{"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond","last":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026page=1"},"meta":{"pages":{"current_page":1,"next_page":null,"prev_page":null,"total_pages":1,"limit_value":10,"offset_value":0,"total_count":8,"first_page?":true,"last_page?":true}},"data":[{"id":"viur_repositories_4_resources_36_c04_c01","type":"Subseries","attributes":{"title":"Carl Van Vechten, Personal","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c04_c01","ref_ssm":["viur_repositories_4_resources_36_c04_c01"],"id":"viur_repositories_4_resources_36_c04_c01","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c04","parent_ssi":"viur_repositories_4_resources_36_c04","parent_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c04"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection","Photographs"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection","Photographs"],"text":["Carl Van Vechten - Mark Lutz Collection","Photographs","Carl Van Vechten, Personal","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"title_filing_ssi":"Carl Van Vechten, Personal","title_ssm":["Carl Van Vechten, Personal"],"title_tesim":["Carl Van Vechten, Personal"],"unitdate_inclusive_ssm":["1881-1958"],"normalized_date_ssm":["1881/1958"],"normalized_title_ssm":["Carl Van Vechten, Personal"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":15,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":301,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958],"scopecontent_html_tesm":["\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms."],"_nest_path_":"/components#3/components#0","timestamp":"2026-05-21T04:07:59.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"text":["MS-1","/repositories/4/resources/36","Carl Van Vechten - Mark Lutz Collection","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English French Catalan; Valencian Spanish; Castilian"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e\n","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e\n","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"names_ssim":["University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"corpname_ssim":["University of Richmond "],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English French Catalan; Valencian Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:07:59.594Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c04_c01"}},{"id":"viur_repositories_4_resources_36_c02_c01","type":"Subseries","attributes":{"title":"Personal and Professional Materials","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c01#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c02_c01","ref_ssm":["viur_repositories_4_resources_36_c02_c01"],"id":"viur_repositories_4_resources_36_c02_c01","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c02","parent_ssi":"viur_repositories_4_resources_36_c02","parent_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection","Mark Lutz"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection","Mark Lutz"],"text":["Carl Van Vechten - Mark Lutz Collection","Mark Lutz","Personal and Professional Materials","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays."],"title_filing_ssi":"Personal and Professional Materials","title_ssm":["Personal and Professional Materials"],"title_tesim":["Personal and Professional Materials"],"unitdate_inclusive_ssm":["1920-1968"],"normalized_date_ssm":["1920/1968"],"normalized_title_ssm":["Personal and Professional Materials"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":37,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":114,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968],"scopecontent_html_tesm":["\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays."],"_nest_path_":"/components#1/components#0","timestamp":"2026-05-21T04:07:59.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"text":["MS-1","/repositories/4/resources/36","Carl Van Vechten - Mark Lutz Collection","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English French Catalan; Valencian Spanish; Castilian"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e\n","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e\n","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"names_ssim":["University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"corpname_ssim":["University of Richmond "],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English French Catalan; Valencian Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:07:59.594Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c01"}},{"id":"viur_repositories_4_resources_36_c02_c03","type":"Subseries","attributes":{"title":"Programs","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c02_c03","ref_ssm":["viur_repositories_4_resources_36_c02_c03"],"id":"viur_repositories_4_resources_36_c02_c03","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c02","parent_ssi":"viur_repositories_4_resources_36_c02","parent_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c02"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection","Mark Lutz"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection","Mark Lutz"],"text":["Carl Van Vechten - Mark Lutz Collection","Mark Lutz","Programs","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond."],"title_filing_ssi":"Programs","title_ssm":["Programs"],"title_tesim":["Programs"],"unitdate_inclusive_ssm":["1914-1961"],"normalized_date_ssm":["1914/1961"],"normalized_title_ssm":["Programs"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":18,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":170,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961],"scopecontent_html_tesm":["\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond."],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-21T04:07:59.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"text":["MS-1","/repositories/4/resources/36","Carl Van Vechten - Mark Lutz Collection","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English French Catalan; Valencian Spanish; Castilian"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e\n","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e\n","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"names_ssim":["University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"corpname_ssim":["University of Richmond "],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English French Catalan; Valencian Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:07:59.594Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c02_c03"}},{"id":"viur_repositories_4_resources_39_c01_c01","type":"Subseries","attributes":{"title":"Subseries IA: Unpublished Drafts and Notes","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c01_c01#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c01_c01","ref_ssm":["viur_repositories_4_resources_39_c01_c01"],"id":"viur_repositories_4_resources_39_c01_c01","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c01","parent_ssi":"viur_repositories_4_resources_39_c01","parent_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c01"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c01"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection","Series I: Short Stories"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection","Series I: Short Stories"],"text":["Hazel Paris Cederborg Collection","Series I: Short Stories","Subseries IA: Unpublished Drafts and Notes"],"title_filing_ssi":"Subseries IA: Unpublished Drafts and Notes","title_ssm":["Subseries IA: Unpublished Drafts and Notes"],"title_tesim":["Subseries IA: Unpublished Drafts and Notes"],"unitdate_inclusive_ssm":["1918-1989"],"normalized_date_ssm":["1918/1989"],"normalized_title_ssm":["Subseries IA: Unpublished Drafts and Notes"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":30,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":2,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"_nest_path_":"/components#0/components#0","timestamp":"2026-05-21T04:09:14.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:14.720Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c01_c01"}},{"id":"viur_repositories_4_resources_39_c02_c02","type":"Subseries","attributes":{"title":"Subseries IIB: Personal papers and items","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c02","ref_ssm":["viur_repositories_4_resources_39_c02_c02"],"id":"viur_repositories_4_resources_39_c02_c02","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02","parent_ssi":"viur_repositories_4_resources_39_c02","parent_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"text":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information","Subseries IIB: Personal papers and items"],"title_filing_ssi":"Subseries IIB: Personal papers and items","title_ssm":["Subseries IIB: Personal papers and items"],"title_tesim":["Subseries IIB: Personal papers and items"],"unitdate_inclusive_ssm":["1907-1974"],"normalized_date_ssm":["1907/1974"],"normalized_title_ssm":["Subseries IIB: Personal papers and items"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":20,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":70,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974],"_nest_path_":"/components#1/components#1","timestamp":"2026-05-21T04:09:14.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:14.720Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c02"}},{"id":"viur_repositories_4_resources_39_c02_c03","type":"Subseries","attributes":{"title":"Subseries IIC: Family Information and Photographs","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c03#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c03","ref_ssm":["viur_repositories_4_resources_39_c02_c03"],"id":"viur_repositories_4_resources_39_c02_c03","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02","parent_ssi":"viur_repositories_4_resources_39_c02","parent_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"text":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information","Subseries IIC: Family Information and Photographs"],"title_filing_ssi":"Subseries IIC: Family Information and Photographs","title_ssm":["Subseries IIC: Family Information and Photographs"],"title_tesim":["Subseries IIC: Family Information and Photographs"],"unitdate_inclusive_ssm":["1868-1993"],"normalized_date_ssm":["1868/1993"],"normalized_title_ssm":["Subseries IIC: Family Information and Photographs"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":11,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":91,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1868,1869,1870,1871,1872,1873,1874,1875,1876,1877,1878,1879,1880,1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989,1990,1991,1992,1993],"_nest_path_":"/components#1/components#2","timestamp":"2026-05-21T04:09:14.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:14.720Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c03"}},{"id":"viur_repositories_4_resources_39_c02_c04","type":"Subseries","attributes":{"title":"Subseries IID: Scrapbooks","breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c04#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_39_c02_c04","ref_ssm":["viur_repositories_4_resources_39_c02_c04"],"id":"viur_repositories_4_resources_39_c02_c04","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39_c02","parent_ssi":"viur_repositories_4_resources_39_c02","parent_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_ids_ssim":["viur_repositories_4_resources_39","viur_repositories_4_resources_39_c02"],"parent_unittitles_ssm":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"parent_unittitles_tesim":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information"],"text":["Hazel Paris Cederborg Collection","Series II: Personal Papers and Family Information","Subseries IID: Scrapbooks"],"title_filing_ssi":"Subseries IID: Scrapbooks","title_ssm":["Subseries IID: Scrapbooks"],"title_tesim":["Subseries IID: Scrapbooks"],"unitdate_inclusive_ssm":["1900-1970"],"normalized_date_ssm":["1900/1970"],"normalized_title_ssm":["Subseries IID: Scrapbooks"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Hazel Paris Cederborg Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":8,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":103,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"date_range_isim":[1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970],"_nest_path_":"/components#1/components#3","timestamp":"2026-05-21T04:09:14.720Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_39","ead_ssi":"viur_repositories_4_resources_39","_root_":"viur_repositories_4_resources_39","_nest_parent_":"viur_repositories_4_resources_39","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_39.xml","title_ssm":["Hazel Paris Cederborg Collection"],"title_tesim":["Hazel Paris Cederborg Collection"],"unitdate_ssm":["1893-1989"],"unitdate_inclusive_ssm":["1893-1989"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-33","/repositories/4/resources/39"],"text":["MS-33","/repositories/4/resources/39","Hazel Paris Cederborg Collection","Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories","This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks","Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.","These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.","Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.","Processed by Maelyn Cable.","Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter .","The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.","Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.","University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie","English Turkish"],"unitid_tesim":["MS-33","/repositories/4/resources/39"],"normalized_title_ssm":["Hazel Paris Cederborg Collection"],"collection_title_tesim":["Hazel Paris Cederborg Collection"],"collection_ssim":["Hazel Paris Cederborg Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creator_persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"creators_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"acqinfo_ssim":["Materials in this collection were transferred from Wellesley College in 2016."],"access_subjects_ssim":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"access_subjects_ssm":["Scrapbooks","Publications","Nonbook Materials","Ephemera","Photographs","Photograph albums","Short stories"],"has_online_content_ssim":["false"],"extent_ssm":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"extent_tesim":["7.3 Linear Feet 12 boxes; 4 letter sized boxes, 3 legal sized, 1 small box, 1 medium box, 3 flat oversized boxes"],"genreform_ssim":["Photographs","Photograph albums","Short stories"],"date_range_isim":[1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980,1981,1982,1983,1984,1985,1986,1987,1988,1989],"arrangement_html_tesm":["\u003cp\u003eThis collection is arranged into 2 series, with 7 total subseries:\u003c/p\u003e\n","\u003cp\u003eSeries I: Short Stories\n\u003cul\u003e\n  \u003cli\u003eSubseries IA: Unpublished Drafts and Notes\u003c/li\u003e\n  \u003cli\u003eSubseries IB: Published Short Stories\u003c/li\u003e\n  \u003cli\u003eSubseries IC: Historical and Factual Short Stories\u003c/li\u003e\n\u003c/ul\u003e\nSeries II: Personal Papers and Family Information\n\u003cul\u003e\n  \u003cli\u003eSubseries IIA: Research\u003c/li\u003e\n  \u003cli\u003eSubseries IIB: Personal Papers and Items\u003c/li\u003e\n  \u003cli\u003eSubseries IIC: Family information and Photographs\u003c/li\u003e\n  \u003cli\u003eSubseries IID: Scrapbooks\u003c/li\u003e\n\u003c/ul\u003e\u003c/p\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["This collection is arranged into 2 series, with 7 total subseries:","Series I: Short Stories\n Subseries IA: Unpublished Drafts and Notes Subseries IB: Published Short Stories Subseries IC: Historical and Factual Short Stories \nSeries II: Personal Papers and Family Information\n Subseries IIA: Research Subseries IIB: Personal Papers and Items Subseries IIC: Family information and Photographs Subseries IID: Scrapbooks"],"bioghist_html_tesm":["\u003cp\u003eHazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.\u003c/p\u003e\n","\u003cp\u003eHer interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.\u003c/p\u003e\n","\u003cp\u003eThroughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.\u003c/p\u003e\n","\u003cp\u003eAfter working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Hazel Paris Cederborg was born in 1892 to Charlotte G. Paris and Raphael D. Paris. Throughout her life she worked in education in various forms from elementary to collegiate level. She earned a B.A. (1915) and M.A. in Education from Wellesley College. She taught in New England, Virginia, and Illinois. Hazel is most famously known from authoring Bunny Polka Dot and The Little Red Wagon. She was also an assistant professor of English at Westhampton College in the 1920s.","Her interest in writing first began when her son was a young boy and she discovered she was having a hard time locating interesting educational material for him to read. At the time she was friends with an established author who agreed she had a talent for writing and encouraged her to pursue it. When she first started out she struggled getting her stories published. One of her rejections was from McLoughlin Bros. Inc. in 1940, in which they stated they already had too many animal stories for this year and maybe she should submit her material in the following year. In 1942 she was rejected by Farm Journal and Farmer's Wife because her material was too similar to what they were already publishing. This process would repeat itself all the way into 1949 when she was rejected by Grosset and Dunlap. During this time, she was careful to take notes and learn from her mistakes. She did publish a few stories during this time to The American Home for example, however she was still learning the times that were best to submit. Many times she was simply rejected because she submitted her material at the wrong time of year for the publications. Eventually, she came to understand the publication process and was publishing multiple stories a year. Early on in the process she did get an article published in Writer's Monthly in 1941 entitled, \"What the Editor Wants.\" This article discussed her process when planning to submit an article for publication and what an editor expects to see.","Throughout her life, she wrote numerous articles, informal essays, short stories, articles on family life, and articles for both adults and children. When developing a story, Hazel didn't like to waste paper, so she would use scrap material from her education position to plan out the story before typing. She was a large advocate for immersing children in day to day activities. In Christian Home in 1940 she discussed bringing children into the kitchen and allowing them to participate in meal preparation. She stressed the importance of patience in the parent and allowing the child to learn and use their creativity to solve the problem in front of them. In her later articles she focused on how parents can better understand their teenage children.","After working in higher education, she realized she missed working with young children and took a job in elementary education in District 109 in Deerfield, Illinois. She retired in 1962 but kept working on stories for different organizations well into 1974, such as a biography for Joseph Laurent. She passed away in Feb. 1975 in Highland Park, Illinois."],"custodhist_html_tesm":["\u003cp\u003eThese materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["These materials are from the estate of Debbie Marchand, granddaughter of Hazel Paris Cederborg. They were acquired at auction by Wellesley College, and later this portion was transferred to the University of Richmond in 2016. Materials about Wellesley College were retained by their archives."],"phystech_html_tesm":["\u003cp\u003eCollection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks.\u003c/p\u003e"],"phystech_heading_ssm":["Physical Characteristics and Technical Requirements"],"phystech_tesim":["Collection contains documents, published short stories, photographs, notecards, magnifying glass, letter opener, French apron, scrapbooks."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026amp; Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS- 33, Hazel V. Paris Cederborg Collection, Book Arts, Archives, \u0026 Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eProcessed by Maelyn Cable.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["Processed by Maelyn Cable."],"relatedmaterial_html_tesm":["\u003cp\u003eWellesley College featured material from their collection of Hazel Paris Cederborg materials in their \u003ca href=\"https://www.wellesley.edu/sites/default/files/assets/departments/libraryandtechnology/files/2016springfolnewsletter.pdf\"\u003e2016 spring newsletter\u003c/a\u003e.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Wellesley College featured material from their collection of Hazel Paris Cederborg materials in their  2016 spring newsletter ."],"scopecontent_html_tesm":["\u003cp\u003eThe collection is divided into 2 series, and 7 subseries.\u003c/p\u003e\n","\u003cp\u003eSeries I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.\u003c/p\u003e\n","\u003cp\u003eSubseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.\u003c/p\u003e\n","\u003cp\u003eSubseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.\u003c/p\u003e\n","\u003cp\u003eSubseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.\u003c/p\u003e\n","\u003cp\u003eSeries II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.\u003c/p\u003e\n","\u003cp\u003eSubseries IIA, Research, includes items that contain research ideas for unnamed stories.\u003c/p\u003e\n","\u003cp\u003eSubseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.\u003c/p\u003e\n","\u003cp\u003eSubseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.\u003c/p\u003e\n","\u003cp\u003eSubseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["The collection is divided into 2 series, and 7 subseries.","Series I, Short Stories, contains stories written by Hazel Paris Cederborg for young children focusing around life lessons.","Subseries IA, Unpublished Drafts and Notes, includes stories that were in the planning process or ideas that had yet to be put in some order. These particular stories have topics focusing around family life and many use animals to teach life lessons. A large part of this section contains materials on the Prince of Whales and the planning materials for a story.","Subseries IB, Published Short Stories, contains stories that were published into newspapers, story collections, or books. The first part of this section is large children's storybooks where Hazel Paris Cederborg has one to seven short stories published in each one. In the front of the folders are copies of the stories specifically published by Cederborg. Following the storybooks are published articles to smaller collections or newspapers. The main items in this section are The Little Red Wagon and Bunny Polka Dot.","Subseries IC, Historical and Factual Short Stories, includes short stories based with historically accurate information and focused around living or deceased individuals. These stories were requested by another party to be written by Hazel Paris Cederborg and mainly focus around Somerville, Massachusetts where Cederborg lived for a short time growing up.","Series II, Personal Papers and Family Information, includes information in the collection that was collected by Hazel or other family members pertaining to research or family information including Hazel's retirement.","Subseries IIA, Research, includes items that contain research ideas for unnamed stories.","Subseries IIB, Personal Papers and Items, includes items such as files pertaining to the Westhampton Anniversary Party in 1964, articles containing information about Emil W. Cederborg and Hazel Paris Cederborg, and items held in the procession of the Cederborgs. Towards the end of this section are items that Hazel used for aids in the classroom and items from her desk.","Subseries IIC, Family Information and Photographs, contains items relating to family history. This section is largely comprised of family photographs.","Subseries IID, Scrapbooks, includes scrapbooks created by Hazel Paris Cederborg that contain clippings of articles and stories she published to various sources. At the end of the section are two photo albums; one has the childhood of Hazel and the other of her children."],"separatedmaterial_html_tesm":["\u003cp\u003eCopies of \u003cemph render=\"italics\"\u003eThe Little Red Wagon\u003c/emph\u003e and \u003cemph render=\"italics\"\u003eBunny Polka Dot\u003c/emph\u003e, both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials"],"separatedmaterial_tesim":["Copies of  The Little Red Wagon  and  Bunny Polka Dot , both by Hazel Cederborg, have been added to the Historical Children's Literature Collection in the Galvin Rare Book Room."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright. Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder."],"abstract_html_tesm":["\u003cabstract id=\"aspace_819652907b9b06a93438845f422d76cf\"\u003eThis collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains short story drafts, published articles focusing on children's stories or family life, and Storybook collections containing short children's stories or poems. Also located in the collection are individual family photographs and family photo albums documenting the childhood of Hazel Paris Cederborg and her children. Towards the end of the collection are scrapbooks created by Hazel that house her published articles and short stories on family life."],"names_coll_ssim":["Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"names_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)","Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"corpname_ssim":["University of Richmond ","Wellesley College","Westhampton College (Richmond, Va.)"],"persname_ssim":["Cederborg, Hazel Paris, 1892-1975","Marchand, Debbie"],"language_ssim":["English Turkish"],"total_component_count_is":111,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:09:14.720Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_39_c02_c04"}},{"id":"viur_repositories_4_resources_36_c03_c02","type":"Subseries","attributes":{"title":"Writing","abstract_or_scope":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c02#abstract_or_scope","type":"document_value","attributes":{"value":"\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003cspan\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/span\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","label":"Abstract Or Scope"}},"breadcrumbs":{"id":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c02#breadcrumbs","type":"document_value","attributes":{"value":{"ref_ssi":"viur_repositories_4_resources_36_c03_c02","ref_ssm":["viur_repositories_4_resources_36_c03_c02"],"id":"viur_repositories_4_resources_36_c03_c02","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36_c03","parent_ssi":"viur_repositories_4_resources_36_c03","parent_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c03"],"parent_ids_ssim":["viur_repositories_4_resources_36","viur_repositories_4_resources_36_c03"],"parent_unittitles_ssm":["Carl Van Vechten - Mark Lutz Collection","Gertrude Stein"],"parent_unittitles_tesim":["Carl Van Vechten - Mark Lutz Collection","Gertrude Stein"],"text":["Carl Van Vechten - Mark Lutz Collection","Gertrude Stein","Writing","Stein's published books from the collection have been added into the Rare Book Room collection.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz."],"title_filing_ssi":"Writing","title_ssm":["Writing"],"title_tesim":["Writing"],"unitdate_inclusive_ssm":["1912-1963"],"normalized_date_ssm":["1912/1963"],"normalized_title_ssm":["Writing"],"component_level_isim":[2],"repository_ssim":["University of Richmond"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"has_online_content_ssim":["false"],"child_component_count_isi":26,"level_ssm":["Subseries"],"level_ssim":["Subseries"],"sort_isi":209,"parent_access_terms_tesm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"date_range_isim":[1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963],"relatedmaterial_html_tesm":["\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials"],"relatedmaterial_tesim":["Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents"],"scopecontent_tesim":["Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz."],"_nest_path_":"/components#2/components#1","timestamp":"2026-05-21T04:07:59.594Z","collection":{"numFound":1,"start":0,"numFoundExact":true,"docs":[{"id":"viur_repositories_4_resources_36","ead_ssi":"viur_repositories_4_resources_36","_root_":"viur_repositories_4_resources_36","_nest_parent_":"viur_repositories_4_resources_36","ead_source_url_ssi":"data/oai/RICH/repositories_4_resources_36.xml","title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"unitdate_ssm":["1881-1980"],"unitdate_inclusive_ssm":["1881-1980"],"level_ssm":["collection"],"level_ssim":["Collection"],"unitid_ssm":["MS-1","/repositories/4/resources/36"],"text":["MS-1","/repositories/4/resources/36","Carl Van Vechten - Mark Lutz Collection","Catalogs","Personal correspondence","Photographs","Clippings","Signed copy of the book is cataloged in Rare Book Room collection.","","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara","Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.","Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.","The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.","A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection.","This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.","Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten.","Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.","This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.","University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B.","English French Catalan; Valencian Spanish; Castilian"],"unitid_tesim":["MS-1","/repositories/4/resources/36"],"normalized_title_ssm":["Carl Van Vechten - Mark Lutz Collection"],"collection_title_tesim":["Carl Van Vechten - Mark Lutz Collection"],"collection_ssim":["Carl Van Vechten - Mark Lutz Collection"],"repository_ssm":["University of Richmond"],"repository_ssim":["University of Richmond"],"creator_ssm":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creator_persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"creators_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"access_terms_ssm":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"access_subjects_ssim":["Catalogs","Personal correspondence","Photographs","Clippings"],"access_subjects_ssm":["Catalogs","Personal correspondence","Photographs","Clippings"],"has_online_content_ssim":["false"],"extent_ssm":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"extent_tesim":["18 Linear Feet 15 archival boxes, 1 oversized archival box."],"physfacet_tesim":["Primarily photographs and manuscript material."],"genreform_ssim":["Personal correspondence","Photographs","Clippings"],"date_range_isim":[1881,1882,1883,1884,1885,1886,1887,1888,1889,1890,1891,1892,1893,1894,1895,1896,1897,1898,1899,1900,1901,1902,1903,1904,1905,1906,1907,1908,1909,1910,1911,1912,1913,1914,1915,1916,1917,1918,1919,1920,1921,1922,1923,1924,1925,1926,1927,1928,1929,1930,1931,1932,1933,1934,1935,1936,1937,1938,1939,1940,1941,1942,1943,1944,1945,1946,1947,1948,1949,1950,1951,1952,1953,1954,1955,1956,1957,1958,1959,1960,1961,1962,1963,1964,1965,1966,1967,1968,1969,1970,1971,1972,1973,1974,1975,1976,1977,1978,1979,1980],"altformavail_html_tesm":["\u003cp\u003eSigned copy of the book is cataloged in Rare Book Room collection.\u003c/p\u003e"],"altformavail_heading_ssm":["Existence and Location of Copies"],"altformavail_tesim":["Signed copy of the book is cataloged in Rare Book Room collection."],"arrangement_html_tesm":["\u003cbr\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 2.1: Personal  Professional Materials\u003c/li\u003e\n    \u003cli\u003eSubseries 2.2: Correspondence\u003c/li\u003e\n    \u003cli\u003eSubseries 2.3: Programs\u003c/li\u003e\n    \u003cli\u003eSubseries 2.4: Francis Earle Lutz\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 3.1: Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 3.2: Writing\u003c/li\u003e\n    \u003cli\u003eSubseries 3.3: Articles about Gertrude Stein\u003c/li\u003e\n    \u003cli\u003eSubseries 3.4: Exhibits\u003c/li\u003e\n    \u003cli\u003eSubseries 3.5: Newspaper Clippings\u003c/li\u003e\n    \u003cli\u003eSubseries 3.6: Playbills\u003c/li\u003e\n\u003c/ul\u003e","\u003cul\u003e\n\n\u003cli\u003eSubseries 4.1: Carl Van Vechten, Personal\u003c/li\u003e\n    \u003cli\u003eSubseries 4.2: New York Apartment\u003c/li\u003e\n    \u003cli\u003eSubseries 4.3: Photographs by Carl Van Vechten\u003c/li\u003e\n    \u003cli\u003eSubseries 4.4: Other Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas\u003c/li\u003e\n    \u003cli\u003eSubseries 4.6: Photographs of Mark Lutz\u003c/li\u003e\n    \u003cli\u003eSubseries 4.7: Oversize Photographs\u003c/li\u003e\n    \u003cli\u003eSubseries 4.8: Photographs of art depicting St. Christopher  St. Barbara\u003c/li\u003e\n\u003c/ul\u003e"],"arrangement_heading_ssm":["Arrangement"],"arrangement_tesim":["","Subseries 2.1: Personal  Professional Materials Subseries 2.2: Correspondence Subseries 2.3: Programs Subseries 2.4: Francis Earle Lutz","Subseries 3.1: Personal Subseries 3.2: Writing Subseries 3.3: Articles about Gertrude Stein Subseries 3.4: Exhibits Subseries 3.5: Newspaper Clippings Subseries 3.6: Playbills","Subseries 4.1: Carl Van Vechten, Personal Subseries 4.2: New York Apartment Subseries 4.3: Photographs by Carl Van Vechten Subseries 4.4: Other Photographs Subseries 4.5: Photographs of Gertrude Stein  Alice B. Toklas Subseries 4.6: Photographs of Mark Lutz Subseries 4.7: Oversize Photographs Subseries 4.8: Photographs of art depicting St. Christopher  St. Barbara"],"bioghist_html_tesm":["\u003cp\u003eCarl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.\u003c/p\u003e\n","\u003cp\u003eMark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e. Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the \u003cemph render=\"italics\"\u003eRichmond News Leader\u003c/emph\u003e and the \u003cemph render=\"italics\"\u003eTimes-Dispatch\u003c/emph\u003e as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the \u003cemph render=\"italics\"\u003ePhilco News\u003c/emph\u003e and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed.\u003c/p\u003e"],"bioghist_heading_ssm":["Biographical / Historical"],"bioghist_tesim":["Carl Van Vechten was born in Cedar Rapids, Iowa, on June 17, 1880, the son of Charles Duane Van Vechten and Ada Amanda Fitch. After leaving Iowa to attend college at the University of Chicago, Van Vechten moved to New York in 1906 where he worked as a noted music, drama, art, and cultural critic throughout his life. He was also highly interested in promoting the literary arts as well as authoring numerous works himself. In addition to his own literary work, Van Vechten supported a number of authors and artists, especially those affiliated with the Harlem Renaissance, as well as befriending Gertrude Stein. In his later years, Van Vechten also became a noted portrait photographer. He married Anna Elizabeth Snyder in 1907, but the couple divorced in 1912.  He later married Russian actress, Fania Marinoff, in 1914. Van Vechten passed away in New York in 1964. Numerous biographies and specialized studies are available in the library for further research.","Mark Lutz was born in Glassborough, New Jersey, in 1901, but moved with his family to Richmond the next year when his father became the editor of the  Richmond News Leader . Lutz attended the University of Richmond, graduating in 1926 before following his father into the business of journalism. Lutz worked for both the  Richmond News Leader  and the  Times-Dispatch  as a book reviewer and theater critic. He met Van Vechten through a friend in the early 1930s and remained lifelong friends. Lutz eventually moved to the Germantown area of Philadelphia, working for the  Philco News  and other industrial publications. Lutz passed away in Philadelphia in 1969. Upon his death, per his request, the letters between Lutz and Van Vechten were destroyed."],"custodhist_html_tesm":["\u003cp\u003eDonated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992.\u003c/p\u003e"],"custodhist_heading_ssm":["Custodial History"],"custodhist_tesim":["Donated by Mark Lutz, William Jepson, and Bruce Kellner at various times between 1978 and 1992."],"prefercite_html_tesm":["\u003cp\u003e[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia.\u003c/p\u003e"],"prefercite_tesim":["[Box Number, Folder Number], MS-1, Carl Van Vechten – Mark Lutz Collection, Book Arts, Archives,  Rare Books, Boatwright Memorial Library, University of Richmond, Richmond, Virginia."],"processinfo_html_tesm":["\u003cp\u003eThe photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian.\u003c/p\u003e"],"processinfo_heading_ssm":["Processing Information"],"processinfo_tesim":["The photographs in Subseries IVH contain depictions of St. Christopher and St. Barbara in various locations, primarily in Spain. To respect the cultural and linguistic diversity of the region, the co-official local languages have been used to reference the names of towns, cities, and other places (including museums and churches). Languages included are: Catalan and  Valencian."],"relatedmaterial_html_tesm":["\u003cp\u003eA number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.\u003c/p\u003e","\u003cp\u003eSeveral of Earle Lutz's published words are available in the Rare Book Room Collection.\u003c/p\u003e","\u003cp\u003eStein's published books from the collection have been added into the Rare Book Room collection.\u003c/p\u003e"],"relatedmaterial_heading_ssm":["Related Materials","Related Materials","Related Materials"],"relatedmaterial_tesim":["A number of institutions hold manuscript or photograph collections of Van Vechten materials.  Those institutions include: the New York Public Library, the Beinecke Rare Book  Manuscript Library of Yale University, Brandeis University, Millersville University, Marquette University, and the Library of Congress.","Several of Earle Lutz's published words are available in the Rare Book Room Collection.","Stein's published books from the collection have been added into the Rare Book Room collection."],"scopecontent_html_tesm":["\u003cp\u003eThis collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.\u003c/p\u003e","\u003cp\u003eSeries 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.\u003c/p\u003e","\u003cp\u003eSeries 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.\u003c/p\u003e","\u003cp\u003eSubseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.\u003c/p\u003e","\u003cp\u003eSubseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.\u003c/p\u003e","\u003cp\u003eSubseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.\u003c/p\u003e","\u003cp\u003eSubseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.\u003c/p\u003e","\u003cp\u003eSeries 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.\u003c/p\u003e","\u003cp\u003eSubseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.\u003c/p\u003e","\u003cp\u003eSubseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed \u003ctitle\u003ePortrait of Mabel Dodge at the Villa Curonia\u003c/title\u003e, which was bound with wallpaper and published in Italy, inscribed to Lutz.\u003c/p\u003e","\u003cp\u003eSubseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.\u003c/p\u003e","\u003cp\u003eSubseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.\u003c/p\u003e","\u003cp\u003eSubseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.\u003c/p\u003e","\u003cp\u003eSubseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.\u003c/p\u003e","\u003cp\u003eSeries 4, Photographs, contains the visual and photographic materials of the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.\u003c/p\u003e","\u003cp\u003eSubseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.\u003c/p\u003e","\u003cp\u003eSubseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.\u003c/p\u003e","\u003cp\u003eSubseries 4.4 contains a few photographs that were for promotion or of art pieces.\u003c/p\u003e","\u003cp\u003eSubseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.\u003c/p\u003e","\u003cp\u003eSubseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.\u003c/p\u003e","\u003cp\u003eSubseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.\u003c/p\u003e","\u003cp\u003eSubseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints.\u003c/p\u003e"],"scopecontent_heading_ssm":["Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents","Scope and Contents"],"scopecontent_tesim":["This collection contains a diverse array of materials that reflect the personal and professional lives of Mark Lutz, Carl Van Vechten, and their connections with key cultural figures. The materials include typescripts, letters, newspaper clippings, exhibition catalogs, and programs, providing insights into their careers and relationships. Photographs feature prominently, with portraits taken by Van Vechten of notable figures like Gertrude Stein and Alice B. Toklas, as well as images of Van Vechten and Lutz. The collection also includes manuscripts, playbills, writings by Stein, and other documents related to their artistic and literary circles.","Series 1, Carl Van Vechten, contains personal materials in relation to Van Vechten. Beginning with a typescript manuscript of a description of a theater fire in Chicago in 1903, these materials include notices, programs, letters, newspaper clippings, and exhibition catalogs and announcements. Also included are writings by Van Vechten.","Series 2, Mark Lutz, contains information about Lutz's career and works as well as that of Van Vechten.","Subseries 2.1, Personal and Professional Materials, track Lutz's career as a journalist as well as manuscript copies of several plays.","Subseries 2.2, Correspondence, contains a variety of letters between Lutz and several correspondents, including fellow Richmonders James Branch Cabell and Ellen Glasgow as well as Langston Hughes.","Subseries 2.3, Programs, contains performance programs from an array of performances Lutz and Van Vechten attended in New York and Richmond.","Subseries 2.4, Francis Earle Lutz, contains materials about Lutz's brother, also a noted author and veteran.","Series 3, Gertrude Stein, contains materials related to the relationship between Lutz, Van Vechten, Alice B. Toklas, and Gertrude Stein.","Subseries 3.1, Personal, contains items of a personal nature, including correspondence and a canceled check.","Subseries 3.2, Writing, contains primarily materials written by Stein, often inscribed to Van Vechten and/or Lutz. Of particular note is Box 6, File 16, which contains a copy of the privately printed  Portrait of Mabel Dodge at the Villa Curonia , which was bound with wallpaper and published in Italy, inscribed to Lutz.","Subseries 3.3 contains articles written about Gertrude Stein, including reviews, biographical pieces, and more general informational write-ups.","Subseries 3.4, Exhibits, is a series of catalogs and programs written by Stein for various exhibits.","Subseries 3.5 contains newspaper clippings about Stein and especially her travels in the United States in the mid-1930s.","Subseries 3.6, Playbills, contains collected examples of playbills for various productions of Stein-authored works.","Series 4, Photographs, contains the visual and photographic materials of the collection.","Subseries 4.1 contains personal photographs of Van Vechten, his wife Fania Marinoff, and images of Van Vechten with acquaintances or depicted in art forms.","Subseries 4.2 contains images of the New York apartment which was home to Van Vechten and Marinoff during the 1930s, located at 150 W. 55th Street in New York City.","Subseries 4.3 contains photographs taken by Carl Van Vetchen, which are nearly all photographic portraits.","Subseries 4.4 contains a few photographs that were for promotion or of art pieces.","Subseries 4.5 contains Van Vechten's photographs of Gertrude Stein and Alice B. Toklas, perhaps some of the best-known items in the collection.","Subseries 4.6 contains Van Vechten's many photographic studies of Mark Lutz in various positions, costumes, locations, and sizes.","Subseries 4.7 contains oversize photographs by Van Vechten, including photos of Stein and Toklas as well as other artistic figures of the 1930s.","Subseries 4.8 contains many photographs and cards of art depicting images of St. Christopher and St. Barbara that were most likely used to research Stein and Lutz's writings about saints."],"separatedmaterial_html_tesm":["\u003cp\u003eBooks written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".\u003c/p\u003e","\u003cp\u003eContains blurb by Carl Van Vechten.\u003c/p\u003e"],"separatedmaterial_heading_ssm":["Separated Materials","Separated Materials"],"separatedmaterial_tesim":["Books written or collected by Carl Van Vechten or Mark Lutz, including Gertrude Stein books, have been separated from the manuscript collection and cataloged into the Rare Book Room collection. All of these materials may be located via the library catalog by searching \"Mark Lutz Collection\".","Contains blurb by Carl Van Vechten."],"userestrict_html_tesm":["\u003cp\u003eCopyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.\u003c/p\u003e\n","\u003cp\u003eRestrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com.\u003c/p\u003e"],"userestrict_heading_ssm":["Conditions Governing Use"],"userestrict_tesim":["Copyright restrictions may apply. Unpublished manuscripts are protected by copyright.  Permission to publish, quote, or reproduce must be secured from the repository and the copyright holder.","Restrictions on Photographs: Photographs by Carl Van Vechten are used only with permission of the Van Vechten Trust, and it is the researcher's responsibility to request that permission. The permission of the Trust is required prior to any reprint or use of Van Vechten photographs in any way, including publication. To contact the Trust, email VanVechtenTrust@gmail.com."],"abstract_html_tesm":["\u003cabstract id=\"aspace_406af6246fd0b3294dbef1a4bf848fca\"\u003eThis collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten.\u003c/abstract\u003e"],"abstract_tesim":["This collection contains materials relating to the life and writings of Carl Van Vechten and Gertrude Stein as shared and collected by Mark Lutz. Materials include correspondence and a variety of printed materials including programs, catalogs, reviews, and clippings as well as a substantial number of photographs taken by Van Vechten."],"names_ssim":["University of Richmond ","Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"corpname_ssim":["University of Richmond "],"names_coll_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"persname_ssim":["Van Vechten, Carl, 1880-1964","Lutz, Mark, 1901-1969","Stein, Gertrude, 1874-1946","Toklas, Alice B."],"language_ssim":["English French Catalan; Valencian Spanish; Castilian"],"total_component_count_is":581,"online_item_count_is":0,"component_level_isim":[0],"sort_isi":0,"timestamp":"2026-05-21T04:07:59.594Z"}]}},"label":"Breadcrumbs"}}},"links":{"self":"https://arvasarchive.org/catalog/viur_repositories_4_resources_36_c03_c02"}}],"included":[{"type":"facet","id":"repository_ssim","attributes":{"label":"Repository","items":[{"attributes":{"label":"University of Richmond","value":"University of Richmond","hits":8},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/repository_ssim.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"collection_ssim","attributes":{"label":"Collection","items":[{"attributes":{"label":"Carl Van Vechten - Mark Lutz Collection","value":"Carl Van Vechten - Mark Lutz Collection","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Carl+Van+Vechten+-+Mark+Lutz+Collection\u0026f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"Hazel Paris Cederborg Collection","value":"Hazel Paris Cederborg Collection","hits":4},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bcollection%5D%5B%5D=Hazel+Paris+Cederborg+Collection\u0026f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/collection_ssim.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"date_range_isim","attributes":{"label":"Date range","items":[{"attributes":{"label":"1868","value":"1868","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1868\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1869","value":"1869","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1869\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1870","value":"1870","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1870\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1871","value":"1871","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1871\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1872","value":"1872","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1872\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1873","value":"1873","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1873\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1874","value":"1874","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1874\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1875","value":"1875","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1875\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1876","value":"1876","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1876\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1877","value":"1877","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1877\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"attributes":{"label":"1878","value":"1878","hits":1},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Bdate_range%5D%5B%5D=1878\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/date_range_isim.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"facet","id":"level_ssim","attributes":{"label":"Level","items":[{"attributes":{"label":"Subseries","value":"Subseries","hits":8},"links":{"remove":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}}]},"links":{"self":"https://arvasarchive.org/catalog/facet/level_ssim.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond"}},{"type":"search_field","id":"all_fields","attributes":{"label":"All Fields"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=all_fields"}},{"type":"search_field","id":"keyword","attributes":{"label":"Keyword"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=keyword"}},{"type":"search_field","id":"name","attributes":{"label":"Name"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=name"}},{"type":"search_field","id":"place","attributes":{"label":"Place"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=place"}},{"type":"search_field","id":"subject","attributes":{"label":"Subject"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=subject"}},{"type":"search_field","id":"title","attributes":{"label":"Title"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=title"}},{"type":"search_field","id":"container","attributes":{"label":"Container"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=container"}},{"type":"search_field","id":"identifier","attributes":{"label":"Identifier"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026search_field=identifier"}},{"type":"sort","id":"score desc, title_sort asc","attributes":{"label":"relevance"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=score+desc%2C+title_sort+asc"}},{"type":"sort","id":"date_sort asc","attributes":{"label":"date (ascending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=date_sort+asc"}},{"type":"sort","id":"date_sort desc","attributes":{"label":"date (descending)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=date_sort+desc"}},{"type":"sort","id":"creator_sort asc","attributes":{"label":"creator (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=creator_sort+asc"}},{"type":"sort","id":"creator_sort desc","attributes":{"label":"creator (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=creator_sort+desc"}},{"type":"sort","id":"title_sort asc","attributes":{"label":"title (A-Z)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=title_sort+asc"}},{"type":"sort","id":"title_sort desc","attributes":{"label":"title (Z-A)"},"links":{"self":"https://arvasarchive.org/catalog.json?f%5Bdate_range%5D%5B%5D=1921\u0026f%5Blevel%5D%5B%5D=Subseries\u0026f%5Brepository%5D%5B%5D=University+of+Richmond\u0026sort=title_sort+desc"}}]}