipeline rates; and Report of the Railroad System, Beneficial Effects of project upon.","Files for this committee include: General (2 folders); Papers submitted by J.W. Garrow and White; the Report, both Typescript and Printed (2 folders); Uniform Manufacturers Association Statement; United States Chamber of Commerce Presentation; and Vouchers and Expenses submitted by W. Jett Lauck.","Files include Awards, Decisions, and Authorizations (printed) and Exhibits prepared for the Board by Lauck and associates.","Socialism files include; \"What it is and what it is not\" and History in the United States.","Files include: \"Compilation of the Social Security Laws\"; Correspondence with Barbara Nachtrieb Armstrong (Chief of Staff for Social Security Planning of the Committee on Economic Security; Correspondence with Pauling C. Gilbert; Directory of State Employment Security Officials; and Draft Bills for State Unemployment Compensation.","Files include: H.R. 4142 (Lewis Bill); H.R. 7260 (Social Security Act); Information Primer on the Committee on Economic Security; Inventory of Job Seekers Registered at Public Employment Offices; and League of Nations Staff Pension Fund.","Files include: Major Migratory Routes in the United States; Memoranda to Mr. Kennedy; National Women's Trade Union December Bulletin; Newspapers; and \"Old Age Insurance.\"","Files include: Pamphlets and Print Materials; Preliminary Report on Occupations of Job-Seekers in 43 States; \"The Problem of Insecurity\" (Committee on Economic Security); Radio Address of Frances Perkins, Secretary of Labor; and Recommendations of the Social Security Board Federal Advisory Council.","Files include: \"Social Security Act and War Manpower Commission\" and Social Security Board Federal Advisory Council Binder of Documents (2 folders).","Files include: Social Security Board Federal Advisory Council Meeting (June 1940); Social Security Board Federal Advisory Council Meeting (October 1942); \"Social Security in Defense and After\"; Statements on the Wagner-Lewis Economic Security Bill; Thrift and Security Foundation, Inc.; \"Two Special Reports on Social Legislation\" (Business Advisory Council); United Mine Workers of America Proposed Retirement Plan; and Vocational Training Program for National Defense.","Topics include: Mineral production, \"A Working Economic Plan for the South,\" Washington and Lee as a Southern institution, and the Southern Commercial Congress (all printed).","File includes memoranda to John L. Lewis and suggestions by Katharine Pollak, federal regulation and steel codes.","Topics include a file on Arbitrations, including Portland, Maine; Eastern Massachusetts Street Railway; Boston Elevated Railway Company; and Cumberland County Power and Light Company. Other railway topics include: District of Columbia; \"Low Fares\" article by Louis B. Wehle; the Mahon Case; and a Report by Delos F. Wilcox.","Files include: \"The Bridgemen's Magazine,\" Vol. XXXIII, Nos. 11 and 12; Conferences; H.R. 7596 (To License and Regulate Inter-State Coal Corporations); H.R. 12285 (Ellenbogen's Bill); H.R. 12499 (Wood's Steel Bill); Lauck Notes and Memoranda; and Lists of Materials Prepared in Connection with Iron Workers.","Files include: P.J. Morrin Exhibits I (a), II, and III-VIII; P.J. Morrin's Report as Labor Advisor to Chairman of the Labor Advisory Board and his Statement Before the National Recovery Administration; Possible Projects – Golden Gate Bridge, San Francisco, California and United States Courthouse, New York City; Statement of William P. McGinn to Deputy Administrator; and \"Summary and Objectives of Proposal for New National Recovery Act Legislation.\"","Files include: the Fair Tariff League; Press, including the French situation; and Wood Pulp, Woolens and Worsteds (2 folders).","Taxation files include: \"Conclusions and Constructive Suggestions as to Tax Revision\" by David B. Robertson; News clippings, Printed Material and Press Releases (2 folders); and Notes and Drafts.","Files include: copies of clippings at back of folder; Charts used by Isador Lubin in his Testimony; and Notes by W. Jett Lauck and associates.","Topics include: \"Dynamics of Transport\"; \"How Transport has Shaped the Pattern of National Development\"; \"Objectives of Public Policy\"; \"Problems of Interest Groups\"; \"Problems of National Defense\"; Problems of Rate Levels and Rate Relationships\"; \"Problems of Regulatory Policy\"; \"Problems of Transportation Policy – Review of Basic Issues and Alternative Solutions\"; \"Problems of Transport Coordination\"; \"What Lies Ahead in Transportation\"; and \"What the Transportation System Looks Like Today.\"","Files include information about the 1922, 1934, 1940 (2 folders), and 1946 Conventions.","Wage files include: American Federation of Labor; Articles, Bibliography on Wage Cutting and on a Saving Wage; Disease; Earnings in Ohio; \"A Fair and Reasonable Wage\"; and Minimum Wage (2 folders).","Wage files include: Productive Efficiency Theory; Productivity; Railroad; Rates; Real Wages; Regulation; Report on \"Wages and Hours of Labour in Canada\" and Report of Australian Royal Commission; Standard of Living; Various Industries (2 folders); Wage Adjustments; White Collar Workers; Women; and Works Project Administration.","Topics include: the wartime control of labor (France), War Labor Conference Report (February 25, 1918), \"Labor Policies and the War, War Profits Bill, war and labor, and war tax law.","Materials include: a pamphlet \"Negro Women in Industry in 15 States,\" and other printed material from the Department of Labor and the Women's Bureau.","Titles include: \"American Institute for Economic Research Monthly Bulletin\" (1944) and \"Automotive War Production\" (1945).","Titles include: \"Babson's Washington Reports\" (1938-1939); \"Bank of the Manhattan Company of New York (1946); and \"The Bulletin\" from the International Typographical Union (1945-1946).","Titles include: \"California Safety News\" (1919); \"Common Sense\" (1944); and \"Congressional Daily\" (1941, 1944-1946).","Titles include: \"Economic Notes\" (1939); and \"The Economic Outlook\" (1940, 1944).","Titles include: \"Foreign Commerce Weekly\" (1941) and \"Foreign Policy Bulletin\" (1943, 1946).","Titles include: \"Human Events\" (1947); \"International Post-War Service Statistical Bureau\" (1943); and \"International Statistical Bureau Foreign Letter\" (1943-1944).","Titles include: \"National Bureau of Economic Research\" (1933-1934); \"The National Grange\" (1932); \"People's Lobby Bulletin\" (1945); \"Private Newsletter\" (1934); and \"Propaganda Analysis\" (1939).","Titles include: \"Report of the Mexico City Bureau\" (1940); and \"The Southern Patriot\" (1945-1946).","Titles include: \"United Business Service\" (1941); United Construction Workers News (1946); \"Washington Review\" from Chamber of Commerce, U.S. (1940, 1943); and \"The Yardstick Catholic Tests of a New Social Order\" (1941-1942, 1944).","Includes booklets on \"Diplomatic List\" (1925); National Policy Committee booklet, \"Implications to the United States of a German Victory\" (1940); \"The Storm Washington D.C. January 27-28, 1922; \"The Story of the Globe\" (undated); andClifford Thorne (undated).","Includes: National Association Real Estate Boards (1924); National Monetary Association (1923, undated); \"National Transportation Institute Freight Rates and Prices, 1867-1923\" (1923); New Jersey Teacher Retirement and Pensions (1919); and New School for Social Research (1920).","Includes: Railroads (1944); Remedial Loan Societies (1928); and Remington Rand Inc. (1935).","Includes: Schools (1928-1929); Sperry Corporation (1936); Standard Oil Company (1922); and Standard Statistics Company (1925).","Includes: Virginia State Chamber of Commerce (1924-1930); and \"A Brief History of Taxation in Virginia,\" by Edgar Sydenstricker (1915).","Includes: Senator George D. Aiken (1941), Thurman Arnold on \"Labor Against Itself\" and Antitrust Law Enforcement (circa 1941, undated).","Includes Samuel Brodbelt with a letter to Lauck, February 1, 1940.","Includes: Charles H. Chase on Trade Credit Banking (1934); John Corbin on National Planning (1932).","Includes: Maurice R. Davie, \"What Shall We Do About Immigration? (1946); Eleanor Davis \"The Future of Personnel Administration in the US\" typescript (undated); Edward T. Devine, \"American Labor's Improved Status Since 1914\" (1928); and Wallace B. Donham, \"National Ideal and Internationalist Idols\" (1933).","Includes: Marriner S. Eccles (1939); Irving Fisher \"The Debt - Deflation Theory of Great Depressions\" (1933); and Harry Emerson Fosdick sermon \"A Christian Conscience about War\" (1925).","Includes: Walter Graves, Jr., an open letter concerning Hitler and the British Isles (1941); Senator Pat Harrison (1925); W.P. Harvey, articles on living wage, and capital and labor (undated); Leon Henderson on Use of Small Loans for Medical Expenses (1930), and Alice Hosteler article on Producer-Consumer Relations (undated).","Includes: Benjamin A. Javits, (1933-1934); Jefferson Institute, including an address by Daniel C. Roper (1934); George L. Knapp on Senator Edward P. Costigan of Colorado (undated); and Dr. Julius Klein, \"The Business Trend Since 1921\" (1927).","Includes: J.C. Laughlin, \"Demand and Prices,\" August 1932; William M. Leiserson, \"Labor Past as Key to Labor Future,\" February 10, 1944; Max Lerner, \"Revolution in Ideas,\" 1939; Alexander Levene, \"Modification of the Antitrust Laws and Purchasing Power\" (1932); and John L. Lewis \"Problems of Organized Labor\" (1936).","Includes samples of his articles with a biographical summary up to 1933.","Includes: William G. McAdoo, about William Jennings Bryan (1925); Leifer Magnusson, about the International Labor Organization and the American Federation of Labor (undated); Maury Maverick on \"How Solid is the South?\"(1943); Claudius T. Murchison, \"A Great Deal, Some of It New\" (1934); Reinhold Niebuhr, \"Jerome Frank's Way Out\" (undated); Edwin G. Nourse, \"The Nature and Future of Private Enterprise\" (1941); Frances Perkins, speech press release, 1936; Gifford Pinchot, \"Wages, Margins and Anthracite Prices\" and \"Business and Government in the Economic Crisis,\" (1923-1931).","Includes: Jackson H. Ralston \"Superficiality of International Law,\" 1922; Donald R. Richberg and his Labor Plan (1944); John D. Rockefeller, Jr., \"Considerations Concerning Labor Standards,\" 1922; Daniel C. Roper, \"Regimentation and Recovery\" and \"Trade and Commerce in Perspective,\"1934; and Dr. John A. Ryan, \"Organized Labor Today\" (1926).","Includes: Alexander Sachs on Problems of National Recovery (1937); David J. Saposs, \"Current Anti-Labor Activities\" (1938 April 11); Louis G. Silverberg \"Law and Order: Social Menace\" (1938); Upton Sinclair, \"An open Letter to the President\" (undated); Isidor Teitilbaum (undated); and Lawrence Todd (August 1933).","Includes: Henry A. Wallace, speeches (1937-1942); Sidney Webb \"Four Weeks in England\" (1919); Carl I. Wheat, California Railroad Commission, (1927); William Allen White, \"A Yip From the Doghouse\" (1937); Honorable Roy O. Woodruff \"War Frauds\" speech, 1922; and Owen D. Young speeches (1930-1932).","Includes \"Economic Planning\" (undated); \"When President's Play Politics\" (1938); and fiction pieces written for magazines like \"Ken\" (undated)."],"userestrict_html_tesm":["\u003cp\u003eNote: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Note: Diaries on microfilm M-1239-1241; Use of original diaries restricted due to fragile condition."],"names_ssim":["Albert and Shirley Small Special Collections Library","Lauck, W. Jett (Lauck, William Jett), 1879-1949"],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Lauck, W. 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