{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=496","prev":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=495","next":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=497","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1933\u0026f%5Brepository%5D%5B%5D=University+of+Virginia%2C+Special+Collections+Dept.\u0026page=501"},"meta":{"pages":{"current_page":496,"next_page":497,"prev_page":495,"total_pages":501,"limit_value":10,"offset_value":4950,"total_count":5008,"first_page?":false,"last_page?":false}},"data":[{"id":"viu_viu00086_c02_c615","type":"Item","attributes":{"title":"Williamina Parrishto \n                  Vine Colby\n                  McCasland,, 1933","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_viu00086_c02_c615#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003esending additional horoscope material\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00086_c02_c615#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00086_c02_c615","ref_ssm":["viu_viu00086_c02_c615"],"id":"viu_viu00086_c02_c615","ead_ssi":"viu_viu00086","_root_":"viu_viu00086","_nest_parent_":"viu_viu00086_c02","parent_ssi":"viu_viu00086_c02","parent_ssim":["Sara Teasdale Collection \n         1888-1934","LETTERS"],"parent_ids_ssim":["viu_viu00086","viu_viu00086_c02"],"title_filing_ssi":"Williamina Parrishto \n                  Vine Colby\n                  McCasland,","title_ssm":["Williamina Parrishto \n                  Vine Colby\n                  McCasland,"],"title_tesim":["Williamina Parrishto \n                  Vine Colby\n                  McCasland,"],"normalized_title_ssm":["Williamina Parrishto \n                  Vine Colby\n                  McCasland,, 1933"],"text":["Williamina Parrishto \n                  Vine Colby\n                  McCasland,, 1933","Sara Teasdale Collection \n         1888-1934","LETTERS","Box Box 9","Williamina Parrish","Vine Colby\n                  McCasland","sending additional horoscope material"],"parent_unittitles_ssm":["Sara Teasdale Collection \n         1888-1934","LETTERS"],"parent_unittitles_tesim":["Sara Teasdale Collection \n         1888-1934","LETTERS"],"normalized_date_ssm":["1933"],"unitdate_other_ssim":["[1933 Nov] Sunday"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":654,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Sara Teasdale Collection \n         1888-1934"],"extent_ssm":["1 p., with related enclosures"],"extent_tesim":["1 p., with related enclosures"],"containers_ssim":["Box Box 9"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"persname_ssim":["Williamina Parrish","Vine Colby\n                  McCasland"],"names_ssim":["Williamina Parrish","Vine Colby\n                  McCasland"],"date_range_isim":[1933],"scopecontent_html_tesm":["\u003cp\u003esending additional horoscope material\u003c/p\u003e\n          "],"scopecontent_tesim":["sending additional horoscope material"],"_nest_path_":"/components#1/components#614","timestamp":"2026-06-23T07:31:56.027Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00086","ead_ssi":"viu_viu00086","_root_":"viu_viu00086","_nest_parent_":"viu_viu00086","ead_source_url_ssi":"data/uva-sc/viu00086.xml","title_ssm":["Sara Teasdale Collection \n         1888-1934"],"title_tesim":["Sara Teasdale Collection \n         1888-1934"],"normalized_title_ssm":["Sara Teasdale Collection \n         1888-1934"],"text":["Sara Teasdale Collection \n         1888-1934","8170-d","ca. 700 items","Collection is open to research","Funded in part by a grant from the National Endowment\n            for the Humanities","sending thanks for her sympathy and inviting her\n                  to visit","revealing his delight in a poem she sent and\n                  discussing her style","re looking over proofs to her volume of poetry [ \n                  Sonnets to Duse and Other Poems]","mentioning her \n                  E[leanora] D[use]sonnet being\n                  accepted by \n                  Poet Lorefor publication","re horseback riding and critiquing a poem,\n                  \"Vengeance\" by Colby","mentioning the July \n                  Potter's Wheel","sending her a review of \n                  Sara Teasdale's volume of poetry\n                  Sonnets to Duse...","praising her book \n                  Sonnets to Duse...","extending his thanks for the copy of her book \n                  Sonnets to Duse...and hoping for its success","thanking her for the copy of her book \n                  Sonnets to Duse..., praising it, and wishing for its\n                  success","revealing her pride of her childhood friend ( \n                  Sara Teasdale) after seeing her\n                  \"Guenevere\" in \n                  The Digest","expressing his pleasure in presenting her poem\n                  [\"Guenevere\"] to the world, praising her book of\n                  verses, \n                  Sonnets to Duse..., and encouraging her to continue writing\n                  verses in her careful fashion","praising her poem [\"Guenevere\"]","thanking her for the copy of her book \n                  Sonnets to Duse...praising her effort, and mentioning seeing\n                  actress \n                  Olga Nethersole.","thanking her for the autograph copy of her book \n                  Sonnets to Duse..., writing about getting settled in their new\n                  home","asking for a day to visit, expressing her pleasure\n                  in her ( \n                  Sara Teasdale's ) book \n                  Sonnets to Duse..., with ALS from \n                  Mary D. Harristo \n                  Sara Teasdale, expressing her\n                  pride in Teasdale and her book","writing about the beauty of her poems and that he\n                  has written a review of her book [ \n                  Sonnets to Duse...]","praising her book [ \n                  Sonnets to Duse...]","sending his review of her book [ \n                  Sonnets to Duse...] from \n                  The Saturday Review","concerning her delight in receiving a letter from \n                  Arthur Symons, and saying that\n                  Symons is \"not only one of the greatest living\n                  critics, but...a poet of true feeling...\"","thanking her for the copy of her book [ \n                  Sonnets to Duse...], and discussing \n                  Arthur Symons","enclosing the \"notice by \n                  Arthur Symonsfrom \n                  Saturday Review\"","thanking her for the presentation copy of her book\n                  [Sonnets to Duse...] and praising her poems and\n                  sonnets","thanking her for the copy of her book [ \n                  Sonnets to Duse...]","thanking her for the copy of her book [ \n                  Sonnets to Duse...], and encouraging her to pursue her gift of\n                  writing verse","expressing appreciation of the copy of her book [ \n                  Sonnets to Duse...]","thanking her for the copy of her book [ \n                  Sonnets to Duse...] and wanting to see her","stating that \n                  Eleanora Dusewould be returning\n                  to her home at 54 Via Robbia soon, sent to \n                  Sara Teasdaleby \n                  Jerome A. Quay","explaining the content of the November 19, 1907\n                  letter re \n                  Eleanora Duse","writing that he would be glad to use \"The Heart's\n                  Hearth\" in the Christmas issue","thanking her for the copy of her book [ \n                  Sonnets to Duse...] and expressing his and his wife's\n                  enjoyment of her poetry","returning her poems except for \"Dusk\" which he\n                  hopes will go into the January issue","acknowledging receipt of her letter and copy of\n                  her book [ \n                  Sonnets to Duse...] to be forwarded to \n                  Eleanora Duse","wishing to purchase her book of verse [ \n                  Sonnets to Duse...]as a Christmas gift","praising her book of verse, \n                  Sonnets to Duse..., and including a poem","sending a copy of her \n                  Sonnets to Duse...for her to autograph and saying that \"Dusk\"\n                  will be in the February issue","thanking her for the book, [ \n                  Sonnets to Duse...], commenting on her gift for writing\n                  poetry, and wanting her parents to visit on their way\n                  from \n                  Philadelphia, Pennsylvania","thanking her for the book [ \n                  Sonnets to Duse...]","thanking her for the book [ \n                  Sonnets to Duse...], praising the sonnets, and wishing to talk\n                  with her","praising her book [ \n                  Sonnets to Duse...] and relating personally to some of the\n                  poems, and discussing the relationship between a work\n                  and its artist and how they are perceived by\n                  others","returning her poem unused due to lack of space","re the birth of their baby, \n                  Barbara George","expressing appreciation for the book of verses [ \n                  Sonnets to Duse...] sent to \n                  Mary F. Raphael, who is not\n                  well, and saying that Mrs. Raphael has sent three\n                  autographed photographs of her pictures to \n                  Sara Teasdale","commenting favorably on her book of verse [ \n                  Sonnets to Duse...], which she borrowed from \n                  Fred R. Macauley, referring to \n                  Sara Teasdaleas having \"the\n                  unmistakable lyric touch,\" comparing her own verse to\n                  Sara Teasdale's , and wanting to\n                  talk with her and get to know her","expressing her pleasure in \n                  Sara Teasdale's poem,\n                  \"Guenevere,\" writing that their interpretations of\n                  Tennyson's masterpiece are very similar and that she\n                  will send a photograph of her picture of the work\n                  which illustrates this","sending congratulations for their baby, \n                  Barbara George","thanking her for the copy of her book [ \n                  Sonnets to Duse...]","praising her book of verse, \n                  Sonnets to Duse..., and complimenting her writing","acknowledging her praise for his translation of\n                  the odes and fragments of \n                  Sapphoand writing that he would\n                  be glad to send her a copy, and referring to one of\n                  her poems as being of \"rare beauty of thought and\n                  expression\"","expressing enjoyment of her book [ \n                  Sonnets to Duse...] and congratulating her on its success","thanking her for her book of poems [ \n                  Sonnets to Duse...] and expressing his appreciation of the\n                  dedicatory triolet to himself, giving high praise to\n                  her sonnets and comparing her admirably to \n                  Christina Rossetti, critiquing\n                  some of the poems, and giving her the original draft\n                  of \"The Sleep Wind\"","asking for \n                  Sara Teasdale's address in order\n                  to write for permission to set her \"The Heart's\n                  Hearth\" to music","acknowledging receipt of her poem dedicated to \n                  John Keatsfor the anniversary of\n                  his death","enclosing a March 23rd letter from \n                  Adelia C. Arensand relaying\n                  praises for her Sonnet on \n                  John Keatsfrom \n                  Elizabeth Waddelland \n                  R.E. Lee Gibson","hoping she is well and commenting on her\n                  treatments","requesting a paragraph referring to her poem,\n                  \"Love in Autumn\" and information about herself, with\n                  a page from his magazine","writing a note about her lines on \n                  John Keatson a postcard showing\n                  where Keats died which was sent to him from \n                  Rome, Italy","sending along an article from \n                  The Evening Postabout new books of verse which mentions \n                  Sara Teasdale's sonnet to \n                  Sappho","acknowledging receipt of her remembrance and\n                  wishing to hear her read some of her poems","thanking her for her letter and copy of her book, \n                  Sonnets to Duse..., saying she had already read her poems\n                  while at the home of \n                  Arthur Symonsalong with \n                  Julia Marlowe, and mentioning\n                  some of her favorite poems by \n                  Sara Teasdale","re \n                  Sara Teasdale's impending\n                  arrival in \n                  Tucson","advising her on having \n                  Helen of Troypublished","thanking her for the Christmas gift and saying she\n                  is going home next week","hoping she had a restful journey home","thanking him for his kindness and sending love to \n                  Marion Cummings Stanley","writing \"passed Liberal all right\"","acknowledging receipt of a package","accepting \"Helen\" for publication","thanking her for the copy of her book, \n                  Sonnets to Duse..., and praising it as well as her gift of\n                  writing","chiding her for not writing","relating that a Mr. \n                  Sidney Faneof London, England\n                  has asked permission to set her poem \"Buried Love\" to\n                  music","accepting her poems \"November\" and \"Vox Amoris\"\n                  for publication","asking her to read a book of poems and write a\n                  criticism of it","commenting on the death of \n                  Algernon Charles Swinburne","telling her that her poems are beautiful","writing that her poetry sings; commenting on her\n                  literary gift, her lyrical quality, and \"the value of\n                  the songs,\"; and, discussing the \"necessity of\n                  deciding between the artificial-imagination and this\n                  other thing of simplicity in beauty-simplicity and\n                  the heart.\" There is much literary thought and\n                  discussion","writing about having his songs published,\n                  including one with the words to \n                  Sara Teasdale's poem, \"Buried\n                  Love\"","re the beauty of spring","accepting her poem, \"The Prayer,\" for\n                  publicaton","showing an interest in her poem, \"On the Death of\n                  Swinburne\" and wishing to reproduce something of hers\n                  in one of their issues","sending a copy of one of his new songs, \"A Queen\n                  of the Long Age\"","discussing \n                  Witter Bynner's favorable\n                  comments on her poetry and his being with publishers \n                  Small, Maynard \u0026 Company,\n                  mentioning \n                  John Stapleton Cowley's praise\n                  of \"Guenevere,\" and \n                  Zoe Aikin's new book","thanking her for her book of poems [ \n                  Sonnets to Duse...] and naming his favorites","describing the peacefulness of \n                  Charlevoixand her visit with \n                  Sara Teasdale, and asking him to\n                  send some money","re boating","mentioning a boat trip around \n                  Traverse Baywith \n                  Mamie Teasdale Wheless, her\n                  delight with \n                  Charlevoixand \n                  Sara Teasdaleand her family, and\n                  wanting to discuss plans with him","discussing a trip around \n                  Pine Lakeon a \"miniature ferry,\"\n                  plans for leaving there and returning to \n                  Tucson, Arizona, mentioning \n                  Sara Teasdale's and her poetry\n                  writing, receiving \"Mr. Sappho's\" \n                  [John Myers O'Hara]new book, \n                  Songs of the Open","re personal matters and plans for leaving","writing about \n                  Marion Cummings Stanley's visit,\n                  on a postcard with a view of a river, \"The Old\n                  Channel,\" in \n                  Charlevoix","sending a postcard with another view of a river,\n                  \"Old River,\" in \n                  Charlevoix","writing personal news","thanking her for the copy of her book [ \n                  Sonnets to Duse...] and praising her work","praising her book, \n                  Sonnets to Duse..., commenting on \"Japanese Incense\" as being\n                  \"as fragrant in words as is the perfume it speaks,\"\n                  and saying that her love-songs are as lovely as those\n                  of \n                  Sappho","sending pictures of the buildings in which she is\n                  spending time, and reminiscing about time spent with \n                  Marion Cummings Stanley","accepting her poem, \"To Cleis,\" for publicaton","thanking her for the gift","sending a Christmas greeting","thanking him for the candy","sending his appreciation of her gift of the book [\n                  Sonnets to Duse...]","requesting the return of her short monologue,\n                  \"Sappho,\" with ANS from the Editor saying that they\n                  are using it in the February issue","thinking of her in this \"loveliest, quaintest\n                  town\"","thanking him for the gift of \"the dear little\n                  Japanese girl feeding the fawns\"","thanking her for \"the interesting sixteenth\n                  century gentleman with a telephone receiver\"","receiving the baby picutres of \n                  Barbara Georgeand the newborn,\n                  and asking that the \n                  Potter's Wheelbe sent to \n                  Lillie Rose Ernstat \n                  Hosmer Hall","requesting permission to set to music her poem,\n                  \"Pierrot,\" and giving some information about herself\n                  including being a student of \n                  Leopold Godowsky","requesting permission to set to music her poem,\n                  \"Daisy Time\"","requesting permission to set to music her poem,\n                  \"Pierrot\"","enclosing a letter from someone in \n                  Aberdeen, Scotlandrequesting\n                  permission to use one of her poems","wishing to obtain \n                  Sara Teasdale's consent for\n                  publishing a song with her poem, \"Daisy Time,\" set to\n                  music","discussing \"Miss French's\" work in poetry, gladly\n                  accepting \n                  Sara Teasdale's praise of his\n                  own work, and mentioning \n                  John Myers O'Haraand his\n                  \"Sapphic poems\"","requesting permission to publish as a song her\n                  poem \"Daisy Time\" which she has set to music","re using her poems","sending a check in payment for two of her poems to\n                  be published in \n                  Putnam's Monthly","concerning her poem, \"Erinna,\" which is to appear\n                  in their second issue, and mentioning as among her\n                  admirers, \n                  Louis Untermeyer, \n                  Mitchell Kennerley, \n                  Michael Monahan, and \n                  Richard Le Galliene","concerning the publication of her volume of poems,\n                  their undertaking the publishing of four or five\n                  volumes of verse as well as the second book of \"The\n                  Younger Choir,\" and companies wanting a guarantee of\n                  sales when publishing poetry","offering her a publishing proposition for her\n                  volume of verse specifying that she would bear the\n                  entire cost of production","accepting her poem, \"The Wind,\" for\n                  publication","requesting permission to set to music her poem,\n                  \"Daisy Time\"","thanking her for the lace jabot, describing at\n                  great length the Potter party, and mentioning each of\n                  the \n                  Potters","according her the right to make further use of her\n                  verse, \"Song,\" published by the magazine last July in\n                  her book or in a musical setting, and accepting her\n                  poem, \"The Wind,\" for publication","thanking her for her letter and volume, \n                  Sonnets to Duse...","returning the \"Young Choir\" with his signature","concerning an evening of poetry [a meeting of the \n                  Poetry Society of America]","giving his weekday schedule","wanting to meet her at the next meeting and\n                  commenting that Sara Teasdale's \"Helen,\" read by\n                  Witter Bynner, was well accepted","giving his weekday schedule","writing that he has set to music two of her poems,\n                  \"Buried Love\" and \"Pierrot\"","finding her quatrain \"At Night\" to be pure and\n                  true","thanking her for the book [ \n                  Sonnets to Duse...], and saying it was both a pleasure to read\n                  it and to meet her, and commenting that \"poets are\n                  the most charming people on earth\"","thanking her for giving him permission to use her\n                  poems, \"Daisy Time\" and \"Song\" as musical settings,\n                  and asking permission to use \"Twilight\"","thanking him for his note about a photograph of\n                  herself she had sent","calling her \"On the Tower\" a magnificent piece of\n                  work and printing it in the August issue","requesting permission to submit for publication a\n                  musical setting of her poem, \"The Prayer\"","thanking her for her courtesy and for the pleasure\n                  her poems give her","acknowledging receipt of her lyrics, and asking\n                  her charge for using them","giving high praise to her work in the book of\n                  poems [ \n                  Helen of Troy and Other Poems], and wanting to write a nice review for \n                  The Hesperian","praising her book of poems [ \n                  Helen of Troy...], especially the love songs, and wanting to\n                  send her a copy of his selected \n                  Poems","thanking her for the gift of the charming book [ \n                  Helen of Troy...]","commenting on her book of poems, \n                  Helen of Troy...","thanking her for the copy of \n                  Helen of Troy...and wishing her success","thanking her for the gift, [ \n                  Helen of Troy...], and planning to read the verses with her\n                  husband on their wedding trip","thanking her for the volume, [ \n                  Helen of Troy...], and commenting on its \"lyric\n                  splendor\"","thanking her for the book, [ \n                  Helen of Troy...], saying that he has written a review of\n                  her book for \n                  The Mirror, and commenting that \"On the Tower\" us\n                  \"dramatic promise as well as fine poetry\"","thanking her for the copy of \n                  Helen of Troy..., and sending in return a copy of his \n                  Poems","calling the verses in her book, [ \n                  Helen of Troy...] \"dear and familiar,\" showing pride in the\n                  dedication, saying that she was glad the book arrived\n                  after her spell of illness and melancholy and that\n                  she is looking forward to better health and the\n                  success of her own book","thanking her for the book \n                  Helen of Troy..., and promising to copy some verses for\n                  her","referring to her new book, \n                  Helen to Troy..., as a \"perfect delight,\" and thanking her\n                  for the copy","commenting that \n                  Orrick Johnshas written a fine\n                  review of \n                  Helen of Troy...","thanking her for the volume of \n                  Helen of Troy..., and mentioning the lyrics she especially\n                  liked","thanking her for the gift of her book, \n                  Helen of Troy..., and commenting that the love-songs are her\n                  favorite and that they \"have that artlessness that\n                  signifies the mastery of art\"","thanking her for sending the volume of verse, \n                  Helen of Troy..., and indicating that it has already become\n                  a family treasure","thanking her for the book, \n                  Helen of Troy..., and mentioning his boarders' reaction to\n                  the volume","thanking her for the gift of her poems, \n                  Helen of Troy...","requesting permission to set to music her poem,\n                  \"Twilight,\" with ANS from her mother, \n                  Mary Elizabeth Willard Teasdale,\n                  on back","admiring her \"powers \u0026 artistic\n                  discrimination,\" commenting on his own verse, \"The\n                  Poet,\" which \n                  Sara Teasdalehad praised,\n                  sending her \"a little burlesque volume,\" \n                  The Younger Quire, saying she will like the review of her \n                  Helen of Troy..., and praising her work","expressing his enjoyment of her poems, extending\n                  congratulations on her book, \n                  Helen of Troy..., commenting on \n                  Charles Hanson Towne's splendid\n                  work, and saying that his own \"sense of rhythm is so\n                  lyrical in style...\"","requesting some biographical information for his\n                  upcoming article on poets","praising her book of verse, \n                  Helen of Troy..., discussing a trip to \n                  Europeand plans for a future\n                  trip abroad, and mentioning a meeting of the \n                  Poetry Society of Americawith a\n                  discussion of the Irish plays and invluding\n                  interesting persons such as \n                  Henry Van Dykeand \n                  Curtis Hidden Page","expressing his appreciation of the gift of her\n                  book, \n                  Helen of Troy..., and sending a token in return","giving high praise to her book of verse, \n                  Helen of Troy..., calling \"Helen of Troy\" and \"On the Tower\"\n                  \"postive triumphs,\" critiquing several of the poems,\n                  comparing her favorably to \n                  Elizabeth Barrett Browningand \n                  Christina Rossetti, and writing\n                  a French translation of \"The Pagan End\"","thanking her for the volume of her poems, \n                  Helen of Troy..., calling her \"a real poet,\" and saying that\n                  it will be a delightful privilege to read her new\n                  poems","requesting permission to publish his musical\n                  setting of her verse, \"Song,\" and asking to use the\n                  first line as the title","wishing to meet with her to discuss her book, \n                  Helen of Troy...","sending thanks for her book of verse, \n                  Helen of Troy...","reminiscing about a Thanksgiving dinner with \n                  Marion Cummings Stanleyand Sara,\n                  writing about Marion's despair over the illness of\n                  her mother, and expressing his delight in reading her\n                  book, \n                  Helen of Troy...","thanking her for the book, \n                  Helen of Troy...and commenting on her great talent","re a column review of \n                  Sara Teasdale's book, \n                  Helen of Troy..., in the following day's paper","expressing her pleasure at receiving her book, \n                  Helen of Troy..., and encouraging her to \"keep on\n                  singing-for all of us\"","reminiscing about her stay with him and \n                  Marion Cummings Stanley, and\n                  asking him to send a copy of her book (which she will\n                  supply), \n                  Helen of Troy..., to \n                  Richard LeGallienneof \n                  Harper's Magazine, under his own name","drawing her attention to the notice of her book, \n                  Helen of Troy..., in the Sunday \n                  New York Times","looking forward to reading her volume of verse, \n                  Helen of Troy..., and hoping that their reviewer will\n                  mention it","enclosing some clippings for \n                  Marion Cummings Stanley,\n                  planning to mail her book, \n                  Helen of Troy...to him to send to \n                  Richard LeGallienne, and\n                  mentioning her poor health","commenting on the \n                  St. Louis Timesreview of her book, \n                  Helen of Troy..., and on their literary relationship","apologizing for the delay in sending copies of \n                  Helen of Troy...to periodicals she requested, and returning\n                  the reviews of her book","accepting \"The Lights of New York,\" \"Sea Longing,\"\n                  and \"Triolets\" for publication","accepting one of her sonnets for the next issue\n                  and revealing that \n                  Louis Untermeyerwill be\n                  reviewing her book, \n                  Helen of Troy..., in the current issue","praising the verses in her book, \n                  Helen of Troy...and commenting on their beauty","reminding her of her promise to present a copy of\n                  her book, \n                  Helen of Troy..., to him","sending holiday greetings and commenting \"how\n                  pleasing to turn to a comforting poem and find solace\n                  in a kindred spirit\"","requesting information from her for his \"calendar\n                  of the poets\"","concerning an enquiry on her first volume, \n                  Sonnets to Duse...","congratulating her after seeing the review of her\n                  book, Helen of Troy..., in the St. Louis Times,\n                  written on an announcement of new employment with\n                  Hornblower \u0026 Weeks","concerning the \n                  Poetry Society of America, and\n                  mentioning certain persons -- \n                  Cale Young Rice, \n                  Josephine Peabody, \n                  Percy Mackaye--planning to\n                  attend their annual dinner","writing in answer to her note about his review of \n                  Helen of Troy...and further critiquing the poetry as he\n                  would have if given more space in \n                  The International, and commenting that the attitude in the\n                  love lyrics is that of a woman","thanking her for the book of poems, \n                  Helen of Troy..., finding her lyrics \"poignant and\n                  pertinent,\" commenting on several of his personal\n                  favorites, and giving a brief comment on \n                  Rudyard Kipling","enclosing a letter from a friend praising \n                  Sara Teasdale's book of poems, \n                  Helen of Troy...and commenting on Teasdale's\n                  understanding","asking the basis for her poem, \"Sappho\"","expressing gratitude for the copy of her book, \n                  Helen of Troy..., and commenting on her gift of song","commenting that her \"The Poor House\" was the only\n                  poem read at the meeting of the \n                  Poetry Society of America","saying she has read her book, \n                  Helen of Troy..., and writing of having the same dream\n                  twice","requesting permission to set to music her poem\n                  \"When Love Comes Singing to his Heart\"","revealing himself as an admirer of her work and\n                  putting her in a class with himself","receiving her acceptance to the annual dinner of\n                  the \n                  Poetry Society of America","thanking her for her effort to go to the Guild and\n                  for allowing him to use her poems in a musical\n                  setting","thanking her for `The Book of Poems' and sending a\n                  circular of \n                  Home Progressalong with some literary notes","sending a review and thanking her for the charming\n                  poems","writing that he will run \n                  Marion Cummings Stanley's\n                  article about her poems, and congratulating her on\n                  her move to \n                  New York","commenting on his book of poems and preparing for\n                  her move to \n                  New York","praising her as the \"most gifted of the lyric\n                  girls,\" also signed by \n                  Richard LeGallienneand \n                  B. Russell Herts","appreciative of her book, \n                  [Helen of Troy...]","taking the liberty of sending his edition of\n                  poems, and expressing his delight in her two books \n                  [Sonnets to Duse...]and \n                  [Helen of Troy...]","sending her a copy of his book, commenting on her\n                  style and on his own, asking if she knows \n                  Zoe Akinsand writing that she\n                  sent him her book of poems, and discussing the beauty\n                  of \n                  Carmel","showing his gratitude for her book, \n                  [Helen of Troy...], and inviting her to tea","expressing her \"more poignant\" pleasure in \n                  Sara Teasdale's poems after\n                  meeting her","thanking her for her book \n                  [Helen of Troy...]and admiring its style, and giving a message\n                  from \n                  Edith Thomas","acknowledging receipt of her book \n                  [Helen of Troy...]and expressing his pleasure in reading it,\n                  and giving a critique of many of the poems","praising her poem, \"The Poorhouse\" and confirming\n                  luncheon plans","thanking her for the inscribed copy of her book \n                  [Helen of Troy...]","expressing her delight in seeing \n                  Sara Teasdale's name in so many\n                  magazines, and requesting to have tea with her","thanking her for her letter of appreciation for \n                  Louis Untermeyer's poem, and\n                  commenting on \n                  George Sylvester Viereck, \n                  B. Russell Herts, and \n                  Orrick Johns","commenting on her sweet letter and on \"the\n                  twilight of Poetry\"","finding her genius in the pages of \n                  Helen of Troy...","commenting on the review of her book, \n                  [Helen of Troy...], which he previously sent, written on a\n                  flyer about himself entitled \"A .... Journalistic\n                  Jubilee.. .\"","thanking her for the note and book of verse \n                  [Helen of Troy...]","referring to her poem, \"Four Winds,\" as \"deep,\n                  refreshing, and ... so cruelly true,\" and waiting to\n                  pick up a copy of her volume \n                  [Helen of Troy...]","writing that he will sign his name to the sonnet\n                  [as requested], intending to return \n                  The Younger Choirin person instead of by mail, inviting her\n                  and \n                  Dugald Stewart Walkerto visit\n                  one evening, and expecting Aline and Kenton to call\n                  on her the following day","requesting her to \"contribute an original\n                  complimentary poem in honor of Browning's centenary\"\n                  for an article in the \n                  Boston Transcripton May 4, honoring \n                  Robert Browning, and mentioning \n                  Carman Bliss, \n                  Edwin Markham, and \n                  Edwin Arlington Robinsonas being\n                  among those who have already consented","concerning a request through their \n                  Londonoffice from Messrs. \n                  Chappell \u0026 Co., Ltd., to\n                  publish her poem, \"Pierrot,\" with a musical\n                  setting","expressing his pleasure in receiving her book of\n                  poems \n                  [Helen of Troy...], and looking forward to meeting her one\n                  day","expressing his pleasure in reading her book \n                  [Helen of Troy...], and commenting on her writing\n                  improvement","looking forward to having her inscribe his copy of\n                  her book of poems","expressing her great pleasure at receiving her\n                  letter and book \n                  [Helen of Troy...], and discussing friendship","thanking her for her book of poems \n                  [Helen of Troy...], and returning her kindness with a copy of\n                  her own novel","wanting to exchange his book, \n                  The Iron Muse, autographed, for any one of her books, and\n                  explaining the concept of his book, enclosing two of\n                  his poems, \"Reno\" and \"The Star\"","acknowledging her kindness in sending the\n                  inscribed copy of her book \n                  [Helen of Troy...], and expressing his thoughts after meeting\n                  her, with enclosure on \"The Modern School\"","thanking her for a copy of her volume of poems, \n                  Helen of Troy..., and commenting on her clarity of poetic\n                  ideas","concerning the club's thirty-fourth meeting and\n                  enclosing a program","requesting \"new treasures\" for \"The Lyric Year,\"\n                  and referring to a poem in process addressed to \n                  Sara Teasdale","commenting on his verse coming slowly and on\n                  finishing his poem dedicated to \n                  Sara Teasdaleby a year or so,\n                  and writing to ask if she \"will not find the rare\n                  inspiration on the sea,\" in reference to her sailing\n                  to \n                  Europe","intending to extend the poetry contest and\n                  commenting on her wanting to sell her poem","requesting her to autograph a recently purchased\n                  book of her writings","requesting permission to use two of her poems in\n                  musical settings","requesting to use another one of her poems, \"Less\n                  than the Cloud to the Wind,\" in a musical setting,\n                  and sending the title notice about \"When Love Comes\n                  Singing\"","requesting permission to use her verse, \"At\n                  Night,\" in a musical setting","requesting biographical data, a photograph and\n                  review copies from her publishers for an upcoming\n                  series of special articles on American poets that he\n                  is going to undertake in his new capacity as head of\n                  a literary department in \n                  The Minneapolis Journal","following up on his last letter since he has not\n                  heard from her, and naming some contributors to the\n                  article","repeating a prior request","requesting permission to use her poem, \"Pierrot,\"\n                  in a musical setting","requesting permission to put \n                  Sara Teasdale's verse, \"Song,\"\n                  to music","thanking her for the letter and copy of \n                  Helen of Troy..., trying to express the sincerity of his\n                  motive in doing the project, and praising her blank\n                  verse poems","praising her volumes, \n                  Sonnets to Duse...and \n                  Helen of Troy..., and desiring to obtain a copy of the\n                  latter","acknowledging receipt of her songs and letters,\n                  praising the \"rapture and delicacy\" of her \"From the\n                  Sea,\" and mentioning the poetry contest","passing on a compliment from \n                  Ella Wheeler Willcoxand\n                  requesting a list of her books along with the\n                  publishers' names","asking for \n                  Jessie Belle Rittenhouse's\n                  address in order to express her interest in the \n                  Poetry Society of America, and\n                  praising \n                  Sara Teasdale's verses","accepting her poem, \"I Shall Not Care,\" for\n                  publication","expressing his pleasure in \n                  Mitchell Kennerley's acceptance\n                  of her poem for \"The Lyric Year\"","sending \"a few lines of opinion upon your\n                  verse...\"","concerning her request for his review of \n                  Helen of Troy...and his own editorship of \"The Poetry\n                  Journal\"","writing a brief opinion of \n                  [Helen of Troy...]","admiring her and thanking her for her kind\n                  thoughts","accepting \n                  Sara Teasdale's poem, \"Off\n                  Capri\"","commenting on the honesty of her poetry,\n                  mentioning her review of \n                  Helen of Troy..., and asking if she knows \n                  George Buchanan Fife","thanking her for the copy of \n                  Helen of Troy...","expressing her admiration for \n                  Sara Teasdale's poetry and her\n                  gratitude for Teasdale noticing her writing","accepting her Christmas poem and requesting a\n                  review of \n                  John Hall Wheelock's book of\n                  poetry","confessing to be a great admirer of her poetry and\n                  Helen of Troy..., thanking her for her note, and enclosing a\n                  circular of his new book, \n                  The Beloved Adventure","accepting \"Sappho\" for future publication","thanking him for the booklet","thanking her for the book and giving a glowing\n                  opinion of \n                  [Helen of Troy...]","accepting \"The Hour,\" with a slight change in the\n                  second stanza","returning her poem, \"The Hour,\" since she rejects\n                  the change and apologizing for a printing error","looking forward to meeting an old friend \n                  (Sara Teasdale)for the first\n                  time","thanking her for the volume, \n                  Helen of Troy...","reaching an agreement concerning her poem, \"The\n                  Hour\"","accepting her two poems, \"Song\" and \"Gifts\"","expressing his having the \"true pleasure of\n                  finding a heart-full of real love lyrics\" and\n                  praising her work","accepting two of her poems for \n                  The Poetry Journal, and mentioning a tete-a-tete with \n                  [Alfred] Noyes","commenting that her work is just what the \n                  Smart Setneeds","praising her as the best \"writer of delicate\n                  lyrics\" and commenting on some of her verse in \n                  Helen of Troy...","sending a tribute to her muse and expressing his\n                  enjoyment of her visit","praising her volume and apologizing for his delay\n                  in writing due to his busy schedule","keeping six of her poems for publication and\n                  suggesting a few changes","mentioning the \n                  [Alfred] Noyesaffair and \n                  [Jessie Belle] Rittenhouse,\n                  sending her copy of \n                  Helen of Troy...for an inscription and praising its\n                  \"Love-Songs,\" and discussing a reading by \n                  Alfred Noyesof \n                  The Forty Singing Seamen","admitting to be an admirer of her work and\n                  accepting \"Enough\" and \"Prayer\"","requesting permission to set \"Pierrot Plays in the\n                  Garden\" to music","commenting on her note and verse, \"A Forsaken\n                  Garden\" about the vandalism of \n                  Snows Garden","calling her poem, [\"A Forsaken Garden\"] \"pure\n                  music in plainest English!...\"","requesting permission to publish a song, \n                  Sara Teasdale's \"Pierrot,\" set\n                  to music","sending under separate cover \n                  The Creed of a Beggarand \n                  The Rules of the Road, and looking forward to \"a most profitable\n                  friendship\"","thanking her for the book of verse, \n                  Helen of Troy..., and praising her true touch","praising one of her narrative poems and hoping to\n                  be able to publish it","holding two of her poems, \"After Parting\" and\n                  \"February\"","discussing the poet's adaptation of his or her\n                  work to their wants","promising to take \n                  Sara Teasdale's book of poems to\n                  a nice quiet spot","thanking her for her book, \n                  [Helen of Troy...]","requesting a signed autograph copy of her poem, \"I\n                  Shall not Care\"","praising her \"The Carpenter's Son\" as a beautiful\n                  and impressive poem and accepting it for their\n                  Christmas issue","requesting an autograph quotation and\n                  signature","accepting \"Spring Night\" for publication and\n                  requesting biographical information","accepting \"Sea Spray\" at the usual rate","holding two of her poems, \"Spring Night\" and \"The\n                  Subway Station,\" with a discussion of his thoughts on\n                  the latter","accepting \"Heinkehr\"","requesting an autograph poem and signature to add\n                  to his \"collection of autographic documents\" in\n                  American literature","expressing her regrets at missing her visit and\n                  explaining their custom concerning payment when using\n                  a manuscript","praising her work","inviting her to read her poetry at the \n                  Monday Club's Poets Day, and\n                  mentioning \n                  Zoe Akins","discussing his \n                  Anthology of Magazine Verse, requesting her to obtain permission from \n                  Robert Bridgesto use her\n                  \"Sappho\" in the publication, and praising her\n                  verse","requesting a portrait and autograph copies of her\n                  poems \"Sappho\" and \"The Old Maid\" for promotional\n                  purposes","asking her consent to set her poem, \"Enough\" to\n                  music","hoping to see her at the Literature Committee\n                  meeting the following day, and mentioning \n                  John Hall Wheelock","discussing her poetry","requesting permission to set to music her poem,\n                  \"The Lines\"","expressing appreciation of hearing several of \n                  Sara Teasdale's poems","accepting her poems, \"The Bay of Naples,\"\n                  \"Alchemy,\" and \"Twilight,\" w/ANS from \n                  Margaret Elizabeth Willard\n                  Teasdaleon verso","requesting to use \"The Look\" in a musical\n                  setting","thanking her for the book, \n                  Helen of Troy...and praising her work","requesting permission to publish her poem, \"Song,\"\n                  with a musical setting","expressing concern over \n                  Marion Cummings Stanley","asking for an autographed volume of her work with\n                  a dedication for an exhibit","praising her ability to write about certain\n                  subjects with such ease","expressing pleasure in her \n                  Helen of Troy...and naming several of her favorites, and\n                  mentioning poets she likes, such as \n                  Emily Dickinson, \n                  Josephine Preston Peabody, \n                  John Banister Tabb, and \n                  Bliss Carman","accepting her poem, \"To the Mother Of A Poet\"","requesting permission to use her poem, \"The Look,\"\n                  with a musical setting in the annual book of Songs by\n                  Wellesley Students","requesting permission to set her poem, \"The Look,\"\n                  to music","requesting one or more of \n                  Sara Teasdale's poems to be\n                  included in her compilation books of poems and\n                  prayers, \"Sunlit Days\" and \"Starlit Nights\"","thanking her for permission to set her poem, \"The\n                  Look,\" to music and mentioning \n                  Eunice Tietjens","enclosing a check for use of her poem, \"At Night,\"\n                  in their July issue","requesting permission to use her poem, \"The Look,\"\n                  for a musical setting","praising and critiquing her \n                  Rivers to the Sea","asking for her \"hearty approval\" and help with\n                  their `House Party' honoring \n                  Missouriauthors and writers, and\n                  describing the city's and the library's plans for the\n                  affair","requesting \n                  Sara Teasdale's presence at a\n                  dinner in honor of \n                  Jessie Belle Rittenhouseas one\n                  of those represented in Rittenhouse's volume, \n                  The Little Book of Modern American\n                     Verse","asking who published \n                  Sonnets to Duseand \n                  Helen of Troy...and whether or not she has had published\n                  subsequent volumes","requesting permission to publish \"The Look,\" as a\n                  song","requesting permission to publish her poem, \"The\n                  Look,\" as a song, and explaining that she is\n                  seventeen and wishes to further her education as a\n                  pianist","requesting on behalf of the composer permission to\n                  publish her poem, \"The Look,\" with a musical\n                  setting","claiming that his daughter \n                  Barbara George's poems are\n                  charming, and giving news of her marriage to \n                  Ernst B. Filsingeron December\n                  19","requesting some sentiment and autograph for his\n                  collection","accepting her poems \"Swan\" and \"Come\" for\n                  publication, and mentioning \"Dusk in War-Time,\"\n                  \"Morning,\" \"Leaves,\" and \"Bitterness\"","requesting her autograph for his collection of\n                  over two-hundred poets","accepting her poems \"Peace\" and \"The Lighted\n                  Window\" for publication, w/ANS at bottom","requesting her membership in their new\n                  organization","requesting permission to publish her poem \"The\n                  Look\" to a musical setting","requesting permission to publish her poem \"Spring\"\n                  with the understanding that they cannot pay","extending an invitation to her and her husband to\n                  see him and his class on April 1, and briefly\n                  discussing his plans for that day's class","requesting permission to publish \n                  Sara Teasdale's \"The River\" with\n                  music","requesting permission to publish a musical setting\n                  of her poem \"The Look\"","requesting permission to use three of her poems as\n                  lyrics for songs","accepting her poem \"The Cloud\" for publication","requesting permission to use several of her poems\n                  from \n                  Helen of Troy...for musical settings","thanking him for his generous praise, admiring his\n                  wife's poetry, and mentioning \n                  Louis Untermeyer","concerning an idea of selling an autographed\n                  collection of books of verse and about verse to raise\n                  money for \n                  The Poetry Journal, and mentioning \n                  Conrad Aiken, \n                  Temple Scott, and \n                  William Stanley Braithwaite","accepting her poem \"Dreams\" for publication","writing in appreciation of her charming note, and\n                  mentioning \n                  Theodosia (Garrison) Faulks","writing in appreciation of her kind note and\n                  enclosed lyrics, praising \"Night Song at Amalfi\"\n                  particularly, and wishing to compose songs from some\n                  of the poems whenever she is not too busy with giving\n                  concerts","expecting to set to music her poems \"Come\" and\n                  \"The Kiss\" this summer","criticizing \n                  Sara Teasdale's recently\n                  published \"In a Lighted Window\"","discussing her little boy poem [\"In a Lighted\n                  Window\"] and Judge Walker's opinion of it in his June\n                  18 letter, expressing his view of \n                  Zoe [Akin]and her anthology, and\n                  discussing free verse","offering a royalty of ten percent on all copies\n                  sold of her \n                  Rivers to the Seaand submitting a sample page","accepting the revision of \"Summer Night,\n                  Riverside\" for future publication","congratulating her on her success with \n                  The MacMillan Company","requesting permission to set to music her poem\n                  \"The Look\"","congratulating her on having her poems published\n                  by \n                  The MacMillan Companyand telling\n                  of her own writing","requesting to use two musical settings \"But What\n                  if I Heard my First Love\" and \"The Kiss in Colin's\n                  Eye\" based on her poems","concerning the publication of \n                  Sara Teasdale's poetry and the\n                  possibility of having advance order copies\n                  autographed","concerning his anthology coming out in October,\n                  and asking her assistance by sending her extra set of\n                  proofs when corrected and by contacting \n                  William Marion Reedy","praising her poems that she sent and hoping to use\n                  some of them","feeling that her book will be a success","complimenting her poems as being admirably fitted\n                  for American songs, and saying that she has set four\n                  of them to musical settings","criticizing the Imagist movement but commenting\n                  favorably on \n                  John Gould Fletcher's work, and\n                  mentioning his drifting away from the group","accepting one of her poems for publication","concerning a suite of songs \"Five Songs of Autumn\"\n                  written by himself using her poems \"Twilight,\"\n                  \"November,\" \"Dreams,\" and \"Dead Leaves\"","agreeing to see her book and review it, discussing\n                  the \"woman and poet,\" mentioning \n                  MacMillanpublishing his \n                  Song of Hugh Glass, and inquiring about her interest in\n                  Greek","agreeing to review her book and giving a lengthy\n                  discussion of a reviewer's work","praising and criticizing her poetry, and\n                  discussing the teaching of poetry","requesting permission to quote her poem \"Spring in\n                  War Time\" in a book being prepared about the war in \n                  Europe","requesting permission to use her poem \"I Shall Not\n                  Care\" in a musical setting","asking for some poems","giving glowing and detailed praise of her work in \n                  Rivers to the Sea, writing of \"the deep human beauty of this\n                  great poem,\" \"the holy core of life itself...and\n                  needful to be reminded by such as you,--...,\" \n                  Sara Teasdaleas \"an unabashed\n                  lover of life,\" \"this expression of the fundamental\n                  emotion in its elements...\"","revealing that the Library system has copies of\n                  her book of poems, \n                  Rivers to the Sea","thanking her for the inscribed copy of her book \n                  [Rivers to the Sea], and promising a judgment","writing in response to Sara's illness and\n                  mentioning her new book and some of her verse","expressing his gratitude for her book and praising\n                  the verses","(written in German)","replying to her letter concerning a full face or\n                  profile picture of her to use in their service","(written in German)","expressing appreciation of her book \n                  [Rivers to the Sea]and praising her verses","praising her book and her expression of her \"love\n                  in terms of nature,\" and wishing to see Sara","thanking her for \n                  Rivers to the Seaand commenting on her growth","mentioning the review of her new book to be in\n                  December's issue","praising her new book and expressing his pleasure\n                  in having met her and \n                  Ernst B. Filsingerin St.\n                  Louis","stating that he received her new book through \n                  Harriet Monroeand will place it\n                  among his memorable things, and revealing some\n                  feelings toward war","mentioning his health, the pleasant publicity of\n                  his \n                  Portmanteau, and her book","requesting a contribution for a select anthology\n                  of Pierrot and Columbine poems","requesting permission to use her poem \"The Kiss\"\n                  in a musical setting","thanking her for the volume and telling anecdotes\n                  about himself","expressing admiration for her and pleasure at her\n                  kind words concerning her own work","expressing her delight upon receiving and reading\n                  her \"exquisite little volume\"","thanking her for \n                  Rivers to the Sea, encouraging her and \n                  Ernst B. Filsingerto go to the\n                  Poets dinner, and mentioning receipt of the Chicago\n                  first prize for \"the Chinese nightingale\" and the\n                  progress of his Movie-Book","expressing her pleasure in reading \n                  Rivers to the Seaand promising a review shortly","praising her blank verse in \n                  Rivers to the Sea, and mentioning works by himself and his\n                  wife, Jean, and the opinions of \n                  Robert Frostand \n                  Max Eastman","expressing his fondness for her \n                  Rivers to the Sea","requesting permission to publish her poem \"The\n                  Kiss\" in a musical setting","praising her work and commenting on the Rieder\n                  translation","praising the \"wonderful lyric qualities\" of \n                  Rivers to the Sea, saying that the \"songs are so directly\n                  from the heart and life not only of a true poet but\n                  of a true woman...\"","expressing her and her husband's, \n                  Henry Mills Alden, admiration\n                  for her `singing leaves'","praising her \n                  Rivers to the Seaand her ability to \"bring a seeing eye to\n                  the most outworn or ordinary situations...\"","commenting that she is \"writing the best singing\n                  verse in the country today\" and that \"our singers are\n                  all too few and our \n                  Ezra Pounds and \n                  Gertrude Steins are all too\n                  many!\"","admitting to being an admirer of her poetry, and\n                  planning to read \"Off Capri\" to \n                  The Centennial Club","telling her plans to write an article on \n                  Carl Vroomanand \n                  Julia Scott Vroomanand wishing\n                  to quote from \n                  Sara Teasdale's verses","commenting on her \"very unusual lyric gift\" and\n                  the satisfying \n                  Rivers to the Sea, and mentioning Sara's fragile health","citing her work as \"sincere and artistic,\"\n                  thanking her for the German versions of her poems,\n                  and wishing to publish some of her verse in the \n                  Yale Review","discussing an enclosed review of her \n                  Rivers to the Sea, remarking on the sign of prodigy in \n                  Stephen Vincent Benet(younger\n                  brother of \n                  William Rose Benet), mentioning\n                  his wife \n                  Jean Untermeyer's hit with \n                  Amy Lowell, and likens one of \n                  G. K. Chesterton's poems to \n                  Vachel Lindsay's style","quoting praises from Mrs. Meynell about the verses\n                  of Sara and of \n                  Margaret Widdemeras well as\n                  expressing his and his wife \n                  Grace Dawson's delight with\n                  them, and mentioning his new book \n                  The Etchics of Confucius","requesting permission to set to music her poem\n                  \"Spring in War Time\"","praising \n                  Rivers to the Seaand especially \"The Answer\"","sharing her admiration of \"the lilt and the lift\n                  of the poems\" in \n                  Rivers to the Sea, mentioning \n                  Jesse R[ittenhouse], \n                  Margaret Fuller, \n                  Margaret Widdemer, \n                  Royal Dixon, and discussing the\n                  hardship of the family of the late \n                  Madison Cawein","accepting her poems \"In a Hospital\" and \"Flames\"\n                  for publication","informing her that they have elected her an\n                  honorary member","requesting a personal biographical sketch of her\n                  by one of her friends","thanking her for her \"melodious book\" and\n                  commenting on some of his favorite poems","asking about `The New Moon' and the series of\n                  hospital songs, and thanking her for an article by \n                  Harris Merton Lyon","discussing \n                  Willard Huntington Wright's\n                  critical pen, and praising \n                  Sara Tesdale's songs","expressing pleasure at one of her stories and\n                  wishing she would do more prose","concerning \n                  Rivers to the Sea","offering fee for her story \"The Black Hearth\"","sending an affectionate holiday letter","praising \n                  Sara Teasdale's \n                  Rivers to the Seaand saying that no other American poet \"so\n                  feelingly, so spontaneously and beautifully senses\n                  the primal human emotions\"","thanking her for the copy of [ \n                  Rivers to the Sea] and commenting on her favorite poems and\n                  on one fault, and promising to send a copy of her own\n                  Six French Poets","sending some old photographs of Vine","explaining that she does her readings \"all for\n                  love of the fine new movement in poetry,\" and\n                  requests a copy of \n                  Rivers to the Sea","welcoming her book in their \n                  Poets Corner, praising her work,\n                  and inviting her to the College to see the work they\n                  are trying to do for the young women...","mentioning her stay at the Dawsons' ( \n                  Miles Dawsonand \n                  Grace Dawson) where she saw\n                  Sara's bridal picture","requesting formal permission to include some of\n                  her poems in an anthology of the \n                  New Poetry, with a personal handwritten note at the\n                  bottom and on the verso","expressing his interest in translating some of her\n                  work into Spanish and asking for her published books\n                  and a photograph","requesting permission to publish \"The Kiss\" set to\n                  music","discussing a school project and requesting a\n                  letter and a photograph","accepting her \"Songs in a Hospital\" and requesting\n                  one other poem for publication","praising Sara and her work on behalf of \"Ned\" ( \n                  Edna Wahlert) and herself, and\n                  enclosing an \"honest tribute from Ned\"","acccepting her poem \"Old Days\" for publication","expressing her satisfaction at hearing from her\n                  and Ned ( \n                  Edna Wahlert)","thanking her belatedly for her gift of \n                  Rivers to the Sea","thanking her for the letter and gift of poetry","concerning her own article on \"Masterpieces of\n                  American Women Poets\"","praising her \n                  Sonnets to Duse and Other Poemsand \n                  Rivers to the Sea","expressing her pleasure in reading \n                  Rivers to the Sea, and mentioning it being listed in the\n                  April issue","extending an invitation for her to read some of\n                  her poems at a benefit tea","accepting her poem \"Child, Child\" for publication\n                  if it is not to be published in a book soon","expressing his pleasure with her letter, poems,\n                  and songs as well as his enjoyment in singing her\n                  songs, and mentioning a singing engagement at the \n                  Browning SocietySoiree","writing of her enjoyment in hearing \n                  Ernst B. Filsingerread Sara's\n                  poems at The Wednesday Club, and inviting her to tea\n                  with \n                  Celia Harrisand herself","thanking her for the book which has not yet\n                  arrived and sending regards to \"Johns and Miss\n                  Monroe\"","re \n                  Rivers to the Sea","calling her new book delightful and commenting on\n                  her ability to \"keep command over so sure an\n                  artistry,\" and enclosing a copy of his poem \"To St.\n                  Louis\"","expressing pride at her letter and gift of \n                  Rivers to the Sea","requesting permission to obtain the rights to \n                  Sara Teasdale's poem \"Joy\" to\n                  use in a musical setting, with ANS from Reedy to \n                  Sara Teasdale Filsingerat\n                  top","thanking her for the letter and beautiful book,\n                  and expressing an inerest in setting some of her\n                  poems to music","indicating that he has set to classical music her\n                  poem \"Flames\"","writing of activities of the \n                  Browning Societyand enclosing a\n                  program","expressing his certainty that some of her lyrics\n                  will inspire some composer to set them to music","wishing to secure the \"Song Maker\" and one other\n                  lyric for use in a vocal number in \"Missouri's Place\n                  in Literature\"","thanking her for the gift of \n                  Rivers to the Sea, and expressing an interest in setting some\n                  of them to music","thanking her for the pretty \"Mary Arden poem\"","enclosing three photographs of \n                  William Favershamand others at\n                  the Shakespeare Celebration","requesting permission to use \"The Kiss\" in a\n                  musical setting","thanking her for the letter and copies of her\n                  poems, and mentioning a discussion with \n                  Edmund Clarence Stedmanover what\n                  constitutes a lyric poem","requesting permission to set to music \n                  Sara Teasdale's poem \"I Heard a\n                  Cry\"","concerning Newark's Poem Competition and its civic\n                  theme","requesting her membership and expressing\n                  admiration","concerning her assistance as judge","thanking her for her letter and poems, which gave\n                  him a great deal of pleasure","requesting permission to use her poem \"In a\n                  Hospital\" in a volume of selections from English and\n                  American poets about the war to be edited by himself\n                  on behalf of the \n                  Belgian Scholarship\n                  Committee","concerning a meeting of American poets to be held\n                  on June 28 \"in memory of \n                  Padraic Pearse, \n                  Thomas MacDonagh, and \n                  Joseph Plunkett, the three poets\n                  who were executed for their share in the recent\n                  uprising in \n                  Dublin, \" and asking for one of\n                  her poems to be read","enclosing a request to set to music \"Child,\n                  Child\"","extending appreciation for her part in the \n                  St. LouisConvention, and\n                  commenting on her two beautiful odes read by \n                  William Faversham","offering preliminary terms for the spring 1917\n                  publication of her anthology of love lyrics by\n                  women","concerning \n                  Houghton Mifflin Company's\n                  acceptance of Sara's \n                  The Answering Voice...","more concerning \n                  The Answering Voice...","requesting copies of her two Shakespearian odes\n                  both read by \n                  William Faversham","thanking her for her charming note about her\n                  daughter \n                  Hilda Conkling's poem, and\n                  enclosing some poems by the five-year old","requesting permission to set to music her poem \"A\n                  Poem of Young Love\"","expressing her enjoyment over \n                  Rivers to the Sea, and mentioning Sara's discriminating\n                  comment on \n                  Sappho","requesting permission to print her \"Testament\" in\n                  a little volume of sermons","accepting a poem for publication","requesting again permission to set to music her \"A\n                  Poem of Young Love\" as well as \"When I am Dead\"","praising her \n                  Rivers to the Sea","expressing his interest in having her poetry set\n                  to some `Ozark songs'","requesting permission to use her lyrics \"A\n                  Benediction\" in a musical setting by \n                  C. Whitney Coombs","asking permission to use the second verse of \n                  Sara Teasdale's poem \"Child,\n                  Child\" on a card to be distributed among friends","requesting permission to set to music \n                  Sara Teasdale's poem \"Child,\n                  Child\"","expressing his pleasure at her new poems, and\n                  mentioning the protest against the Post Office\n                  banning of the works of \n                  Theodore Dreiser","concerning letters requesting permission to use\n                  some of Sara's lyrics","accepting her poem \"Other Men\" for publication","requesting permission to set to music her poems\n                  \"Deep in the Night,\" \"Come,\" and \"The Flight\"","requesting an original verse to use as a guide for\n                  contestants in a health poetry contest in which \n                  Harriet Monroe, \n                  Henry Adams Bellows, and \n                  William Stanley Braithwaitewill\n                  act as judges","requesting permission to use one of her poems in\n                  an anthology she is editing entitled \n                  The Answering Voice--One Hundred\n                     Love-Lyrics by Women","accepting her poem \"August Moonrise\" for\n                  publication if conditions are agreeable","asking her consent on behalf of her singing master\n                  to have a song published using her verse \"Jewels\"","commenting on the poems she liked best including a\n                  group of \"Songs Out of Stress\"","admitting that she has been enthusiastically\n                  reading from Sara's poems at her Poetry Readings and\n                  asks for furthur cooperation","seeking biographical information for their club\n                  studying living English and American poets","writing as her agent and enclosing a check for her\n                  poem \"The Philosopher\" which is to be published in \n                  Good Housekeeping","accepting her poem \"The Ballad of St. Kevin\" for\n                  their Christmas issue","requesting permission to publish her poem \"The\n                  Cloud\" set to music","requesting permission to publish \"The Look\" set to\n                  music along with some others she is working on","concerning a project with \n                  The Bookmanand \n                  Dodd, Mead, \u0026 Companyin the\n                  form of an anthology of new poems by American\n                  poets","requesting permission to use some of her poems in\n                  musical settings","requesting permission to use \"The Cloud\" and\n                  \"Night Song at Amalfi\" by \n                  Sara Teasdalein musical\n                  settings","admiring her work and wondering how to obtain her\n                  books other than \n                  Rivers to the Sea","referring to a letter, November 22, 1916, from \n                  Julius Kranz","admiring \n                  Sara Teasdale's \"November Night\"\n                  and commenting on its \"wonderful imagery, its\n                  sympathetic feeling...\"","translating a reference to \n                  Rivers to the Seafrom Yiddish to English","referring to a note in praise of her \"November\n                  Night\"","writing as her agent and sending a check for\n                  \"Spring Rain\" which is to be published in \n                  Century Magazine","offering an agreement for her proposal of a book\n                  of `Love Lyrics'","writing of entertaining friends with a reading of\n                  her \n                  Rivers to the Seaand their enjoyment","sending the agreement for the proposed book of\n                  love lyrics","thanking her for \n                  Rivers to the Sea","concerning the publication of several of his songs\n                  made from her lyrics","acknowledging her letter and volume of verse","inviting her to talk intimately about her work at\n                  the \n                  Writers GuildDay at the \n                  University of Missouri","requesting one of her bookplates in exchange for\n                  the enclosed one of her own","expressing his enjoyment in reading her poems,\n                  particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n                  \"Capri\"","revealing that he would be pleased to have her\n                  work appear more often in the magazine","praising her poems in the form of a poem entitled\n                  \"Why Not\"","requesting permission to use her poem\n                  \"Grandfather's Love\" in a musical setting for a\n                  colleciton of childrens' songs","accepting her poem \"Tonight\" for publication but\n                  declining \"Defeated\" due to spacing problems","requesting permission to use her poem \"Swans\" in a\n                  musical setting","accepting her poem \"Schooners\" for publication","requesting permission to set to music her two\n                  poems \"Joy\" and \"The Look\"","accepting her poem \"The Strawberry Man\" for\n                  publication, and expressing sympathy for her\n                  sickness","requesting permission to use a few of her lyrics\n                  in a revision of his \"The Home Book of Verse\"","praising her poem \"Dreams\" and requesting\n                  permission to publish it in a musical setting","concerning a magazine, \n                  The Madrigal, devoted to the publication of love lyrics\n                  and requesting a contribution","expressing gratitude for her sending \"At Midnight\"\n                  which he will include in \n                  The Masque of Poetsand send to \n                  The Bookman","revealing that he has set her poem \"Swans\" as a\n                  song after receiving a copy of her \n                  Rivers to the Sea","requesting permission to use her poem \"Deep in the\n                  Night\" for a musical setting","concerning the changed version of \"The Prayer of\n                  the Gardener\"","concerning a volume he is editing entitled \n                  The Book of New York Verseand wishing to include some of Sara's\n                  poems","concerning a musical setting of her poem\n                  \"Pierrot\"","wishing to have published the enclosed Danish\n                  translation of her poem \"Rain\"","requesting permission to publish a musical setting\n                  for women's chorus of her poem \"Dusk in June\"","requesting permission to use her poem \"Helen of\n                  Troy\" in a collection of poems about ancient Troy","requesting permission to use her poem \"Sea\n                  Longing\" in a \"book on modern tendencies of poetry as\n                  exhibited in the sonnet\"","informing her that her poem-sequence \"Songs Out of\n                  Sorrow\" has received the highest vote in balloting of\n                  the \n                  Poetry Society of America","thanking her for the letter and poem, and\n                  mentioning activities in the \n                  National League","praising her poem \"Tonight\" and wishing to tell\n                  her about his own brand of poetry-making","expressing her feelings for the poems in \n                  Rivers to the Sea, and commenting on their being \"so simple\n                  and natural and real\"","seeking help in the way of reviewing with her own\n                  verses and asking where to obtain \"Songs Out of\n                  Sorrow\"","accepting her poem \"Embers\" and requesting\n                  material for a free ad","praising her poem \"Schooners\" and inquiring about\n                  the names of the vessels","requesting autographed volumes of \n                  Rivers to the Seato be auctioned for the \n                  American Ambulance Fund","requesting permission to publish \n                  Sara Teasdale's poem \"Tonight\"\n                  set to music","concerning a request for permission to publish her\n                  poem \"Buried Love\" with a musical setting from Miss \n                  Mima A. Taylorof \n                  Kilmarnock, Scotland","requesting permission to use \n                  Sara Teasdale's poem \"The Look\"\n                  in a musical setting to be published by \n                  Harold Flammer","concerning the September 11 letter from Mrs. \n                  A. R. Wilson","[concerning \n                  Ralph T. Whitney]","concerning his request of September 5","praising Sara's love songs and commenting that the\n                  two books [ \n                  Love Songsand \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Women] are pretty, and writing family news","thanking her for the two books, one of love songs,\n                  the other a collection of poems by women","thanking her for the forthcoming volume and\n                  promising to read it with pleasure","thanking her for the two volumes [ \n                  Love Songsand \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Women] and praising her own love songs as being\n                  of a higher level than the other women's verses","requesting permission to use her verse \"Tonight\"\n                  in a musical setting","thanking her for the book of lyrics, \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Women","thanking her for the volume, \n                  Love Songs, and commenting on her \"gift for pure\n                  lyric\"","thanking her for the book, \n                  Love Songs, and finding in it verses for songs","thanking her for the book of her poems, \n                  Love Songs, and commenting on its \"lyric\n                  loveliness\"","thanking her for the inscribed \n                  Love Songsand praising her work","discussing Sara's \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Womenand her own \n                  Cornucopia of Red and Green Comfitsand \n                  Vachel Lindsayand his work","thanking her for the charming little book, [ \n                  Love Songs]","accepting her poems \"Sons\" for the January issue\n                  and \"When we are Happiest\" for a later one","accepting a poem for their Christmas issue","accepting her poem \"The Cup\" for publication","thanking her for the charming letter and gift of\n                  poems","praising her volume of poems, \n                  Love Songs, and asking if she has any war poems to\n                  possibly read at the MacDowell Center","sending her a poem by himself entitled \"Sara--An\n                  Acrostic\"","informing her of the \n                  Poetry Society of Americaaward\n                  for her volume \n                  Love Songs","inquiring about the possibilities of further\n                  work","expressing gratitude for her letter and mentioning\n                  her own physical weakness","mentioning \n                  Sonnets to Duse and Other Poems, and asking after her family","commenting on the latter's verses and encouraging\n                  her","thanking her for her book and telling of his\n                  enjoyment in reading it","writing to her friend after a long interval,\n                  telling of her separation from \n                  Ernst B. Filsinger, a visit in\n                  May to \n                  Francewith \n                  Margaret Conklin, her problems\n                  since being seriously injured in a taxi-cab in March\n                  1928, and plans for a visit to \n                  California","reviving ties with her old friend","exchanging family news, and mentioning \n                  Joseph Hergesheimer","thanking her profusely for the gift of a\n                  butterfly, mentioning \n                  Jay Van Everen's praise of it,\n                  referring to her essay on \n                  Christina Rossetti, discussing \n                  Virginia Woolf, comparing the\n                  views of the Empire State Building and the Eiffel\n                  Tower, and saying she would be glad to meet \n                  Mary Ware Dennett","discussing the lingering effects of the Depression\n                  on New York, and her frail physical condition and\n                  wanting to leave \n                  New York; and, mentioning Mrs. \n                  Vachel Lindsay, her own\n                  biography of \n                  Christina Rossetti, and\n                  friends","discussing her decreased income, work on her essay\n                  about \n                  Christina Rossetti, and personal\n                  news","mentioning meeting \n                  Christina Rossetti's two\n                  nieces","discussing life in \n                  Spain; and giving a personal\n                  discourse on the relationships of \n                  George Bernard Shawand \n                  Ellen Terryand \n                  Henry Irving, and comparing\n                  Terry to \n                  Eleonora Duseas an actress and\n                  lover","mentioning the latter's \"Crumbs,\" \n                  Sarah Bernhardtand \n                  Eleonora Duse, \n                  William Marion Reedyand \n                  Tyrell Williams, and \n                  Virginia Woolf","expressing her feelings about the gift of the\n                  beautiful butterfly and the importance of childhood\n                  memories","concerning some pictures of \n                  Sara Teasdale","discussing \n                  Sara Teasdale's suicide","mentioning \n                  Williamina Parrish, \n                  Martha Prentice Merwin, and \n                  Upton Sinclair","enclosing horoscope and related enclosures","discussing \n                  Morgan McCormickand \n                  Isabel (Parrish) McCormick","sending additional horoscope material","remembering \n                  Sara Teasdale's death and\n                  mentioning old friends","sending a photograph of \n                  Sara Teasdale; and, discussing\n                  Sara's wishes after her death: the \n                  Christina Rossettibook and other\n                  works remaining unpublished and keeping her life\n                  private","writing news of \n                  Tyrell Williamsand \n                  Nell Niedringhaus Williamsand\n                  biographical information","writing family news and mentioning \n                  Celia [E. Harris]","mentioning \n                  Vine Colby, \n                  Petronelle Sombart, \n                  Edna \"Ned\" Wahlert, and \n                  Edith Wyatt","mentioning \n                  Caroline Risque, \n                  Vine Colby, and briefly\n                  describing her life in \n                  Lincoln","describing the pleasure that the \n                  Potter's Wheelsbrings her and others, mentioning \n                  Celia E. Harris' convalescence,\n                  with ANS from Celia, mentioning her own and \n                  Sara Teasdale's illnesses","ordering photographs","acknowledging the photographs of \n                  Celia E. Harris","from an \"enchanting old place\"","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n                  Company","Monday Club","The Denver Music Company","The MacMillan Company","G. Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n                  Committee","Houghton Mifflin Company","Charles Scribner \u0026\n                  Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n                  Missouri","St. Louis Museum of Fine\n                  Arts","National Arts Club","Poetry Society of\n                  America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n                  Company","Vine Colby","Lawrence Hanley","Celia Ellen\n                     Harris","Margaret Scott\n                     Lawler","Nadaud","Paul Janis","Vine Colby\n                     McCasland","Williamina\n                     Parrish","Sara Teasdale","Frances S.\n                     Porcher","Christina Rossetti","Barbara George","Patience Worth","William Marion Reedy","Marion Cummings Stanley","Caroline Risque","Jennie M.A. Jones","Susan Creighton Williams","(Williamina Parrish","[Sara Teasdale]","[Vine Colby]","George W. Teasdale","E[leanora] D[use]","Williamina Parrish","Lillie Rose Ernst","Thomas B. Mosher","Elizabeth M. Brown","Caroline White McKinney","Will J. Thornton","Fred R. Macauley","Olga Nethersole","Frances S. Porcher","Celia Ellen Harris","Mary D. Harris","Arthur Symons","Lee B. Hildebrand","Julia Marlowe","Louise McNair","J.P. Greene","Marie Isabel Miller","Mary C. Burke","Guiseppe Masi","Jerome A. Quay","Eleanora Duse","Paul Y. Tupper","Joseph B. Gilder","Laura A. Proetz","Sidney Rogers Cook","M. Augusta Bailey","Dorothy Colby","Arthur Hornblow","Inez (Dutro) George","Frank George","Frances Joseph","Mary F. Raphael","Sara Teasdale,","Pinkie D. McGrew","Agnes M. Schulenberg","John Myers O'Hara","Sappho","Oliver H. Campbell","Adelia C. Arens","H. Nelson Gay","John Keats","Elizabeth Waddell","R.E. Lee Gibson","William H. Hills","Elizabeth McCracken","Mary Elizabeth Willard Teasdale","Bruce M. Stanley","Thekla Bernays","Sidney Fane","Algernon Charles Swinburne","Alice Evelyn Watson","Orrick S. Johns","Ethel M. Kelly","Thomas C. Clark","Witter Bynner","John Stapleton Cowley","Zoe Aikin","Mamie Teasdale Wheless","[John Myers O'Hara]","Alexander N. DeMenil","Madison Cawein","Clayton Hamilton","Chen E. Cory","Alfred Edward Housman","Frances M. Weir","Leopold Godowsky","Olive Ruby Hammon","Jessie Johnston Linton","Joan A. Rae","George Sterling","B. Russell Herts","Louis Untermeyer","Mitchell Kennerley","Michael Monahan","Richard Le Galliene","Robert Underwood Johnson","Albert Victor Young","Petronelle Sombart","Charles Hanson Towne","George Sylvester Viereck","Joseph Benson Gilder","Jessie Belle Rittenhouse","Henry Mills Alden","Ernest R. Kroeger","John Shea","Natalie Bigelow","H. Alexander Matthews","Lily S. Anthony","Orrick Johns","Willa Sibert Cather","Homer Croy","A.D. Kerry","William H. Gardner","S.T. Newton","Henry Van Dyke","Curtis Hidden Page","Frederick Oakes Sylvester","Elizabeth Barrett Browning","John L. Hervey","F. Dewey Richards","Julia Marlowe Sothern","Julia G. Scott","Frank K. Hallack","Edward L. Preetorius","Louis H. Behrens","Theodosia Garrison","Richard LeGallienne","Paul E. More","Charles E. Savage","John Sanburn Phillips","Edith M. Thomas","Elizabeth K. Mew","Rufus Rockwell Wilson","Cale Young Rice","Josephine Peabody","Percy Mackaye","Rudyard Kipling","Fannie L. Richey","George S. Johns","Ella M. Kricklaus","Josephine McGill","Rupert Henry Whitcomb","W. W. Tulloch","William Stanley Braithwaite","Zoe Akins","Dugald Stewart Walker","Blanche Shoemaker Wagstaff","Anna Branch","Edith Thomas","Ethel Peyser","Gertrude Cawein","Theodosia Garrison Faulks","Edward J. Wheeler","Alexander Harvey","Wilfred Funk","Campbell Mason","Joyce Kilmer","Robert Browning","Carman Bliss","Edwin Markham","Edwin Arlington Robinson","Arthur Guiterman","Laurence J. Gomme","Nana Wilcox Putnam","Josie Grevé\n                  Oppenheim","John Curtis Underwood","Leonard D. Abbott","Robert Bridges","Anna Hinrichs","(Ferdinand Earle)","Idress Head","Josephine Hilty Abramson","Cecile Barnes","John G. Neihardt","Jessie T. Pease","Oswald Rimmer","Gertrude Cate","(Ferdinand Earle?)","W. F. Melton","Ella Wheeler Willcox","May W. Dorman","Thomas Augustine Daly","Helen Bullis","George Buchanan Fife","Percy MacKaye","Fannie Stearns Davis","John Hall Wheelock","Bliss Carman","Edna St. Vincent Millay","(Sara Teasdale)","Lawrence Gilman","[Alfred] Noyes","H. L. Mencken","Merle St. Croix Wright","Nathan Haskell Dole","Harriet Monroe","Ruth Guthrie Harding","[Jessie Belle] Rittenhouse","Alfred Noyes","Willard H. Wright","Eugene MacDonald Bonner","Louis Albert Lamb","Helen S. Livingstone","Vachel Lindsay","Agnes Freer","William Rose Benet","Alice C. Henderson","Sidney Hosmer","M. S. O'Donnell","Robert Sterling Yard","Charles Gallup","Arthur B. Maurice","Frederick M. Steele","Elizabeth Cutting","Irwin L. Wheeler","Magda Decker","Charles E. Howson","Vine Colby McCasland","Martha Foote Crow","Isabel Underhill","Julia Ditto Young","Margaret Elizabeth Willard\n                  Teasdale","Haviland Wessells","Ines Macaulay","Clifton B. Bull","Hortense Flexner","Anita Bartle Brackenbury","Emily Dickinson","Josephine Preston Peabody","John Banister Tabb","Elizabeth van R. Lemont","Percy Lee Atherton","Florence H. Perin","Louise Ayres Garnett","Eunice Tietjens","Elsie Jade Hawson","Charles E. Rush","Allen Dale Smith, Jr.","Clara K. Wellman","Mary Blue","Paul A. Schmitt","Sara Teasdale Filsinger","Ernst B. Filsinger","Howes Norris, Jr.","Edward L. B. Howard","Douglas Malloch","Charlotte V. Butterfield","Carl Hahn","Timothy Spelman","Jacqueline Hendrick Hoyt","Robert Frost","Ernest B. Filsinger","Edmund R. Brown","Conrad Aiken","Temple Scott","Ella Wheeler Wilcox","Theodosia (Garrison) Faulks","Amy M. Beach","Robert F. Walker","Zoe [Akin]","Edward C. Murch","John Warren Teasdale","Luella Ohusted Burnham","Martha Emma Watts","John Alden Carpenter","Rosalie L. Hausmann","John Gould Fletcher","Henry A. Bellows","W. J. Marsh","O. W. Firkins","Maggie W. Barry","Frederick Hoppin Nowland","Gordon Balch Nevin","Wilbur L. 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Schirmer (Inc.)","Stix, Baer, \u0026 Fuller","MacMillan","Underwood's News Photo Service","The Centennial Club","Poets Corner","Browning Society","MacMillan Company","Belgian Scholarship\n                  Committee","Houghton Mifflin Company","Charles Scribner \u0026\n                  Sons","Dodd, Mead, \u0026 Company","Writers Guild","University of Missouri","National League","American Ambulance Fund","Kilmarnock, Scotland","Greek Ethics Club","State Historical Society of\n                  Missouri","St. Louis Museum of Fine\n                  Arts","National Arts Club","Poetry Society of\n                  America","J. B. Lippincott Company","Frank A. Munsey","Philip Roeder Book and Stationery\n                  Company"],"acqinfo_ssim":["Purchase \n            1986 July 18"],"has_online_content_ssim":["false"],"physdesc_tesim":["ca. 700 items"],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research"],"prefercite_html_tesm":["\u003cp\u003eSara Teasdale\n            Collection, Accession 8170-d, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["Sara Teasdale\n            Collection, Accession 8170-d, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003esending thanks for her sympathy and inviting her\n                  to visit\u003c/p\u003e\n          ","\u003cp\u003erevealing his delight in a poem she sent and\n                  discussing her style\u003c/p\u003e\n          ","\u003cp\u003ere looking over proofs to her volume of poetry [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003ementioning her \n                  \u003cpersname\u003eE[leanora] D[use]\u003c/persname\u003esonnet being\n                  accepted by \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoet Lore\u003c/title\u003e\u003c/bibref\u003efor publication\u003c/p\u003e\n          ","\u003cp\u003ere horseback riding and critiquing a poem,\n                  \"Vengeance\" by Colby\u003c/p\u003e\n          ","\u003cp\u003ementioning the July \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheel\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003esending her a review of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's volume of poetry\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003epraising her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eextending his thanks for the copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003eand hoping for its success\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, praising it, and wishing for its\n                  success\u003c/p\u003e\n          ","\u003cp\u003erevealing her pride of her childhood friend ( \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e) after seeing her\n                  \"Guenevere\" in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Digest\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing his pleasure in presenting her poem\n                  [\"Guenevere\"] to the world, praising her book of\n                  verses, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and encouraging her to continue writing\n                  verses in her careful fashion\u003c/p\u003e\n          ","\u003cp\u003epraising her poem [\"Guenevere\"]\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003epraising her effort, and mentioning seeing\n                  actress \n                  \u003cpersname\u003eOlga Nethersole\u003c/persname\u003e.\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the autograph copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, writing about getting settled in their new\n                  home\u003c/p\u003e\n          ","\u003cp\u003easking for a day to visit, expressing her pleasure\n                  in her ( \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's ) book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, with ALS from \n                  \u003cpersname\u003eMary D. Harris\u003c/persname\u003eto \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e, expressing her\n                  pride in Teasdale and her book\u003c/p\u003e\n          ","\u003cp\u003ewriting about the beauty of her poems and that he\n                  has written a review of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003epraising her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003esending his review of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] from \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Saturday Review\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning her delight in receiving a letter from \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003e, and saying that\n                  Symons is \"not only one of the greatest living\n                  critics, but...a poet of true feeling...\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and discussing \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eenclosing the \"notice by \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003efrom \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSaturday Review\u003c/title\u003e\u003c/bibref\u003e\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the presentation copy of her book\n                  [Sonnets to Duse...] and praising her poems and\n                  sonnets\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and encouraging her to pursue her gift of\n                  writing verse\u003c/p\u003e\n          ","\u003cp\u003eexpressing appreciation of the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and wanting to see her\u003c/p\u003e\n          ","\u003cp\u003estating that \n                  \u003cpersname\u003eEleanora Duse\u003c/persname\u003ewould be returning\n                  to her home at 54 Via Robbia soon, sent to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eby \n                  \u003cpersname\u003eJerome A. Quay\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eexplaining the content of the November 19, 1907\n                  letter re \n                  \u003cpersname\u003eEleanora Duse\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ewriting that he would be glad to use \"The Heart's\n                  Hearth\" in the Christmas issue\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and expressing his and his wife's\n                  enjoyment of her poetry\u003c/p\u003e\n          ","\u003cp\u003ereturning her poems except for \"Dusk\" which he\n                  hopes will go into the January issue\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of her letter and copy of\n                  her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] to be forwarded to \n                  \u003cpersname\u003eEleanora Duse\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ewishing to purchase her book of verse [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]as a Christmas gift\u003c/p\u003e\n          ","\u003cp\u003epraising her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and including a poem\u003c/p\u003e\n          ","\u003cp\u003esending a copy of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003efor her to autograph and saying that \"Dusk\"\n                  will be in the February issue\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], commenting on her gift for writing\n                  poetry, and wanting her parents to visit on their way\n                  from \n                  \u003cgeogname\u003ePhiladelphia, Pennsylvania\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], praising the sonnets, and wishing to talk\n                  with her\u003c/p\u003e\n          ","\u003cp\u003epraising her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and relating personally to some of the\n                  poems, and discussing the relationship between a work\n                  and its artist and how they are perceived by\n                  others\u003c/p\u003e\n          ","\u003cp\u003ereturning her poem unused due to lack of space\u003c/p\u003e\n          ","\u003cp\u003ere the birth of their baby, \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing appreciation for the book of verses [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] sent to \n                  \u003cpersname\u003eMary F. Raphael\u003c/persname\u003e, who is not\n                  well, and saying that Mrs. Raphael has sent three\n                  autographed photographs of her pictures to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting favorably on her book of verse [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], which she borrowed from \n                  \u003cpersname\u003eFred R. Macauley\u003c/persname\u003e, referring to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eas having \"the\n                  unmistakable lyric touch,\" comparing her own verse to\n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's , and wanting to\n                  talk with her and get to know her\u003c/p\u003e\n          ","\u003cp\u003eexpressing her pleasure in \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem,\n                  \"Guenevere,\" writing that their interpretations of\n                  Tennyson's masterpiece are very similar and that she\n                  will send a photograph of her picture of the work\n                  which illustrates this\u003c/p\u003e\n          ","\u003cp\u003esending congratulations for their baby, \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003epraising her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and complimenting her writing\u003c/p\u003e\n          ","\u003cp\u003eacknowledging her praise for his translation of\n                  the odes and fragments of \n                  \u003cpersname\u003eSappho\u003c/persname\u003eand writing that he would\n                  be glad to send her a copy, and referring to one of\n                  her poems as being of \"rare beauty of thought and\n                  expression\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing enjoyment of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and congratulating her on its success\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her book of poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and expressing his appreciation of the\n                  dedicatory triolet to himself, giving high praise to\n                  her sonnets and comparing her admirably to \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, critiquing\n                  some of the poems, and giving her the original draft\n                  of \"The Sleep Wind\"\u003c/p\u003e\n          ","\u003cp\u003easking for \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's address in order\n                  to write for permission to set her \"The Heart's\n                  Hearth\" to music\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of her poem dedicated to \n                  \u003cpersname\u003eJohn Keats\u003c/persname\u003efor the anniversary of\n                  his death\u003c/p\u003e\n          ","\u003cp\u003eenclosing a March 23rd letter from \n                  \u003cpersname\u003eAdelia C. Arens\u003c/persname\u003eand relaying\n                  praises for her Sonnet on \n                  \u003cpersname\u003eJohn Keats\u003c/persname\u003efrom \n                  \u003cpersname\u003eElizabeth Waddell\u003c/persname\u003eand \n                  \u003cpersname\u003eR.E. Lee Gibson\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ehoping she is well and commenting on her\n                  treatments\u003c/p\u003e\n          ","\u003cp\u003erequesting a paragraph referring to her poem,\n                  \"Love in Autumn\" and information about herself, with\n                  a page from his magazine\u003c/p\u003e\n          ","\u003cp\u003ewriting a note about her lines on \n                  \u003cpersname\u003eJohn Keats\u003c/persname\u003eon a postcard showing\n                  where Keats died which was sent to him from \n                  \u003cgeogname\u003eRome, Italy\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003esending along an article from \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Evening Post\u003c/title\u003e\u003c/bibref\u003eabout new books of verse which mentions \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's sonnet to \n                  \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of her remembrance and\n                  wishing to hear her read some of her poems\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her letter and copy of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, saying she had already read her poems\n                  while at the home of \n                  \u003cpersname\u003eArthur Symons\u003c/persname\u003ealong with \n                  \u003cpersname\u003eJulia Marlowe\u003c/persname\u003e, and mentioning\n                  some of her favorite poems by \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ere \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's impending\n                  arrival in \n                  \u003cgeogname\u003eTucson\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003eadvising her on having \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy\u003c/title\u003e\u003c/bibref\u003epublished\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the Christmas gift and saying she\n                  is going home next week\u003c/p\u003e\n          ","\u003cp\u003ehoping she had a restful journey home\u003c/p\u003e\n          ","\u003cp\u003ethanking him for his kindness and sending love to \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ewriting \"passed Liberal all right\"\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of a package\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"Helen\" for publication\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, and praising it as well as her gift of\n                  writing\u003c/p\u003e\n          ","\u003cp\u003echiding her for not writing\u003c/p\u003e\n          ","\u003cp\u003erelating that a Mr. \n                  \u003cpersname\u003eSidney Fane\u003c/persname\u003eof London, England\n                  has asked permission to set her poem \"Buried Love\" to\n                  music\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poems \"November\" and \"Vox Amoris\"\n                  for publication\u003c/p\u003e\n          ","\u003cp\u003easking her to read a book of poems and write a\n                  criticism of it\u003c/p\u003e\n          ","\u003cp\u003ecommenting on the death of \n                  \u003cpersname\u003eAlgernon Charles Swinburne\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003etelling her that her poems are beautiful\u003c/p\u003e\n          ","\u003cp\u003ewriting that her poetry sings; commenting on her\n                  literary gift, her lyrical quality, and \"the value of\n                  the songs,\"; and, discussing the \"necessity of\n                  deciding between the artificial-imagination and this\n                  other thing of simplicity in beauty-simplicity and\n                  the heart.\" There is much literary thought and\n                  discussion\u003c/p\u003e\n          ","\u003cp\u003ewriting about having his songs published,\n                  including one with the words to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem, \"Buried\n                  Love\"\u003c/p\u003e\n          ","\u003cp\u003ere the beauty of spring\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem, \"The Prayer,\" for\n                  publicaton\u003c/p\u003e\n          ","\u003cp\u003eshowing an interest in her poem, \"On the Death of\n                  Swinburne\" and wishing to reproduce something of hers\n                  in one of their issues\u003c/p\u003e\n          ","\u003cp\u003esending a copy of one of his new songs, \"A Queen\n                  of the Long Age\"\u003c/p\u003e\n          ","\u003cp\u003ediscussing \n                  \u003cpersname\u003eWitter Bynner\u003c/persname\u003e's favorable\n                  comments on her poetry and his being with publishers \n                  \u003ccorpname\u003eSmall, Maynard \u0026amp; Company\u003c/corpname\u003e,\n                  mentioning \n                  \u003cpersname\u003eJohn Stapleton Cowley\u003c/persname\u003e's praise\n                  of \"Guenevere,\" and \n                  \u003cpersname\u003eZoe Aikin\u003c/persname\u003e's new book\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her book of poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and naming his favorites\u003c/p\u003e\n          ","\u003cp\u003edescribing the peacefulness of \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003eand her visit with \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e, and asking him to\n                  send some money\u003c/p\u003e\n          ","\u003cp\u003ere boating\u003c/p\u003e\n          ","\u003cp\u003ementioning a boat trip around \n                  \u003cgeogname\u003eTraverse Bay\u003c/geogname\u003ewith \n                  \u003cpersname\u003eMamie Teasdale Wheless\u003c/persname\u003e, her\n                  delight with \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003eand \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eand her family, and\n                  wanting to discuss plans with him\u003c/p\u003e\n          ","\u003cp\u003ediscussing a trip around \n                  \u003cgeogname\u003ePine Lake\u003c/geogname\u003eon a \"miniature ferry,\"\n                  plans for leaving there and returning to \n                  \u003cgeogname\u003eTucson, Arizona\u003c/geogname\u003e, mentioning \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's and her poetry\n                  writing, receiving \"Mr. Sappho's\" \n                  \u003cpersname\u003e[John Myers O'Hara]\u003c/persname\u003enew book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSongs of the Open\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ere personal matters and plans for leaving\u003c/p\u003e\n          ","\u003cp\u003ewriting about \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e's visit,\n                  on a postcard with a view of a river, \"The Old\n                  Channel,\" in \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003esending a postcard with another view of a river,\n                  \"Old River,\" in \n                  \u003cgeogname\u003eCharlevoix\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003ewriting personal news\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of her book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e] and praising her work\u003c/p\u003e\n          ","\u003cp\u003epraising her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e, commenting on \"Japanese Incense\" as being\n                  \"as fragrant in words as is the perfume it speaks,\"\n                  and saying that her love-songs are as lovely as those\n                  of \n                  \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003esending pictures of the buildings in which she is\n                  spending time, and reminiscing about time spent with \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem, \"To Cleis,\" for publicaton\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the gift\u003c/p\u003e\n          ","\u003cp\u003esending a Christmas greeting\u003c/p\u003e\n          ","\u003cp\u003ethanking him for the candy\u003c/p\u003e\n          ","\u003cp\u003esending his appreciation of her gift of the book [\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003erequesting the return of her short monologue,\n                  \"Sappho,\" with ANS from the Editor saying that they\n                  are using it in the February issue\u003c/p\u003e\n          ","\u003cp\u003ethinking of her in this \"loveliest, quaintest\n                  town\"\u003c/p\u003e\n          ","\u003cp\u003ethanking him for the gift of \"the dear little\n                  Japanese girl feeding the fawns\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for \"the interesting sixteenth\n                  century gentleman with a telephone receiver\"\u003c/p\u003e\n          ","\u003cp\u003ereceiving the baby picutres of \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003eand the newborn,\n                  and asking that the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheel\u003c/title\u003e\u003c/bibref\u003ebe sent to \n                  \u003cpersname\u003eLillie Rose Ernst\u003c/persname\u003eat \n                  \u003ccorpname\u003eHosmer Hall\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Pierrot,\" and giving some information about herself\n                  including being a student of \n                  \u003cpersname\u003eLeopold Godowsky\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Daisy Time\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Pierrot\"\u003c/p\u003e\n          ","\u003cp\u003eenclosing a letter from someone in \n                  \u003cgeogname\u003eAberdeen, Scotland\u003c/geogname\u003erequesting\n                  permission to use one of her poems\u003c/p\u003e\n          ","\u003cp\u003ewishing to obtain \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's consent for\n                  publishing a song with her poem, \"Daisy Time,\" set to\n                  music\u003c/p\u003e\n          ","\u003cp\u003ediscussing \"Miss French's\" work in poetry, gladly\n                  accepting \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's praise of his\n                  own work, and mentioning \n                  \u003cpersname\u003eJohn Myers O'Hara\u003c/persname\u003eand his\n                  \"Sapphic poems\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish as a song her\n                  poem \"Daisy Time\" which she has set to music\u003c/p\u003e\n          ","\u003cp\u003ere using her poems\u003c/p\u003e\n          ","\u003cp\u003esending a check in payment for two of her poems to\n                  be published in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePutnam's Monthly\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning her poem, \"Erinna,\" which is to appear\n                  in their second issue, and mentioning as among her\n                  admirers, \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e, \n                  \u003cpersname\u003eMitchell Kennerley\u003c/persname\u003e, \n                  \u003cpersname\u003eMichael Monahan\u003c/persname\u003e, and \n                  \u003cpersname\u003eRichard Le Galliene\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning the publication of her volume of poems,\n                  their undertaking the publishing of four or five\n                  volumes of verse as well as the second book of \"The\n                  Younger Choir,\" and companies wanting a guarantee of\n                  sales when publishing poetry\u003c/p\u003e\n          ","\u003cp\u003eoffering her a publishing proposition for her\n                  volume of verse specifying that she would bear the\n                  entire cost of production\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem, \"The Wind,\" for\n                  publication\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Daisy Time\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the lace jabot, describing at\n                  great length the Potter party, and mentioning each of\n                  the \n                  \u003ccorpname\u003ePotters\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccording her the right to make further use of her\n                  verse, \"Song,\" published by the magazine last July in\n                  her book or in a musical setting, and accepting her\n                  poem, \"The Wind,\" for publication\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her letter and volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ereturning the \"Young Choir\" with his signature\u003c/p\u003e\n          ","\u003cp\u003econcerning an evening of poetry [a meeting of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e]\u003c/p\u003e\n          ","\u003cp\u003egiving his weekday schedule\u003c/p\u003e\n          ","\u003cp\u003ewanting to meet her at the next meeting and\n                  commenting that Sara Teasdale's \"Helen,\" read by\n                  Witter Bynner, was well accepted\u003c/p\u003e\n          ","\u003cp\u003egiving his weekday schedule\u003c/p\u003e\n          ","\u003cp\u003ewriting that he has set to music two of her poems,\n                  \"Buried Love\" and \"Pierrot\"\u003c/p\u003e\n          ","\u003cp\u003efinding her quatrain \"At Night\" to be pure and\n                  true\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e], and saying it was both a pleasure to read\n                  it and to meet her, and commenting that \"poets are\n                  the most charming people on earth\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for giving him permission to use her\n                  poems, \"Daisy Time\" and \"Song\" as musical settings,\n                  and asking permission to use \"Twilight\"\u003c/p\u003e\n          ","\u003cp\u003ethanking him for his note about a photograph of\n                  herself she had sent\u003c/p\u003e\n          ","\u003cp\u003ecalling her \"On the Tower\" a magnificent piece of\n                  work and printing it in the August issue\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to submit for publication a\n                  musical setting of her poem, \"The Prayer\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her courtesy and for the pleasure\n                  her poems give her\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of her lyrics, and asking\n                  her charge for using them\u003c/p\u003e\n          ","\u003cp\u003egiving high praise to her work in the book of\n                  poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy and Other Poems\u003c/title\u003e\u003c/bibref\u003e], and wanting to write a nice review for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Hesperian\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003epraising her book of poems [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], especially the love songs, and wanting to\n                  send her a copy of his selected \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the gift of the charming book [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003ecommenting on her book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand wishing her success\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the gift, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], and planning to read the verses with her\n                  husband on their wedding trip\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the volume, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], and commenting on its \"lyric\n                  splendor\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e], saying that he has written a review of\n                  her book for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Mirror\u003c/title\u003e\u003c/bibref\u003e, and commenting that \"On the Tower\" us\n                  \"dramatic promise as well as fine poetry\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and sending in return a copy of his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ecalling the verses in her book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e] \"dear and familiar,\" showing pride in the\n                  dedication, saying that she was glad the book arrived\n                  after her spell of illness and melancholy and that\n                  she is looking forward to better health and the\n                  success of her own book\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and promising to copy some verses for\n                  her\u003c/p\u003e\n          ","\u003cp\u003ereferring to her new book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen to Troy...\u003c/title\u003e\u003c/bibref\u003e, as a \"perfect delight,\" and thanking her\n                  for the copy\u003c/p\u003e\n          ","\u003cp\u003ecommenting that \n                  \u003cpersname\u003eOrrick Johns\u003c/persname\u003ehas written a fine\n                  review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the volume of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and mentioning the lyrics she especially\n                  liked\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the gift of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting that the love-songs are her\n                  favorite and that they \"have that artlessness that\n                  signifies the mastery of art\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for sending the volume of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and indicating that it has already become\n                  a family treasure\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and mentioning his boarders' reaction to\n                  the volume\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the gift of her poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem,\n                  \"Twilight,\" with ANS from her mother, \n                  \u003cpersname\u003eMary Elizabeth Willard Teasdale\u003c/persname\u003e,\n                  on back\u003c/p\u003e\n          ","\u003cp\u003eadmiring her \"powers \u0026amp; artistic\n                  discrimination,\" commenting on his own verse, \"The\n                  Poet,\" which \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003ehad praised,\n                  sending her \"a little burlesque volume,\" \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Younger Quire\u003c/title\u003e\u003c/bibref\u003e, saying she will like the review of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and praising her work\u003c/p\u003e\n          ","\u003cp\u003eexpressing his enjoyment of her poems, extending\n                  congratulations on her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, commenting on \n                  \u003cpersname\u003eCharles Hanson Towne\u003c/persname\u003e's splendid\n                  work, and saying that his own \"sense of rhythm is so\n                  lyrical in style...\"\u003c/p\u003e\n          ","\u003cp\u003erequesting some biographical information for his\n                  upcoming article on poets\u003c/p\u003e\n          ","\u003cp\u003epraising her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, discussing a trip to \n                  \u003cgeogname\u003eEurope\u003c/geogname\u003eand plans for a future\n                  trip abroad, and mentioning a meeting of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003ewith a\n                  discussion of the Irish plays and invluding\n                  interesting persons such as \n                  \u003cpersname\u003eHenry Van Dyke\u003c/persname\u003eand \n                  \u003cpersname\u003eCurtis Hidden Page\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing his appreciation of the gift of her\n                  book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and sending a token in return\u003c/p\u003e\n          ","\u003cp\u003egiving high praise to her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, calling \"Helen of Troy\" and \"On the Tower\"\n                  \"postive triumphs,\" critiquing several of the poems,\n                  comparing her favorably to \n                  \u003cpersname\u003eElizabeth Barrett Browning\u003c/persname\u003eand \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and writing\n                  a French translation of \"The Pagan End\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the volume of her poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, calling her \"a real poet,\" and saying that\n                  it will be a delightful privilege to read her new\n                  poems\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish his musical\n                  setting of her verse, \"Song,\" and asking to use the\n                  first line as the title\u003c/p\u003e\n          ","\u003cp\u003ewishing to meet with her to discuss her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003esending thanks for her book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ereminiscing about a Thanksgiving dinner with \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003eand Sara,\n                  writing about Marion's despair over the illness of\n                  her mother, and expressing his delight in reading her\n                  book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on her great talent\u003c/p\u003e\n          ","\u003cp\u003ere a column review of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the following day's paper\u003c/p\u003e\n          ","\u003cp\u003eexpressing her pleasure at receiving her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and encouraging her to \"keep on\n                  singing-for all of us\"\u003c/p\u003e\n          ","\u003cp\u003ereminiscing about her stay with him and \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e, and\n                  asking him to send a copy of her book (which she will\n                  supply), \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, to \n                  \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003eof \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHarper's Magazine\u003c/title\u003e\u003c/bibref\u003e, under his own name\u003c/p\u003e\n          ","\u003cp\u003edrawing her attention to the notice of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the Sunday \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNew York Times\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003elooking forward to reading her volume of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and hoping that their reviewer will\n                  mention it\u003c/p\u003e\n          ","\u003cp\u003eenclosing some clippings for \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e,\n                  planning to mail her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eto him to send to \n                  \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003e, and\n                  mentioning her poor health\u003c/p\u003e\n          ","\u003cp\u003ecommenting on the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSt. Louis Times\u003c/title\u003e\u003c/bibref\u003ereview of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and on their literary relationship\u003c/p\u003e\n          ","\u003cp\u003eapologizing for the delay in sending copies of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eto periodicals she requested, and returning\n                  the reviews of her book\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"The Lights of New York,\" \"Sea Longing,\"\n                  and \"Triolets\" for publication\u003c/p\u003e\n          ","\u003cp\u003eaccepting one of her sonnets for the next issue\n                  and revealing that \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003ewill be\n                  reviewing her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, in the current issue\u003c/p\u003e\n          ","\u003cp\u003epraising the verses in her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on their beauty\u003c/p\u003e\n          ","\u003cp\u003ereminding her of her promise to present a copy of\n                  her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, to him\u003c/p\u003e\n          ","\u003cp\u003esending holiday greetings and commenting \"how\n                  pleasing to turn to a comforting poem and find solace\n                  in a kindred spirit\"\u003c/p\u003e\n          ","\u003cp\u003erequesting information from her for his \"calendar\n                  of the poets\"\u003c/p\u003e\n          ","\u003cp\u003econcerning an enquiry on her first volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003econgratulating her after seeing the review of her\n                  book, Helen of Troy..., in the St. Louis Times,\n                  written on an announcement of new employment with\n                  Hornblower \u0026amp; Weeks\u003c/p\u003e\n          ","\u003cp\u003econcerning the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e, and\n                  mentioning certain persons -- \n                  \u003cpersname\u003eCale Young Rice\u003c/persname\u003e, \n                  \u003cpersname\u003eJosephine Peabody\u003c/persname\u003e, \n                  \u003cpersname\u003ePercy Mackaye\u003c/persname\u003e--planning to\n                  attend their annual dinner\u003c/p\u003e\n          ","\u003cp\u003ewriting in answer to her note about his review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand further critiquing the poetry as he\n                  would have if given more space in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe International\u003c/title\u003e\u003c/bibref\u003e, and commenting that the attitude in the\n                  love lyrics is that of a woman\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, finding her lyrics \"poignant and\n                  pertinent,\" commenting on several of his personal\n                  favorites, and giving a brief comment on \n                  \u003cpersname\u003eRudyard Kipling\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eenclosing a letter from a friend praising \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand commenting on Teasdale's\n                  understanding\u003c/p\u003e\n          ","\u003cp\u003easking the basis for her poem, \"Sappho\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing gratitude for the copy of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting on her gift of song\u003c/p\u003e\n          ","\u003cp\u003ecommenting that her \"The Poor House\" was the only\n                  poem read at the meeting of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003esaying she has read her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and writing of having the same dream\n                  twice\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem\n                  \"When Love Comes Singing to his Heart\"\u003c/p\u003e\n          ","\u003cp\u003erevealing himself as an admirer of her work and\n                  putting her in a class with himself\u003c/p\u003e\n          ","\u003cp\u003ereceiving her acceptance to the annual dinner of\n                  the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her effort to go to the Guild and\n                  for allowing him to use her poems in a musical\n                  setting\u003c/p\u003e\n          ","\u003cp\u003ethanking her for `The Book of Poems' and sending a\n                  circular of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHome Progress\u003c/title\u003e\u003c/bibref\u003ealong with some literary notes\u003c/p\u003e\n          ","\u003cp\u003esending a review and thanking her for the charming\n                  poems\u003c/p\u003e\n          ","\u003cp\u003ewriting that he will run \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e's\n                  article about her poems, and congratulating her on\n                  her move to \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting on his book of poems and preparing for\n                  her move to \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003epraising her as the \"most gifted of the lyric\n                  girls,\" also signed by \n                  \u003cpersname\u003eRichard LeGallienne\u003c/persname\u003eand \n                  \u003cpersname\u003eB. Russell Herts\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eappreciative of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003etaking the liberty of sending his edition of\n                  poems, and expressing his delight in her two books \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Sonnets to Duse...]\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003esending her a copy of his book, commenting on her\n                  style and on his own, asking if she knows \n                  \u003cpersname\u003eZoe Akins\u003c/persname\u003eand writing that she\n                  sent him her book of poems, and discussing the beauty\n                  of \n                  \u003cgeogname\u003eCarmel\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003eshowing his gratitude for her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and inviting her to tea\u003c/p\u003e\n          ","\u003cp\u003eexpressing her \"more poignant\" pleasure in \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems after\n                  meeting her\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003eand admiring its style, and giving a message\n                  from \n                  \u003cpersname\u003eEdith Thomas\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003eand expressing his pleasure in reading it,\n                  and giving a critique of many of the poems\u003c/p\u003e\n          ","\u003cp\u003epraising her poem, \"The Poorhouse\" and confirming\n                  luncheon plans\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the inscribed copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing her delight in seeing \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's name in so many\n                  magazines, and requesting to have tea with her\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her letter of appreciation for \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e's poem, and\n                  commenting on \n                  \u003cpersname\u003eGeorge Sylvester Viereck\u003c/persname\u003e, \n                  \u003cpersname\u003eB. Russell Herts\u003c/persname\u003e, and \n                  \u003cpersname\u003eOrrick Johns\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting on her sweet letter and on \"the\n                  twilight of Poetry\"\u003c/p\u003e\n          ","\u003cp\u003efinding her genius in the pages of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting on the review of her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, which he previously sent, written on a\n                  flyer about himself entitled \"A .... Journalistic\n                  Jubilee.. .\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the note and book of verse \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ereferring to her poem, \"Four Winds,\" as \"deep,\n                  refreshing, and ... so cruelly true,\" and waiting to\n                  pick up a copy of her volume \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ewriting that he will sign his name to the sonnet\n                  [as requested], intending to return \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Younger Choir\u003c/title\u003e\u003c/bibref\u003ein person instead of by mail, inviting her\n                  and \n                  \u003cpersname\u003eDugald Stewart Walker\u003c/persname\u003eto visit\n                  one evening, and expecting Aline and Kenton to call\n                  on her the following day\u003c/p\u003e\n          ","\u003cp\u003erequesting her to \"contribute an original\n                  complimentary poem in honor of Browning's centenary\"\n                  for an article in the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Transcript\u003c/title\u003e\u003c/bibref\u003eon May 4, honoring \n                  \u003cpersname\u003eRobert Browning\u003c/persname\u003e, and mentioning \n                  \u003cpersname\u003eCarman Bliss\u003c/persname\u003e, \n                  \u003cpersname\u003eEdwin Markham\u003c/persname\u003e, and \n                  \u003cpersname\u003eEdwin Arlington Robinson\u003c/persname\u003eas being\n                  among those who have already consented\u003c/p\u003e\n          ","\u003cp\u003econcerning a request through their \n                  \u003cgeogname\u003eLondon\u003c/geogname\u003eoffice from Messrs. \n                  \u003ccorpname\u003eChappell \u0026amp; Co., Ltd.\u003c/corpname\u003e, to\n                  publish her poem, \"Pierrot,\" with a musical\n                  setting\u003c/p\u003e\n          ","\u003cp\u003eexpressing his pleasure in receiving her book of\n                  poems \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and looking forward to meeting her one\n                  day\u003c/p\u003e\n          ","\u003cp\u003eexpressing his pleasure in reading her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and commenting on her writing\n                  improvement\u003c/p\u003e\n          ","\u003cp\u003elooking forward to having her inscribe his copy of\n                  her book of poems\u003c/p\u003e\n          ","\u003cp\u003eexpressing her great pleasure at receiving her\n                  letter and book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and discussing friendship\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her book of poems \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and returning her kindness with a copy of\n                  her own novel\u003c/p\u003e\n          ","\u003cp\u003ewanting to exchange his book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Iron Muse\u003c/title\u003e\u003c/bibref\u003e, autographed, for any one of her books, and\n                  explaining the concept of his book, enclosing two of\n                  his poems, \"Reno\" and \"The Star\"\u003c/p\u003e\n          ","\u003cp\u003eacknowledging her kindness in sending the\n                  inscribed copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e, and expressing his thoughts after meeting\n                  her, with enclosure on \"The Modern School\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for a copy of her volume of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and commenting on her clarity of poetic\n                  ideas\u003c/p\u003e\n          ","\u003cp\u003econcerning the club's thirty-fourth meeting and\n                  enclosing a program\u003c/p\u003e\n          ","\u003cp\u003erequesting \"new treasures\" for \"The Lyric Year,\"\n                  and referring to a poem in process addressed to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting on his verse coming slowly and on\n                  finishing his poem dedicated to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eby a year or so,\n                  and writing to ask if she \"will not find the rare\n                  inspiration on the sea,\" in reference to her sailing\n                  to \n                  \u003cgeogname\u003eEurope\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003eintending to extend the poetry contest and\n                  commenting on her wanting to sell her poem\u003c/p\u003e\n          ","\u003cp\u003erequesting her to autograph a recently purchased\n                  book of her writings\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use two of her poems in\n                  musical settings\u003c/p\u003e\n          ","\u003cp\u003erequesting to use another one of her poems, \"Less\n                  than the Cloud to the Wind,\" in a musical setting,\n                  and sending the title notice about \"When Love Comes\n                  Singing\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her verse, \"At\n                  Night,\" in a musical setting\u003c/p\u003e\n          ","\u003cp\u003erequesting biographical data, a photograph and\n                  review copies from her publishers for an upcoming\n                  series of special articles on American poets that he\n                  is going to undertake in his new capacity as head of\n                  a literary department in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Minneapolis Journal\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003efollowing up on his last letter since he has not\n                  heard from her, and naming some contributors to the\n                  article\u003c/p\u003e\n          ","\u003cp\u003erepeating a prior request\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem, \"Pierrot,\"\n                  in a musical setting\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to put \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's verse, \"Song,\"\n                  to music\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the letter and copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, trying to express the sincerity of his\n                  motive in doing the project, and praising her blank\n                  verse poems\u003c/p\u003e\n          ","\u003cp\u003epraising her volumes, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse...\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and desiring to obtain a copy of the\n                  latter\u003c/p\u003e\n          ","\u003cp\u003eacknowledging receipt of her songs and letters,\n                  praising the \"rapture and delicacy\" of her \"From the\n                  Sea,\" and mentioning the poetry contest\u003c/p\u003e\n          ","\u003cp\u003epassing on a compliment from \n                  \u003cpersname\u003eElla Wheeler Willcox\u003c/persname\u003eand\n                  requesting a list of her books along with the\n                  publishers' names\u003c/p\u003e\n          ","\u003cp\u003easking for \n                  \u003cpersname\u003eJessie Belle Rittenhouse\u003c/persname\u003e's\n                  address in order to express her interest in the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e, and\n                  praising \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's verses\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem, \"I Shall Not Care,\" for\n                  publication\u003c/p\u003e\n          ","\u003cp\u003eexpressing his pleasure in \n                  \u003cpersname\u003eMitchell Kennerley\u003c/persname\u003e's acceptance\n                  of her poem for \"The Lyric Year\"\u003c/p\u003e\n          ","\u003cp\u003esending \"a few lines of opinion upon your\n                  verse...\"\u003c/p\u003e\n          ","\u003cp\u003econcerning her request for his review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand his own editorship of \"The Poetry\n                  Journal\"\u003c/p\u003e\n          ","\u003cp\u003ewriting a brief opinion of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eadmiring her and thanking her for her kind\n                  thoughts\u003c/p\u003e\n          ","\u003cp\u003eaccepting \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem, \"Off\n                  Capri\"\u003c/p\u003e\n          ","\u003cp\u003ecommenting on the honesty of her poetry,\n                  mentioning her review of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and asking if she knows \n                  \u003cpersname\u003eGeorge Buchanan Fife\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing her admiration for \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poetry and her\n                  gratitude for Teasdale noticing her writing\u003c/p\u003e\n          ","\u003cp\u003eaccepting her Christmas poem and requesting a\n                  review of \n                  \u003cpersname\u003eJohn Hall Wheelock\u003c/persname\u003e's book of\n                  poetry\u003c/p\u003e\n          ","\u003cp\u003econfessing to be a great admirer of her poetry and\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, thanking her for her note, and enclosing a\n                  circular of his new book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beloved Adventure\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"Sappho\" for future publication\u003c/p\u003e\n          ","\u003cp\u003ethanking him for the booklet\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book and giving a glowing\n                  opinion of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"The Hour,\" with a slight change in the\n                  second stanza\u003c/p\u003e\n          ","\u003cp\u003ereturning her poem, \"The Hour,\" since she rejects\n                  the change and apologizing for a printing error\u003c/p\u003e\n          ","\u003cp\u003elooking forward to meeting an old friend \n                  \u003cpersname\u003e(Sara Teasdale)\u003c/persname\u003efor the first\n                  time\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ereaching an agreement concerning her poem, \"The\n                  Hour\"\u003c/p\u003e\n          ","\u003cp\u003eaccepting her two poems, \"Song\" and \"Gifts\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing his having the \"true pleasure of\n                  finding a heart-full of real love lyrics\" and\n                  praising her work\u003c/p\u003e\n          ","\u003cp\u003eaccepting two of her poems for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, and mentioning a tete-a-tete with \n                  \u003cpersname\u003e[Alfred] Noyes\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting that her work is just what the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSmart Set\u003c/title\u003e\u003c/bibref\u003eneeds\u003c/p\u003e\n          ","\u003cp\u003epraising her as the best \"writer of delicate\n                  lyrics\" and commenting on some of her verse in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003esending a tribute to her muse and expressing his\n                  enjoyment of her visit\u003c/p\u003e\n          ","\u003cp\u003epraising her volume and apologizing for his delay\n                  in writing due to his busy schedule\u003c/p\u003e\n          ","\u003cp\u003ekeeping six of her poems for publication and\n                  suggesting a few changes\u003c/p\u003e\n          ","\u003cp\u003ementioning the \n                  \u003cpersname\u003e[Alfred] Noyes\u003c/persname\u003eaffair and \n                  \u003cpersname\u003e[Jessie Belle] Rittenhouse\u003c/persname\u003e,\n                  sending her copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003efor an inscription and praising its\n                  \"Love-Songs,\" and discussing a reading by \n                  \u003cpersname\u003eAlfred Noyes\u003c/persname\u003eof \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Forty Singing Seamen\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eadmitting to be an admirer of her work and\n                  accepting \"Enough\" and \"Prayer\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set \"Pierrot Plays in the\n                  Garden\" to music\u003c/p\u003e\n          ","\u003cp\u003ecommenting on her note and verse, \"A Forsaken\n                  Garden\" about the vandalism of \n                  \u003cgeogname\u003eSnows Garden\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecalling her poem, [\"A Forsaken Garden\"] \"pure\n                  music in plainest English!...\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish a song, \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"Pierrot,\" set\n                  to music\u003c/p\u003e\n          ","\u003cp\u003esending under separate cover \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Creed of a Beggar\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Rules of the Road\u003c/title\u003e\u003c/bibref\u003e, and looking forward to \"a most profitable\n                  friendship\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book of verse, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003e, and praising her true touch\u003c/p\u003e\n          ","\u003cp\u003epraising one of her narrative poems and hoping to\n                  be able to publish it\u003c/p\u003e\n          ","\u003cp\u003eholding two of her poems, \"After Parting\" and\n                  \"February\"\u003c/p\u003e\n          ","\u003cp\u003ediscussing the poet's adaptation of his or her\n                  work to their wants\u003c/p\u003e\n          ","\u003cp\u003epromising to take \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's book of poems to\n                  a nice quiet spot\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Helen of Troy...]\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting a signed autograph copy of her poem, \"I\n                  Shall not Care\"\u003c/p\u003e\n          ","\u003cp\u003epraising her \"The Carpenter's Son\" as a beautiful\n                  and impressive poem and accepting it for their\n                  Christmas issue\u003c/p\u003e\n          ","\u003cp\u003erequesting an autograph quotation and\n                  signature\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"Spring Night\" for publication and\n                  requesting biographical information\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"Sea Spray\" at the usual rate\u003c/p\u003e\n          ","\u003cp\u003eholding two of her poems, \"Spring Night\" and \"The\n                  Subway Station,\" with a discussion of his thoughts on\n                  the latter\u003c/p\u003e\n          ","\u003cp\u003eaccepting \"Heinkehr\"\u003c/p\u003e\n          ","\u003cp\u003erequesting an autograph poem and signature to add\n                  to his \"collection of autographic documents\" in\n                  American literature\u003c/p\u003e\n          ","\u003cp\u003eexpressing her regrets at missing her visit and\n                  explaining their custom concerning payment when using\n                  a manuscript\u003c/p\u003e\n          ","\u003cp\u003epraising her work\u003c/p\u003e\n          ","\u003cp\u003einviting her to read her poetry at the \n                  \u003ccorpname\u003eMonday Club\u003c/corpname\u003e's Poets Day, and\n                  mentioning \n                  \u003cpersname\u003eZoe Akins\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ediscussing his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e, requesting her to obtain permission from \n                  \u003cpersname\u003eRobert Bridges\u003c/persname\u003eto use her\n                  \"Sappho\" in the publication, and praising her\n                  verse\u003c/p\u003e\n          ","\u003cp\u003erequesting a portrait and autograph copies of her\n                  poems \"Sappho\" and \"The Old Maid\" for promotional\n                  purposes\u003c/p\u003e\n          ","\u003cp\u003easking her consent to set her poem, \"Enough\" to\n                  music\u003c/p\u003e\n          ","\u003cp\u003ehoping to see her at the Literature Committee\n                  meeting the following day, and mentioning \n                  \u003cpersname\u003eJohn Hall Wheelock\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ediscussing her poetry\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem,\n                  \"The Lines\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing appreciation of hearing several of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poems, \"The Bay of Naples,\"\n                  \"Alchemy,\" and \"Twilight,\" w/ANS from \n                  \u003cpersname\u003eMargaret Elizabeth Willard\n                  Teasdale\u003c/persname\u003eon verso\u003c/p\u003e\n          ","\u003cp\u003erequesting to use \"The Look\" in a musical\n                  setting\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand praising her work\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish her poem, \"Song,\"\n                  with a musical setting\u003c/p\u003e\n          ","\u003cp\u003eexpressing concern over \n                  \u003cpersname\u003eMarion Cummings Stanley\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003easking for an autographed volume of her work with\n                  a dedication for an exhibit\u003c/p\u003e\n          ","\u003cp\u003epraising her ability to write about certain\n                  subjects with such ease\u003c/p\u003e\n          ","\u003cp\u003eexpressing pleasure in her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand naming several of her favorites, and\n                  mentioning poets she likes, such as \n                  \u003cpersname\u003eEmily Dickinson\u003c/persname\u003e, \n                  \u003cpersname\u003eJosephine Preston Peabody\u003c/persname\u003e, \n                  \u003cpersname\u003eJohn Banister Tabb\u003c/persname\u003e, and \n                  \u003cpersname\u003eBliss Carman\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem, \"To the Mother Of A Poet\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem, \"The Look,\"\n                  with a musical setting in the annual book of Songs by\n                  Wellesley Students\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set her poem, \"The Look,\"\n                  to music\u003c/p\u003e\n          ","\u003cp\u003erequesting one or more of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poems to be\n                  included in her compilation books of poems and\n                  prayers, \"Sunlit Days\" and \"Starlit Nights\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for permission to set her poem, \"The\n                  Look,\" to music and mentioning \n                  \u003cpersname\u003eEunice Tietjens\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eenclosing a check for use of her poem, \"At Night,\"\n                  in their July issue\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem, \"The Look,\"\n                  for a musical setting\u003c/p\u003e\n          ","\u003cp\u003epraising and critiquing her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003easking for her \"hearty approval\" and help with\n                  their `House Party' honoring \n                  \u003cgeogname\u003eMissouri\u003c/geogname\u003eauthors and writers, and\n                  describing the city's and the library's plans for the\n                  affair\u003c/p\u003e\n          ","\u003cp\u003erequesting \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's presence at a\n                  dinner in honor of \n                  \u003cpersname\u003eJessie Belle Rittenhouse\u003c/persname\u003eas one\n                  of those represented in Rittenhouse's volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Little Book of Modern American\n                     Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003easking who published \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003eand whether or not she has had published\n                  subsequent volumes\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish \"The Look,\" as a\n                  song\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish her poem, \"The\n                  Look,\" as a song, and explaining that she is\n                  seventeen and wishes to further her education as a\n                  pianist\u003c/p\u003e\n          ","\u003cp\u003erequesting on behalf of the composer permission to\n                  publish her poem, \"The Look,\" with a musical\n                  setting\u003c/p\u003e\n          ","\u003cp\u003eclaiming that his daughter \n                  \u003cpersname\u003eBarbara George\u003c/persname\u003e's poems are\n                  charming, and giving news of her marriage to \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eon December\n                  19\u003c/p\u003e\n          ","\u003cp\u003erequesting some sentiment and autograph for his\n                  collection\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poems \"Swan\" and \"Come\" for\n                  publication, and mentioning \"Dusk in War-Time,\"\n                  \"Morning,\" \"Leaves,\" and \"Bitterness\"\u003c/p\u003e\n          ","\u003cp\u003erequesting her autograph for his collection of\n                  over two-hundred poets\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poems \"Peace\" and \"The Lighted\n                  Window\" for publication, w/ANS at bottom\u003c/p\u003e\n          ","\u003cp\u003erequesting her membership in their new\n                  organization\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish her poem \"The\n                  Look\" to a musical setting\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish her poem \"Spring\"\n                  with the understanding that they cannot pay\u003c/p\u003e\n          ","\u003cp\u003eextending an invitation to her and her husband to\n                  see him and his class on April 1, and briefly\n                  discussing his plans for that day's class\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"The River\" with\n                  music\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish a musical setting\n                  of her poem \"The Look\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use three of her poems as\n                  lyrics for songs\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"The Cloud\" for publication\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use several of her poems\n                  from \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eHelen of Troy...\u003c/title\u003e\u003c/bibref\u003efor musical settings\u003c/p\u003e\n          ","\u003cp\u003ethanking him for his generous praise, admiring his\n                  wife's poetry, and mentioning \n                  \u003cpersname\u003eLouis Untermeyer\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning an idea of selling an autographed\n                  collection of books of verse and about verse to raise\n                  money for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, and mentioning \n                  \u003cpersname\u003eConrad Aiken\u003c/persname\u003e, \n                  \u003cpersname\u003eTemple Scott\u003c/persname\u003e, and \n                  \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"Dreams\" for publication\u003c/p\u003e\n          ","\u003cp\u003ewriting in appreciation of her charming note, and\n                  mentioning \n                  \u003cpersname\u003eTheodosia (Garrison) Faulks\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ewriting in appreciation of her kind note and\n                  enclosed lyrics, praising \"Night Song at Amalfi\"\n                  particularly, and wishing to compose songs from some\n                  of the poems whenever she is not too busy with giving\n                  concerts\u003c/p\u003e\n          ","\u003cp\u003eexpecting to set to music her poems \"Come\" and\n                  \"The Kiss\" this summer\u003c/p\u003e\n          ","\u003cp\u003ecriticizing \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's recently\n                  published \"In a Lighted Window\"\u003c/p\u003e\n          ","\u003cp\u003ediscussing her little boy poem [\"In a Lighted\n                  Window\"] and Judge Walker's opinion of it in his June\n                  18 letter, expressing his view of \n                  \u003cpersname\u003eZoe [Akin]\u003c/persname\u003eand her anthology, and\n                  discussing free verse\u003c/p\u003e\n          ","\u003cp\u003eoffering a royalty of ten percent on all copies\n                  sold of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand submitting a sample page\u003c/p\u003e\n          ","\u003cp\u003eaccepting the revision of \"Summer Night,\n                  Riverside\" for future publication\u003c/p\u003e\n          ","\u003cp\u003econgratulating her on her success with \n                  \u003ccorpname\u003eThe MacMillan Company\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem\n                  \"The Look\"\u003c/p\u003e\n          ","\u003cp\u003econgratulating her on having her poems published\n                  by \n                  \u003ccorpname\u003eThe MacMillan Company\u003c/corpname\u003eand telling\n                  of her own writing\u003c/p\u003e\n          ","\u003cp\u003erequesting to use two musical settings \"But What\n                  if I Heard my First Love\" and \"The Kiss in Colin's\n                  Eye\" based on her poems\u003c/p\u003e\n          ","\u003cp\u003econcerning the publication of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poetry and the\n                  possibility of having advance order copies\n                  autographed\u003c/p\u003e\n          ","\u003cp\u003econcerning his anthology coming out in October,\n                  and asking her assistance by sending her extra set of\n                  proofs when corrected and by contacting \n                  \u003cpersname\u003eWilliam Marion Reedy\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003epraising her poems that she sent and hoping to use\n                  some of them\u003c/p\u003e\n          ","\u003cp\u003efeeling that her book will be a success\u003c/p\u003e\n          ","\u003cp\u003ecomplimenting her poems as being admirably fitted\n                  for American songs, and saying that she has set four\n                  of them to musical settings\u003c/p\u003e\n          ","\u003cp\u003ecriticizing the Imagist movement but commenting\n                  favorably on \n                  \u003cpersname\u003eJohn Gould Fletcher\u003c/persname\u003e's work, and\n                  mentioning his drifting away from the group\u003c/p\u003e\n          ","\u003cp\u003eaccepting one of her poems for publication\u003c/p\u003e\n          ","\u003cp\u003econcerning a suite of songs \"Five Songs of Autumn\"\n                  written by himself using her poems \"Twilight,\"\n                  \"November,\" \"Dreams,\" and \"Dead Leaves\"\u003c/p\u003e\n          ","\u003cp\u003eagreeing to see her book and review it, discussing\n                  the \"woman and poet,\" mentioning \n                  \u003ccorpname\u003eMacMillan\u003c/corpname\u003epublishing his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSong of Hugh Glass\u003c/title\u003e\u003c/bibref\u003e, and inquiring about her interest in\n                  Greek\u003c/p\u003e\n          ","\u003cp\u003eagreeing to review her book and giving a lengthy\n                  discussion of a reviewer's work\u003c/p\u003e\n          ","\u003cp\u003epraising and criticizing her poetry, and\n                  discussing the teaching of poetry\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to quote her poem \"Spring in\n                  War Time\" in a book being prepared about the war in \n                  \u003cgeogname\u003eEurope\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"I Shall Not\n                  Care\" in a musical setting\u003c/p\u003e\n          ","\u003cp\u003easking for some poems\u003c/p\u003e\n          ","\u003cp\u003egiving glowing and detailed praise of her work in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, writing of \"the deep human beauty of this\n                  great poem,\" \"the holy core of life itself...and\n                  needful to be reminded by such as you,--...,\" \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003eas \"an unabashed\n                  lover of life,\" \"this expression of the fundamental\n                  emotion in its elements...\"\u003c/p\u003e\n          ","\u003cp\u003erevealing that the Library system has copies of\n                  her book of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the inscribed copy of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Rivers to the Sea]\u003c/title\u003e\u003c/bibref\u003e, and promising a judgment\u003c/p\u003e\n          ","\u003cp\u003ewriting in response to Sara's illness and\n                  mentioning her new book and some of her verse\u003c/p\u003e\n          ","\u003cp\u003eexpressing his gratitude for her book and praising\n                  the verses\u003c/p\u003e\n          ","\u003cp\u003e(written in German)\u003c/p\u003e\n          ","\u003cp\u003ereplying to her letter concerning a full face or\n                  profile picture of her to use in their service\u003c/p\u003e\n          ","\u003cp\u003e(written in German)\u003c/p\u003e\n          ","\u003cp\u003eexpressing appreciation of her book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e[Rivers to the Sea]\u003c/title\u003e\u003c/bibref\u003eand praising her verses\u003c/p\u003e\n          ","\u003cp\u003epraising her book and her expression of her \"love\n                  in terms of nature,\" and wishing to see Sara\u003c/p\u003e\n          ","\u003cp\u003ethanking her for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand commenting on her growth\u003c/p\u003e\n          ","\u003cp\u003ementioning the review of her new book to be in\n                  December's issue\u003c/p\u003e\n          ","\u003cp\u003epraising her new book and expressing his pleasure\n                  in having met her and \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003ein St.\n                  Louis\u003c/p\u003e\n          ","\u003cp\u003estating that he received her new book through \n                  \u003cpersname\u003eHarriet Monroe\u003c/persname\u003eand will place it\n                  among his memorable things, and revealing some\n                  feelings toward war\u003c/p\u003e\n          ","\u003cp\u003ementioning his health, the pleasant publicity of\n                  his \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePortmanteau\u003c/title\u003e\u003c/bibref\u003e, and her book\u003c/p\u003e\n          ","\u003cp\u003erequesting a contribution for a select anthology\n                  of Pierrot and Columbine poems\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"The Kiss\"\n                  in a musical setting\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the volume and telling anecdotes\n                  about himself\u003c/p\u003e\n          ","\u003cp\u003eexpressing admiration for her and pleasure at her\n                  kind words concerning her own work\u003c/p\u003e\n          ","\u003cp\u003eexpressing her delight upon receiving and reading\n                  her \"exquisite little volume\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, encouraging her and \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eto go to the\n                  Poets dinner, and mentioning receipt of the Chicago\n                  first prize for \"the Chinese nightingale\" and the\n                  progress of his Movie-Book\u003c/p\u003e\n          ","\u003cp\u003eexpressing her pleasure in reading \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand promising a review shortly\u003c/p\u003e\n          ","\u003cp\u003epraising her blank verse in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning works by himself and his\n                  wife, Jean, and the opinions of \n                  \u003cpersname\u003eRobert Frost\u003c/persname\u003eand \n                  \u003cpersname\u003eMax Eastman\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing his fondness for her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish her poem \"The\n                  Kiss\" in a musical setting\u003c/p\u003e\n          ","\u003cp\u003epraising her work and commenting on the Rieder\n                  translation\u003c/p\u003e\n          ","\u003cp\u003epraising the \"wonderful lyric qualities\" of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, saying that the \"songs are so directly\n                  from the heart and life not only of a true poet but\n                  of a true woman...\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing her and her husband's, \n                  \u003cpersname\u003eHenry Mills Alden\u003c/persname\u003e, admiration\n                  for her `singing leaves'\u003c/p\u003e\n          ","\u003cp\u003epraising her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand her ability to \"bring a seeing eye to\n                  the most outworn or ordinary situations...\"\u003c/p\u003e\n          ","\u003cp\u003ecommenting that she is \"writing the best singing\n                  verse in the country today\" and that \"our singers are\n                  all too few and our \n                  \u003cpersname\u003eEzra Pound\u003c/persname\u003es and \n                  \u003cpersname\u003eGertrude Stein\u003c/persname\u003es are all too\n                  many!\"\u003c/p\u003e\n          ","\u003cp\u003eadmitting to being an admirer of her poetry, and\n                  planning to read \"Off Capri\" to \n                  \u003ccorpname\u003eThe Centennial Club\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003etelling her plans to write an article on \n                  \u003cpersname\u003eCarl Vrooman\u003c/persname\u003eand \n                  \u003cpersname\u003eJulia Scott Vrooman\u003c/persname\u003eand wishing\n                  to quote from \n                  \u003cpersname\u003eSara Teasdale's verses\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ecommenting on her \"very unusual lyric gift\" and\n                  the satisfying \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning Sara's fragile health\u003c/p\u003e\n          ","\u003cp\u003eciting her work as \"sincere and artistic,\"\n                  thanking her for the German versions of her poems,\n                  and wishing to publish some of her verse in the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eYale Review\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ediscussing an enclosed review of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, remarking on the sign of prodigy in \n                  \u003cpersname\u003eStephen Vincent Benet\u003c/persname\u003e(younger\n                  brother of \n                  \u003cpersname\u003eWilliam Rose Benet\u003c/persname\u003e), mentioning\n                  his wife \n                  \u003cpersname\u003eJean Untermeyer\u003c/persname\u003e's hit with \n                  \u003cpersname\u003eAmy Lowell\u003c/persname\u003e, and likens one of \n                  \u003cpersname\u003eG. K. Chesterton\u003c/persname\u003e's poems to \n                  \u003cpersname\u003eVachel Lindsay\u003c/persname\u003e's style\u003c/p\u003e\n          ","\u003cp\u003equoting praises from Mrs. Meynell about the verses\n                  of Sara and of \n                  \u003cpersname\u003eMargaret Widdemer\u003c/persname\u003eas well as\n                  expressing his and his wife \n                  \u003cpersname\u003eGrace Dawson\u003c/persname\u003e's delight with\n                  them, and mentioning his new book \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Etchics of Confucius\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem\n                  \"Spring in War Time\"\u003c/p\u003e\n          ","\u003cp\u003epraising \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand especially \"The Answer\"\u003c/p\u003e\n          ","\u003cp\u003esharing her admiration of \"the lilt and the lift\n                  of the poems\" in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, mentioning \n                  \u003cpersname\u003eJesse R[ittenhouse]\u003c/persname\u003e, \n                  \u003cpersname\u003eMargaret Fuller\u003c/persname\u003e, \n                  \u003cpersname\u003eMargaret Widdemer\u003c/persname\u003e, \n                  \u003cpersname\u003eRoyal Dixon\u003c/persname\u003e, and discussing the\n                  hardship of the family of the late \n                  \u003cpersname\u003eMadison Cawein\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poems \"In a Hospital\" and \"Flames\"\n                  for publication\u003c/p\u003e\n          ","\u003cp\u003einforming her that they have elected her an\n                  honorary member\u003c/p\u003e\n          ","\u003cp\u003erequesting a personal biographical sketch of her\n                  by one of her friends\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her \"melodious book\" and\n                  commenting on some of his favorite poems\u003c/p\u003e\n          ","\u003cp\u003easking about `The New Moon' and the series of\n                  hospital songs, and thanking her for an article by \n                  \u003cpersname\u003eHarris Merton Lyon\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ediscussing \n                  \u003cpersname\u003eWillard Huntington Wright\u003c/persname\u003e's\n                  critical pen, and praising \n                  \u003cpersname\u003eSara Tesdale\u003c/persname\u003e's songs\u003c/p\u003e\n          ","\u003cp\u003eexpressing pleasure at one of her stories and\n                  wishing she would do more prose\u003c/p\u003e\n          ","\u003cp\u003econcerning \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eoffering fee for her story \"The Black Hearth\"\u003c/p\u003e\n          ","\u003cp\u003esending an affectionate holiday letter\u003c/p\u003e\n          ","\u003cp\u003epraising \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand saying that no other American poet \"so\n                  feelingly, so spontaneously and beautifully senses\n                  the primal human emotions\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the copy of [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e] and commenting on her favorite poems and\n                  on one fault, and promising to send a copy of her own\n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSix French Poets\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003esending some old photographs of Vine\u003c/p\u003e\n          ","\u003cp\u003eexplaining that she does her readings \"all for\n                  love of the fine new movement in poetry,\" and\n                  requests a copy of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ewelcoming her book in their \n                  \u003ccorpname\u003ePoets Corner\u003c/corpname\u003e, praising her work,\n                  and inviting her to the College to see the work they\n                  are trying to do for the young women...\u003c/p\u003e\n          ","\u003cp\u003ementioning her stay at the Dawsons' ( \n                  \u003cpersname\u003eMiles Dawson\u003c/persname\u003eand \n                  \u003cpersname\u003eGrace Dawson\u003c/persname\u003e) where she saw\n                  Sara's bridal picture\u003c/p\u003e\n          ","\u003cp\u003erequesting formal permission to include some of\n                  her poems in an anthology of the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNew Poetry\u003c/title\u003e\u003c/bibref\u003e, with a personal handwritten note at the\n                  bottom and on the verso\u003c/p\u003e\n          ","\u003cp\u003eexpressing his interest in translating some of her\n                  work into Spanish and asking for her published books\n                  and a photograph\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish \"The Kiss\" set to\n                  music\u003c/p\u003e\n          ","\u003cp\u003ediscussing a school project and requesting a\n                  letter and a photograph\u003c/p\u003e\n          ","\u003cp\u003eaccepting her \"Songs in a Hospital\" and requesting\n                  one other poem for publication\u003c/p\u003e\n          ","\u003cp\u003epraising Sara and her work on behalf of \"Ned\" ( \n                  \u003cpersname\u003eEdna Wahlert\u003c/persname\u003e) and herself, and\n                  enclosing an \"honest tribute from Ned\"\u003c/p\u003e\n          ","\u003cp\u003eacccepting her poem \"Old Days\" for publication\u003c/p\u003e\n          ","\u003cp\u003eexpressing her satisfaction at hearing from her\n                  and Ned ( \n                  \u003cpersname\u003eEdna Wahlert\u003c/persname\u003e)\u003c/p\u003e\n          ","\u003cp\u003ethanking her belatedly for her gift of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the letter and gift of poetry\u003c/p\u003e\n          ","\u003cp\u003econcerning her own article on \"Masterpieces of\n                  American Women Poets\"\u003c/p\u003e\n          ","\u003cp\u003epraising her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing her pleasure in reading \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning it being listed in the\n                  April issue\u003c/p\u003e\n          ","\u003cp\u003eextending an invitation for her to read some of\n                  her poems at a benefit tea\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"Child, Child\" for publication\n                  if it is not to be published in a book soon\u003c/p\u003e\n          ","\u003cp\u003eexpressing his pleasure with her letter, poems,\n                  and songs as well as his enjoyment in singing her\n                  songs, and mentioning a singing engagement at the \n                  \u003ccorpname\u003eBrowning Society\u003c/corpname\u003eSoiree\u003c/p\u003e\n          ","\u003cp\u003ewriting of her enjoyment in hearing \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003eread Sara's\n                  poems at The Wednesday Club, and inviting her to tea\n                  with \n                  \u003cpersname\u003eCelia Harris\u003c/persname\u003eand herself\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book which has not yet\n                  arrived and sending regards to \"Johns and Miss\n                  Monroe\"\u003c/p\u003e\n          ","\u003cp\u003ere \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ecalling her new book delightful and commenting on\n                  her ability to \"keep command over so sure an\n                  artistry,\" and enclosing a copy of his poem \"To St.\n                  Louis\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing pride at her letter and gift of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to obtain the rights to \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Joy\" to\n                  use in a musical setting, with ANS from Reedy to \n                  \u003cpersname\u003eSara Teasdale Filsinger\u003c/persname\u003eat\n                  top\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the letter and beautiful book,\n                  and expressing an inerest in setting some of her\n                  poems to music\u003c/p\u003e\n          ","\u003cp\u003eindicating that he has set to classical music her\n                  poem \"Flames\"\u003c/p\u003e\n          ","\u003cp\u003ewriting of activities of the \n                  \u003ccorpname\u003eBrowning Society\u003c/corpname\u003eand enclosing a\n                  program\u003c/p\u003e\n          ","\u003cp\u003eexpressing his certainty that some of her lyrics\n                  will inspire some composer to set them to music\u003c/p\u003e\n          ","\u003cp\u003ewishing to secure the \"Song Maker\" and one other\n                  lyric for use in a vocal number in \"Missouri's Place\n                  in Literature\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the gift of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and expressing an interest in setting some\n                  of them to music\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the pretty \"Mary Arden poem\"\u003c/p\u003e\n          ","\u003cp\u003eenclosing three photographs of \n                  \u003cpersname\u003eWilliam Faversham\u003c/persname\u003eand others at\n                  the Shakespeare Celebration\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use \"The Kiss\" in a\n                  musical setting\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the letter and copies of her\n                  poems, and mentioning a discussion with \n                  \u003cpersname\u003eEdmund Clarence Stedman\u003c/persname\u003eover what\n                  constitutes a lyric poem\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"I Heard a\n                  Cry\"\u003c/p\u003e\n          ","\u003cp\u003econcerning Newark's Poem Competition and its civic\n                  theme\u003c/p\u003e\n          ","\u003cp\u003erequesting her membership and expressing\n                  admiration\u003c/p\u003e\n          ","\u003cp\u003econcerning her assistance as judge\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her letter and poems, which gave\n                  him a great deal of pleasure\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"In a\n                  Hospital\" in a volume of selections from English and\n                  American poets about the war to be edited by himself\n                  on behalf of the \n                  \u003ccorpname\u003eBelgian Scholarship\n                  Committee\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning a meeting of American poets to be held\n                  on June 28 \"in memory of \n                  \u003cpersname\u003ePadraic Pearse\u003c/persname\u003e, \n                  \u003cpersname\u003eThomas MacDonagh\u003c/persname\u003e, and \n                  \u003cpersname\u003eJoseph Plunkett\u003c/persname\u003e, the three poets\n                  who were executed for their share in the recent\n                  uprising in \n                  \u003cgeogname\u003eDublin\u003c/geogname\u003e, \" and asking for one of\n                  her poems to be read\u003c/p\u003e\n          ","\u003cp\u003eenclosing a request to set to music \"Child,\n                  Child\"\u003c/p\u003e\n          ","\u003cp\u003eextending appreciation for her part in the \n                  \u003cgeogname\u003eSt. Louis\u003c/geogname\u003eConvention, and\n                  commenting on her two beautiful odes read by \n                  \u003cpersname\u003eWilliam Faversham\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eoffering preliminary terms for the spring 1917\n                  publication of her anthology of love lyrics by\n                  women\u003c/p\u003e\n          ","\u003cp\u003econcerning \n                  \u003ccorpname\u003eHoughton Mifflin Company\u003c/corpname\u003e's\n                  acceptance of Sara's \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003emore concerning \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice...\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting copies of her two Shakespearian odes\n                  both read by \n                  \u003cpersname\u003eWilliam Faversham\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her charming note about her\n                  daughter \n                  \u003cpersname\u003eHilda Conkling\u003c/persname\u003e's poem, and\n                  enclosing some poems by the five-year old\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poem \"A\n                  Poem of Young Love\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing her enjoyment over \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and mentioning Sara's discriminating\n                  comment on \n                  \u003cpersname\u003eSappho\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to print her \"Testament\" in\n                  a little volume of sermons\u003c/p\u003e\n          ","\u003cp\u003eaccepting a poem for publication\u003c/p\u003e\n          ","\u003cp\u003erequesting again permission to set to music her \"A\n                  Poem of Young Love\" as well as \"When I am Dead\"\u003c/p\u003e\n          ","\u003cp\u003epraising her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing his interest in having her poetry set\n                  to some `Ozark songs'\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her lyrics \"A\n                  Benediction\" in a musical setting by \n                  \u003cpersname\u003eC. Whitney Coombs\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003easking permission to use the second verse of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Child,\n                  Child\" on a card to be distributed among friends\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Child,\n                  Child\"\u003c/p\u003e\n          ","\u003cp\u003eexpressing his pleasure at her new poems, and\n                  mentioning the protest against the Post Office\n                  banning of the works of \n                  \u003cpersname\u003eTheodore Dreiser\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning letters requesting permission to use\n                  some of Sara's lyrics\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"Other Men\" for publication\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her poems\n                  \"Deep in the Night,\" \"Come,\" and \"The Flight\"\u003c/p\u003e\n          ","\u003cp\u003erequesting an original verse to use as a guide for\n                  contestants in a health poetry contest in which \n                  \u003cpersname\u003eHarriet Monroe\u003c/persname\u003e, \n                  \u003cpersname\u003eHenry Adams Bellows\u003c/persname\u003e, and \n                  \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewill\n                  act as judges\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use one of her poems in\n                  an anthology she is editing entitled \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice--One Hundred\n                     Love-Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"August Moonrise\" for\n                  publication if conditions are agreeable\u003c/p\u003e\n          ","\u003cp\u003easking her consent on behalf of her singing master\n                  to have a song published using her verse \"Jewels\"\u003c/p\u003e\n          ","\u003cp\u003ecommenting on the poems she liked best including a\n                  group of \"Songs Out of Stress\"\u003c/p\u003e\n          ","\u003cp\u003eadmitting that she has been enthusiastically\n                  reading from Sara's poems at her Poetry Readings and\n                  asks for furthur cooperation\u003c/p\u003e\n          ","\u003cp\u003eseeking biographical information for their club\n                  studying living English and American poets\u003c/p\u003e\n          ","\u003cp\u003ewriting as her agent and enclosing a check for her\n                  poem \"The Philosopher\" which is to be published in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGood Housekeeping\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"The Ballad of St. Kevin\" for\n                  their Christmas issue\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish her poem \"The\n                  Cloud\" set to music\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish \"The Look\" set to\n                  music along with some others she is working on\u003c/p\u003e\n          ","\u003cp\u003econcerning a project with \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bookman\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003ccorpname\u003eDodd, Mead, \u0026amp; Company\u003c/corpname\u003ein the\n                  form of an anthology of new poems by American\n                  poets\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use some of her poems in\n                  musical settings\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use \"The Cloud\" and\n                  \"Night Song at Amalfi\" by \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003ein musical\n                  settings\u003c/p\u003e\n          ","\u003cp\u003eadmiring her work and wondering how to obtain her\n                  books other than \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ereferring to a letter, November 22, 1916, from \n                  \u003cpersname\u003eJulius Kranz\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eadmiring \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's \"November Night\"\n                  and commenting on its \"wonderful imagery, its\n                  sympathetic feeling...\"\u003c/p\u003e\n          ","\u003cp\u003etranslating a reference to \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003efrom Yiddish to English\u003c/p\u003e\n          ","\u003cp\u003ereferring to a note in praise of her \"November\n                  Night\"\u003c/p\u003e\n          ","\u003cp\u003ewriting as her agent and sending a check for\n                  \"Spring Rain\" which is to be published in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eCentury Magazine\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003eoffering an agreement for her proposal of a book\n                  of `Love Lyrics'\u003c/p\u003e\n          ","\u003cp\u003ewriting of entertaining friends with a reading of\n                  her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eand their enjoyment\u003c/p\u003e\n          ","\u003cp\u003esending the agreement for the proposed book of\n                  love lyrics\u003c/p\u003e\n          ","\u003cp\u003ethanking her for \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning the publication of several of his songs\n                  made from her lyrics\u003c/p\u003e\n          ","\u003cp\u003eacknowledging her letter and volume of verse\u003c/p\u003e\n          ","\u003cp\u003einviting her to talk intimately about her work at\n                  the \n                  \u003ccorpname\u003eWriters Guild\u003c/corpname\u003eDay at the \n                  \u003ccorpname\u003eUniversity of Missouri\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting one of her bookplates in exchange for\n                  the enclosed one of her own\u003c/p\u003e\n          ","\u003cp\u003eexpressing his enjoyment in reading her poems,\n                  particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n                  \"Capri\"\u003c/p\u003e\n          ","\u003cp\u003erevealing that he would be pleased to have her\n                  work appear more often in the magazine\u003c/p\u003e\n          ","\u003cp\u003epraising her poems in the form of a poem entitled\n                  \"Why Not\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem\n                  \"Grandfather's Love\" in a musical setting for a\n                  colleciton of childrens' songs\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"Tonight\" for publication but\n                  declining \"Defeated\" due to spacing problems\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"Swans\" in a\n                  musical setting\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"Schooners\" for publication\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to set to music her two\n                  poems \"Joy\" and \"The Look\"\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"The Strawberry Man\" for\n                  publication, and expressing sympathy for her\n                  sickness\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use a few of her lyrics\n                  in a revision of his \"The Home Book of Verse\"\u003c/p\u003e\n          ","\u003cp\u003epraising her poem \"Dreams\" and requesting\n                  permission to publish it in a musical setting\u003c/p\u003e\n          ","\u003cp\u003econcerning a magazine, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Madrigal\u003c/title\u003e\u003c/bibref\u003e, devoted to the publication of love lyrics\n                  and requesting a contribution\u003c/p\u003e\n          ","\u003cp\u003eexpressing gratitude for her sending \"At Midnight\"\n                  which he will include in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Masque of Poets\u003c/title\u003e\u003c/bibref\u003eand send to \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bookman\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erevealing that he has set her poem \"Swans\" as a\n                  song after receiving a copy of her \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"Deep in the\n                  Night\" for a musical setting\u003c/p\u003e\n          ","\u003cp\u003econcerning the changed version of \"The Prayer of\n                  the Gardener\"\u003c/p\u003e\n          ","\u003cp\u003econcerning a volume he is editing entitled \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of New York Verse\u003c/title\u003e\u003c/bibref\u003eand wishing to include some of Sara's\n                  poems\u003c/p\u003e\n          ","\u003cp\u003econcerning a musical setting of her poem\n                  \"Pierrot\"\u003c/p\u003e\n          ","\u003cp\u003ewishing to have published the enclosed Danish\n                  translation of her poem \"Rain\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish a musical setting\n                  for women's chorus of her poem \"Dusk in June\"\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"Helen of\n                  Troy\" in a collection of poems about ancient Troy\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her poem \"Sea\n                  Longing\" in a \"book on modern tendencies of poetry as\n                  exhibited in the sonnet\"\u003c/p\u003e\n          ","\u003cp\u003einforming her that her poem-sequence \"Songs Out of\n                  Sorrow\" has received the highest vote in balloting of\n                  the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the letter and poem, and\n                  mentioning activities in the \n                  \u003ccorpname\u003eNational League\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003epraising her poem \"Tonight\" and wishing to tell\n                  her about his own brand of poetry-making\u003c/p\u003e\n          ","\u003cp\u003eexpressing her feelings for the poems in \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003e, and commenting on their being \"so simple\n                  and natural and real\"\u003c/p\u003e\n          ","\u003cp\u003eseeking help in the way of reviewing with her own\n                  verses and asking where to obtain \"Songs Out of\n                  Sorrow\"\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"Embers\" and requesting\n                  material for a free ad\u003c/p\u003e\n          ","\u003cp\u003epraising her poem \"Schooners\" and inquiring about\n                  the names of the vessels\u003c/p\u003e\n          ","\u003cp\u003erequesting autographed volumes of \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRivers to the Sea\u003c/title\u003e\u003c/bibref\u003eto be auctioned for the \n                  \u003ccorpname\u003eAmerican Ambulance Fund\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to publish \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"Tonight\"\n                  set to music\u003c/p\u003e\n          ","\u003cp\u003econcerning a request for permission to publish her\n                  poem \"Buried Love\" with a musical setting from Miss \n                  \u003cpersname\u003eMima A. Taylor\u003c/persname\u003eof \n                  \u003ccorpname\u003eKilmarnock, Scotland\u003c/corpname\u003e\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's poem \"The Look\"\n                  in a musical setting to be published by \n                  \u003cpersname\u003eHarold Flammer\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003econcerning the September 11 letter from Mrs. \n                  \u003cpersname\u003eA. R. Wilson\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003e[concerning \n                  \u003cpersname\u003eRalph T. Whitney\u003c/persname\u003e]\u003c/p\u003e\n          ","\u003cp\u003econcerning his request of September 5\u003c/p\u003e\n          ","\u003cp\u003epraising Sara's love songs and commenting that the\n                  two books [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e] are pretty, and writing family news\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the two books, one of love songs,\n                  the other a collection of poems by women\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the forthcoming volume and\n                  promising to read it with pleasure\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the two volumes [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e] and praising her own love songs as being\n                  of a higher level than the other women's verses\u003c/p\u003e\n          ","\u003cp\u003erequesting permission to use her verse \"Tonight\"\n                  in a musical setting\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book of lyrics, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the volume, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and commenting on her \"gift for pure\n                  lyric\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and finding in it verses for songs\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the book of her poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and commenting on its \"lyric\n                  loveliness\"\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the inscribed \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003eand praising her work\u003c/p\u003e\n          ","\u003cp\u003ediscussing Sara's \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Answering Voice: One Hundred Love\n                     Lyrics by Women\u003c/title\u003e\u003c/bibref\u003eand her own \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eCornucopia of Red and Green Comfits\u003c/title\u003e\u003c/bibref\u003eand \n                  \u003cpersname\u003eVachel Lindsay\u003c/persname\u003eand his work\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the charming little book, [ \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e]\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poems \"Sons\" for the January issue\n                  and \"When we are Happiest\" for a later one\u003c/p\u003e\n          ","\u003cp\u003eaccepting a poem for their Christmas issue\u003c/p\u003e\n          ","\u003cp\u003eaccepting her poem \"The Cup\" for publication\u003c/p\u003e\n          ","\u003cp\u003ethanking her for the charming letter and gift of\n                  poems\u003c/p\u003e\n          ","\u003cp\u003epraising her volume of poems, \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e, and asking if she has any war poems to\n                  possibly read at the MacDowell Center\u003c/p\u003e\n          ","\u003cp\u003esending her a poem by himself entitled \"Sara--An\n                  Acrostic\"\u003c/p\u003e\n          ","\u003cp\u003einforming her of the \n                  \u003ccorpname\u003ePoetry Society of America\u003c/corpname\u003eaward\n                  for her volume \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLove Songs\u003c/title\u003e\u003c/bibref\u003e\u003c/p\u003e\n          ","\u003cp\u003einquiring about the possibilities of further\n                  work\u003c/p\u003e\n          ","\u003cp\u003eexpressing gratitude for her letter and mentioning\n                  her own physical weakness\u003c/p\u003e\n          ","\u003cp\u003ementioning \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSonnets to Duse and Other Poems\u003c/title\u003e\u003c/bibref\u003e, and asking after her family\u003c/p\u003e\n          ","\u003cp\u003ecommenting on the latter's verses and encouraging\n                  her\u003c/p\u003e\n          ","\u003cp\u003ethanking her for her book and telling of his\n                  enjoyment in reading it\u003c/p\u003e\n          ","\u003cp\u003ewriting to her friend after a long interval,\n                  telling of her separation from \n                  \u003cpersname\u003eErnst B. Filsinger\u003c/persname\u003e, a visit in\n                  May to \n                  \u003cgeogname\u003eFrance\u003c/geogname\u003ewith \n                  \u003cpersname\u003eMargaret Conklin\u003c/persname\u003e, her problems\n                  since being seriously injured in a taxi-cab in March\n                  1928, and plans for a visit to \n                  \u003cgeogname\u003eCalifornia\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003ereviving ties with her old friend\u003c/p\u003e\n          ","\u003cp\u003eexchanging family news, and mentioning \n                  \u003cpersname\u003eJoseph Hergesheimer\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ethanking her profusely for the gift of a\n                  butterfly, mentioning \n                  \u003cpersname\u003eJay Van Everen\u003c/persname\u003e's praise of it,\n                  referring to her essay on \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, discussing \n                  \u003cpersname\u003eVirginia Woolf\u003c/persname\u003e, comparing the\n                  views of the Empire State Building and the Eiffel\n                  Tower, and saying she would be glad to meet \n                  \u003cpersname\u003eMary Ware Dennett\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ediscussing the lingering effects of the Depression\n                  on New York, and her frail physical condition and\n                  wanting to leave \n                  \u003cgeogname\u003eNew York\u003c/geogname\u003e; and, mentioning Mrs. \n                  \u003cpersname\u003eVachel Lindsay\u003c/persname\u003e, her own\n                  biography of \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and\n                  friends\u003c/p\u003e\n          ","\u003cp\u003ediscussing her decreased income, work on her essay\n                  about \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e, and personal\n                  news\u003c/p\u003e\n          ","\u003cp\u003ementioning meeting \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003e's two\n                  nieces\u003c/p\u003e\n          ","\u003cp\u003ediscussing life in \n                  \u003cgeogname\u003eSpain\u003c/geogname\u003e; and giving a personal\n                  discourse on the relationships of \n                  \u003cpersname\u003eGeorge Bernard Shaw\u003c/persname\u003eand \n                  \u003cpersname\u003eEllen Terry\u003c/persname\u003eand \n                  \u003cpersname\u003eHenry Irving\u003c/persname\u003e, and comparing\n                  Terry to \n                  \u003cpersname\u003eEleonora Duse\u003c/persname\u003eas an actress and\n                  lover\u003c/p\u003e\n          ","\u003cp\u003ementioning the latter's \"Crumbs,\" \n                  \u003cpersname\u003eSarah Bernhardt\u003c/persname\u003eand \n                  \u003cpersname\u003eEleonora Duse\u003c/persname\u003e, \n                  \u003cpersname\u003eWilliam Marion Reedy\u003c/persname\u003eand \n                  \u003cpersname\u003eTyrell Williams\u003c/persname\u003e, and \n                  \u003cpersname\u003eVirginia Woolf\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eexpressing her feelings about the gift of the\n                  beautiful butterfly and the importance of childhood\n                  memories\u003c/p\u003e\n          ","\u003cp\u003econcerning some pictures of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ediscussing \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's suicide\u003c/p\u003e\n          ","\u003cp\u003ementioning \n                  \u003cpersname\u003eWilliamina Parrish\u003c/persname\u003e, \n                  \u003cpersname\u003eMartha Prentice Merwin\u003c/persname\u003e, and \n                  \u003cpersname\u003eUpton Sinclair\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003eenclosing horoscope and related enclosures\u003c/p\u003e\n          ","\u003cp\u003ediscussing \n                  \u003cpersname\u003eMorgan McCormick\u003c/persname\u003eand \n                  \u003cpersname\u003eIsabel (Parrish) McCormick\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003esending additional horoscope material\u003c/p\u003e\n          ","\u003cp\u003eremembering \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's death and\n                  mentioning old friends\u003c/p\u003e\n          ","\u003cp\u003esending a photograph of \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e; and, discussing\n                  Sara's wishes after her death: the \n                  \u003cpersname\u003eChristina Rossetti\u003c/persname\u003ebook and other\n                  works remaining unpublished and keeping her life\n                  private\u003c/p\u003e\n          ","\u003cp\u003ewriting news of \n                  \u003cpersname\u003eTyrell Williams\u003c/persname\u003eand \n                  \u003cpersname\u003eNell Niedringhaus Williams\u003c/persname\u003eand\n                  biographical information\u003c/p\u003e\n          ","\u003cp\u003ewriting family news and mentioning \n                  \u003cpersname\u003eCelia [E. Harris]\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ementioning \n                  \u003cpersname\u003eVine Colby\u003c/persname\u003e, \n                  \u003cpersname\u003ePetronelle Sombart\u003c/persname\u003e, \n                  \u003cpersname\u003eEdna \"Ned\" Wahlert\u003c/persname\u003e, and \n                  \u003cpersname\u003eEdith Wyatt\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003ementioning \n                  \u003cpersname\u003eCaroline Risque\u003c/persname\u003e, \n                  \u003cpersname\u003eVine Colby\u003c/persname\u003e, and briefly\n                  describing her life in \n                  \u003cgeogname\u003eLincoln\u003c/geogname\u003e\u003c/p\u003e\n          ","\u003cp\u003edescribing the pleasure that the \n                  \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePotter's Wheels\u003c/title\u003e\u003c/bibref\u003ebrings her and others, mentioning \n                  \u003cpersname\u003eCelia E. Harris\u003c/persname\u003e' convalescence,\n                  with ANS from Celia, mentioning her own and \n                  \u003cpersname\u003eSara Teasdale\u003c/persname\u003e's illnesses\u003c/p\u003e\n          ","\u003cp\u003eordering photographs\u003c/p\u003e\n          ","\u003cp\u003eacknowledging the photographs of \n                  \u003cpersname\u003eCelia E. Harris\u003c/persname\u003e\u003c/p\u003e\n          ","\u003cp\u003efrom an \"enchanting old place\"\u003c/p\u003e\n          "],"scopecontent_tesim":["sending thanks for her sympathy and inviting her\n                  to visit","revealing his delight in a poem she sent and\n                  discussing her style","re looking over proofs to her volume of poetry [ \n                  Sonnets to Duse and Other Poems]","mentioning her \n                  E[leanora] D[use]sonnet being\n                  accepted by \n                  Poet Lorefor publication","re horseback riding and critiquing a poem,\n                  \"Vengeance\" by Colby","mentioning the July \n                  Potter's Wheel","sending her a review of \n                  Sara Teasdale's volume of poetry\n                  Sonnets to Duse...","praising her book \n                  Sonnets to Duse...","extending his thanks for the copy of her book \n                  Sonnets to Duse...and hoping for its success","thanking her for the copy of her book \n                  Sonnets to Duse..., praising it, and wishing for its\n                  success","revealing her pride of her childhood friend ( \n                  Sara Teasdale) after seeing her\n                  \"Guenevere\" in \n                  The Digest","expressing his pleasure in presenting her poem\n                  [\"Guenevere\"] to the world, praising her book of\n                  verses, \n                  Sonnets to Duse..., and encouraging her to continue writing\n                  verses in her careful fashion","praising her poem [\"Guenevere\"]","thanking her for the copy of her book \n                  Sonnets to Duse...praising her effort, and mentioning seeing\n                  actress \n                  Olga Nethersole.","thanking her for the autograph copy of her book \n                  Sonnets to Duse..., writing about getting settled in their new\n                  home","asking for a day to visit, expressing her pleasure\n                  in her ( \n                  Sara Teasdale's ) book \n                  Sonnets to Duse..., with ALS from \n                  Mary D. Harristo \n                  Sara Teasdale, expressing her\n                  pride in Teasdale and her book","writing about the beauty of her poems and that he\n                  has written a review of her book [ \n                  Sonnets to Duse...]","praising her book [ \n                  Sonnets to Duse...]","sending his review of her book [ \n                  Sonnets to Duse...] from \n                  The Saturday Review","concerning her delight in receiving a letter from \n                  Arthur Symons, and saying that\n                  Symons is \"not only one of the greatest living\n                  critics, but...a poet of true feeling...\"","thanking her for the copy of her book [ \n                  Sonnets to Duse...], and discussing \n                  Arthur Symons","enclosing the \"notice by \n                  Arthur Symonsfrom \n                  Saturday Review\"","thanking her for the presentation copy of her book\n                  [Sonnets to Duse...] and praising her poems and\n                  sonnets","thanking her for the copy of her book [ \n                  Sonnets to Duse...]","thanking her for the copy of her book [ \n                  Sonnets to Duse...], and encouraging her to pursue her gift of\n                  writing verse","expressing appreciation of the copy of her book [ \n                  Sonnets to Duse...]","thanking her for the copy of her book [ \n                  Sonnets to Duse...] and wanting to see her","stating that \n                  Eleanora Dusewould be returning\n                  to her home at 54 Via Robbia soon, sent to \n                  Sara Teasdaleby \n                  Jerome A. Quay","explaining the content of the November 19, 1907\n                  letter re \n                  Eleanora Duse","writing that he would be glad to use \"The Heart's\n                  Hearth\" in the Christmas issue","thanking her for the copy of her book [ \n                  Sonnets to Duse...] and expressing his and his wife's\n                  enjoyment of her poetry","returning her poems except for \"Dusk\" which he\n                  hopes will go into the January issue","acknowledging receipt of her letter and copy of\n                  her book [ \n                  Sonnets to Duse...] to be forwarded to \n                  Eleanora Duse","wishing to purchase her book of verse [ \n                  Sonnets to Duse...]as a Christmas gift","praising her book of verse, \n                  Sonnets to Duse..., and including a poem","sending a copy of her \n                  Sonnets to Duse...for her to autograph and saying that \"Dusk\"\n                  will be in the February issue","thanking her for the book, [ \n                  Sonnets to Duse...], commenting on her gift for writing\n                  poetry, and wanting her parents to visit on their way\n                  from \n                  Philadelphia, Pennsylvania","thanking her for the book [ \n                  Sonnets to Duse...]","thanking her for the book [ \n                  Sonnets to Duse...], praising the sonnets, and wishing to talk\n                  with her","praising her book [ \n                  Sonnets to Duse...] and relating personally to some of the\n                  poems, and discussing the relationship between a work\n                  and its artist and how they are perceived by\n                  others","returning her poem unused due to lack of space","re the birth of their baby, \n                  Barbara George","expressing appreciation for the book of verses [ \n                  Sonnets to Duse...] sent to \n                  Mary F. Raphael, who is not\n                  well, and saying that Mrs. Raphael has sent three\n                  autographed photographs of her pictures to \n                  Sara Teasdale","commenting favorably on her book of verse [ \n                  Sonnets to Duse...], which she borrowed from \n                  Fred R. Macauley, referring to \n                  Sara Teasdaleas having \"the\n                  unmistakable lyric touch,\" comparing her own verse to\n                  Sara Teasdale's , and wanting to\n                  talk with her and get to know her","expressing her pleasure in \n                  Sara Teasdale's poem,\n                  \"Guenevere,\" writing that their interpretations of\n                  Tennyson's masterpiece are very similar and that she\n                  will send a photograph of her picture of the work\n                  which illustrates this","sending congratulations for their baby, \n                  Barbara George","thanking her for the copy of her book [ \n                  Sonnets to Duse...]","praising her book of verse, \n                  Sonnets to Duse..., and complimenting her writing","acknowledging her praise for his translation of\n                  the odes and fragments of \n                  Sapphoand writing that he would\n                  be glad to send her a copy, and referring to one of\n                  her poems as being of \"rare beauty of thought and\n                  expression\"","expressing enjoyment of her book [ \n                  Sonnets to Duse...] and congratulating her on its success","thanking her for her book of poems [ \n                  Sonnets to Duse...] and expressing his appreciation of the\n                  dedicatory triolet to himself, giving high praise to\n                  her sonnets and comparing her admirably to \n                  Christina Rossetti, critiquing\n                  some of the poems, and giving her the original draft\n                  of \"The Sleep Wind\"","asking for \n                  Sara Teasdale's address in order\n                  to write for permission to set her \"The Heart's\n                  Hearth\" to music","acknowledging receipt of her poem dedicated to \n                  John Keatsfor the anniversary of\n                  his death","enclosing a March 23rd letter from \n                  Adelia C. Arensand relaying\n                  praises for her Sonnet on \n                  John Keatsfrom \n                  Elizabeth Waddelland \n                  R.E. Lee Gibson","hoping she is well and commenting on her\n                  treatments","requesting a paragraph referring to her poem,\n                  \"Love in Autumn\" and information about herself, with\n                  a page from his magazine","writing a note about her lines on \n                  John Keatson a postcard showing\n                  where Keats died which was sent to him from \n                  Rome, Italy","sending along an article from \n                  The Evening Postabout new books of verse which mentions \n                  Sara Teasdale's sonnet to \n                  Sappho","acknowledging receipt of her remembrance and\n                  wishing to hear her read some of her poems","thanking her for her letter and copy of her book, \n                  Sonnets to Duse..., saying she had already read her poems\n                  while at the home of \n                  Arthur Symonsalong with \n                  Julia Marlowe, and mentioning\n                  some of her favorite poems by \n                  Sara Teasdale","re \n                  Sara Teasdale's impending\n                  arrival in \n                  Tucson","advising her on having \n                  Helen of Troypublished","thanking her for the Christmas gift and saying she\n                  is going home next week","hoping she had a restful journey home","thanking him for his kindness and sending love to \n                  Marion Cummings Stanley","writing \"passed Liberal all right\"","acknowledging receipt of a package","accepting \"Helen\" for publication","thanking her for the copy of her book, \n                  Sonnets to Duse..., and praising it as well as her gift of\n                  writing","chiding her for not writing","relating that a Mr. \n                  Sidney Faneof London, England\n                  has asked permission to set her poem \"Buried Love\" to\n                  music","accepting her poems \"November\" and \"Vox Amoris\"\n                  for publication","asking her to read a book of poems and write a\n                  criticism of it","commenting on the death of \n                  Algernon Charles Swinburne","telling her that her poems are beautiful","writing that her poetry sings; commenting on her\n                  literary gift, her lyrical quality, and \"the value of\n                  the songs,\"; and, discussing the \"necessity of\n                  deciding between the artificial-imagination and this\n                  other thing of simplicity in beauty-simplicity and\n                  the heart.\" There is much literary thought and\n                  discussion","writing about having his songs published,\n                  including one with the words to \n                  Sara Teasdale's poem, \"Buried\n                  Love\"","re the beauty of spring","accepting her poem, \"The Prayer,\" for\n                  publicaton","showing an interest in her poem, \"On the Death of\n                  Swinburne\" and wishing to reproduce something of hers\n                  in one of their issues","sending a copy of one of his new songs, \"A Queen\n                  of the Long Age\"","discussing \n                  Witter Bynner's favorable\n                  comments on her poetry and his being with publishers \n                  Small, Maynard \u0026 Company,\n                  mentioning \n                  John Stapleton Cowley's praise\n                  of \"Guenevere,\" and \n                  Zoe Aikin's new book","thanking her for her book of poems [ \n                  Sonnets to Duse...] and naming his favorites","describing the peacefulness of \n                  Charlevoixand her visit with \n                  Sara Teasdale, and asking him to\n                  send some money","re boating","mentioning a boat trip around \n                  Traverse Baywith \n                  Mamie Teasdale Wheless, her\n                  delight with \n                  Charlevoixand \n                  Sara Teasdaleand her family, and\n                  wanting to discuss plans with him","discussing a trip around \n                  Pine Lakeon a \"miniature ferry,\"\n                  plans for leaving there and returning to \n                  Tucson, Arizona, mentioning \n                  Sara Teasdale's and her poetry\n                  writing, receiving \"Mr. Sappho's\" \n                  [John Myers O'Hara]new book, \n                  Songs of the Open","re personal matters and plans for leaving","writing about \n                  Marion Cummings Stanley's visit,\n                  on a postcard with a view of a river, \"The Old\n                  Channel,\" in \n                  Charlevoix","sending a postcard with another view of a river,\n                  \"Old River,\" in \n                  Charlevoix","writing personal news","thanking her for the copy of her book [ \n                  Sonnets to Duse...] and praising her work","praising her book, \n                  Sonnets to Duse..., commenting on \"Japanese Incense\" as being\n                  \"as fragrant in words as is the perfume it speaks,\"\n                  and saying that her love-songs are as lovely as those\n                  of \n                  Sappho","sending pictures of the buildings in which she is\n                  spending time, and reminiscing about time spent with \n                  Marion Cummings Stanley","accepting her poem, \"To Cleis,\" for publicaton","thanking her for the gift","sending a Christmas greeting","thanking him for the candy","sending his appreciation of her gift of the book [\n                  Sonnets to Duse...]","requesting the return of her short monologue,\n                  \"Sappho,\" with ANS from the Editor saying that they\n                  are using it in the February issue","thinking of her in this \"loveliest, quaintest\n                  town\"","thanking him for the gift of \"the dear little\n                  Japanese girl feeding the fawns\"","thanking her for \"the interesting sixteenth\n                  century gentleman with a telephone receiver\"","receiving the baby picutres of \n                  Barbara Georgeand the newborn,\n                  and asking that the \n                  Potter's Wheelbe sent to \n                  Lillie Rose Ernstat \n                  Hosmer Hall","requesting permission to set to music her poem,\n                  \"Pierrot,\" and giving some information about herself\n                  including being a student of \n                  Leopold Godowsky","requesting permission to set to music her poem,\n                  \"Daisy Time\"","requesting permission to set to music her poem,\n                  \"Pierrot\"","enclosing a letter from someone in \n                  Aberdeen, Scotlandrequesting\n                  permission to use one of her poems","wishing to obtain \n                  Sara Teasdale's consent for\n                  publishing a song with her poem, \"Daisy Time,\" set to\n                  music","discussing \"Miss French's\" work in poetry, gladly\n                  accepting \n                  Sara Teasdale's praise of his\n                  own work, and mentioning \n                  John Myers O'Haraand his\n                  \"Sapphic poems\"","requesting permission to publish as a song her\n                  poem \"Daisy Time\" which she has set to music","re using her poems","sending a check in payment for two of her poems to\n                  be published in \n                  Putnam's Monthly","concerning her poem, \"Erinna,\" which is to appear\n                  in their second issue, and mentioning as among her\n                  admirers, \n                  Louis Untermeyer, \n                  Mitchell Kennerley, \n                  Michael Monahan, and \n                  Richard Le Galliene","concerning the publication of her volume of poems,\n                  their undertaking the publishing of four or five\n                  volumes of verse as well as the second book of \"The\n                  Younger Choir,\" and companies wanting a guarantee of\n                  sales when publishing poetry","offering her a publishing proposition for her\n                  volume of verse specifying that she would bear the\n                  entire cost of production","accepting her poem, \"The Wind,\" for\n                  publication","requesting permission to set to music her poem,\n                  \"Daisy Time\"","thanking her for the lace jabot, describing at\n                  great length the Potter party, and mentioning each of\n                  the \n                  Potters","according her the right to make further use of her\n                  verse, \"Song,\" published by the magazine last July in\n                  her book or in a musical setting, and accepting her\n                  poem, \"The Wind,\" for publication","thanking her for her letter and volume, \n                  Sonnets to Duse...","returning the \"Young Choir\" with his signature","concerning an evening of poetry [a meeting of the \n                  Poetry Society of America]","giving his weekday schedule","wanting to meet her at the next meeting and\n                  commenting that Sara Teasdale's \"Helen,\" read by\n                  Witter Bynner, was well accepted","giving his weekday schedule","writing that he has set to music two of her poems,\n                  \"Buried Love\" and \"Pierrot\"","finding her quatrain \"At Night\" to be pure and\n                  true","thanking her for the book [ \n                  Sonnets to Duse...], and saying it was both a pleasure to read\n                  it and to meet her, and commenting that \"poets are\n                  the most charming people on earth\"","thanking her for giving him permission to use her\n                  poems, \"Daisy Time\" and \"Song\" as musical settings,\n                  and asking permission to use \"Twilight\"","thanking him for his note about a photograph of\n                  herself she had sent","calling her \"On the Tower\" a magnificent piece of\n                  work and printing it in the August issue","requesting permission to submit for publication a\n                  musical setting of her poem, \"The Prayer\"","thanking her for her courtesy and for the pleasure\n                  her poems give her","acknowledging receipt of her lyrics, and asking\n                  her charge for using them","giving high praise to her work in the book of\n                  poems [ \n                  Helen of Troy and Other Poems], and wanting to write a nice review for \n                  The Hesperian","praising her book of poems [ \n                  Helen of Troy...], especially the love songs, and wanting to\n                  send her a copy of his selected \n                  Poems","thanking her for the gift of the charming book [ \n                  Helen of Troy...]","commenting on her book of poems, \n                  Helen of Troy...","thanking her for the copy of \n                  Helen of Troy...and wishing her success","thanking her for the gift, [ \n                  Helen of Troy...], and planning to read the verses with her\n                  husband on their wedding trip","thanking her for the volume, [ \n                  Helen of Troy...], and commenting on its \"lyric\n                  splendor\"","thanking her for the book, [ \n                  Helen of Troy...], saying that he has written a review of\n                  her book for \n                  The Mirror, and commenting that \"On the Tower\" us\n                  \"dramatic promise as well as fine poetry\"","thanking her for the copy of \n                  Helen of Troy..., and sending in return a copy of his \n                  Poems","calling the verses in her book, [ \n                  Helen of Troy...] \"dear and familiar,\" showing pride in the\n                  dedication, saying that she was glad the book arrived\n                  after her spell of illness and melancholy and that\n                  she is looking forward to better health and the\n                  success of her own book","thanking her for the book \n                  Helen of Troy..., and promising to copy some verses for\n                  her","referring to her new book, \n                  Helen to Troy..., as a \"perfect delight,\" and thanking her\n                  for the copy","commenting that \n                  Orrick Johnshas written a fine\n                  review of \n                  Helen of Troy...","thanking her for the volume of \n                  Helen of Troy..., and mentioning the lyrics she especially\n                  liked","thanking her for the gift of her book, \n                  Helen of Troy..., and commenting that the love-songs are her\n                  favorite and that they \"have that artlessness that\n                  signifies the mastery of art\"","thanking her for sending the volume of verse, \n                  Helen of Troy..., and indicating that it has already become\n                  a family treasure","thanking her for the book, \n                  Helen of Troy..., and mentioning his boarders' reaction to\n                  the volume","thanking her for the gift of her poems, \n                  Helen of Troy...","requesting permission to set to music her poem,\n                  \"Twilight,\" with ANS from her mother, \n                  Mary Elizabeth Willard Teasdale,\n                  on back","admiring her \"powers \u0026 artistic\n                  discrimination,\" commenting on his own verse, \"The\n                  Poet,\" which \n                  Sara Teasdalehad praised,\n                  sending her \"a little burlesque volume,\" \n                  The Younger Quire, saying she will like the review of her \n                  Helen of Troy..., and praising her work","expressing his enjoyment of her poems, extending\n                  congratulations on her book, \n                  Helen of Troy..., commenting on \n                  Charles Hanson Towne's splendid\n                  work, and saying that his own \"sense of rhythm is so\n                  lyrical in style...\"","requesting some biographical information for his\n                  upcoming article on poets","praising her book of verse, \n                  Helen of Troy..., discussing a trip to \n                  Europeand plans for a future\n                  trip abroad, and mentioning a meeting of the \n                  Poetry Society of Americawith a\n                  discussion of the Irish plays and invluding\n                  interesting persons such as \n                  Henry Van Dykeand \n                  Curtis Hidden Page","expressing his appreciation of the gift of her\n                  book, \n                  Helen of Troy..., and sending a token in return","giving high praise to her book of verse, \n                  Helen of Troy..., calling \"Helen of Troy\" and \"On the Tower\"\n                  \"postive triumphs,\" critiquing several of the poems,\n                  comparing her favorably to \n                  Elizabeth Barrett Browningand \n                  Christina Rossetti, and writing\n                  a French translation of \"The Pagan End\"","thanking her for the volume of her poems, \n                  Helen of Troy..., calling her \"a real poet,\" and saying that\n                  it will be a delightful privilege to read her new\n                  poems","requesting permission to publish his musical\n                  setting of her verse, \"Song,\" and asking to use the\n                  first line as the title","wishing to meet with her to discuss her book, \n                  Helen of Troy...","sending thanks for her book of verse, \n                  Helen of Troy...","reminiscing about a Thanksgiving dinner with \n                  Marion Cummings Stanleyand Sara,\n                  writing about Marion's despair over the illness of\n                  her mother, and expressing his delight in reading her\n                  book, \n                  Helen of Troy...","thanking her for the book, \n                  Helen of Troy...and commenting on her great talent","re a column review of \n                  Sara Teasdale's book, \n                  Helen of Troy..., in the following day's paper","expressing her pleasure at receiving her book, \n                  Helen of Troy..., and encouraging her to \"keep on\n                  singing-for all of us\"","reminiscing about her stay with him and \n                  Marion Cummings Stanley, and\n                  asking him to send a copy of her book (which she will\n                  supply), \n                  Helen of Troy..., to \n                  Richard LeGallienneof \n                  Harper's Magazine, under his own name","drawing her attention to the notice of her book, \n                  Helen of Troy..., in the Sunday \n                  New York Times","looking forward to reading her volume of verse, \n                  Helen of Troy..., and hoping that their reviewer will\n                  mention it","enclosing some clippings for \n                  Marion Cummings Stanley,\n                  planning to mail her book, \n                  Helen of Troy...to him to send to \n                  Richard LeGallienne, and\n                  mentioning her poor health","commenting on the \n                  St. Louis Timesreview of her book, \n                  Helen of Troy..., and on their literary relationship","apologizing for the delay in sending copies of \n                  Helen of Troy...to periodicals she requested, and returning\n                  the reviews of her book","accepting \"The Lights of New York,\" \"Sea Longing,\"\n                  and \"Triolets\" for publication","accepting one of her sonnets for the next issue\n                  and revealing that \n                  Louis Untermeyerwill be\n                  reviewing her book, \n                  Helen of Troy..., in the current issue","praising the verses in her book, \n                  Helen of Troy...and commenting on their beauty","reminding her of her promise to present a copy of\n                  her book, \n                  Helen of Troy..., to him","sending holiday greetings and commenting \"how\n                  pleasing to turn to a comforting poem and find solace\n                  in a kindred spirit\"","requesting information from her for his \"calendar\n                  of the poets\"","concerning an enquiry on her first volume, \n                  Sonnets to Duse...","congratulating her after seeing the review of her\n                  book, Helen of Troy..., in the St. Louis Times,\n                  written on an announcement of new employment with\n                  Hornblower \u0026 Weeks","concerning the \n                  Poetry Society of America, and\n                  mentioning certain persons -- \n                  Cale Young Rice, \n                  Josephine Peabody, \n                  Percy Mackaye--planning to\n                  attend their annual dinner","writing in answer to her note about his review of \n                  Helen of Troy...and further critiquing the poetry as he\n                  would have if given more space in \n                  The International, and commenting that the attitude in the\n                  love lyrics is that of a woman","thanking her for the book of poems, \n                  Helen of Troy..., finding her lyrics \"poignant and\n                  pertinent,\" commenting on several of his personal\n                  favorites, and giving a brief comment on \n                  Rudyard Kipling","enclosing a letter from a friend praising \n                  Sara Teasdale's book of poems, \n                  Helen of Troy...and commenting on Teasdale's\n                  understanding","asking the basis for her poem, \"Sappho\"","expressing gratitude for the copy of her book, \n                  Helen of Troy..., and commenting on her gift of song","commenting that her \"The Poor House\" was the only\n                  poem read at the meeting of the \n                  Poetry Society of America","saying she has read her book, \n                  Helen of Troy..., and writing of having the same dream\n                  twice","requesting permission to set to music her poem\n                  \"When Love Comes Singing to his Heart\"","revealing himself as an admirer of her work and\n                  putting her in a class with himself","receiving her acceptance to the annual dinner of\n                  the \n                  Poetry Society of America","thanking her for her effort to go to the Guild and\n                  for allowing him to use her poems in a musical\n                  setting","thanking her for `The Book of Poems' and sending a\n                  circular of \n                  Home Progressalong with some literary notes","sending a review and thanking her for the charming\n                  poems","writing that he will run \n                  Marion Cummings Stanley's\n                  article about her poems, and congratulating her on\n                  her move to \n                  New York","commenting on his book of poems and preparing for\n                  her move to \n                  New York","praising her as the \"most gifted of the lyric\n                  girls,\" also signed by \n                  Richard LeGallienneand \n                  B. Russell Herts","appreciative of her book, \n                  [Helen of Troy...]","taking the liberty of sending his edition of\n                  poems, and expressing his delight in her two books \n                  [Sonnets to Duse...]and \n                  [Helen of Troy...]","sending her a copy of his book, commenting on her\n                  style and on his own, asking if she knows \n                  Zoe Akinsand writing that she\n                  sent him her book of poems, and discussing the beauty\n                  of \n                  Carmel","showing his gratitude for her book, \n                  [Helen of Troy...], and inviting her to tea","expressing her \"more poignant\" pleasure in \n                  Sara Teasdale's poems after\n                  meeting her","thanking her for her book \n                  [Helen of Troy...]and admiring its style, and giving a message\n                  from \n                  Edith Thomas","acknowledging receipt of her book \n                  [Helen of Troy...]and expressing his pleasure in reading it,\n                  and giving a critique of many of the poems","praising her poem, \"The Poorhouse\" and confirming\n                  luncheon plans","thanking her for the inscribed copy of her book \n                  [Helen of Troy...]","expressing her delight in seeing \n                  Sara Teasdale's name in so many\n                  magazines, and requesting to have tea with her","thanking her for her letter of appreciation for \n                  Louis Untermeyer's poem, and\n                  commenting on \n                  George Sylvester Viereck, \n                  B. Russell Herts, and \n                  Orrick Johns","commenting on her sweet letter and on \"the\n                  twilight of Poetry\"","finding her genius in the pages of \n                  Helen of Troy...","commenting on the review of her book, \n                  [Helen of Troy...], which he previously sent, written on a\n                  flyer about himself entitled \"A .... Journalistic\n                  Jubilee.. .\"","thanking her for the note and book of verse \n                  [Helen of Troy...]","referring to her poem, \"Four Winds,\" as \"deep,\n                  refreshing, and ... so cruelly true,\" and waiting to\n                  pick up a copy of her volume \n                  [Helen of Troy...]","writing that he will sign his name to the sonnet\n                  [as requested], intending to return \n                  The Younger Choirin person instead of by mail, inviting her\n                  and \n                  Dugald Stewart Walkerto visit\n                  one evening, and expecting Aline and Kenton to call\n                  on her the following day","requesting her to \"contribute an original\n                  complimentary poem in honor of Browning's centenary\"\n                  for an article in the \n                  Boston Transcripton May 4, honoring \n                  Robert Browning, and mentioning \n                  Carman Bliss, \n                  Edwin Markham, and \n                  Edwin Arlington Robinsonas being\n                  among those who have already consented","concerning a request through their \n                  Londonoffice from Messrs. \n                  Chappell \u0026 Co., Ltd., to\n                  publish her poem, \"Pierrot,\" with a musical\n                  setting","expressing his pleasure in receiving her book of\n                  poems \n                  [Helen of Troy...], and looking forward to meeting her one\n                  day","expressing his pleasure in reading her book \n                  [Helen of Troy...], and commenting on her writing\n                  improvement","looking forward to having her inscribe his copy of\n                  her book of poems","expressing her great pleasure at receiving her\n                  letter and book \n                  [Helen of Troy...], and discussing friendship","thanking her for her book of poems \n                  [Helen of Troy...], and returning her kindness with a copy of\n                  her own novel","wanting to exchange his book, \n                  The Iron Muse, autographed, for any one of her books, and\n                  explaining the concept of his book, enclosing two of\n                  his poems, \"Reno\" and \"The Star\"","acknowledging her kindness in sending the\n                  inscribed copy of her book \n                  [Helen of Troy...], and expressing his thoughts after meeting\n                  her, with enclosure on \"The Modern School\"","thanking her for a copy of her volume of poems, \n                  Helen of Troy..., and commenting on her clarity of poetic\n                  ideas","concerning the club's thirty-fourth meeting and\n                  enclosing a program","requesting \"new treasures\" for \"The Lyric Year,\"\n                  and referring to a poem in process addressed to \n                  Sara Teasdale","commenting on his verse coming slowly and on\n                  finishing his poem dedicated to \n                  Sara Teasdaleby a year or so,\n                  and writing to ask if she \"will not find the rare\n                  inspiration on the sea,\" in reference to her sailing\n                  to \n                  Europe","intending to extend the poetry contest and\n                  commenting on her wanting to sell her poem","requesting her to autograph a recently purchased\n                  book of her writings","requesting permission to use two of her poems in\n                  musical settings","requesting to use another one of her poems, \"Less\n                  than the Cloud to the Wind,\" in a musical setting,\n                  and sending the title notice about \"When Love Comes\n                  Singing\"","requesting permission to use her verse, \"At\n                  Night,\" in a musical setting","requesting biographical data, a photograph and\n                  review copies from her publishers for an upcoming\n                  series of special articles on American poets that he\n                  is going to undertake in his new capacity as head of\n                  a literary department in \n                  The Minneapolis Journal","following up on his last letter since he has not\n                  heard from her, and naming some contributors to the\n                  article","repeating a prior request","requesting permission to use her poem, \"Pierrot,\"\n                  in a musical setting","requesting permission to put \n                  Sara Teasdale's verse, \"Song,\"\n                  to music","thanking her for the letter and copy of \n                  Helen of Troy..., trying to express the sincerity of his\n                  motive in doing the project, and praising her blank\n                  verse poems","praising her volumes, \n                  Sonnets to Duse...and \n                  Helen of Troy..., and desiring to obtain a copy of the\n                  latter","acknowledging receipt of her songs and letters,\n                  praising the \"rapture and delicacy\" of her \"From the\n                  Sea,\" and mentioning the poetry contest","passing on a compliment from \n                  Ella Wheeler Willcoxand\n                  requesting a list of her books along with the\n                  publishers' names","asking for \n                  Jessie Belle Rittenhouse's\n                  address in order to express her interest in the \n                  Poetry Society of America, and\n                  praising \n                  Sara Teasdale's verses","accepting her poem, \"I Shall Not Care,\" for\n                  publication","expressing his pleasure in \n                  Mitchell Kennerley's acceptance\n                  of her poem for \"The Lyric Year\"","sending \"a few lines of opinion upon your\n                  verse...\"","concerning her request for his review of \n                  Helen of Troy...and his own editorship of \"The Poetry\n                  Journal\"","writing a brief opinion of \n                  [Helen of Troy...]","admiring her and thanking her for her kind\n                  thoughts","accepting \n                  Sara Teasdale's poem, \"Off\n                  Capri\"","commenting on the honesty of her poetry,\n                  mentioning her review of \n                  Helen of Troy..., and asking if she knows \n                  George Buchanan Fife","thanking her for the copy of \n                  Helen of Troy...","expressing her admiration for \n                  Sara Teasdale's poetry and her\n                  gratitude for Teasdale noticing her writing","accepting her Christmas poem and requesting a\n                  review of \n                  John Hall Wheelock's book of\n                  poetry","confessing to be a great admirer of her poetry and\n                  Helen of Troy..., thanking her for her note, and enclosing a\n                  circular of his new book, \n                  The Beloved Adventure","accepting \"Sappho\" for future publication","thanking him for the booklet","thanking her for the book and giving a glowing\n                  opinion of \n                  [Helen of Troy...]","accepting \"The Hour,\" with a slight change in the\n                  second stanza","returning her poem, \"The Hour,\" since she rejects\n                  the change and apologizing for a printing error","looking forward to meeting an old friend \n                  (Sara Teasdale)for the first\n                  time","thanking her for the volume, \n                  Helen of Troy...","reaching an agreement concerning her poem, \"The\n                  Hour\"","accepting her two poems, \"Song\" and \"Gifts\"","expressing his having the \"true pleasure of\n                  finding a heart-full of real love lyrics\" and\n                  praising her work","accepting two of her poems for \n                  The Poetry Journal, and mentioning a tete-a-tete with \n                  [Alfred] Noyes","commenting that her work is just what the \n                  Smart Setneeds","praising her as the best \"writer of delicate\n                  lyrics\" and commenting on some of her verse in \n                  Helen of Troy...","sending a tribute to her muse and expressing his\n                  enjoyment of her visit","praising her volume and apologizing for his delay\n                  in writing due to his busy schedule","keeping six of her poems for publication and\n                  suggesting a few changes","mentioning the \n                  [Alfred] Noyesaffair and \n                  [Jessie Belle] Rittenhouse,\n                  sending her copy of \n                  Helen of Troy...for an inscription and praising its\n                  \"Love-Songs,\" and discussing a reading by \n                  Alfred Noyesof \n                  The Forty Singing Seamen","admitting to be an admirer of her work and\n                  accepting \"Enough\" and \"Prayer\"","requesting permission to set \"Pierrot Plays in the\n                  Garden\" to music","commenting on her note and verse, \"A Forsaken\n                  Garden\" about the vandalism of \n                  Snows Garden","calling her poem, [\"A Forsaken Garden\"] \"pure\n                  music in plainest English!...\"","requesting permission to publish a song, \n                  Sara Teasdale's \"Pierrot,\" set\n                  to music","sending under separate cover \n                  The Creed of a Beggarand \n                  The Rules of the Road, and looking forward to \"a most profitable\n                  friendship\"","thanking her for the book of verse, \n                  Helen of Troy..., and praising her true touch","praising one of her narrative poems and hoping to\n                  be able to publish it","holding two of her poems, \"After Parting\" and\n                  \"February\"","discussing the poet's adaptation of his or her\n                  work to their wants","promising to take \n                  Sara Teasdale's book of poems to\n                  a nice quiet spot","thanking her for her book, \n                  [Helen of Troy...]","requesting a signed autograph copy of her poem, \"I\n                  Shall not Care\"","praising her \"The Carpenter's Son\" as a beautiful\n                  and impressive poem and accepting it for their\n                  Christmas issue","requesting an autograph quotation and\n                  signature","accepting \"Spring Night\" for publication and\n                  requesting biographical information","accepting \"Sea Spray\" at the usual rate","holding two of her poems, \"Spring Night\" and \"The\n                  Subway Station,\" with a discussion of his thoughts on\n                  the latter","accepting \"Heinkehr\"","requesting an autograph poem and signature to add\n                  to his \"collection of autographic documents\" in\n                  American literature","expressing her regrets at missing her visit and\n                  explaining their custom concerning payment when using\n                  a manuscript","praising her work","inviting her to read her poetry at the \n                  Monday Club's Poets Day, and\n                  mentioning \n                  Zoe Akins","discussing his \n                  Anthology of Magazine Verse, requesting her to obtain permission from \n                  Robert Bridgesto use her\n                  \"Sappho\" in the publication, and praising her\n                  verse","requesting a portrait and autograph copies of her\n                  poems \"Sappho\" and \"The Old Maid\" for promotional\n                  purposes","asking her consent to set her poem, \"Enough\" to\n                  music","hoping to see her at the Literature Committee\n                  meeting the following day, and mentioning \n                  John Hall Wheelock","discussing her poetry","requesting permission to set to music her poem,\n                  \"The Lines\"","expressing appreciation of hearing several of \n                  Sara Teasdale's poems","accepting her poems, \"The Bay of Naples,\"\n                  \"Alchemy,\" and \"Twilight,\" w/ANS from \n                  Margaret Elizabeth Willard\n                  Teasdaleon verso","requesting to use \"The Look\" in a musical\n                  setting","thanking her for the book, \n                  Helen of Troy...and praising her work","requesting permission to publish her poem, \"Song,\"\n                  with a musical setting","expressing concern over \n                  Marion Cummings Stanley","asking for an autographed volume of her work with\n                  a dedication for an exhibit","praising her ability to write about certain\n                  subjects with such ease","expressing pleasure in her \n                  Helen of Troy...and naming several of her favorites, and\n                  mentioning poets she likes, such as \n                  Emily Dickinson, \n                  Josephine Preston Peabody, \n                  John Banister Tabb, and \n                  Bliss Carman","accepting her poem, \"To the Mother Of A Poet\"","requesting permission to use her poem, \"The Look,\"\n                  with a musical setting in the annual book of Songs by\n                  Wellesley Students","requesting permission to set her poem, \"The Look,\"\n                  to music","requesting one or more of \n                  Sara Teasdale's poems to be\n                  included in her compilation books of poems and\n                  prayers, \"Sunlit Days\" and \"Starlit Nights\"","thanking her for permission to set her poem, \"The\n                  Look,\" to music and mentioning \n                  Eunice Tietjens","enclosing a check for use of her poem, \"At Night,\"\n                  in their July issue","requesting permission to use her poem, \"The Look,\"\n                  for a musical setting","praising and critiquing her \n                  Rivers to the Sea","asking for her \"hearty approval\" and help with\n                  their `House Party' honoring \n                  Missouriauthors and writers, and\n                  describing the city's and the library's plans for the\n                  affair","requesting \n                  Sara Teasdale's presence at a\n                  dinner in honor of \n                  Jessie Belle Rittenhouseas one\n                  of those represented in Rittenhouse's volume, \n                  The Little Book of Modern American\n                     Verse","asking who published \n                  Sonnets to Duseand \n                  Helen of Troy...and whether or not she has had published\n                  subsequent volumes","requesting permission to publish \"The Look,\" as a\n                  song","requesting permission to publish her poem, \"The\n                  Look,\" as a song, and explaining that she is\n                  seventeen and wishes to further her education as a\n                  pianist","requesting on behalf of the composer permission to\n                  publish her poem, \"The Look,\" with a musical\n                  setting","claiming that his daughter \n                  Barbara George's poems are\n                  charming, and giving news of her marriage to \n                  Ernst B. Filsingeron December\n                  19","requesting some sentiment and autograph for his\n                  collection","accepting her poems \"Swan\" and \"Come\" for\n                  publication, and mentioning \"Dusk in War-Time,\"\n                  \"Morning,\" \"Leaves,\" and \"Bitterness\"","requesting her autograph for his collection of\n                  over two-hundred poets","accepting her poems \"Peace\" and \"The Lighted\n                  Window\" for publication, w/ANS at bottom","requesting her membership in their new\n                  organization","requesting permission to publish her poem \"The\n                  Look\" to a musical setting","requesting permission to publish her poem \"Spring\"\n                  with the understanding that they cannot pay","extending an invitation to her and her husband to\n                  see him and his class on April 1, and briefly\n                  discussing his plans for that day's class","requesting permission to publish \n                  Sara Teasdale's \"The River\" with\n                  music","requesting permission to publish a musical setting\n                  of her poem \"The Look\"","requesting permission to use three of her poems as\n                  lyrics for songs","accepting her poem \"The Cloud\" for publication","requesting permission to use several of her poems\n                  from \n                  Helen of Troy...for musical settings","thanking him for his generous praise, admiring his\n                  wife's poetry, and mentioning \n                  Louis Untermeyer","concerning an idea of selling an autographed\n                  collection of books of verse and about verse to raise\n                  money for \n                  The Poetry Journal, and mentioning \n                  Conrad Aiken, \n                  Temple Scott, and \n                  William Stanley Braithwaite","accepting her poem \"Dreams\" for publication","writing in appreciation of her charming note, and\n                  mentioning \n                  Theodosia (Garrison) Faulks","writing in appreciation of her kind note and\n                  enclosed lyrics, praising \"Night Song at Amalfi\"\n                  particularly, and wishing to compose songs from some\n                  of the poems whenever she is not too busy with giving\n                  concerts","expecting to set to music her poems \"Come\" and\n                  \"The Kiss\" this summer","criticizing \n                  Sara Teasdale's recently\n                  published \"In a Lighted Window\"","discussing her little boy poem [\"In a Lighted\n                  Window\"] and Judge Walker's opinion of it in his June\n                  18 letter, expressing his view of \n                  Zoe [Akin]and her anthology, and\n                  discussing free verse","offering a royalty of ten percent on all copies\n                  sold of her \n                  Rivers to the Seaand submitting a sample page","accepting the revision of \"Summer Night,\n                  Riverside\" for future publication","congratulating her on her success with \n                  The MacMillan Company","requesting permission to set to music her poem\n                  \"The Look\"","congratulating her on having her poems published\n                  by \n                  The MacMillan Companyand telling\n                  of her own writing","requesting to use two musical settings \"But What\n                  if I Heard my First Love\" and \"The Kiss in Colin's\n                  Eye\" based on her poems","concerning the publication of \n                  Sara Teasdale's poetry and the\n                  possibility of having advance order copies\n                  autographed","concerning his anthology coming out in October,\n                  and asking her assistance by sending her extra set of\n                  proofs when corrected and by contacting \n                  William Marion Reedy","praising her poems that she sent and hoping to use\n                  some of them","feeling that her book will be a success","complimenting her poems as being admirably fitted\n                  for American songs, and saying that she has set four\n                  of them to musical settings","criticizing the Imagist movement but commenting\n                  favorably on \n                  John Gould Fletcher's work, and\n                  mentioning his drifting away from the group","accepting one of her poems for publication","concerning a suite of songs \"Five Songs of Autumn\"\n                  written by himself using her poems \"Twilight,\"\n                  \"November,\" \"Dreams,\" and \"Dead Leaves\"","agreeing to see her book and review it, discussing\n                  the \"woman and poet,\" mentioning \n                  MacMillanpublishing his \n                  Song of Hugh Glass, and inquiring about her interest in\n                  Greek","agreeing to review her book and giving a lengthy\n                  discussion of a reviewer's work","praising and criticizing her poetry, and\n                  discussing the teaching of poetry","requesting permission to quote her poem \"Spring in\n                  War Time\" in a book being prepared about the war in \n                  Europe","requesting permission to use her poem \"I Shall Not\n                  Care\" in a musical setting","asking for some poems","giving glowing and detailed praise of her work in \n                  Rivers to the Sea, writing of \"the deep human beauty of this\n                  great poem,\" \"the holy core of life itself...and\n                  needful to be reminded by such as you,--...,\" \n                  Sara Teasdaleas \"an unabashed\n                  lover of life,\" \"this expression of the fundamental\n                  emotion in its elements...\"","revealing that the Library system has copies of\n                  her book of poems, \n                  Rivers to the Sea","thanking her for the inscribed copy of her book \n                  [Rivers to the Sea], and promising a judgment","writing in response to Sara's illness and\n                  mentioning her new book and some of her verse","expressing his gratitude for her book and praising\n                  the verses","(written in German)","replying to her letter concerning a full face or\n                  profile picture of her to use in their service","(written in German)","expressing appreciation of her book \n                  [Rivers to the Sea]and praising her verses","praising her book and her expression of her \"love\n                  in terms of nature,\" and wishing to see Sara","thanking her for \n                  Rivers to the Seaand commenting on her growth","mentioning the review of her new book to be in\n                  December's issue","praising her new book and expressing his pleasure\n                  in having met her and \n                  Ernst B. Filsingerin St.\n                  Louis","stating that he received her new book through \n                  Harriet Monroeand will place it\n                  among his memorable things, and revealing some\n                  feelings toward war","mentioning his health, the pleasant publicity of\n                  his \n                  Portmanteau, and her book","requesting a contribution for a select anthology\n                  of Pierrot and Columbine poems","requesting permission to use her poem \"The Kiss\"\n                  in a musical setting","thanking her for the volume and telling anecdotes\n                  about himself","expressing admiration for her and pleasure at her\n                  kind words concerning her own work","expressing her delight upon receiving and reading\n                  her \"exquisite little volume\"","thanking her for \n                  Rivers to the Sea, encouraging her and \n                  Ernst B. Filsingerto go to the\n                  Poets dinner, and mentioning receipt of the Chicago\n                  first prize for \"the Chinese nightingale\" and the\n                  progress of his Movie-Book","expressing her pleasure in reading \n                  Rivers to the Seaand promising a review shortly","praising her blank verse in \n                  Rivers to the Sea, and mentioning works by himself and his\n                  wife, Jean, and the opinions of \n                  Robert Frostand \n                  Max Eastman","expressing his fondness for her \n                  Rivers to the Sea","requesting permission to publish her poem \"The\n                  Kiss\" in a musical setting","praising her work and commenting on the Rieder\n                  translation","praising the \"wonderful lyric qualities\" of \n                  Rivers to the Sea, saying that the \"songs are so directly\n                  from the heart and life not only of a true poet but\n                  of a true woman...\"","expressing her and her husband's, \n                  Henry Mills Alden, admiration\n                  for her `singing leaves'","praising her \n                  Rivers to the Seaand her ability to \"bring a seeing eye to\n                  the most outworn or ordinary situations...\"","commenting that she is \"writing the best singing\n                  verse in the country today\" and that \"our singers are\n                  all too few and our \n                  Ezra Pounds and \n                  Gertrude Steins are all too\n                  many!\"","admitting to being an admirer of her poetry, and\n                  planning to read \"Off Capri\" to \n                  The Centennial Club","telling her plans to write an article on \n                  Carl Vroomanand \n                  Julia Scott Vroomanand wishing\n                  to quote from \n                  Sara Teasdale's verses","commenting on her \"very unusual lyric gift\" and\n                  the satisfying \n                  Rivers to the Sea, and mentioning Sara's fragile health","citing her work as \"sincere and artistic,\"\n                  thanking her for the German versions of her poems,\n                  and wishing to publish some of her verse in the \n                  Yale Review","discussing an enclosed review of her \n                  Rivers to the Sea, remarking on the sign of prodigy in \n                  Stephen Vincent Benet(younger\n                  brother of \n                  William Rose Benet), mentioning\n                  his wife \n                  Jean Untermeyer's hit with \n                  Amy Lowell, and likens one of \n                  G. K. Chesterton's poems to \n                  Vachel Lindsay's style","quoting praises from Mrs. Meynell about the verses\n                  of Sara and of \n                  Margaret Widdemeras well as\n                  expressing his and his wife \n                  Grace Dawson's delight with\n                  them, and mentioning his new book \n                  The Etchics of Confucius","requesting permission to set to music her poem\n                  \"Spring in War Time\"","praising \n                  Rivers to the Seaand especially \"The Answer\"","sharing her admiration of \"the lilt and the lift\n                  of the poems\" in \n                  Rivers to the Sea, mentioning \n                  Jesse R[ittenhouse], \n                  Margaret Fuller, \n                  Margaret Widdemer, \n                  Royal Dixon, and discussing the\n                  hardship of the family of the late \n                  Madison Cawein","accepting her poems \"In a Hospital\" and \"Flames\"\n                  for publication","informing her that they have elected her an\n                  honorary member","requesting a personal biographical sketch of her\n                  by one of her friends","thanking her for her \"melodious book\" and\n                  commenting on some of his favorite poems","asking about `The New Moon' and the series of\n                  hospital songs, and thanking her for an article by \n                  Harris Merton Lyon","discussing \n                  Willard Huntington Wright's\n                  critical pen, and praising \n                  Sara Tesdale's songs","expressing pleasure at one of her stories and\n                  wishing she would do more prose","concerning \n                  Rivers to the Sea","offering fee for her story \"The Black Hearth\"","sending an affectionate holiday letter","praising \n                  Sara Teasdale's \n                  Rivers to the Seaand saying that no other American poet \"so\n                  feelingly, so spontaneously and beautifully senses\n                  the primal human emotions\"","thanking her for the copy of [ \n                  Rivers to the Sea] and commenting on her favorite poems and\n                  on one fault, and promising to send a copy of her own\n                  Six French Poets","sending some old photographs of Vine","explaining that she does her readings \"all for\n                  love of the fine new movement in poetry,\" and\n                  requests a copy of \n                  Rivers to the Sea","welcoming her book in their \n                  Poets Corner, praising her work,\n                  and inviting her to the College to see the work they\n                  are trying to do for the young women...","mentioning her stay at the Dawsons' ( \n                  Miles Dawsonand \n                  Grace Dawson) where she saw\n                  Sara's bridal picture","requesting formal permission to include some of\n                  her poems in an anthology of the \n                  New Poetry, with a personal handwritten note at the\n                  bottom and on the verso","expressing his interest in translating some of her\n                  work into Spanish and asking for her published books\n                  and a photograph","requesting permission to publish \"The Kiss\" set to\n                  music","discussing a school project and requesting a\n                  letter and a photograph","accepting her \"Songs in a Hospital\" and requesting\n                  one other poem for publication","praising Sara and her work on behalf of \"Ned\" ( \n                  Edna Wahlert) and herself, and\n                  enclosing an \"honest tribute from Ned\"","acccepting her poem \"Old Days\" for publication","expressing her satisfaction at hearing from her\n                  and Ned ( \n                  Edna Wahlert)","thanking her belatedly for her gift of \n                  Rivers to the Sea","thanking her for the letter and gift of poetry","concerning her own article on \"Masterpieces of\n                  American Women Poets\"","praising her \n                  Sonnets to Duse and Other Poemsand \n                  Rivers to the Sea","expressing her pleasure in reading \n                  Rivers to the Sea, and mentioning it being listed in the\n                  April issue","extending an invitation for her to read some of\n                  her poems at a benefit tea","accepting her poem \"Child, Child\" for publication\n                  if it is not to be published in a book soon","expressing his pleasure with her letter, poems,\n                  and songs as well as his enjoyment in singing her\n                  songs, and mentioning a singing engagement at the \n                  Browning SocietySoiree","writing of her enjoyment in hearing \n                  Ernst B. Filsingerread Sara's\n                  poems at The Wednesday Club, and inviting her to tea\n                  with \n                  Celia Harrisand herself","thanking her for the book which has not yet\n                  arrived and sending regards to \"Johns and Miss\n                  Monroe\"","re \n                  Rivers to the Sea","calling her new book delightful and commenting on\n                  her ability to \"keep command over so sure an\n                  artistry,\" and enclosing a copy of his poem \"To St.\n                  Louis\"","expressing pride at her letter and gift of \n                  Rivers to the Sea","requesting permission to obtain the rights to \n                  Sara Teasdale's poem \"Joy\" to\n                  use in a musical setting, with ANS from Reedy to \n                  Sara Teasdale Filsingerat\n                  top","thanking her for the letter and beautiful book,\n                  and expressing an inerest in setting some of her\n                  poems to music","indicating that he has set to classical music her\n                  poem \"Flames\"","writing of activities of the \n                  Browning Societyand enclosing a\n                  program","expressing his certainty that some of her lyrics\n                  will inspire some composer to set them to music","wishing to secure the \"Song Maker\" and one other\n                  lyric for use in a vocal number in \"Missouri's Place\n                  in Literature\"","thanking her for the gift of \n                  Rivers to the Sea, and expressing an interest in setting some\n                  of them to music","thanking her for the pretty \"Mary Arden poem\"","enclosing three photographs of \n                  William Favershamand others at\n                  the Shakespeare Celebration","requesting permission to use \"The Kiss\" in a\n                  musical setting","thanking her for the letter and copies of her\n                  poems, and mentioning a discussion with \n                  Edmund Clarence Stedmanover what\n                  constitutes a lyric poem","requesting permission to set to music \n                  Sara Teasdale's poem \"I Heard a\n                  Cry\"","concerning Newark's Poem Competition and its civic\n                  theme","requesting her membership and expressing\n                  admiration","concerning her assistance as judge","thanking her for her letter and poems, which gave\n                  him a great deal of pleasure","requesting permission to use her poem \"In a\n                  Hospital\" in a volume of selections from English and\n                  American poets about the war to be edited by himself\n                  on behalf of the \n                  Belgian Scholarship\n                  Committee","concerning a meeting of American poets to be held\n                  on June 28 \"in memory of \n                  Padraic Pearse, \n                  Thomas MacDonagh, and \n                  Joseph Plunkett, the three poets\n                  who were executed for their share in the recent\n                  uprising in \n                  Dublin, \" and asking for one of\n                  her poems to be read","enclosing a request to set to music \"Child,\n                  Child\"","extending appreciation for her part in the \n                  St. LouisConvention, and\n                  commenting on her two beautiful odes read by \n                  William Faversham","offering preliminary terms for the spring 1917\n                  publication of her anthology of love lyrics by\n                  women","concerning \n                  Houghton Mifflin Company's\n                  acceptance of Sara's \n                  The Answering Voice...","more concerning \n                  The Answering Voice...","requesting copies of her two Shakespearian odes\n                  both read by \n                  William Faversham","thanking her for her charming note about her\n                  daughter \n                  Hilda Conkling's poem, and\n                  enclosing some poems by the five-year old","requesting permission to set to music her poem \"A\n                  Poem of Young Love\"","expressing her enjoyment over \n                  Rivers to the Sea, and mentioning Sara's discriminating\n                  comment on \n                  Sappho","requesting permission to print her \"Testament\" in\n                  a little volume of sermons","accepting a poem for publication","requesting again permission to set to music her \"A\n                  Poem of Young Love\" as well as \"When I am Dead\"","praising her \n                  Rivers to the Sea","expressing his interest in having her poetry set\n                  to some `Ozark songs'","requesting permission to use her lyrics \"A\n                  Benediction\" in a musical setting by \n                  C. Whitney Coombs","asking permission to use the second verse of \n                  Sara Teasdale's poem \"Child,\n                  Child\" on a card to be distributed among friends","requesting permission to set to music \n                  Sara Teasdale's poem \"Child,\n                  Child\"","expressing his pleasure at her new poems, and\n                  mentioning the protest against the Post Office\n                  banning of the works of \n                  Theodore Dreiser","concerning letters requesting permission to use\n                  some of Sara's lyrics","accepting her poem \"Other Men\" for publication","requesting permission to set to music her poems\n                  \"Deep in the Night,\" \"Come,\" and \"The Flight\"","requesting an original verse to use as a guide for\n                  contestants in a health poetry contest in which \n                  Harriet Monroe, \n                  Henry Adams Bellows, and \n                  William Stanley Braithwaitewill\n                  act as judges","requesting permission to use one of her poems in\n                  an anthology she is editing entitled \n                  The Answering Voice--One Hundred\n                     Love-Lyrics by Women","accepting her poem \"August Moonrise\" for\n                  publication if conditions are agreeable","asking her consent on behalf of her singing master\n                  to have a song published using her verse \"Jewels\"","commenting on the poems she liked best including a\n                  group of \"Songs Out of Stress\"","admitting that she has been enthusiastically\n                  reading from Sara's poems at her Poetry Readings and\n                  asks for furthur cooperation","seeking biographical information for their club\n                  studying living English and American poets","writing as her agent and enclosing a check for her\n                  poem \"The Philosopher\" which is to be published in \n                  Good Housekeeping","accepting her poem \"The Ballad of St. Kevin\" for\n                  their Christmas issue","requesting permission to publish her poem \"The\n                  Cloud\" set to music","requesting permission to publish \"The Look\" set to\n                  music along with some others she is working on","concerning a project with \n                  The Bookmanand \n                  Dodd, Mead, \u0026 Companyin the\n                  form of an anthology of new poems by American\n                  poets","requesting permission to use some of her poems in\n                  musical settings","requesting permission to use \"The Cloud\" and\n                  \"Night Song at Amalfi\" by \n                  Sara Teasdalein musical\n                  settings","admiring her work and wondering how to obtain her\n                  books other than \n                  Rivers to the Sea","referring to a letter, November 22, 1916, from \n                  Julius Kranz","admiring \n                  Sara Teasdale's \"November Night\"\n                  and commenting on its \"wonderful imagery, its\n                  sympathetic feeling...\"","translating a reference to \n                  Rivers to the Seafrom Yiddish to English","referring to a note in praise of her \"November\n                  Night\"","writing as her agent and sending a check for\n                  \"Spring Rain\" which is to be published in \n                  Century Magazine","offering an agreement for her proposal of a book\n                  of `Love Lyrics'","writing of entertaining friends with a reading of\n                  her \n                  Rivers to the Seaand their enjoyment","sending the agreement for the proposed book of\n                  love lyrics","thanking her for \n                  Rivers to the Sea","concerning the publication of several of his songs\n                  made from her lyrics","acknowledging her letter and volume of verse","inviting her to talk intimately about her work at\n                  the \n                  Writers GuildDay at the \n                  University of Missouri","requesting one of her bookplates in exchange for\n                  the enclosed one of her own","expressing his enjoyment in reading her poems,\n                  particularly \"I Shall Not Care,\" \"Off Algiers,\" and\n                  \"Capri\"","revealing that he would be pleased to have her\n                  work appear more often in the magazine","praising her poems in the form of a poem entitled\n                  \"Why Not\"","requesting permission to use her poem\n                  \"Grandfather's Love\" in a musical setting for a\n                  colleciton of childrens' songs","accepting her poem \"Tonight\" for publication but\n                  declining \"Defeated\" due to spacing problems","requesting permission to use her poem \"Swans\" in a\n                  musical setting","accepting her poem \"Schooners\" for publication","requesting permission to set to music her two\n                  poems \"Joy\" and \"The Look\"","accepting her poem \"The Strawberry Man\" for\n                  publication, and expressing sympathy for her\n                  sickness","requesting permission to use a few of her lyrics\n                  in a revision of his \"The Home Book of Verse\"","praising her poem \"Dreams\" and requesting\n                  permission to publish it in a musical setting","concerning a magazine, \n                  The Madrigal, devoted to the publication of love lyrics\n                  and requesting a contribution","expressing gratitude for her sending \"At Midnight\"\n                  which he will include in \n                  The Masque of Poetsand send to \n                  The Bookman","revealing that he has set her poem \"Swans\" as a\n                  song after receiving a copy of her \n                  Rivers to the Sea","requesting permission to use her poem \"Deep in the\n                  Night\" for a musical setting","concerning the changed version of \"The Prayer of\n                  the Gardener\"","concerning a volume he is editing entitled \n                  The Book of New York Verseand wishing to include some of Sara's\n                  poems","concerning a musical setting of her poem\n                  \"Pierrot\"","wishing to have published the enclosed Danish\n                  translation of her poem \"Rain\"","requesting permission to publish a musical setting\n                  for women's chorus of her poem \"Dusk in June\"","requesting permission to use her poem \"Helen of\n                  Troy\" in a collection of poems about ancient Troy","requesting permission to use her poem \"Sea\n                  Longing\" in a \"book on modern tendencies of poetry as\n                  exhibited in the sonnet\"","informing her that her poem-sequence \"Songs Out of\n                  Sorrow\" has received the highest vote in balloting of\n                  the \n                  Poetry Society of America","thanking her for the letter and poem, and\n                  mentioning activities in the \n                  National League","praising her poem \"Tonight\" and wishing to tell\n                  her about his own brand of poetry-making","expressing her feelings for the poems in \n                  Rivers to the Sea, and commenting on their being \"so simple\n                  and natural and real\"","seeking help in the way of reviewing with her own\n                  verses and asking where to obtain \"Songs Out of\n                  Sorrow\"","accepting her poem \"Embers\" and requesting\n                  material for a free ad","praising her poem \"Schooners\" and inquiring about\n                  the names of the vessels","requesting autographed volumes of \n                  Rivers to the Seato be auctioned for the \n                  American Ambulance Fund","requesting permission to publish \n                  Sara Teasdale's poem \"Tonight\"\n                  set to music","concerning a request for permission to publish her\n                  poem \"Buried Love\" with a musical setting from Miss \n                  Mima A. Taylorof \n                  Kilmarnock, Scotland","requesting permission to use \n                  Sara Teasdale's poem \"The Look\"\n                  in a musical setting to be published by \n                  Harold Flammer","concerning the September 11 letter from Mrs. \n                  A. R. Wilson","[concerning \n                  Ralph T. Whitney]","concerning his request of September 5","praising Sara's love songs and commenting that the\n                  two books [ \n                  Love Songsand \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Women] are pretty, and writing family news","thanking her for the two books, one of love songs,\n                  the other a collection of poems by women","thanking her for the forthcoming volume and\n                  promising to read it with pleasure","thanking her for the two volumes [ \n                  Love Songsand \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Women] and praising her own love songs as being\n                  of a higher level than the other women's verses","requesting permission to use her verse \"Tonight\"\n                  in a musical setting","thanking her for the book of lyrics, \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Women","thanking her for the volume, \n                  Love Songs, and commenting on her \"gift for pure\n                  lyric\"","thanking her for the book, \n                  Love Songs, and finding in it verses for songs","thanking her for the book of her poems, \n                  Love Songs, and commenting on its \"lyric\n                  loveliness\"","thanking her for the inscribed \n                  Love Songsand praising her work","discussing Sara's \n                  The Answering Voice: One Hundred Love\n                     Lyrics by Womenand her own \n                  Cornucopia of Red and Green Comfitsand \n                  Vachel Lindsayand his work","thanking her for the charming little book, [ \n                  Love Songs]","accepting her poems \"Sons\" for the January issue\n                  and \"When we are Happiest\" for a later one","accepting a poem for their Christmas issue","accepting her poem \"The Cup\" for publication","thanking her for the charming letter and gift of\n                  poems","praising her volume of poems, \n                  Love Songs, and asking if she has any war poems to\n                  possibly read at the MacDowell Center","sending her a poem by himself entitled \"Sara--An\n                  Acrostic\"","informing her of the \n                  Poetry Society of Americaaward\n                  for her volume \n                  Love Songs","inquiring about the possibilities of further\n                  work","expressing gratitude for her letter and mentioning\n                  her own physical weakness","mentioning \n                  Sonnets to Duse and Other Poems, and asking after her family","commenting on the latter's verses and encouraging\n                  her","thanking her for her book and telling of his\n                  enjoyment in reading it","writing to her friend after a long interval,\n                  telling of her separation from \n                  Ernst B. Filsinger, a visit in\n                  May to \n                  Francewith \n                  Margaret Conklin, her problems\n                  since being seriously injured in a taxi-cab in March\n                  1928, and plans for a visit to \n                  California","reviving ties with her old friend","exchanging family news, and mentioning \n                  Joseph Hergesheimer","thanking her profusely for the gift of a\n                  butterfly, mentioning \n                  Jay Van Everen's praise of it,\n                  referring to her essay on \n                  Christina Rossetti, discussing \n                  Virginia Woolf, comparing the\n                  views of the Empire State Building and the Eiffel\n                  Tower, and saying she would be glad to meet \n                  Mary Ware Dennett","discussing the lingering effects of the Depression\n                  on New York, and her frail physical condition and\n                  wanting to leave \n                  New York; and, mentioning Mrs. \n                  Vachel Lindsay, her own\n                  biography of \n                  Christina Rossetti, and\n                  friends","discussing her decreased income, work on her essay\n                  about \n                  Christina Rossetti, and personal\n                  news","mentioning meeting \n                  Christina Rossetti's two\n                  nieces","discussing life in \n                  Spain; and giving a personal\n                  discourse on the relationships of \n                  George Bernard Shawand \n                  Ellen Terryand \n                  Henry Irving, and comparing\n                  Terry to \n                  Eleonora Duseas an actress and\n                  lover","mentioning the latter's \"Crumbs,\" \n                  Sarah Bernhardtand \n                  Eleonora Duse, \n                  William Marion Reedyand \n                  Tyrell Williams, and \n                  Virginia Woolf","expressing her feelings about the gift of the\n                  beautiful butterfly and the importance of childhood\n                  memories","concerning some pictures of \n                  Sara Teasdale","discussing \n                  Sara Teasdale's suicide","mentioning \n                  Williamina Parrish, \n                  Martha Prentice Merwin, and \n                  Upton Sinclair","enclosing horoscope and related enclosures","discussing \n                  Morgan McCormickand \n                  Isabel (Parrish) McCormick","sending additional horoscope material","remembering \n                  Sara Teasdale's death and\n                  mentioning old friends","sending a photograph of \n                  Sara Teasdale; and, discussing\n                  Sara's wishes after her death: the \n                  Christina Rossettibook and other\n                  works remaining unpublished and keeping her life\n                  private","writing news of \n                  Tyrell Williamsand \n                  Nell Niedringhaus Williamsand\n                  biographical information","writing family news and mentioning \n                  Celia [E. Harris]","mentioning \n                  Vine Colby, \n                  Petronelle Sombart, \n                  Edna \"Ned\" Wahlert, and \n                  Edith Wyatt","mentioning \n                  Caroline Risque, \n                  Vine Colby, and briefly\n                  describing her life in \n                  Lincoln","describing the pleasure that the \n                  Potter's Wheelsbrings her and others, mentioning \n                  Celia E. Harris' convalescence,\n                  with ANS from Celia, mentioning her own and \n                  Sara Teasdale's illnesses","ordering photographs","acknowledging the photographs of \n                  Celia E. Harris","from an \"enchanting old place\""],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Potters","Charles Scribner's Sons","Harper \u0026 Brothers","Small, Maynard \u0026 Company","Hosmer Hall","The Century Company","G. P. Putnam's Sons","G.P. Putnam's Sons","Poetry Society of America","Chappell \u0026 Co., Ltd.","Putnam Publishing\n                  Company","Monday Club","The Denver Music Company","The MacMillan Company","G. 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Perkins, and 27 items, 1937-1941, copies of letters from Maxwell E. Perkins to Ellen Glasgow; accession 7225, 28 items, [1896]-1945, correspondence (primarily from Ellen Glasgow to Mrs. Carrington C. Tutwiler) and 12 items, n.d., manuscripts by  Ellen Glasgow; accession 7225-a, 5 items, ca. 1926, manuscripts for \"Between Two Shores\", \"A Modern Joan of Arc\", \"The Prairie Flower\", and manuscript and galley proof  for \"The Romantic Comedians\"; and accession 7225-b, ca. 50 items, ca. 1900-1950, and 7225-d, 47 items, ca. 1898-1942, miscellaneous items removed from books which had belonged to Ellen Glasgow.","Papers of Ellen Anderson Gholson Glasgow include drafts of and notes on several novels including Phases of an inferior planet,Vein of iron,A certain measure,In this our life, and The woman within, as well as copies of speeches and articles, and notes relating to her personal and literary affairs.","Letters and telegrams, 1916 -1944, from Henry W. Anderson form about half of the correspondence; the more than 50 letters from James Lane Allen make up the second largest group.","The collection also includes notebooks containing addresses, comments, bibliography, recipes and miscellaneous notes; and photographs and drawings of Miss Glasgow, her homes, pets, and other literary figures including a commercial strike of a woodcut of Glasgow's home by J.J. Lankes, 1926, commissioned as a design for her Christmas card.","See the \n            \n            University of Virginia Library’s use policy.","Glasgow","English"],"collection_title_tesim":["Papers of Ellen Glasgow\n1880-1963"],"collection_ssim":["Papers of Ellen Glasgow\n1880-1963"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["5060"],"unitid_tesim":["5060"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_famname_ssim":["Glasgow"],"creators_ssim":["Glasgow"],"acqinfo_ssim":["The Ellen Glasgow Papers (MSS 5060) was a gift of the estate of Miss Glasgow and was presented to the library on May 7, 1955 by Mrs. Irita Van Doren and Dr. Frank V. Morley of the New York Herald Tribune, 230 West 41st Street, New York, N.Y.","Accession 5083 was a gift of Ms.  Anne V. Bennett, 416 West Franklin Street, Richmond, Virginia, on June 7, 1955.","Accession 6206 was an archival transfer from the files of the Librarian of the University of Virginia Library on January 14, 1960.","Accession 6206-a was a gift of Oliver L. Steele, Jr., 207 Thornton Hall, University of Virginia, on Jan 30, 1962.","Accession 6206-b was an archival transfer from the files of the Rare Book Department, University of Virginia Library, on August 2, 1967.","Accession 6473 was a gift of Ms. Catherine Bent, Editorial Department, Charles Scribner's Sons, 597 Fifth Avenue, New York, N.Y.\n            on Dec 5, 1960.","Accession 7225 was a gift of Mrs. Carrington C. Tutwiler, Brushwood, Lexington, Virginia on July 4, 1963.","Accession 7225-a was a gift of Carrington C. Tutweiler, Jr., P.O. Box 1159, Lexington, Virginia, on September 14, 1966.","Accession 7225-b was a gift of Carrington C. Tutweiler, Jr., through the Rare Book Department, University of Virginia Library, on April 6, 1976 and on October 31, 1977."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection consists of 3385 items"],"accessrestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["There are no restrictions."],"prefercite_html_tesm":["\u003cp\u003ePapers of Ellen Glasgow, Accession #5060, Special Collections, University of Virginia Library, Charlottesville, Va.\n\u003c/p\u003e\n      "],"prefercite_tesim":["Papers of Ellen Glasgow, Accession #5060, Special Collections, University of Virginia Library, Charlottesville, Va."],"processinfo_html_tesm":["\u003cp\u003eInterfiled in this collection are these additional collections: accession 5083, ca. 80 items, 1902-1937 and n.d., largely correspondence from Ellen Glasgow to  Elizabeth Patterson and Anne Virginia Bennett; accession 6206, a collection of newspaper clippings concerning Ellen Glasgow and her writings; accession 6206-a, newspaper clippings, 1900-1942, reviews of Ellen Glasgow's books from newspapers in England ; accession 6206-b, 10 items, 1938-1960, newspaper clippings (largely obituaries from Cleveland, Ohio newspapers) and related correspondence; accession 6473, 46 items, 1937-1939 and n.d., copies of letters from Ellen Glasgow to Maxwell E. Perkins, and 27 items, 1937-1941, copies of letters from Maxwell E. Perkins to Ellen Glasgow; accession 7225, 28 items, [1896]-1945, correspondence (primarily from Ellen Glasgow to Mrs. Carrington C. Tutwiler) and 12 items, n.d., manuscripts by  Ellen Glasgow; accession 7225-a, 5 items, ca. 1926, manuscripts for \"Between Two Shores\", \"A Modern Joan of Arc\", \"The Prairie Flower\", and manuscript and galley proof  for \"The Romantic Comedians\"; and accession 7225-b, ca. 50 items, ca. 1900-1950, and 7225-d, 47 items, ca. 1898-1942, miscellaneous items removed from books which had belonged to Ellen Glasgow.\n\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Interfiled in this collection are these additional collections: accession 5083, ca. 80 items, 1902-1937 and n.d., largely correspondence from Ellen Glasgow to  Elizabeth Patterson and Anne Virginia Bennett; accession 6206, a collection of newspaper clippings concerning Ellen Glasgow and her writings; accession 6206-a, newspaper clippings, 1900-1942, reviews of Ellen Glasgow's books from newspapers in England ; accession 6206-b, 10 items, 1938-1960, newspaper clippings (largely obituaries from Cleveland, Ohio newspapers) and related correspondence; accession 6473, 46 items, 1937-1939 and n.d., copies of letters from Ellen Glasgow to Maxwell E. Perkins, and 27 items, 1937-1941, copies of letters from Maxwell E. Perkins to Ellen Glasgow; accession 7225, 28 items, [1896]-1945, correspondence (primarily from Ellen Glasgow to Mrs. Carrington C. Tutwiler) and 12 items, n.d., manuscripts by  Ellen Glasgow; accession 7225-a, 5 items, ca. 1926, manuscripts for \"Between Two Shores\", \"A Modern Joan of Arc\", \"The Prairie Flower\", and manuscript and galley proof  for \"The Romantic Comedians\"; and accession 7225-b, ca. 50 items, ca. 1900-1950, and 7225-d, 47 items, ca. 1898-1942, miscellaneous items removed from books which had belonged to Ellen Glasgow."],"scopecontent_html_tesm":["\u003cp\u003ePapers of Ellen Anderson Gholson Glasgow include drafts of and notes on several novels including \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003ePhases of an inferior planet,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eVein of iron,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eA certain measure,\u003c/title\u003e\u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eIn this our life,\u003c/title\u003e and \u003ctitle type=\"simple\" render=\"italic\" href=\"\"\u003eThe woman within,\u003c/title\u003e as well as copies of speeches and articles, and notes relating to her personal and literary affairs.\u003c/p\u003e\n      ","\u003cp\u003eLetters and telegrams, 1916 -1944, from Henry W. Anderson form about half of the correspondence; the more than 50 letters from James Lane Allen make up the second largest group.\u003c/p\u003e\n      ","\u003cp\u003eThe collection also includes notebooks containing addresses, comments, bibliography, recipes and miscellaneous notes; and photographs and drawings of Miss Glasgow, her homes, pets, and other literary figures including a commercial strike of a woodcut of Glasgow's home by J.J. Lankes, 1926, commissioned as a design for her Christmas card.\u003c/p\u003e\n    "],"scopecontent_heading_ssm":["Scope and Content"],"scopecontent_tesim":["Papers of Ellen Anderson Gholson Glasgow include drafts of and notes on several novels including Phases of an inferior planet,Vein of iron,A certain measure,In this our life, and The woman within, as well as copies of speeches and articles, and notes relating to her personal and literary affairs.","Letters and telegrams, 1916 -1944, from Henry W. Anderson form about half of the correspondence; the more than 50 letters from James Lane Allen make up the second largest group.","The collection also includes notebooks containing addresses, comments, bibliography, recipes and miscellaneous notes; and photographs and drawings of Miss Glasgow, her homes, pets, and other literary figures including a commercial strike of a woodcut of Glasgow's home by J.J. Lankes, 1926, commissioned as a design for her Christmas card."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"famname_ssim":["Glasgow"],"names_ssim":["Glasgow"],"language_ssim":["English"],"total_component_count_is":1088,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:31:56.027Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00048_c02_c484"}},{"id":"viu_repositories_4_resources_66_c03_c07_c172","type":"File","attributes":{"title":"William M. Thomas, 1932/1933","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_4_resources_66_c03_c07_c172#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_4_resources_66_c03_c07_c172","ref_ssm":["viu_repositories_4_resources_66_c03_c07_c172"],"id":"viu_repositories_4_resources_66_c03_c07_c172","ead_ssi":"viu_repositories_4_resources_66","_root_":"viu_repositories_4_resources_66","_nest_parent_":"viu_repositories_4_resources_66_c03_c07","parent_ssi":"viu_repositories_4_resources_66_c03_c07","parent_ssim":["Duke family law firm papers, 1820/1959","Case Files, 1874/1955","1930's"],"parent_ids_ssim":["viu_repositories_4_resources_66","viu_repositories_4_resources_66_c03","viu_repositories_4_resources_66_c03_c07"],"title_filing_ssi":"William M. Thomas","title_ssm":["William M. Thomas"],"title_tesim":["William M. Thomas"],"normalized_title_ssm":["William M. Thomas, 1932/1933"],"text":["William M. Thomas, 1932/1933","Duke family law firm papers, 1820/1959","Case Files, 1874/1955","1930's","box MSS 79-6, Box 102"],"parent_unittitles_ssm":["Duke family law firm papers, 1820/1959","Case Files, 1874/1955","1930's"],"parent_unittitles_tesim":["Duke family law firm papers, 1820/1959","Case Files, 1874/1955","1930's"],"normalized_date_ssm":["1932/1933"],"unitdate_inclusive_ssm":["1932-1933"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[3],"sort_isi":738,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Duke family law firm papers, 1820/1959"],"containers_ssim":["box MSS 79-6, Box 102"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1932,1933],"_nest_path_":"/components#2/components#6/components#171","timestamp":"2026-06-23T07:30:23.622Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_4_resources_66","ead_ssi":"viu_repositories_4_resources_66","_root_":"viu_repositories_4_resources_66","_nest_parent_":"viu_repositories_4_resources_66","ead_source_url_ssi":"data/oai/UVA/repositories_4_resources_66.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/106865","title_ssm":["Duke family law firm papers"],"title_tesim":["Duke family law firm papers"],"unitdate_ssm":["circa 1820 - 1959"],"unitdate_inclusive_ssm":["circa 1820 - 1959"],"normalized_date_ssm":["1820/1959"],"normalized_title_ssm":["Duke family law firm papers, 1820/1959"],"text":["Duke family law firm papers, 1820/1959","MSS.79.6","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/66","Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century","practice of law -- Virginia","lawyers -- Virginia","The papers are organized into 8 series: 1st-6th series concern the law practice; 7th series, the insurance business; and the 8th, family business.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material. From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name. The papers in this series are arranged as they were found.","Series II. Copies of outgoing letters (boxes 44-57) -- From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books. The books are stored in chronological order.","Series III. Case files (boxes 58-125) -- The case files date back to 1874, but are concentrated between 1920 and 1955. While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned. Since many, but not all, of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder. If the original folder was numbered, that number is noted on the new one. The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV. Legal documents (boxes 126-145) -- These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V. Financial papers (boxes 146-167 and oversize) -- The financial papers were likewise apparently filed separately in the office. They include notes, bonds, collections, accounts, bills, taxes, etc., and are arranged alphabetically (ca. 1870-1950). Ledgers containing the same sort of financial records are organized by size.","Series VI. General office correspondendence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters. For some reason, certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed. (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively. These have now been merged into one.) This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr., was agent. At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records, dating from the 1880's, provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.","Richard Thomas Walker Duke, son of Richard and Maria Walker Duke, was born 6 June 1822 in Charlottesville, Virginia, where he spent his childhood. After attending private schools, he entered Virginia Military Institute and finished second in the class of 1845. Upon graduating he taught school in Lewisburg, Virginia (now West Virginia), but returned to Charlottesville when his father died in 1849, and began studying law at the University. In 1850, he started his own law practice, and over the next ten years built a law office, was chosen one of Charlottesville's first aldermen, served briefly as mayor, and became commonwealth's attorney. He married Elizabeth Scott Eskridge of Staunton, and they had two sons, William and R. T. W. Jr. (Tom), and a daughter, Mary, all of whom lived to adulthood; two other children died in childhood.","As colonel of the 48th Regiment of the Virginia Volunteers, R. T. W. Duke took an active role in the Civil War. In 1864, he resigned his commission because of a dispute with a superior officer, but re-enlisted thirty days later. He surrendered with his troops at Silas Creek in 1865, and returned to his law practice and position as commonwealth's attorney. From that time on, Duke was known as \"the Colonel,\" and in honor of his service in the recent war, the local camp for the Sons of Confederate Veterans was named for him.","In 1863 Duke bought Sunnyside, a 70-acre tract of land northeast of Charlottesville (on which the Law School is now located), and farmed this property until his death. He was chosen secretary/treasurer of the board of trustees of the Samuel Miller Fund, established in 1869. In 1870, Duke assumed the fifth district's Congressional seat for two terms as a member of the Conservative party. Lobbying for a strong South throughout his term, Duke actively opposed the 14th Amendment. R. T. W. Duke died after a lingering illness in the summer of 1898.","William R. Duke, born in 1849, possessed his father's farming instincts and commitment to political involvement. Together they farmed and resided at Sunnyside, whose ownership William shared with his brother Tom after their father's death. Although William studied law at Virginia, and in 1883 joined his father's law practice, he devoted more energy to farming and such groups as the Virginia Cattlemen's Association. In 1897 he was elected delegate to the Virginia General Assembly. Like his father, William was also involved in local affairs, serving, for example, as clerk of the Miller Fund board of trustees for many years. William died in 1929 and was survived by his sons, William (Billy) and Camman.","Since he was born in 1853, Richard Thomas Walker Duke Jr. (Tom) witnessed the Civil War during his impressionable boyhood years and later wrote about those experiences. A gifted writer and student of languages, Tom studied classics, French, German, and English literature when he entered the University of Virginia in 1870. He was awarded the Thomas Jefferson Prize for the best essay in 1872, and then turned his attention to the study of law in 1873-74. It is likely that he later read law for a time in his father's office before passing the bar. Although the practice of law became his career, Duke wrote prose and poetry the rest of his life, and was published in the New York Herald and such magazines as Century, Lippincott's, and Illustrated American.","Throughout his long career, Tom was active in town, University, and state affairs. Among the organizations in which he held office were the Masons, Zeta Psi fraternity, the Sons of the American Revolution, the Sons of Confederate Veterans, the Miller Board, the UVA Alumni Association, and the state Democratic Committee. He served from 1886 to 1901 as judge of the Corporation Court (now called the Circuit Court), as commonwealth's attorney from 1916 to 1920, and as a member of the Committee to Revise the Virginia Code in 1908. In addition, he sat on the boards of a variety of corporations, including the Charlottesville Ice Company, the First National Bank, and a number of Kentucky and West Virginia coal development companies in which his family had invested. From 1907 to 1910, Tom edited the Virginia Law Journal.","Tom Duke married Edith Ridgeway Slaughter in 1884, and they produced six children, of whom five grew to maturity: Mary, R. T. W. III (Walker), John Flavel Slaughter (Jack), William Eskridge, and Helen Risdon. He built a spacious home for his family at 616 Park Street. A frequent traveller because of his practice, Duke also travelled for pleasure. As the children grew up, Edith often accompanied him to New York or Washington to shop, visit friends and attend plays, or she took journeys alone to visit children and other relatives. All the Duke children, as they reached their teens, attended boarding school, and all received at least some college education. Edith Duke died suddenly in 1921, and two years later, Tom married Maymee Richardson Slaughter, his wife's sister-in-law from Lynchburg. In March of 1926 Tom died at the age of 76.","Walker, after a few years in the Navy, joined the Army and became a career officer. Jack served in the Army during World War I, and then began a career in business. In 1917, Eskridge took a law degree at Virginia and joined his father's practice. He was plagued by ill-health throughout his career, and soon after their father's death, his sister Mary, a former social worker, began assisting in the law office. Helen, a librarian, worked in New York and Norfolk for a year or so before moving back to the family home. Eskridge and his wife, Lucy Lee, had three children, of whom two, William Eskridge Jr. (Bill) and Lucy Marshall, grew to adulthood. Jack died in 1933; Eskridge, in 1959; Walker, in 1960; Mary, in 1966; and Helen, in 1984.","The Charlottesville law practice established by R. T. W. Duke in 1850 remained in the family for two succeeding generations. After studying law with John B. Minor at the University of Virginia, Duke practiced alone until 1858, when he built his office at 20 Court House Square and took James D. Jones as a partner. Another lawyer, Louis G. Hanckel, joined the firm in the early seventies and handled insurance business. When Tom finished his legal studies in 1874, he assisted his father, whose partner by then was Stephen V. Southall. In the 1880's the firm was called Duke and Duke, William having joined his father shortly before Tom became judge.","The early work of the firm was limited to real estate, debt collection, and probate work, with an occasional criminal case. In addition, there was ample time for all three lawyers to pursue their assorted outside interests. At the office each man wrote his own letters, Tom switching to a Remington typewriter in 1889, before the days when they could hire a stenographer. The Dukes handled property rentals for some of their clients, the wealthiest and best known of whom was Jefferson Levy, owner of Monticello, the Opera House, and a great deal of other property in town.","With the combination of \"the Colonel's\" death, the social and economic changes in town around the turn of the century, and the energetic leadership of Tom, the workload of the practice increased and became more diverse. Loan and bond operations were added to the civil and criminal work and property management. Around 1917, Eskridge and Clarence E. Gentry joined the firm, now called Duke, Duke and Gentry. The law office was torn down in 1922, and the firm moved to a building shared with other lawyers at the corner of Fifth and Jefferson Streets. The practice flourished, and the Dukes often hired Virginia law students or graduates as clerks or associates, including Elizabeth Tompkins (the first female graduate of the Law School), Bernard Chamberlain, Anna Dinwiddie, and John Yancy.","It has not been determined whether the Dukes sold insurance after Hanckel left, but some time after Eskridge joined the firm in the late teens, the Insurance Agency was established. The title was changed to the Insurance Agency of Charlottesville in 1923, when W. F. Carter Jr. as agent. After Carter misappropriated funds, he was relieved of his job, the agency was incorporated, and the Dukes' interest in the business was eventually bought out by William B. Murphy.","Eskridge carried on the law practice with the assistance of Mary and an occasional associate. In 1937, he wrote that his firm \"is regional and local counsel for a number of insurance companies, Virginia counsel for the Pike Coal Company, and does a general legal business, specializing in insurance, real estate, corporation and probate law, also maintains a collection department.\" With his failing health in the late forties, the practice dwindled until 1955, when Duke and Duke closed a little over a hundred years after it began.","The Duke law firm papers include correspondence, case files, legal, insuarance, and financial records, as well as ledgers. The files provide extensive documentation of a small-town family practice. Since the insurance business and the Dukes's family business affairs were handled in the same office as the law practice, these files had remained with the legal files. The family correspondence found with these papers was transferred to Special Collections in Alderman Library.","The Duke papers were transferred from the first Duke office to the second Duke office, finally to their third office on Park Street, where they apparently were shifted more than once. Things were unavoidably jumbled, but the order within the cartons, the types of file boxes and folders, and the dates made it possible to reconstruct the original filing arrangements.","This collection is rich in source material for scholars of legal, social, or local history. The first area of research focuses on the changes in the character of this small-town law practice from the post-Civil War to the post-World War II periods. There are well-documented accounts in the shifts in the type of legal work the law firm handled, the daily office operations over the years, the economic vicissitudes of the practice, and the attitudes of three generations of lawyers. There is information on the political, economic, and social conditions of the Charlottesville area during the time span of the Dukes' law practice.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material.  From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name.  The papers in this series are arranged as they were found.","Series II.  Copies of outgoing letters (boxes 44-57) --  From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books.  The books are stored in chronological order.","Series III.  Case files (boxes 58-125) -- The case files date back to 1874 but are concentrated between 1920 and 1955.  While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned.  Since many but not all of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder.  If the original folder was numbered, that number is noted on the new one.  The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV.  Legal documents (boxes 126-145) --  These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V.  Financial papers (boxes 146-167 and oversize) --  The financial papers were likewise apparently filed separately in the office.  They include notes, bonds, collections, accounts, bills, taxes, etc. and are arranged alphabetically (ca. 1870-1950).  Ledgers containing the same sort of financial records are organized by size.","Series VI.  General office correspondence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters.  For some reason certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed.  (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively.  These have now been merged into one.)  This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr. was agent.  At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records dating from the 1880's provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.","This addition to the Duke law firm papers came to the law library after the death of Helen Duke, donor of the original gift, and was given by William E. Duke, Jr. and Lucy D. Kinne.  These papers are principally legal files from the law firm for the years 1904-[1942-1948]-1954 and financial records of the Duke family, and their arrangement follows that of the original gift.","Arthur J. Morris Law Library Special Collections","Duke family","Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929","English"],"collection_title_tesim":["Duke family law firm papers, 1820/1959"],"collection_ssim":["Duke family law firm papers, 1820/1959"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS.79.6","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/66"],"unitid_tesim":["MSS.79.6","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/4/resources/66"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century"],"geogname_ssim":["Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century"],"places_ssim":["Charlottesville (Va.) -- History -- 19th Century","Charlottesville (Va.) -- History -- 20th century"],"creator_ssm":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"creator_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"creator_persname_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929"],"creator_corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"creator_famname_ssim":["Duke family"],"creators_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929","Arthur J. Morris Law Library Special Collections","Duke family"],"acqinfo_ssim":["The collection was a gift of Helen R. Duke in 1979.","The addendum to the papers of the Duke and Duke law firm was donated by William E. Duke and Lucy D. Kinne to the Law Library in October of 1985 after the death of Helen Duke, donor of the original gift."],"access_subjects_ssim":["practice of law -- Virginia","lawyers -- Virginia"],"access_subjects_ssm":["practice of law -- Virginia","lawyers -- Virginia"],"has_online_content_ssim":["false"],"extent_ssm":["108.5  Linear Feet 232 boxes"],"extent_tesim":["108.5  Linear Feet 232 boxes"],"date_range_isim":[1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959],"arrangement_html_tesm":["\u003cp\u003eThe papers are organized into 8 series: 1st-6th series concern the law practice; 7th series, the insurance business; and the 8th, family business.\u003c/p\u003e","\u003cp\u003eSeries I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material. From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name. The papers in this series are arranged as they were found.\u003c/p\u003e","\u003cp\u003eSeries II. Copies of outgoing letters (boxes 44-57) -- From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books. The books are stored in chronological order.\u003c/p\u003e","\u003cp\u003eSeries III. Case files (boxes 58-125) -- The case files date back to 1874, but are concentrated between 1920 and 1955. While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned. Since many, but not all, of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder. If the original folder was numbered, that number is noted on the new one. The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.\u003c/p\u003e","\u003cp\u003eSeries IV. Legal documents (boxes 126-145) -- These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).\u003c/p\u003e","\u003cp\u003eSeries V. Financial papers (boxes 146-167 and oversize) -- The financial papers were likewise apparently filed separately in the office. They include notes, bonds, collections, accounts, bills, taxes, etc., and are arranged alphabetically (ca. 1870-1950). Ledgers containing the same sort of financial records are organized by size.\u003c/p\u003e","\u003cp\u003eSeries VI. General office correspondendence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters. For some reason, certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed. (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively. These have now been merged into one.) This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.\u003c/p\u003e","\u003cp\u003eSeries VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr., was agent. At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.\u003c/p\u003e","\u003cp\u003eSeries VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records, dating from the 1880's, provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["The papers are organized into 8 series: 1st-6th series concern the law practice; 7th series, the insurance business; and the 8th, family business.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material. From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name. The papers in this series are arranged as they were found.","Series II. Copies of outgoing letters (boxes 44-57) -- From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books. The books are stored in chronological order.","Series III. Case files (boxes 58-125) -- The case files date back to 1874, but are concentrated between 1920 and 1955. While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned. Since many, but not all, of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder. If the original folder was numbered, that number is noted on the new one. The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV. Legal documents (boxes 126-145) -- These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V. Financial papers (boxes 146-167 and oversize) -- The financial papers were likewise apparently filed separately in the office. They include notes, bonds, collections, accounts, bills, taxes, etc., and are arranged alphabetically (ca. 1870-1950). Ledgers containing the same sort of financial records are organized by size.","Series VI. General office correspondendence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters. For some reason, certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed. (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively. These have now been merged into one.) This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr., was agent. At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records, dating from the 1880's, provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives."],"bioghist_html_tesm":["\u003cp\u003eRichard Thomas Walker Duke, son of Richard and Maria Walker Duke, was born 6 June 1822 in Charlottesville, Virginia, where he spent his childhood. After attending private schools, he entered Virginia Military Institute and finished second in the class of 1845. Upon graduating he taught school in Lewisburg, Virginia (now West Virginia), but returned to Charlottesville when his father died in 1849, and began studying law at the University. In 1850, he started his own law practice, and over the next ten years built a law office, was chosen one of Charlottesville's first aldermen, served briefly as mayor, and became commonwealth's attorney. He married Elizabeth Scott Eskridge of Staunton, and they had two sons, William and R. T. W. Jr. (Tom), and a daughter, Mary, all of whom lived to adulthood; two other children died in childhood.\u003c/p\u003e","\u003cp\u003eAs colonel of the 48th Regiment of the Virginia Volunteers, R. T. W. Duke took an active role in the Civil War. In 1864, he resigned his commission because of a dispute with a superior officer, but re-enlisted thirty days later. He surrendered with his troops at Silas Creek in 1865, and returned to his law practice and position as commonwealth's attorney. From that time on, Duke was known as \"the Colonel,\" and in honor of his service in the recent war, the local camp for the Sons of Confederate Veterans was named for him.\u003c/p\u003e","\u003cp\u003eIn 1863 Duke bought Sunnyside, a 70-acre tract of land northeast of Charlottesville (on which the Law School is now located), and farmed this property until his death. He was chosen secretary/treasurer of the board of trustees of the Samuel Miller Fund, established in 1869. In 1870, Duke assumed the fifth district's Congressional seat for two terms as a member of the Conservative party. Lobbying for a strong South throughout his term, Duke actively opposed the 14th Amendment. R. T. W. Duke died after a lingering illness in the summer of 1898.\u003c/p\u003e","\u003cp\u003eWilliam R. Duke, born in 1849, possessed his father's farming instincts and commitment to political involvement. Together they farmed and resided at Sunnyside, whose ownership William shared with his brother Tom after their father's death. Although William studied law at Virginia, and in 1883 joined his father's law practice, he devoted more energy to farming and such groups as the Virginia Cattlemen's Association. In 1897 he was elected delegate to the Virginia General Assembly. Like his father, William was also involved in local affairs, serving, for example, as clerk of the Miller Fund board of trustees for many years. William died in 1929 and was survived by his sons, William (Billy) and Camman.\u003c/p\u003e","\u003cp\u003eSince he was born in 1853, Richard Thomas Walker Duke Jr. (Tom) witnessed the Civil War during his impressionable boyhood years and later wrote about those experiences. A gifted writer and student of languages, Tom studied classics, French, German, and English literature when he entered the University of Virginia in 1870. He was awarded the Thomas Jefferson Prize for the best essay in 1872, and then turned his attention to the study of law in 1873-74. It is likely that he later read law for a time in his father's office before passing the bar. Although the practice of law became his career, Duke wrote prose and poetry the rest of his life, and was published in the New York Herald and such magazines as Century, Lippincott's, and Illustrated American.\u003c/p\u003e","\u003cp\u003eThroughout his long career, Tom was active in town, University, and state affairs. Among the organizations in which he held office were the Masons, Zeta Psi fraternity, the Sons of the American Revolution, the Sons of Confederate Veterans, the Miller Board, the UVA Alumni Association, and the state Democratic Committee. He served from 1886 to 1901 as judge of the Corporation Court (now called the Circuit Court), as commonwealth's attorney from 1916 to 1920, and as a member of the Committee to Revise the Virginia Code in 1908. In addition, he sat on the boards of a variety of corporations, including the Charlottesville Ice Company, the First National Bank, and a number of Kentucky and West Virginia coal development companies in which his family had invested. From 1907 to 1910, Tom edited the Virginia Law Journal.\u003c/p\u003e","\u003cp\u003eTom Duke married Edith Ridgeway Slaughter in 1884, and they produced six children, of whom five grew to maturity: Mary, R. T. W. III (Walker), John Flavel Slaughter (Jack), William Eskridge, and Helen Risdon. He built a spacious home for his family at 616 Park Street. A frequent traveller because of his practice, Duke also travelled for pleasure. As the children grew up, Edith often accompanied him to New York or Washington to shop, visit friends and attend plays, or she took journeys alone to visit children and other relatives. All the Duke children, as they reached their teens, attended boarding school, and all received at least some college education. Edith Duke died suddenly in 1921, and two years later, Tom married Maymee Richardson Slaughter, his wife's sister-in-law from Lynchburg. In March of 1926 Tom died at the age of 76.\u003c/p\u003e","\u003cp\u003eWalker, after a few years in the Navy, joined the Army and became a career officer. Jack served in the Army during World War I, and then began a career in business. In 1917, Eskridge took a law degree at Virginia and joined his father's practice. He was plagued by ill-health throughout his career, and soon after their father's death, his sister Mary, a former social worker, began assisting in the law office. Helen, a librarian, worked in New York and Norfolk for a year or so before moving back to the family home. Eskridge and his wife, Lucy Lee, had three children, of whom two, William Eskridge Jr. (Bill) and Lucy Marshall, grew to adulthood. Jack died in 1933; Eskridge, in 1959; Walker, in 1960; Mary, in 1966; and Helen, in 1984.\u003c/p\u003e","\u003cp\u003eThe Charlottesville law practice established by R. T. W. Duke in 1850 remained in the family for two succeeding generations. After studying law with John B. Minor at the University of Virginia, Duke practiced alone until 1858, when he built his office at 20 Court House Square and took James D. Jones as a partner. Another lawyer, Louis G. Hanckel, joined the firm in the early seventies and handled insurance business. When Tom finished his legal studies in 1874, he assisted his father, whose partner by then was Stephen V. Southall. In the 1880's the firm was called Duke and Duke, William having joined his father shortly before Tom became judge.\u003c/p\u003e","\u003cp\u003eThe early work of the firm was limited to real estate, debt collection, and probate work, with an occasional criminal case. In addition, there was ample time for all three lawyers to pursue their assorted outside interests. At the office each man wrote his own letters, Tom switching to a Remington typewriter in 1889, before the days when they could hire a stenographer. The Dukes handled property rentals for some of their clients, the wealthiest and best known of whom was Jefferson Levy, owner of Monticello, the Opera House, and a great deal of other property in town.\u003c/p\u003e","\u003cp\u003eWith the combination of \"the Colonel's\" death, the social and economic changes in town around the turn of the century, and the energetic leadership of Tom, the workload of the practice increased and became more diverse. Loan and bond operations were added to the civil and criminal work and property management. Around 1917, Eskridge and Clarence E. Gentry joined the firm, now called Duke, Duke and Gentry. The law office was torn down in 1922, and the firm moved to a building shared with other lawyers at the corner of Fifth and Jefferson Streets. The practice flourished, and the Dukes often hired Virginia law students or graduates as clerks or associates, including Elizabeth Tompkins (the first female graduate of the Law School), Bernard Chamberlain, Anna Dinwiddie, and John Yancy.\u003c/p\u003e","\u003cp\u003eIt has not been determined whether the Dukes sold insurance after Hanckel left, but some time after Eskridge joined the firm in the late teens, the Insurance Agency was established. The title was changed to the Insurance Agency of Charlottesville in 1923, when W. F. Carter Jr. as agent. After Carter misappropriated funds, he was relieved of his job, the agency was incorporated, and the Dukes' interest in the business was eventually bought out by William B. Murphy.\u003c/p\u003e","\u003cp\u003eEskridge carried on the law practice with the assistance of Mary and an occasional associate. In 1937, he wrote that his firm \"is regional and local counsel for a number of insurance companies, Virginia counsel for the Pike Coal Company, and does a general legal business, specializing in insurance, real estate, corporation and probate law, also maintains a collection department.\" With his failing health in the late forties, the practice dwindled until 1955, when Duke and Duke closed a little over a hundred years after it began.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Thomas Walker Duke, son of Richard and Maria Walker Duke, was born 6 June 1822 in Charlottesville, Virginia, where he spent his childhood. After attending private schools, he entered Virginia Military Institute and finished second in the class of 1845. Upon graduating he taught school in Lewisburg, Virginia (now West Virginia), but returned to Charlottesville when his father died in 1849, and began studying law at the University. In 1850, he started his own law practice, and over the next ten years built a law office, was chosen one of Charlottesville's first aldermen, served briefly as mayor, and became commonwealth's attorney. He married Elizabeth Scott Eskridge of Staunton, and they had two sons, William and R. T. W. Jr. (Tom), and a daughter, Mary, all of whom lived to adulthood; two other children died in childhood.","As colonel of the 48th Regiment of the Virginia Volunteers, R. T. W. Duke took an active role in the Civil War. In 1864, he resigned his commission because of a dispute with a superior officer, but re-enlisted thirty days later. He surrendered with his troops at Silas Creek in 1865, and returned to his law practice and position as commonwealth's attorney. From that time on, Duke was known as \"the Colonel,\" and in honor of his service in the recent war, the local camp for the Sons of Confederate Veterans was named for him.","In 1863 Duke bought Sunnyside, a 70-acre tract of land northeast of Charlottesville (on which the Law School is now located), and farmed this property until his death. He was chosen secretary/treasurer of the board of trustees of the Samuel Miller Fund, established in 1869. In 1870, Duke assumed the fifth district's Congressional seat for two terms as a member of the Conservative party. Lobbying for a strong South throughout his term, Duke actively opposed the 14th Amendment. R. T. W. Duke died after a lingering illness in the summer of 1898.","William R. Duke, born in 1849, possessed his father's farming instincts and commitment to political involvement. Together they farmed and resided at Sunnyside, whose ownership William shared with his brother Tom after their father's death. Although William studied law at Virginia, and in 1883 joined his father's law practice, he devoted more energy to farming and such groups as the Virginia Cattlemen's Association. In 1897 he was elected delegate to the Virginia General Assembly. Like his father, William was also involved in local affairs, serving, for example, as clerk of the Miller Fund board of trustees for many years. William died in 1929 and was survived by his sons, William (Billy) and Camman.","Since he was born in 1853, Richard Thomas Walker Duke Jr. (Tom) witnessed the Civil War during his impressionable boyhood years and later wrote about those experiences. A gifted writer and student of languages, Tom studied classics, French, German, and English literature when he entered the University of Virginia in 1870. He was awarded the Thomas Jefferson Prize for the best essay in 1872, and then turned his attention to the study of law in 1873-74. It is likely that he later read law for a time in his father's office before passing the bar. Although the practice of law became his career, Duke wrote prose and poetry the rest of his life, and was published in the New York Herald and such magazines as Century, Lippincott's, and Illustrated American.","Throughout his long career, Tom was active in town, University, and state affairs. Among the organizations in which he held office were the Masons, Zeta Psi fraternity, the Sons of the American Revolution, the Sons of Confederate Veterans, the Miller Board, the UVA Alumni Association, and the state Democratic Committee. He served from 1886 to 1901 as judge of the Corporation Court (now called the Circuit Court), as commonwealth's attorney from 1916 to 1920, and as a member of the Committee to Revise the Virginia Code in 1908. In addition, he sat on the boards of a variety of corporations, including the Charlottesville Ice Company, the First National Bank, and a number of Kentucky and West Virginia coal development companies in which his family had invested. From 1907 to 1910, Tom edited the Virginia Law Journal.","Tom Duke married Edith Ridgeway Slaughter in 1884, and they produced six children, of whom five grew to maturity: Mary, R. T. W. III (Walker), John Flavel Slaughter (Jack), William Eskridge, and Helen Risdon. He built a spacious home for his family at 616 Park Street. A frequent traveller because of his practice, Duke also travelled for pleasure. As the children grew up, Edith often accompanied him to New York or Washington to shop, visit friends and attend plays, or she took journeys alone to visit children and other relatives. All the Duke children, as they reached their teens, attended boarding school, and all received at least some college education. Edith Duke died suddenly in 1921, and two years later, Tom married Maymee Richardson Slaughter, his wife's sister-in-law from Lynchburg. In March of 1926 Tom died at the age of 76.","Walker, after a few years in the Navy, joined the Army and became a career officer. Jack served in the Army during World War I, and then began a career in business. In 1917, Eskridge took a law degree at Virginia and joined his father's practice. He was plagued by ill-health throughout his career, and soon after their father's death, his sister Mary, a former social worker, began assisting in the law office. Helen, a librarian, worked in New York and Norfolk for a year or so before moving back to the family home. Eskridge and his wife, Lucy Lee, had three children, of whom two, William Eskridge Jr. (Bill) and Lucy Marshall, grew to adulthood. Jack died in 1933; Eskridge, in 1959; Walker, in 1960; Mary, in 1966; and Helen, in 1984.","The Charlottesville law practice established by R. T. W. Duke in 1850 remained in the family for two succeeding generations. After studying law with John B. Minor at the University of Virginia, Duke practiced alone until 1858, when he built his office at 20 Court House Square and took James D. Jones as a partner. Another lawyer, Louis G. Hanckel, joined the firm in the early seventies and handled insurance business. When Tom finished his legal studies in 1874, he assisted his father, whose partner by then was Stephen V. Southall. In the 1880's the firm was called Duke and Duke, William having joined his father shortly before Tom became judge.","The early work of the firm was limited to real estate, debt collection, and probate work, with an occasional criminal case. In addition, there was ample time for all three lawyers to pursue their assorted outside interests. At the office each man wrote his own letters, Tom switching to a Remington typewriter in 1889, before the days when they could hire a stenographer. The Dukes handled property rentals for some of their clients, the wealthiest and best known of whom was Jefferson Levy, owner of Monticello, the Opera House, and a great deal of other property in town.","With the combination of \"the Colonel's\" death, the social and economic changes in town around the turn of the century, and the energetic leadership of Tom, the workload of the practice increased and became more diverse. Loan and bond operations were added to the civil and criminal work and property management. Around 1917, Eskridge and Clarence E. Gentry joined the firm, now called Duke, Duke and Gentry. The law office was torn down in 1922, and the firm moved to a building shared with other lawyers at the corner of Fifth and Jefferson Streets. The practice flourished, and the Dukes often hired Virginia law students or graduates as clerks or associates, including Elizabeth Tompkins (the first female graduate of the Law School), Bernard Chamberlain, Anna Dinwiddie, and John Yancy.","It has not been determined whether the Dukes sold insurance after Hanckel left, but some time after Eskridge joined the firm in the late teens, the Insurance Agency was established. The title was changed to the Insurance Agency of Charlottesville in 1923, when W. F. Carter Jr. as agent. After Carter misappropriated funds, he was relieved of his job, the agency was incorporated, and the Dukes' interest in the business was eventually bought out by William B. Murphy.","Eskridge carried on the law practice with the assistance of Mary and an occasional associate. In 1937, he wrote that his firm \"is regional and local counsel for a number of insurance companies, Virginia counsel for the Pike Coal Company, and does a general legal business, specializing in insurance, real estate, corporation and probate law, also maintains a collection department.\" With his failing health in the late forties, the practice dwindled until 1955, when Duke and Duke closed a little over a hundred years after it began."],"scopecontent_html_tesm":["\u003cp\u003eThe Duke law firm papers include correspondence, case files, legal, insuarance, and financial records, as well as ledgers. The files provide extensive documentation of a small-town family practice. Since the insurance business and the Dukes's family business affairs were handled in the same office as the law practice, these files had remained with the legal files. The family correspondence found with these papers was transferred to Special Collections in Alderman Library. \u003c/p\u003e","\u003cp\u003eThe Duke papers were transferred from the first Duke office to the second Duke office, finally to their third office on Park Street, where they apparently were shifted more than once. Things were unavoidably jumbled, but the order within the cartons, the types of file boxes and folders, and the dates made it possible to reconstruct the original filing arrangements.\u003c/p\u003e","\u003cp\u003eThis collection is rich in source material for scholars of legal, social, or local history. The first area of research focuses on the changes in the character of this small-town law practice from the post-Civil War to the post-World War II periods. There are well-documented accounts in the shifts in the type of legal work the law firm handled, the daily office operations over the years, the economic vicissitudes of the practice, and the attitudes of three generations of lawyers. There is information on the political, economic, and social conditions of the Charlottesville area during the time span of the Dukes' law practice.\u003c/p\u003e  ","\u003cp\u003eSeries I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material.  From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name.  The papers in this series are arranged as they were found.\u003c/p\u003e","\u003cp\u003eSeries II.  Copies of outgoing letters (boxes 44-57) --  From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books.  The books are stored in chronological order.\u003c/p\u003e","\u003cp\u003eSeries III.  Case files (boxes 58-125) -- The case files date back to 1874 but are concentrated between 1920 and 1955.  While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned.  Since many but not all of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder.  If the original folder was numbered, that number is noted on the new one.  The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.\u003c/p\u003e","\u003cp\u003eSeries IV.  Legal documents (boxes 126-145) --  These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).\u003c/p\u003e","\u003cp\u003eSeries V.  Financial papers (boxes 146-167 and oversize) --  The financial papers were likewise apparently filed separately in the office.  They include notes, bonds, collections, accounts, bills, taxes, etc. and are arranged alphabetically (ca. 1870-1950).  Ledgers containing the same sort of financial records are organized by size.\u003c/p\u003e","\u003cp\u003eSeries VI.  General office correspondence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters.  For some reason certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed.  (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively.  These have now been merged into one.)  This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.\u003c/p\u003e","\u003cp\u003eSeries VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr. was agent.  At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.\u003c/p\u003e","\u003cp\u003eSeries VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records dating from the 1880's provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.\u003c/p\u003e","\u003cp\u003eThis addition to the Duke law firm papers came to the law library after the death of Helen Duke, donor of the original gift, and was given by William E. Duke, Jr. and Lucy D. Kinne.  These papers are principally legal files from the law firm for the years 1904-[1942-1948]-1954 and financial records of the Duke family, and their arrangement follows that of the original gift.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The Duke law firm papers include correspondence, case files, legal, insuarance, and financial records, as well as ledgers. The files provide extensive documentation of a small-town family practice. Since the insurance business and the Dukes's family business affairs were handled in the same office as the law practice, these files had remained with the legal files. The family correspondence found with these papers was transferred to Special Collections in Alderman Library.","The Duke papers were transferred from the first Duke office to the second Duke office, finally to their third office on Park Street, where they apparently were shifted more than once. Things were unavoidably jumbled, but the order within the cartons, the types of file boxes and folders, and the dates made it possible to reconstruct the original filing arrangements.","This collection is rich in source material for scholars of legal, social, or local history. The first area of research focuses on the changes in the character of this small-town law practice from the post-Civil War to the post-World War II periods. There are well-documented accounts in the shifts in the type of legal work the law firm handled, the daily office operations over the years, the economic vicissitudes of the practice, and the attitudes of three generations of lawyers. There is information on the political, economic, and social conditions of the Charlottesville area during the time span of the Dukes' law practice.","Series I. Incoming letters (boxes 1-43) -- From 1869 to 1923 (and occasionally through the 1940's) incoming letters were filed separately from other material.  From 1899 to 1923 all incoming letters were stored annually in special file boxes arranged alphabetically by correspondent's name.  The papers in this series are arranged as they were found.","Series II.  Copies of outgoing letters (boxes 44-57) --  From the 1870's through the teens copies of outgoing letters were kept chronologically in letterpress books.  The books are stored in chronological order.","Series III.  Case files (boxes 58-125) -- The case files date back to 1874 but are concentrated between 1920 and 1955.  While the dates of these case files overlap the chronological ones described above, case files were by no means regularly created until the early twenties when the other system was virtually abandoned.  Since many but not all of the case files were numbered, it was impossible to restore them to numerical order. Therefore, they have been grouped into decades and then arranged alphabetically by title found on the original folder.  If the original folder was numbered, that number is noted on the new one.  The cases concern principally the settlement of debts, property and divorce, as well as, for the last few decades, insurance claims.","Series IV.  Legal documents (boxes 126-145) --  These documents, originally stored apart from case files, are organized chronologically according to type of document, the largest groups of which are deeds (1885-1929) and titles (1876-1936). Also included in this series are documents related to specific cases (ca. 1870-1925), to the coal business, and to miscellaneous matters (ca. 1800-1950).","Series V.  Financial papers (boxes 146-167 and oversize) --  The financial papers were likewise apparently filed separately in the office.  They include notes, bonds, collections, accounts, bills, taxes, etc. and are arranged alphabetically (ca. 1870-1950).  Ledgers containing the same sort of financial records are organized by size.","Series VI.  General office correspondence and cases (boxes 168-185) -- This alphabetical file, ca. 1920-1955, was apparently created for routine correspondence concerning clients and office matters.  For some reason certain cases were also incorporated into the alphabetical system, despite the fact that numbered case files continued to be created until the practice closed.  (To complicate matters a bit further, there seem to have been two alphabetical files used consecutively.  These have now been merged into one.)  This series contains correspondence and case files, desk diaries, memoranda, unfiled office papers, and files relating to the insurance companies Eskridge represented.","Series VII. Insurance agency files (boxes 186-217) -- These files of the Insurance Agency of Charlottesville, 1923-1927, cover the period in which W.F. Carter, Jr. was agent.  At the beginning of the series are documents concerning the audit of the agency and the subsequent incorporation.","Series VIII. Family business files, civic material and miscellany (boxes 218-232) -- These records dating from the 1880's provide a good deal of information about the financial affairs of the Charlottesville Dukes as well as their relatives.","This addition to the Duke law firm papers came to the law library after the death of Helen Duke, donor of the original gift, and was given by William E. Duke, Jr. and Lucy D. Kinne.  These papers are principally legal files from the law firm for the years 1904-[1942-1948]-1954 and financial records of the Duke family, and their arrangement follows that of the original gift."],"corpname_ssim":["Arthur J. Morris Law Library Special Collections"],"famname_ssim":["Duke family"],"names_coll_ssim":["Duke family","Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929","Duke, Richard Thomas Walker (R. T. W.), 1822-1898"],"persname_ssim":["Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929"],"names_ssim":["Arthur J. Morris Law Library Special Collections","Duke family","Duke, Richard Thomas Walker (R. T. W.), 1822-1898","Duke, William Eskridge, 1893-1959","Duke, William R., 1849-1929"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1908,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:30:23.622Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_4_resources_66_c03_c07_c172"}},{"id":"viu_repositories_3_resources_1148","type":"collection","attributes":{"title":"William Nalle, Jr. papers, 1907/1980","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1148#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_1148","ead_ssi":"viu_repositories_3_resources_1148","_root_":"viu_repositories_3_resources_1148","_nest_parent_":"viu_repositories_3_resources_1148","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_1148.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/123325","title_filing_ssi":"Nalle, William, Jr., papers","title_ssm":["William Nalle, Jr. papers"],"title_tesim":["William Nalle, Jr. papers"],"unitdate_ssm":["1907-1980"],"unitdate_inclusive_ssm":["1907-1980"],"normalized_date_ssm":["1907/1980"],"normalized_title_ssm":["William Nalle, Jr. papers, 1907/1980"],"text":["William Nalle, Jr. papers, 1907/1980","MSS 16620","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource 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Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/1148","World War, 1914-1918 -- Personal narratives, American","Black-and-white photographs","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["William Nalle, Jr. papers, 1907/1980"],"collection_ssim":["William Nalle, Jr. papers, 1907/1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 16620","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous 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Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_subjects_ssim":["World War, 1914-1918 -- Personal narratives, American","Black-and-white photographs"],"access_subjects_ssm":["World War, 1914-1918 -- Personal narratives, American","Black-and-white photographs"],"has_online_content_ssim":["false"],"extent_ssm":["0.2 Cubic Feet 1 letter half-size box"],"extent_tesim":["0.2 Cubic Feet 1 letter half-size box"],"genreform_ssim":["Black-and-white photographs"],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":0,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:13.060Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_1148"}},{"id":"viu_viu00663_c01_c732","type":"Item","attributes":{"title":"William Pfaff, New Orleans, Louisiana\n                  -correspondence about printing, rare books, their\n                  families, their health, 1924/1934","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00663_c01_c732#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00663_c01_c732","ref_ssm":["viu_viu00663_c01_c732"],"id":"viu_viu00663_c01_c732","ead_ssi":"viu_viu00663","_root_":"viu_viu00663","_nest_parent_":"viu_viu00663_c01","parent_ssi":"viu_viu00663_c01","parent_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"parent_ids_ssim":["viu_viu00663","viu_viu00663_c01"],"title_filing_ssi":"William Pfaff, New Orleans, Louisiana\n                  -correspondence about printing, rare books, their\n                  families, their health","title_ssm":["William Pfaff, New Orleans, Louisiana\n                  -correspondence about printing, rare books, their\n                  families, their health"],"title_tesim":["William Pfaff, New Orleans, Louisiana\n                  -correspondence about printing, rare books, their\n                  families, their health"],"normalized_title_ssm":["William Pfaff, New Orleans, Louisiana\n                  -correspondence about printing, rare books, their\n                  families, their health, 1924/1934"],"text":["William Pfaff, New Orleans, Louisiana\n                  -correspondence about printing, rare books, their\n                  families, their health, 1924/1934","Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers","box Box 208"],"parent_unittitles_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"parent_unittitles_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"normalized_date_ssm":["1924/1934"],"unitdate_other_ssim":["1924 -1934"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":733,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"containers_ssim":["box Box 208"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934],"_nest_path_":"/components#0/components#731","timestamp":"2026-06-23T07:33:15.613Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00663","ead_ssi":"viu_viu00663","_root_":"viu_viu00663","_nest_parent_":"viu_viu00663","ead_source_url_ssi":"data/uva-sc/viu00663.xml","title_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"title_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"normalized_title_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"text":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","382","This collection\n         consists of approximately 500,000 items.","Stored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections.","After arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.","The collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.","Space was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.","The collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.","Once processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.","As previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.","The processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.","For a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.","A certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.","As has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.","Listings of oversize material are located at the end of the\n         listing for each series.","Biography of Edward L. StoneEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.","Edward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.","Stone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.","Once, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.","His position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.","Edward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.","In March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.","Edward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.","Edward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.","Stone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.","Although Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.","Stone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.","A History of the Borderland Coal\n         CompanyThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.","The Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.","The Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.","The amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.","The town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.","World War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.","Borderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:","I spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"","Borderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.","West Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:","TO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            Considerable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            This is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            Yours very truly, \n            L. E. Armentrout, \n            Manager","By late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:","The organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            We have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            Now that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.","Unionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"","The Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.","The situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         Hell with the Lid Off in Mingo\n         County, West Virginia,gives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.","In the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.","The strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:","Gentlemen, \n            My attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            For your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.","While much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.","The Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.","The demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.","Officers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930","Officers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.","A History of the Stone Printing and\n         Manufacturing CompanyThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.","At this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.","In 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.","In 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.","Stone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.","The Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.","Commercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.","The profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"","Edward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.","Many of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.","On November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.","After 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.","Later, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.","When the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         the years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.Edward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.","When Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         We would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            But to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            If we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            Listening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            I am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            Very Sincerely, \n            Edward L. Stone \n            Chairman of the BoardClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day.","These papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.","The papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.","All items listed below are blueprints.","All items listed below are blueprints.","All items listed below are blueprints.","See the \n            \n            University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"collection_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["382"],"unitid_tesim":["382"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Before his death in 1938, the University of Virginia\n            Library had been negotiating with Edward L. Stone for the\n            purchase of his library. Mr. Stone had donated a number of\n            fine books, and some manuscripts, to the University of\n            Virginia Library, and its staff knew the value of his fine\n            private library. The tentative purchase price settled upon\n            was low principally because Mr. Stone wished his library to\n            remain intact. Unfortunately, Mr. Stone died before\n            negotiations were complete, but the Library concluded the\n            sale with his heirs in August 1938. As a result of this\n            purchase, the Stone Printing and Manufacturing Company of\n            Roanoke presented to the Library the files of\n            correspondence and other papers both of Mr. Stone's\n            extensive business interests and of his personal affairs.\n            The collection consisted of 207 letter boxes and\n            twenty-five \"large packing cases\" when it arrived at the\n            Library on August 11, 1939."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n         consists of approximately 500,000 items."],"accessrestrict_html_tesm":["\u003cp\u003eStored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections. \n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Stored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections."],"arrangement_html_tesm":["\u003cp\u003eAfter arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.\u003c/p\u003e\n      ","\u003cp\u003eThe collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.\u003c/p\u003e\n      ","\u003cp\u003eSpace was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.\u003c/p\u003e\n      ","\u003cp\u003eThe collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.\u003c/p\u003e\n      ","\u003cp\u003eOnce processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)\u003c/p\u003e\n      ","\u003cp\u003eThe word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.\u003c/p\u003e\n      ","\u003cp\u003eAs previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.\u003c/p\u003e\n      ","\u003cp\u003eThe first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.\u003c/p\u003e\n      ","\u003cp\u003eThese steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.\u003c/p\u003e\n      ","\u003cp\u003eThe processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.\u003c/p\u003e\n      ","\u003cp\u003eFor a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.\u003c/p\u003e\n      ","\u003cp\u003eA certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.\u003c/p\u003e\n      ","\u003cp\u003eAs has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.\u003c/p\u003e\n      ","\u003cp\u003eListings of oversize material are located at the end of the\n         listing for each series.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["After arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.","The collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.","Space was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.","The collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.","Once processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.","As previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.","The processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.","For a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.","A certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.","As has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.","Listings of oversize material are located at the end of the\n         listing for each series."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eBiography of Edward L. Stone\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.\u003c/p\u003e\n      ","\u003cp\u003eStone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.\u003c/p\u003e\n      ","\u003cp\u003eOnce, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.\u003c/p\u003e\n      ","\u003cp\u003eHis position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.\u003c/p\u003e\n      ","\u003cp\u003eIn March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.\u003c/p\u003e\n      ","\u003cp\u003eStone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.\u003c/p\u003e\n      ","\u003cp\u003eAlthough Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.\u003c/p\u003e\n      ","\u003cp\u003eStone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.\u003c/p\u003e\n      ","\u003cp\u003e\u003cemph render=\"bold\"\u003eA History of the Borderland Coal\n         Company\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.\u003c/p\u003e\n      ","\u003cp\u003eThe amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.\u003c/p\u003e\n      ","\u003cp\u003eThe town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.\u003c/p\u003e\n      ","\u003cp\u003eWorld War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.\u003c/p\u003e\n      ","\u003cp\u003eBorderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eI spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eBorderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.\u003c/p\u003e\n      ","\u003cp\u003eWest Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eTO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            \u003clb\u003e\u003c/lb\u003eConsiderable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            \u003clb\u003e\u003c/lb\u003eThis is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            \u003clb\u003e\u003c/lb\u003eYours very truly, \n            \u003clb\u003e\u003c/lb\u003eL. E. Armentrout, \n            \u003clb\u003e\u003c/lb\u003eManager \n            \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eBy late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eThe organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            \u003clb\u003e\u003c/lb\u003eWe have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            \u003clb\u003e\u003c/lb\u003eNow that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eUnionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.\u003c/p\u003e\n      ","\u003cp\u003eThe situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eHell with the Lid Off in Mingo\n         County, West Virginia,\u003c/title\u003egives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.\u003c/p\u003e\n      ","\u003cp\u003eIn the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.\u003c/p\u003e\n      ","\u003cp\u003eThe strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eGentlemen, \n            \u003clb\u003e\u003c/lb\u003eMy attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            \u003clb\u003e\u003c/lb\u003eFor your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eWhile much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.\u003c/p\u003e\n      ","\u003cp\u003eThe demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.\u003c/p\u003e\n      ","\u003cp\u003eOfficers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930\u003c/p\u003e\n      ","\u003cp\u003eOfficers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.\u003c/p\u003e\n      ","\u003cp\u003e\u003cemph render=\"bold\"\u003eA History of the Stone Printing and\n         Manufacturing Company\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.\u003c/p\u003e\n      ","\u003cp\u003eAt this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.\u003c/p\u003e\n      ","\u003cp\u003eIn 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.\u003c/p\u003e\n      ","\u003cp\u003eIn 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.\u003c/p\u003e\n      ","\u003cp\u003eStone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.\u003c/p\u003e\n      ","\u003cp\u003eThe Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.\u003c/p\u003e\n      ","\u003cp\u003eCommercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.\u003c/p\u003e\n      ","\u003cp\u003eThe profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.\u003c/p\u003e\n      ","\u003cp\u003eMany of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.\u003c/p\u003e\n      ","\u003cp\u003eOn November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.\u003c/p\u003e\n      ","\u003cp\u003eAfter 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.\u003c/p\u003e\n      ","\u003cp\u003eLater, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.\u003c/p\u003e\n      ","\u003cp\u003eWhen the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         \u003cblockquote\u003e\u003cp\u003ethe years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.\u003c/p\u003e\u003c/blockquote\u003eEdward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.\u003c/p\u003e\n      ","\u003cp\u003eWhen Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         \u003cblockquote\u003e\u003cp\u003eWe would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            \u003clb\u003e\u003c/lb\u003eBut to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            \u003clb\u003e\u003c/lb\u003eIf we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            \u003clb\u003e\u003c/lb\u003eListening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            \u003clb\u003e\u003c/lb\u003eI am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            \u003clb\u003e\u003c/lb\u003eVery Sincerely, \n            \u003clb\u003e\u003c/lb\u003eEdward L. Stone \n            \u003clb\u003e\u003c/lb\u003eChairman of the Board\u003c/p\u003e\u003c/blockquote\u003eClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Biography of Edward L. StoneEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.","Edward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.","Stone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.","Once, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.","His position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.","Edward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.","In March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.","Edward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.","Edward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.","Stone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.","Although Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.","Stone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.","A History of the Borderland Coal\n         CompanyThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.","The Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.","The Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.","The amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.","The town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.","World War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.","Borderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:","I spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"","Borderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.","West Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:","TO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            Considerable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            This is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            Yours very truly, \n            L. E. Armentrout, \n            Manager","By late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:","The organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            We have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            Now that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.","Unionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"","The Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.","The situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         Hell with the Lid Off in Mingo\n         County, West Virginia,gives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.","In the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.","The strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:","Gentlemen, \n            My attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            For your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.","While much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.","The Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.","The demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.","Officers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930","Officers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.","A History of the Stone Printing and\n         Manufacturing CompanyThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.","At this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.","In 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.","In 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.","Stone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.","The Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.","Commercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.","The profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"","Edward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.","Many of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.","On November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.","After 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.","Later, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.","When the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         the years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.Edward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.","When Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         We would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            But to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            If we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            Listening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            I am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            Very Sincerely, \n            Edward L. Stone \n            Chairman of the BoardClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day."],"prefercite_html_tesm":["\u003cp\u003eEdward L. Stone/Borderland Coal Company Papers,\n            Accession #382, Special Collections, University of Virginia\n            Library, Charlottesville, Va.\u003c/p\u003e\n      "],"prefercite_tesim":["Edward L. Stone/Borderland Coal Company Papers,\n            Accession #382, Special Collections, University of Virginia\n            Library, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThese papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.\u003c/p\u003e\n      ","\u003cp\u003eThe papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.\u003c/p\u003e\n    ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["These papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.","The papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.","All items listed below are blueprints.","All items listed below are blueprints.","All items listed below are blueprints."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":2216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:15.613Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00663_c01_c732"}},{"id":"viu_viu00663_c01_c966","type":"Item","attributes":{"title":"William R. Wright -\n                  correspondence, 1933","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_viu00663_c01_c966#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_viu00663_c01_c966","ref_ssm":["viu_viu00663_c01_c966"],"id":"viu_viu00663_c01_c966","ead_ssi":"viu_viu00663","_root_":"viu_viu00663","_nest_parent_":"viu_viu00663_c01","parent_ssi":"viu_viu00663_c01","parent_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"parent_ids_ssim":["viu_viu00663","viu_viu00663_c01"],"title_filing_ssi":"William R. Wright -\n                  correspondence","title_ssm":["William R. Wright -\n                  correspondence"],"title_tesim":["William R. Wright -\n                  correspondence"],"normalized_title_ssm":["William R. Wright -\n                  correspondence, 1933"],"text":["William R. Wright -\n                  correspondence, 1933","Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers","box Box 277"],"parent_unittitles_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"parent_unittitles_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","Edward L. Stone Personal Papers"],"normalized_date_ssm":["1933"],"unitdate_other_ssim":["1933"],"level_ssm":["Item"],"level_ssim":["Item"],"component_level_isim":[2],"sort_isi":967,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"containers_ssim":["box Box 277"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"date_range_isim":[1933],"_nest_path_":"/components#0/components#965","timestamp":"2026-06-23T07:33:15.613Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_viu00663","ead_ssi":"viu_viu00663","_root_":"viu_viu00663","_nest_parent_":"viu_viu00663","ead_source_url_ssi":"data/uva-sc/viu00663.xml","title_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"title_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"normalized_title_ssm":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"text":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937","382","This collection\n         consists of approximately 500,000 items.","Stored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections.","After arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.","The collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.","Space was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.","The collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.","Once processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.","As previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.","The processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.","For a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.","A certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.","As has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.","Listings of oversize material are located at the end of the\n         listing for each series.","Biography of Edward L. StoneEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.","Edward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.","Stone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.","Once, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.","His position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.","Edward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.","In March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.","Edward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.","Edward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.","Stone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.","Although Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.","Stone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.","A History of the Borderland Coal\n         CompanyThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.","The Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.","The Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.","The amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.","The town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.","World War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.","Borderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:","I spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"","Borderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.","West Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:","TO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            Considerable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            This is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            Yours very truly, \n            L. E. Armentrout, \n            Manager","By late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:","The organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            We have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            Now that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.","Unionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"","The Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.","The situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         Hell with the Lid Off in Mingo\n         County, West Virginia,gives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.","In the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.","The strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:","Gentlemen, \n            My attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            For your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.","While much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.","The Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.","The demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.","Officers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930","Officers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.","A History of the Stone Printing and\n         Manufacturing CompanyThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.","At this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.","In 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.","In 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.","Stone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.","The Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.","Commercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.","The profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"","Edward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.","Many of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.","On November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.","After 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.","Later, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.","When the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         the years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.Edward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.","When Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         We would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            But to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            If we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            Listening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            I am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            Very Sincerely, \n            Edward L. Stone \n            Chairman of the BoardClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day.","These papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.","The papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.","All items listed below are blueprints.","All items listed below are blueprints.","All items listed below are blueprints.","See the \n            \n            University of Virginia Library’s use policy.","English"],"collection_title_tesim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"collection_ssim":["Edward L. Stone/Borderland Coal Company Papers \n         \n         1895-1937"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["382"],"unitid_tesim":["382"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"acqinfo_ssim":["Before his death in 1938, the University of Virginia\n            Library had been negotiating with Edward L. Stone for the\n            purchase of his library. Mr. Stone had donated a number of\n            fine books, and some manuscripts, to the University of\n            Virginia Library, and its staff knew the value of his fine\n            private library. The tentative purchase price settled upon\n            was low principally because Mr. Stone wished his library to\n            remain intact. Unfortunately, Mr. Stone died before\n            negotiations were complete, but the Library concluded the\n            sale with his heirs in August 1938. As a result of this\n            purchase, the Stone Printing and Manufacturing Company of\n            Roanoke presented to the Library the files of\n            correspondence and other papers both of Mr. Stone's\n            extensive business interests and of his personal affairs.\n            The collection consisted of 207 letter boxes and\n            twenty-five \"large packing cases\" when it arrived at the\n            Library on August 11, 1939."],"has_online_content_ssim":["false"],"physdesc_tesim":["This collection\n         consists of approximately 500,000 items."],"accessrestrict_html_tesm":["\u003cp\u003eStored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections. \n\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Stored off-site. Users must request boxes 48 hours in advance of desired use. Neither drop-in nor next-day requests can be fulfilled. For additional information, contact Special Collections."],"arrangement_html_tesm":["\u003cp\u003eAfter arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.\u003c/p\u003e\n      ","\u003cp\u003eThe collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.\u003c/p\u003e\n      ","\u003cp\u003eSpace was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.\u003c/p\u003e\n      ","\u003cp\u003eThe collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.\u003c/p\u003e\n      ","\u003cp\u003eOnce processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)\u003c/p\u003e\n      ","\u003cp\u003eThe word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.\u003c/p\u003e\n      ","\u003cp\u003eAs previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.\u003c/p\u003e\n      ","\u003cp\u003eThe first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.\u003c/p\u003e\n      ","\u003cp\u003eThese steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.\u003c/p\u003e\n      ","\u003cp\u003eThe processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.\u003c/p\u003e\n      ","\u003cp\u003eFor a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.\u003c/p\u003e\n      ","\u003cp\u003eA certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.\u003c/p\u003e\n      ","\u003cp\u003eAs has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.\u003c/p\u003e\n      ","\u003cp\u003eListings of oversize material are located at the end of the\n         listing for each series.\u003c/p\u003e\n    "],"arrangement_heading_ssm":["Organization"],"arrangement_tesim":["After arrival at the University, the collection was placed\n         in the stack areas of the then division of Rare Books and\n         Manuscripts of the Library, and was shelved in close proximity\n         to another large collection received only a year before, that\n         of the Low Moor Iron Company. The two comprised the largest\n         group of material in the division at the time, a group that,\n         unfortunately, was rarely used by researchers as there were no\n         finding aids to the mass, and interested researchers were\n         intimidated by the problems of research in the papers.","The collections remained in the stacks until 1958 when\n         expansion space in the division's storage area was reduced to\n         a minimum by the successful collecting program of the\n         intervening years. A review of the collections and their use\n         showed that the Stone collection and the Low Moor Iron Company\n         papers were rarely consulted, and it was decided to move them\n         out of the division's quarters to provide storage space for\n         collections that were being used by researchers.","Space was located in the attic of a student dormitory, and\n         the division prepared the papers for long-term storage by\n         removing them from the old letter boxes in which they had\n         arrived. Each bundle of papers was placed between sheets of\n         gray, newspaper-storage cardboard sheets; the spine titles of\n         the old letter boxes were copied onto the cardboard sheets,\n         and the bundle was wrapped in brown paper, tied up with\n         string, and numbered in a coded sequence.","The collections remained in the attic of Lefevre House\n         until the fall of 1976 when, after the receipt of a grant from\n         the National Endowment for the Humanities for the processing\n         of the two collections, they were transported to the Alderman\n         Library building once more In the Library's receiving room,\n         the bundles were cleaned in the dust hood, untied and\n         unwrapped, and the contents transferred into gray, Hollinger\n         storage boxes before transfer into the storage areas of the\n         Manuscripts Department for processing. The coded numbers on\n         the bundles were recorded but proved to be of no use in\n         restoring order to the papers, badly out of sequence from\n         their many moves over the years. Nor did the spine titles and\n         dates from the original letters boxes prove to be of any\n         particular use in organizing the collection.","Once processing work was completed at the end of the summer\n         of 1978, the Stone Papers were transferred back to the\n         dormitory attic as space in the Alderman Library building\n         remained short, and it was felt that adequate service on the\n         Stone Papers could be maintained from the attic now that a\n         guide to the papers had been prepared. (N.B. The Stone papers\n         were removed from the dormitory attic and transferred to the\n         University Library's high-density remote storage facility\n         following its opening in the mid-1990s.)","The word \"organization\" is used here with considerable\n         diffidence, for any researcher studying the lists of box\n         contents that follow will realize quickly that there is no\n         organization in the usual sense of the word.","As previously noted, the Stone papers were subjected to a\n         number of moves before processing began, and, unfortunately,\n         there seems to have been little organization of the papers in\n         Mr. Stone's files in his Roanoke office. Presumably, he and\n         his staff could locate material that was needed from the\n         files, but at the time that processing began in the fall of\n         1976, no discernible scheme of organization could be\n         determined.","The first step was to review the series of coded numbers\n         placed on the bundles of papers before they were moved to the\n         dormitory attic, but these did not provide any sort of useful\n         organization. Next, the spine titles of the original letter\n         boxes were reviewed (they had been copied onto the gray\n         cardboard sheets before the move to the dormitory attic), but\n         they, too, proved useless.","These steps having provided no scheme, and after a\n         considerable hiatus due to a turnover in student processors on\n         the collection, the new student processors were instructed to\n         begin a box-by-box inventory of the contents of the\n         collection. During this inventory, old folders were replaced\n         with acid-free ones, and the original folder headings were\n         copied onto the new ones. Some removal of papers clips was\n         accomplished, and the materials were reviewed and notes were\n         taken for the guide.","The processors found that Mr. Stone's papers were comprised\n         of three series. One was devoted to his personal affairs, and\n         contained material about his diverse business interests\n         outside his two major ones, and about his civic and\n         professional interests, as well as papers from his private\n         life. The second series contained the papers from his major\n         business and \"first love\" the Stone Printing and Manufacturing\n         Company of Roanoke; and the third series included a wealth of\n         material about the Borderland Coal Company, an enterprise that\n         Mr. Stone served for twenty-seven years, first as president\n         and later, as chairman of the board.","For a long time, we considered separating the three series\n         of papers, and the processors evolved a good system of colored\n         slips clipped to the boxes to identify material from each\n         series contained in a box. However, as they neared the end of\n         their inventory, the processors became convinced, and argued\n         successfully that the series should not be separated.\n         Basically, all these papers are Mr. Stone's private papers as\n         he was the major stockholder in the Stone Printing Company and\n         it was very much a personal operation. There are\n         interrelationships between material that was found standing in\n         different folders in the same box, and the processors\n         correctly feared that drastic reorganization would destroy\n         those relationships. Thus, we decided to accept their\n         argument, and the box contents were allowed to remain as we\n         found them.","A certain amount of movement of boxes within the collection\n         probably would ease use of it. But what processing was\n         accomplished on this project took far longer than had been\n         anticipated, and there was no time in the late spring of 1978,\n         when the processors had to complete their work with the\n         project, to undertake a mass movement of material. Thus, they\n         stand in the order in which we found them at the beginning of\n         the project.","As has been stated above, the three series of papers in\n         this collection (Stone Personal; Borderland Coal Co.; and\n         Stone Printing and Mfg. Co.) have not been physically\n         separated and are scattered throughout the collection.\n         However, in the container listing which follows the three\n         series have been separated. Therefore, the listing for the\n         Edward L. Stone Personal Papers series begins with Box 11 of\n         the collection because that is the first box in which Stone's\n         personal papers can be found. (Boxes 1-10 appear in the\n         listing for the Borderland Coal Co. series.) This also means\n         that if a box contains material from more than one series it\n         will have more than one entry in the listing, so that to find\n         a complete listing of a particular box a researcher might need\n         to look at the listing for each of the three series. In\n         addition, some of the box entries in the listing are slightly\n         out of order, so that if a box appears to have no entry or\n         only a partial entry, in a particular series the entry is\n         sometimes picked up on the next page of the listing.","Listings of oversize material are located at the end of the\n         listing for each series."],"bioghist_html_tesm":["\u003cp\u003e\u003cemph render=\"bold\"\u003eBiography of Edward L. Stone\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.\u003c/p\u003e\n      ","\u003cp\u003eStone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.\u003c/p\u003e\n      ","\u003cp\u003eOnce, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.\u003c/p\u003e\n      ","\u003cp\u003eHis position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.\u003c/p\u003e\n      ","\u003cp\u003eIn March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.\u003c/p\u003e\n      ","\u003cp\u003eStone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.\u003c/p\u003e\n      ","\u003cp\u003eAlthough Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.\u003c/p\u003e\n      ","\u003cp\u003eStone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.\u003c/p\u003e\n      ","\u003cp\u003e\u003cemph render=\"bold\"\u003eA History of the Borderland Coal\n         Company\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.\u003c/p\u003e\n      ","\u003cp\u003eThe amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.\u003c/p\u003e\n      ","\u003cp\u003eThe town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.\u003c/p\u003e\n      ","\u003cp\u003eWorld War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.\u003c/p\u003e\n      ","\u003cp\u003eBorderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eI spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eBorderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.\u003c/p\u003e\n      ","\u003cp\u003eWest Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eTO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            \u003clb\u003e\u003c/lb\u003eConsiderable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            \u003clb\u003e\u003c/lb\u003eThis is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            \u003clb\u003e\u003c/lb\u003eYours very truly, \n            \u003clb\u003e\u003c/lb\u003eL. E. Armentrout, \n            \u003clb\u003e\u003c/lb\u003eManager \n            \u003clb\u003e\u003c/lb\u003e\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eBy late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eThe organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            \u003clb\u003e\u003c/lb\u003eWe have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            \u003clb\u003e\u003c/lb\u003eNow that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eUnionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.\u003c/p\u003e\n      ","\u003cp\u003eThe situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         \u003ctitle type=\"simple\" render=\"doublequote\" href=\"\"\u003eHell with the Lid Off in Mingo\n         County, West Virginia,\u003c/title\u003egives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.\u003c/p\u003e\n      ","\u003cp\u003eIn the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.\u003c/p\u003e\n      ","\u003cp\u003eThe strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:\u003c/p\u003e\n      ","\u003cblockquote\u003e\n        \u003cp\u003eGentlemen, \n            \u003clb\u003e\u003c/lb\u003eMy attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            \u003clb\u003e\u003c/lb\u003eFor your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.\u003c/p\u003e\n      \u003c/blockquote\u003e\n      ","\u003cp\u003eWhile much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.\u003c/p\u003e\n      ","\u003cp\u003eThe Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.\u003c/p\u003e\n      ","\u003cp\u003eThe demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.\u003c/p\u003e\n      ","\u003cp\u003eOfficers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930\u003c/p\u003e\n      ","\u003cp\u003eOfficers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.\u003c/p\u003e\n      ","\u003cp\u003e\u003cemph render=\"bold\"\u003eA History of the Stone Printing and\n         Manufacturing Company\u003c/emph\u003e\u003clb\u003e\u003c/lb\u003eThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.\u003c/p\u003e\n      ","\u003cp\u003eAt this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.\u003c/p\u003e\n      ","\u003cp\u003eIn 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.\u003c/p\u003e\n      ","\u003cp\u003eIn 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.\u003c/p\u003e\n      ","\u003cp\u003eStone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.\u003c/p\u003e\n      ","\u003cp\u003eThe Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.\u003c/p\u003e\n      ","\u003cp\u003eCommercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.\u003c/p\u003e\n      ","\u003cp\u003eThe profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"\u003c/p\u003e\n      ","\u003cp\u003eEdward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.\u003c/p\u003e\n      ","\u003cp\u003eMany of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.\u003c/p\u003e\n      ","\u003cp\u003eOn November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.\u003c/p\u003e\n      ","\u003cp\u003eAfter 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.\u003c/p\u003e\n      ","\u003cp\u003eLater, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.\u003c/p\u003e\n      ","\u003cp\u003eWhen the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         \u003cblockquote\u003e\u003cp\u003ethe years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.\u003c/p\u003e\u003c/blockquote\u003eEdward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.\u003c/p\u003e\n      ","\u003cp\u003eWhen Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         \u003cblockquote\u003e\u003cp\u003eWe would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            \u003clb\u003e\u003c/lb\u003eBut to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            \u003clb\u003e\u003c/lb\u003eIf we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            \u003clb\u003e\u003c/lb\u003eListening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            \u003clb\u003e\u003c/lb\u003eI am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            \u003clb\u003e\u003c/lb\u003eVery Sincerely, \n            \u003clb\u003e\u003c/lb\u003eEdward L. Stone \n            \u003clb\u003e\u003c/lb\u003eChairman of the Board\u003c/p\u003e\u003c/blockquote\u003eClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day.\u003c/p\u003e\n    "],"bioghist_heading_ssm":["Biographical/Historical Information"],"bioghist_tesim":["Biography of Edward L. StoneEdward Lee Stone was born on September 15, 1864, in\n         Liberty (now Bedford) Virginia, the son of John Harmon Stone\n         and Mary Witt Stone. He was reared in very modest\n         circumstances, and received no more than an elementary school\n         education, yet he became one of the wealthiest and most\n         prominent citizens in the state of Virginia.","Edward Stone's career in the printing business is typical\n         of the fabled American dream. At ten years of age, having\n         recently lost his father, Stone was in the boys' playground of\n         his school. J. R. Guy, the editor of the Bedford Sentinel\n         newspaper, came to the playground looking for William Fellers,\n         Stone's cousin. When Stone asked Mr. Guy what he wanted with\n         William, Guy replied \"I want him to carry the papers. Stone\n         said, \"I'll carry 'em' for you.\" After being a delivery boy\n         for the Sentinel, Stone learned to set type and worked\n         evenings after school for five cents an evening; twenty-five\n         cents on Saturday. Less than a year later, economics\n         necessitated that he quit school to pursue his job full time.\n         Stone learned his lessons well, and showed enthusiasm in every\n         phase of his work. Young Stone worked alongside a window, and\n         enjoyed nothing better than to jump out into the street and\n         scrap with some passing youngster, returning to his duties\n         after the fun was over.","Stone was given more and more duties which he performed to\n         this employer's total satisfaction. At the age of sixteen, for\n         some now-inexplicable reason, Stone left the newspaper\n         business to work for a mercantile establishment, He soon grew\n         bored, however, and returned to printer's ink. This time he\n         worked for the Democrat, a weekly newspaper in Buchanan,\n         Virginia, then a thriving town at the intersection of the\n         James River and the Kanawha Canal.","Once, at the age of sixteen, Stone was entrusted with\n         getting out an entire edition of the paper by himself. The\n         editor was in court and many workmen were out sick. Stone and\n         an assistant set type at breakneck speed beginning at 7:15\n         A.M. and had the entire seven-column paper completed by noon\n         --an amazing feat. Stone was out playing ball by 2 P.M. and\n         earned a $5.00 bonus from his boss, editor William J. Boyd. In\n         1882, Boyd informed Stone that he was going to open a printing\n         office in Roanoke, Virginia, then a small town. Boyd wanted\n         Stone to be manager, and on July 20th, 1882, both men arrived\n         in Roanoke. A place could not be found for the new enterprise\n         however, and both returned to Buchanan. Stone became\n         disillusioned with the small scope of opportunities Buchanan\n         provided, and, with an ambition to \"become somebody\" in the\n         printing business, set out for Lynchburg. Landing in Lynchburg\n         in January 1883 he applied for work on the News and, after a\n         few days, secured a position as compositor. Here he remained\n         until March, achieving considerable reputation as a fast\n         compositor, yet not satisfied. Stone really longed for a\n         position in the printing business. John P. Bell offered Stone\n         a minor position in a branch office he had planned to open in\n         Roanoke. The position was, in most respects, inferior to the\n         one he had already held, but Stone gladly took it. He worked\n         hard, and showed superior business ability which impressed Mr.\n         Bell so much that when the manager of the business died in\n         1885 his position was offered to Stone. The position was not\n         offered without some misgivings because of Stone's youth (he\n         was only twenty-one) and his lack of business experience.\n         Stone, however, did such a good job as manager that Bell\n         realized that he had made the right choice. Stone eventually\n         gained control of the business and became president of the\n         company.","His position was secure enough that in 1890, he married\n         Miss Minnie Fishburn, daughter of J. A. Fishburn, a prominent\n         business man of Roanoke. The couple had one child, Mary\n         Katherine Stone.","Edward Stone's printing business grew in size and wealth.\n         By 1920 it was acknowledged by many to be the best-equipped\n         printing corporation in the south, and one of the largest as\n         well. He had many other business interests. He was president\n         of the Borderland Coal Corporation, president of the Virginia\n         Bridge and Iron Company, vice president and later president of\n         the Walker Foundry and Machine Company, chairman of the First\n         National Exchange Bank, and president of his primary business\n         and \"first love,\" the Stone Printing and Manufacturing\n         Company.","In March 1896 Stone was presented with a petition signed by\n         fourteen Roanoke business men requesting that he run for\n         mayor. Stone was very tempted, but a law stating that no one\n         in Roanoke public office would be permitted to do business\n         with the city stopped him. Stone felt that not being able to\n         do business with the city would be unfair to his stockholders.\n         Stone, a civic-minded individual, was chairman of the Roanoke\n         Community Fund in 1924, and of the City Planning and Zoning\n         Commission. He was also chairman of the war bond committee\n         during the First World War, and belonged to many societies and\n         organizations, including the American Institute of Graphic\n         Arts, the Florida State Historical Society, the Shenandoah\n         Club of Roanoke, the Country Club of Roanoke, the Roanoke Gun\n         Club, the Roanoke German Club, the Virginia Historical Society\n         (life member), the Better Printing Committee of the United\n         Typothetae of America, the Roanoke Rotary Club, the\n         International Benjamin Franklin Society of New York, and the\n         board of trustees of the Committee to Assist the Blind.","Edward Stone was also an extremely charitable man. He gave\n         large sums of money to the Roanoke Hospital and the Roanoke\n         Relief Fund, helped endow Roanoke College, gave heavily to the\n         Boy Scouts and the War Relief Clearing House, and donated\n         money to the Coal Miner's Relief Fund--even though it was\n         those very coal miners who were striking in Stone's coal\n         mines. He believed, however, that the miners' children should\n         not have to suffer for their parents' stand. The Stones also\n         gave money to support French children who had been left\n         fatherless as a result of the war. Stone, a Presbyterian,\n         donated $100.00 to the Jewish Relief Fund in 1917 to aid the\n         starving Jews in Russia displaced by the war, and also sent\n         funds to the Tuskeegee Institute.","Edward Stone's principal hobby was book collecting, and his\n         library was appraised at $50,000.00 in 1939. Among his\n         treasured pieces was a page from the original Gutenberg Bible.\n         Stone's library was considered to be the largest and\n         best-equipped privately-owned library in the state of\n         Virginia.","Stone's income fluctuated through the years. In 1917 and\n         1918, partly through stock sales, Stone declared an income of\n         $129,383.39 and $91,483.00 respectively, but 1926 was\n         considered an average year, and he declared an income of\n         $57,500.00.","Although Stone was a humanitarian and philanthropist, he\n         believed in keeping total control of his business and watched\n         his employees closely. He did not strongly oppose unionization\n         in his printing shop, but fully opposed unionization in his\n         coal mines, even using scabs to break strikes.","Stone suffered financial reversals during the Great\n         Depression but he reorganized his holdings to prevent a great\n         loss, and he weathered the Depression better than most\n         businessmen. His health had begun to fail by 1929, and by 1934\n         he was virtually bedridden. Finally, after a protracted\n         illness, Edward L. Stone died on June 3, 1938, at the age of\n         seventy-four.","A History of the Borderland Coal\n         CompanyThe Borderland Coal Company derived its name from its\n         dual location in Mingo County, West Virginia, and Pike County,\n         Kentucky, an area bordered by the Tug Fork of the Big Sandy\n         River. The mines proper were located in Kentucky, and the coal\n         washers and other processing equipment were located in West\n         Virginia. The company operated from 1903 to 1934. While the\n         Borderland Coal Company was incorporated in 1903, the first\n         batch of coal was not shipped until September 1, 1904. In that\n         year J. S. Tipton, formerly the majority stockholder, resigned\n         his post as general manager of Borderland Coal and sold most\n         of his stock to Edward L. Stone. At that time Stone was\n         president of the Young Men's Investment Club which owned a\n         large number of shares in the Borderland Coal Company, and\n         thus, Stone controlled the club's activities.","The Borderland Coal Company initially owned approximately\n         1,000 acres of coal land. The company mined bituminous or soft\n         coal, and sold slack coal, used by railroads and industrial\n         concerns, egg coal, used in private furnaces, and nut coal,\n         the highest quality of bituminous coal, used in the kitchens\n         of private homes.","The Borderland Coal Company grew through the early 1900's.\n         In 1905, a second plant was opened called simply \"Operation\n         #2.\" The company declared its first stock dividend in November\n         1907, and began the construction of an electric plant,\n         cableway, conveyor, and tipple at a cost of $27,950.00. In\n         1908 a new coal washer was installed. By late 1914 the\n         Borderland Company held 3,000 acres of coal lands containing\n         an estimated 20,000,000 tons of coal. The profits of the\n         Borderland Coal Company increased from $1,250.00 in 1904 to\n         $11,243.77 in 1905, to $49,977.21 in 1908, and to $110,532.68\n         in 1910.","The amount of coal mined increased from 246 railroad\n         carloads in 1904 to 3,781 railroad carloads in 1910, and\n         expansion continued until the outbreak of World War I. The\n         coal paid a regular annual dividend averaging 15-30%. Prior to\n         1911, the Leckie Coal Company of Cleveland, Ohio, was the\n         exclusive agency for the sale of Borderland Coal. In that\n         year, however, the Borderland Coal Sales Company was formed,\n         with officers of the Borderland Coal Company doubling as\n         officials of the new company.","The town of Borderland, West Virginia, was a company town,\n         with company-owned homes, stores, school, and a church. The\n         rents in the company homes appear to have been within the\n         miners' incomes. The prices in the company stores, however,\n         were exorbitant. In fact, profits for the company store were\n         the second biggest money maker for the company in 1911,\n         totaling $11,811.78. The largest profit maker was coal, which\n         netted $91,741.07, while the sale of powder was ranked third,\n         totaling $3,165.86.","World War I created a great demand and a high prices for\n         coal, and the Borderland Coal Company prospered despite\n         difficulty finding railroad cars to transport its produce. In\n         1917, the company paid a record 60% dividend. On January 1,\n         1918, the company re-chartered itself in Virginia, and\n         patented the trademark and the name of the Borderland Coal\n         Company. The new capital stock was valued at nearly\n         $800,000.00. In November 1918 construction began on a new\n         tipple at a cost of $116,000.00. After the First World War,\n         the Borderland Coal Company experienced a decrease in both the\n         demand and the price of coal. The problem of labor and\n         unionization, however, ultimately caused the company's\n         demise.","Borderland Coal Company officials had been concerned over\n         the growth of coal mine unionization long before any major\n         trouble began. As early as 1915, L. E. Armentrout, the\n         corporation's Vice President and General Manager began using\n         \"secret service men\" to infiltrate the ranks of the miners and\n         report on any union activity. It is not known whether these\n         agents were U.S. government agents or private investigators,\n         but the latter is presumed. One of them reported on March 10,\n         1915:","I spent the entire day Monday with Emmett and Ed McKee,\n            Gus Cantrell, and Henry McKnight, all white Americans. We\n            played cards in an empty house on the Kentucky side. We had\n            a nice fire and everything was very comfortable. We would\n            play cards until we got tired, then we would stop\n            everything and talk unionism. Gus Cantrell said that he had\n            been talking to the boys for the last year, trying to get\n            them to organize a local of the U.M.W. of A. He said that\n            there was plenty of good, solid union men and that there\n            were also a lot of rotten scabs here. That he got into a\n            conversation with George McCormick, a white man, and\n            McCormick told him that he didn't believe in the union and\n            that he didn't want anything to do with the U.M.W. of A. .\n            . . I told Cantrell that I would be willing to help\n            organize the local. He said, \"Well, the work is picking up\n            now and we will wait until the boys get a good pay day,\n            then we will put this thing through.\"","Borderland Coal Company successfully resisted unionization\n         in the years before World War I. Wartime regulations prevented\n         strikes and hindered unionization, but after the war many\n         miners felt that it was time to air their grievances. Miners\n         disagreed over specific demands, but most felt that grave\n         inequalities existed in the rates for day workers established\n         by the Bituminous Coal Commission. The miners requested that a\n         conference be held but this request was turned down by the\n         Commission. Dissatisfaction became more pronounced, and during\n         the middle of July 1920 the miners in some of the subdistricts\n         walked out in an unauthorized strike. Shutdowns spread to\n         Indiana and Illinois. President Woodrow Wilson intervened and\n         told the miners that if they returned to work a grievance\n         committee would be formed. The miners returned to work August\n         10, 1920, and the committee was set up. Management and labor\n         agreed on a wage increase and all was quiet for a while.","West Virginia was in a unique position in that most of the\n         mines in that state were non-union. The Interstate Commerce\n         Commission fixed freight rates with a \"differential\" low\n         enough that West Virginia coal would not be eliminated by\n         production from other fields closer to their market. When the\n         market for coal was good, the differential also allowed the\n         union coal fields of Indiana, Michigan, and Illinois to pay\n         the union scale of wages and still sell their coal in\n         competition with the product of non-union fields, such as\n         those in West Virginia. When the demand for coal was low and\n         prices receded, however, the differential no longer aided the\n         union fields and they began to experience an adverse effect.\n         These conditions appeared after the First World War, and as a\n         result operators of unionized mines demanded the unionization\n         of the Wast Virginia coal fields. Thus the U.M.W. put pressure\n         on all non-union fields, including those of the Borderland\n         Coal Company. Borderland Coal Company had been fairly quiet\n         about unionization up to this time. On May 5, 1920, however,\n         L. E. Armentrout had issued the following notice:","TO THE PRESENT OR FUTURE EMPLOYEES OF THE BORDERLAND\n            COAL COMPANY \n            Considerable efforts are being made to organize this\n            field and certain advantages are being held out to some men\n            showing the advisability of belonging to the Union. \n            This is a free country and this company is not going\n            to dictate to its employees whether they shall or shall not\n            join the Union, but for your information and for the\n            information of your friends, we wish to state positively\n            that no Union man will be employed by this company, and if\n            you find that it is to your interest to join the Union, we\n            would suggest that you arrange to move out and call at the\n            office and we will be glad to settle with you. This will\n            save you as well as the company further trouble, but we\n            sincerely hope that the pleasant relations between the\n            Company and the men will continue, and that each and every\n            one of you will continue in our employ. \n            Yours very truly, \n            L. E. Armentrout, \n            Manager","By late May, 1920 the situation had become acute.\n         Armentrout wrote to James P. Woods, president of the\n         Borderland Coal Company:","The organizers have just about put us out of business at\n            both plants . . . We have a good many men who have not\n            joined the Union, but these agitators are intimidating them\n            and have them so scared they won't attempt to try to work.\n            I will have a conference with the West Virginia attorneys\n            today to see if I cannot get a temporary injunction, or\n            probably prosecution for these intimidators. \n            We have three Deputy Sheriffs in Kentucky and expect\n            two more in today. We have both plants pretty well policed\n            at night, but still some of the intimidators slip through\n            the mines and get to some of the men. . . \n            Now that the primary is over, we believe that\n            Unionism will die out. . . . In fact, no Union cards have\n            been issued and for the past two or three days they have\n            not been able to locate the man who has been giving them\n            orders on the stores. Some of them (the fired Union Men)\n            have already remarked that they could not support their\n            families on $7.00 to $8.00 a week, and they hated to go to\n            bed at night when their children were crying for something\n            to eat.","Unionism, however, did not die out. Union \"agitators\" saw\n         to that no coal could be mined at the Borderland Company's\n         coal fields. In a letter to Stone dated July 6, 1920,\n         Armentrout stated that he was able to get \"very little action\n         from the Governor of West Virginia. . .I just finished talking\n         to Governor Morrow's office in Frankfort, Kentucky, and the\n         home guards will likely entrain today. They will likely have\n         machine guns so if that they get in according to promise, we\n         think that conditions will improve very rapidly.\"","The Borderland Coal Company kept its promise and\n         dispossessed hundreds of its employees. Fired from their jobs\n         and ousted from their homes, they were forced to live in\n         tents. In a union pamphlet entitled \"Borderland and Bullets\"\n         these men told of the horrible indignities forced on company\n         employees who joined the union. The purpose of the pamphlet\n         was to oppose the re-election of Colonel James P. Woods,\n         president of the Borderland Coal Company, to the U. S. House\n         of Representatives. Woods ran for re-election in the sixth\n         Virginia district claiming that he had been always fair to the\n         working man, and he won.","The situation at Borderland soon deteriorated into\n         violence. A pamphlet dated \"winter, 1920\" and entitled \n         Hell with the Lid Off in Mingo\n         County, West Virginia,gives an account of drunken\n         company guards wounding a number of workers by firing into\n         their tents. On May 12, 1920, Edward Stone, chairman of the\n         board of the Borderland Coal Company, had examined an\n         advertisement for the Thompson sub-machine gun but had decided\n         that \"the gun is not sufficient for our needs at the mine.\" On\n         May 16 Governor John J. Cornwell of West Virginia sent a\n         telegram to the War Department in Washington requesting that\n         Federal troops be sent to the Tug River District, where\n         Borderland Coal Company was located. There had been fighting\n         in the Tug River District for nearly four days. Secretary of\n         War John Weeks, basing his decision on reports from one of his\n         staff officers who had visited the area, decided that federal\n         troops were not needed. Four days later Governor Cornwell\n         declared martial law in West Virginia. Militiamen from both\n         Kentucky and West Virginia were involved in the fighting.","In the summer of 1921 the U. M. W. began its famous \"summer\n         march\" which precipitated guerilla warfare between the\n         pro-union and anti-union forces. On June 29, Governor Cornwell\n         ordered the citizens of West Virginia to take up arms and\n         defend themselves against the pro-unionists. The papers of the\n         Borderland Coal Company include lists of casualties written on\n         scrap paper, such as \"Stone Mountain, 5 Baldwin men and 4\n         citizens killed (one the mayor), 2 Feltz Bros. killed, 2\n         military companies there, 2 on the way.\" In April 1922 the\n         coal miners' grievances came to a head and they struck. They\n         demanded a continuation of the system of bargaining and\n         contract, including the \"checkoff,\" which is a list devised to\n         check on payment of union dues. In addition to demanding\n         stable wage rates, the miners demanded a six-hour day and a\n         five-day week. These increased hours would mean steady\n         employment, one of the miners' main goals.","The strike apparently took some pressure off the Borderland\n         Coal Company because after 1922 there is little or nothing in\n         the collection regarding unionization. Company officials had\n         managed to avoid unionization of their mines but had caused\n         the company much damage in the process. Bitter feelings\n         prevailed after the strike. A letter from L. E. Armentrout to\n         the Borderland Coal Company dated 1923 states:","Gentlemen, \n            My attention has just been called to the enclosed\n            blotter bearing the union label. It has been the policy of\n            this company for several years, in fact, ever since we have\n            been in business, not to recognize any Union whatever. We\n            spent, or lost, something like $300,000.00 fighting the\n            United Mine Workers here in 1920 and 1921, and also have\n            some injunctions against them. \n            For your information, please do not place any more\n            printing with any Union shop, and if you have any more of\n            these blotters, tear them up or dispose of them otherwise\n            as it is inconsistent with our policy, and we positively\n            will not stand for it.","While much of the collection regards labor struggles, there\n         is little material regarding immigrant labor although 40% of\n         the workers were immigrants. West Virginia was a sparsely\n         populated state at this time, and immigrants were needed to\n         supplement the labor in their mines. The first constitution of\n         the state provided for the appointment of an immigration\n         officer whose duties were to advertise the attractions of West\n         Virginia throughout Europe and make arrangements with\n         industries to supply transportation for foreign workmen. Of\n         the 80,877 workers employed in the West Virginia coal mines in\n         1915, 49,753 were American-born (37,918 white and 11,835\n         black) and 31,124 were foreign-born. Italians made up the\n         largest percentage of the immigrant labor force, about one\n         third of all foreigners employed in the mines while Hungarians\n         comprised the second-most prevalent nationality, approximately\n         one-sixth of the foreign born total.","The Borderland Coal Company never fully recovered from the\n         trouble that paralyzed its mines in 1920. The 1920's were a\n         very depressed period for the mining industry in general and\n         the depression of 1929 brought prices to an all time low. Coal\n         production fell precipitously from 1927-1933 although there\n         seemed to be a slight upturn that year. In 1927, L. E.\n         Armentrout resigned from the company and a year later the\n         Borderland Coal Sales Company was dissolved due to lack of\n         business. The Norfolk and Chesapeake Coal Company became\n         exclusive agents for the sale of Borderland coal. At a meeting\n         of the Borderland Coal Company's board of directors in 1929,\n         it was stated that since the market for coal was so poor, it\n         hardly paid to keep the mines going. The Borderland Coal\n         Company mines were only worked four days during the entire\n         month of May 1932. In a letter from Edward L. Stone to a\n         Borderland Coal Company creditor, Stone wrote that as the\n         Borderland Coal Company did not have the money to pay its\n         debts, all creditors would have to wait for their money, and\n         that he hoped that he could avoid declaring the Borderland\n         Coal Company bankrupt. In 1934 Stone received a letter from a\n         stockholder consoling him for having to \"lose Borderland\n         Coal.\" Apparently the company was then out of business.","The demise of the Borderland Coal Company was the result of\n         broad national trends; the product of their mines was of high\n         quality, and in good supply. The problem of labor and\n         unionization paralyzed the Borderland Coal Company. Lack of\n         production in the mines meant that the Borderland Coal Company\n         could not pay dividends which affected their stockholders. The\n         bad mining conditions, a lack of demand for coal and low\n         market prices made it impossible for the Borderland Coal\n         Company to recover. The return of the coal-rich region of\n         Alsace-Lorraine to France meant that our allies no longer\n         needed American coal. Domestic demand increased, but it did\n         not compensate for decreased industrial use. The switch to\n         alternative forms of energy such as oil, also damaged the coal\n         industry. Although prosperity returned to the rest of the\n         country, the coal industry never totally recovered, and the\n         Borderland Coal Company was one of the victims.","Officers of the Borderland Coal Company: Edward Lee Stone\n         --President ca. 1907-1919, Chairman of the Board 1919-ca.\n         1934; James P. Woods (attorney at law --U. S. Representative,\n         6th Virginia District) --Vice President ca. 1905-1922,\n         President 1922-1932; L. E. Armentrout --Manager ca. 1905-1915,\n         Vice President and Manager ca. 1915-1927; Ernest B. Fishburn\n         --Secretary-Treasurer ca. 1905-1930","Officers of the Borderland Coal Sales Company: L. E.\n         Armentrout --President; Edward Lee Stone --Vice President;\n         James P. Woods --second Vice President; R. N. Osborne,\n         Jr.--Secretary (discharged in 1924); W. W.\n         Austin--Secretary.","A History of the Stone Printing and\n         Manufacturing CompanyThe Stone Printing and Manufacturing Company of Roanoke,\n         Virginia, was established in 1883 as the Bell Printing and\n         Manufacturing Company. John P. Bell of Lynchburg served as\n         president, and Samuel J. Fields of Abington, Virginia, served\n         as manager. Edward L. Stone, the eventual chairman of the\n         board, was then employed as a journeyman printer and pressman.\n         In 1885, Stone succeeded Fields as the company's manager, and\n         his brother, Albert A. Stone, joined the business.","At this time the company occupied a small site on Commerce\n         Street in Roanoke, an area about twenty by twenty-five feet.\n         In 1889 the plant was seriously damaged by fire, and within a\n         few months, the company moved to larger quarters on the second\n         and third floors of the Gale Building on Jefferson Street.\n         Shortly thereafter, the controlling interest was purchased by\n         Edward L. Stone, with the remainder of the stock being\n         purchased by J. B. Fishburn and Albert A. Stone.","In 1892, the name of the company was changed to the Stone\n         Printing and Manufacturing Company, and the company occupied a\n         new, three-story building at 116 North Jefferson Street. In\n         1896, a duplicate building was added on the north side; in a\n         few years another addition was placed at the rear. The company\n         built another addition in 1902 but five years later the old\n         structure was torn down and a new two-stories building, 210 x\n         110 feet, was completed. The new structure gave the Stone\n         Printing Company 50,000 square feet of space, which is about\n         100 times the floor space originally occupied on Commerce\n         Street. The company today occupies the same site on Jefferson\n         Street.","In 1883 the capital stock of the company was $5,000.00, and\n         in 1900, it was increased to $50,000.00. In 1910 the capital\n         stock had grown to $350,000.00. All of the stock increases\n         were taken, with one exception, by the original stockholders.\n         Sales grew from $84,371.00 in 1900 to $179,433.78 in 1905, and\n         from $253,781.15 in 1909 to a high of $608,174.36 in 1920.","Stone had considered selling his printing company to a\n         British syndicate in 1912. He felt, however, that business was\n         good and getting better and eventually decided to retain\n         control. By 1920 the Stone Printing Company had customers in\n         half the states in the union and in some foreign countries.\n         Between 1920 and 1929, however, sales showed a steady decline.\n         In 1929 they fell to $399,701.43 and declined throughout the\n         depression.","The Stone Printing Company's most important business came\n         from railroads as the company printed tariff and rate\n         schedules as well as tickets. Since the railroad rates changed\n         rapidly during the early 1900's, railroad printing was very\n         lucrative. The principal railroad customer and in fact, the\n         largest customer, of the Stone Printing Company was the\n         Norfolk and Western Railroad. In 1910 the Norfolk and Western\n         Railroad accounted for $85,652.60 in sales. Combined with the\n         sales to other railroads in 1910, the total of railroad sales\n         was approximately $193,000.00 of a total of $339,678.92 --well\n         over half of the total sales of the Stone Printing\n         Company.","Commercial printing comprised the second largest source of\n         the Stone Printing Company's business, accounting for\n         $135,110.32 of a total $608,174.36 in 1920. The fourth largest\n         amount of business, after the Norfolk and Western Railway,\n         other railroads, and commercial printing, was school and\n         college printing. The Stone Printing Company printed the\n         yearbooks for the University of Virginia, the Georgia\n         Institute of Technology, the University of Mississippi,\n         Randolph-Macon College, Hollins College, Virginia Polytechnic\n         Institute, and others.","The profit margin in printing often was small, and thus\n         costs had to be carefully controlled. Edward L. Stone was a\n         commissioner of the American Printers Cost Commission which\n         kept a close watch on printing costs and tried to keep them\n         down. Another serious problem that bothered Stone Printing\n         Company was unionization. As most Roanoke printing shops,\n         Stone Printing Company was an open shop where either union or\n         non-union people could be employed. The company's officers did\n         not penalize or prevent workers from joining the union. The\n         International Typographical Union, however, put pressure on\n         Edward Stone to turn his establishment into a closed shop,\n         that is, a shop that would hire only union members, pay union\n         wages, and abide by union rules. Paying union wages did not\n         trouble Stone because he already paid more than the union\n         scale in most cases. For example, in 1905 when the union scale\n         was $13.50 per week, Stone pointed out that while two of his\n         employees received less and one received the union wage, over\n         forty workers received between $15.00 and $25.00 per week.\n         Stone felt it folly to pay all workers the same because, he\n         said, \"some are so much better than others.\"","Edward Stone's paternalistic attitude toward his employees\n         is reflected in a collection of letters exchanged with his\n         workers. Forced to fire an employee who lied about being able\n         to work on a printing press, Stone lent him the money to go to\n         printing school, and re-hired him when he had learned the\n         trade. Another worker left the company without notice, heading\n         home to Lexington, Virginia. When the employee needed money to\n         return to Roanoke, Stone lent it to him with the understanding\n         that the employee would never again leave without asking\n         Stone's permission. Another employee left Stone without notice\n         to work for another printing firm, but when the employee\n         wanted his old job back, Stone gave it to him. Stone\n         frequently lent money to his employees, and did not press them\n         for repayment.","Many of the union's rules, however bothered Stone. Among\n         the ones he objected to were (1) in all cases when it became\n         necessary to reduce the working force of an office, the last\n         person hired should be the first dropped; (2) in machine\n         composition, all work must be time work and no piece work\n         should be allowed; (3) no member of the International\n         Typographical Union should engage in a speed contest either by\n         hand composition or on machines, and violation of this rule\n         was to be punished by a fine of not less than $25.00, or by\n         suspension; (4) an eight hour day (Stone Printing had a 9 to\n         9-1/2 hour day); and (5) no one holding active membership in a\n         local union should sign any individual or private contract\n         with any employer, agreeing to work for any stated time,\n         length, or conditions as the union alone was to have the power\n         to contract for conditions, wages, and hours. This fifth\n         stipulation bothered Stone the most for he firmly believed\n         that an employee should perform whatever duty Stone demanded\n         of him.","On November 20, 1907, there was a union strike in Roanoke.\n         The union men employed by the Stone Printing Company walked\n         out, and the union formed a picket line in front of the Stone\n         Printing Company. Stone wrote to Joel Cuthin, Mayor of\n         Roanoke: \"We have never been opposed to the union, but we have\n         objected to having them run our business, unless they acquired\n         it by ownership.\" The union put pressure on the Stone Printing\n         Company. A memo to Edward Stone from Albert Stone dated 1915\n         told of some Stone Printing Company material being returned by\n         certain Roanoke merchants because they did not bear the union\n         label. The amount of material returned, however, was very\n         small. The union pressure placed on Stone was generally\n         peaceful and there was no violence or destruction. After the\n         unsuccessful strike, Stone took back all of his union men.","After 1920 the company's sales and profits declined. In\n         1927, Albert Stone, who had assumed the presidency of the\n         company, commissioned Ernst and Ernst, financial analysts, to\n         examine the operation of Stone Printing and make\n         recommendations for improving business. The analysts found\n         Stone Printing to be an innovative company which sought and\n         found new markets such as school and college printing and the\n         printing of calendars, and which had sound leadership. Ernst\n         and Ernst felt that it was a change in economic conditions,\n         not the company itself, that caused the company's problems.\n         Competition had changed and grown in intensity by 1920, making\n         the ability to sell most important. The analysts recommended\n         the creation of a sales department coupled with more\n         aggressive selling techniques.","Later, Albert Stone, Jr., Edward Stone's nephew, claimed\n         that it was the reluctance of the Stone Printing Company to\n         cut prices during the depression of 1919-1922 that caused the\n         company's problems. He claimed that by the time the company\n         did cut its prices, Stone Printing had lost many of its most\n         valued customers, and suggested a closer watch of costs\n         coupled with an expansion of the calendar line. Although these\n         suggestions were followed, business did not improve.","When the Great Depression hit in 1929, business worsened.\n         Loyal customers and a solid financial base kept the Stone\n         Printing Company from bankruptcy. Edward Stone's health was\n         failing by 1929, and most of the company's affairs were passed\n         on to his brother Albert. In a letter from Edward Stone to the\n         board of directors in 1930, he wrote: \n         the years operations to date, with vastly improved\n            selling efforts, has only brought us the same volume of\n            business that we had last year but the increased\n            organization expense, incident to this extra selling\n            effort, and the extraordinary competition in the matter of\n            price, has prevented us from obtaining prices that we\n            should really obtain for our products.Edward Stone recommended a reduction in salaries\n         across the board from the president on down, and layoffs of\n         certain personnel.","When Franklin D. Roosevelt first initiated his New Deal\n         program in 1933, Edward Stone was apprehensive. In a letter\n         dated July 26, 1933, he wrote: \n         We would like the best in the world to go along with the\n            National Industrial Recovery Act, and be able to wire\n            President Roosevelt an affirmative reply in connection with\n            the agreement addressed \"To Every Employer.\" \n            But to do so, with my modest knowledge of economics,\n            would mean arbitrary action on our part, with a \"blind\n            faith\" that we do not possess. \n            If we still further reduce the working hours to 35\n            per week (as the New Deal suggested) the increased cost of\n            production reaches the geometric progression stage, with\n            the result that our losses on current contracts, which we\n            see no way of passing along to our customers until we would\n            actually see no way of meeting our payroll or meeting our\n            bills, would mean disaster. \n            Listening in over the radio last night I understand\n            that 5,000 or more telegrams had been received by the\n            President indicating unconditional acceptance of the\n            Agreement. It is quite possible that we should do likewise,\n            regardless, just as we offered ourselves, body and\n            resources, in wartime. \n            I am giving expression to these thoughts even though\n            I feel the \"patriotic\" thing for us to do may be to go\n            ahead, \"blindly,\" and in spite of our objections or reasons\n            for not doing so, and sign the agreement. \n            Very Sincerely, \n            Edward L. Stone \n            Chairman of the BoardClearly, Stone expected no miracles, but he went\n         along with the N.I.R.A. and generally supported Roosevelt.\n         There are references to increasing business by 1937.\n         Correspondence ends the following year with Edward Stone's\n         death. The Stone Printing Company, however, is in business to\n         this very day."],"prefercite_html_tesm":["\u003cp\u003eEdward L. Stone/Borderland Coal Company Papers,\n            Accession #382, Special Collections, University of Virginia\n            Library, Charlottesville, Va.\u003c/p\u003e\n      "],"prefercite_tesim":["Edward L. Stone/Borderland Coal Company Papers,\n            Accession #382, Special Collections, University of Virginia\n            Library, Charlottesville, Va."],"scopecontent_html_tesm":["\u003cp\u003eThese papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.\u003c/p\u003e\n      ","\u003cp\u003eThe papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.\u003c/p\u003e\n    ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          ","\u003cp\u003eAll items listed below are blueprints.\u003c/p\u003e\n          "],"scopecontent_heading_ssm":["Scope and Content Information"],"scopecontent_tesim":["These papers fill 455 special four-inch Hollinger storage\n         boxes (ca. 150 linear feet) and span the years 1895-1937.\n         There are three major series: Edward L. Stone's papers re his\n         personal life and diversified business, professional, and\n         civic concerns; papers concerned with his principal business,\n         the Stone Printing and Manufacturing Company of Roanoke,\n         Virginia; and those papers concerned with the Borderland Coal\n         Company of West Virginia and Kentucky of which Stone was the\n         principal officer for many years. Because these series\n         basically are composed of Stone's personal papers, and because\n         there are interrelationships between material in one series\n         and that in another, the series have been maintained in the\n         boxes in the order in which they were found.","The papers are rich in material for many types of studies.\n         Because Stone's major concern was his printing business, there\n         is a great amount of material about that business, its labor\n         problems, economic problems, its professional associations,\n         relationships with its customers --especially the railroads\n         --and so on. Because Mr. Stone collected medieval manuscripts\n         and examples of fine printing that formed a great private\n         library, there is, in his personal papers, a good deal of\n         correspondence and material about this special interest. His\n         personal papers also contain considerable material about his\n         diversified business and civic interests. And the records of\n         the Borderland Coal Company--which Mr. Stone operated either\n         as president or as chairman of the board for twenty-seven\n         years--are rich in information concerning this vital industry,\n         its periods of economic success and decline, its relationships\n         with the railroads that moved its products, and its labor\n         problems.","All items listed below are blueprints.","All items listed below are blueprints.","All items listed below are blueprints."],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"language_ssim":["English"],"total_component_count_is":2216,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:33:15.613Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00663_c01_c966"}},{"id":"viu_repositories_3_resources_271_c04_c03","type":"File","attributes":{"title":"William Samuel Burnley, 1877/1939","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_271_c04_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_271_c04_c03","ref_ssm":["viu_repositories_3_resources_271_c04_c03"],"id":"viu_repositories_3_resources_271_c04_c03","ead_ssi":"viu_repositories_3_resources_271","_root_":"viu_repositories_3_resources_271","_nest_parent_":"viu_repositories_3_resources_271_c04","parent_ssi":"viu_repositories_3_resources_271_c04","parent_ssim":["Burnley Family papers, 1808/1964","Personal papers, 1913/1922"],"parent_ids_ssim":["viu_repositories_3_resources_271","viu_repositories_3_resources_271_c04"],"title_filing_ssi":"William Samuel Burnley","title_ssm":["William Samuel Burnley"],"title_tesim":["William Samuel Burnley"],"normalized_title_ssm":["William Samuel Burnley, 1877/1939"],"text":["William Samuel Burnley, 1877/1939","Burnley Family papers, 1808/1964","Personal papers, 1913/1922","box 1 [X030899269]","folder 19","English"],"parent_unittitles_ssm":["Burnley Family papers, 1808/1964","Personal papers, 1913/1922"],"parent_unittitles_tesim":["Burnley Family papers, 1808/1964","Personal papers, 1913/1922"],"normalized_date_ssm":["1877/1939"],"unitdate_inclusive_ssm":["1877-1939"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":24,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Burnley Family papers, 1808/1964"],"extent_ssm":["0.04 Cubic Feet One folder."],"extent_tesim":["0.04 Cubic Feet One folder."],"containers_ssim":["box 1 [X030899269]","folder 19"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_terms_tesm":["There are no restrictions."],"language_ssim":["English"],"date_range_isim":[1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939],"_nest_path_":"/components#3/components#2","timestamp":"2026-06-23T07:28:59.529Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_271","ead_ssi":"viu_repositories_3_resources_271","_root_":"viu_repositories_3_resources_271","_nest_parent_":"viu_repositories_3_resources_271","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_271.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/138141","title_filing_ssi":"Burnley Family papers","title_ssm":["Burnley Family papers"],"title_tesim":["Burnley Family papers"],"unitdate_ssm":["1808-1964"],"unitdate_inclusive_ssm":["1808-1964"],"normalized_date_ssm":["1808/1964"],"normalized_title_ssm":["Burnley Family papers, 1808/1964"],"text":["Burnley Family papers, 1808/1964","MSS 15926","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/271","There are four series for this collection, Series 1. Correspondence 1842-1964, Series 2. Legal 1808-1816, Series 3. Military 1862-1864, Series 4. Personal 1913-1924","The Burnleys were a well-known family in nineteenth-century Albemarle County, Virginia. Nathaniel Burnley (1786-1860) owned the Hydraulic Mills complex as well as Rio Mills on the South Fork of the Rivanna River. The Burnley family may have originally descended from [John Burnley 1760-1810 of England] who bought land in Albemarle County, Virginia.","Nathaniel Burnley (the patriarch-great grandfather in this collection) married Sarah (Sallie) Sutton Drury Wood(1795-1879) in 1811. They lived near Stony Point and owned a tavern. In 1829, Nathaniel Burnley and his partner, Rice W. Wood bought the Rio Hydraulic Mills, which was at the junction of Ivy Creek and the South Rivanna River.","Nathaniel and Sarah Burnley's children were Martha Caroline Burnley (1820-1904), Emily (Emma) Garth (1824-1896) (married to Garland Garth), Lucy Vest (1828-1903), Horace Buckner Burnley (1822-1891), Sarah Frances Burnley (1831-1901), Cornelia Rice Railey (1834-1896), Drury Wood Burnley (1826-1906), James Fendall Burnley), Dr. William Rice Burnley (1815-1842), and Mary Jane Garth (1818-1890) (married to Burwell Garth). Martha Caroline Burnley married Samuel Goodman Burnley (1800-1875) (who was a cousin of her father Nathaniel Burnley).","Samuel Goodman and Martha Caroline Burnley's son, William Henry Burnley (1840-1919) married Emma C. Dyson Burnley. Their son was William Samuel Burnley (1868-1942). William Samuel Burnley was a teacher and writer. He was married to Lula Payne Burnley and their children were Byron, William, James Henry, and John Nathaniel Burnley (1916-1964). Samuel Goodman and Martha Caroline Burnley also had a son named James Nathaniel Burnley (1848-1908). Both James Nathaniel Burnley and Dr. William Rice Burnley attended the University of Virginia. Carrie Cornelia Burnley, Charlottesville school teacher and principal is not in this collection but these are her uncles and aunts.","Originals temporarily removed by preservation.","Other Burnley family members (brother and niece) MSS 7871, MSS 4902","This collection of Burnley Family letters, 3 cubic feet,  contain family correspondence and papers of a prominent Albemarle County, Charlottesvile, Virginia family from 1808 to 1964 which include civil war and slave documents, military papers of Company F, 7th Infantry orders, teaching papers of Samuel Goodman Burnley, political letters about Harry Flood Byrd, writings of William Samuel Burnley,  and letters reflecting the turn of the century family life, friends, church services, and family and local news.","Also included is University of Virginia Law professor John B. Minor's advice to student William Samuel Burnley (1890); and a record book  for Rockbridge Academy (1841) and a yearbook for Charlottesville High School, 1924.","Correspondents include Sarah (Sallie) Stoddard Wood Burnley, Samuel Goodman Burnley, Martha Caroline Burnley and her siblings, William Henry Burnley, Emma C. Dyson Burnley, James Nathaniel Burnley, William Samuel Burnley, N.B. Early, Byron Burnley, John Nathaniel Burnley, and James Henry Burnley.","Legal papers, 1808-1879, including the sale of Nathaniel Burnley's estate and slaves executed by James F. Burnley and Samuel Goodman Burnley; Deeds and wills. Horace and Jenny L. Burnley 1873; Samuel G. Burnley and debts to Thomas Gilbert and Ann B. Michie; (James F. Burnley, James H. Burnley, Cornelia Burnley); Land in Albemarle County to James H. and Mildred Jane Burnley, James F. and Amanda Burnley, Drury Wood Burnley, Martha Caroline Burnley 1879; auction of Burnley's property (signed D. R. Goodman), receipts from Henry Mills Burnley as executor of Abner Burnley's estate, token, and coat of arms. One of the terms of sale documents (James Fendall Burnley and Samuel Goodman Burnley selling the estate of Nathaniel Burnley) notes that \"in selling the negroes any defect that is known will be mentioned, but the negroes will not be warranted in any way.\"","Military papers including orders, muster rolls, pay and clothing accounts, ordnance and ordnance stores accounts, morning reports, requests for leave, passes, receipts. Most are signed by or on behalf of Jeremiah Newcomb McMullan.\nOf interest is an 1861 muster roll \"of Captain John B. Magruder's company of light infantry from the County of Albemarle known as Rivanna Guards\" (Co. H., 57th Virginia Infantry). There are many comments about deaths and injuries of soldiers (e.g.\"Killed at Malvern Hill\", \"Badly wounded and captured at Gettysburg\", \"Deserted\", \"Died in hospittle [sic]\", etc.) Also included are several mail sorting bags.","Personal papers of John Nathaniel Burnley include school papers, photograph of John, photograph of Burnley, Vest, and Wingfield family, McGuffey school program for \"Hiawatha\" 1923, newspaper clipping and photograph of John marching in the George Washington re-enactment, and military discharge papers.","Also included are personal and school papers for Byron Burnley. There are also miscellaneous newspaper clippings about Grover Cleveland and an editorial about J. R. Wingfield.","There are no restrictions.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Burnley Family papers, 1808/1964"],"collection_ssim":["Burnley Family papers, 1808/1964"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15926","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/271"],"unitid_tesim":["MSS 15926","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/271"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["There are no restrictions."],"has_online_content_ssim":["false"],"extent_ssm":["1 Cubic Feet Burnley family correspondence, school records, military, legal papers, and receipts in cloth files"],"extent_tesim":["1 Cubic Feet Burnley family correspondence, school records, military, legal papers, and receipts in cloth files"],"physfacet_tesim":["3 legal size document boxes and oversize cloth apron with original receipts"],"date_range_isim":[1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964],"arrangement_html_tesm":["\u003cp\u003eThere are four series for this collection, Series 1. Correspondence 1842-1964, Series 2. Legal 1808-1816, Series 3. Military 1862-1864, Series 4. Personal 1913-1924\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["There are four series for this collection, Series 1. Correspondence 1842-1964, Series 2. Legal 1808-1816, Series 3. Military 1862-1864, Series 4. Personal 1913-1924"],"bioghist_html_tesm":["\u003cp\u003eThe Burnleys were a well-known family in nineteenth-century Albemarle County, Virginia. Nathaniel Burnley (1786-1860) owned the Hydraulic Mills complex as well as Rio Mills on the South Fork of the Rivanna River. The Burnley family may have originally descended from [John Burnley 1760-1810 of England] who bought land in Albemarle County, Virginia. \u003c/p\u003e","\u003cp\u003eNathaniel Burnley (the patriarch-great grandfather in this collection) married Sarah (Sallie) Sutton Drury Wood(1795-1879) in 1811. They lived near Stony Point and owned a tavern. In 1829, Nathaniel Burnley and his partner, Rice W. Wood bought the Rio Hydraulic Mills, which was at the junction of Ivy Creek and the South Rivanna River.\u003c/p\u003e","\u003cp\u003eNathaniel and Sarah Burnley's children were Martha Caroline Burnley (1820-1904), Emily (Emma) Garth (1824-1896) (married to Garland Garth), Lucy Vest (1828-1903), Horace Buckner Burnley (1822-1891), Sarah Frances Burnley (1831-1901), Cornelia Rice Railey (1834-1896), Drury Wood Burnley (1826-1906), James Fendall Burnley), Dr. William Rice Burnley (1815-1842), and Mary Jane Garth (1818-1890) (married to Burwell Garth). Martha Caroline Burnley married Samuel Goodman Burnley (1800-1875) (who was a cousin of her father Nathaniel Burnley). \u003c/p\u003e","\u003cp\u003e\nSamuel Goodman and Martha Caroline Burnley's son, William Henry Burnley (1840-1919) married Emma C. Dyson Burnley. Their son was William Samuel Burnley (1868-1942). William Samuel Burnley was a teacher and writer. He was married to Lula Payne Burnley and their children were Byron, William, James Henry, and John Nathaniel Burnley (1916-1964). Samuel Goodman and Martha Caroline Burnley also had a son named James Nathaniel Burnley (1848-1908). Both James Nathaniel Burnley and Dr. William Rice Burnley attended the University of Virginia. Carrie Cornelia Burnley, Charlottesville school teacher and principal is not in this collection but these are her uncles and aunts.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["The Burnleys were a well-known family in nineteenth-century Albemarle County, Virginia. Nathaniel Burnley (1786-1860) owned the Hydraulic Mills complex as well as Rio Mills on the South Fork of the Rivanna River. The Burnley family may have originally descended from [John Burnley 1760-1810 of England] who bought land in Albemarle County, Virginia.","Nathaniel Burnley (the patriarch-great grandfather in this collection) married Sarah (Sallie) Sutton Drury Wood(1795-1879) in 1811. They lived near Stony Point and owned a tavern. In 1829, Nathaniel Burnley and his partner, Rice W. Wood bought the Rio Hydraulic Mills, which was at the junction of Ivy Creek and the South Rivanna River.","Nathaniel and Sarah Burnley's children were Martha Caroline Burnley (1820-1904), Emily (Emma) Garth (1824-1896) (married to Garland Garth), Lucy Vest (1828-1903), Horace Buckner Burnley (1822-1891), Sarah Frances Burnley (1831-1901), Cornelia Rice Railey (1834-1896), Drury Wood Burnley (1826-1906), James Fendall Burnley), Dr. William Rice Burnley (1815-1842), and Mary Jane Garth (1818-1890) (married to Burwell Garth). Martha Caroline Burnley married Samuel Goodman Burnley (1800-1875) (who was a cousin of her father Nathaniel Burnley).","Samuel Goodman and Martha Caroline Burnley's son, William Henry Burnley (1840-1919) married Emma C. Dyson Burnley. Their son was William Samuel Burnley (1868-1942). William Samuel Burnley was a teacher and writer. He was married to Lula Payne Burnley and their children were Byron, William, James Henry, and John Nathaniel Burnley (1916-1964). Samuel Goodman and Martha Caroline Burnley also had a son named James Nathaniel Burnley (1848-1908). Both James Nathaniel Burnley and Dr. William Rice Burnley attended the University of Virginia. Carrie Cornelia Burnley, Charlottesville school teacher and principal is not in this collection but these are her uncles and aunts."],"originalsloc_html_tesm":["\u003cp\u003eOriginals temporarily removed by preservation.\u003c/p\u003e"],"originalsloc_heading_ssm":["Existence and Location of Originals"],"originalsloc_tesim":["Originals temporarily removed by preservation."],"prefercite_html_tesm":["\u003cp\u003eMSS 15926, Burnley Family papers, 1839-1964, Small Special Collections, University of Virginia Library, Charlottesville, Virginia\u003c/p\u003e  "],"prefercite_tesim":["MSS 15926, Burnley Family papers, 1839-1964, Small Special Collections, University of Virginia Library, Charlottesville, Virginia"],"relatedmaterial_html_tesm":["\u003cp\u003eOther Burnley family members (brother and niece) MSS 7871, MSS 4902\u003c/p\u003e  "],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Other Burnley family members (brother and niece) MSS 7871, MSS 4902"],"scopecontent_html_tesm":["\u003cp\u003eThis collection of Burnley Family letters, 3 cubic feet,  contain family correspondence and papers of a prominent Albemarle County, Charlottesvile, Virginia family from 1808 to 1964 which include civil war and slave documents, military papers of Company F, 7th Infantry orders, teaching papers of Samuel Goodman Burnley, political letters about Harry Flood Byrd, writings of William Samuel Burnley,  and letters reflecting the turn of the century family life, friends, church services, and family and local news. \u003c/p\u003e","\u003cp\u003eAlso included is University of Virginia Law professor John B. Minor's advice to student William Samuel Burnley (1890); and a record book  for Rockbridge Academy (1841) and a yearbook for Charlottesville High School, 1924.\u003c/p\u003e","\u003cp\u003eCorrespondents include Sarah (Sallie) Stoddard Wood Burnley, Samuel Goodman Burnley, Martha Caroline Burnley and her siblings, William Henry Burnley, Emma C. Dyson Burnley, James Nathaniel Burnley, William Samuel Burnley, N.B. Early, Byron Burnley, John Nathaniel Burnley, and James Henry Burnley.\u003c/p\u003e  ","\u003cp\u003eLegal papers, 1808-1879, including the sale of Nathaniel Burnley's estate and slaves executed by James F. Burnley and Samuel Goodman Burnley; Deeds and wills. Horace and Jenny L. Burnley 1873; Samuel G. Burnley and debts to Thomas Gilbert and Ann B. Michie; (James F. Burnley, James H. Burnley, Cornelia Burnley); Land in Albemarle County to James H. and Mildred Jane Burnley, James F. and Amanda Burnley, Drury Wood Burnley, Martha Caroline Burnley 1879; auction of Burnley's property (signed D. R. Goodman), receipts from Henry Mills Burnley as executor of Abner Burnley's estate, token, and coat of arms. One of the terms of sale documents (James Fendall Burnley and Samuel Goodman Burnley selling the estate of Nathaniel Burnley) notes that \"in selling the negroes any defect that is known will be mentioned, but the negroes will not be warranted in any way.\"\u003c/p\u003e","\u003cp\u003eMilitary papers including orders, muster rolls, pay and clothing accounts, ordnance and ordnance stores accounts, morning reports, requests for leave, passes, receipts. Most are signed by or on behalf of Jeremiah Newcomb McMullan.\nOf interest is an 1861 muster roll \"of Captain John B. Magruder's company of light infantry from the County of Albemarle known as Rivanna Guards\" (Co. H., 57th Virginia Infantry). There are many comments about deaths and injuries of soldiers (e.g.\"Killed at Malvern Hill\", \"Badly wounded and captured at Gettysburg\", \"Deserted\", \"Died in hospittle [sic]\", etc.) Also included are several mail sorting bags.\u003c/p\u003e","\u003cp\u003ePersonal papers of John Nathaniel Burnley include school papers, photograph of John, photograph of Burnley, Vest, and Wingfield family, McGuffey school program for \"Hiawatha\" 1923, newspaper clipping and photograph of John marching in the George Washington re-enactment, and military discharge papers.\u003c/p\u003e","\u003cp\u003eAlso included are personal and school papers for Byron Burnley. There are also miscellaneous newspaper clippings about Grover Cleveland and an editorial about J. R. Wingfield.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection of Burnley Family letters, 3 cubic feet,  contain family correspondence and papers of a prominent Albemarle County, Charlottesvile, Virginia family from 1808 to 1964 which include civil war and slave documents, military papers of Company F, 7th Infantry orders, teaching papers of Samuel Goodman Burnley, political letters about Harry Flood Byrd, writings of William Samuel Burnley,  and letters reflecting the turn of the century family life, friends, church services, and family and local news.","Also included is University of Virginia Law professor John B. Minor's advice to student William Samuel Burnley (1890); and a record book  for Rockbridge Academy (1841) and a yearbook for Charlottesville High School, 1924.","Correspondents include Sarah (Sallie) Stoddard Wood Burnley, Samuel Goodman Burnley, Martha Caroline Burnley and her siblings, William Henry Burnley, Emma C. Dyson Burnley, James Nathaniel Burnley, William Samuel Burnley, N.B. Early, Byron Burnley, John Nathaniel Burnley, and James Henry Burnley.","Legal papers, 1808-1879, including the sale of Nathaniel Burnley's estate and slaves executed by James F. Burnley and Samuel Goodman Burnley; Deeds and wills. Horace and Jenny L. Burnley 1873; Samuel G. Burnley and debts to Thomas Gilbert and Ann B. Michie; (James F. Burnley, James H. Burnley, Cornelia Burnley); Land in Albemarle County to James H. and Mildred Jane Burnley, James F. and Amanda Burnley, Drury Wood Burnley, Martha Caroline Burnley 1879; auction of Burnley's property (signed D. R. Goodman), receipts from Henry Mills Burnley as executor of Abner Burnley's estate, token, and coat of arms. One of the terms of sale documents (James Fendall Burnley and Samuel Goodman Burnley selling the estate of Nathaniel Burnley) notes that \"in selling the negroes any defect that is known will be mentioned, but the negroes will not be warranted in any way.\"","Military papers including orders, muster rolls, pay and clothing accounts, ordnance and ordnance stores accounts, morning reports, requests for leave, passes, receipts. Most are signed by or on behalf of Jeremiah Newcomb McMullan.\nOf interest is an 1861 muster roll \"of Captain John B. Magruder's company of light infantry from the County of Albemarle known as Rivanna Guards\" (Co. H., 57th Virginia Infantry). There are many comments about deaths and injuries of soldiers (e.g.\"Killed at Malvern Hill\", \"Badly wounded and captured at Gettysburg\", \"Deserted\", \"Died in hospittle [sic]\", etc.) Also included are several mail sorting bags.","Personal papers of John Nathaniel Burnley include school papers, photograph of John, photograph of Burnley, Vest, and Wingfield family, McGuffey school program for \"Hiawatha\" 1923, newspaper clipping and photograph of John marching in the George Washington re-enactment, and military discharge papers.","Also included are personal and school papers for Byron Burnley. There are also miscellaneous newspaper clippings about Grover Cleveland and an editorial about J. R. Wingfield."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Access"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"names_ssim":["Albert and Shirley Small Special Collections Library"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":27,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:28:59.529Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_repositories_3_resources_271_c04_c03"}},{"id":"viu_repositories_3_resources_940","type":"collection","attributes":{"title":"William S. Kibler papers, 1925/2002","creator":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_940#creator","type":"document_value","attributes":{"value":"Kibler, William S. (William S. Kibler), 1911-2002","label":"Creator"}},"abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_940#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eThe collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_940#breadcrumbs","type":"document_value","attributes":{"value":{"id":"viu_repositories_3_resources_940","ead_ssi":"viu_repositories_3_resources_940","_root_":"viu_repositories_3_resources_940","_nest_parent_":"viu_repositories_3_resources_940","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_940.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/838","title_filing_ssi":"Kibler, William S., papers","title_ssm":["William S. Kibler papers"],"title_tesim":["William S. Kibler papers"],"unitdate_ssm":["1925-2002"],"unitdate_inclusive_ssm":["1925-2002"],"normalized_date_ssm":["1925/2002"],"normalized_title_ssm":["William S. Kibler papers, 1925/2002"],"text":["William S. Kibler papers, 1925/2002","MSS 15270","Archival Resource Key","/repositories/3/resources/940","High school teachers - Virginia- Stanley","Stanley (Va.) - History","World War, 1939-1945 -- Personal narratives, American","Travel","Gay men, White","diaries","This collection is organized in five series: Series I:  Diaries (Boxes 1-60); Series II: Travel Journals and Manuscripts (Boxes 61-68); Series III: Slides, Postcards, and Photographs (Boxes 69-87); Series IV: Literary Work and School Papers (Boxes 88-92); and Series V: Correspondence and Military Records (Boxes 93-103).","William Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.","In 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School.","The collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.","These are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.","Military papers include Entertainment, Miscellaneous Writings, and Records.","There are no restrictions.","Albert and Shirley Small Special Collections Library","Kibler, William S. (William S. Kibler), 1911-2002","English"],"collection_title_tesim":["William S. Kibler papers, 1925/2002"],"collection_ssim":["William S. Kibler papers, 1925/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15270","Archival Resource Key","/repositories/3/resources/940"],"unitid_tesim":["MSS 15270","Archival Resource Key","/repositories/3/resources/940"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["High school teachers - Virginia- Stanley","Stanley (Va.) - History"],"geogname_ssim":["High school teachers - Virginia- Stanley","Stanley (Va.) - History"],"places_ssim":["High school teachers - Virginia- Stanley","Stanley (Va.) - History"],"creator_ssm":["Kibler, William S. (William S. Kibler), 1911-2002"],"creator_ssim":["Kibler, William S. (William S. Kibler), 1911-2002"],"creator_persname_ssim":["Kibler, William S. (William S. Kibler), 1911-2002"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Kibler, William S. (William S. Kibler), 1911-2002","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["This collection was given by the Town Council of Stanley, Virginia, through Mike Salvino, William S. Kibler Library, to the University of Virginia Library, in 2011."],"access_subjects_ssim":["World War, 1939-1945 -- Personal narratives, American","Travel","Gay men, White","diaries"],"access_subjects_ssm":["World War, 1939-1945 -- Personal narratives, American","Travel","Gay men, White","diaries"],"has_online_content_ssim":["false"],"extent_ssm":["51.5 Cubic Feet"],"extent_tesim":["51.5 Cubic Feet"],"genreform_ssim":["diaries"],"date_range_isim":[1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002],"arrangement_html_tesm":["\u003cp\u003eThis collection is organized in five series: Series I:  Diaries (Boxes 1-60); Series II: Travel Journals and Manuscripts (Boxes 61-68); Series III: Slides, Postcards, and Photographs (Boxes 69-87); Series IV: Literary Work and School Papers (Boxes 88-92); and Series V: Correspondence and Military Records (Boxes 93-103).\u003c/p\u003e  "],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is organized in five series: Series I:  Diaries (Boxes 1-60); Series II: Travel Journals and Manuscripts (Boxes 61-68); Series III: Slides, Postcards, and Photographs (Boxes 69-87); Series IV: Literary Work and School Papers (Boxes 88-92); and Series V: Correspondence and Military Records (Boxes 93-103)."],"bioghist_html_tesm":["\u003cp\u003eWilliam Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.\u003c/p\u003e","\u003cp\u003eIn 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.","In 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School."],"prefercite_html_tesm":["\u003cp\u003eWilliam S. Kibler papers, MSS 15270, Special Collections, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["William S. Kibler papers, MSS 15270, Special Collections, University of Virginia Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.\u003c/p\u003e  ","\u003cp\u003eThese are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.\u003c/p\u003e","\u003cp\u003eMilitary papers include Entertainment, Miscellaneous Writings, and Records.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.","These are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.","Military papers include Entertainment, Miscellaneous Writings, and Records."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Kibler, William S. (William S. Kibler), 1911-2002"],"names_ssim":["Albert and Shirley Small Special Collections Library","Kibler, William S. (William S. Kibler), 1911-2002"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":167,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:29:38.998Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_940","ead_ssi":"viu_repositories_3_resources_940","_root_":"viu_repositories_3_resources_940","_nest_parent_":"viu_repositories_3_resources_940","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_940.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/838","title_filing_ssi":"Kibler, William S., papers","title_ssm":["William S. Kibler papers"],"title_tesim":["William S. Kibler papers"],"unitdate_ssm":["1925-2002"],"unitdate_inclusive_ssm":["1925-2002"],"normalized_date_ssm":["1925/2002"],"normalized_title_ssm":["William S. Kibler papers, 1925/2002"],"text":["William S. Kibler papers, 1925/2002","MSS 15270","Archival Resource Key","/repositories/3/resources/940","High school teachers - Virginia- Stanley","Stanley (Va.) - History","World War, 1939-1945 -- Personal narratives, American","Travel","Gay men, White","diaries","This collection is organized in five series: Series I:  Diaries (Boxes 1-60); Series II: Travel Journals and Manuscripts (Boxes 61-68); Series III: Slides, Postcards, and Photographs (Boxes 69-87); Series IV: Literary Work and School Papers (Boxes 88-92); and Series V: Correspondence and Military Records (Boxes 93-103).","William Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.","In 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School.","The collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.","These are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.","Military papers include Entertainment, Miscellaneous Writings, and Records.","There are no restrictions.","Albert and Shirley Small Special Collections Library","Kibler, William S. (William S. Kibler), 1911-2002","English"],"collection_title_tesim":["William S. Kibler papers, 1925/2002"],"collection_ssim":["William S. Kibler papers, 1925/2002"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15270","Archival Resource Key","/repositories/3/resources/940"],"unitid_tesim":["MSS 15270","Archival Resource Key","/repositories/3/resources/940"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"geogname_ssm":["High school teachers - Virginia- Stanley","Stanley (Va.) - History"],"geogname_ssim":["High school teachers - Virginia- Stanley","Stanley (Va.) - History"],"places_ssim":["High school teachers - Virginia- Stanley","Stanley (Va.) - History"],"creator_ssm":["Kibler, William S. (William S. Kibler), 1911-2002"],"creator_ssim":["Kibler, William S. (William S. Kibler), 1911-2002"],"creator_persname_ssim":["Kibler, William S. (William S. Kibler), 1911-2002"],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Kibler, William S. (William S. Kibler), 1911-2002","Albert and Shirley Small Special Collections Library"],"access_terms_ssm":["There are no restrictions."],"acqinfo_ssim":["This collection was given by the Town Council of Stanley, Virginia, through Mike Salvino, William S. 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That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.\u003c/p\u003e","\u003cp\u003eIn 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["William Kibler (1911-2002) was a student at the University of Virginia from 1929 to 1932; he graduated on June 14, 1932.  That same year he assumed his first teaching position at a one room school in Cubbage Hollow, just east of Stanley, Virginia.  From 1933 to 1940 he was a teacher, basketball coach and football coach at Shenandoah High School.  He was a Masters student at Harvard from 1935/6 to 1938; further interruptions would make this a sixteen year process – he attained his degree in 1951.  In 1936 his father Rufus Kibler died.  In 1941 William took the position of principal at Grove Hill Elementary School.","In 1943 he was drafted as a Private in Company A, 1302nd S.U.R.C.  In 1944 he was a Private in the 345th Harbor Craft Company.  In this same company William was made corporal in June 1944, and sergeant in mid-June 1944.  He trained primarily in Florida, spent three months in England, and was then transferred to France.  He was next stationed in Belgium, where he saw significant combat.  He earned a medal for his involvement in the Battle of the Bulge (1944-1945).  His letter correspondence is largely with his mother, Julia Kibler (Mrs. Benton Koontz).  From 1945 to 1946 he remained in the army and worked with recovering soldiers at Woodrow Wilson Hospital in Fishersville, Virginia.\n    He was discharged in May 1946, whereupon he took the position of English teacher at Florida Southern College; he eventually became the head of the department.  In 1949 William returned to the University of Virginia to study German and French; during this time he taught Freshman English.  From 1950 to 1952 he studied, wrote, and published \"I Don't Know Why,\" a book of 25 short stories about his observations of country life in Virginia.\n    From 1951 to 1956/7 he worked for a secret branch of the government – the Armed Forces Security Agency, a forerunner of the National Security Agency – intercepting messages during the Korean War.  He informed the United States government mostly about economic and living conditions in North Korea.  He would transition from educating military officers to teaching their children at the Columbia Preparatory School in Washington, D.C., where he taught for six years, becoming the head of their English Department.\n    From 1964 to 1965 William traveled around the world in about eighty days; this adventure would inspire him to spend the next twenty years visiting more than thirty countries – he toured most of Europe, Central and South America, portions of Asia and Africa, and sections of the Middle East.  Notably, during his 1976 trip to the Middle East, he narrowly missed an attack by a terrorist group.  He would eventually return to Virginia, where he continued to teach and write.  On September 3, 1980, he was honored as a Page County Retired Teacher.  In 1997 he was commended as a former teacher at Shenandoah High School."],"prefercite_html_tesm":["\u003cp\u003eWilliam S. Kibler papers, MSS 15270, Special Collections, University of Virginia Library, Charlottesville, Virginia.\u003c/p\u003e  "],"prefercite_tesim":["William S. Kibler papers, MSS 15270, Special Collections, University of Virginia Library, Charlottesville, Virginia."],"scopecontent_html_tesm":["\u003cp\u003eThe collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.\u003c/p\u003e  ","\u003cp\u003eThese are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.\u003c/p\u003e","\u003cp\u003eMilitary papers include Entertainment, Miscellaneous Writings, and Records.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["The collection contains the papers of William S. Kibler (1911-2002), a high school teacher and educator, Stanley, Virginia, ca. 1925-2002, 23,684 items (103 Hollinger boxes; 43 linear feet) including his diaries, 1936-2002 April, recording in detail Kibler's daily activities as well as his impressions of events, travel journals and manuscripts for chiefly foreign trips, slides, postcards, and photographs, chiefly concerning his trips, both high school and college papers, literary work, and correspondence.","These are poems included in a collection, considered but not used in the collection, and poems sent to Lambert Wilson.","Military papers include Entertainment, Miscellaneous Writings, and Records."],"userestrict_html_tesm":["\u003cp\u003eThere are no restrictions.\u003c/p\u003e  "],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["There are no restrictions."],"corpname_ssim":["Albert and Shirley Small Special Collections Library"],"persname_ssim":["Kibler, William S. (William S. Kibler), 1911-2002"],"names_ssim":["Albert and Shirley Small Special Collections Library","Kibler, William S. (William S. 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she dies in \n               1894\n        \n        \n          1886\n          Death of \n               William Stanley Braithwaite's\n               father\n        \n        \n          1889\n          Map of \n               Europedrawn by \n               William Stanley Braithwaiteis\n               exhibited at the \n               Parisfair\n        \n        \n          1890\n          William Stanley Braithwaite, age\n               12, obtains first job (selling newspapers in \n               Boston)\n        \n        \n          1898\n          William Stanley Braithwaitemanages\n               a \n               Newport, Rhode\n               Islandbookstore\n        \n        \n          1901\n          Publishes first novel, \n               The Canadian, A Novel\n        \n        \n          1903\n          Marries \n               Emma Kellyon 30 June; seven\n               children: \n               Fiona Lydia Rossetti\n               Braithwaite(Mrs. \n               Merrill Carter), \n               Katherine Keats Braithwaite(Mrs. \n               William J. Arnold), \n               William Stanley Braithwaite, Jr., \n               Edith Carman Braithwaite(Mrs.\n               Agard), \n               Paul Ledoux Braithwaite, \n               Arnold DeWolfe Braithwaite, \n               Francis Robinson\n               Braithwaite\n        \n        \n          1904\n          Publishes \n               Lyrics of Life and Love\n        \n        \n          1906\n          Edits \n               The Book of Elizabethan Verse; elected to the \n               Boston Author's Clubwith the\n               support of \n               Thomas Wentworth Higginsonand \n               Julia Ward Howe; begins writing for\n               the \n               Boston Evening Transcripton 14 February; he reviews American poetry and\n               poets and writes essays\n        \n        \n          1907\n          William Stanley Braithwaitepoem\n               \"White Magic\", honoring \n               John Greenleaf Whittier, is read by\n               Braithwaite at Faneuil Hall, \n               Boston, Massachusettson 17\n               December\n        \n        \n          1908\n          Publishes \n               The House of Falling Leaves; writes an essay introduction for \n               The Wounded Eros: Sonnetsby Charles Gibson\n        \n        \n          1909\n          Publishes poem \"Sandy Star\" in the July issue of \n               Atlantic Monthly; also edits \n               The Book of Georgian Verse\n        \n        \n          1909-1910\n          Plans \n               \"The Book of Victorian Verse\"but it is never published\n        \n        \n          1910\n          Edits \n               The Book of Restoration Verse\n        \n        \n          1912-1914\n          Sporadically publishes and edits \n               Poetry Journaluntil it is taken over by others\n        \n        \n          1913-1929\n          Edits \n               Anthology of Magazine Verse and Yearbook of\n                  American Poetry For The Year . . .until 1929\n        \n        \n          1915\n          William Stanley Braithwaitepoem\n               \"The Mystery\" is published in the October issue of \n               Scribners; literary criticism by Braithwaite is\n               published in \n               The Poetry Journal, \n               \"Poetry of The Public\"; he organizes the \n               New England Poetry Clubwith \n               Edward J. O'Brien\n        \n        \n          1916\n          Edits \n               Representative American Poetrywith \n               Henry Thomas Schittkind; also edits\n               The Poetic Year For 1916and \n               The Poets of The Future: A College Anthology\n                  of 1915/16\n        \n        \n          1916-1917\n          Edits \n               The Stratford Monthlywith \n               Henry Thomas Schnittkind\n        \n        \n          1917\n          Plans a book, \n               \"The Seven Wisdoms of Grainne\"but does not complete it; accepts honorary\n               membership in \n               Alpha Phi Alpha fraternity\n        \n        \n          1918\n          Awarded the Spingarn Medal, \n               First Baptist Church, \n               Providence, Rhode Island, during a\n               meeting of the \n               National Association For The Advancement of\n               Colored People(NAACP) on 3 May for\n               \"distinguished achievement in literature\"; edits \n               The Golden Treasury of Magazine Verse; awarded an honorary A. M. (Masters) degree\n               from \n               Atlanta Universityfor his poetry\n               and a Litt.D. from \n               Talladega College; writes\n               introduction to \n               The Heart of A Woman And Other Poemsby \n               Georgia D. Johnson\n        \n        \n          1919\n          Publishes \n               The Story of The Great War; edits \n               Victory! Celebrated By Thirty-eight American\n                  Poets; literary criticism published in \n               The Crisis, \"Some Contemporary Poets of The Negro Race\";\n               edits \n               The Book of Modern British Verse\n        \n        \n          1920\n          Publishes \n               Our Essayists And Critics Today\n        \n        \n          1921\n          Writes introduction to \n               The Beggars' Visionby \n               Brookes More; publishes poetry\n               volume, \n               A Tale Of A Walled Town And Other\n                  Verses\n        \n        \n          1921-1927\n          Founds and becomes editor-in-chief of \n               B. J. Brimmer Publishing\n               Companywith \n               Winifred Jacksonas a partner and\n               company treasurer; she buys the company in 1925, the\n               same year of its bankruptcy(?) (Several documents in the\n               collection indicate the company may have remained\n               solvent until 1929.)\n        \n        \n          1922\n          William Stanley Braithwaiteedits \n               Anthology of Massachusetts Poets; \n               B. J. Brimmerpublishes \n               Bronze: A Book of Verseby \n               Georgia Douglas Johnson\n        \n        \n          1924\n          B. J. Brimmerpublishes \n               Confusionby \n               James Gould Cozzens; \n               William Stanley\n               Braithwaitepublishes \"The New Negro In\n               Literature\" in \n               The Crisis, and, \n               Going Over Tindal, A Novel\n        \n        \n          1928\n          Death of \n               William Stanley Braithwaite's\n               mother; he publishes a book of stories, \n               Frost On The Green Leaf\n        \n        \n          1931\n          Edits \n               Our Lady's Choir: A Contemporary Anthology of\n                  Verses By Catholic Sisters\n        \n        \n          1934\n          Literary criticism, \"The Novels of Jessie Faust,\"\n               published in \n               Opportunity\n        \n        \n          1934-1935\n          Appointed Professor of Creative Literature at \n               Atlanta University; retires in\n               1945\n        \n        \n          1935\n          Alan F. Peterof the \n               Poetry Digest Associationplans a\n               1935 issue of \n               Anthology of Magazine Verseand offers \n               William Stanley Braithwaitethe\n               opportunity of providing editorial assistance\n        \n        \n          1936\n          William Stanley Braithwaitewrites\n               introduction to \n               We Lift Our Voices And Other Poemsby \n               Mae V. Cowdery\n        \n        \n          1937\n          Sterling Brown, in \n               Negro Poetry \u0026 Drama, praises \n               William Stanley Braithwaiteas a\n               poetry critic\n        \n        \n          1938\n          William Stanley Braithwaiteserves\n               on a program committee for the \n               Association of Teachers of English in Negro\n               Colleges(later \n               The College Language\n               Association)\n        \n        \n          1939\n          Death of \n               William Stanley Braithwaite's\n               paternal uncle, \n               Edward John Braithwaite, age 85, in\n               September\n        \n        \n          1940\n          William Stanley\n               Braithwaitepublishes \n               The Years Between 1918-39and \n               Poems, New and Selected\n        \n        \n          1941-1942\n          William Stanley Braithwaite's\n               autobiography, \n               \"The House Under Acturus\"is serialized in five installments in \n               Phylonduring 1942; it tells the story of his life up\n               to the publication of his first book of poems in\n               1904\n        \n        \n          1942\n          An M. A. thesis by \n               Alma Westine Stoneof \n               Atlanta Universityexamines \n               William Stanley Braithwaite's\n               career\n        \n        \n          1945\n          Retires from \n               Atlanta Universityand moves to \n               Harlem, New York City\n        \n        \n          1947\n          Publishes an article in \n               Negro Digest, \"Negro America's First Magazine\"\n        \n        \n          1948\n          Publishes \n               Selected Poems\n        \n        \n          1950\n          Publishes \n               The Bewitched Parsonage: The Story of The\n                  Brontes\n        \n        \n          1956\n          Interviewed by \n               Columbia University's Oral History Research\n               Officefrom May to June: \n               \"The Reminiscences of William S.\n                  Braithwaite\"\n        \n        \n          1957\n          Literary criticism published in \n               Phylon, \"Alain Locke's Relationship To The Negro In\n               American Literature\"; death of \n               William Stanley Braithwaite's\n               brother Arthur on 24 September\n        \n        \n          1958\n          Co-edits 1958 \n               Anthology of Magazine Versewith \n               Margaret Carpenter, a \n               Norfolk, Virginia, poet and\n               admirer; it includes a selection of poetry from the\n               previous anthologies; \n               William Stanley Braithwaite's\n               efforts are hampered by his failing eyesight\n        \n        \n          1959\n          An \n               American Poetry Societydinner is\n               held in \n               William Stanley Braithwaite's honor\n               in \n               New York City; he writes the\n               preface to \n               A Voice In Ramah: Poemsby \n               Marion Buchman\n        \n        \n          1962\n          Death of \n               William Stanley Braithwaite, age\n               83, on 8 June in \n               New York City; funeral held on 12\n               June","Funded in part by a grant from the National Endowment\n            for the Humanities","[Includes form letter from \n                     Edmund Clarence Stedman; a\n                     letter from \n                     William Stanley Braithwaiteto\n                     a Mr. McCourtie, 9 January 1919, pertaining to a\n                     speaking engagement for the \n                     Poetry Societyand mentions\n                     Lady \n                     Leonora Speyer. ]","[including 80th birthday congratulations from \n                     Mark Van Doren]","[including copy of a Nicholas \n                     Vachel Lindsayletter 1917\n                     January 1 re \n                     Birth of A Nationand Southern racism]","[Including a 1934 November 2 letter from \n                     W. E. B. Du Bois--attached to\n                     letter, 8 November 1934]","[Including proof of \n                  The Veiled Doorby \n                  Caroline Giltinan(folder 1) and\n                  a typescript of \"Since Cezanne\" by \n                  Clive Bell]","See the \n            \n            University of Virginia Library’s use policy.","University of Virginia. Library. Special\n            Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n               Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n               Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n               Colleges","The College Language\n               Association","Columbia University's Oral History Research\n               Office","American Poetry Society","Columbia University, Oral History Research\n                  Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n                     Club","Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n                        Company","Delta Phi Delta","Brimmer Books","Hampton Institute","Braithwaite Family","Braithwaite\n                     Family","William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n               (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n               Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n               Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n               Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n               BRAITHWAITE","William Stanley\n                  Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n                     Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n                     Braithwaite","Arnold DeWolfe\n                     Braithwaite","Edith Carman\n                     Braithwaite","Edward John\n                     Braithwaite","Emma DeWolfe\n                     Braithwaite","Emma Kelly\n                     Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n                     Braithwaite","Francis Robinson\n                     Braithwaite","Katherine Keats\n                     Braithwaite","Paul Ledoux\n                     Braithwaite","William Stanley Braithwaite,\n                     Jr.","William Stanley Braithwaite,\n                        Jr.","Lillian K. Coleman","Lillian\n                     Valentine","Sadie De Wolfe\n                     (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n                     Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n                     Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol","English"],"collection_title_tesim":["William Stanley Braithwaite Papers \n         1882-1970"],"collection_ssim":["William Stanley Braithwaite Papers \n         1882-1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["8990-b"],"unitid_tesim":["8990-b"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_persname_ssim":["William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n               (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n               Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n               Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n               Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n               BRAITHWAITE","William Stanley\n                  Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n                     Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n                     Braithwaite","Arnold DeWolfe\n                     Braithwaite","Edith Carman\n                     Braithwaite","Edward John\n                     Braithwaite","Emma DeWolfe\n                     Braithwaite","Emma Kelly\n                     Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n                     Braithwaite","Francis Robinson\n                     Braithwaite","Katherine Keats\n                     Braithwaite","Paul Ledoux\n                     Braithwaite","William Stanley Braithwaite,\n                     Jr.","William Stanley Braithwaite,\n                        Jr.","Lillian K. Coleman","Lillian\n                     Valentine","Sadie De Wolfe\n                     (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n                     Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n                     Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"creator_corpname_ssim":["University of Virginia. Library. Special\n            Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n               Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n               Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n               Colleges","The College Language\n               Association","Columbia University's Oral History Research\n               Office","American Poetry Society","Columbia University, Oral History Research\n                  Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n                     Club","Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n                        Company","Delta Phi Delta","Brimmer Books","Hampton Institute"],"creator_famname_ssim":["Braithwaite Family","Braithwaite\n                     Family"],"creators_ssim":["William Stanley Braithwaite","Emma DeWolfe (1860-1928)","William Smith Braithwaite\n               (1853-1886)","Eva Braithwaite","Emma Kelly","Fiona Lydia Rossetti\n               Braithwaite","Merrill Carter","Katherine Keats Braithwaite","William J. Arnold","William Stanley Braithwaite, Jr.","Edith Carman Braithwaite","Paul Ledoux Braithwaite","Arnold DeWolfe Braithwaite","Francis Robinson\n               Braithwaite","Thomas Wentworth Higginson","Julia Ward Howe","John Greenleaf Whittier","Edward J. O'Brien","Henry Thomas Schittkind","Henry Thomas Schnittkind","Georgia D. Johnson","Brookes More","Winifred Jackson","Georgia Douglas Johnson","James Gould Cozzens","William Stanley\n               Braithwaite","Alan F. Peter","Mae V. Cowdery","Sterling Brown","Edward John Braithwaite","Alma Westine Stone","Margaret Carpenter","Marion Buchman","WILLIAM STANLEY\n               BRAITHWAITE","William Stanley\n                  Braithwaite","Walt Whitman","Emma E. Colley","Winifred Davidson","Elizabeth Weston Timlow","Lewis Carroll","Evelyn H. Watson","Bella Flaccus","George H. P. Gannaway","William Stanley\n                     Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n                     Braithwaite","Arnold DeWolfe\n                     Braithwaite","Edith Carman\n                     Braithwaite","Edward John\n                     Braithwaite","Emma DeWolfe\n                     Braithwaite","Emma Kelly\n                     Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n                     Braithwaite","Francis Robinson\n                     Braithwaite","Katherine Keats\n                     Braithwaite","Paul Ledoux\n                     Braithwaite","William Stanley Braithwaite,\n                     Jr.","William Stanley Braithwaite,\n                        Jr.","Lillian K. Coleman","Lillian\n                     Valentine","Sadie De Wolfe\n                     (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n                     Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n                     Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol","University of Virginia. Library. Special\n            Collections Dept.","Boston Author's Club","New England Poetry Club","Alpha Phi Alpha fraternity","First Baptist Church","National Association For The Advancement of\n               Colored People","Atlanta University","Talladega College","B. J. Brimmer Publishing\n               Company","B. J. Brimmer","Poetry Digest Association","Association of Teachers of English in Negro\n               Colleges","The College Language\n               Association","Columbia University's Oral History Research\n               Office","American Poetry Society","Columbia University, Oral History Research\n                  Office","B. J. BRIMMER COMPANY","B. J. Brimmer Co.","Poetry Society","Author's League of America","New England Poetry\n                     Club","Brentano's","Order of Bookfellows","Peabody Master Printers","Poetry Society of America","Small, Maynard \u0026\n                        Company","Delta Phi Delta","Brimmer Books","Hampton Institute","Braithwaite Family","Braithwaite\n                     Family"],"acqinfo_ssim":["Gift, 1985 Jul 3"],"has_online_content_ssim":["false"],"physdesc_tesim":["7 ft."],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to research.\u003c/p\u003e\n      "],"accessrestrict_heading_ssm":["Access Restrictions"],"accessrestrict_tesim":["Collection is open to research."],"bioghist_heading_ssm":["Biography"],"bioghist_tesim":["BIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n            BRAITHWAITE\n        \n          1875\n          Marriage of \n               William Stanley Braithwaite's\n               parents \n               Emma DeWolfe (1860-1928)and \n               William Smith Braithwaite\n               (1853-1886)\n        \n        \n          1876\n          Birth of \n               William Stanley Braithwaite's\n               sister, \n               Eva Braithwaite\n        \n        \n          1878\n          Birth of \n               William Stanley Braithwaitein \n               Boston, Massachusettson 6\n               December\n        \n        \n          1885\n          Birth of a sister; she dies in \n               1894\n        \n        \n          1886\n          Death of \n               William Stanley Braithwaite's\n               father\n        \n        \n          1889\n          Map of \n               Europedrawn by \n               William Stanley Braithwaiteis\n               exhibited at the \n               Parisfair\n        \n        \n          1890\n          William Stanley Braithwaite, age\n               12, obtains first job (selling newspapers in \n               Boston)\n        \n        \n          1898\n          William Stanley Braithwaitemanages\n               a \n               Newport, Rhode\n               Islandbookstore\n        \n        \n          1901\n          Publishes first novel, \n               The Canadian, A Novel\n        \n        \n          1903\n          Marries \n               Emma Kellyon 30 June; seven\n               children: \n               Fiona Lydia Rossetti\n               Braithwaite(Mrs. \n               Merrill Carter), \n               Katherine Keats Braithwaite(Mrs. \n               William J. Arnold), \n               William Stanley Braithwaite, Jr., \n               Edith Carman Braithwaite(Mrs.\n               Agard), \n               Paul Ledoux Braithwaite, \n               Arnold DeWolfe Braithwaite, \n               Francis Robinson\n               Braithwaite\n        \n        \n          1904\n          Publishes \n               Lyrics of Life and Love\n        \n        \n          1906\n          Edits \n               The Book of Elizabethan Verse; elected to the \n               Boston Author's Clubwith the\n               support of \n               Thomas Wentworth Higginsonand \n               Julia Ward Howe; begins writing for\n               the \n               Boston Evening Transcripton 14 February; he reviews American poetry and\n               poets and writes essays\n        \n        \n          1907\n          William Stanley Braithwaitepoem\n               \"White Magic\", honoring \n               John Greenleaf Whittier, is read by\n               Braithwaite at Faneuil Hall, \n               Boston, Massachusettson 17\n               December\n        \n        \n          1908\n          Publishes \n               The House of Falling Leaves; writes an essay introduction for \n               The Wounded Eros: Sonnetsby Charles Gibson\n        \n        \n          1909\n          Publishes poem \"Sandy Star\" in the July issue of \n               Atlantic Monthly; also edits \n               The Book of Georgian Verse\n        \n        \n          1909-1910\n          Plans \n               \"The Book of Victorian Verse\"but it is never published\n        \n        \n          1910\n          Edits \n               The Book of Restoration Verse\n        \n        \n          1912-1914\n          Sporadically publishes and edits \n               Poetry Journaluntil it is taken over by others\n        \n        \n          1913-1929\n          Edits \n               Anthology of Magazine Verse and Yearbook of\n                  American Poetry For The Year . . .until 1929\n        \n        \n          1915\n          William Stanley Braithwaitepoem\n               \"The Mystery\" is published in the October issue of \n               Scribners; literary criticism by Braithwaite is\n               published in \n               The Poetry Journal, \n               \"Poetry of The Public\"; he organizes the \n               New England Poetry Clubwith \n               Edward J. O'Brien\n        \n        \n          1916\n          Edits \n               Representative American Poetrywith \n               Henry Thomas Schittkind; also edits\n               The Poetic Year For 1916and \n               The Poets of The Future: A College Anthology\n                  of 1915/16\n        \n        \n          1916-1917\n          Edits \n               The Stratford Monthlywith \n               Henry Thomas Schnittkind\n        \n        \n          1917\n          Plans a book, \n               \"The Seven Wisdoms of Grainne\"but does not complete it; accepts honorary\n               membership in \n               Alpha Phi Alpha fraternity\n        \n        \n          1918\n          Awarded the Spingarn Medal, \n               First Baptist Church, \n               Providence, Rhode Island, during a\n               meeting of the \n               National Association For The Advancement of\n               Colored People(NAACP) on 3 May for\n               \"distinguished achievement in literature\"; edits \n               The Golden Treasury of Magazine Verse; awarded an honorary A. M. (Masters) degree\n               from \n               Atlanta Universityfor his poetry\n               and a Litt.D. from \n               Talladega College; writes\n               introduction to \n               The Heart of A Woman And Other Poemsby \n               Georgia D. Johnson\n        \n        \n          1919\n          Publishes \n               The Story of The Great War; edits \n               Victory! Celebrated By Thirty-eight American\n                  Poets; literary criticism published in \n               The Crisis, \"Some Contemporary Poets of The Negro Race\";\n               edits \n               The Book of Modern British Verse\n        \n        \n          1920\n          Publishes \n               Our Essayists And Critics Today\n        \n        \n          1921\n          Writes introduction to \n               The Beggars' Visionby \n               Brookes More; publishes poetry\n               volume, \n               A Tale Of A Walled Town And Other\n                  Verses\n        \n        \n          1921-1927\n          Founds and becomes editor-in-chief of \n               B. J. Brimmer Publishing\n               Companywith \n               Winifred Jacksonas a partner and\n               company treasurer; she buys the company in 1925, the\n               same year of its bankruptcy(?) (Several documents in the\n               collection indicate the company may have remained\n               solvent until 1929.)\n        \n        \n          1922\n          William Stanley Braithwaiteedits \n               Anthology of Massachusetts Poets; \n               B. J. Brimmerpublishes \n               Bronze: A Book of Verseby \n               Georgia Douglas Johnson\n        \n        \n          1924\n          B. J. Brimmerpublishes \n               Confusionby \n               James Gould Cozzens; \n               William Stanley\n               Braithwaitepublishes \"The New Negro In\n               Literature\" in \n               The Crisis, and, \n               Going Over Tindal, A Novel\n        \n        \n          1928\n          Death of \n               William Stanley Braithwaite's\n               mother; he publishes a book of stories, \n               Frost On The Green Leaf\n        \n        \n          1931\n          Edits \n               Our Lady's Choir: A Contemporary Anthology of\n                  Verses By Catholic Sisters\n        \n        \n          1934\n          Literary criticism, \"The Novels of Jessie Faust,\"\n               published in \n               Opportunity\n        \n        \n          1934-1935\n          Appointed Professor of Creative Literature at \n               Atlanta University; retires in\n               1945\n        \n        \n          1935\n          Alan F. Peterof the \n               Poetry Digest Associationplans a\n               1935 issue of \n               Anthology of Magazine Verseand offers \n               William Stanley Braithwaitethe\n               opportunity of providing editorial assistance\n        \n        \n          1936\n          William Stanley Braithwaitewrites\n               introduction to \n               We Lift Our Voices And Other Poemsby \n               Mae V. Cowdery\n        \n        \n          1937\n          Sterling Brown, in \n               Negro Poetry \u0026 Drama, praises \n               William Stanley Braithwaiteas a\n               poetry critic\n        \n        \n          1938\n          William Stanley Braithwaiteserves\n               on a program committee for the \n               Association of Teachers of English in Negro\n               Colleges(later \n               The College Language\n               Association)\n        \n        \n          1939\n          Death of \n               William Stanley Braithwaite's\n               paternal uncle, \n               Edward John Braithwaite, age 85, in\n               September\n        \n        \n          1940\n          William Stanley\n               Braithwaitepublishes \n               The Years Between 1918-39and \n               Poems, New and Selected\n        \n        \n          1941-1942\n          William Stanley Braithwaite's\n               autobiography, \n               \"The House Under Acturus\"is serialized in five installments in \n               Phylonduring 1942; it tells the story of his life up\n               to the publication of his first book of poems in\n               1904\n        \n        \n          1942\n          An M. A. thesis by \n               Alma Westine Stoneof \n               Atlanta Universityexamines \n               William Stanley Braithwaite's\n               career\n        \n        \n          1945\n          Retires from \n               Atlanta Universityand moves to \n               Harlem, New York City\n        \n        \n          1947\n          Publishes an article in \n               Negro Digest, \"Negro America's First Magazine\"\n        \n        \n          1948\n          Publishes \n               Selected Poems\n        \n        \n          1950\n          Publishes \n               The Bewitched Parsonage: The Story of The\n                  Brontes\n        \n        \n          1956\n          Interviewed by \n               Columbia University's Oral History Research\n               Officefrom May to June: \n               \"The Reminiscences of William S.\n                  Braithwaite\"\n        \n        \n          1957\n          Literary criticism published in \n               Phylon, \"Alain Locke's Relationship To The Negro In\n               American Literature\"; death of \n               William Stanley Braithwaite's\n               brother Arthur on 24 September\n        \n        \n          1958\n          Co-edits 1958 \n               Anthology of Magazine Versewith \n               Margaret Carpenter, a \n               Norfolk, Virginia, poet and\n               admirer; it includes a selection of poetry from the\n               previous anthologies; \n               William Stanley Braithwaite's\n               efforts are hampered by his failing eyesight\n        \n        \n          1959\n          An \n               American Poetry Societydinner is\n               held in \n               William Stanley Braithwaite's honor\n               in \n               New York City; he writes the\n               preface to \n               A Voice In Ramah: Poemsby \n               Marion Buchman\n        \n        \n          1962\n          Death of \n               William Stanley Braithwaite, age\n               83, on 8 June in \n               New York City; funeral held on 12\n               June"],"prefercite_html_tesm":["\u003cp\u003eWilliam Stanley Braithwaite\n            Papers, Accession 8990-b, Special Collections Department, University of\n         Virginia Library\u003c/p\u003e\n      "],"prefercite_tesim":["William Stanley Braithwaite\n            Papers, Accession 8990-b, Special Collections Department, University of\n         Virginia Library"],"processinfo_html_tesm":["\u003cp\u003eFunded in part by a grant from the National Endowment\n            for the Humanities\u003c/p\u003e\n      "],"processinfo_heading_ssm":["Funding Note"],"processinfo_tesim":["Funded in part by a grant from the National Endowment\n            for the Humanities"],"scopecontent_html_tesm":["\u003cp\u003e[Includes form letter from \n                     \u003cpersname\u003eEdmund Clarence Stedman\u003c/persname\u003e; a\n                     letter from \n                     \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eto\n                     a Mr. McCourtie, 9 January 1919, pertaining to a\n                     speaking engagement for the \n                     \u003ccorpname\u003ePoetry Society\u003c/corpname\u003eand mentions\n                     Lady \n                     \u003cpersname\u003eLeonora Speyer\u003c/persname\u003e. ]\u003c/p\u003e\n            ","\u003cp\u003e[including 80th birthday congratulations from \n                     \u003cpersname\u003eMark Van Doren\u003c/persname\u003e]\u003c/p\u003e\n            ","\u003cp\u003e[including copy of a Nicholas \n                     \u003cpersname\u003eVachel Lindsay\u003c/persname\u003eletter 1917\n                     January 1 re \n                     \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBirth of A Nation\u003c/title\u003e\u003c/bibref\u003eand Southern racism]\u003c/p\u003e\n            ","\u003cp\u003e[Including a 1934 November 2 letter from \n                     \u003cpersname\u003eW. 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E. B. Du Bois--attached to\n                     letter, 8 November 1934]","[Including proof of \n                  The Veiled Doorby \n                  Caroline Giltinan(folder 1) and\n                  a typescript of \"Since Cezanne\" by \n                  Clive Bell]"],"userestrict_html_tesm":["\u003cp\u003eSee the \n            \u003cextref type=\"simple\" href=\"https://www.library.virginia.edu/policies/use-of-materials\"\u003e\n            University of Virginia Library’s use policy.\u003c/extref\u003e\u003c/p\u003e\n      "],"userestrict_heading_ssm":["Use Restrictions"],"userestrict_tesim":["See the \n            \n            University of Virginia Library’s use policy."],"physloc_html_tesm":["\u003cphysloc\u003e\u003c/physloc\u003e\n      "],"corpname_ssim":["University of Virginia. Library. 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Gannaway","William Stanley\n                     Braithwaite","Edmund Clarence Stedman","Leonora Speyer","Mark Van Doren","Vachel Lindsay","Arnold\n                     Braithwaite","Arnold DeWolfe\n                     Braithwaite","Edith Carman\n                     Braithwaite","Edward John\n                     Braithwaite","Emma DeWolfe\n                     Braithwaite","Emma Kelly\n                     Braithwaite","W. E. B. Du Bois","Stanley Braithwaite","Fiona Lydia\n                     Braithwaite","Francis Robinson\n                     Braithwaite","Katherine Keats\n                     Braithwaite","Paul Ledoux\n                     Braithwaite","William Stanley Braithwaite,\n                     Jr.","William Stanley Braithwaite,\n                        Jr.","Lillian K. Coleman","Lillian\n                     Valentine","Sadie De Wolfe\n                     (Braithwaite)","Sally Kelly","Lucy Williams","Richard G. Badger","Maurine Boie","Witter Bynner","Bliss Carman","Margaret\n                     Carpenter","Joy Gerbaulet Clairmonte","Ruby Rose Drake","Sophie Hagemann Duckworth","George Elliston","Eva Knox Evans","Ernst B. Filsinger","Elizabeth Hollister Frost","Marion P. Gale","Iva L. Handy","Henry E. Harman","John Hughes","Mitchell Kennerly","Helen Kent","Frederic Lawrence Knowles","Mary Sinton Leitch","Francis Mason","Edith Mirick","Winifred V.\n                     Jackson","Edwin Arlington Robinson","Edna Davis Romig","Lew Sarett","Sara Teasdale","Eunice Tietjens","Mary Pollard Tynes","Louis Untermeyer","Arthur Upson","Henry Van Dyke","Harold Vinal","Ovid","Clinton Scollard","Caroline Giltinan","Clive Bell","William Thackeray","William Dean Howells","Louis Hubert Guyol"],"language_ssim":["English"],"total_component_count_is":214,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-23T07:32:33.870Z","bioghist_html_tesm":["\u003cchronlist\u003e\n        \u003chead\u003eBIOGRAPHICAL CHRONOLOGY OF WILLIAM STANLEY\n            BRAITHWAITE\u003c/head\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1875\u003c/date\u003e\n          \u003cevent\u003eMarriage of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               parents \n               \u003cpersname\u003eEmma DeWolfe (1860-1928)\u003c/persname\u003eand \n               \u003cpersname\u003eWilliam Smith Braithwaite\n               (1853-1886)\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1876\u003c/date\u003e\n          \u003cevent\u003eBirth of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               sister, \n               \u003cpersname\u003eEva Braithwaite\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1878\u003c/date\u003e\n          \u003cevent\u003eBirth of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ein \n               \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 6\n               December\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1885\u003c/date\u003e\n          \u003cevent\u003eBirth of a sister; she dies in \n               \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1894\u003c/date\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1886\u003c/date\u003e\n          \u003cevent\u003eDeath of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               father\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1889\u003c/date\u003e\n          \u003cevent\u003eMap of \n               \u003cgeogname\u003eEurope\u003c/geogname\u003edrawn by \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eis\n               exhibited at the \n               \u003cgeogname\u003eParis\u003c/geogname\u003efair\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1890\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n               12, obtains first job (selling newspapers in \n               \u003cgeogname\u003eBoston\u003c/geogname\u003e)\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1898\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003emanages\n               a \n               \u003cgeogname\u003eNewport, Rhode\n               Island\u003c/geogname\u003ebookstore\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1901\u003c/date\u003e\n          \u003cevent\u003ePublishes first novel, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Canadian, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1903\u003c/date\u003e\n          \u003cevent\u003eMarries \n               \u003cpersname\u003eEmma Kelly\u003c/persname\u003eon 30 June; seven\n               children: \n               \u003cpersname\u003eFiona Lydia Rossetti\n               Braithwaite\u003c/persname\u003e(Mrs. \n               \u003cpersname\u003eMerrill Carter\u003c/persname\u003e), \n               \u003cpersname\u003eKatherine Keats Braithwaite\u003c/persname\u003e(Mrs. \n               \u003cpersname\u003eWilliam J. Arnold\u003c/persname\u003e), \n               \u003cpersname\u003eWilliam Stanley Braithwaite, Jr.\u003c/persname\u003e, \n               \u003cpersname\u003eEdith Carman Braithwaite\u003c/persname\u003e(Mrs.\n               Agard), \n               \u003cpersname\u003ePaul Ledoux Braithwaite\u003c/persname\u003e, \n               \u003cpersname\u003eArnold DeWolfe Braithwaite\u003c/persname\u003e, \n               \u003cpersname\u003eFrancis Robinson\n               Braithwaite\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1904\u003c/date\u003e\n          \u003cevent\u003ePublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eLyrics of Life and Love\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1906\u003c/date\u003e\n          \u003cevent\u003eEdits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Elizabethan Verse\u003c/title\u003e\u003c/bibref\u003e; elected to the \n               \u003ccorpname\u003eBoston Author's Club\u003c/corpname\u003ewith the\n               support of \n               \u003cpersname\u003eThomas Wentworth Higginson\u003c/persname\u003eand \n               \u003cpersname\u003eJulia Ward Howe\u003c/persname\u003e; begins writing for\n               the \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBoston Evening Transcript\u003c/title\u003e\u003c/bibref\u003eon 14 February; he reviews American poetry and\n               poets and writes essays\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1907\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n               \"White Magic\", honoring \n               \u003cpersname\u003eJohn Greenleaf Whittier\u003c/persname\u003e, is read by\n               Braithwaite at Faneuil Hall, \n               \u003cgeogname\u003eBoston, Massachusetts\u003c/geogname\u003eon 17\n               December\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1908\u003c/date\u003e\n          \u003cevent\u003ePublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe House of Falling Leaves\u003c/title\u003e\u003c/bibref\u003e; writes an essay introduction for \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Wounded Eros: Sonnets\u003c/title\u003e\u003c/bibref\u003eby Charles Gibson\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909\u003c/date\u003e\n          \u003cevent\u003ePublishes poem \"Sandy Star\" in the July issue of \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAtlantic Monthly\u003c/title\u003e\u003c/bibref\u003e; also edits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Georgian Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1909-1910\u003c/date\u003e\n          \u003cevent\u003ePlans \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Book of Victorian Verse\"\u003c/title\u003e\u003c/bibref\u003ebut it is never published\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1910\u003c/date\u003e\n          \u003cevent\u003eEdits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Restoration Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1912-1914\u003c/date\u003e\n          \u003cevent\u003eSporadically publishes and edits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoetry Journal\u003c/title\u003e\u003c/bibref\u003euntil it is taken over by others\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1913-1929\u003c/date\u003e\n          \u003cevent\u003eEdits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse and Yearbook of\n                  American Poetry For The Year . . .\u003c/title\u003e\u003c/bibref\u003euntil 1929\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1915\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003epoem\n               \"The Mystery\" is published in the October issue of \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eScribners\u003c/title\u003e\u003c/bibref\u003e; literary criticism by Braithwaite is\n               published in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetry Journal\u003c/title\u003e\u003c/bibref\u003e, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"Poetry of The Public\"\u003c/title\u003e\u003c/bibref\u003e; he organizes the \n               \u003ccorpname\u003eNew England Poetry Club\u003c/corpname\u003ewith \n               \u003cpersname\u003eEdward J. O'Brien\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916\u003c/date\u003e\n          \u003cevent\u003eEdits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eRepresentative American Poetry\u003c/title\u003e\u003c/bibref\u003ewith \n               \u003cpersname\u003eHenry Thomas Schittkind\u003c/persname\u003e; also edits\n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poetic Year For 1916\u003c/title\u003e\u003c/bibref\u003eand \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Poets of The Future: A College Anthology\n                  of 1915/16\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1916-1917\u003c/date\u003e\n          \u003cevent\u003eEdits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Stratford Monthly\u003c/title\u003e\u003c/bibref\u003ewith \n               \u003cpersname\u003eHenry Thomas Schnittkind\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1917\u003c/date\u003e\n          \u003cevent\u003ePlans a book, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Seven Wisdoms of Grainne\"\u003c/title\u003e\u003c/bibref\u003ebut does not complete it; accepts honorary\n               membership in \n               \u003ccorpname\u003eAlpha Phi Alpha fraternity\u003c/corpname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1918\u003c/date\u003e\n          \u003cevent\u003eAwarded the Spingarn Medal, \n               \u003ccorpname\u003eFirst Baptist Church\u003c/corpname\u003e, \n               \u003cgeogname\u003eProvidence, Rhode Island\u003c/geogname\u003e, during a\n               meeting of the \n               \u003ccorpname\u003eNational Association For The Advancement of\n               Colored People\u003c/corpname\u003e(NAACP) on 3 May for\n               \"distinguished achievement in literature\"; edits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Golden Treasury of Magazine Verse\u003c/title\u003e\u003c/bibref\u003e; awarded an honorary A. M. (Masters) degree\n               from \n               \u003ccorpname\u003eAtlanta University\u003c/corpname\u003efor his poetry\n               and a Litt.D. from \n               \u003ccorpname\u003eTalladega College\u003c/corpname\u003e; writes\n               introduction to \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Heart of A Woman And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n               \u003cpersname\u003eGeorgia D. Johnson\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1919\u003c/date\u003e\n          \u003cevent\u003ePublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Story of The Great War\u003c/title\u003e\u003c/bibref\u003e; edits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eVictory! Celebrated By Thirty-eight American\n                  Poets\u003c/title\u003e\u003c/bibref\u003e; literary criticism published in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, \"Some Contemporary Poets of The Negro Race\";\n               edits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Book of Modern British Verse\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1920\u003c/date\u003e\n          \u003cevent\u003ePublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Essayists And Critics Today\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921\u003c/date\u003e\n          \u003cevent\u003eWrites introduction to \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Beggars' Vision\u003c/title\u003e\u003c/bibref\u003eby \n               \u003cpersname\u003eBrookes More\u003c/persname\u003e; publishes poetry\n               volume, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Tale Of A Walled Town And Other\n                  Verses\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1921-1927\u003c/date\u003e\n          \u003cevent\u003eFounds and becomes editor-in-chief of \n               \u003ccorpname\u003eB. J. Brimmer Publishing\n               Company\u003c/corpname\u003ewith \n               \u003cpersname\u003eWinifred Jackson\u003c/persname\u003eas a partner and\n               company treasurer; she buys the company in 1925, the\n               same year of its bankruptcy(?) (Several documents in the\n               collection indicate the company may have remained\n               solvent until 1929.)\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1922\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eedits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Massachusetts Poets\u003c/title\u003e\u003c/bibref\u003e; \n               \u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eBronze: A Book of Verse\u003c/title\u003e\u003c/bibref\u003eby \n               \u003cpersname\u003eGeorgia Douglas Johnson\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1924\u003c/date\u003e\n          \u003cevent\u003e\u003ccorpname\u003eB. J. Brimmer\u003c/corpname\u003epublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eConfusion\u003c/title\u003e\u003c/bibref\u003eby \n               \u003cpersname\u003eJames Gould Cozzens\u003c/persname\u003e; \n               \u003cpersname\u003eWilliam Stanley\n               Braithwaite\u003c/persname\u003epublishes \"The New Negro In\n               Literature\" in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Crisis\u003c/title\u003e\u003c/bibref\u003e, and, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eGoing Over Tindal, A Novel\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1928\u003c/date\u003e\n          \u003cevent\u003eDeath of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               mother; he publishes a book of stories, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eFrost On The Green Leaf\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1931\u003c/date\u003e\n          \u003cevent\u003eEdits \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOur Lady's Choir: A Contemporary Anthology of\n                  Verses By Catholic Sisters\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934\u003c/date\u003e\n          \u003cevent\u003eLiterary criticism, \"The Novels of Jessie Faust,\"\n               published in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eOpportunity\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1934-1935\u003c/date\u003e\n          \u003cevent\u003eAppointed Professor of Creative Literature at \n               \u003ccorpname\u003eAtlanta University\u003c/corpname\u003e; retires in\n               1945\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1935\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eAlan F. Peter\u003c/persname\u003eof the \n               \u003ccorpname\u003ePoetry Digest Association\u003c/corpname\u003eplans a\n               1935 issue of \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003eand offers \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ethe\n               opportunity of providing editorial assistance\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1936\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003ewrites\n               introduction to \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eWe Lift Our Voices And Other Poems\u003c/title\u003e\u003c/bibref\u003eby \n               \u003cpersname\u003eMae V. Cowdery\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1937\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eSterling Brown\u003c/persname\u003e, in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Poetry \u0026amp; Drama\u003c/title\u003e\u003c/bibref\u003e, praises \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eas a\n               poetry critic\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1938\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003eserves\n               on a program committee for the \n               \u003ccorpname\u003eAssociation of Teachers of English in Negro\n               Colleges\u003c/corpname\u003e(later \n               \u003ccorpname\u003eThe College Language\n               Association\u003c/corpname\u003e)\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1939\u003c/date\u003e\n          \u003cevent\u003eDeath of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               paternal uncle, \n               \u003cpersname\u003eEdward John Braithwaite\u003c/persname\u003e, age 85, in\n               September\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1940\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley\n               Braithwaite\u003c/persname\u003epublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Years Between 1918-39\u003c/title\u003e\u003c/bibref\u003eand \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePoems, New and Selected\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1941-1942\u003c/date\u003e\n          \u003cevent\u003e\u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               autobiography, \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The House Under Acturus\"\u003c/title\u003e\u003c/bibref\u003eis serialized in five installments in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003eduring 1942; it tells the story of his life up\n               to the publication of his first book of poems in\n               1904\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1942\u003c/date\u003e\n          \u003cevent\u003eAn M. A. thesis by \n               \u003cpersname\u003eAlma Westine Stone\u003c/persname\u003eof \n               \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eexamines \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               career\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1945\u003c/date\u003e\n          \u003cevent\u003eRetires from \n               \u003ccorpname\u003eAtlanta University\u003c/corpname\u003eand moves to \n               \u003cgeogname\u003eHarlem, New York City\u003c/geogname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1947\u003c/date\u003e\n          \u003cevent\u003ePublishes an article in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eNegro Digest\u003c/title\u003e\u003c/bibref\u003e, \"Negro America's First Magazine\"\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1948\u003c/date\u003e\n          \u003cevent\u003ePublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eSelected Poems\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1950\u003c/date\u003e\n          \u003cevent\u003ePublishes \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eThe Bewitched Parsonage: The Story of The\n                  Brontes\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1956\u003c/date\u003e\n          \u003cevent\u003eInterviewed by \n               \u003ccorpname\u003eColumbia University's Oral History Research\n               Office\u003c/corpname\u003efrom May to June: \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003e\"The Reminiscences of William S.\n                  Braithwaite\"\u003c/title\u003e\u003c/bibref\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1957\u003c/date\u003e\n          \u003cevent\u003eLiterary criticism published in \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003ePhylon\u003c/title\u003e\u003c/bibref\u003e, \"Alain Locke's Relationship To The Negro In\n               American Literature\"; death of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               brother Arthur on 24 September\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1958\u003c/date\u003e\n          \u003cevent\u003eCo-edits 1958 \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eAnthology of Magazine Verse\u003c/title\u003e\u003c/bibref\u003ewith \n               \u003cpersname\u003eMargaret Carpenter\u003c/persname\u003e, a \n               \u003cgeogname\u003eNorfolk, Virginia\u003c/geogname\u003e, poet and\n               admirer; it includes a selection of poetry from the\n               previous anthologies; \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's\n               efforts are hampered by his failing eyesight\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1959\u003c/date\u003e\n          \u003cevent\u003eAn \n               \u003ccorpname\u003eAmerican Poetry Society\u003c/corpname\u003edinner is\n               held in \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e's honor\n               in \n               \u003cgeogname\u003eNew York City\u003c/geogname\u003e; he writes the\n               preface to \n               \u003cbibref type=\"simple\" href=\"\"\u003e\u003ctitle type=\"simple\" href=\"\"\u003eA Voice In Ramah: Poems\u003c/title\u003e\u003c/bibref\u003eby \n               \u003cpersname\u003eMarion Buchman\u003c/persname\u003e\u003c/event\u003e\n        \u003c/chronitem\u003e\n        \u003cchronitem\u003e\n          \u003cdate era=\"ce\" calendar=\"gregorian\"\u003e1962\u003c/date\u003e\n          \u003cevent\u003eDeath of \n               \u003cpersname\u003eWilliam Stanley Braithwaite\u003c/persname\u003e, age\n               83, on 8 June in \n               \u003cgeogname\u003eNew York City\u003c/geogname\u003e; funeral held on 12\n               June\u003c/event\u003e\n        \u003c/chronitem\u003e\n      \u003c/chronlist\u003e\n    "]}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viu_viu00186_c04_c02_c14"}},{"id":"viu_repositories_3_resources_626_c01_c02","type":"File","attributes":{"title":"William Starke Mundy financial papers, 1932/1940","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viu_repositories_3_resources_626_c01_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viu_repositories_3_resources_626_c01_c02","ref_ssm":["viu_repositories_3_resources_626_c01_c02"],"id":"viu_repositories_3_resources_626_c01_c02","ead_ssi":"viu_repositories_3_resources_626","_root_":"viu_repositories_3_resources_626","_nest_parent_":"viu_repositories_3_resources_626_c01","parent_ssi":"viu_repositories_3_resources_626_c01","parent_ssim":["Mundy family papers, 1860/1970","Mundy family business, financial, and legal papers, 1926/1970"],"parent_ids_ssim":["viu_repositories_3_resources_626","viu_repositories_3_resources_626_c01"],"title_filing_ssi":"William Starke Mundy financial papers","title_ssm":["William Starke Mundy financial papers"],"title_tesim":["William Starke Mundy financial papers"],"normalized_title_ssm":["William Starke Mundy financial papers, 1932/1940"],"text":["William Starke Mundy financial papers, 1932/1940","Mundy family papers, 1860/1970","Mundy family business, financial, and legal papers, 1926/1970","box 1 [X030899268]","folder 2","English"],"parent_unittitles_ssm":["Mundy family papers, 1860/1970","Mundy family business, financial, and legal papers, 1926/1970"],"parent_unittitles_tesim":["Mundy family papers, 1860/1970","Mundy family business, financial, and legal papers, 1926/1970"],"normalized_date_ssm":["1932/1940"],"unitdate_inclusive_ssm":["1932-1940"],"level_ssm":["File"],"level_ssim":["File"],"component_level_isim":[2],"sort_isi":3,"repository_ssim":["University of Virginia, Special Collections Dept."],"collection_ssim":["Mundy family papers, 1860/1970"],"extent_ssm":["0.04 Cubic Feet One folder in a legal document box. Box 1."],"extent_tesim":["0.04 Cubic Feet One folder in a legal document box. Box 1."],"containers_ssim":["box 1 [X030899268]","folder 2"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"parent_access_restrict_tesm":["The collection is open for research use."],"language_ssim":["English"],"date_range_isim":[1932,1933,1934,1935,1936,1937,1938,1939,1940],"_nest_path_":"/components#0/components#1","timestamp":"2026-06-23T07:29:24.432Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viu_repositories_3_resources_626","ead_ssi":"viu_repositories_3_resources_626","_root_":"viu_repositories_3_resources_626","_nest_parent_":"viu_repositories_3_resources_626","ead_source_url_ssi":"data/oai/UVA/repositories_3_resources_626.xml","aspace_url_ssi":"https://archives.lib.virginia.edu/ark:/59853/148748","title_filing_ssi":"Mundy family papers","title_ssm":["Mundy family papers"],"title_tesim":["Mundy family papers"],"unitdate_ssm":["1860-1970"],"unitdate_inclusive_ssm":["1860-1970"],"normalized_date_ssm":["1860/1970"],"normalized_title_ssm":["Mundy family papers, 1860/1970"],"text":["Mundy family papers, 1860/1970","MSS 15895","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/626","The collection is open for research use.","This collection of business, financial and legal papers from the Mundy family of Lynchburg, Virginia begins with John C. and Cynthia J. Mundy. The bulk of the collection is from their son William Starke Mundy who marries Ella Kyle Mundy and their children who are William Starke Mundy Jr. and his wife Virginia Winfree Mundy, Dr. B. Kyle Mundy and his wife Jane McKee Mundy, Katherine A. Mundy, and Putnam M. Ivey and Robert K. Ivey.","William Starke Mundy (?-1939) was a shipper of pulpwood cross ties and owned a store \"Hay, Grain, Groceries, and General Merchandise\". They owned land on Allen's Creek in Amherst, Virginia and a house on Rivermont Avenue, Lynchburg, Virginia.","William Starke Mundy, Jr. was an attorney, a law professor at the University of Virginia and a Rhodes Scholar (1935). He also attended Oxford College. He also maintained the family farm on Allen's Creek in Amherst Lynchbug, Virginia.","Christopher Valentine Winfree was born November 14, 1826 in Lynchburg, Va. to Christopher Winfree (1785-1858) and Cornelia Meyer Tilden. He attended Virginia Military Academy graduating in 1848. As a civil engineer he worked for the East Tenessee and Virginia Railroad, and the railroads in Mississippi. In 1858 he became involved in tobacco manufacturing. During the Civil War he was a lieutenant in the Lynchburg Rifles, Compan E, 11th Virgnia Infantry and rose to the rank of Major with the Virgnia service and commanded the home guard around Lynchburg. In addition to tobacco manufacturing, he was also director of the People's National Bank, the Lynchburg Cotton Mill, and the Glamorgan Pipe and Foundry Company. He married Virginia A. Brown who died in 1884 and they had six children. He then married Sarah C. Doniphan. He died June 18,1902.","The Mundy family papers, MSS 15895, 0.8 cubic feet, 1860-1970, consists of business, financial, and legal papers related to the Mundy Company, and Mundy family properties including Allen's Creek in Amherst Lynchburg, Virginia (Gladstone property), and Botelier Place. Also of interest are papers about William Stark Mundy, Jr. as a Rhodes Scholar and letters from his wife's ancestors, Christopher Valentine Winfree and Virginia Brown when they were courting as well as some Winfree family personal report cards, and photographs.","Included are family letters, property documents, rental agreements, store receipts, land deeds, iron ore and mineral studies, genealogy, income taxes, life insurance, stocks, and wills","Christopher and Virginia Winfree letters and other Winfree family report cards and photograph.","Albert and Shirley Small Special Collections Library","English"],"collection_title_tesim":["Mundy family papers, 1860/1970"],"collection_ssim":["Mundy family papers, 1860/1970"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MSS 15895","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/626"],"unitid_tesim":["MSS 15895","Archival Resource Key","Previous Archival Resource Key","/repositories/3/resources/626"],"repository_ssm":["University of Virginia, Special Collections Dept."],"repository_ssim":["University of Virginia, Special Collections Dept."],"creator_corpname_ssim":["Albert and Shirley Small Special Collections Library"],"creators_ssim":["Albert and Shirley Small Special Collections Library"],"acqinfo_ssim":["This collection was a gift from B. K. Mundy to the Small Special Collections Library at the University of Virginia on January 23, 2015."],"has_online_content_ssim":["false"],"extent_ssm":["0.8 Cubic Feet 1 legal document box and one oversize  ledger"],"extent_tesim":["0.8 Cubic Feet 1 legal document box and one oversize  ledger"],"date_range_isim":[1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"accessrestrict_html_tesm":["\u003cp\u003eThe collection is open for research use.\u003c/p\u003e  "],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["The collection is open for research use."],"bioghist_html_tesm":["\u003cp\u003eThis collection of business, financial and legal papers from the Mundy family of Lynchburg, Virginia begins with John C. and Cynthia J. Mundy. The bulk of the collection is from their son William Starke Mundy who marries Ella Kyle Mundy and their children who are William Starke Mundy Jr. and his wife Virginia Winfree Mundy, Dr. B. Kyle Mundy and his wife Jane McKee Mundy, Katherine A. Mundy, and Putnam M. Ivey and Robert K. Ivey.\u003c/p\u003e","\u003cp\u003eWilliam Starke Mundy (?-1939) was a shipper of pulpwood cross ties and owned a store \"Hay, Grain, Groceries, and General Merchandise\". They owned land on Allen's Creek in Amherst, Virginia and a house on Rivermont Avenue, Lynchburg, Virginia.\u003c/p\u003e","\u003cp\u003eWilliam Starke Mundy, Jr. was an attorney, a law professor at the University of Virginia and a Rhodes Scholar (1935). He also attended Oxford College. He also maintained the family farm on Allen's Creek in Amherst Lynchbug, Virginia.\u003c/p\u003e","\u003cp\u003eChristopher Valentine Winfree was born November 14, 1826 in Lynchburg, Va. to Christopher Winfree (1785-1858) and Cornelia Meyer Tilden. He attended Virginia Military Academy graduating in 1848. As a civil engineer he worked for the East Tenessee and Virginia Railroad, and the railroads in Mississippi. In 1858 he became involved in tobacco manufacturing. During the Civil War he was a lieutenant in the Lynchburg Rifles, Compan E, 11th Virgnia Infantry and rose to the rank of Major with the Virgnia service and commanded the home guard around Lynchburg. In addition to tobacco manufacturing, he was also director of the People's National Bank, the Lynchburg Cotton Mill, and the Glamorgan Pipe and Foundry Company. He married Virginia A. Brown who died in 1884 and they had six children. He then married Sarah C. Doniphan. He died June 18,1902.\u003c/p\u003e  "],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["This collection of business, financial and legal papers from the Mundy family of Lynchburg, Virginia begins with John C. and Cynthia J. Mundy. The bulk of the collection is from their son William Starke Mundy who marries Ella Kyle Mundy and their children who are William Starke Mundy Jr. and his wife Virginia Winfree Mundy, Dr. B. Kyle Mundy and his wife Jane McKee Mundy, Katherine A. Mundy, and Putnam M. Ivey and Robert K. Ivey.","William Starke Mundy (?-1939) was a shipper of pulpwood cross ties and owned a store \"Hay, Grain, Groceries, and General Merchandise\". They owned land on Allen's Creek in Amherst, Virginia and a house on Rivermont Avenue, Lynchburg, Virginia.","William Starke Mundy, Jr. was an attorney, a law professor at the University of Virginia and a Rhodes Scholar (1935). He also attended Oxford College. He also maintained the family farm on Allen's Creek in Amherst Lynchbug, Virginia.","Christopher Valentine Winfree was born November 14, 1826 in Lynchburg, Va. to Christopher Winfree (1785-1858) and Cornelia Meyer Tilden. He attended Virginia Military Academy graduating in 1848. As a civil engineer he worked for the East Tenessee and Virginia Railroad, and the railroads in Mississippi. In 1858 he became involved in tobacco manufacturing. During the Civil War he was a lieutenant in the Lynchburg Rifles, Compan E, 11th Virgnia Infantry and rose to the rank of Major with the Virgnia service and commanded the home guard around Lynchburg. In addition to tobacco manufacturing, he was also director of the People's National Bank, the Lynchburg Cotton Mill, and the Glamorgan Pipe and Foundry Company. He married Virginia A. Brown who died in 1884 and they had six children. He then married Sarah C. Doniphan. He died June 18,1902."],"prefercite_html_tesm":["\u003cp\u003eMSS 15895, Mundy family papers, Small Special Collections Library, University of Virginia\u003c/p\u003e  "],"prefercite_tesim":["MSS 15895, Mundy family papers, Small Special Collections Library, University of Virginia"],"scopecontent_html_tesm":["\u003cp\u003eThe Mundy family papers, MSS 15895, 0.8 cubic feet, 1860-1970, consists of business, financial, and legal papers related to the Mundy Company, and Mundy family properties including Allen's Creek in Amherst Lynchburg, Virginia (Gladstone property), and Botelier Place. 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