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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924. Box 1A contains a ledger of matriculation records of West Virginia University's first students dating from 1867-1894, including their names, ages, places of residence, and names of parents.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","West Virginia University. College of Arts and Sciences","West Virginia University","English \n.    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Please make an appointment prior to visiting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All of this collection is stored offsite. Please make an appointment prior to visiting."],"altformavail_html_tesm":["\u003cp\u003eParts of this collection were microfilmed and are available as A\u0026amp;M 5262, West Virginia University, President's Office Records, held at the WVRHC. The contents list for that collection can be searched to find areas of overlap; some of the boxes in A\u0026amp;M 690 have notes on them indicating that they were microfilmed.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Parts of this collection were microfilmed and are available as A\u0026M 5262, West Virginia University, President's Office Records, held at the WVRHC. The contents list for that collection can be searched to find areas of overlap; some of the boxes in A\u0026M 690 have notes on them indicating that they were microfilmed."],"phystech_html_tesm":["\u003cp\u003eMost of this collection is stored offsite.  The only materials onsite are the 45 volumes and the microfilm reels. Please make an appointment prior to visiting in order to access offsite materials.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most of this collection is stored offsite.  The only materials onsite are the 45 volumes and the microfilm reels. Please make an appointment prior to visiting in order to access offsite materials."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, President's Office, Departmental, and Other Records, A\u0026amp;M 0690, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, President's Office, Departmental, and Other Records, A\u0026M 0690, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e690, 3695\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["690, 3695"],"scopecontent_html_tesm":["\u003cp\u003eRecords from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924.\u003c/p\u003e\n","\u003cp\u003eMaterials from the Registrar's Office include student registration forms, 1899-1913; class schedules, 1902-1913; class cards and instructors' reports; absence records; examination records; late registration excuses; applications for cadetships, [1897-1924], faculty minutes, 1867-1899; and grades from 1867-1887. Also includes correspondence from the College of Education, 1896-1945; departmental correspondence and student records from the Department of Philosophy and Psychology, 1921-1948; and minute books of various faculty committees, ca. 1900, including graduation, scholarships, examinations, student affairs, entrance requirements, lectures and public exercises, and registration.\u003c/p\u003e\n","\u003cp\u003eMiscellaneous financial records include vouchers and receipts from 1894 to 1914, checks from 1895-1989, and reports from 1887-1913 as well as volumes with check stubs, 1893-1902; drafts, 1897-1899; warrants, 1898-1899; orders, 1897-1900; shipping books, 1897-1904; expenditures, 1896-1902; and general financial information, 1891-1900.\u003c/p\u003e\n","\u003cp\u003eOther volumes include material related to the Agricultural Experiment Station, 1896-1903, and campus plans from the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe series arrangement reflects legacy description, and materials currently in the miscellaneous series may relate to other series.\u003c/p\u003e\n","\u003cp\u003eDue to reprocessing, there are no boxes labeled 207-212.\u003c/p\u003e","\u003cp\u003ePictures and plans of non-WVU colleges and schools, as well as their buildings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924.","Materials from the Registrar's Office include student registration forms, 1899-1913; class schedules, 1902-1913; class cards and instructors' reports; absence records; examination records; late registration excuses; applications for cadetships, [1897-1924], faculty minutes, 1867-1899; and grades from 1867-1887. Also includes correspondence from the College of Education, 1896-1945; departmental correspondence and student records from the Department of Philosophy and Psychology, 1921-1948; and minute books of various faculty committees, ca. 1900, including graduation, scholarships, examinations, student affairs, entrance requirements, lectures and public exercises, and registration.","Miscellaneous financial records include vouchers and receipts from 1894 to 1914, checks from 1895-1989, and reports from 1887-1913 as well as volumes with check stubs, 1893-1902; drafts, 1897-1899; warrants, 1898-1899; orders, 1897-1900; shipping books, 1897-1904; expenditures, 1896-1902; and general financial information, 1891-1900.","Other volumes include material related to the Agricultural Experiment Station, 1896-1903, and campus plans from the early twentieth century.","The series arrangement reflects legacy description, and materials currently in the miscellaneous series may relate to other series.","Due to reprocessing, there are no boxes labeled 207-212.","Pictures and plans of non-WVU colleges and schools, as well as their buildings."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a781cf31ba271920b6dd292bbf3bff4\"\u003eRecords from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924. Box 1A contains a ledger of matriculation records of West Virginia University's first students dating from 1867-1894, including their names, ages, places of residence, and names of parents.\u003c/abstract\u003e"],"abstract_tesim":["Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924. Box 1A contains a ledger of matriculation records of West Virginia University's first students dating from 1867-1894, including their names, ages, places of residence, and names of parents."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6a1d123e8677064e24e304c3ec6b8b87\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. College of Arts and Sciences","West Virginia University"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. College of Arts and Sciences","West Virginia University"],"language_ssim":["English \n.    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Please make an appointment prior to visiting."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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Please make an appointment prior to visiting.","Parts of this collection were microfilmed and are available as A\u0026M 5262, West Virginia University, President's Office Records, held at the WVRHC. The contents list for that collection can be searched to find areas of overlap; some of the boxes in A\u0026M 690 have notes on them indicating that they were microfilmed.","Most of this collection is stored offsite.  The only materials onsite are the 45 volumes and the microfilm reels. Please make an appointment prior to visiting in order to access offsite materials.","690, 3695","Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924.","Materials from the Registrar's Office include student registration forms, 1899-1913; class schedules, 1902-1913; class cards and instructors' reports; absence records; examination records; late registration excuses; applications for cadetships, [1897-1924], faculty minutes, 1867-1899; and grades from 1867-1887. Also includes correspondence from the College of Education, 1896-1945; departmental correspondence and student records from the Department of Philosophy and Psychology, 1921-1948; and minute books of various faculty committees, ca. 1900, including graduation, scholarships, examinations, student affairs, entrance requirements, lectures and public exercises, and registration.","Miscellaneous financial records include vouchers and receipts from 1894 to 1914, checks from 1895-1989, and reports from 1887-1913 as well as volumes with check stubs, 1893-1902; drafts, 1897-1899; warrants, 1898-1899; orders, 1897-1900; shipping books, 1897-1904; expenditures, 1896-1902; and general financial information, 1891-1900.","Other volumes include material related to the Agricultural Experiment Station, 1896-1903, and campus plans from the early twentieth century.","The series arrangement reflects legacy description, and materials currently in the miscellaneous series may relate to other series.","Due to reprocessing, there are no boxes labeled 207-212.","Pictures and plans of non-WVU colleges and schools, as well as their buildings.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924. Box 1A contains a ledger of matriculation records of West Virginia University's first students dating from 1867-1894, including their names, ages, places of residence, and names of parents.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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"],"unitid_tesim":["A\u0026M 0690","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/3003"],"normalized_title_ssm":["West Virginia University, President's Office, Departmental, and Other Records"],"collection_title_tesim":["West Virginia University, President's Office, Departmental, and Other Records"],"collection_ssim":["West Virginia University, President's Office, Departmental, and Other Records"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["West Virginia University. College of Arts and Sciences"],"creator_ssim":["West Virginia University. College of Arts and Sciences"],"creator_corpname_ssim":["West Virginia University. College of Arts and Sciences"],"creators_ssim":["West Virginia University. College of Arts and Sciences"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"has_online_content_ssim":["false"],"extent_ssm":["187.77 Linear Feet Summary: 187 ft. 9 1/4 in. (318 document cases, 5 in. each); (35 records cartons, 15 in. each); (10 letter file boxes, 3 in. each); (1 large flat storage box, 5 in.); (45 volumes in stacks, 5 ft.); (15 reels of microfilm, 1.75 in. each); (1 record carton, 17 in.)"],"extent_tesim":["187.77 Linear Feet Summary: 187 ft. 9 1/4 in. (318 document cases, 5 in. each); (35 records cartons, 15 in. each); (10 letter file boxes, 3 in. each); (1 large flat storage box, 5 in.); (45 volumes in stacks, 5 ft.); (15 reels of microfilm, 1.75 in. each); (1 record carton, 17 in.)"],"date_range_isim":[1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"accessrestrict_html_tesm":["\u003cp\u003eAll of this collection is stored offsite. Please make an appointment prior to visiting.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["All of this collection is stored offsite. Please make an appointment prior to visiting."],"altformavail_html_tesm":["\u003cp\u003eParts of this collection were microfilmed and are available as A\u0026amp;M 5262, West Virginia University, President's Office Records, held at the WVRHC. The contents list for that collection can be searched to find areas of overlap; some of the boxes in A\u0026amp;M 690 have notes on them indicating that they were microfilmed.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Parts of this collection were microfilmed and are available as A\u0026M 5262, West Virginia University, President's Office Records, held at the WVRHC. The contents list for that collection can be searched to find areas of overlap; some of the boxes in A\u0026M 690 have notes on them indicating that they were microfilmed."],"phystech_html_tesm":["\u003cp\u003eMost of this collection is stored offsite.  The only materials onsite are the 45 volumes and the microfilm reels. Please make an appointment prior to visiting in order to access offsite materials.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Most of this collection is stored offsite.  The only materials onsite are the 45 volumes and the microfilm reels. Please make an appointment prior to visiting in order to access offsite materials."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], West Virginia University, President's Office, Departmental, and Other Records, A\u0026amp;M 0690, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], West Virginia University, President's Office, Departmental, and Other Records, A\u0026M 0690, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"relatedmaterial_html_tesm":["\u003cp\u003e690, 3695\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related A\u0026M Collections"],"relatedmaterial_tesim":["690, 3695"],"scopecontent_html_tesm":["\u003cp\u003eRecords from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924.\u003c/p\u003e\n","\u003cp\u003eMaterials from the Registrar's Office include student registration forms, 1899-1913; class schedules, 1902-1913; class cards and instructors' reports; absence records; examination records; late registration excuses; applications for cadetships, [1897-1924], faculty minutes, 1867-1899; and grades from 1867-1887. Also includes correspondence from the College of Education, 1896-1945; departmental correspondence and student records from the Department of Philosophy and Psychology, 1921-1948; and minute books of various faculty committees, ca. 1900, including graduation, scholarships, examinations, student affairs, entrance requirements, lectures and public exercises, and registration.\u003c/p\u003e\n","\u003cp\u003eMiscellaneous financial records include vouchers and receipts from 1894 to 1914, checks from 1895-1989, and reports from 1887-1913 as well as volumes with check stubs, 1893-1902; drafts, 1897-1899; warrants, 1898-1899; orders, 1897-1900; shipping books, 1897-1904; expenditures, 1896-1902; and general financial information, 1891-1900.\u003c/p\u003e\n","\u003cp\u003eOther volumes include material related to the Agricultural Experiment Station, 1896-1903, and campus plans from the early twentieth century.\u003c/p\u003e\n","\u003cp\u003eThe series arrangement reflects legacy description, and materials currently in the miscellaneous series may relate to other series.\u003c/p\u003e\n","\u003cp\u003eDue to reprocessing, there are no boxes labeled 207-212.\u003c/p\u003e","\u003cp\u003ePictures and plans of non-WVU colleges and schools, as well as their buildings.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924.","Materials from the Registrar's Office include student registration forms, 1899-1913; class schedules, 1902-1913; class cards and instructors' reports; absence records; examination records; late registration excuses; applications for cadetships, [1897-1924], faculty minutes, 1867-1899; and grades from 1867-1887. Also includes correspondence from the College of Education, 1896-1945; departmental correspondence and student records from the Department of Philosophy and Psychology, 1921-1948; and minute books of various faculty committees, ca. 1900, including graduation, scholarships, examinations, student affairs, entrance requirements, lectures and public exercises, and registration.","Miscellaneous financial records include vouchers and receipts from 1894 to 1914, checks from 1895-1989, and reports from 1887-1913 as well as volumes with check stubs, 1893-1902; drafts, 1897-1899; warrants, 1898-1899; orders, 1897-1900; shipping books, 1897-1904; expenditures, 1896-1902; and general financial information, 1891-1900.","Other volumes include material related to the Agricultural Experiment Station, 1896-1903, and campus plans from the early twentieth century.","The series arrangement reflects legacy description, and materials currently in the miscellaneous series may relate to other series.","Due to reprocessing, there are no boxes labeled 207-212.","Pictures and plans of non-WVU colleges and schools, as well as their buildings."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_0a781cf31ba271920b6dd292bbf3bff4\"\u003eRecords from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924. Box 1A contains a ledger of matriculation records of West Virginia University's first students dating from 1867-1894, including their names, ages, places of residence, and names of parents.\u003c/abstract\u003e"],"abstract_tesim":["Records from various colleges and departments of West Virginia University, including the Agricultural Experiment Station, Board of Regents, College of Education, Department of Philosophy and Psychology, President's Office, Registrar's Office, and general financial records primarily documenting the early history of the University. Most records are from the President's Office, including correspondence and administrative records dating from 1872-1924. Box 1A contains a ledger of matriculation records of West Virginia University's first students dating from 1867-1894, including their names, ages, places of residence, and names of parents."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_6a1d123e8677064e24e304c3ec6b8b87\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_coll_ssim":["West Virginia University"],"names_ssim":["West Virginia and Regional History Center","West Virginia University. College of Arts and Sciences","West Virginia University"],"corpname_ssim":["West Virginia and Regional History Center","West Virginia University. College of Arts and Sciences","West Virginia University"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":1297,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T01:37:15.841Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_3003_c19_c799"}},{"id":"wvmturhc_repositories_2_resources_6858_c04_c14","type":"File","attributes":{"title":"WVU Women Graduates Research","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6858_c04_c14#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eIncludes transcriptions of materials from WVRHC Graduate Collection\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6858_c04_c14#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_6858_c04_c14","ref_ssm":["wvmturhc_repositories_2_resources_6858_c04_c14"],"id":"wvmturhc_repositories_2_resources_6858_c04_c14","ead_ssi":"wvmturhc_repositories_2_resources_6858","_root_":"wvmturhc_repositories_2_resources_6858","_nest_parent_":"wvmturhc_repositories_2_resources_6858_c04","parent_ssi":"wvmturhc_repositories_2_resources_6858_c04","parent_ssim":["wvmturhc_repositories_2_resources_6858","wvmturhc_repositories_2_resources_6858_c04"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_6858","wvmturhc_repositories_2_resources_6858_c04"],"parent_unittitles_ssm":["Dr. Lillian Waugh, Professor, Papers","Series 4. WVU Women's Centenary Project Research"],"parent_unittitles_tesim":["Dr. Lillian Waugh, Professor, Papers","Series 4. WVU Women's Centenary Project Research"],"text":["Dr. Lillian Waugh, Professor, Papers","Series 4. WVU Women's Centenary Project Research","WVU Women Graduates Research","Box 2","Folder 14","Includes transcriptions of materials from WVRHC Graduate Collection"],"title_filing_ssi":"WVU Women Graduates Research ","title_ssm":["WVU Women Graduates Research"],"title_tesim":["WVU Women Graduates Research"],"unitdate_inclusive_ssm":["1884–1972"],"normalized_date_ssm":["1884/1972"],"normalized_title_ssm":["WVU Women Graduates Research"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Dr. Lillian Waugh, Professor, Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":144,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972],"containers_ssim":["Box 2","Folder 14"],"scopecontent_html_tesm":["\u003cp\u003eIncludes transcriptions of materials from WVRHC Graduate Collection\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Includes transcriptions of materials from WVRHC Graduate Collection"],"_nest_path_":"/components#3/components#13","timestamp":"2026-06-04T15:06:14.728Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_6858","ead_ssi":"wvmturhc_repositories_2_resources_6858","_root_":"wvmturhc_repositories_2_resources_6858","_nest_parent_":"wvmturhc_repositories_2_resources_6858","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_6858.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/206144","title_ssm":["Dr. Lillian Waugh, Professor, Papers"],"title_tesim":["Dr. Lillian Waugh, Professor, Papers"],"unitdate_ssm":["1884-2018 and undated","1960-2017"],"unitdate_bulk_ssim":["1960-2017"],"unitdate_inclusive_ssm":["1884-2018 and undated"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 4518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6858"],"text":["A\u0026M 4518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6858","Dr. Lillian Waugh, Professor, Papers","Equal rights amendments","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Women's rights","Women's studies","No special access restriction applies.","Lillian Jane Waugh was born in Lewistown, Maine, on 1941 June 1, and passed away in Morgantown, West Virginia, on October 8th, 2018. Growing up in Maine and New Hampshire, Lillian was a competitive student and athlete. Her career in social sciences began at Colby College, from which she received her BA in History. She went on to earn her MA in History at Bowling Green State University before teaching the same subject at Parsons College for three years. Lillian then attended the University of Massachusetts-Amherst where she completed her Ph.D. in History. ","Her 1973 move to Morgantown, West Virginia, with husband David Yelton marked the beginning of her impact as a women's rights advocate in the community. She was an instrumental cofounder for the Morgantown chapter of the National Organization for Women (NOW), serving as an officer, and contributing decades of advocacy for the Equal Rights Amendment (ERA). Lillian helped to form the Rape Information Services (now Rape and Domestic Violence Information Center). This was the first shelter of its kind in West Virginia. She was also one of the early creators and faculty of West Virginia University's new Women's Studies Department (nowthe Center for Women's and Gender Studies). In addition to her role as a professor, Lillian led the WVU Women's Centenary project as its director in 1991 to collect and archive materials about the first century of women legally educated in West Virginia. The project aligned with her research interests in the early coeducation of women and women's labor. She received a Mary Catherine Buswell Award for her work on the project and continued building on it throughout the early 2000's.","Papers, photographs, binders, artifacts, and newspapers belonging to Lillian Waugh, professor of Women's Studies at WVU and gender equality activist. This collection contains personal family photographs, correspondence, and research about Waugh keeping her surname after marriage. Protest and activism papers, photographs, and artifacts include assorted materials related to Waugh's involvement in the National Organization for Women (NOW), the Equal Rights Amendment (ERA) campaign, gender equality movements, and anti-war protests. The collection  features research, correspondence, and curriculum from Waugh's time as a WVU professor. It likewise includes substantial research for WVU's Women's Centenary Project, which Waugh directed. An addendum of 2022 August 23 is present in box 8.","Series include:","Series 1. Personal Papers and Photographs","Series 2. Protests and Activism","Series 3. West Virginia University (WVU) Women's Studies Program","Series 4. WVU Women's Centenary Project Research","This series includes assorted personal papers and photographs, especially photographs and papers of Lillian's family and friends, holiday cards, her college report cards, her research and correspondence regarding keeping her surname (Waugh) upon marriage to David Yelton, and her 2018 obituary. Family photographs range from 1932-1950s.","Includes unlabeled photograph of Lillian with friends, undated","Includes photographs of Keough's wedding day, Lillian as a child, 'Dexter,' Lillian and her sister with Goodwin twins and their mother, and Lillian's paternal grandmother and her children","Includes photographs from 1977 WV Youth Science Camp and 1980-1981 WVU Outstanding Teacher Award photograph and certificate","includes report cards, college handbooks, letter of admission to WVU","Includes photographs and correspondence","This series includes assorted files and a binder, all containing materials from Waugh's participation in protests and activism from the 1970s-2000s. The files consist of papers, badges, membership cards, and photographs from her involvement with the National Organization for Women [NOW] and its protests for the Equal Rights Amendment [ERA], conferences, and gender equality initiatives. They also feature programs, flyers, publications, and newspaper clippings related to other activist movements and protests. The binder contains photographs and newspaper clippings from these other movements, especially those from anti-war protests.","Includes Lillian's conference badge","Includes Lillian's conference badges","Includes flyers, ERA stickers and informational letters","Includes materials provided by NOW","Contains a cassette tape","Includes letters from legislators","Includes newspaper clippings","Includes  The Prairiedog Dispatch ,  Newsweek , and League of Women Voters' newsletter","Includes ERA campaign buttons and a bracelet, NOW buttons, Mondale-Ferraro 1984 presidential campaign buttons, and Dukakis-Bentsen 1988 presidential election campaign buttons","Lillian Waugh's name printed in white and white image of woman and male figures in the bottom right corner","Found with 1920 telegram.","Including the Equal Rights Amendment and the Equality Act","This series includes assorted papers and audiovisual media pertaining to Waugh's involvement as a founder and faculty member of the WVU Women's Studies (now Women and Gender Studies) Program. Most materials range from the 1970s-2000s. Materials include research that Waugh incorporated into her curriculum about the first Black students to graduate from WVU and women's suffrage movements. This material also contains departmental correspondence and academic consultations, the department's \"Nexus\" publications, an announcement of Waugh receiving the Buswell Award, grant reports, conference papers, and materials related to Waugh's retirement from WVU. The series also features an original telegram from 1920 announcing the passage of women's suffrage in West Virginia.","Contains one VHS tape","Ediitions include articles about Lillian Waugh and a 1997 article by Waugh about her sabbatical in France","Includes email print-outs from co-workers","Includes newspaper clippings describing her receiving the award","Includes two micro floppy disks","This series includes assorted papers and digital media containing research, program materials, publications, and conference applications regarding the WVU Women's Centenary Project. Most materials are from the 1980s-2000s. Two binders include research on the first WVU women students and graduates. This series also contains resesearch on women's inequality, labor, and education in West Virginia and Appalachia, including correspondence between Waugh and potential donors to the Centenary collection. They also feature the Centenary Project's publication,  Centenary Currents .","Includes newspaper clipping about Willa Brand and deed of gift for Rosalyn Fleming Heironimus","Includes 11 micro floppy disks. Includes research on the Brown and Adams families and backups of the  Centenary Currents .","Includes newspaper clippings regarding Jane Crawford","Includes copies of cartoons from 1912","Includes scanned photographs of WVU, scanned 1891 commencement program, and Centenary themed planner","Includes transcriptions of materials from WVRHC Graduate Collection","Oversized material moved to A\u0026M 4518, Box 9, Folder 2","Removed from Box 1, Folder 34 (found with 1920 telegram)","Removed from A\u0026M 4518, Box 1, Folder 34","Removed from A\u0026M 4518, Box 1, Folder 17","Oversized material moved to A\u0026M 4518, Box 7, Item 4","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","Lillian Jane Waugh was born in Lewistown, Maine, on 1941 June 1, and passed away in Morgantown, West Virginia, on October 8th, 2018. She was an instrumental cofounder for the Morgantown chapter of the National Organization for Women (NOW), serving as an officer, and contributing decades of advocacy for the Equal Rights Amendment (ERA). This collection contains personal family photographs, correspondence, and research about Waugh keeping her surname after marriage. Protest and activism papers, photographs, and artifacts include assorted materials related to Waugh's involvement in the National Organization for Women (NOW), the Equal Rights Amendment (ERA) campaign, gender equality movements, and anti-war protests. The collection  features research, correspondence, and curriculum from Waugh's time as a WVU professor. It likewise includes substantial research for WVU's Women's Centenary Project, which Waugh directed.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","Waugh, Lillian J., 1941-2018","English \n.    "],"unitid_tesim":["A\u0026M 4518","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/6858"],"normalized_title_ssm":["Dr. Lillian Waugh, Professor, Papers"],"collection_title_tesim":["Dr. Lillian Waugh, Professor, Papers"],"collection_ssim":["Dr. Lillian Waugh, Professor, Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"creator_ssm":["Waugh, Lillian J., 1941-2018"],"creator_ssim":["Waugh, Lillian J., 1941-2018"],"creator_persname_ssim":["Waugh, Lillian J., 1941-2018"],"creators_ssim":["Waugh, Lillian J., 1941-2018"],"access_terms_ssm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Gift of Yelton, David, 2021 September 30","Gift of Yelton, David, 2022 August 23"],"access_subjects_ssim":["Equal rights amendments","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Women's rights","Women's studies"],"access_subjects_ssm":["Equal rights amendments","West Virginia Feminist Activist and Women's History Collection","West Virginia University  --  Women's Centenary (1891-1991)","Women --  Education","Women in higher education","Women's rights","Women's studies"],"has_online_content_ssim":["false"],"extent_ssm":["4.42 Linear Feet 2 record cartons, 15 in. each; 2 flat storage boxes, 3 in. each; 2 flat storage boxes, 1 in. each; 1 document case, 5 in.; 1 flat storage box, 4 in.; 1 card file box, 3.5 in.; 1 document case, 2.5 in."],"extent_tesim":["4.42 Linear Feet 2 record cartons, 15 in. each; 2 flat storage boxes, 3 in. each; 2 flat storage boxes, 1 in. each; 1 document case, 5 in.; 1 flat storage box, 4 in.; 1 card file box, 3.5 in.; 1 document case, 2.5 in."],"date_range_isim":[1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017,2018],"accessrestrict_html_tesm":["\u003cp\u003eNo special access restriction applies.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["No special access restriction applies."],"bioghist_html_tesm":["\u003cp\u003eLillian Jane Waugh was born in Lewistown, Maine, on 1941 June 1, and passed away in Morgantown, West Virginia, on October 8th, 2018. Growing up in Maine and New Hampshire, Lillian was a competitive student and athlete. Her career in social sciences began at Colby College, from which she received her BA in History. She went on to earn her MA in History at Bowling Green State University before teaching the same subject at Parsons College for three years. Lillian then attended the University of Massachusetts-Amherst where she completed her Ph.D. in History. \u003c/p\u003e\n","\u003cp\u003eHer 1973 move to Morgantown, West Virginia, with husband David Yelton marked the beginning of her impact as a women's rights advocate in the community. She was an instrumental cofounder for the Morgantown chapter of the National Organization for Women (NOW), serving as an officer, and contributing decades of advocacy for the Equal Rights Amendment (ERA). Lillian helped to form the Rape Information Services (now Rape and Domestic Violence Information Center). This was the first shelter of its kind in West Virginia. She was also one of the early creators and faculty of West Virginia University's new Women's Studies Department (nowthe Center for Women's and Gender Studies). In addition to her role as a professor, Lillian led the WVU Women's Centenary project as its director in 1991 to collect and archive materials about the first century of women legally educated in West Virginia. The project aligned with her research interests in the early coeducation of women and women's labor. She received a Mary Catherine Buswell Award for her work on the project and continued building on it throughout the early 2000's.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Lillian Jane Waugh was born in Lewistown, Maine, on 1941 June 1, and passed away in Morgantown, West Virginia, on October 8th, 2018. Growing up in Maine and New Hampshire, Lillian was a competitive student and athlete. Her career in social sciences began at Colby College, from which she received her BA in History. She went on to earn her MA in History at Bowling Green State University before teaching the same subject at Parsons College for three years. Lillian then attended the University of Massachusetts-Amherst where she completed her Ph.D. in History. ","Her 1973 move to Morgantown, West Virginia, with husband David Yelton marked the beginning of her impact as a women's rights advocate in the community. She was an instrumental cofounder for the Morgantown chapter of the National Organization for Women (NOW), serving as an officer, and contributing decades of advocacy for the Equal Rights Amendment (ERA). Lillian helped to form the Rape Information Services (now Rape and Domestic Violence Information Center). This was the first shelter of its kind in West Virginia. She was also one of the early creators and faculty of West Virginia University's new Women's Studies Department (nowthe Center for Women's and Gender Studies). In addition to her role as a professor, Lillian led the WVU Women's Centenary project as its director in 1991 to collect and archive materials about the first century of women legally educated in West Virginia. The project aligned with her research interests in the early coeducation of women and women's labor. She received a Mary Catherine Buswell Award for her work on the project and continued building on it throughout the early 2000's."],"prefercite_html_tesm":["\u003cp\u003e[Description and date of item], [Box/folder number], Dr. Lillian Waugh, Professor, Papers, A\u0026amp;M 4518, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Description and date of item], [Box/folder number], Dr. Lillian Waugh, Professor, Papers, A\u0026M 4518, West Virginia and Regional History Center, West Virginia University Libraries, Morgantown, West Virginia."],"scopecontent_html_tesm":["\u003cp\u003ePapers, photographs, binders, artifacts, and newspapers belonging to Lillian Waugh, professor of Women's Studies at WVU and gender equality activist. This collection contains personal family photographs, correspondence, and research about Waugh keeping her surname after marriage. Protest and activism papers, photographs, and artifacts include assorted materials related to Waugh's involvement in the National Organization for Women (NOW), the Equal Rights Amendment (ERA) campaign, gender equality movements, and anti-war protests. The collection  features research, correspondence, and curriculum from Waugh's time as a WVU professor. It likewise includes substantial research for WVU's Women's Centenary Project, which Waugh directed. An addendum of 2022 August 23 is present in box 8.\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. Personal Papers and Photographs\u003c/p\u003e\n","\u003cp\u003eSeries 2. Protests and Activism\u003c/p\u003e\n","\u003cp\u003eSeries 3. West Virginia University (WVU) Women's Studies Program\u003c/p\u003e\n","\u003cp\u003eSeries 4. WVU Women's Centenary Project Research\u003c/p\u003e","\u003cp\u003eThis series includes assorted personal papers and photographs, especially photographs and papers of Lillian's family and friends, holiday cards, her college report cards, her research and correspondence regarding keeping her surname (Waugh) upon marriage to David Yelton, and her 2018 obituary. Family photographs range from 1932-1950s.\u003c/p\u003e","\u003cp\u003eIncludes unlabeled photograph of Lillian with friends, undated\u003c/p\u003e","\u003cp\u003eIncludes photographs of Keough's wedding day, Lillian as a child, 'Dexter,' Lillian and her sister with Goodwin twins and their mother, and Lillian's paternal grandmother and her children\u003c/p\u003e","\u003cp\u003eIncludes photographs from 1977 WV Youth Science Camp and 1980-1981 WVU Outstanding Teacher Award photograph and certificate\u003c/p\u003e","\u003cp\u003eincludes report cards, college handbooks, letter of admission to WVU\u003c/p\u003e","\u003cp\u003eIncludes photographs and correspondence\u003c/p\u003e","\u003cp\u003eThis series includes assorted files and a binder, all containing materials from Waugh's participation in protests and activism from the 1970s-2000s. The files consist of papers, badges, membership cards, and photographs from her involvement with the National Organization for Women [NOW] and its protests for the Equal Rights Amendment [ERA], conferences, and gender equality initiatives. They also feature programs, flyers, publications, and newspaper clippings related to other activist movements and protests. The binder contains photographs and newspaper clippings from these other movements, especially those from anti-war protests.\u003c/p\u003e","\u003cp\u003eIncludes Lillian's conference badge\u003c/p\u003e","\u003cp\u003eIncludes Lillian's conference badges\u003c/p\u003e","\u003cp\u003eIncludes flyers, ERA stickers and informational letters\u003c/p\u003e","\u003cp\u003eIncludes materials provided by NOW\u003c/p\u003e","\u003cp\u003eContains a cassette tape\u003c/p\u003e","\u003cp\u003eIncludes letters from legislators\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings\u003c/p\u003e","\u003cp\u003eIncludes \u003ctitle\u003eThe Prairiedog Dispatch\u003c/title\u003e, \u003ctitle\u003eNewsweek\u003c/title\u003e, and League of Women Voters' newsletter\u003c/p\u003e","\u003cp\u003eIncludes ERA campaign buttons and a bracelet, NOW buttons, Mondale-Ferraro 1984 presidential campaign buttons, and Dukakis-Bentsen 1988 presidential election campaign buttons\u003c/p\u003e","\u003cp\u003eLillian Waugh's name printed in white and white image of woman and male figures in the bottom right corner\u003c/p\u003e","\u003cp\u003eFound with 1920 telegram.\u003c/p\u003e","\u003cp\u003eIncluding the Equal Rights Amendment and the Equality Act\u003c/p\u003e","\u003cp\u003eThis series includes assorted papers and audiovisual media pertaining to Waugh's involvement as a founder and faculty member of the WVU Women's Studies (now Women and Gender Studies) Program. Most materials range from the 1970s-2000s. Materials include research that Waugh incorporated into her curriculum about the first Black students to graduate from WVU and women's suffrage movements. This material also contains departmental correspondence and academic consultations, the department's \"Nexus\" publications, an announcement of Waugh receiving the Buswell Award, grant reports, conference papers, and materials related to Waugh's retirement from WVU. The series also features an original telegram from 1920 announcing the passage of women's suffrage in West Virginia.\u003c/p\u003e","\u003cp\u003eContains one VHS tape\u003c/p\u003e","\u003cp\u003eEdiitions include articles about Lillian Waugh and a 1997 article by Waugh about her sabbatical in France\u003c/p\u003e","\u003cp\u003eIncludes email print-outs from co-workers\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings describing her receiving the award\u003c/p\u003e","\u003cp\u003eIncludes two micro floppy disks\u003c/p\u003e","\u003cp\u003eThis series includes assorted papers and digital media containing research, program materials, publications, and conference applications regarding the WVU Women's Centenary Project. Most materials are from the 1980s-2000s. Two binders include research on the first WVU women students and graduates. This series also contains resesearch on women's inequality, labor, and education in West Virginia and Appalachia, including correspondence between Waugh and potential donors to the Centenary collection. They also feature the Centenary Project's publication, \u003ctitle\u003eCentenary Currents\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clipping about Willa Brand and deed of gift for Rosalyn Fleming Heironimus\u003c/p\u003e","\u003cp\u003eIncludes 11 micro floppy disks. Includes research on the Brown and Adams families and backups of the \u003ctitle\u003eCentenary Currents\u003c/title\u003e.\u003c/p\u003e","\u003cp\u003eIncludes newspaper clippings regarding Jane Crawford\u003c/p\u003e","\u003cp\u003eIncludes copies of cartoons from 1912\u003c/p\u003e","\u003cp\u003eIncludes scanned photographs of WVU, scanned 1891 commencement program, and Centenary themed planner\u003c/p\u003e","\u003cp\u003eIncludes transcriptions of materials from WVRHC Graduate Collection\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["Papers, photographs, binders, artifacts, and newspapers belonging to Lillian Waugh, professor of Women's Studies at WVU and gender equality activist. This collection contains personal family photographs, correspondence, and research about Waugh keeping her surname after marriage. Protest and activism papers, photographs, and artifacts include assorted materials related to Waugh's involvement in the National Organization for Women (NOW), the Equal Rights Amendment (ERA) campaign, gender equality movements, and anti-war protests. The collection  features research, correspondence, and curriculum from Waugh's time as a WVU professor. It likewise includes substantial research for WVU's Women's Centenary Project, which Waugh directed. An addendum of 2022 August 23 is present in box 8.","Series include:","Series 1. Personal Papers and Photographs","Series 2. Protests and Activism","Series 3. West Virginia University (WVU) Women's Studies Program","Series 4. WVU Women's Centenary Project Research","This series includes assorted personal papers and photographs, especially photographs and papers of Lillian's family and friends, holiday cards, her college report cards, her research and correspondence regarding keeping her surname (Waugh) upon marriage to David Yelton, and her 2018 obituary. Family photographs range from 1932-1950s.","Includes unlabeled photograph of Lillian with friends, undated","Includes photographs of Keough's wedding day, Lillian as a child, 'Dexter,' Lillian and her sister with Goodwin twins and their mother, and Lillian's paternal grandmother and her children","Includes photographs from 1977 WV Youth Science Camp and 1980-1981 WVU Outstanding Teacher Award photograph and certificate","includes report cards, college handbooks, letter of admission to WVU","Includes photographs and correspondence","This series includes assorted files and a binder, all containing materials from Waugh's participation in protests and activism from the 1970s-2000s. The files consist of papers, badges, membership cards, and photographs from her involvement with the National Organization for Women [NOW] and its protests for the Equal Rights Amendment [ERA], conferences, and gender equality initiatives. They also feature programs, flyers, publications, and newspaper clippings related to other activist movements and protests. The binder contains photographs and newspaper clippings from these other movements, especially those from anti-war protests.","Includes Lillian's conference badge","Includes Lillian's conference badges","Includes flyers, ERA stickers and informational letters","Includes materials provided by NOW","Contains a cassette tape","Includes letters from legislators","Includes newspaper clippings","Includes  The Prairiedog Dispatch ,  Newsweek , and League of Women Voters' newsletter","Includes ERA campaign buttons and a bracelet, NOW buttons, Mondale-Ferraro 1984 presidential campaign buttons, and Dukakis-Bentsen 1988 presidential election campaign buttons","Lillian Waugh's name printed in white and white image of woman and male figures in the bottom right corner","Found with 1920 telegram.","Including the Equal Rights Amendment and the Equality Act","This series includes assorted papers and audiovisual media pertaining to Waugh's involvement as a founder and faculty member of the WVU Women's Studies (now Women and Gender Studies) Program. Most materials range from the 1970s-2000s. Materials include research that Waugh incorporated into her curriculum about the first Black students to graduate from WVU and women's suffrage movements. This material also contains departmental correspondence and academic consultations, the department's \"Nexus\" publications, an announcement of Waugh receiving the Buswell Award, grant reports, conference papers, and materials related to Waugh's retirement from WVU. The series also features an original telegram from 1920 announcing the passage of women's suffrage in West Virginia.","Contains one VHS tape","Ediitions include articles about Lillian Waugh and a 1997 article by Waugh about her sabbatical in France","Includes email print-outs from co-workers","Includes newspaper clippings describing her receiving the award","Includes two micro floppy disks","This series includes assorted papers and digital media containing research, program materials, publications, and conference applications regarding the WVU Women's Centenary Project. Most materials are from the 1980s-2000s. Two binders include research on the first WVU women students and graduates. This series also contains resesearch on women's inequality, labor, and education in West Virginia and Appalachia, including correspondence between Waugh and potential donors to the Centenary collection. They also feature the Centenary Project's publication,  Centenary Currents .","Includes newspaper clipping about Willa Brand and deed of gift for Rosalyn Fleming Heironimus","Includes 11 micro floppy disks. Includes research on the Brown and Adams families and backups of the  Centenary Currents .","Includes newspaper clippings regarding Jane Crawford","Includes copies of cartoons from 1912","Includes scanned photographs of WVU, scanned 1891 commencement program, and Centenary themed planner","Includes transcriptions of materials from WVRHC Graduate Collection"],"separatedmaterial_html_tesm":["\u003cp\u003eOversized material moved to A\u0026amp;M 4518, Box 9, Folder 2\u003c/p\u003e","\u003cp\u003eRemoved from Box 1, Folder 34 (found with 1920 telegram)\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 4518, Box 1, Folder 34\u003c/p\u003e","\u003cp\u003eRemoved from A\u0026amp;M 4518, Box 1, Folder 17\u003c/p\u003e","\u003cp\u003eOversized material moved to A\u0026amp;M 4518, Box 7, Item 4\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials","Separated Materials","Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Oversized material moved to A\u0026M 4518, Box 9, Folder 2","Removed from Box 1, Folder 34 (found with 1920 telegram)","Removed from A\u0026M 4518, Box 1, Folder 34","Removed from A\u0026M 4518, Box 1, Folder 17","Oversized material moved to A\u0026M 4518, Box 7, Item 4"],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"abstract_html_tesm":["\u003cabstract id=\"aspace_9e6e7a3bd88db1cc7e035ae16c0d6822\"\u003eLillian Jane Waugh was born in Lewistown, Maine, on 1941 June 1, and passed away in Morgantown, West Virginia, on October 8th, 2018. She was an instrumental cofounder for the Morgantown chapter of the National Organization for Women (NOW), serving as an officer, and contributing decades of advocacy for the Equal Rights Amendment (ERA). This collection contains personal family photographs, correspondence, and research about Waugh keeping her surname after marriage. Protest and activism papers, photographs, and artifacts include assorted materials related to Waugh's involvement in the National Organization for Women (NOW), the Equal Rights Amendment (ERA) campaign, gender equality movements, and anti-war protests. The collection  features research, correspondence, and curriculum from Waugh's time as a WVU professor. It likewise includes substantial research for WVU's Women's Centenary Project, which Waugh directed.\u003c/abstract\u003e"],"abstract_tesim":["Lillian Jane Waugh was born in Lewistown, Maine, on 1941 June 1, and passed away in Morgantown, West Virginia, on October 8th, 2018. She was an instrumental cofounder for the Morgantown chapter of the National Organization for Women (NOW), serving as an officer, and contributing decades of advocacy for the Equal Rights Amendment (ERA). This collection contains personal family photographs, correspondence, and research about Waugh keeping her surname after marriage. Protest and activism papers, photographs, and artifacts include assorted materials related to Waugh's involvement in the National Organization for Women (NOW), the Equal Rights Amendment (ERA) campaign, gender equality movements, and anti-war protests. The collection  features research, correspondence, and curriculum from Waugh's time as a WVU professor. It likewise includes substantial research for WVU's Women's Centenary Project, which Waugh directed."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_d216d577698c5dc6f8fa8be6f058bda1\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/"],"names_ssim":["West Virginia and Regional History Center","Waugh, Lillian J., 1941-2018"],"corpname_ssim":["West Virginia and Regional History Center"],"names_coll_ssim":["Waugh, Lillian J., 1941-2018"],"persname_ssim":["Waugh, Lillian J., 1941-2018"],"language_ssim":["English \n.    "],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":147,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-06-04T15:06:14.728Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_6858_c04_c14"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c764","type":"File","attributes":{"title":"WV vs. Nichome Bullett","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c764#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c764","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c764"],"id":"wvmturhc_repositories_2_resources_5880_c02_c764","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_unittitles_ssm":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"parent_unittitles_tesim":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","WV vs. Nichome Bullett","Box S2/Box 46","Folder 8"],"title_filing_ssi":"WV vs. Nichome Bullett","title_ssm":["WV vs. Nichome Bullett"],"title_tesim":["WV vs. Nichome Bullett"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["WV vs. Nichome Bullett"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":944,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the Permissions and Copyright page on the West Virginia and Regional History Center website."],"date_range_isim":[1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"containers_ssim":["Box S2/Box 46","Folder 8"],"_nest_path_":"/components#1/components#763","timestamp":"2026-05-21T00:52:04.570Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"wvmturhc_repositories_2_resources_5880","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880","ead_source_url_ssi":"data/oai/WVU/repositories_2_resources_5880.xml","aspace_url_ssi":"https://archives.lib.wvu.edu/ark:/99999/198957","title_ssm":["Siler Family Papers"],"title_tesim":["Siler Family Papers"],"unitdate_ssm":["1848-1968"],"unitdate_inclusive_ssm":["1848-1968"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"text":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880","Siler Family Papers","Berkeley Springs (W. 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Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.\u003c/p\u003e","\u003cp\u003eThis series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.\u003c/p\u003e","\u003cp\u003eThis series includes assorted photographs of the Siler family.\u003c/p\u003e","\u003cp\u003eThis series includes ledgers for the Hammond \u0026amp; Siler and John T. Siler \u0026amp; Son businesses, assorted account books, and family bibles.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted oversize material, including blueprints, children's books, and sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. 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Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music."],"userestrict_html_tesm":["\u003cp\u003ePermission to publish or reproduce is required from the copyright holder. For more information, please see the \u003ca href=\"https://wvrhc.lib.wvu.edu/visit/permissions-and-copyright\" target=\"_blank\"\u003ePermissions and Copyright page\u003c/a\u003e on the West Virginia and Regional History Center website.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"physloc_html_tesm":["\u003cphysloc id=\"aspace_172a403f6611d4a5931c460b0b7692df\"\u003eWest Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/\u003c/physloc\u003e"],"physloc_tesim":["West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. 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Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"parent_access_terms_tesm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951],"containers_ssim":["Box 18","folder 82"],"_nest_path_":"/components#0/components#0/components#17/components#29","timestamp":"2026-05-21T07:21:03Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viw_repositories_2_resources_9853","ead_ssi":"viw_repositories_2_resources_9853","_root_":"viw_repositories_2_resources_9853","_nest_parent_":"viw_repositories_2_resources_9853","ead_source_url_ssi":"data/oai/WM/repositories_2_resources_9853.xml","title_filing_ssi":"Richard Wright Collection of Graphic Images of African Americans","title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"unitdate_ssm":["1806-2017"],"unitdate_inclusive_ssm":["1806-2017"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS 00317","/repositories/2/resources/9853"],"text":["MS 00317","/repositories/2/resources/9853","Richard Wright Collection of Graphic Images of African Americans","Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music","Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.","This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection.","Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.","This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction.","Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.","Special Collections Research Center","English"],"unitid_tesim":["MS 00317","/repositories/2/resources/9853"],"normalized_title_ssm":["Richard Wright Collection of Graphic Images of African Americans"],"collection_title_tesim":["Richard Wright Collection of Graphic Images of African Americans"],"collection_ssim":["Richard Wright Collection of Graphic Images of African Americans"],"repository_ssm":["College of William and Mary"],"repository_ssim":["College of William and Mary"],"access_terms_ssm":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"acqinfo_ssim":["Donated by Richard Wright."],"access_subjects_ssim":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"access_subjects_ssm":["Comic books, strips, etc","African Americans--Caricatures and cartoons","Racism in popular culture","Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"has_online_content_ssim":["false"],"extent_ssm":["21.68 Linear Feet 52 boxes"],"extent_tesim":["21.68 Linear Feet 52 boxes"],"genreform_ssim":["Drawings (visual works)","Motion pictures (visual work)","Sheet music"],"date_range_isim":[1806,1807,1808,1809,1810,1811,1812,1813,1814,1815,1816,1817,1818,1819,1820,1821,1822,1823,1824,1825,1826,1827,1828,1829,1830,1831,1832,1833,1834,1835,1836,1837,1838,1839,1840,1841,1842,1843,1844,1845,1846,1847,1848,1849,1850,1851,1852,1853,1854,1855,1856,1857,1858,1859,1860,1861,1862,1863,1864,1865,1866,1867,1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993,1994,1995,1996,1997,1998,1999,2000,2001,2002,2003,2004,2005,2006,2007,2008,2009,2010,2011,2012,2013,2014,2015,2016,2017],"accessrestrict_html_tesm":["\u003cp\u003eCollection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility.\u003c/p\u003e"],"accessrestrict_heading_ssm":["Conditions Governing Access"],"accessrestrict_tesim":["Collection is open to all researchers. Manuscript collections and archival records may contain materials with sensitive or confidential information that is protected under federal or state right to privacy laws and regulations, such as the Virginia Public Records Act (Code of Virginia. § 42.1-76-91); and the Virginia Freedom of Information Act (Code of Virginia § 2.2-3705.5). Confidential material may include, but is not limited to, educational, medical, and personnel records. If sensitive material is found in this collection, please contact a staff member immediately. The disclosure of personally identifiable information pertaining to a living individual may have legal consequences for which the College of William and Mary assumes no responsibility."],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. \u003c/p\u003e\n","\u003cp\u003ePublished books and comics can be found in our Rare Books collection.\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into nine series: Research files, Collecting records, Minstrel shows, Scrapbooks and portfolios, Original artwork, Print and poster reproductions, Newspapers, Printed materials, and Audiovisual materials. ","Published books and comics can be found in our Rare Books collection."],"bioghist_html_tesm":["\u003cp\u003eRichard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. \u003c/p\u003e\n","\u003cp\u003e\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.\u003c/p\u003e\n","\u003cp\u003e\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.\u003c/p\u003e\n","\u003cp\u003e\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. \u003c/p\u003e\n","\u003cp\u003e\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.\u003c/p\u003e\n","\u003cp\u003e\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026amp; Mary so that it might be \"a helpful resource to students\" in the future.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Richard Wright (1946-2019) grew up in New York and attended college at Bradley University in Peoria, IL on an academic scholarship. He originally planned to study chemistry but graduated with a Bachelor of Political Science instead. ","\nWright moved to Stamford, Connecticut, where he met and married Minister Deborah V. P. Wright (1953-2012). They had three children together: Aaron Person, Joslynn S. Hamlet, and Porchia M. W. Smith.","\nWright spent the bulk of his career working as a court officer in the social services Department of Child Support in Connecticut until his retirement in 2013. He then moved to Williamsburg, Virgina, where he lived until his passing in 2019.","\nHe was an active member of Faith Tabernacle Missionary Baptist Church in Stamford, Connecticut. He served as a member of the trustee board, and sang in the Male Chorus and Inspirational Choir. Upon relocating to Williamsburg, VA, he joined Colossian Baptist Church in Newport News, and once again served as a choir member. ","\nOutside of the church, Wright also served as the president of the Stamford Chapter of the NAACP, was a member of Alpha Phi Alpha Fraternity Inc., and worked as a volunteer and mentor for a substance abuse rehabilitation program called Liberation House.","\nWhile living in Stamford, Wright began collecting Black comic books in 1986 because \"he wanted to have a hobby.\" His collection eventually grew beyond comics to include books, art works, photographs, and audio visual materials on the same topic. He saw the images that he collected over the years as a way to better tell the story of the depiction of Black Americans in visual media. In 2019, Wright donated his collection to William \u0026 Mary so that it might be \"a helpful resource to students\" in the future."],"odd_html_tesm":["\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e","\u003cp\u003eWilliam \u0026amp; Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.\u003c/p\u003e\n","\u003cp\u003eWilliam \u0026amp; Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.\u003c/p\u003e"],"odd_heading_ssm":["General","General","General","General","General","General","General","General","General","General"],"odd_tesim":["William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world.","William \u0026 Mary Libraries' archival, digital and physical collections may contain content with harmful language or difficult subject matters. We strive for transparency in making these materials available for teaching and research, but we do not endorse the attitudes, prejudices or behaviors found within them.","William \u0026 Mary Libraries' perspective on harmful content and language aligns with the U.S. National Archives and Records Administration (NARA), Digital Public Library of America (DPLA) and university libraries around the world."],"prefercite_html_tesm":["\u003cp\u003eRichard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026amp; Mary Libraries.\u003c/p\u003e"],"prefercite_tesim":["Richard Wright Collection of Graphic Images of African Americans, Special Collections Research Center, William \u0026 Mary Libraries."],"processinfo_html_tesm":["\u003cp\u003eComic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Comic book volumes and other published materials included with this collection have been transfered to Rare Books and cataloged individually."],"scopecontent_html_tesm":["\u003cp\u003eThis collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.\u003c/p\u003e\n","\u003cp\u003eMaterials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. \u003c/p\u003e","\u003cp\u003eResearch notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.\u003c/p\u003e","\u003cp\u003eA series of binders compiled by Richard Wright on the history of Black American depictions in comic art.\u003c/p\u003e","\u003cp\u003ePart one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003ePart four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eArrangement and titles of folders are retained from Wright.\u003c/p\u003e","\u003cp\u003eRecords pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.\u003c/p\u003e","\u003cp\u003eThis series retains original titles and organization.\u003c/p\u003e","\u003cp\u003eScrapbooks and porfolios compiled by Richard Wright. Original order and names retained.\u003c/p\u003e","\u003cp\u003eAn album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.\u003c/p\u003e","\u003cp\u003eA spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives caricature cartoon prints featuring Black protagonists from the late 1800s.\u003c/p\u003e","\u003cp\u003eA portfolio compiled by Richard Wright of Currier \u0026amp; Ives' \"Darktown\" print series.\u003c/p\u003e","\u003cp\u003eA scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eNewspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eOrginal four panel comic layout with edits, pasted text bubbles and handdrawn images.\u003c/p\u003e","\u003cp\u003eA two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"\u003c/p\u003e","\u003cp\u003eA print on board.\u003c/p\u003e","\u003cp\u003eThis cel has five characters standing side by side in the asile of a store.\u003c/p\u003e","\u003cp\u003eThis cel has three characters on a city street corner at night.\u003c/p\u003e","\u003cp\u003eA character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.\u003c/p\u003e","\u003cp\u003eA multilayer animation cel with three sheets of film introductory text.\u003c/p\u003e","\u003cp\u003eTwo pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.\u003c/p\u003e","\u003cp\u003eOriginal Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel signed by the artist and producer.\u003c/p\u003e","\u003cp\u003eTwo versions of the same cartoon: showing edits in color and design between the first and second editions.\u003c/p\u003e","\u003cp\u003eOriginal comic panel with edits and the artist's signature in pen and ink.\u003c/p\u003e","\u003cp\u003eTwo original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eA colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA series of animation character sketches on translucent paper.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.\u003c/p\u003e","\u003cp\u003eAn original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"\u003c/p\u003e","\u003cp\u003eA handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"\u003c/p\u003e","\u003cp\u003eSketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.\u003c/p\u003e","\u003cp\u003eA numbered limited edition Heavy Traffic poster. 73/260\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.\u003c/p\u003e","\u003cp\u003eA cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"\u003c/p\u003e","\u003cp\u003eA political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.\u003c/p\u003e","\u003cp\u003eOriginal comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"\u003c/p\u003e","\u003cp\u003eOriginal animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.\u003c/p\u003e","\u003cp\u003eSigned by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.\u003c/p\u003e","\u003cp\u003eAn animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.\u003c/p\u003e","\u003cp\u003eSketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite with visible edits, signed by the artist.\u003c/p\u003e","\u003cp\u003eHandpainted animation cel of Uhura in uniform.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite with notes.\u003c/p\u003e","\u003cp\u003eCharacter sketch in colored pencil and graphite. Accompanied by certificate of authenticity.\u003c/p\u003e","\u003cp\u003eOriginal drawing in ink, titled in the bottom left and numbered in the bottom right.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, and gouache paint with visible edits, and notes.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.\u003c/p\u003e","\u003cp\u003eTwo different print versions of the same image, showing varied color and tint choices.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026amp; 7. Force.\"\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.\u003c/p\u003e","\u003cp\u003eAn original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"\u003c/p\u003e","\u003cp\u003eAn untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.\u003c/p\u003e","\u003cp\u003eAn untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"\u003c/p\u003e","\u003cp\u003eA series of motion sketches of a baby accompanied by a female figure.\u003c/p\u003e","\u003cp\u003eA sketch of the centaur \"Otika\" from Disney's Fantasia.\u003c/p\u003e","\u003cp\u003eBust sketches of two women discussing laundry.\u003c/p\u003e","\u003cp\u003eA drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.\u003c/p\u003e","\u003cp\u003eA hand painted animation cel of Tom behind a person on stilts.\u003c/p\u003e","\u003cp\u003eA drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.\u003c/p\u003e","\u003cp\u003eAn original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.\u003c/p\u003e","\u003cp\u003eA painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, paint, and graphite for a political cartoon.\u003c/p\u003e","\u003cp\u003eOriginal comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.\u003c/p\u003e","\u003cp\u003eA multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA still life print on board that has been painted over.\u003c/p\u003e","\u003cp\u003eAn original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.\u003c/p\u003e","\u003cp\u003eAn original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.\u003c/p\u003e","\u003cp\u003eTwo different printings of the same cartoon with color variances.\u003c/p\u003e","\u003cp\u003eA handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.\u003c/p\u003e","\u003cp\u003eA drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.\u003c/p\u003e","\u003cp\u003eA print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.\u003c/p\u003e","\u003cp\u003eA sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.\u003c/p\u003e","\u003cp\u003eA painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.\u003c/p\u003e","\u003cp\u003eA print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.\u003c/p\u003e","\u003cp\u003eA sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.\u003c/p\u003e","\u003cp\u003eA print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.\u003c/p\u003e","\u003cp\u003eTwo prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.\u003c/p\u003e","\u003cp\u003eA woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.\u003c/p\u003e","\u003cp\u003eA matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.\u003c/p\u003e","\u003cp\u003eA bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"\u003c/p\u003e","\u003cp\u003eA multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"\u003c/p\u003e","\u003cp\u003eArranged alphabetically by title.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eFrom the series \"Negro Drawings,\" plate 42.\u003c/p\u003e","\u003cp\u003eThree prints; the two by Walker are published by Currier \u0026amp; Ives.\u003c/p\u003e","\u003cp\u003eTwo different print versions.\u003c/p\u003e","\u003cp\u003eOversized poster.\u003c/p\u003e","\u003cp\u003eTwo versions of the same print.\u003c/p\u003e","\u003cp\u003ePrint on canvas.\u003c/p\u003e","\u003cp\u003eTwo rolled posters.\u003c/p\u003e","\u003cp\u003eA printout of a man in a bowler hat carrying a cane while wearing a suit.\u003c/p\u003e","\u003cp\u003ePixelated photographs of a comic showing two Black children sitting beside a shotgun.\u003c/p\u003e","\u003cp\u003eTwo different scenes of a man and woman in fancy dress.\u003c/p\u003e","\u003cp\u003eThis cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.\u003c/p\u003e","\u003cp\u003ePrimarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"\u003c/p\u003e","\u003cp\u003eOmaha World Herald\u003c/p\u003e","\u003cp\u003eReproduction.\u003c/p\u003e"],"scopecontent_heading_ssm":["Content Description","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection, compiled by Richard Wright, focuses on the evolution of the Black American image in print media, cartoons and comics. Wright organized his own historical timeline titled \"Good Clean Fun: Blacks in Comics,\" also referred to as \"Clean Fun: Blacks in Comics,\" in a series of binders with artist biographies and time period summaries. Item titles have been retained from the original labels.","Materials in this collection include: books, comic books, magazines, prints, reference books, slides, photographs, CDs, DVDs, sheet music, newspaper strips, lithographs, and artwork. ","Research notes, biographies and timelines compiled or authored by Richard Wright. The original binder names have been retained.","A series of binders compiled by Richard Wright on the history of Black American depictions in comic art.","Part one of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part two of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part three of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Part four of four. The full orginial title for the binder that housed these materials was \"Clean Fun: Blacks in Comics, African American Artists in the Mainstream: Jules Lion; Geo Herriman; E. Simms Campbell; Matt Baker; Morrie Turner; Brandon Brumsic; Ted Shearer; Black Images for Black People; Ebony; Golden Legacy; Aimed at Afro Market; Negro Romances; Negro Heroes; Hep/Sepia/Jive; In the Black Press; Ollie Harrington; Jackie Ormes; Tom Feelings; Current Artists; Denys Cowans; Ray Billingsley.\"","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Arrangement and titles of folders are retained from Wright.","Records pertaining to Wright's collecting process, such as purchase documentation and comic research. Retains Wright's original titles and organization.","This series retains original titles and organization.","Scrapbooks and porfolios compiled by Richard Wright. Original order and names retained.","An album with a red cover and a title note taped to the front by Richard Wright that reads \"1890's Black Newspaper Cartoons: Howarth, Hamilton, et. al.\"","A portfolio compiled by Richard Wright of cartoons with Black protagonists from a variety of artists and publishers between the 19th and 20th century.","A spiral bound book with a green cover. The words \"Scrap Book\" are on the front in black, the \"o\"s in \"book\" form the handles of a pair of scissors in the design. The contents of the book are comic clipping of \"Henry\" and \"Lulu\" from various newspapers.","A portfolio compiled by Richard Wright of Currier \u0026 Ives caricature cartoon prints featuring Black protagonists from the late 1800s.","A portfolio compiled by Richard Wright of Currier \u0026 Ives' \"Darktown\" print series.","A scrapbook with a red cover with gold lettering. A sticker on the spine reads \"1872.\" The contents of the book are illustration clippings from issues of Harper's Weekly.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist with handwritten note.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","Newspaper clippings of \"The Gumps\" by Sidney Smith from The Cleveland News. Signed by the artist.","A grey, tan, and gold covered scrapbook. The words \"Scrap Book\" are embossed on the cover along with two peony flowers. The contents are newspaper cartoon clippings from unmarked sources.","Arranged alphabetically by title.","Orginal four panel comic layout with edits, pasted text bubbles and handdrawn images.","A two part series, there are two versions of the print titled \"A Crack Trotter - A little off\" and one print of \"A Crack Trotter - Coming Around.\"","A print on board.","This cel has five characters standing side by side in the asile of a store.","This cel has three characters on a city street corner at night.","A character bust sketch in pencil. The figure is wearing glasses and a button up shirt. There is a scale measurement in the bottom right corner, and notes along the edges.","A multilayer animation cel with three sheets of film introductory text.","Two pen and pencil sketches on paper, the second is titled \"Fast Black\" and is signed A.L.S.","Original Black Panther comic panel in pen and ink with blue sketch lines, pencil notes, and corrections visible.","Handpainted animation cel signed by the artist and producer.","Two versions of the same cartoon: showing edits in color and design between the first and second editions.","Original comic panel with edits and the artist's signature in pen and ink.","Two original comic panels in pen and ink with edits, visible blue lines, and pencil notes. Signed by the artist.","A colored pencil and graphite character sketch for the film \"Coal Black and De Sebban Dwarfs.\" Signed by the artist and accompanied by the sales paperwork from when it was acquired by Richard Wright.","A handpainted animation cel for the movie \"Coonskin.\" Features a bust of one of the characters with a few background lines, and the identifier \"1H56, 5\" in the bottom right corner.","A series of animation character sketches on translucent paper.","An original comic panel signed by E. Simms Campbell. Done in pencil and ink with visible edits and commentary.","An original comic panel signed by Chester Gould. Done in pencil and ink with visible edits.","An original comic panel signed by Paul Smith. Done in pencil and ink with visible edits and commentary.","A handpainted animation cel featuring four characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"FA STK 2027A B-5.\"","A handpainted animation cel featuring seven characters from \"Fat Albert and the Cosby Kids.\" The cel is labeled \"copyright 1981 - William H. Cosby Jr. - Film Assoc.\"","Sketch in colored pencil and graphite with animation notes and the identifier \"Se. 142, STK BG 1909, FA-79\" in the bottom right corner.","A sketch of a man holding a basketball in blue pencil and graphite. The label \"PB4\" is featured multiple times around the image, and the bottom of the page is stamped with \"50-2, 3.\"","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A multi-layer hand-painted animation cel with a background, a foreground, and a figure layer.","A numbered limited edition Heavy Traffic poster. 73/260","Handpainted animation cel of \"Carol\" from \"Heavy Traffic\" with certificate of authenticity and sales information.","A cartoon drawn in pencil and signed by Henry Jackson. In red marker along the bottom of the work, someone has written \" Examiner Art Staff 1960s - (now deceased)\"","A political poster featuring a white and a Black solider shaking hands across from Uncle Sam. Produced by M.A.Stern Chicago.","Original comic panel done in pen and graphite, signed and dated by the artist. Title and trademark information are pasted onto the work, and writing along the bottom edge reads \"to Bill Glasgow.\"","Original animation model sketch of \"Inky\" from Warner Bros Studios. Accompanied by a certificate of authenticity.","Signed by the artist. Original panel on cardboard in ink and graphite. A caption at the bottom reads \"The high cost of foods done me more good than my [acolicing?] salon.\"","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" playing instruments on a stage. Their names written underneath their images, \"Josie, Melody, and Valerie.\" Words in the top left read \"Prod # 51, (standard size). The bottom right is copyrighted by Hanna-Barbera Productions, Inc., and dated 1970.","An animation cel featuring all three main characters from \"Josie and the Pussy Cats\" with a street scene background.","Sketch in colored pencil, graphite, and watercolor of a Fish in a bowler hat smoking a cigar.","An original comic panel in ink and graphite with visible edits, signed by the artist.","Handpainted animation cel of Uhura in uniform.","Character sketch in colored pencil and graphite with notes.","Character sketch in colored pencil and graphite. Accompanied by certificate of authenticity.","Original drawing in ink, titled in the bottom left and numbered in the bottom right.","Original comic panel in ink, graphite, and gouache paint with visible edits, and notes.","Original comic panel in ink and graphite, signed by the artist. Water damage along the bottom edge.","Two different print versions of the same image, showing varied color and tint choices.","Original comic panel in ink, graphite, blue pencil, and gouache paint with visible edits, and notes. Blue pencil notes at the top left corner read \" Page #13, Annual #94, Mn 7. \u0026 7. Force.\"","Original comic panel in ink with caption edits, accompanited by a handwritten letters by the artist, and the dealer information. The letters are addressed to Rev. E.F. Strickland, dated 1883 September 12 and 1883 October 20, and regard a request for a drawing.","An original comic panel in graphite and ink that appears to have been cut off from a larger comic strip. The artist signature in the bottom left is cut in half. Dated \"Fri May 1,\" 1959. And titled \"Capt. Easy\".","An untitled drawing of a boy facing away from the viewer. He is dressed in overalls with one strap, holding a bag in his left hand, and a stick in his right. Writing beneath the image reads \"SC. 28A\".","An untitled drawing of a man holding a boomerang. The number \"146\" is in the bottom right corner.","An untitled drawing of a female torso clad in an apron and wearing slippers. Writing beneath the drawing read \" Prod89 SC54, 269.\"","An untitled drawing of a female torso wearing an apron and slippers balancing on a tipping kitchen stool. There are notes written all over the image with measurements and accompanying arrows.","An untitled female figure wearing a headscarf and dressed in an apron over a polka-dot dress. Writing along the bottom of the image read \"AJ\" and \"542.\"","A series of motion sketches of a baby accompanied by a female figure.","A sketch of the centaur \"Otika\" from Disney's Fantasia.","Bust sketches of two women discussing laundry.","A drawing of Jerry wearing a napkin around his neck as he walks away to the right with a scowl on his face. The number \"50\" is in the bottom right.","A hand painted animation cel of Tom behind a person on stilts.","A drawing of Tom pouncing around the corner of a wall with paws outstretched. Notes on the drawing read \"to reg. see #129\", and the number \"133\" is in the bottom right corner.","An original comic panel for \"Outdoor Sports\" in ink, graphite, and blue pencil. Signed and dated by the artist.","A painting on paper of a donkey and three birds in a fenced field with a farm house in the background. Signed and titled in the bottom left.","An original comic panel in ink, paint, and graphite for a political cartoon.","Original comic panel in ink, graphite, red pen, and gouache paint with visible edits, and notes. Signed by the artist.","An original comic panel in ink and graphite of a man plucking petals off a flower. The title is written in pencil along the bottom edge.","A multi-layer, hand painted, animation cel. Signed by both artists. Numbered \"59/100\" in the bottom right corner.","A still life print on board that has been painted over.","An original comic panel in ink, graphite, and white-out on board. It features a man trying to fix a soda vending machine.","An original comic panel in in and graphite titled \"Walnuts\" from \"Sunflower Street.\" Signed by the arts and dated.","Two different printings of the same cartoon with color variances.","A handpainted animation cel of two character in clown make-up and costumes. The one on the left is labeled as \"Buckwheat as a clown,\" and the one on the right is labeled \"Porky as a clown.\" The cel is titled along the top edge and numbered \"0132-8207.\" Notes cover the entire cel in pencil and pen, the majority appear to be color identifcation numbers.","A drawing in ink and graphite of three men playing cards at a table. The title of the work is in pencil along the bottom edge, along with the artist's signature.","A print of \"Little Eva,\" and \"Uncle Tom\" sitting in the shade of a tree with a shack in the background. \"Eva\" has a book on her lap and gestures off in the distance.","A sketch in graphite of a old man wearing suspenders, oversized shoes, a tiny bowler hat, and carrying a crooked cane. The number \"143\" is written in the bottom right corner, and a the words \" PROD 1 52SC 1 6\" are stamped next to it.","A painted animation cel bust drawing of a bird in a hat. The hat is a purple tricorne with an oversized safety pin stuck through the front. The bird is white with yellow eyes and an orange beak and appears to be a seagull. The cel is accompaied by an information tag and a scan of a He-Man scene.","A print of seven men dressed in red and yellow shirts and caps with blue pinstriped pants and red shoes with yellow and red stockings. The men have axes and are working with trimmed sticks which are piled up behind them. One man has cut himself in half instead of the stick he is holding.","A sketch of a man in a top hat and coattails hanging on the back of a bucking horse. Signed \"FC\" in the bottom right corner.","A print of a woman walking beside a man holding a baby. Both are dressed in formal wear, and rendered in shades of tan, brown, and pink. Signed by the artist in the bottom right corner, with the letters difficult to make out.","Two prints, each a bust of a Black child. One in a three-quarters pose, the other looking directly at the viewer.","A woodblock print of a man, woman, and child in formal wear, their features are rendered in blocky forms akin to stylized masks.","A matted painted animation cel of Valerie Brown in her Pussy Cat costume holding two tambourines.","A bust sketch of Valerie Brown in blue pencil and graphite. Notes at the bottom right corner read \"7FC SC.31 6e-2 bq.31.\"","A multi-layer painted animation cel. Features a man with his hands clasped triumphantly above his head standing against a background of a junk pile and wooden wall. Text along the top edge reads \"Fa01 BGS4\" and text along the bottom edge reads \"FA STG 2027A WH5.\"","Arranged alphabetically by title.","From the series \"Negro Drawings,\" plate 42.","From the series \"Negro Drawings,\" plate 42.","Three prints; the two by Walker are published by Currier \u0026 Ives.","Two different print versions.","Oversized poster.","Two versions of the same print.","Print on canvas.","Two rolled posters.","A printout of a man in a bowler hat carrying a cane while wearing a suit.","Pixelated photographs of a comic showing two Black children sitting beside a shotgun.","Two different scenes of a man and woman in fancy dress.","This cover shows a white man with one hand on a revolver standing over a Black man laying on the ground.","Primarily \"Mickey Finn\" and \"Don Winslow of the Navy.\"","Omaha World Herald","Reproduction."],"userestrict_html_tesm":["\u003cp\u003eBefore publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Before publishing quotations or excerpts from any materials, permission must be obtained from the Curator of Manuscripts and Rare Books, and the holder of the copyright, if not Swem Library."],"names_ssim":["Special Collections Research Center"],"corpname_ssim":["Special Collections Research Center"],"language_ssim":["English"],"descrules_ssm":["Describing Archives: A Content Standard"],"total_component_count_is":987,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T07:21:03Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viw_repositories_2_resources_9853_c01_c01_c18_c30"}},{"id":"wvmturhc_repositories_2_resources_5880_c02_c397","type":"File","attributes":{"title":"W.W. Kinsley vs. J.A. Lepley","breadcrumbs":{"id":"https://arvasarchive.org/catalog/wvmturhc_repositories_2_resources_5880_c02_c397#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"wvmturhc_repositories_2_resources_5880_c02_c397","ref_ssm":["wvmturhc_repositories_2_resources_5880_c02_c397"],"id":"wvmturhc_repositories_2_resources_5880_c02_c397","ead_ssi":"wvmturhc_repositories_2_resources_5880","_root_":"wvmturhc_repositories_2_resources_5880","_nest_parent_":"wvmturhc_repositories_2_resources_5880_c02","parent_ssi":"wvmturhc_repositories_2_resources_5880_c02","parent_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_ids_ssim":["wvmturhc_repositories_2_resources_5880","wvmturhc_repositories_2_resources_5880_c02"],"parent_unittitles_ssm":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"parent_unittitles_tesim":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)"],"text":["Siler Family Papers","Series 2. J. Hammond Siler, Sr. (boxes S2/Box 1-S2/Box 89)","W.W. Kinsley vs. J.A. Lepley","Box S2/Box 33","Folder 33"],"title_filing_ssi":"W.W. Kinsley vs. J.A. Lepley","title_ssm":["W.W. Kinsley vs. J.A. Lepley"],"title_tesim":["W.W. Kinsley vs. J.A. Lepley"],"unitdate_inclusive_ssm":["ca. 1848-1968"],"normalized_date_ssm":["1848/1968"],"normalized_title_ssm":["W.W. Kinsley vs. J.A. Lepley"],"component_level_isim":[2],"repository_ssim":["West Virginia and Regional History Center"],"collection_ssim":["Siler Family Papers"],"has_online_content_ssim":["false"],"child_component_count_isi":0,"level_ssm":["File"],"level_ssim":["File"],"sort_isi":577,"parent_access_restrict_tesm":["No special access restriction applies."],"parent_access_terms_tesm":["Permission to publish or reproduce is required from the copyright holder. 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Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. 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Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.","This series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.","This series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.","This series includes assorted photographs of the Siler family.","This series includes ledgers for the Hammond \u0026 Siler and John T. Siler \u0026 Son businesses, assorted account books, and family bibles.","This series consists of assorted oversize material, including blueprints, children's books, and sheet music.","Permission to publish or reproduce is required from the copyright holder. For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website.","West Virginia and Regional History Center / West Virginia University / 1549 University Avenue / P.O. Box 6069 / Morgantown, WV 26506-6069 / Phone: 304-293-3536  / URL: https://wvrhc.lib.wvu.edu/","West Virginia and Regional History Center","American Institute of Banking","Baltimore Trust Company","Bull and Bear Club","Citizens Trust and Guaranty Company of West Virginia - Bonds.","Emerald Shillelagh Chowder and Marching Society, Inc.","Hammond and Siler General Store.","Virginia. General Assembly. 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S.","Hardin, Moses","English"],"unitid_tesim":["A\u0026M 2200","Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","Previous Archival Resource Key","/repositories/2/resources/5880"],"normalized_title_ssm":["Siler Family Papers"],"collection_title_tesim":["Siler Family Papers"],"collection_ssim":["Siler Family Papers"],"repository_ssm":["West Virginia and Regional History Center"],"repository_ssim":["West Virginia and Regional History Center"],"geogname_ssm":["Berkeley Springs (W. Va.)","Town of Bath, West Virginia - Berkeley Springs.","United States -- History -- Civil War, 1861-1865"],"geogname_ssim":["Berkeley Springs (W. 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For more information, please see the  Permissions and Copyright page  on the West Virginia and Regional History Center website."],"acqinfo_ssim":["Purchase from (in process), (in process)"],"access_subjects_ssim":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. 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Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"access_subjects_ssm":["Bank of Berkeley Springs - Banks and Banking.","Banks and Banking - American Institute of Banking.","Banks and Banking - Bank of Berkeley Springs.","Banks and Banking - Federal Reserve Bank of Richmond.","Banks and Banking - Financial Public Relations Association.","Banks and Banking - First Virginia Corporation.","Banks and banking","Berkeley Glass Sand Company -- Glass Sand Industry","Berkeley Springs Water Works and Improvement Co. -- Power Industry","Bibles","Blueprints","Bonds -- Citizens Trust and Guaranty Company of West Virginia","Bowling","Poetry --  Nannie S. 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Johnson Insurance Agency.","Land - deeds and grants.","Land Plat.","Lawyers - letters and papers.","Ledgers.","Libraries - Morgan County Library.","Magazines.","Freemasons","Morgan County - Circuit Court.","Morgan County Library - Libraries.","Music - Sheet music.","Northern Virginia Power Company - Power Industry.","Pennsylvania Glass Sand Corporation - Glass Sand Industry.","Poetry --  Nannie S. Castleman","Political factions - Civil War.","Politics - Secession of Virginia.","Politics and government.","Railroads - Baltimore and Ohio Railroad.","Railroads - Western Maryland Railroad Company.","Rhodes scholarships","Rock Gap Coal and Mining Company - Stocks.","Scrapbooks","Secession of Virginia - Politics.","Business correspondence"],"has_online_content_ssim":["false"],"extent_ssm":["66.6 Linear Feet Summary: 66 ft. 7 in. (149 document cases, 5 in. each); (1 document case, 2 1/2 in.); (1 small flat storage box, 3 1/2 in.); (2 oversize folders, 2 in.); (25 wrapped packages, 3 ft. 8 in.)"],"extent_tesim":["66.6 Linear Feet Summary: 66 ft. 7 in. 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The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).\u003c/p\u003e\n","\u003cp\u003eSeries include:\u003c/p\u003e\n","\u003cp\u003eSeries 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50\u003clb\u003e\u003c/lb\u003e\nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89\u003clb\u003e\u003c/lb\u003e\nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4\u003clb\u003e\u003c/lb\u003e\nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2\u003clb\u003e\u003c/lb\u003e\nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1\u003clb\u003e\u003c/lb\u003e\nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26\u003clb\u003e\u003c/lb\u003e\nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1\u003c/p\u003e","\u003cp\u003eThis series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.\u003c/p\u003e","\u003cp\u003eThis series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of Jessie Castleman Siler, wife of J. Hammond Siler, Sr. Also included is material regarding the Red Cross.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence of A.C. Hammond. Also included are material regarding Hammond's finances and assorted legal papers.\u003c/p\u003e","\u003cp\u003eThis series includes the personal correspondence and financial papers of Ann R. Castleman. Also includes the correspondence of other members of the Castleman family and genealogical material for the Hammond, Castleman, and Siler families.\u003c/p\u003e","\u003cp\u003eThis series includes assorted photographs of the Siler family.\u003c/p\u003e","\u003cp\u003eThis series includes ledgers for the Hammond \u0026amp; Siler and John T. Siler \u0026amp; Son businesses, assorted account books, and family bibles.\u003c/p\u003e","\u003cp\u003eThis series consists of assorted oversize material, including blueprints, children's books, and sheet music.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This is a collection of letters and documents tracing the personal and business life of an eastern panhandle West Virginia family. The papers concern a broad range of political, social, financial, and legal topics, particularly focusing on J. Hammond Siler, Jr., his parents, J. Hammond Siler, Sr. and Jessie Castleman Siler (residents of the Town of Bath better known as Berkeley Springs). Also includes correspondence and other papers from related families. Subjects include banking, the Civil War, the Episcopal church, secession of Virginia, Virginia Loyalty Oath, women's diaries, and women's letters and papers. A notable item in the collection is the diary of Anne Doyne Wolff Strother, wife of artist and writer David Hunter Strother, documenting a trip with husband and daughter Emily to New Orleans in 1857 (S2/Box 67, folder 1a).","Series include:","Series 1. J. Hammond Siler, Jr. (ca. 1848-1968), boxes S1/Box 1-S1/Box 50 \nSeries 2. J. Hammond Siler, Sr. (ca. 1848-1968), boxes S2/Box 1-S2/Box 89 \nSeries 3. Jessie Castleman Siler (ca. 1848-1968), boxes S3/Box 1-S3/Box 2 \nSeries 4. A.C. Hammond (ca. 1848-1968), boxes S4/Box 1-S4/Box 4 \nSeries 5. Ann R. Castleman (ca. 1848-1968), boxes S5/Box 1-S5/Box 2 \nSeries 6. Photographs (ca. 1848-1968), box S6/Box 1 \nSeries 7. Wrapped Packages (ca. 1848-1968), Wrapped Packages 1-26 \nSeries 8. Oversize Material (ca. 1848-1968), box S8/Box 1","This series includes the personal and business papers and correspondence of J. Hammond Siler, Jr. and his career with the Federal Bank Reserve of Richmond, VA. Also included are records of various regional and national banking conferences and assorted printed material.","This series includes the personal and legal correspondence and papers of J. Hammond Siler, Sr. and his career as a lawyer in West Virginia. Also included are assorted deeds, ledgers, and pamphlets on various legal and religious topics.","This series includes the personal correspondence of Jessie Castleman Siler, wife of J. 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